00:00Yes sir first of all welcome to INS and
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00:56to go there and shoot it, it's a good thing. I don't know that the censor board
01:00is what I thought.
01:01Sir, you are saying that it's a family love story and a human drama.
01:06So, what do you think about the backdrop of the film and the backdrop of the film to
01:10unnecessary political, I mean, it's an excellent narrative.
01:16I mean, I believe that it's my picture, but it says that censor board scene
01:20that if it's a picture of you in the U.P. shoot, then I'll give you some time to
01:23see it.
01:25It's a picture.
01:28If we shoot it, it's not.
01:31But in the U.P. in the village, in the village, the area, in the village, the area, in the
01:36village,
01:36where are they, in the village, in the village.
01:39So, why don't you want to shoot this?
01:43Why don't you want to shoot this?
01:46That's a big reason, because I don't go there, if I go there, if I go there,
02:00foreign
02:03foreign
02:05foreign
02:05foreign
02:06foreign
02:07I think that's a good question.
02:09Yes, absolutely.
02:10Because the review committee has told me that
02:16it's not correct, it's not correct, it's wrong.
02:21But the review committee has said that
02:23But the review committee has said that
02:23it's not correct,
02:24but it's not correct,
02:24it's not correct.
02:34It's not correct.
02:39You don't know what to say.
02:43in your opinion,
02:45I think that's the reason why
02:46it's not correct,
02:46it's not correct.
02:47Why should you do it for a review?
02:56It's not correct,
02:57it's not correct.
02:58It's not correct.
02:58It's not correct.
03:01It's not correct.
03:02पांच दिन के अंदार रिवू कवेटी देखी कि एक क्या वन तक नहीं देखी गई फिर प्राइटी किस बात की
03:08थी आपने उसे तीन मुझे पूरा यकीन है कि कुछ ना कुछ तो ऐसा है सेंसर बोर्ड में बहुत कुछ
03:25काला काला चला है जिसको साफ करने की जहुत है चाह आ�
03:32को थी पूर्ट करना और किसी इसेटिस सब्सप कुछ गोरिफाई ना करना साहिए आ बनाते वक्त अपने बैलेंस कैसे मेंटेंग
03:42तो यह कुछ में पता था कि दर्द क्या होता होता है वं जाहता था में शूट कर सकता था
03:52कहीं अुस से wrestle था लिकिन मुझे लगा कि वो जंग
04:30and
04:31in the film, the official association is not
04:34in the film. What is the position of this?
04:38We have a mistake that when we were sending sensor board
04:42the editor said that we had a logo on the music channel.
04:46We had a logo on the music channel and when the picture was released,
04:50we had a logo on the music company.
04:54This was my mistake, like the T-series.
04:56I was surprised that it was a point of sensor board picture.
04:59You see, T-series, I don't know.
05:02T-series, sensor board, you know,
05:05it's a logo, it's a logo, you know,
05:07when you see me, it's a picture of sensor board.
05:10This is my picture of the picture.
05:12The picture of the picture,
05:14I've submitted to the picture and then I have a reply.
05:17And this is the wrong thing,
05:19because you know, they've made it.
05:22The email from the T-series.
05:23And this is the right thing,
05:23that we have to ask you for the same time,
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06:30Thank you, Sensor Board.
06:34foreign
07:01the world of your heart. But you have a picture of your heart. But you have a picture
07:07of your heart. But you have a picture of your heart. But you have a picture of your heart.
07:11Sir, this whole episode of CBFC and the film making community in which you want to see
07:16dialogue so that you want to see creative freedom and regulatory responsibility in both
07:20better balance?
07:21I want to tell you about the director of association. I want to say that the film industry
07:40of the Relief.
07:42If all the industry doesn't come, it's going to become an example of the
07:50service for someone.
07:51You click the instructions for the film.
08:18Thank you very much.
