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Sometimes the sharpest way to tell the truth is to make people laugh first. Join us as we count down our picks for the greatest satire films ever made, using wit and dark humor to expose the absurdity of politics, media, capitalism, and society itself! Which of these cutting comedies hit closest to home for you? Let us know in the comments below!
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00:06Welcome to WatchMojo, and today we're counting down our picks for the best movies
00:10that use a sharp sense of humor to address the most pressing issues of their time.
00:14What is finished is the idea that this great country is dedicated to the freedom and flourishing of every individual
00:23in it.
00:25Number 20. Sorry to Bother You.
00:28A movie that belongs to multiple genres should take aim at multiple targets.
00:32That's what writer-director Boots Riley does in this surreal critique of all things capitalism.
00:37As telemarketer Cassius Green uses his white voice to succeed at the job,
00:41Sorry to Bother You begins as an intriguing take on code-switching and shameless corporate trickery,
00:46but the movie's inventiveness has only just kicked into gear.
00:50Hi, Mrs. Costello.
00:51Yes?
00:52This is Cassius Green. I know that you've enjoyed our series on birdwatching, so I wanted to call and help
00:59you out.
00:59Green's biggest client is hiding a dark secret,
01:02and the lengths he'll go to expose it eventually turn Sorry to Bother You into something else entirely.
01:07Hey, Mr. Kramer, this is Langston from Regalview.
01:11I didn't catch you at the wrong time, did I?
01:15If you're ever going to be a power caller, you've got to know when to bag them and when to
01:21tag them.
01:22Visually and thematically, what makes it such a revelation is its portrayal of consumerism.
01:27In a world where everything can be commodified, not even rebellion can compete with the allure of the almighty dollar.
01:33You have 500 million people watch you get pegged in the noggin and get utterly humiliated.
01:37It was effin' hilarious. The way your hand went up like that!
01:41Number 19. Election.
01:44This mean-spirited high school comedy becomes relevant almost every November, and for good reason.
01:49Reese Witherspoon stars as Tracy Flick, an overtly ambitious girl determined to be elected student body president.
01:55Mr. M, when I win the presidency, that means you and I are going to be spending a lot of
02:00time together, and I for one would really like that time to be harmonious and productive.
02:07However, her teacher, Mr. McAllister, seeks to sabotage her campaign by persuading the school's beloved quarterback to run as well.
02:14Election maintains a timeless quality due to its insight into the electoral process, not to mention the superficial relationship between
02:22candidates and their voters.
02:23I spoke with Eliza Ramirez, a freshman, who said she feels alienated from her own homeroom.
02:29I spoke with sophomore Reggie Banks, who said his mother works in the cafeteria and can't afford to buy him
02:35enough spiral notebooks for his classes.
02:37Eat me! Eat me raw!
02:42It's a hilarious takedown of the pettiest people you remember from high school, but also a sobering look at who's
02:47actually pulling the strings in democracy.
02:49Election is incredibly rewatchable, if only because it shows how the actions of a few lead to a divisive outcome
02:56for many.
02:57Mr. McAllister, I hope you can help us clear something up.
03:14Number 18. Brazil.
03:17Although Terry Gilliam cut his comedic teeth as a member of the Monty Python troupe, the humor he fashions in
03:22Brazil is of a much different variety.
03:24Classified matter. And, um, I'll, uh, I'll include your fine handling of the situation in my report.
03:33Great.
03:34Uh, Merry Christmas, Dawson.
03:38This dystopian film envisions a future that seems so out of the ordinary that you can't help but chuckle.
03:44And that's exactly the point.
03:45When bureaucrat Sam Lowry seeks to correct a mistake that led an innocent man to his death,
03:50the zany visuals and larger-than-life characters collectively feed his desire to be seen as heroic.
03:55Ha! I heard you were coming aboard.
03:58Congratulations!
03:59D-Z-015.
04:02Brazil can certainly be called psychedelic, but it's also an Aurelian story about people who escape reality by pretending it
04:09doesn't exist.
04:10It's a potent film with increasingly dangerous ideas about corporate overreach, surveillance, and the loss of individuality.
04:17Oh, no!
04:20D-Z-015.
04:28Number 17.
04:30The Player.
04:31If Apple TV's The Studio captures the desperation of those who want to make meaningful art in an era of
04:36IP and streaming,
04:37then this movie ominously foreshadows that struggle.
04:39Here, studio exec Griffin Mill is stalked with anonymous threats, finding himself in his own big-budget crime story while
04:47attempting to greenlight the movie that may be his salvation.
04:58As Mill covers his tracks in a frantic quest for answers, the player has numerous celebrity cameos and flashy production
05:05techniques to back up its critique of the industry's conceited standards.
05:08I was just thinking what an interesting concept it is to eliminate the writer from the artistic process.
05:16If we can just get rid of these actors and directors, maybe we got something here.
05:20It's at once an absorbing mystery and a humorous testimonial about how to make it in Hollywood.
05:25Let's just say we're not meant to appreciate everything that goes into making the movies we love.
05:30It's fine with me.
05:43Great satire typically relies on subtlety, which is not a quality Spike Lee is known for.
05:48But his abrasive filmmaking style is precisely what benefits a movie like Bamboozled.
05:52No, no, no, no, my dear. We're using black actors with blacker faces.
05:57Don't you think that people are going to be offended by this?
05:59Yes, that's good. I want them to be offended. I want to wake America up.
06:04Yes.
06:04Damon Wayans' Pierre is a frustrated TV writer trying to get himself fired in order to draw attention to the
06:10industry's reliance on racial stereotypes.
06:12Unfortunately, his efforts backfire as his bizarre pitch for a modern-day minstrel show becomes an unexpected rating smash.
06:19You guys have both seen the overnight ratings. They're through the roof. Mazel tov.
06:23But in this business, we have to be one, two, three steps ahead.
06:27That's why I brought in Myrna Goldfarb. She's the best media consultant in the biz. She's going to help us
06:31out.
06:32Okay, first of all, I would like to say I love your show. It's very courageous.
06:36Although it initially split critics down the middle, Bamboozled has since been reappraised for its confrontational and morose tone.
06:42Like many of Lee's best movies, it boldly crosses a line in order to portray how even those who are
06:48most dedicated to fighting a racist system can still end up perpetrating it.
06:52Tomorrow, it'll all be over. Besides, as Mr. Dunquity says, there's no such thing as bad publicity.
07:01Number 15. The Lobster
07:03A master of absurdism, Yorgos Lantimos knows how to deconstruct every genre under the sun.
07:08That's precisely what he does in this dark rom-com, which envisions a world where people are required to find
07:14romantic partners or be turned into animals.
07:16Now, the fact that you'll turn into an animal if you fail to fall in love with someone during your
07:20stay here is not something that should upset you or get you down.
07:24Just think, as an animal, you'll have a second chance to find a companion.
07:27Colin Farrell plays one such hopeful in a sea of people who are far more interested in bending the rules
07:32than finding the one.
07:33The Lobster is a searing and openly brash put-down of modern relationships and the difficulty of finding genuine love.
07:40These are tears. It's just water. I just watched my face.
07:44I knew you were lying. I can't understand why you did it, when you know as well as anyone that
07:49a relationship cannot be built on a lie.
07:51We're going to the hotel manager right now, and you'll get the punishment you deserve.
07:55What's the punishment for this?
07:57They turn you into the animal no one wants to be.
07:59With the actress playing even the most ridiculous situation completely straight, it's also uncomfortably funny,
08:05giving the societal pressures surrounding marriage a much-needed wake-up call.
08:08Whether or not The Lobster is your speed, it's an undeniably original satire.
08:12If you thought about what animals you want to be if you don't make it, a lobster.
08:19Number 14. Wag the Dog.
08:22The president has found himself in a misconduct scandal, hiring a spin doctor to fabricate a fictitious war that will
08:28distract the public.
08:29Suffice it to say, Wag the Dog benefited from lucky timing,
08:33as it came along just a month before the Clinton-Lewinsky scandal officially broke.
08:37Uh, I need a day. I need some running time.
08:39It won't even hold the day, Conny.
08:40Yes, it will. You know why? I'll tell you why.
08:42Why is the president in China?
08:44Uh, trade relations.
08:45You're goddamn right, and it's got nothing to do with the B-3 bomber.
08:48There is no B-3 bomber.
08:50I just said that. There is no B-3 bomber, and I don't know why these rumors get started.
08:54The movie would continue to make headlines as the administration carried out an air campaign in the Middle East,
08:59during Clinton's impeachment trial.
09:00And yet, the prescience of Wag the Dog is downright eerie in the year 2026,
09:06a time when scandalous events have made government and media more intertwined than ever.
09:10Albanian terrorists have placed a suitcase bomb in Canada in an attempt to infiltrate the bomb into the USA.
09:17That's good.
09:18Huh?
09:19That's good.
09:20That's terrific, and I'll tell you why.
09:21It is cost-effective.
09:22As the truth becomes stranger than fiction, reality is bent in so many directions
09:26that it's impossible to determine what's real until it's too late.
09:30Leave it alone.
09:31What did television ever do to you?
09:32It destroyed the electoral process.
09:35Okay, enough lovemaking.
09:36Let's go.
09:36Come on.
09:38Come on.
09:38Where?
09:39We got work to do, Winifred.
09:41Number 13.
09:42Robocop.
09:43Paul Verhoeven's satires are so good that you don't even realize they're satires at first.
09:48That's definitely the case with Starship Troopers,
09:50a movie so over-the-top that many critics didn't notice its warnings about colonialism and xenophobia.
09:56Once we understand the bomb, we will defeat it.
10:06We have the ships.
10:08We have the weapons.
10:10We need soldiers.
10:12But his most skillful blend of hardcore action with social commentary is undoubtedly Robocop,
10:17which finds the Detroit Police Department bankrolled by a private corporation.
10:21When a wounded officer is turned into a crime-fighting cyborg,
10:24the movie uses his ultra-violent tactics to examine many ideas that are way more relevant now than in 1987.
10:31Drop it!
10:36Dead or alive, you are coming with me.
10:41Consumerism, gentrification, and police brutality are just some of the vices that have made this dystopian world go bad.
10:47But Robocop is wise to conceal its critique of these issues beneath its action-packed exterior.
10:52What did you think?
10:55That you were an ordinary police officer?
10:58You're our product.
11:00And we can't very well have our products turning against us, can we?
11:03Number 12.
11:04American Psycho
11:05Patrick Bateman believes in taking care of business.
11:08That means a balanced diet, a rigorous exercise routine, and having a better business card than his co-workers.
11:13Look at that subtle off-white coloring.
11:16The tasteful thickness of it.
11:18Oh my god.
11:20It even has a watermark.
11:26The yuppie investment banker belongs to a world where beauty and success are everything.
11:30And those who threaten his place in the social hierarchy aren't worth keeping around.
11:35These are the people Bateman targets while moonlighting as a serial killer in American Psycho.
11:39Because it's not just about the pleasures of conformity and the importance of friends.
11:43It's also a personal statement about the band itself.
11:46Hey, Paul!
11:48Ah!
11:48The controversial horror flick searches for the depravity in a lifestyle many aspire to,
11:54and more than succeeds thanks to its blend of disturbing kills and uneasy humor.
11:58American Psycho crystallizes the protagonist's worst traits through his horrifying actions,
12:03condemning the narcissism and materialism of corporate culture,
12:07while making Bateman an irresistible presence.
12:09And though I can hide my cold gaze,
12:11and you can shake my hand and feel flesh gripping yours,
12:15and maybe you can even sense our lifestyles are probably comparable,
12:20I simply am not there.
12:23Number 11.
12:24This is Spinal Tap.
12:25What we do is if we need that extra push over the cliff,
12:29you know what we do?
12:30Put it up to 11.
12:3111, exactly.
12:32See what we did there?
12:33As the mockumentary by which all others are measured,
12:35this is Spinal Tap gleefully taps into the excess and absurd behaviors
12:39that define the rock and roll lifestyle.
12:42As England's loudest band embarks on a disastrous U.S. tour,
12:45their crowds become smaller,
12:47their egos become bigger,
12:48and the deadpan fittingly reaches an 11.
12:50Could you check me on this?
12:51Am I losing my mind?
12:52I don't understand what this has to do with anything!
12:55We're very lucky in the sense that we've got two visionaries in the band.
13:01You know, David and Nigel are both like,
13:04like poets, you know.
13:05Beyond the fake interviews and improvised dialogue, however,
13:08is a group with surprising musicianship,
13:10giving This is Spinal Tap a unique brand of authenticity.
13:13As the band sincerely powers through bizarre numbers like Big Bottom and Stonehenge,
13:18we're reminded of how much they,
13:19and the real-life acts that influence them,
13:22can actually accomplish.
13:23That is,
13:24if they could just get out of their own way.
13:26What does the end feel like?
13:27It's like saying when you try and extrapolate the end of the universe.
13:31You say if the universe is indeed infinite,
13:34then what does that mean?
13:35How far is all the way?
13:37And then if it stops,
13:39what's stopping it?
13:39And what's behind what's stopping it?
13:41So what's the end,
13:42you know,
13:42is my question.
13:44Number 10.
13:45Fight Club.
13:46David Fincher's movies often focus on social outcasts
13:49rebelling against the status quo,
13:50and Fight Club
13:51is a quintessential example.
13:53In fact,
13:54it's so good at condemning corruption and elitism,
13:56that some mistook it as a radical call to arms for anarchists like Tyler Durden.
14:00The first rule of Fight Club is,
14:02you do not talk about Fight Club.
14:05The second rule of Fight Club is,
14:08you do not talk about Fight Club.
14:11And yet,
14:12the satirical jabs are a double-edged sword,
14:14as Fight Club also skewers Durden,
14:16Edward Norton's narrator,
14:17and the misguided causes they champion.
14:20As the two mismatched companions search for meaning,
14:23the titular club gives way to a violent uprising
14:25that's just as deplorable as the institutions they hope to conquer.
14:40Fight Club is a movie where everyone is wrong,
14:43but with fourth wall breaks,
14:44ingenious editing,
14:45and a jaw-dropping twist,
14:47it's certainly an entertaining brand of chaos.
14:56You met me at a very strange time in my life.
15:01Number 9.
15:02Get Out.
15:03When it was announced that sketch comedian Jordan Peele
15:05was writing and directing a horror movie,
15:07more than a few heads were scratched.
15:09But, as we should have expected,
15:11his debut feature, Get Out,
15:12was loaded with the discomforting humor he built his name off of.
15:17Sink into the floor.
15:18Wait, wait, wait, wait, wait,
15:19Sink.
15:27That's an apt term for the weekend Chris experiences
15:30when meeting his white girlfriend's parents,
15:32who he eventually realizes are a little too inviting for their own good.
15:35Every awkward exchange slowly unravels the sinister mystery at play,
15:39with the movie's phenomenal screenplay building up our nerves,
15:42before descending into all-out terror.
15:46Get out.
15:57It's a chilling, yet rewarding look,
15:59not just at black identity,
16:00but also the complacency that allows racism to persist in the modern world.
16:04What I want is deeper.
16:09I want your eye, man.
16:15I want those things you see through.
16:18Number eight, The Great Dictator.
16:20A certifiable trailblazer,
16:22Charlie Chaplin's transition to sound sent a message the whole world needed to hear.
16:26In The Great Dictator,
16:28the acting legend is doubly cast as fascist leader,
16:31Adenoid Hinkiel,
16:32and a Jewish barber with a remarkably similar appearance.
16:43As with Chaplin's most iconic films,
16:46hijinks ensue as a case of mistaken identity,
16:48gives the barber an unexpected platform to speak his truth.
16:51The messaging isn't subtle,
16:53but Chaplin's conviction in delivering such a startling blow to the Axis powers,
16:57makes The Great Dictator a stirring act of defiance.
17:00The way of life can be free and beautiful,
17:03but we have lost the way.
17:05Greed has poisoned men's souls,
17:08has barricaded the world with hate,
17:10has goose-stepped us into misery and bloodshed.
17:13At a time when American audiences were largely unaware of Hitler's most twisted beliefs,
17:18Chaplin aimed his humor not just at the man himself,
17:20but those who let him get away with his atrocities.
17:23Don't give yourselves to these unnatural men,
17:26machine men with machine minds and machine hearts.
17:29You are not machines,
17:31you are not cattle,
17:32you are men.
17:33You have the love of humanity in your hearts.
17:35You don't hate,
17:36only the unloved hate,
17:38the unloved and the unnatural.
17:40Number 7.
17:41Parasite.
17:42South Korean auteur Bon Joon-Ho
17:44has been a gifted satirist his entire career,
17:46but it was this comedic thriller that made mass audiences finally take notice.
18:03Parasite follows the downtrodden Kim family,
18:05as they successfully work their way into the lives of an upper-class family.
18:09But what starts out as a humorous caper eventually gives way to a dark revelation
18:13that causes us to contemplate serious topics like social stratification and the ignorance of the wealthy.
18:27Parasite is a masterful blend of multiple genres grounded by incredible visual metaphors
18:32and realistic performances from its ensemble cast.
18:35Even the most hilarious moments are brimming with unpredictability and tension,
18:39reminding us that even the most outspoken satire can still be quietly devastating.
18:59Number 6.
19:01The Truman Show.
19:02As Shakespeare once wrote,
19:04all the world's a stage,
19:05and all the men and women merely players.
19:07He was truly ahead of his time with that line,
19:09as was this movie which took such a notion to its most extreme end.
19:22Anchored by Jim Carrey's dramatic turn,
19:25The Truman Show follows the titular character
19:27as he learns his entire existence as a 24-7 TV show.
19:31Although it's ultimately a feel-good story about a lost soul reclaiming their identity,
19:35the movie's implications are spine-chilling.
19:37Why don't you let me fix you some of this new Mo Cocoa drink?
19:40All natural cocoa beans from the upper slopes of Mountain Nicaragua,
19:43no artificial sweeteners.
19:45What the hell are you talking about?
19:48Who are you talking to?
19:50I've tasted other Cocos.
19:52This is the best.
19:53What the hell does this have to do with anything?
19:57The Truman Show predicted the rise of reality TV
20:00and our collective paranoia about surveillance with astonishing accuracy.
20:04It's a movie that leaves you wondering what can possibly be real
20:07when reality can be whatever we want it to be.
20:10In case I don't see ya,
20:12good afternoon, good evening, and good night.
20:19Yeah.
20:25Number 5.
20:26La Dolce Vita
20:27With the title translating to The Suite Life,
20:30this epic dramedy is a class commentary
20:32that many others are indebted to.
20:34Following a week in the life of tabloid journalist Marcello,
20:37Federico Fellini's masterpiece
20:38is all about having everything you could ever want
20:41and still feeling unsatisfied.
20:55Despite an unconventional plot structure
20:57and short supply of likable characters,
21:00the brilliance of La Dolce Vita
21:01is how Fellini makes each of Marcello's brushes with fame so compelling.
21:10As he routinely finds himself caught up
21:13in the enviable lifestyle he reports on,
21:15the movie's glamorous aesthetic and sleek camerawork
21:18are designed to distract the viewer as well.
21:20It's a morally complex tale of vanity and celebrity,
21:23where true happiness is often at a premium.
21:38Number 4.
21:39In The Loop
21:40A spin-off of Armando Iannucci's celebrated political series
21:43The Thick of It,
21:44In The Loop may be the most volatile satire on this list.
21:48Peter Capaldi reprises his role
21:50as the foul-mouthed Malcolm Tucker,
21:51who must do damage control
21:53after a colleague makes baseless claims
21:54about war in the Middle East.
21:56It's Malcolm.
21:57Oh, it's Malcolm for me too.
21:59How does he do that?
22:01Simon, I don't like finding out
22:03about people employed by this government
22:05via the news unless they've just died.
22:08Be here now.
22:10As British diplomats clash
22:12with their larger-than-life American counterparts,
22:14In The Loop captures the chaos and grandstanding
22:17that led both countries to invade Iraq in the early 2000s.
22:20The fly-on-the-wall storytelling
22:22can make things all too real at times,
22:24but it's an uproariously funny look
22:25at just how cartoonish politics can be.
22:28One of your guys leaks some paper.
22:30You can't do anything.
22:31Huh?
22:32We tell you to get some intel.
22:33You can't do anything.
22:34I need you to move the vote back.
22:35You can't do anything.
22:37I am afraid you are nothing but a useless piece of S.
22:41Star, star, T.
22:43An Oscar-nominated screenplay
22:45and some conniving performances
22:47give it the same cautionary sense of humour
22:49Ina Nucci would later bring to HBO's Veep.
22:52Righto, let's just go and draft your
22:54dear Prime Minister just a quick note
22:56to say thanks for giving me the sack letter.
23:01Off we talked.
23:05Brian just wants to live an ordinary life
23:07but thanks to unfortunate timing
23:09and wild misunderstandings
23:11he's mistaken for the messiah.
23:13He tries to shake off his unwanted notoriety
23:15anywhere he goes
23:16and the escalating chaos that follows
23:18is classic Monty Python.
23:20Brian!
23:21Brian!
23:22Right now lad, what have you been up to?
23:24Nothing mum.
23:25Come on out with it.
23:26They think I'm the messiah mum.
23:29What have you been telling them?
23:30Nothing, I only...
23:31You're only making it worse for yourself.
23:33Look, I can explain.
23:34Amazingly, that chaos is way more calculated
23:36than it looks
23:37as Life of Brian takes hysterical shots
23:39at all the ways in which the Bible's sincere teachings
23:42are used for insincere purposes.
23:44Only the true messiah denies his divinity.
23:48What?
23:49Well, what sort of justice does that give me?
23:51All right, I am the messiah!
23:54He is!
23:55He is the messiah!
23:57It's one of the comedy genre's greatest examples
23:59of how to poke fun at a viewer's values
24:01while also making them question
24:03if those values are worth holding onto.
24:05The religious farce inevitably faced backlash
24:07but the fact that so many were quick to call it blasphemous
24:10only reaffirmed its point.
24:12Always look on the bright side of life.
24:19Number two, Network.
24:21Sometimes, you have to look at the present
24:23in order to see the future.
24:25In that respect, Network was 50 years ahead of its time.
24:28When news anchor Howard Beale breaks down live on air,
24:31his moment of liberation is anything but
24:33as his fiery rant is exploited by the network
24:36to boost their ratings.
24:37Ladies and gentlemen,
24:39I would like at this moment to announce
24:40that I will be retiring from this program
24:42in two weeks' time
24:44because of poor ratings.
24:46Since this show was the only thing
24:48I had going for me in my life.
24:50Although satire often relies on comedy,
24:52the humor in this movie can be so dark
24:54that you may have trouble laughing.
24:56Network sadly anticipates the rise
24:58of sensational journalism
25:00and the media's increasing reliance
25:02on cold hard cash.
25:03I don't know what to do
25:04about the depression and the inflation
25:05and the Russians and the crime in the street.
25:07All I know is that first,
25:09you've got to get mad.
25:10You've got to say,
25:11I'm a human being.
25:12God damn it.
25:14My life has value.
25:15The movie's mad as hell outlook
25:17has aged like fine wine
25:18and it's arguably more daunting
25:20to watch today
25:20once you realize
25:21it was right about everything.
25:23It's a nation of some
25:24200-odd million
25:26transistorized,
25:28deodorized,
25:29whiter-than-white
25:30steel-belted bodies,
25:31totally unnecessary
25:32as human beings
25:33and as replaceable
25:35as piston rots.
25:38Before we continue,
25:40be sure to check out
25:40WatchMojo's 24-hour livestream.
25:42All of your favorite videos
25:43in one place,
25:4424-7.
25:46Always on,
25:46always live.
25:47Are you not entertained?
25:50Number one,
25:52Dr. Strangelove
25:53or
25:53How I Learned to Stop Worrying
25:55and Love the Bomb.
25:56Talk about mutually absurd destruction.
25:58Only a filmmaking mastermind
25:59like Stanley Kubrick
26:00could turn the most deadly
26:01serious of topics
26:02into the funniest movie
26:04of his career.
26:05Deterrence
26:05is the art of producing
26:07in the mind of the enemy
26:09the fear to attack.
26:12And so,
26:13because of the automated
26:14and irrevocable
26:16decision-making process
26:17which rules out
26:19human meddling,
26:21the doomsday machine
26:23is terrifying.
26:24This legendary Cold War romp
26:27follows a group of politicians
26:28and military officers
26:29attempting to avert
26:30a nuclear war
26:31after a paranoid general
26:33launches an attack
26:33on the Soviet Union.
26:35Perhaps best to remember
26:36for giving us
26:36three iconic turns
26:37from Peter Sellers
26:38all at once,
26:39Dr. Strangelove
26:40is just as memorable
26:41for the wickedly comical
26:43one-liners
26:43that pervade
26:44its intense atmosphere.
26:45It would be quite easy.
26:50At the bottom of
26:52some of our deeper
26:53mine shafts,
26:56radioactivity
26:56would never penetrate
26:57a mine
26:58some thousands of feet deep.
27:00The apocalypse
27:00has never been
27:01so inevitable,
27:02yet so insanely fun
27:03as it is here,
27:04as Dr. Strangelove
27:05reminds us
27:06that the only thing
27:07standing between us
27:08and the end of the world
27:09is ourselves.
27:23What's the best
27:23movie satire
27:24you've ever seen?
27:25Dial things up to 11
27:26and let us know
27:27in the comments.
27:27in the comments
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