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El pistolero Alvaro llega a un pueblo dominado por tres bandidos para vengar el asesinato de su familia y recibe la ayuda del mexicano Toni López.
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00:03:30Do you want girls?
00:03:31You can find them there.
00:03:34What time does the train return?
00:03:36At 7 in the morning.
00:03:39Thank you.
00:03:39Thank you.
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00:04:33What are we going to do with Tony, the Mexican?
00:04:35It's been a few days, hasn't it?
00:05:06One of the boys.
00:05:07They adore him.
00:05:08So leave him alone.
00:05:12OK.
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00:07:07And who told you I'm not capable of doing it?
00:07:10Nobody, but I can imagine.
00:07:13Well, you're imagining things.
00:07:34What happened, boss?
00:07:36Nothing.
00:07:38Take it away.
00:07:39And they already know what they have to do.
00:07:52Yetis!
00:07:54I'll break the hand of the first one who moves.
00:08:03Come on!
00:08:05Come on!
00:08:06Come on!
00:08:15Come on!
00:08:25Come on!
00:08:29Come on!
00:08:30Come on!
00:08:32Let there be two!
00:08:49I'll be waiting for you at the ranch tomorrow.
00:08:51Alright.
00:08:53Alright.
00:09:02Come on!
00:09:08Come on!
00:09:16Come on!
00:09:18Come on!
00:09:19Come on!
00:09:23Come on!
00:09:24Come on!
00:09:34Come on!
00:09:49Come on!
00:09:52Three bundles.
00:10:06Did you see who's there?
00:10:08Yes, it's Tony López, the Mexican.
00:10:11Fast Tony.
00:10:12Now you'll see what I do with the Rapid.
00:10:14Don't mess with him.
00:10:18It's empty.
00:10:19And give another one.
00:10:20I turn it off.
00:10:22Huh?
00:10:24I don't usually drink with all kinds of people.
00:10:27And like you, even less.
00:10:31You're going to have to eat those words.
00:10:34Let's see if that reputation for being fast that you have,
00:10:36You hold it with me.
00:10:39I didn't come here to fight.
00:10:42I came to have my drink in peace.
00:10:45Leave me alone.
00:10:47What's the matter?
00:10:49Are you scared?
00:10:50Or have you lost your reflexes?
00:10:53Come on.
00:10:54Draw your weapon.
00:10:55The shot.
00:11:24I won't kill you.
00:11:25I won't kill you.
00:11:26I won't kill you.
00:11:26I won't kill you.
00:11:26To give you the chance for revenge whenever you want.
00:11:32I told you.
00:11:33You did wrong by confronting the Mexican.
00:11:36The bosses told us not to mess with him.
00:11:40It's nice and cold.
00:11:41I won't kill you.
00:12:06Don't sit down.
00:12:08I won't kill you.
00:12:10Don't worry.
00:12:12Bring me another whiskey.
00:12:13Why not?
00:12:20Hey, boss.
00:12:22I just found out what happened.
00:12:24Do you want me to bring our men in to beat the shit out of those sons of bitches?
00:12:29Our boys are ready to take on the bull as soon as you say so.
00:12:32No no.
00:12:34We have no reason to put our men at risk.
00:12:36These men respect us.
00:12:44Here you are.
00:12:46Can I get you anything?
00:12:48A whisky.
00:12:56His whisky.
00:12:58You look great, girl.
00:13:00Let's see when we can meet in private.
00:13:03I don't like you.
00:13:04You're not my type.
00:13:06But you have mine, yes.
00:13:07Well, I'm very sorry, sweetie, but you won't be able to go.
00:13:16Pair of nines.
00:13:17Three bundles.
00:13:20Listen, my friend, you're a cheat.
00:13:23And I don't allow any of you to scam my money.
00:13:28No!
00:13:30These cards are marked.
00:13:31Hey, bagman.
00:13:32I know nothing about these marked cards.
00:13:34He's going to have to swallow that accusation he's making against me.
00:13:37Hey, bagman.
00:13:49Come on!
00:13:51Nine!
00:13:53Until!
00:13:53Until!
00:13:53Until!
00:13:56Until!
00:14:01Until!
00:14:26Two whiskeys!
00:14:28What's up, Mancera?
00:14:31Why are you fighting?
00:14:33This stranger told him that I cheated at the game and he's lying.
00:14:40And what are you looking for here, boy?
00:14:44Well, I came to see if I could buy a ranch around here, but they tell me there's nothing.
00:14:53Well, indeed, there's no ranch for sale here, so you can go back the way you came.
00:14:59What are you waiting for? Get out!
00:15:02Did you hear that? There are no ranches for sale here, and we don't like outsiders looking for trouble.
00:15:09This is a very quiet town, so you're leaving, and right now.
00:15:15Come on!
00:15:20See you.
00:15:25An intruder, isn't he?
00:15:27Or adventurer, perhaps.
00:15:32Well, as I've been telling you for the past few days, what interests me most is acquiring your ranch.
00:15:39And since I believe that what I'm offering you is much more than it's worth, I want you to sell it to me.
00:15:44Yes, but I'm not interested in selling it.
00:15:48Think about it carefully, Frank.
00:15:50Look, Martin, I've thought it over, and I'm not selling it, not at any price.
00:15:56If that's your decision, there's nothing more to discuss.
00:16:02Shall we go?
00:16:03Well.
00:16:24No, don't do that.
00:16:26Don't kill me.
00:16:28No, please.
00:16:29You can't do that.
00:16:31I am your friend.
00:16:33Since I already suspected you wouldn't accept, I had this performance prepared for you.
00:16:37Here's this money.
00:16:40But you're going to sign here.
00:16:41Yes, yes.
00:16:45Signature.
00:16:46Yeah.
00:16:48Now, get out.
00:16:50And don't show your face around here because you'll regret it.
00:16:54Let him go.
00:16:58No, please don't do that.
00:17:02Let me go, I beg you.
00:17:04No, I haven't done anything to them, please.
00:17:09Martin, Martin ordered them to let me go.
00:17:12Stop crying, you piece of shit.
00:17:14In the end you won't suffer, because you're going to die quickly.
00:17:20Listen, you sons of bitches...
00:17:22Release that man from me.
00:17:24Listen to me, you son of a bitch.
00:17:27I don't tolerate anyone talking to me like that.
00:17:29And least of all you.
00:17:33That?
00:17:34Did it bother you that I mentioned the old woman?
00:17:37Okay, then take it out.
00:17:41What do you expect from its founding?
00:17:50What are you waiting for? Go bankrupt or leave?
00:17:53I...
00:17:53I don't want anything to do with you, Tony.
00:17:56I am Martin's employee and I have to do what he tells me.
00:17:59And if I don't do it, they'll rip my mother apart.
00:18:03Highlight it.
00:18:04Come on!
00:18:05So.
00:18:07Thanks, Tony.
00:18:20Get out of here.
00:18:21And don't come back because they have him.
00:18:53Get out of here.
00:18:55That?
00:19:18Thank you!
00:19:26Thank you!
00:19:42What will you have, stranger?
00:19:44Whiskey.
00:19:45Whiskey.
00:19:53Aren't you going to invite me?
00:19:57Why not?
00:19:58What would you like to drink?
00:19:59Make it two, Ramón.
00:20:08Thank you.
00:20:10Health?
00:20:18I'm looking for a friend.
00:20:20Perhaps you know him.
00:20:21What's it called?
00:20:23Anselmo Martín.
00:20:29Why are you looking for it?
00:20:32We met a while ago and I would like to say hello.
00:20:36How do you know it's in Paradise Valley?
00:20:39Someone told me that he had settled first in Nevada and then here.
00:20:48Do you know him?
00:20:50No.
00:20:51No.
00:20:52I don't know him.
00:21:00Who is Vilma?
00:21:02The owner of all this.
00:21:04You're not going to tell me you've come to say hello to her too, are you?
00:21:06No.
00:21:09No.
00:21:10I've simply heard about her.
00:21:11Whom?
00:21:12That doesn't matter.
00:21:14Where can I find it?
00:21:16I think it's upstairs.
00:21:18In his office.
00:21:26I'm going to see it.
00:21:27Wait.
00:21:30So that?
00:21:32Perhaps she can give me the information I need.
00:21:35Don't do it, stranger.
00:21:37Because?
00:21:39Because I'm sure she'll tell you the same thing I did.
00:21:48Wait!
00:21:51Vilma has a visitor and she won't like being disturbed.
00:21:54I can't waste my time either. I have a lot to do.
00:22:00Vilma isn't going to like this, stranger.
00:22:03Perhaps, young lady. And now, if you don't mind, go back to your place. Thank you for the advice.
00:22:08Wait!
00:22:54Come in. The door is open.
00:23:06Come in. The door is open.
00:23:08What do you want, sir?
00:23:10I'm sorry to bother you. I meant to...
00:23:16Hi, Brooks.
00:23:18Do you remember me?
00:23:20No.
00:23:22Who are you?
00:23:25Álvaro Cortés.
00:23:29Good heavens, boy.
00:23:31How have you grown?
00:23:33Anyone would have guessed it.
00:23:36What are you doing here?
00:23:40Can't you imagine?
00:23:44I think so.
00:23:47You're going to try to kill me, aren't you?
00:23:52I don't know.
00:23:53What do you think?
00:23:55Listen, Cortés, Andrés or whatever your name is.
00:23:58This is my office and I do not allow...
00:24:02Sit down and be quiet, sister.
00:24:04This is none of your business, so don't get involved in what doesn't concern you.
00:24:08But who does he think he is?
00:24:09You shut up, Vilma, or whatever your name is.
00:24:13He has no say in this matter.
00:24:15Be quiet and sit down.
00:24:20And well, Brooks.
00:24:22Where are Marciano and Martín?
00:24:24Don't know.
00:24:26I want you to tell me where they are, and you're going to tell me.
00:24:30Are you going to kill them too?
00:24:34What do you think?
00:24:35Come on, talk.
00:24:37Where are they?
00:24:38I already told you I don't know.
00:24:40Are you lying?
00:24:41Where are they?
00:24:42I think he's telling her the truth.
00:24:44Then you're lying too, darling.
00:24:48Last...
00:24:50Where does Martin live?
00:24:52Look for it yourself.
00:24:54I don't know.
00:25:07Quiet.
00:25:08Don't move from there.
00:25:10What is he trying to do now?
00:25:12Why is he closing the door?
00:25:22Where does this window open?
00:25:23To an alley that leads out next to the bar.
00:25:27What is he going to do?
00:25:29Let's jump out into the street.
00:25:31But we will meet again.
00:25:36Say hello to whoever it is for me.
00:25:45What happened here, Vilma?
00:25:46What happened?
00:25:47A man came in and asked Brooks about Martin and Marciano.
00:25:50Brooks told him he didn't know where they were.
00:25:52They argued, both pulled out guns, and the man killed Brooks.
00:26:09And where did it come from?
00:26:11Through the window.
00:26:13Do you know the man's name?
00:26:14I don't remember well because I was very nervous.
00:26:17But I think something like Andrés or Cortés.
00:26:20Brooks mentioned something like that.
00:26:22What kind of type is it?
00:26:24Tall, strong, about 30 years old.
00:26:26Any other signs?
00:26:27I don't remember.
00:26:29Okay, so what am I going to do with this guy now?
00:26:31I'm going to send someone to come and collect Brooks' body.
00:26:34Repeat it to him.
00:26:36We'll see each other again, Vilma.
00:26:53Well, Vilma said that it's a young man, about 30 years old.
00:26:58Tall and strong.
00:27:00And Brooks mentioned him something like Andrés or Cortés.
00:27:04And because she was very nervous, she doesn't remember it very well.
00:27:07But it will be something like that.
00:27:08Look, you go to the bar and see what you can find out from Estela.
00:27:12Okay.
00:27:16But who on earth could this Andrés or Cortés be?
00:27:19Wait.
00:27:20Andrés or Cortés?
00:27:22Will he no longer be Álvaro Cortés's son?
00:27:24No.
00:27:25It just can't be.
00:27:27He was a skinny, 20-year-old boy.
00:27:29And this is a tall, strong man, like 30 or older.
00:27:34No.
00:27:34It can't have changed that much.
00:27:36That happened eight years ago.
00:27:38Either way, we need to warn the boys to be alert.
00:27:41And they search the town to find whoever it is.
00:27:51I'm having problems, Tony.
00:27:53What's wrong, girl?
00:27:54The commissioner took Estela away for questioning.
00:27:57And Laredo came to see me on behalf of Marciano.
00:27:59So that he could tell her where that gunman who killed Brooks was.
00:28:02And since I don't know, he threatened me and I'm very scared, Tony.
00:28:07Don't worry, nothing's going to happen.
00:28:10Hey, you know?
00:28:12Tomorrow is the birthday of one of my boys back at the ranch.
00:28:15I'm thinking of throwing a little party.
00:28:16I'll wait for you.
00:28:21Let's see, Sheriff.
00:28:22Why have you brought me here?
00:28:24To see my legs?
00:28:26The men say they're not bad.
00:28:28And what do you think, Sheriff?
00:28:31How long have you known that stranger, Estela?
00:28:34And you brought me here just to ask me that?
00:28:38Listen to me.
00:28:39Marciano and Martín are not going to like what just happened very much.
00:28:44Especially when he finds out that before he takes out Brooks,
00:28:47That gunman asked about them.
00:28:50And what's it to me if they don't like it?
00:28:53They're going to come looking for you.
00:28:55And I don't like that.
00:28:58Come on, Estela.
00:29:00Tell me, who is that gunman?
00:29:03The people at the bar have already told him.
00:29:05A man dressed in black asked for Marciano.
00:29:08That's all.
00:29:09And how long have you known him?
00:29:12The next time I see him will be the second time.
00:29:14If I ever see him again.
00:29:16That man came into the room and called me to his side.
00:29:19I think that's my job, isn't it?
00:29:20Serve customers.
00:29:24That's why you went to greet him and have a drink with him.
00:29:28To hell with you and your beliefs, Chery!
00:29:30I don't like that, girl.
00:29:32This could cause you serious problems.
00:29:36You are a disappointing guy.
00:29:39I thought he had brought me here to make love to me without the presence of onlookers.
00:29:42And he brought me here to ask me silly questions.
00:29:45This is the last straw!
00:29:57Oh man.
00:29:58What you and I couldn't achieve due to the lack of help from these cowards in the town...
00:30:04This stranger who just arrived is going to achieve it.
00:30:07Did he already kill the first one?
00:30:11But I don't know what the reason is.
00:30:17You?
00:30:18I thought he had left.
00:30:20When I start a job, I don't like to leave it unfinished.
00:30:24Come on.
00:30:24Where to?
00:30:25To a place where we can talk quietly.
00:30:28What happens if I refuse to go?
00:30:31I wouldn't advise it, darling.
00:30:33Come on.
00:30:34Where are you taking me?
00:30:35To the lounge. They closed half an hour ago.
00:30:38And why there?
00:30:39Because I'm sure no one will bother me there at this hour.
00:30:43In addition, you'll have a place there where we can talk alone.
00:30:46I don't live in the living room.
00:30:48Oh, no?
00:30:50Excellent!
00:30:51So, where do you live, beautiful?
00:30:53On the outskirts of the village.
00:30:57Take me there, let's go.
00:30:58So that?
00:30:59I already told you, to talk alone.
00:31:02Don't waste my time, come on.
00:31:04No.
00:31:05Not that way.
00:31:08I prefer to go behind the houses.
00:31:10Unless you're afraid he'll kiss you.
00:31:13Why should I be afraid?
00:31:15You would be one of many.
00:31:17Move.
00:31:25Viva!
00:31:59Oh
00:32:00What a beautiful apartment!
00:32:02Is it yours?
00:32:04Yeah
00:32:04Does it surprise you?
00:32:06No, because it would surprise me
00:32:07Someone probably gave it to you.
00:32:09That's how it was
00:32:10Don't even tell me
00:32:11I bet I can guess who it was!
00:32:12Your grandma
00:32:13What's wrong with you?
00:32:15Did you bring me to my own house just to insult me?
00:32:17No, I'm not insulting you.
00:32:20It's just that I haven't met any of the girls who work at the bar yet.
00:32:24That he doesn't have a grandma to give him all these things
00:32:28And I don't think you're the exception, are you?
00:32:32Would you like something to drink?
00:32:33Ah, you're going to seduce me
00:32:35Don't be presumptuous, gunman
00:32:37Tell me what you want to know and get out.
00:32:41Where can I find Anselmo Martín?
00:32:43I think I already answered that question for you at the bar.
00:32:45Why don't you ask Vilma?
00:32:47She is Rodolfo's lover, who is a close friend of Martín.
00:32:50If anyone knows where to find him, it's her.
00:32:53Anything else?
00:33:00And what are you to Martin?
00:33:02What are you implying?
00:33:03No, nothing
00:33:05It just occurred to me that he could be the grandma who pays for all this.
00:33:09Don't be stupid
00:33:11Okay, okay, don't get angry.
00:33:14But that doesn't mean you can't tell me where I can find Martin
00:33:19Look, let's talk business
00:33:22How much do you want to tell me where I can find it?
00:33:27Will you give me what I ask for?
00:33:29All
00:33:31Fine, I'll tell you in exchange for you getting me out of this damned town and taking me far away with you.
00:33:36from here
00:33:38And you're doing that just to follow me?
00:33:41If you want, yes
00:33:44Okay, deal.
00:33:45Where can I find Martin?
00:33:48He's almost certainly at Marciano's ranch
00:33:51Less than a mile from here
00:33:52Upon leaving, take the path at the end of the village.
00:33:55And there's the ranch
00:33:57It's the only one there is.
00:34:01You told me you'd get me out of here
00:34:05Alright
00:34:06Tomorrow at 7 a.m. at the train station
00:34:09I'll be waiting for you there.
00:34:10I'm going to leave now.
00:34:12And I wouldn't want anyone to know.
00:34:14Who do you take me for?
00:34:18I still don't know who to take you for.
00:34:37What will I do?
00:34:39Will I wait for tomorrow's train to go with him?
00:34:41Or should I go and warn Martin to prevent it?
00:35:01Will I wait for tomorrow's train to go with him?
00:35:44Will I wait for tomorrow's train to go with him?
00:35:54Why can I let so much go?
00:35:58I'll wait for tomorrow's train to go with him
00:36:27Thank you!
00:36:45Thank you!
00:37:17Thank you!
00:37:38Good night
00:37:39Happens
00:37:43Estela, are you here now?
00:37:45Yes, I finished work early tonight.
00:37:47Is Mr. Martin there?
00:37:49Yes, he just arrived
00:37:50Would you like to see it? Please sit down.
00:37:51Yes, tell him I'm here
00:38:00I'm scared, I don't know why
00:38:04May, tell Marciano and the commissioner.
00:38:06If you need anything, I'm here in my office.
00:38:09And tell Estela to come in
00:38:11Good
00:38:18Mr. Martin says to come in.
00:38:19Thank you
00:38:29Come on, talk.
00:38:30What have you come for?
00:38:32This is the welcome you give me
00:38:34You haven't even given me a kiss
00:38:36But what's wrong with you, Anselmo?
00:38:38Does my presence bother you tonight?
00:38:40I'm waiting for you to explain.
00:38:43Speaks
00:38:44Isn't that why you came here?
00:38:46And what is it you want me to explain, dear?
00:38:49I'm listening, Estela
00:38:52You came here with the purpose of telling me something
00:38:55And now, out of fear, you don't want to speak.
00:38:58Make me lose my patience and you'll regret it.
00:39:02Speaks!
00:39:03It is a man
00:39:04He went to the bar and asked me about you.
00:39:08I already knew that
00:39:10But...
00:39:11What happened between you two?
00:39:13Tell me
00:39:14I need to know.
00:39:15What is that man to you?
00:39:17What do you mean, Anselmo?
00:39:20Nothing you don't already know, darling.
00:39:23How long have you known him?
00:39:26What's it called?
00:39:27Starting tonight
00:39:28When he came to ask me for a whiskey
00:39:30I don't know his name
00:39:37You damned mangy son of a bitch
00:39:39You never would have done it
00:39:41I told you the truth
00:39:43I had never seen that man until he called me to ask about you.
00:39:47And I denied knowing you.
00:39:48And in return I get a slap
00:39:50I wish I had told him.
00:39:52But I have one consolation:
00:39:54He's looking for you and he'll find you.
00:39:56That will kill both you and Marciano
00:40:02Oh!
00:40:03Keep hitting me, Anselmo Martín
00:40:05Oh!
00:40:06Perhaps that way you can hide the terror you feel at facing a ghost
00:40:09But what is a man?
00:40:10Much more of a man than you!
00:40:13See if it is
00:40:14He just left for Marciano's ranch to take him out and he will kill him.
00:40:17Understand
00:40:18And then he'll come for you.
00:40:21Oh!
00:40:22Kill me now
00:40:23If you don't want me to laugh at you
00:40:25When I see your filthy corpse
00:40:27Stretching the leg of my plants
00:40:30How did he know?
00:40:31I told him
00:40:32There was no option.
00:40:33When Cheris took me to his office
00:40:35He was waiting for me
00:40:36He took me home
00:40:38I was scared
00:40:38But I hid you
00:40:40And this is how you repay me?
00:40:41Be careful
00:40:42Because I am a woman who neither forgives nor forgets, darling.
00:40:47Wait a moment, Estela
00:40:48What do you want?
00:40:49Keep hitting me?
00:40:50You won't leave here until this is resolved.
00:40:52What are you saying?
00:40:54You already heard it
00:40:55Stay away from that door and it will be much better for you
00:40:58So what do you intend to do now?
00:41:01I'll leave you here with orders to kill you if you try to leave.
00:41:04I want you to create more complications for me.
00:41:06And ask the saint you adore most
00:41:09I'll finish that man off tonight.
00:41:11Because if you don't, you're going to feel it.
00:41:14I'm going out for a moment
00:41:20And if you love yourself well
00:41:22Don't try to leave here before I return
00:41:25What if you don't come back, darling?
00:41:29I know you'd give your soul to the devil if that were the case.
00:41:32That's something I never thought about.
00:41:34But you force me to stay
00:41:36What's the point if he's coming to kill you?
00:41:37He took me along by mistake.
00:41:40Maybe
00:41:41If you don't like it, tell me.
00:41:46Tell me
00:41:48Would you let me leave if I told you something important?
00:41:50Explain yourself
00:41:51We'll see later
00:41:53That man asked me to go with him
00:41:55He asked me to be at the station at 7 a.m.
00:41:59I told him I would be there.
00:42:00I think it's a good opportunity to get rid of him, don't you?
00:42:03Yes of course
00:42:04That is, assuming it's true.
00:42:07And just in case
00:42:09All the more reason you're going to stay here
00:42:11But...
00:42:12Enough!
00:42:13You'll stay!
00:42:15That's right, Martin
00:42:19Courteous
00:42:21Mr. Martian
00:42:23I was looking for you because Don Anselmo told me I would find you at the hotel
00:42:26And that he should tell both you and the commissioner
00:42:29If he needs it
00:42:30He will be in his office
00:42:32Yes, I was at the hotel
00:42:33But I've just been told that that guy just walked into Anselmo's office
00:42:38Although I don't think Martin will be surprised
00:42:41But what if things don't go well?
00:42:42We're going to set up an ambush
00:42:45To finally put an end to that ghost that is already worrying us
00:42:48Come on
00:42:52Yes, she's going to stay here
00:42:55But only for a few minutes
00:42:59Anything against it?
00:43:02Do you think we could reach an agreement?
00:43:06Probably
00:43:09But I'm in a hurry.
00:43:10The train leaves at 7
00:43:17Am I going to take the woman you want?
00:43:20If ever
00:43:23Did you really love someone?
00:43:25Will you take that one?
00:43:29You're crazy
00:43:30What do you expect from that woman?
00:43:32A betrayal like the one he was attempting now?
00:43:36She herself told me the place where she will meet you tomorrow at 7
00:43:43Good
00:43:45How much do you want to leave right now?
00:43:49With her?
00:43:50Why not?
00:43:5220,000
00:43:54That?
00:43:5610,000 for each one
00:43:57And that's how you get rid of both at the same time?
00:44:00Aren't you complaining that she betrayed you?
00:44:03And what about Marciano?
00:44:06That's none of your business.
00:44:08What's it to you?
00:44:12When do you want those dollars?
00:44:16Now
00:44:17I'm in a hurry
00:44:33You're going with him, aren't you?
00:44:38Yes, I'm going with him.
00:44:39Go on
00:44:39Give us the tickets
00:44:46Tell us
00:45:11And the banknotes?
00:45:13Leave them be
00:45:14They will be his shroud
00:45:19Marciano is still missing, right?
00:45:21Yes, Marciano is still missing.
00:45:23Hey, what did you do to yourself?
00:45:25Uh, uh
00:45:28I don't like this calm at all.
00:45:30Come on
00:45:31A review O they live it
00:45:34Sounds!
00:45:34Grapes
00:45:38Sounds!
00:45:40Oh, what a misfortune!
00:45:43Sounds!
00:45:53CPA! Sounds!
00:45:56Sounds!
00:45:57Sounds!
00:45:59Sounds!
00:46:00Sounds!
00:46:02Yes, Carmen.
00:46:31Cortés, come here. I think they're after you. Come in here.
00:46:39Come on, don't be silly. Trust me.
00:46:43Come on.
00:46:56Come on, get in.
00:47:09Happens.
00:47:16I thought he was with Estela, because he hasn't returned to the living room.
00:47:19The sheriff took her to his office.
00:47:21He had gotten it into his head that he knew you before.
00:47:25Well, you can see that it's not like that.
00:47:30Tell me, why did you do that?
00:47:32What did I do?
00:47:34What do you mean? Do you think saving my skin is nothing?
00:47:39Forget it.
00:47:40No, that can't be forgotten. Tell me, why did you do it?
00:47:45Perhaps because I've been feeling horribly lonely for many days and I long for someone to make love to me.
00:47:57And did you think of me?
00:48:00Why not? You are a magnificent example of a man.
00:48:07Wow, I didn't know that.
00:48:10What a satisfaction.
00:48:12But don't you think this isn't the right time to make love?
00:48:19Tell me something, Vilma.
00:48:21With great pleasure.
00:48:23I want you to answer me truthfully.
00:48:25Are you saying all this despite Marciano?
00:48:28What does he mean by that?
00:48:29Someone told me that you two are lovers.
00:48:32Well, they lied to him.
00:48:34It is true that Rodolfo Marciano is pursuing me, but nothing more.
00:48:38There is no man in Paradise Valley who fulfills my aspirations.
00:48:41They're not my type.
00:48:44But then you do have a type in mind.
00:48:46Of course.
00:48:48I have the type I like.
00:48:50And that...
00:48:52That's you.
00:49:05There is no Rodolfo Marciano, believe it or not.
00:49:09Look, I have a few thousand dollars saved up that can be yours.
00:49:14If you take me out of Paradise Valley.
00:49:16With them you can settle anywhere.
00:49:18What do you answer?
00:49:20And the living room?
00:49:22The living room?
00:49:23The room is not mine.
00:49:25Come on, baby.
00:49:26Do you expect me to believe that?
00:49:30You'd be a fool not to believe it.
00:49:32The place belongs to Marciano and I'm just the front.
00:49:36I'm fed up with all of this.
00:49:38From his persecution, from his presence,
00:49:40of his attempts to win me over and even of a kiss that I didn't ask for.
00:49:44I hate him like I've never hated anyone.
00:49:47That's the truth.
00:49:48Everything I do is out of fear of those killers.
00:49:51Get me out of here and I'll give you 10 to 12 thousand dollars, which is what I have.
00:49:56But if you don't want to, don't.
00:50:04Maybe I will, baby.
00:50:06But are you still not sure about doing it?
00:50:09No, I'm not sure.
00:50:11Nor am I sure I'll get out of here alive tonight.
00:50:15What I am sure of is...
00:50:17...that I would very much like to make love with a woman like you.
00:50:23But at another time, not this one.
00:50:30And if you believe that, why not give it a try?
00:50:34Could this be a good outcome for both of them?
00:50:40If you say so...
00:50:44...maybe it's true.
00:51:00It might be a good outcome for both of us!
00:51:15Look, come into my bedroom.
00:51:17There is a window in it.
00:51:18Go out and get it.
00:51:32Who is it?
00:51:33It's me, Vilma, the commissioner.
00:51:36What's happening?
00:51:36Open the door.
00:51:41Wow, I thought you came alone.
00:51:43Well, you can see that's not the case.
00:51:44Where is that man?
00:51:46Which man is he referring to?
00:51:47Don't play dumb with that gunman.
00:51:48Where is?
00:51:49What do I know?
00:51:50Am I her babysitter?
00:51:52They saw him come in here.
00:51:53Don't play dumb.
00:51:54I'll see.
00:51:55You, I'm going to search every corner.
00:52:11Don't lie to me, Vilma.
00:52:13That man is here.
00:52:15Well, you can see that's not the case.
00:52:17What's in there?
00:52:19Let's see.
00:52:20No, commissioner.
00:52:20That room is my bedroom.
00:52:22Step aside.
00:52:23You have no right to enter here.
00:52:25No arguments.
00:52:26Get out of the way.
00:52:28I won't do it.
00:52:28Leave me alone, sheriff.
00:52:29I'll remove it.
00:52:30No, let go.
00:52:32Come on, let's see.
00:52:41Take a look.
00:52:45There's nobody here.
00:52:47He was here, wasn't he?
00:52:48And he jumped out the window.
00:52:50You're wrong, commissioner.
00:52:51Nobody came in here.
00:52:53That may be true.
00:52:54But in the meantime,
00:52:55until I find out,
00:52:57You will come with me.
00:52:58Go on.
00:53:07Walk him.
00:53:08And why?
00:53:10Come on, commissioner.
00:53:11Did you take it?
00:53:12with all the girls
00:53:13who work in the salon?
00:53:14First Elena was taken,
00:53:15first Estela and now me.
00:53:17What is being proposed?
00:53:18Nothing.
00:53:19But let's go to the police station
00:53:21so you can explain it to me
00:53:22everything I need to know.
00:53:23And what do I have to explain to him?
00:53:25The reason you had
00:53:26to that gunman in your house.
00:53:27You know that the whole town
00:53:29He is wanted for murder.
00:53:31That wasn't my news,
00:53:32Mr. Sheriff.
00:53:33What I know
00:53:34is that the only ones
00:53:34who are looking for him
00:53:35They are the gunmen
00:53:36Marciano and you.
00:53:37Tell me, commissioner,
00:53:39How much does he pay Marciano?
00:53:40for playing along
00:53:41What is he doing to her?
00:53:42Be quiet!
00:53:43Don't put me
00:53:44his hands on
00:53:44if he doesn't want to kill me afterwards.
00:53:46We'll go wherever you want.
00:53:56Tell me, commissioner,
00:53:56and sound.
00:53:57Tell me, is it a little more
00:53:57what he's doing to her.
00:54:00Don't put me
00:54:01if you don't want to.
00:54:01Don't put me
00:54:10if you don't want to.
00:54:11Tell me,
00:54:15Don't put me
00:54:16It just has a little bit more
00:54:24I suppose he'll lock me in one of his cells now.
00:54:26Waiting for Cortés to do something crazy and come for me
00:54:29And while you're organizing the group of thugs along with Martian
00:54:34To get his hands on him and get rid of him.
00:54:36You'd better shut your mouth.
00:54:37Come on
00:54:58Here you're going to tell me the truth.
00:54:59The lady doesn't like this place
00:55:04No!
00:55:18Go away
00:55:19What are you waiting for? Go away
00:55:21What is he trying to do now?
00:55:30Talk to you
00:55:32Well, spill whatever it is
00:55:34And get out of here
00:55:36Tonight I will kill Martian
00:55:37Then I'll leave here and you'll never see me again.
00:55:41Why are you telling me all this?
00:55:43I'm going to give him a warning
00:55:44I am a stranger
00:55:46And to fulfill an oath I made one day
00:55:49I will not stop for anyone
00:55:50Not before anything
00:55:51And especially not in front of you, Sheriff.
00:55:54Since I've been here, there have been many deaths.
00:55:57And there will be many more before dawn
00:56:00But all of them have been in self-defense.
00:56:02Face to face
00:56:03And with men worse than me
00:56:06Do you understand?
00:56:08No
00:56:09I still don't understand it
00:56:11Come on, Sheriff
00:56:12Don't be naive
00:56:14Leave me alone!
00:56:15And make sure the laws are enforced in this town.
00:56:18I want some good advice.
00:56:20Stay here
00:56:21Do not move
00:56:23Until I leave tomorrow
00:56:27If you follow my steps
00:56:30I'll kill him
00:56:34That would cost him the gallows.
00:56:35And you know it very well.
00:56:37You're wrong.
00:56:39I've never killed a sheriff
00:56:41And I wouldn't want to start with you.
00:56:45And the women he brought here
00:56:47Neither of them has anything to do with me
00:56:49And I meet them
00:56:51It was purely by chance
00:56:53Leave them alone
00:57:09Well
00:57:12Now I will tell you what you have told me on other occasions
00:57:15You're putting yourself at risk for no reason.
00:57:20Notice that only one is missing.
00:57:22And that
00:57:26He will soon follow the others
00:57:30I think it's time you asserted your authority as Sheriff
00:58:00Courtesy! It's so nice to see you!
00:58:02Sit down
00:58:03Come on! Sit down!
00:58:08First of all, I want you to tell me
00:58:10Where can I find Marciano right now?
00:58:12According to my news
00:58:14To whom will I go from paradise?
00:58:16I hope you tell me the truth.
00:58:17Otherwise you're going to have a very bad time
00:58:20What the hell do you mean?
00:58:22To remind you of the little push you gave me
00:58:24Facing Martin's gunmen
00:58:25You are a very smart girl
00:58:27But not enough to play with me
00:58:30Remember that
00:58:31But you don't understand that I did it to prevent them from killing you.
00:58:35Maybe
00:58:36Could be
00:58:39You know they stole my horse
00:58:42And I also know who did it.
00:58:44Oh
00:58:46You are a very smart girl
00:58:48From what I can see, you know everything.
00:58:51Everything I know is from trying to help you
00:58:54Who took my horse?
00:58:57Martian
00:58:57Where is?
00:59:00On the block at the end of the town
00:59:03Where are you going?
00:59:04Because of him
00:59:05I don't recommend it
00:59:06Especially not now, with things as they are.
00:59:08Because?
00:59:09Because they assume you'll go.
00:59:11And they sent several gunmen to kill you.
00:59:19Oh
00:59:20You are a very intelligent woman
00:59:23I see you're aware of everything
00:59:26A girl in the classroom hears many things
00:59:28And more about what interests you
00:59:29Clear
00:59:31Wish me luck
00:59:32We'll see each other later
00:59:43Leopoldo
00:59:44No
00:59:44No
00:59:57No
00:59:58No
01:00:26Thank you!
01:00:44Thank you!
01:01:05Thank you!
01:01:22Bernal!
01:01:23Turn around! I don't want to kill you from behind!
01:01:53Álvaro, come in soon, they're following you.
01:01:56Come on, come here.
01:02:08Come in.
01:02:12This is a mousetrap.
01:02:14The whole town is.
01:02:15Come.
01:02:42Nobody is in sight.
01:02:43Well, they're there.
01:02:44And I'm sure there are others on the back street that leads to the back of the building.
01:02:51I don't think I'll be able to take you with me, girl.
01:02:53Because?
01:02:57I don't know of any dead man who takes a woman with him.
01:03:00And I don't think I'm the first.
01:03:03Be quiet, please.
01:03:04Shh.
01:03:05I see shadows moving.
01:03:07I think they're going to start searching houses.
01:03:11It's very possible that they will.
01:03:13And are you going to confront them?
01:03:15If they search here and find me, yes.
01:03:17They will kill you.
01:03:19Do I have to die someday?
01:03:22Yes, but I don't want that to happen.
01:03:29Come on.
01:03:30But what's wrong with you, Vilma?
01:03:34Are you in love with me?
01:03:37And if that were the case, so what?
01:03:41I would feel sorry for you.
01:03:46And what do you think?
01:03:48I would like to know where Marciano is at this moment.
01:03:51Here, in the village.
01:03:53How long have you known?
01:03:54Just half an hour ago.
01:03:56But how do you know?
01:03:57I saw it myself on the street as soon as I came in here.
01:04:00I almost tripped over him, but when I saw him I hid.
01:04:07And do you know where he stays when he comes to town?
01:04:10At the hotel.
01:04:13If only I knew that he was there now.
01:04:16What would you do?
01:04:17Go look for him?
01:04:19Clear.
01:04:20I would confront him.
01:04:21Sooner or later I'll have to do it.
01:04:23Unless his gunmen take me out first.
01:04:26Why don't you try to go out without being seen?
01:04:29Are you going to the station where I can meet you?
01:04:32We'll take the train there and go far away, wherever you want.
01:04:39That can't be, Vilma.
01:04:42I'm sorry.
01:04:43But what have those three done to you that makes you risk your life to get revenge on them?
01:04:49I came prepared to face all three of them.
01:04:51But I never imagined they were surrounded by so many gunmen.
01:04:55But since I'm here, either they finish me off, or I finish them off.
01:05:01But what have they done to you?
01:05:03These are things that happened a long time ago.
01:05:05And very far from here.
01:05:13Are they still there?
01:05:15Come closer and see for yourself.
01:05:21What time is it?
01:05:23The four of them.
01:05:24That?
01:05:29Four in the morning.
01:05:32There are three hours left before I take the train.
01:05:34So what are you going to do now?
01:05:37That?
01:05:57Come, look.
01:06:13Where are you going?
01:06:15I have to go out, right?
01:06:16I'm going to do it through the back door of the living room.
01:06:19I'll be at the train station in a few hours.
01:06:22I'll be waiting for you there, if they don't kill me first.
01:06:23Wait.
01:06:39Take.
01:06:40You won't need to.
01:06:45Thank you.
01:07:04Mr. Caes, I'll be waiting for you at the station.
01:07:08And I pray to God that it will be so.
01:07:44Estela, do you want to go to the back door of the hall?
01:07:46What are you doing here at this hour?
01:07:47Why didn't you go back to the classroom?
01:07:49I had a date.
01:07:51And where are you going?
01:07:52I couldn't sleep and went out for a walk.
01:07:55Apparently, many people are unable to sleep.
01:07:58And going for a walk, given the way things are?
01:08:01For me, it's just another night.
01:08:04Maybe, but tell me.
01:08:05You're looking for Marciano, aren't you?
01:08:07Estela, were you perhaps on your way to a funeral?
01:08:11Because Cortés is going to die tonight in Valle del Paraíso.
01:08:14And he will no longer be able to take the seven o'clock train.
01:08:17A man who came here to avenge crimes will stay forever.
01:08:21What are you saying?
01:08:22It's strange, isn't it?
01:08:23Well, not me.
01:08:25Cortés walks into a crude trap that will lead him to death.
01:08:28It won't be like that.
01:08:29He carries a rifle for self-defense that I gave him.
01:08:32That's precisely where the trap lies, my dear.
01:08:34What do you mean?
01:08:36Oh, you don't know?
01:08:37I was going to leave with him in the morning and you're trying to stop me.
01:08:41Are you going with Álvaro?
01:08:43You dream, Estela.
01:08:45I was already one of them, you understand?
01:08:47I haven't gone that far, my dear.
01:08:49But listen to me for one thing.
01:08:50If a man dressed in black named Álvaro Cortés dies tonight in Valle del Paraíso,
01:08:54I swear I will kill you.
01:08:56You were always like that.
01:08:58You sold out to the highest bidder.
01:09:00Now tell me, how much did Marciano pay you for selling Cortés?
01:09:03It was a lot, wasn't it?
01:09:07I should thank you for the slap.
01:09:11Continue on your way as you were going.
01:09:13Good luck.
01:09:14And entrust yourself to the saint of your devotion.
01:09:16So that Cortés does not die tonight.
01:09:19I have nothing to do with that.
01:09:21I don't know.
01:09:22But if he dies tonight, you will die too.
01:09:25Now get out.
01:09:27What a shame that two women who were friends until today
01:09:29They're upset over a man neither of us knows about
01:09:32whether he will take her with him.
01:09:35Did you hear?
01:09:36Pray that he has not died.
01:10:00From what I can see, we're going to be here until dawn.
01:10:02playing cat and mouse.
01:10:05Before dawn, you will die, Cortés.
01:10:10Who says so?
01:10:11You?
01:10:13Everyone in town is looking for him.
01:10:16Why doesn't he get on his horse and head to the station?
01:10:20Now that...
01:10:21What can you do?
01:10:24I told him to stay in his office
01:10:26until the end of whatever happened.
01:10:29And he didn't listen to me.
01:10:33Don't try it, Cortés.
01:10:35And leave.
01:10:37Marciano commissioned me to tell him.
01:10:40Neither he nor I want any more blood to be shed.
01:10:43in Paradise Valley.
01:10:45Of course not.
01:10:47Although he suspects it would be his that would run.
01:10:51Although in this case she would be the last of the trio of criminals.
01:10:55Come on, sheriff.
01:10:57What are you waiting for?
01:10:59He's going to do something crazy, Cortés.
01:11:02For the last time, I say...
01:11:04Leave.
01:11:06The only crazy one here is you, Sheriff.
01:11:08Marciano is at the hotel and I'm going to look for him.
01:11:10Don't get involved in this matter.
01:11:27Don't cross my path again or I'll kill you.
01:11:30When is he leaving?
01:11:32Very soon, on the seven o'clock train.
01:11:36So he insists on eliminating Marciano?
01:11:39Go back to your office and leave me alone.
01:11:43Alright.
01:11:47What are you doing here?
01:11:49Go away.
01:11:50I was with Vilma.
01:11:52So what?
01:11:54She gave you that rifle for your defense.
01:11:56He told me he's your lover.
01:11:58And?
01:12:00Nothing.
01:12:02So, do you want some good advice?
01:12:04Go to sleep.
01:12:05I'll take it if I feel like it.
01:12:07Because I am neither your wife nor your lover yet, so I am not bound to obey you.
01:12:10It's true.
01:12:11It isn't.
01:12:13Get out.
01:12:14Why don't you stop acting all high and mighty and check that rifle?
01:12:20What do you mean by that?
01:12:26Discharged.
01:12:27How did you know?
01:12:28I'm not going to tell you.
01:12:30Ask Vilma, she gave it to you to defend yourself.
01:12:36Martinasio.
01:13:08Martinasio.
01:13:19Come on!
01:13:29From what I can see, nobody will be left alive in this town.
01:13:55Come on!
01:14:02Good evening, Cortés. I was expecting you.
01:14:05I already saw it.
01:14:07And with a magnificent reception, wasn't it?
01:14:10Yes, it was a good welcome.
01:14:13But those idiots failed.
01:14:15And it's been a shame.
01:14:17You've come to kill me, haven't you?
01:14:19No, man.
01:14:21What do you think?
01:14:23Well, kid, I think it's...
01:14:25You have no right to believe anything, do you understand? Nothing!
01:14:30Or don't you remember?
01:14:33My parents were friends of yours.
01:14:35I was your friend.
01:14:37From Bruce and Martin.
01:14:39And what happened?
01:14:41Do you remember my sister?
01:14:43And what about my parents?
01:14:44Of course you remember.
01:14:46How could you forget them?
01:14:49The three abused their trust, robbing and then murdering them.
01:14:54I've been chasing ghosts for four years.
01:14:57And finally I find you.
01:14:59You are the last one I have left.
01:15:01And now you expect me to enter into a pact with you.
01:15:03No, absolutely not.
01:15:06There won't be one.
01:15:07And in any case, what could you offer me?
01:15:09Hey?
01:15:10What could you offer me?
01:15:12Will you return the money that was stolen from my parents?
01:15:14What use would it be to me?
01:15:16So that?
01:15:18Where are they now?
01:15:19Let's see...
01:15:20And my sister Mirtha?
01:15:21Where?
01:15:23Where?
01:15:24Okay, Álvaro.
01:15:25You win.
01:15:26But before we take up arms, I want to tell you something.
01:15:30Believe it or not, I always regretted that.
01:15:34It's a poor excuse.
01:15:36But there is no other way.
01:15:38And if you believed me, boy.
01:15:41Hey...
01:15:42Look.
01:15:43It's already dawn.
01:15:46AND...
01:15:47I don't have time.
01:15:49Yeah.
01:15:50It's your last sunrise.
01:15:52Don't move the hole, the skin.
01:15:56Is it time to avenge Martin and Brooks?
01:15:59I don't think so.
01:16:03Put that toy down.
01:16:04Or you'll be the one who gets the hole.
01:16:08Let's go outside.
01:16:11Now you.
01:16:13Sort it out yourselves.
01:16:15Walk.
01:16:20Move it!
01:16:25I see that you are still cowardly and treacherous.
01:16:30Come on.
01:16:31What are you waiting for?
01:16:32Let someone else come and surprise me from behind...
01:16:35?
01:16:42Come on, commissioner.
01:16:44You no longer have to worry.
01:16:46This is the last one left.
01:16:47Because surely the one who fell was Marciano.
01:16:51Lock him up.
01:16:53Pistols.
01:16:57Take it away and lock it up.
01:16:58Walk.
01:17:18Move it!
01:17:30Come on, commissioner.
01:17:32Why that distressed face?
01:17:34He should be happy.
01:17:36Because from now on he will be able to enforce the laws in this town.
01:17:41Thanks to the friend who helped me.
01:17:43And that I don't even know.
01:17:45I'm Tony Lopez.
01:17:47At your service.
01:17:56Luck.
01:18:20Goodbye, Álvaro.
01:18:22Forgive me about the rifle.
01:18:24I did it out of fear.
01:18:25Well, I didn't think you'd make it out alive under any circumstances.
01:18:28If I hadn't done it, they would have killed me.
01:18:32Please forgive me.
01:18:33Don't worry.
01:18:35You should be happy because now the bar will be yours.
01:18:39Nobody can take it away from you.
01:19:01Yes, he challenges me.
01:19:04Goodbye, Álvarez.
01:19:15It will connect to the heater.
01:19:16That would be it.
01:19:16Sara, is not a good reader yet.
01:19:16Ms. Kayultural,
01:19:17is not winged as it was supposed to die. The barを
01:19:32Now that's a name.
01:19:35We should all imitate him.
01:19:37Starting with me.
01:19:39And that's because you turned against them by helping those bandits.
01:19:43Because they left me alone.
01:19:46And I was afraid.
01:19:48Did you never have one?
01:19:49The commissioner is right.
01:19:52Remember when those men came to the village,
01:19:55He and I asked them for help to get rid of them.
01:19:58And none of you got together.
01:20:02You were all afraid.
01:20:04That's how it was.
01:20:06But I swear that if this were to happen again,
01:20:09I prefer death to being intimidated
01:20:12against bandits like those.
01:20:14With or without your help.
01:20:23Sirs,
01:20:25We need to restore the commissioner's trust.
01:20:28Clear.
01:20:29He's right.
01:20:30Clear.
01:20:30We were all afraid
01:20:32And we didn't want to help Tony the Mexican and him.
01:20:36Yeah.
01:20:36That's the truth.
01:20:38So we need to restore their trust.
01:20:41Clear.
01:20:42Clear.
01:20:55We will.
01:20:56We will then proceed with the trial.
01:20:59And thank you very much for your trust.
01:21:01Let's give it a go.
01:21:02Clear.
01:21:03Clear.
01:21:04Well, guys, you heard it.
01:21:06We're going to collect everything the man in black...
01:21:09has sown seeds in our town.
01:21:12Come on.
01:21:12Come on.
01:21:13Come on.
01:21:14Come on.
01:21:15Come on.
01:21:16Come on.
01:21:17Come on.
01:21:19Come on.
01:21:20Come on.
01:21:20Come on.
01:21:23Come on.
01:21:25Come on.
01:21:37What a night.
01:21:40Gunshots, deaths, scares.
01:21:45But finally, calm arrived.
01:21:48I treated that boy badly.
01:21:51I could have been the cause of his death.
01:21:55Don't worry.
01:21:58It could have happened to anyone.
01:22:01Is it all over?
01:22:04You're right.
01:22:23What winds bring you here?
01:22:24I have come to say goodbye to you.
01:22:28You already did it.
01:22:29You can leave.
01:22:30Not yet.
01:22:31I want to know if you're going to take me with you.
01:22:33How did you promise me?
01:22:52Sir, your horse is on board.
01:22:53The train is leaving now.
01:22:55Go.
01:22:57The train is leaving now.
01:23:11Thank you!
01:23:38Thank you!
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