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  • 2 months ago
On the occasion of Kunsttage Basel (Switzerland), the art space Hebel_121 presents an exhibition and sound performance by the artist Isaak Altinyay.

Isaak Altinyay (born 2003) works as a visual artist and sound designer. His practice occupies the direct meeting point of Concrete Art and sound design. By investigating sonic patterns and mathematical sequences, he builds an interdisciplinary approach that moves between material, sound, and image. Every project follows a tightly defined structural logic and systems of measured repetition, setting aside narrative progression in order to emphasize the unmediated presence of sound and form in space.

The resulting work therefore shares the exactitude of geometric art and the reasoned clarity of design. His inquiry into sonic didactics — illustrated by his research on the functional purpose of ambient music — treats compositions not as vehicles for emotional reflection, but as independent, objective constructions governed by precise principles.

Altinyay established the basis of this practice while studying at the Haute école des arts du Rhin (HEAR) in Mulhouse. During that period, and through several significant group exhibitions, he began connecting frequency with spatial and sculptural architectures. Strongly shaped by unsynchronized loops and time-based systems in the lineage of Brian Eno, he employs a compositional method that is at once theoretical and technical.

This exacting trajectory has been further strengthened by conceptual discipline developed through close work with SYMETRIA Editions. Recently named art director of the publishing house together with Jean-Charles Kien and Christian Savioz, he brings to the organization his cross-disciplinary understanding of contemporary geometric abstraction. In parallel with his independent studio research, he now takes an active part in the publisher’s editorial development.

Isaak Altinyay: TonBildTonBildTonBild. Solo exhibition at Hebel_121 in Basel (Switzerland). Vernissage and Sound Performance, August 29, 2026.
Transcript
00:10Music
00:33Oh, oh, oh, oh, oh, oh, oh, oh.
01:13Oh, oh, oh, oh, oh.
01:33Oh, oh, oh, oh, oh, oh, oh, oh.
02:10Oh, oh, oh, oh, oh, oh.
02:41Oh, oh, oh, oh, oh, oh.
03:25Oh, oh, oh, oh, oh, oh.
03:26The
03:27Cicc
03:27Cicc
03:28A
03:28Cicc
03:32Cicc
03:37Cicc
03:38Cicc
03:39Cicc
03:44Cicc
04:10What would you like first?
04:13French, English?
04:14My turn.
04:17Chinese.
04:19French.
04:22English.
04:24Russian?
04:25Chinese?
04:28I think I start with English.
04:32Because maybe most of the people don't study.
04:35Because in French, he will say everything.
04:37Do you speak in English or in French?
04:39Are you explaining what you are doing?
04:41Okay.
04:42Isaac Altinier.
04:43Il est l'artiste de la France et il fait la première exposition solo avec un concept qu'on a
04:53dit, qu'on a dit, qu'on a dit, qu'on a dit, qu'on a dit, qu'on a
04:56dit, qu'on a dit, qu'on a dit, qu'on a dit.
05:09Mince d'« C長eliel » c'est Daniel Cati ». Moi je suis belle et nous deux on fait le
05:14matin depuis 1998.
05:20in 1998. But it started in 1995 when we bought this space. And now we are in
05:35trying to do exhibitions. And we are not just a gallery, we are a book with art and also with
05:47art.
05:51So let's start with Isabel. Thank you very much for being here.
05:59Thank you very much.
06:07Thank you very much.
06:36Thank you very much.
06:57Thank you very much.
07:50Thank you very much.
08:18Thank you very much.
08:29Thank you very much.
09:17Thank you very much.
09:41Thank you very much.
10:15Thank you very much.
10:45Thank you very much.
11:15Thank you very much.
11:39Thank you very much.
11:40Thank you very much.
11:40Thank you very much.
11:43Thank you very much.
11:44Thank you very much.
11:46Thank you very much.
11:47Thank you very much.
11:48Thank you very much.
11:49Thank you very much.
11:50Thank you very much.
11:52Thank you very much.
11:54Thank you very much.

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