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LAS HIJAS DE LA CRIADA | CAPÍTULO 3
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00:02Ma'am, the gentleman's wounds appear...
00:04They look like blows.
00:06Why are they blows?
00:07My sister did not die from an illness.
00:09You lied to me, Gustavo, again.
00:12I think you'd be more at peace if you stopped interfering in my business.
00:15All these tantrums are because you won't be able to show off in front of José Ortiz anymore, right?
00:18You are the most beautiful woman in the entire Caribbean.
00:21You have a guide, but it will take time to get to know her.
00:25I'm sorry, Renata, but we can't hire anyone else.
00:28I want to move away from the manor.
00:30Spend as little time as possible with that beast of a sister of yours.
00:32If the horseshoes are moving forward, it's thanks to you.
00:34You speak just like Doña Inés.
00:36He encouraged us to fight for what was right.
00:38I so long to return to Galicia.
01:16Thank you!
01:17Thank you!
01:22Thank you!
01:28Thank you!
01:39Thank you!
01:55Thank you!
02:05Thank you!
02:09Thank you!
02:10Thank you!
02:12Thank you!
02:13Thank you!
02:31Thank you!
02:32Thank you!
02:48Thank you!
02:53Thank you!
02:54Thank you!
03:24Thank you!
03:30Thank you!
03:32Thank you!
03:44Thank you!
04:04Thank you!
04:08Thank you!
04:28Thank you!
04:30I confess I was surprised not to hear from you!
04:34According to my calculations, you should have arrived a couple of weeks ago.
04:40Please write to me to let me know that there have been no unforeseen problems.
04:45I'm counting down the days until I see my family again.
04:48Gustavo loves you.
05:00Ah!
05:01A rat!
05:02A rat!
05:03What happened?
05:04Right there under the bed!
05:05Kill her!
05:06Kill her!
05:10It's just a mouse, nothing more.
05:14You can leave now.
05:16He likes it pointed and located.
05:19It will be very different from Cuba.
05:21Yes, especially because the house there was clean and there were no rats.
05:26That's what old houses are like.
05:27And the lazy maids too.
05:36I will set traps.
05:40By the way, her mother is waiting for her downstairs to have breakfast together.
05:46My mother has already made too many decisions for me.
06:18But what are you doing here?
06:20Catalina?
06:22I'm leaving now.
06:23Catalina!
06:25What's going on here?
06:27Well, I don't know what he's doing here.
06:28I'm sorry, it won't happen again.
06:31Can you read?
06:33Yeah.
06:34And to write.
06:35A bit.
06:36Who taught you?
06:38I learned on my own.
06:40And how long have you been sneaking into my father's library?
06:44For as long as I can remember.
06:45No problem.
06:47You have permission to enter whenever you want.
06:49And you can take books on the condition that you bring them in good condition.
06:52OK?
06:52Thank you, Mrs. Inés.
06:53I will take care of them like a treasure.
06:55If you'll excuse me.
06:57And why haven't you come down for breakfast?
07:01You can't spend all day locked up, Catalina.
07:03I have nothing better to do.
07:23This will be the last time you go into viruses, okay?
07:25That I didn't do anything.
07:27Furthermore, if you think it's normal that they take the food to the cities while we go here...
07:30let's see.
07:31Has it done what there is?
07:32It hasn't happened, no.
07:34Uncle Fermín, the girl from Santiago says that the Barba Peláez family has a warehouse full of food.
07:38And here we are, working longer hours every day for the same pay.
07:41It's just not fair.
07:42Well, we don't decide what's fair or unfair.
07:44We'll get to work and be thankful, okay?
07:46It would be worse to be begging on the street.
07:48The older one eating lamb.
07:52Look, Clariña, ideals aren't for people like us.
07:56And the sooner you accept it, the better.
08:00Come on.
08:01Come on.
08:06Little girl.
08:07No.
08:14They say she returned without her husband.
08:16She would stay there with another woman.
08:17Don't you think so?
08:19Clara, do you know anything?
08:21Scale that they see, that they see.
08:23Here it goes.
08:25Good morning, ladies.
08:26Good morning.
08:27Hello.
08:28What a joy to see so many women here.
08:31Until recently, many people thought it was an absurd idea that we worked in factories.
08:35And now, without us, he would divide the country.
08:39How's everything going?
08:41How's everything going?
08:42Clear.
08:43Everything is fine, Doña Inés.
08:44We are very grateful to his family.
08:48Are you OK?
08:49Yes, yes, sir.
08:50Yes, yes, sir.
08:51You don't look bad.
08:52Please sit down.
08:55Careful, careful.
08:57It's happening in the hand.
08:58No, it's nothing.
08:59He had an accident.
09:01And his wound did not heal properly.
09:06He's been working non-stop for weeks.
09:10And what about Sunday rest days?
09:12They are not fulfilled.
09:28It seems like only yesterday I was last in this office.
09:33Everything is there...
09:35distinct.
09:37Her husband left us a business that was on its last legs.
09:41And now we are leaders in the region.
09:43And we are prepared to offer a good sum for your part of the sawmill.
09:48We haven't come here to sell.
09:51Do you know what this is?
09:54The first slat we made.
09:57Gustavo had it on his desk to remind him how difficult it was to start this business.
10:02Now it's time to look to the future, Mrs. Valés.
10:04My husband owns 60% of this sawmill, so I'm afraid we'll be looking to the future together.
10:11My son and I will work here.
10:14Jaime will be the new sales director, and I'd like to make more changes because I've noticed that the employees are working harder.
10:19hours of the permitted hours.
10:20Well, since the war started we've been exporting to France.
10:24We've had to double production.
10:27I am concerned that the leadership he boasts about so much is at the expense of the workers.
10:32Well, if he's so worried, he can sell it and go back to Cuba.
10:36This sawmill doesn't need saving, Mrs. Valés.
10:40I don't know if the same can be said of her marriage.
10:46This is still our business.
10:50And we will work on it.
10:53Good day.
10:58And what about Doña Inés? What do you think?
11:01I hardly know her.
11:03They left when I was very young.
11:11The rest seem different to me.
11:14What are you doing?
11:15What's it to you?
11:16No, I don't care, but I was wondering if you wanted to do something this afternoon.
11:20What are you saying, you bandit?
11:22Don't call me that.
11:24Since you didn't tell me your name, are you doing anything this afternoon or not?
11:27Be careful with this one, sailors are more mischievous.
11:30Depends.
11:30About what?
11:33Whatever is offered.
11:34Oh, no, you're not offering much, are you? I'm not going to lie to you.
11:38At the beach with the boats this afternoon.
11:40Will you come?
11:41We'll see.
11:45And my name is Clara.
11:48You heard.
11:49I've already caught Sharda, I'm telling you.
11:52Green, green is incredible.
11:54This green is beautiful.
11:55No, I don't like this place.
11:57But why?
11:58Because it's not so bad, look.
12:01Look at that sea.
12:02And I've been told that the summers are pleasant.
12:04I don't want to be here in the summer.
12:06I want to go back to our house with our father.
12:08Okay, I know you miss it.
12:11But I don't know, we're already here, aren't we?
12:14We have to give him a chance.
12:17Petalina.
12:18Will you do it?
12:22And this one?
12:24Mother has given him permission to enter the house.
12:27He must have seen something in her, right?
12:54It's hard to turn it on in this cold and damp weather.
12:58Look!
12:58You'll see, there you go. I know we hardly know each other, but can I ask you a favor?
13:06Tell me. Let's see...
13:10If my mother asks, can you tell her she's sending me all the way to Puebla for a dress?
13:16And where are you really going? To meet up with a boy.
13:23His name is Celso. And he's a sailor at the cannery. And every time I see him, my heart trembles.
13:30legs.
13:31Has this ever happened to you? Miss, I can't lie to your mother. And it's best if you don't go.
13:36I won't be long. And it's only if my mother asks. Please.
13:40I'll do it for you. Really? I'll pay you back. You can ask me for anything you want. Thank you.
14:16To be honest, I thought you weren't coming. Don't get your hopes up.
14:19I only came because I owed you one for what happened the other day at the market.
14:24What are you? Help kill hunger.
14:34Where are you from?
14:35The domain. I'm here for work, but I won't be staying long.
14:39I'm saving up to go to America.
14:42To America? America for what?
14:44What do you mean, "Why?" To see the Statue of Liberty?
14:47Yes, of course. Well, I don't think so, not even in your dreams.
14:51All we can do is work and give thanks to people like us.
14:54And can't we dream? Who put that idea in your head?
14:57And what good is it if dreams don't come true?
14:59What do you mean, no?
15:03Look, one day I'm going to take you with me to America.
15:06We will go on a ship from the transatlantic company.
15:09But not in third class, okay?
15:11In the best cabin, the most expensive of all.
15:13And in America we will live in New York.
15:16Yes, I am going to be a businessman.
15:20And you...
15:22What do you want to be?
15:26No... I don't know.
15:29Well, you already know.
15:32In America we will live in a big, brick house.
15:35And every night we'll go out to dinner at the best restaurant in town.
15:39And we'll eat the biggest steak and potatoes I've ever seen.
15:43And we will drink wine, we will take a walk hand in hand.
15:49Under the moon.
15:52And then...
15:56Didn't you let me finish?
15:57I already told you not to put dreams on.
16:02Goodbye, Celso.
16:05Goodbye, Clara.
16:26There's no bread, is there?
16:28No.
16:31I'm not tired, Karen.
16:33Good night.
16:38And where do you come from?
16:40Catalina sent me to get a dress and I was late.
16:45Besides being a shameless liar.
16:48What? Have you already spread your legs?
16:50You didn't take long.
16:53We can't feed any more mouths here. Let that be clear.
17:17That?
17:31Ah! It's bitter.
17:33I want a mango.
17:35There isn't any here, miss.
17:36If that's the case, I don't want anything.
17:44You told my mother where I was yesterday.
17:46How do you know it wasn't her?
17:48Because I know it.
17:50He already got away from me.
17:52What's the matter?
17:53What bothers you? You're envious.
17:55Envy? From whom?
17:57From you?
17:59Miss, please stop.
18:01What did I do to you?
18:02Why are you picking on me?
18:04Because I don't like you.
18:06And I'm going to tell my mother.
18:08You go around staying alone with sailors.
18:11So you know who you're letting into your home.
18:14To just anyone.
18:17Remove it.
18:18Take it back!
18:19Clear.
18:20Apologize to him right now.
18:21She was the one who called me...
18:22Ask him for forgiveness.
18:27Sorry.
18:53Your daughter was right.
18:56What my daughter needs to know is where she belongs.
18:59You make a lot of excuses for Catalina.
19:03Is she the lady's daughter?
19:19I don't know what they're looking at.
19:21No, girl.
19:23I don't know.
19:24How scary.
19:26No.
19:28Are they going to fire the sick people?
19:30No.
19:31Obviously.
19:32Quite the opposite.
19:33Doña Inés wants to help us.
19:35Peaceful.
19:37Again?
19:43Note.
19:43Malnutrition and bronchitis.
19:45That's it.
19:46Malnutrition.
19:48Are you alright?
19:50Yeah.
19:50Yes, it's just the change in climate.
19:52And this is where we keep a detailed record of our contracts with clients.
20:00Hey, I know my mom can be a little blunt.
20:03But I'm sure we can understand each other.
20:10What's going on out there?
20:19But what is all this?
20:25A medical examination.
20:28Did you know this?
20:29To find out the status of the staff.
20:31You can't do anything without my father's permission.
20:35Come on, let's get to work.
20:37We want to prevent sick people from working and putting themselves in danger.
20:41I said let's get to work.
20:46We're done for today, but I promise you things are going to change.
21:04I'm sorry.
21:05No, it's okay.
21:10Gustavo Valdés.
21:12I'm waiting to hear from my wife.
21:26Do you have a telegram, sir?
21:29Thank you.
21:35Dear Gustavo, we want to buy 100% of the sawmill.
21:39His wife is not happy about it, but the decision is his.
21:43I trust that you will know how to choose the best option.
21:53Ma'am, the doctor has prescribed this mint.
21:55Their infusions are good for the head.
21:58Shall I make you one?
21:58Yes, thanks.
22:02Doña Inés, may I?
22:05You don't need to ask permission to enter.
22:08And don't call me Doña Inés either.
22:09Come on, sit down.
22:12I've already finished it.
22:15If you like adventure novels, I can recommend another one.
22:19Have you read The Three Musketeers?
22:22I thought I'd read something more about life or love.
22:32So you're in love.
22:35I don't know.
22:36How do you know if it's love?
22:38What did you feel when you met Don Gustavo?
22:45I felt alive.
22:48Very lively.
22:50We met at a dance in San Lázaro.
22:53I was with my sisters and he was there.
22:57Very handsome.
22:58Wearing a white linen shirt.
23:01We looked at each other and I knew she was the love of my life.
23:04And did they get married?
23:05Well, but much later.
23:07He was sent to study here, and I was sent to New York.
23:11And we wrote letters to each other.
23:14When I returned to Cuba, that's when we got married.
23:17It's a beautiful story.
23:20Love can overcome obstacles, but it needs to be nurtured or it will wither.
23:30I'll think of a new book for you that talks about life and love.
23:34OK.
23:36Thank you, ma'am.
23:38Thank you, Inés.
24:06We haven't been introduced.
24:07I am Braulio Barba Peláez.
24:09You must be Catherine.
24:14Do you mind if I come with you?
24:16You weren't going to do it anyway.
24:19I've heard you haven't made any friends yet.
24:23And since we're from the same class...
24:25And what kind is that?
24:28I think she's settled.
24:30No.
24:31Well, I, on the other hand, have heard that your family inherited through a stroke of luck,
24:35but your grandparents raised cattle.
24:38We come from humble beginnings.
24:41And now also one of the most powerful families in the area.
24:44Oh, well, it still gives me a slight cow smell.
24:53And what about Cuba?
24:54Because I've heard that...
24:56that you have left your beloved there.
24:57José.
24:58His name is José.
24:59It's curious, isn't it?
25:00Your family's hobby.
25:02Because of long-distance marriages.
25:05I don't know about you, Gerardo, but I have a lot of things to do.
25:08Braulio, Barba Peláez.
25:09Oh, you have chocolate.
25:11Take care of yourself.
25:12Get out of here.
25:13Thanks for watching the video
25:52Mother, I'm going to the village
26:03That sailor again
26:05I saw him this morning with a girl
26:09Congratulations
26:09In a friendly manner
26:23Thank you
26:32Why didn't you come to the beach? I was waiting for you.
26:35I couldn't
26:39Did something happen?
26:41You went upstairs with a girl this morning
26:44What's wrong? Are you jealous?
26:46Come on, you don't deny it
26:47I don't even know what I'm supposed to deny.
26:48I've already been warned about guys like you.
26:51How do I eat?
26:54You know that perfectly well.
26:55You take us to the beach, you tell us stories
26:57But then you do the same thing with another one
27:00Don't act like you're the poor thing
27:01You're not exactly a pushover, are you?
27:02Yes, I know.
27:04That's why it's a lie.
27:06What does it matter?
27:08You've already drawn your own conclusions, haven't you?
27:18Mother, why didn't you tell me about the medical examination?
27:20I didn't have time
27:22And do you think it's a good idea to make promises to workers?
27:26Would you speak to your father like that if he were in charge of this?
27:31By the way
27:32He sent a telegram
27:34It seems the Barbapéleas are determined to buy the sawmill
27:38And what did he say?
27:39No, he's fine with it
27:41I was able to sell it illegally because it belongs to him, but
27:44Because he doesn't want that to cause a conflict between us
27:47He asks me to accept willingly.
27:48So, what are you going to do?
27:50I haven't answered
27:53I need you by my side, Jaime
27:57I need to prove to your father and everyone else that this is still our business.
28:01And we have good ideas for improving it.
28:04Count on me, mother
28:08Is there anything I can do?
28:09Yeah
28:11He calls on the group of businessmen
28:24Reduce profits to improve working conditions and avoid strikes
28:29How interesting
28:31Although they would never accept it
28:34Why is it not viable?
28:37Or why am I a woman?
28:40She has courage, Inés.
28:42But she won't get very far on her own.
28:45Thanks for the advice
28:47If you'll excuse me
28:48Our husbands' families had their ups and downs, but
28:52What do we care about that?
28:54Those are things of the past, don't you think?
28:57I think 17 years isn't that long ago
29:00As?
29:02Our trees suddenly became sick and our business almost went under.
29:08He would do well to ask himself who benefited from all that.
29:12Perhaps I have an enemy within my own home.
29:17If you need anything, you know where to find us.
29:22Thank you
29:29Apparently, Mrs. Valdés met with those in charge to see if they wouldn't raise her salary.
29:33And what did they tell you?
29:34What do you think?
29:35To your crazy hand
29:36I'm not going to achieve anything, you'll see.
29:38Well
29:39Regina, how suddenly positive!
29:45Who's going?
29:46You?
29:47I'll be right back
29:48And what about you?
29:49What about me?
29:50Is something wrong with you?
29:52Nothing's wrong with me.
29:55Sure
29:56Nothing's wrong with me.
29:59Wow, that's great!
29:59Well, a march
30:01Ah, but...
30:02Because?
30:04Something's wrong.
30:06Vadida!
30:06We need to talk.
30:07Oh, yes, what about?
30:08Hey, don't get so worked up, you're the one who messed up, okay?
30:12The girl from the other day is named Aldara
30:15And is she your girlfriend?
30:16Of course not
30:16He was helping us with something, and I didn't tell you so as not to get you in trouble.
30:19What thing?
30:23Come on
30:25Tonight we're going into the Barba Peláez warehouse
30:29Aldara is the daughter of the guards, she was helping us
30:34And if you don't believe me, come and see for yourself.
30:52I'll bring you dinner.
30:54I don't want her
30:58I'll leave it here
31:10I was born in this town
31:15In a humble house
31:18Just like my daughter
31:21And I don't know what it is.
31:23Living in another country
31:25Or move house
31:29But when you look at it closely, it doesn't have any good points.
31:33Like what?
31:38The mountain
31:40The estuary
31:41And the chestnuts
31:45Well, I hate it and I don't want to be here another day.
31:55Are you leaving?
32:02That?
32:03No, no, no, no.
32:42And what are you doing here?
32:43And you?
33:05Now, now.
33:07Now, now.
33:11Oh, the silly one, oh, the silly one.
33:13Careful, careful.
33:16Oh, the silly one, oh, the silly one.
33:25Careful.
33:27Then the bandit is his.
33:29You're leading me astray.
33:34With a full belly, there's no bad road.
33:36Come on, come on, come on.
33:38Oh.
33:39What's happening?
33:40Oh, no.
33:45Come on, come on, come on.
33:50Come on, come on, come on.
33:55Come on, come on...
33:56What's wrong, moon?
34:00Oh, the silly girl, oh, the silly girl.
34:02Oh, the silly girl.
34:02Come on, come on, come on.
34:04Come on, come on.
34:07There isn't one, the silly girl.
34:19La raa lai lai lai rei
34:21La raa lai lai
34:23La raa lai lai rei
34:25La raa lai rei
34:28Let's see
34:30A breeze
34:31It's good.
34:34Ah!
34:57Let's all dance
35:20Let's all dance
35:54Let's all dance
36:36Let's all dance
36:41Let's all dance
37:04Everything was going very well until you arrived
37:06No, everything was going very well until my trees
37:08They mysteriously fell ill
37:10He's accusing me of something
37:12and you to me
37:15I will find the culprits
37:16Go to the casino and see if anyone heard anything
37:18and take
37:29But Clara, did you really think I wouldn't find out?
37:32a whole warehouse packed to the brim
37:36It's impossible to know what's wrong with you.
37:39what's the matter?
37:41How could you even think of stealing from your bosses?
37:42who are your bosses
37:44which is a crime
37:44If they catch you, you'll go to jail.
37:46Yes, but they store that food
37:47to then sell it for more money
37:49Uncle Fermín
37:50that they do not go hungry
37:51And we do.
37:58Do you recognize this cap?
38:00any information they have
38:01My family will thank you.
38:10Can we talk?
38:14not now
38:16I need a ticket for the steamship
38:17who go to Havana for three days
38:21my father
38:22Yours will be very grateful.
38:24My father has major problems.
38:25Or don't you know we were robbed?
38:29sirs
38:31Do you recognize this cap?
38:33because it could belong to someone
38:34of its workers
38:40I do
38:46if you get me the ticket
38:47I'm telling you
38:49So you weren't going with your friends?
38:53No
38:55You alone could not have emptied
38:57that warehouse
38:58He was defending himself a little while ago
39:00And it turns out Antonio was right.
39:01You're a hoarder and I'm selfish.
39:03You're not making it easy for me, Clara.
39:04I'm giving it my all to help you
39:06And who asked you for help?
39:09nobody
39:10I do it because I want to.
39:11so that?
39:13To feel better at night?
39:16Or to ease their conscience
39:18while looking around
39:18and sees hunger and misery
39:19while you and your children
39:20They sleep on linen sheets
39:22And do they eat meat every day?
39:26I'm trying
39:28You may fail
39:29Doña Inés
39:30that we can't even try
39:35If you'll excuse me
39:37clear
39:39Doña Inés
39:40please
39:42Don't report her to the authorities.
39:43I promise you it won't happen again
39:45Fermín didn't plan to betray her.
39:48But it would do well.
39:49in monitoring their companies
39:59Don't betray her.
40:47Don't betray her.
40:50Don't betray her.
41:46What is this, Catalina?
41:49Have you looked through my things?
41:51Renata found it.
41:53Were you planning to go to Cuba without telling me anything?
41:55I am an adult now and I can make my own decisions.
41:59Are you an adult?
42:00Is it adult behavior to speak rudely to the staff?
42:02Looking down on everyone?
42:04Behaving like a despot and a spoiled brat?
42:15I didn't mean that.
42:16But he said it.
42:19Catalina, Catalina, daughter, listen to me.
42:21Listen to me.
42:25I know I haven't paid much attention to you lately and that you're bored here.
42:31But I have an idea.
42:34I want to offer you a position at the sawmill at the same level as your brother.
42:38After all, one day it will be yours, and working will make you a strong and independent woman.
42:43If I don't want to work, mother.
42:46Do you know how many people would love an opportunity like that?
42:49Who is it?
42:49The maid's daughter?
42:50Well, give it to her if they seem to be getting along very well lately.
42:53But why are you bringing Clara into this?
42:55I'm going to Cuba, mother.
42:57That's my place.
42:58With my father and José.
43:00Your father should be here with us, we are his family.
43:04He promised me we would get back together, but he didn't keep his promise.
43:06And he had no right to ask me to stay even one day.
43:08And now you're doing the exact same thing to me, keeping me here.
43:12Because I am your mother.
43:13I wish it weren't!
43:37I wish it weren't!
43:44I wish it weren't!
44:05I wish it weren't!
44:06Yes, thanks.
44:13I brought her another plant.
44:17But this one is not medicinal.
44:19This is to gladden the soul.
44:22What is it?
44:24Rhododendron simsí.
44:27Azaleas.
44:28Are you a botany enthusiast?
44:30Yes a lot.
44:32Some plants have healing properties, while others are used for communication.
44:40It has meanings.
44:40And does this mean anything?
44:45Temperance.
44:49Temperance.
44:54You know?
44:56I've tried to readjust to this place.
45:01Improve things at the sawmill.
45:04To make my children happy.
45:08I have failed at everything.
45:11No no.
45:11Maybe I just have to keep trying.
45:14No, it's too late.
45:16We're going to sell.
45:18We're going back to Cuba.
45:24From today, the Barba Peláez family will be the sole owner of this sawmill.
45:30I hope this new stage will be fruitful for everyone.
45:39This wasn't supposed to change things.
45:41No, as always, very good.
45:43There is no promise, then nothing.
46:13Thank you for the book.
46:16It was what I was looking for.
46:25Are they going to Cuba?
46:29Yeah.
46:31There's nothing more we can do here.
46:33The women at the sawmill were really looking forward to seeing you.
46:36They say he surrendered.
46:40You said it yourself.
46:42I am privileged and I haven't known how to help.
46:44Prove me wrong.
46:48If you truly want to change things, what do you wish for?
46:50Oh, little girl.
46:53How many times do you think I can bang my head against the same wall?
46:57Well, until I manage to throw it away.
47:01Look, until recently I thought that people like me had to settle for little.
47:07Or so I was always told.
47:10But I've realized that's not the case.
47:13Life must be lived, it must be dreamed.
47:16And do you know what my dream is?
47:17Because I didn't know it before, but now I do.
47:20I want to have my own business.
47:23One where people don't have to go to work sick.
47:26I want to be a free woman.
47:28And without fear.
47:31Like you.
47:35You already are.
47:38You are, Clara.
47:47Thank you.
47:50Thank you.
48:02Dear Gustavo, I'm sorry I haven't written sooner.
48:06It's been a difficult few weeks and I'm still angry about having to come back alone.
48:12But now I know I'm not alone.
48:17Although we sold the sawmill as you wished,
48:20I have decided to stay in Punta Dobico and start another business.
48:35I don't know what type yet,
48:37But it will be one in which benefits are not at odds with humanity.
48:44I know it won't be easy,
48:47But I have decided to take control of my life.
49:20I don't expect that with me.
49:24understand this decision,
49:26but do respect her.
49:41Life is something you have to dream about.
49:43And I want to be a free woman.
49:45And without fear.
49:56Why are you running so fast?
49:58My uncle,
49:58that since the robbery
49:59He sends me to go from work to home and from home to work.
50:02But
50:03I ran away to do this.
50:15I am the only Miguel de Alzarán.
50:16It's me.
50:17Because?
50:18She is accused of theft.
50:19As?
50:21How much of a robbery?
50:23Where are they taking him?
50:24Don't worry,
50:25bandit,
50:25that nothing is going to happen.
50:26No,
50:27that nothing is going to happen.
50:49I miss you,
50:50Isabella.
50:51Can you tell me why the maid is packing my suitcase?
50:54Lower your voice, this isn't the place.
50:55He says he's sending me to Santiago de Compostela.
50:58Indeed.
50:59To a boarding school
51:00where I hope you become
51:01in the person
51:01that I clearly haven't known how to raise.
51:04Is this because of the ticket to Cuba?
51:08That's why, and for many other reasons, Catalina.
51:40You, snitch!
51:42This is your fault.
51:44I can't go to Cuba
51:45And now they're sending me to boarding school.
51:50Don't worry.
51:52I plan to return
51:53And I'm going to make your life impossible.
51:55At two o'clock.
52:24I'm glad to see you.
52:25Your mother will be happy.
52:27He's not here.
52:28I am very proud
52:30and happy
52:31to have you back.
52:33What happened, Mom?
52:34Agustín has a very good eye
52:35for business.
52:36It will help you, you'll see.
52:38I would congratulate him,
52:39But I know they're wrong.
52:40Don't worry about the competition.
52:43There's business for everyone.
52:45What worries you?
52:46A canning factory?
52:47What they should have done
52:48It's like going back to Cuba
52:49after selling it to Serradero.
52:50Miss,
52:51They are waiting for her.
52:53Do you know my fiancé?
52:54Will you excuse me for a moment?
52:55I'll be right back.
52:58I bought a ticket to Cuba.
52:59Change of information
53:00to stop a thief.
53:02We are at peace.
53:03Celso is not your husband,
53:04They won't let you see it.
53:05Yes, Esther,
53:05But he's been locked up for a year.
53:07That.
53:07Jaime.
53:08Okay, fine.
53:08Clara.
53:11What's that?
53:12You should be more careful.
53:14All the little kisses.
53:16It was me,
53:16But it could have been my mother.
53:18What do you want, Catalina?
53:19Long live Doña Inés!
53:20Viva!
53:22Viva!
53:23Companion and employer.
53:24That is.
53:25The pattern of the roads
53:26He wouldn't let me board.
53:27He said just yesterday
53:28that he would go back to work.
53:29I don't understand.
53:31I know.
53:32His lungs are enclosed.
53:34But what's wrong with that?
53:37It's the flu.
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