A mysterious man with an extraordinary magnetic ability becomes caught in a strange and unexpected adventure. The Magnetic Man (1950) is a classic film filled with suspense, mystery, and unforgettable moments from the golden age of cinema.
Watch this vintage classic and enjoy a journey back to the early days of Hollywood filmmaking.
#TheMagneticMan #ClassicMovie #ClassicFilm #VintageMovie #OldMovies #GoldenAgeCinema #1950Movie #VintageCinema #RetroFilm #PublicDomainMovie
Watch this vintage classic and enjoy a journey back to the early days of Hollywood filmmaking.
#TheMagneticMan #ClassicMovie #ClassicFilm #VintageMovie #OldMovies #GoldenAgeCinema #1950Movie #VintageCinema #RetroFilm #PublicDomainMovie
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FunTranscript
00:00:08The End
00:01:34Hello, Johnny. What are you up to?
00:01:36I'm trying to get this down to the kitchen.
00:01:39Oh, hey, up them all.
00:02:04Hello?
00:02:09Hello?
00:02:19You missed your ferry.
00:02:20I don't know.
00:02:22How long have those tadpills been living in the bath?
00:02:24Hmm?
00:02:25Oh, there's a letter from Ardwick House.
00:02:27Well?
00:02:28No further cases of scarlet fever.
00:02:30Having been reported, the school will reassemble for the last three weeks of term on Friday next.
00:02:34Nothing about any remission of fees, I suppose.
00:02:37No, but you can claim from the insurance, can't you?
00:02:39Oh, that's where they're cunning.
00:02:40We aren't covered if John is merely in quarantine.
00:02:42Oh, well, don't sound as if you want him to have scarlet fever.
00:02:49Hello?
00:02:51Hello.
00:02:52Oh, it keeps doing that.
00:02:53I think they must be testing the line or something.
00:03:00Shut up.
00:03:02And you.
00:03:05Oh, I found this in the loo.
00:03:07What's the idea of entering up our washing in Morse Coe?
00:03:11Oh, it's the laundry book I lost.
00:03:12Johnny must have taken it.
00:03:14Oh, yes.
00:03:15John David Brent, Friday, 1950.
00:03:18Oh, he is naughty.
00:03:19I tell the laundry they must have lost it.
00:03:21Secret language of tramps.
00:03:24What's all this about?
00:03:25Mrs. Beale, 48.
00:03:27Miss Denton, 29.
00:03:29Daddy, 36.
00:03:30Oh, he had a burst of curiosity the other day
00:03:32about people's ages.
00:03:33I didn't dream he was writing it all down.
00:03:35Oh, do get on.
00:03:36I find that rather interesting.
00:03:38The subconscious desire to cling to one's youth,
00:03:40motivating the ego at the age of 10.
00:03:42Mrs. Brooks, 28.
00:03:44Ah, that's rich.
00:03:45Isabel Brooks?
00:03:46Oh, I shouldn't have said she was any more.
00:03:4835 of she's a day, dear.
00:03:50Heavens, I've forgotten your egg.
00:03:51I don't believe it.
00:03:52You must have got that from Terry
00:03:53and she'd hardly bother to lie about her age to her own son.
00:03:56And you call yourself a psychologist.
00:03:57How you ever managed to make a living.
00:04:18Hello there.
00:04:20What's the hurry?
00:04:21Getting up saying good morning to your father?
00:04:23Sorry.
00:04:25Morning, Daddy.
00:04:26Don't eat too fast.
00:04:27I'm not eating.
00:04:29Shut that window.
00:04:29You're sending a draft down my neck.
00:04:34I can't quite chat it or even cut off the carrot.
00:04:38What's the idea?
00:04:39I've got a bell running down to the kitchen.
00:04:42So when you're ready for your egg,
00:04:43you'll just press this button.
00:04:45Well, I'm ready now.
00:04:46I'm not.
00:04:47Have a sec.
00:04:49Wouldn't it be a bit easier
00:04:50if I just gave Mommy a shout?
00:04:51Well, anyone can do that.
00:04:54Nearly ready.
00:04:55Right, now push it.
00:05:00Something's shorting.
00:05:02I know.
00:05:02It must be this terminal.
00:05:04I lost the proper nut,
00:05:05so I had to borrow one off the gramophone.
00:05:07It's all right.
00:05:08I'll put it back.
00:05:09I know where it goes.
00:05:10Mind you do.
00:05:12Must you puff like that all over the toast?
00:05:15Nearly done.
00:05:17Right, now try again.
00:05:20And here comes my egg.
00:05:22Miraculous.
00:05:23Oh, Mommy, you've gone and spoiled it.
00:05:25Have I, dear?
00:05:26We'll see you get that mess out of the way
00:05:27before Mrs. Beale arrives,
00:05:28so you'll have her giving me notice.
00:05:30You can see that it works, though, can't you?
00:05:32Mm, certainly does.
00:05:34Do you know that when a dog's near a bell when it rings,
00:05:37it makes him thirsty?
00:05:38Where on earth did you get that from?
00:05:40I don't know.
00:05:41I just know.
00:05:43Oh, Johnny, dear,
00:05:44you'll never see your father sitting like that.
00:05:46Look, if you want something to do,
00:05:47you can go and get my shoes,
00:05:49the black ones.
00:05:49Here, take these.
00:05:54Any idea what time you'll be home?
00:05:57Only much before seven.
00:05:58I've got a meeting of the hospital board at five.
00:06:00Will you be wanting any more tea?
00:06:02Bound to if you take the pot away.
00:06:04These, then?
00:06:06Those are they.
00:06:07I wish I knew what I was paying 70 pounds a term for.
00:06:10Any new ships in?
00:06:12I don't know.
00:06:12Let's see.
00:06:15Yes, here we are.
00:06:16Empress of France due in today.
00:06:18Robert, you're going to miss another ferry
00:06:19if you keep dawdling.
00:06:21She's a Canadian Pacific.
00:06:23Can I come and see her?
00:06:24Only if you're ready now.
00:06:25I'm starting as soon as I finish my egg.
00:06:26Oh, it's my Stingwinkle.
00:06:34You've broken it.
00:06:35It's your own fault, Johnny.
00:06:36Your father's shoes are not the place
00:06:37to keep Stingwinkle's in.
00:06:39Now then, throw it away.
00:06:40Put your jacket on.
00:06:41Then you can go down to the beach
00:06:42and find another.
00:06:44Go on.
00:06:44Off with it.
00:06:48Daddy, can a fish be seasick?
00:06:50I've no idea.
00:06:51I shouldn't think so.
00:06:52Terry Smith said he ruffled the water
00:06:53in the goldfish pool
00:06:54and one of the goldfish was sick
00:06:56and I said I didn't believe him
00:06:57and, Daddy, look, try.
00:07:04Daddy, have you got a bit of chalk on you?
00:07:06No, I'm afraid not.
00:07:07Look, old man, I can't wait.
00:07:08Oh, it's all right.
00:07:09I've just found some.
00:07:23Secret language of tramps?
00:07:25Yes.
00:07:25How did you guess?
00:07:35What sign did you put on our case?
00:07:38Bad people keep away.
00:07:48There she is.
00:07:49That's the Empress of France.
00:07:52Daddy, can't I come across
00:07:53with you and see her properly?
00:07:56No, Johnny, it wouldn't be fair.
00:07:58You don't want to give another boy
00:07:58scarlet fever, do you?
00:07:59Come along, sir, please.
00:08:00So long, old man.
00:08:01So long.
00:08:08Try and keep away from other kids
00:08:10and if you have to go near them,
00:08:11put your hanky in front of your face.
00:08:14Blimey, not that ugly.
00:08:35Hello, nice dog.
00:08:37I'm afraid I haven't anything for you.
00:08:39No, nothing.
00:08:51What are you doing in my garden?
00:08:53I was just getting a bit of bread
00:08:54from that dog.
00:08:55Well, you've no right
00:08:56to come in here and steal bread.
00:08:57I put those crusts there for the birds.
00:08:59You're trespassing.
00:09:00Go away at once.
00:09:10What are you doing now?
00:09:13What's that?
00:09:15It's a secret language.
00:09:16I have no secrets.
00:09:18Talking on my gatepost.
00:09:19What does it mean?
00:09:21It means the lady here
00:09:23is kind and generous.
00:09:28Come on, sir.
00:09:46I have no secrets.
00:09:47But it's a secret language.
00:09:49I have no secrets.
00:09:49I have no secrets.
00:09:49I am not sure.
00:09:52I have no secrets.
00:09:52I have no secrets.
00:09:54I have no secrets.
00:09:57And that made the big bear laugh, and then I laughed, and he laughed, and I laughed, and then I
00:10:05think I woke up.
00:10:07That was a funny dream, wasn't it?
00:10:11All right, Sally, now you pop back into the waiting room and see if you can find a comic I
00:10:14hid there for you.
00:10:18She's been much better this week, Doctor.
00:10:20Just one little accident on Monday, but apart from that...
00:10:23Yes, we're getting along fine.
00:10:26Mrs. Mercer, I'd like your husband to come here and have a word with me.
00:10:29My husband? Oh, I don't think he'd be able to tell you about it.
00:10:32I'd like to see him all the same.
00:10:34This recurrent dream of hers about the big bear, it's quite clear to me that Sally's utilizing that bear as
00:10:41a symbol of her father.
00:10:43Really?
00:10:44That may sound a little odd to you, but it is an established fact that when a child experiences a
00:10:49peculiar fascination for some kind of animal,
00:10:51it's nearly always identifying that animal, subconsciously, of course, with its own father.
00:11:19Good morning, Mr. Pickering.
00:11:22Good morning, Mr. Pickering.
00:11:22Good morning, Mr. Pickering.
00:11:22Hello, Johnny.
00:11:26What are you doing that for?
00:11:28Tell me something else to do, and I'll do it.
00:11:32You've missed a bit there.
00:11:34Ta.
00:11:35Need a pair of spectacles, that's what I need.
00:11:38You'd be able to see better if you bought little holes in your ears
00:11:41and stuck golden earrings in them.
00:11:43I fancy you knowing that now.
00:11:45Oh, it's what they used to do in the olden days.
00:11:47I read about it.
00:11:49Education's a wonderful thing.
00:11:51I wish I had more time for book reading.
00:11:54In the olden days?
00:11:55When they wanted to make a man confess,
00:11:58they'd wait till the tide was going out,
00:12:00then they'd cut open his stomach
00:12:02and tear a piece of cork to his insides.
00:12:05Trip on a boat, lady.
00:12:06No, thank you. Come along, dear.
00:12:11What's she trying to do?
00:12:13Ruin me?
00:12:14Go on, push off.
00:12:16Now, go on, push off now.
00:12:25Ruin me?
00:13:03I've got a magnet.
00:13:06Yes, and it's a jolly good one, too.
00:13:08Let me have a go.
00:13:13Why did you get it?
00:13:14Here?
00:13:16Want to swap it?
00:13:21I'll give you this golf ball for it.
00:13:25It's got two miles of elastic.
00:13:28Stretch it all out and you'll have five miles of elastic.
00:13:33I'll give you the old golf ball and this potato.
00:13:36It's a very rare one.
00:13:39All right, swap for this.
00:13:43It's got a range of 25 yards.
00:13:46See your nanny over there?
00:13:48You could hit her from here with this.
00:13:51Come on, swap.
00:13:57Torch.
00:14:01I'll give you the pissed land, all these.
00:14:23Will you swap it for my invisible watch?
00:14:32Show me.
00:14:42I can't see anything.
00:14:44That proves it really is invisible.
00:14:59Nan, Nan, look what I've got.
00:15:00Now, if you're bringing me another craft.
00:15:02No, it's a watch.
00:15:04Look.
00:15:04Well, I can't see anything.
00:15:06It's an invisible watch.
00:15:07Well, let me hear it, then.
00:15:13It's stopped.
00:15:39Boy, you give that back.
00:15:41He swapped it.
00:15:42I'll give you a swap.
00:15:43Hand it over at once.
00:15:44I gave him my invisible watch.
00:15:45Now, you stop telling Phib.
00:15:47He's got nothing of yours.
00:15:49Well, he's dropped it, then.
00:15:51I'm coming to the end of my patience.
00:15:53You hand it over.
00:15:58Stop.
00:15:58See?
00:15:59I'll have the police on you.
00:16:00You're a thief.
00:16:01That's what you are.
00:16:02Just a little swindler.
00:16:04Stop.
00:16:05Stop.
00:16:06Stop.
00:16:30They'll be measuring you for a wooden overcoat.
00:16:32Oh.
00:16:54I want you to be perguntuaris,
00:16:58meeting you. No, I
00:17:00I do. Hey. Hey,
00:17:21Here, Sonny, you don't want to lose this, do you?
00:17:44Here, let's have a look at this, you've got something here, chum, come on, I'll show you.
00:17:50Here, let's have a look at this, let's have a look at this, let's have a look at this.
00:18:18Here, let's have a look at this, let's have a look at this.
00:18:50Come here, fiddle it, would you? Give that here. I'll have you locked up for this.
00:18:55It's mine, it says. Yours, is it? No, you don't. Do you know what this makes you? A juvenile delinquent.
00:19:03Do you know what they do to juvenile delinquents?
00:19:06They sent them to Barstow. Come on, go find a company.
00:19:15What's the big idea?
00:19:17I'm sorry this is.
00:19:18Caught you up. Where's that policeman? I have a good mind to give you in charge.
00:19:23Get out of it.
00:19:26Get out of it.
00:19:46I have a good mind to give you in charge.
00:19:50I'm sorry.
00:19:58What are you up to, son?
00:20:01Look.
00:20:04Is he dead?
00:20:07Well, well, what's to do, my friend?
00:20:09Apios corpus, imminent collapse of building?
00:20:11Or is the place merely on fire?
00:20:13This young man thinks you've got a corpse down there.
00:20:16Well, so I have indeed.
00:20:17Murder is a fine art.
00:20:19It's my great passion.
00:20:21Better take him along to the station, haven't we, son?
00:20:23For shame when you're teasing the boy like that.
00:20:25Come on, lad. Come and meet my corpse.
00:20:28Come on, son. I'll look after you.
00:20:35Here he is. A fugitive from the waxworks.
00:20:38Used to be Queen Elizabeth, this fella, before they turned him to Danny Kaye.
00:20:42I knew he wasn't dead, really.
00:20:45Oh, we nearly met a fate worse than death.
00:20:47When I rescued him last week, he was about to become Sir Stafford Cripps.
00:20:52Oh, I get it. It's meant to be an iron lung.
00:20:55Correct.
00:20:55The hospital asked me to make it for demonstration purposes.
00:20:58That's Corporation English for publicity.
00:21:01What's it for?
00:21:03Well, it's a thing they put sick people in when they can't breathe properly.
00:21:06It does the breathing for them, you see?
00:21:09Can I work it?
00:21:10Well, of course you can, and you may.
00:21:13How much is the real one going to cost?
00:21:15Oh, about 450 pounds.
00:21:17Can't you get one free from the National Health?
00:21:20Well, you'd go far, this lad.
00:21:21Well, no, son.
00:21:23St. Valentine's is what they call a disclaimed hospital.
00:21:26He doesn't come under the scheme.
00:21:28Well, I wish you luck.
00:21:29Here you are. You'd better put that towards him.
00:21:31Now, now, my friend. I didn't invite you down here to relieve you.
00:21:33Oh, that's all right.
00:21:35I'll be coming round later with tickets for the police ball.
00:21:39Good morning.
00:21:40Good morning.
00:21:43I'm afraid I haven't got any money.
00:21:46Oh, don't you worry about that, son.
00:21:48It's quite the fashion these days.
00:21:53Would this be any good?
00:21:56Oh, you don't want to part with that.
00:21:59I do.
00:22:00Now, look, my friend.
00:22:01You may regret this generous impulse later.
00:22:04I won't, honestly.
00:22:05It's worth quite a lot.
00:22:07The little one's ninepence, and this is the best one that's ever been.
00:22:10Yes, yes, I'm sure it is.
00:22:19Thank you, son.
00:22:21Thank you very much.
00:22:22Never before in my experience.
00:22:58The car's here.
00:22:59Right.
00:23:00Goodbye, my darling.
00:23:02Goodbye, Mama.
00:23:03Got your cat in my pocket.
00:23:05Oh, it gets so crumpled in there.
00:23:07Why not put it on?
00:23:07Not till I have to.
00:23:13Take care of yourself.
00:23:14Mommy, the taxi driver's watching.
00:23:16All right, darling.
00:23:17That's the last, I promise.
00:23:23Goodbye, Danny.
00:23:24Goodbye, old man.
00:23:25Be a good dog while I'm away.
00:23:28Come on, come on.
00:23:29We shall miss that train.
00:23:30Come in.
00:23:34Wait!
00:23:35Cab!
00:23:39There.
00:23:40Sure you've got your ration book right there, darling?
00:23:41Yes, Mommy.
00:23:43Bye, Mommy.
00:23:44Goodbye, my darling.
00:23:45Bye.
00:23:45Goodbye, darling.
00:23:46Goodbye.
00:23:48Goodbye.
00:24:15Goodbye, Dr.
00:24:16Good evening, Harper. Nice of a keen job.
00:24:19You seem in a mechanical age, as it's craftsman.
00:24:21Good of your friend to turn up.
00:24:23Number 14, Miss Gwen Mumford of Birkenhead.
00:24:31Excuse me, Mr Mayor.
00:24:38Sorry about this.
00:24:40Old George was down in the office. I had to stop for a drink.
00:24:42How unfortunate.
00:24:44And this much?
00:24:45Only them, but they aren't what you came for, are they, dear?
00:24:49Hardly.
00:24:50Did Johnny go off all right?
00:24:52Oh, fine.
00:24:53Ran into a pal of his at the station.
00:24:55Oh, which one?
00:24:56That boy whose beard caught on fire in the Christmas play.
00:24:59Butterworth? Oh, he's no pal of Johnny's.
00:25:01Well, seemed quite friendly. Punched each other in the stomach the moment they met.
00:25:05Reg!
00:25:06Oh, I'd always understood that Butterworth was an object of general derision,
00:25:09because he can't belch.
00:25:10Last but not least, number 60, Miss Marion Forbes of New Brighton.
00:25:17Oh, by the way.
00:25:20You started to say something.
00:25:22Oh, yes.
00:25:24I was just going to say...
00:25:26Well, get on with it.
00:25:27Don't keep on interrupting.
00:25:29You made me forget.
00:25:30You had better get our ration books next time.
00:25:33What nurse are you talking about?
00:25:35She works at the food office.
00:25:39And now, ladies and gentlemen, while the judges are making their decision,
00:25:43I want you to give your attention to Mr. Adam Harper of the Board of St. Valentine's Hospital.
00:25:53Ladies and gentlemen, this here is a demonstration model of the iron lung,
00:25:59which, by your presence here this evening, you're helping to provide for the local hospital.
00:26:05This drum here on being set in motion by the turn of a switch.
00:26:14This is going to be the success of the evening.
00:26:16Don't I suffer terribly on these occasions.
00:26:27Bring those mermaids round again.
00:26:30All right, all right.
00:26:32Never mind, never mind.
00:26:33This gives me a chance to tell you a story.
00:26:36The story of the little chap who came into my workshop the other day.
00:26:41A story that will make all of you proud to be his fellow citizens.
00:26:46It's good, old madam.
00:26:48Is he making it all up?
00:26:50He wanted to know what this apparatus was for.
00:26:54Well, I told him as simply as I could.
00:26:57And then, then something very, very wonderful happened.
00:27:04I could see the look on his little face now.
00:27:12I wish I had a penny to help the poor sick people.
00:27:15Never mind, Sonny.
00:27:17Perhaps one day when you grew up.
00:27:19Will this be any help for the poor sick people?
00:27:23Indeed it will.
00:27:24But surely, isn't it something you treasure?
00:27:27Yes, it is.
00:27:29But please take it for the poor sick people.
00:27:32They need it more than I do.
00:27:39And here it is, a simple offering of a little unknown lad who gave up for this cause the most
00:27:50precious thing that he possessed.
00:27:54Wonderful story.
00:27:55Made my eye black, Rowan.
00:27:57Got an idea.
00:27:59Auction it for the hospital.
00:28:01An excellent idea.
00:28:03Who'll make me an offer for this magnet?
00:28:05For all she's to help the pond.
00:28:07You start me off, sir.
00:28:08Five pounds.
00:28:10Five pounds, I've been.
00:28:13Devil.
00:28:14Ten pounds.
00:28:15Thank you, sir.
00:28:17Ten pounds, I've been.
00:28:18Fifteen.
00:28:19Twenty.
00:28:21Twenty pounds.
00:28:22From Mr. James.
00:28:24Where's the rival, Grocery?
00:28:25Ah, what about it, Mr. Farr?
00:28:27Twenty-five.
00:28:28Twenty-seven.
00:28:29Ten.
00:28:30Thirty.
00:28:31Any advice on thirty?
00:28:33Thirty-five.
00:28:34Can't let those lovers get away with it.
00:28:36Thirty-five.
00:28:37Sweet old ass, why haven't you let them battle on a bit longer?
00:28:39Are you all finished at thirty-five?
00:28:42Thirty-six.
00:28:43Oh, darling, we can't possibly afford it.
00:28:45Why, the mayor will buy it.
00:28:46His firm wants the contract to build the real unlawing.
00:28:49Thirty-seven.
00:28:51See?
00:28:52Thirty-eight.
00:28:53Thirty-eight, I've been.
00:28:54You again, Mr. Murr?
00:28:57Going then at thirty-eight past.
00:29:02Going.
00:29:03Going.
00:29:05Thank you, sir.
00:29:07No more bits.
00:29:09Right.
00:29:09Sold to our popular mayor, Mr. James Hancock.
00:29:14Don't you ever give me a minute like that again.
00:29:17It took three years off my life.
00:29:19Still, it was a marvelous idea, darling.
00:29:21I mean, forty pounds for a Tuckney Haven magnet.
00:29:23Well, the boy takes the credit.
00:29:24Well, I do hope his parents are here.
00:29:26They must be feeling terribly proud.
00:29:29This week's big attraction.
00:29:31Now, what would I do with a thing like that?
00:29:34Take it away.
00:29:35Auction it again.
00:29:37A magnet.
00:29:38A toy magnet.
00:29:42I can see him now.
00:29:44It is little ill-fitting.
00:29:49Go on, sir.
00:29:50Take it.
00:29:51I reckon they need it more than me.
00:29:53Now, look here, son.
00:29:54Are you sure you won't miss it too much?
00:29:57That's all right, sir.
00:29:58I don't mind so long as it's to help the poor sick people.
00:30:02He gave his arm.
00:30:07What about you?
00:30:09There he stood holding it out to me.
00:30:13His poor little thin arm showing through his ragged shirt.
00:30:18There's any good wrong, Governor?
00:30:20I ain't got nothing else.
00:30:22It'd be very useful, sony.
00:30:24But I couldn't possibly.
00:30:26Go on, Governor. Take it.
00:30:28I want you to.
00:30:29Let the poor sick periters have it.
00:30:31But she gave it so willingly.
00:30:35Yep.
00:30:42One hundred pounds, I bid.
00:30:45Do I hear one ten?
00:30:47Thank you, madam.
00:30:50We only need twelve more now.
00:30:53Will somebody complete the amount?
00:30:57Sold to the chairman of the board of St. Valentine's Hospital,
00:31:01his worship, the mayor, for one hundred and twenty-two pounds,
00:31:06which now gives us the total sum required.
00:31:15Ladies and gentlemen,
00:31:17I have no intention of keeping this magnet for meself.
00:31:21As soon as we know which firm is to receive the order
00:31:25for our new iron lung...
00:31:28You think we couldn't guess?
00:31:30Excuse me.
00:31:32As soon as we know that,
00:31:34I shall hand over this magnet
00:31:35to be suitably mounted on the apparatus
00:31:38as an ever-present reminder
00:31:40of that fine little lad whose unselfishness,
00:31:43an eye sense of public duty,
00:31:45has set an example to us all.
00:31:48Here, here.
00:31:49And happily, his identity remains unknown to us.
00:31:52But I have given orders that the search for him is to continue,
00:31:55for I feel it's up to us
00:31:57to see that this poor little wave,
00:31:59so long as he breathes in our midst,
00:32:03shall never go hungry again.
00:32:09Here, Brent, try one of these.
00:32:11What are they?
00:32:12Marzipan wizards.
00:32:13Do they go with the potato crisp?
00:32:15Of course you ask.
00:32:16Thanks.
00:32:18P&O!
00:32:19Right, she's an element.
00:32:20She's the clan line.
00:32:21Bet you.
00:32:22White band round the funnel.
00:32:24Hey, Noznibor!
00:32:25Polish flag!
00:32:26Where?
00:32:27Beyond that element!
00:32:28P&O!
00:32:29Clan line!
00:32:30Help!
00:32:30Noznibor!
00:32:31Rescue!
00:32:31I'm coming!
00:32:34Is your friend a pole?
00:32:36Pole?
00:32:37No, sir.
00:32:38Noznibor sounds like a Polish name.
00:32:40Oh, his real name's Robinson,
00:32:41only we spell it backwards.
00:32:43Oh, I see.
00:32:45Stupid, aren't they?
00:32:47Where's this?
00:32:48Cannon and Doc.
00:32:49That's us.
00:32:50Come on, Sketty.
00:32:51Bye, all.
00:32:51Goodbye.
00:32:52Bye.
00:33:02Yes, never so sad.
00:33:04Proper heartbreaking, poor little mite.
00:33:09Please, sir, may I borrow your paper?
00:33:10Yes, certainly.
00:33:16Pneumonia, was it?
00:33:17Well, they said it was pneumonia, but I know better.
00:33:20If you ask me, his poor little heart was broken.
00:33:23Makes you feel you want to cry, doesn't it?
00:33:25I cried my eyes out.
00:33:27I don't mind admitting it.
00:33:28To see him lying there all stiff and dead.
00:33:32Here's a picture of him, taken just before he went.
00:33:37Dear little chap, he wasn't mine, but I did get that fond of him.
00:33:42I cried enough to fill a bucket.
00:33:44Uh, what are your views about De Beers?
00:33:46Lightly to improve?
00:33:48Hello?
00:33:49You feeling all right?
00:33:50And I can tell you something about that.
00:33:57Well, perhaps we'd better have the window open.
00:33:59It's all right, sir.
00:34:00I'm getting out here.
00:34:01Thank you very much.
00:34:02Oh, all right, old boy.
00:34:14Hello, old man.
00:34:15How are you?
00:34:16Fine.
00:34:17Looking a bit pale.
00:34:19Something to do with your report, I hope.
00:34:21No, no, everything's all right.
00:34:25There goes our new car.
00:34:29Daddy?
00:34:30Yes, old man?
00:34:31If a person's in quarantine for scarlet fever, and he goes up to another boy and talks to him, can
00:34:37he give him pneumonia?
00:34:38No.
00:34:39No.
00:34:40Quite impossible.
00:34:41Why?
00:34:42Nothing.
00:34:43I just wonder.
00:34:46Daddy, can a person really die of a broken heart?
00:34:50Good heavens, you haven't broken yours, have you?
00:34:52Can they, Daddy?
00:34:53I'd be poor to go out for poets if they didn't.
00:35:16What was that last word?
00:35:18B-A.
00:35:19B-I-L-L-E-T.
00:35:21Is this good French?
00:35:23Good enough.
00:35:25Can I just have it in German?
00:35:27Oh, dear.
00:35:28Let me see.
00:35:30An .
00:35:31No, don't write this down for a moment.
00:35:33An .
00:35:37Good morning.
00:35:39Nearly ready.
00:35:40Oh, Johnny, stand up a little, Daddy, see?
00:35:42It's not so extraordinary.
00:35:45I say.
00:35:46Oh, I can't really believe that's my son.
00:35:49Hmm.
00:35:49Yes, shoot him.
00:35:50How do you feel, Johnny?
00:35:51All right.
00:35:52It's quite an occasion, this.
00:35:54Look, I, um, slipped something in the pocket.
00:35:58I forgot.
00:35:59Thanks awfully.
00:36:01What's all this about?
00:36:02Well, I've got a parachute to send up my kite string.
00:36:05Comes off at the top and goes for miles and miles.
00:36:08Reward paid if returned to J.D. Brent.
00:36:11I put it in English as well so that if it blew across the island,
00:36:15they'd be able to understand it.
00:36:16Enter this, will you?
00:36:21You don't know any Norwegian, do you, Daddy?
00:36:23No, I'm afraid not.
00:36:25Might be able to work it out in Arabic.
00:36:27I don't think it'll quite get as far as Arabia.
00:36:29What's this reward you're offering?
00:36:32I thought perhaps a top and a stamp.
00:36:34I mean, foreigners would like that, wouldn't they?
00:36:36Because an English one would be a foreign one to them.
00:36:38Here, take this and get on. You're gonna be late.
00:36:45It only remains for me to add
00:36:47that if at some future time our little benefactor is traced,
00:36:51he will find awaiting him this mark of our esteem,
00:36:54this honor which it has long been the custom
00:36:57of our ancient borough to bestow upon its most illustrious sons and daughters,
00:37:03the Civic Gold Medal.
00:37:34Extraordinary how they can't chase that boy with the magnet.
00:37:37They'll find him eventually, you can be sure of that.
00:37:39And I'm going to find him, would you think.
00:37:55Where is he?
00:38:00Where is he?
00:38:07Shitted and mute him with the Sap 생
00:38:29Who's there?
00:38:35Oh, it's you, darling. You're back early. Where's your kite?
00:38:37Good. Blown away? What a shame. You're all out of breath. You've been chasing it?
00:38:43Well, I thought it was the way with kites. You know, I had one once.
00:38:47All right, I'll go.
00:38:50Does J.D. Brent live here?
00:38:52J.D.? Oh, yes, it's my son.
00:38:55I found this. It was his friend.
00:38:57I see. Well, I think that ought to cover it.
00:39:00Oh.
00:39:01Thank you very much.
00:39:04Where are you, Johnny?
00:39:06My man's just brought your parachute back.
00:39:09I'm afraid it didn't quite get as far as France or Germany.
00:39:11Came down in Woodchurch Road.
00:39:13But you can use it again, can't you?
00:39:14No kite.
00:39:16Well, I think perhaps the housekeeping can run to it.
00:39:18Would you like to pop out and buy yourself another?
00:39:20Oh, thanks, Mummy, but I don't think I will just at the moment.
00:39:24What?
00:39:25I've got a bit of a pain.
00:39:27Oh, it's all that chasing about, I expect.
00:39:29Well, why not go and lie down for a little while?
00:39:32I think perhaps I will.
00:39:34Read a book and take it easy.
00:39:35And you can have your supper in bed if you like.
00:39:39Thanks. I'll see.
00:39:47If you ask me, his poor little heart was perfect.
00:39:50I've cried my eyes, and I don't mind admitting it.
00:39:53To see him lying there all stiff and dead.
00:40:00Hello there.
00:40:01Hello.
00:40:04How's the pain?
00:40:05Better, thanks.
00:40:06You think you can manage this?
00:40:07I'll try.
00:40:10You're hard luck about the kite.
00:40:12Oh, it doesn't matter, really.
00:40:14Save me winding the stringing.
00:40:17Say, is that about it?
00:40:19Oh, jolly, really.
00:40:21New trousers.
00:40:23That time you'll add a little tidiness.
00:40:26If you're old enough to wear these,
00:40:26you're old enough to look after your clothes properly.
00:40:29Sorry, Daddy.
00:40:31Don't make an effort, old man.
00:40:34You got everything you want?
00:40:35Yes, thanks.
00:40:37If not, give us a shot.
00:40:46He's a little off-color, nothing to worry about.
00:40:48Do you think I ought to take his temperature?
00:40:49Oh, good night, Steve, and he'll be full of beans again.
00:40:57Let me go.
00:41:00I didn't mean to kill him.
00:41:02Let me go.
00:41:08No, no.
00:41:09I don't want the beastly magnet.
00:41:11Take it away.
00:41:17It's all right, my darling.
00:41:18It's all right.
00:41:19It's just a silly old dream.
00:41:23It's all right, my darling.
00:41:24That's a boy.
00:41:25Oh.
00:41:26There.
00:41:28Little mommy tuck you up.
00:41:30Mm-hmm.
00:41:46All right?
00:41:47Yes, just a nightmare.
00:41:49I was trying to remember what I gave him to eat for lunch.
00:41:52For the wife of a psychiatrist, you have quite an amazing regard
00:41:55for the influence of the digestive organs.
00:41:57Oh, you don't think it's anything else, do you?
00:42:00Well, it might be.
00:42:02I can't say without a little more material evidence.
00:42:07Look, I'd like you to keep a close watch on him tomorrow.
00:42:10Make a note of everything he says and does.
00:42:13All right.
00:42:15Good night, darling.
00:42:17Good night.
00:42:19Don't worry.
00:42:36Good night, guys.
00:42:38All right.
00:42:40Good night.
00:42:45Good night.
00:42:52Good night.
00:43:19Hello, wearing his shorts again.
00:43:22I thought that might mean something.
00:43:23Yes, I'm pretty sure it does.
00:43:26Hasn't been out of the house?
00:43:28No, only as far as the shed.
00:43:29Oh, here's his laundry book. He left it on the window sill.
00:43:31Oh, good. This may help a lot.
00:43:36I wonder what...
00:43:37Another of his famous lists.
00:43:39No ages or numbers. What's the common factor this time?
00:43:43Mrs. Tucker, Mrs. Wentworth-Jones, Mrs. Porridge, it looks like.
00:43:49Mrs. Torridge. She's the woman who works in the dairy.
00:43:51What can Deirdre Wentworth-Jones have in common with the woman and the dairy?
00:43:55Well, they both spit in your face when they talk, but I don't think...
00:43:57Wait a minute. Does this dairy woman ride a bicycle?
00:44:01Well, she used to before she... Oh!
00:44:05That may be it. I've often seen Deirdre on a bike.
00:44:08Robert.
00:44:09Mrs. Tucker, too. And Mrs. Flint is most interesting.
00:44:12Oh, Robert, do listen.
00:44:13I wonder if I can explain to you the implications of this.
00:44:16All these women ride bicycles.
00:44:17Well, they don't now.
00:44:19What?
00:44:21They're all having babies.
00:44:36Hello.
00:44:37Hello, Daddy.
00:44:39I can write nearly as fast with my foot as I can with my hands.
00:44:43It'll come in useful next time you get a hundred lines.
00:44:45Yes, it will, won't it?
00:44:48I can write with my left foot, too.
00:44:50You watch.
00:44:52You say a word, and I'll see if I can write it down.
00:44:55Yes, all right.
00:44:57Now, wait a minute.
00:44:58That's a bit too simple.
00:45:00I'll tell you what.
00:45:02You shut your eyes, and then I'll say a word,
00:45:05and you write down the first thing that comes into your head.
00:45:07That's a good idea.
00:45:08Right.
00:45:10Shut your eyes.
00:45:12Make your mind a blank.
00:45:13Ready?
00:45:20Trousers.
00:45:48Why tosatage?
00:45:49That's a word, though, isn't it?
00:45:51Ma?
00:45:52Certainly.
00:45:54Short for mother.
00:45:55And it means ma in French.
00:45:58Yes, that's right.
00:45:58So it does.
00:46:00I bet you're the first person in the world to write in two languages simultaneously with your
00:46:03left foot.
00:46:04Gosh!
00:46:05You really think I am?
00:46:06Positive.
00:46:08There you go, man.
00:46:09It's time you've packed up.
00:46:10Come on, I'll be.
00:46:14Shall I write to the newspapers and tell them?
00:46:17Hmm, I should.
00:46:19Get your picture on the front page.
00:46:21Well, I don't think perhaps I will.
00:46:27Good night, old man.
00:46:28Good night, Danny.
00:46:37Well?
00:46:39Yes.
00:46:40I know exactly what's wrong.
00:46:44Everything's as clear as daylight.
00:46:47Oh, Lars, is that fuse again?
00:46:50Here we are.
00:46:53Haven't we got the torch?
00:46:54Johnny borrowed the battery for that bell of his.
00:46:59Tell me about Johnny.
00:47:00Well, I had a pretty shrewd idea what the trouble was.
00:47:03No, no, I'm right.
00:47:04He's just supplied the final proof.
00:47:07Know where the main switch is?
00:47:09Yes, yes, go on.
00:47:11Johnny's in the throes of a mental conflict, precipitated by those new trousers of his.
00:47:15All right, switch off the main.
00:47:18His first pair of long trousers.
00:47:20Tangible evidence that he's growing up.
00:47:23Now, the knowledge that the thing is inevitable tends to make it rather frightening.
00:47:27Never can remember these circuits.
00:47:30Therefore, he has a latent dread of the future,
00:47:33which gives him a desire to cling to the past.
00:47:37Ah.
00:47:37Now, the past is something which he associates with the motherly protection that he's always known.
00:47:44Can you follow me?
00:47:45Ah, yes, dear.
00:47:46At a respectful distance.
00:47:48He goes out in his long trousers for the first time,
00:47:51and by a very unfortunate chance,
00:47:54he lets go the string of his kite and loses a cherished possession.
00:47:59Now, in his subconscious,
00:48:01that symbolized the final severing of the cord binding him to his mother.
00:48:05Oh, Robert.
00:48:07Look, do you want to understand what's happening or don't you?
00:48:10Yes, but connecting me with a kite.
00:48:12Go on.
00:48:14He goes back into his shorts.
00:48:16He stays near you all day to demonstrate his dependence on you.
00:48:20And he becomes preoccupied with unborn babies.
00:48:23Try to keep that still.
00:48:24Robert, it's frightening.
00:48:25Are you quite sure about all this?
00:48:27Darling, just now I tried a potted version of Jung's associative word test.
00:48:32It made him shut his eyes and write down the first thing that came into his head when I said,
00:48:36trousers.
00:48:37Here we are.
00:48:38What happened?
00:48:40He wrote ma.
00:48:42Ma?
00:48:43Yes.
00:48:45Diminutive of the word mother.
00:48:46Oh, Robert, what am I to do?
00:48:48You've got to make him feel that there's a new bond growing up between the two of you.
00:48:52A bond just as strong as the old one,
00:48:55with the difference that you are now the weaker partner,
00:48:58growing more and more dependent on him.
00:49:01Invent little jobs that only he can do for you.
00:49:04Get him to unscrew the top of a jar because you aren't strong enough.
00:49:08Or put it on again.
00:49:10The top of the jar?
00:49:11The switch.
00:49:13Oh.
00:49:18You know the sort of thing.
00:49:20Make a point of remarking every now and again that you
00:49:23don't know what you'd do without him and so on.
00:49:25Oh, Robert, isn't life cruel?
00:49:30Think what thousands of children must suffer,
00:49:32going through an ordeal like this with parents who don't realize what the real trouble is.
00:49:37Yes, darling.
00:49:38Whatever small success I may have had in my profession,
00:49:42I've never been so thankful for my training as I am at this moment.
00:49:49Yes, Daddy, I did take his magnet.
00:49:53It broke his heart.
00:49:56They're after me, Daddy.
00:49:58They locked me up.
00:50:14Mommy.
00:50:15Oh, you are here.
00:50:17I'm seeing if I can get round the room without touching the floor.
00:50:20Yes, darling.
00:50:22Now, look, I'm just going along to the shops and I wondered if you'd come with me and help me
00:50:25carry things.
00:50:27Oh, must I?
00:50:29Well, you don't want to stay here alone, do you?
00:50:31I don't mind and I do want to see if I can get round the room like this.
00:50:35But you may have a fall and there won't be anyone here to help you.
00:50:40All right, I'll do a bit of a carnage till you get back.
00:50:44Oh, come on, old boy. It's lovely out and I don't think I can manage all those things alone.
00:50:49Oh, let me stay, Mommy. Please let me.
00:50:55Well, I think it means so much to you.
00:50:57Thanks, old Flemmame.
00:51:16Ow! What's the matter?
00:51:18Oh, I hurt myself.
00:51:21Oh, turn my ankle.
00:51:23Oh, Johnny, run to the bathroom, hold my flannel under the coal tap, squeeze it out and bring it back
00:51:27here.
00:51:27Right.
00:51:29What's this do?
00:51:31It takes the swelling out.
00:51:33When a lady breaks his leg in Africa, the witch doctor rocks it with a juice made out of squished
00:51:37beetles.
00:51:38Well, I haven't broken my leg.
00:51:40I just thought it would have fun to track her and find enough beetles to squish.
00:51:44Well, I prefer this, thanks.
00:51:47Does it hurt much?
00:51:48It feels better already.
00:51:51What would I do without you, Johnny?
00:51:53Oh, you have to do without me when I'm at school.
00:51:56Uh, yes, but I mean this afternoon.
00:51:58Now, darling, I have to have those things for this evening and I can't possibly walk to the shops now.
00:52:03Well, I'll go and bring up a taxi.
00:52:05Johnny, really?
00:52:06When I've got you to rely on?
00:52:08But you said I needn't go out.
00:52:10But that was before this happened.
00:52:12Now, help me up, old man, this little boy.
00:52:15Oh!
00:52:16Oh, love.
00:52:17Give me a list of the things I want and it won't take you longer than about ten minutes.
00:52:24I am a lucky woman having such a useful son.
00:52:28Get me something to write this die.
00:52:35Now, let me see.
00:52:36First, the grocer's.
00:52:38I want, uh, custard powder, a tin of tomato soup, and, yes, a pound of macaroni.
00:52:51Then at the greengrocer's, I want a large lettuce.
00:52:54See, it's got a good heart, a nice hard one.
00:52:56And you might ask if the frozen peas are in.
00:52:58If they're not, get a tin of French beans.
00:53:00But I don't want you to mention those until you've asked about the peas.
00:53:03Johnny, are you listening?
00:53:05Sorry, what?
00:53:06Oh, do put that thing down, darling, and pay attention for a moment.
00:53:09I don't want you to bother about the beans unless they tell you they haven't any frozen peas.
00:53:13Have you got that?
00:53:14Hmm.
00:53:15Well, I think that's all for today.
00:53:17The rest can wait till tomorrow.
00:53:18You'd better take my basket.
00:53:19Oh, master.
00:53:21All right.
00:53:21If you like, you can ask Mr. Johnson to sell you one of his carrier bags.
00:53:24And you needn't pay for anything.
00:53:25Have them put down.
00:53:27Well, run along, darling.
00:53:29And cheer up.
00:53:31You ought to feel proud doing all this important work for me.
00:54:13Half a guinea a ticket. That's sheer blackmail.
00:54:15Well, we've applied for an extension, you know.
00:54:17Well, if you get one, I shan't dance. If you don't, I shan't come.
00:54:22It's that boy.
00:54:23It's that boy.
00:54:23The boy with the back dicks.
00:54:24Hey, Sonny!
00:54:25Sonny!
00:54:27I'll head him off.
00:54:28Here, just a minute, Sonny.
00:54:29We won't go.
00:54:35There he is.
00:54:35We've got him caught.
00:55:07All right, Juan.
00:55:12Come on now!
00:55:14Come on now!
00:55:16Come on!
00:55:18Come on.
00:55:31Oh!
00:56:02When I was dancing in a cabaret with a monstrous man in the black sombrero, he twirled me round and
00:56:09round, and suddenly I found it was Mr. Faraday, our vicar, and I don't know if you know Mr. Faraday,
00:56:15but what I consider the most significant...
00:56:17Excuse me, but Mrs. Brent is on the telephone. It's very urgent.
00:56:21All right, switch it through, will you? Please excuse me, Mrs. Moore, it's something rather urgent.
00:56:26Hello?
00:56:29Yes, darling, what is it?
00:56:30I just sent him out for one or two things.
00:56:32But that was over an hour ago, and you told me he wouldn't want to leave me longer than he
00:56:36could help.
00:56:36Yes, that's right. I'm certain he wouldn't stay away of his own accord.
00:56:41But, darling, try not to worry. I'll start making inquiries at once.
00:57:05Hey, George.
00:57:06Hello.
00:57:07Come in for a cup of tea.
00:57:08What time is it?
00:57:09Half past four.
00:57:10Yes, I could do with that.
00:57:35Out!
00:57:36Out!
00:57:36He ain't playing.
00:57:37If he'd caught it, he was playing. If he hadn't been playing, he wouldn't have caught it.
00:57:41Give us that ball. Come on. Get on with it.
00:57:44Hey, I'm in. Give us that bat.
00:57:46It's my turn.
00:57:48It's my bat.
00:57:49Well, if I'm out, I'm taking my stumps home.
00:57:53Call yourself a cliqueter?
00:57:56Get out of the way.
00:57:59I don't know what I have said.
00:58:01Come here. Where are you going?
00:58:03Nowhere special.
00:58:04What's your name?
00:58:05Johnny Brent.
00:58:06Oh, my name is Johnny Brent. My name is Johnny Brent.
00:58:10Ha! Your shit's hanging out.
00:58:11Where are you from?
00:58:12Over the river.
00:58:14Over the river?
00:58:15What are you doing here?
00:58:16I've run away.
00:58:18Run away?
00:58:18Come on, let's carry on.
00:58:20I'll make him tough.
00:58:21The police are after me.
00:58:24Don't believe it.
00:58:25You're a liar.
00:58:27I'm not. It's true.
00:58:28What do you want you for?
00:58:32Copper, lad.
00:58:34Hey, you. Come here.
00:58:36We wasn't doing nothing.
00:58:38You seen a strange boy around here this afternoon, any of you?
00:58:40Ten years old.
00:58:42Grey pullover and shorts.
00:58:43Blue and yellow tie.
00:58:44What's his name?
00:58:45John Brent.
00:58:46Have you seen him?
00:58:47Not me.
00:58:49All right.
00:58:51What's he done, mister?
00:58:52Don't make him nosy.
00:58:53Let's have a chase.
00:59:05Okay.
00:59:06Come out now.
00:59:07He's gone.
00:59:09What did he want you for, lad?
00:59:13Murder.
00:59:14Murder?
00:59:15Well, sort of, anyway.
00:59:17He's a murderer.
00:59:18Murderer?
00:59:19Yeah.
00:59:20Done in a copper.
00:59:21Slit his throat.
00:59:22Well, don't all stand here nattering.
00:59:24Got to find a place for him to hide in.
00:59:26Right, huh?
00:59:27You know somewhere, then.
00:59:29I know.
00:59:30Is that bombed house in Bangkok Street?
00:59:31No.
00:59:32He wants to keep out of bombed houses.
00:59:34That's how my brother got pinched.
00:59:36If I was on the run, I know what I'd do.
00:59:38Jump a goods train and go to Birmingham.
00:59:40What do you want to go to Birmingham for?
00:59:42It's a long way from here.
00:59:43So is Australia.
00:59:44Ha, ha, ha, ha.
00:59:46That was a cry.
00:59:47Shut up.
00:59:48I'm thinking.
00:59:49Of course.
00:59:49Better done half-air.
00:59:51I know where.
00:59:52Shut up, I said.
00:59:53If he's an idea, we'd best hear it.
00:59:56I got it.
00:59:57Down the pier.
00:59:58The old diver's hut.
00:59:59That's right.
01:00:00Just what I was going to say.
01:00:01You're a liar.
01:00:01Ah, thought of that long ago.
01:00:03You're all liars.
01:00:04You're wasting time.
01:00:05That's right, lad.
01:00:06Come on.
01:00:07I'll show you the way.
01:00:17Oh, me mum says I've got to have my tea.
01:00:25Come on, lad.
01:00:29No.
01:00:30No, Mrs. Brent.
01:00:31He hasn't been down this way.
01:00:32I haven't seen Johnny all day.
01:00:35I just wondered.
01:00:40Oh, I say.
01:00:42Have you seen a small boy about...
01:00:44I'm a police officer, madam.
01:00:45I'm looking for him myself.
01:00:47I just wondered.
01:00:50Dr. Brent, Dr. Brent.
01:00:51I've just seen him.
01:00:52You have?
01:00:53Where?
01:00:53In this very street.
01:00:54I recognized him as soon as I saw him.
01:00:56It's the boy with the magnet, right enough.
01:00:57Blast, the boy with the magnet.
01:01:29Come on.
01:01:29Hurry up.
01:01:36Not bad, huh?
01:01:38It's only good.
01:01:40Right, Piers, get that suit down.
01:01:43I'll give you something to lie on.
01:01:50Got some food there?
01:01:52Yes. Well, I think so.
01:01:54I'll scrounge a bit of grub and bring it round in the morning.
01:01:57We'll all scrounge some. Got it?
01:02:00If you want to take a walk, you want to put this on.
01:02:06Disguise.
01:02:09Oh, turn it up.
01:02:11We're making too much noise.
01:02:14Yeah, come on.
01:02:16Are you going now?
01:02:17Yeah, got to. See you in the morning.
01:02:20Come here.
01:02:22Good night.
01:02:24Good night.
01:02:27Good night.
01:02:29Good night.
01:02:36Good night.
01:02:42Good night.
01:03:55Extraordinary how they can't trace that boy with a magnet.
01:03:58They'll find him eventually. You can be sure of that.
01:04:16Mrs. Brent speaking. Yes? I see. Thank you. No news.
01:04:27He'll turn up soon. I assure you, darling, it's simply a case of the superego.
01:04:32Oh, kite strings!
01:04:56Karen?
01:05:00Who's that? It's us.
01:05:08Sleep all right? Oh, I'm still. Hungry? Oh, oh, thank you.
01:05:13I got some, too. Thank you very much. Somebody's coming.
01:05:19It's only mine. Anybody else about? No. Come on.
01:05:29What are we going to do?
01:05:32What do you mean, do? Can't play cricketer. Lose a ruddy ball if you had one.
01:05:36Well, what do you want to do?
01:05:38That old barge looks fun.
01:05:40Come on, let's go and break it up.
01:05:42We won't have long. The tide's coming in.
01:05:44Hey!
01:05:46What's that big idea? Who let him out?
01:05:49He wanted to come out.
01:05:50I told you to wait for me. Where are you going?
01:05:53Smash that old barge up.
01:05:54Who said so?
01:05:55Johnny did.
01:05:56I didn't say so.
01:05:57Johnny said so.
01:06:00Heh. I've had the cops after here for now.
01:06:03Hundreds of times.
01:06:04What's that got to do with the barge?
01:06:06You shut up.
01:06:07Why should I shut up for you?
01:06:10See that hole there?
01:06:12What about it?
01:06:13They're here to walk across it.
01:06:14They're you.
01:06:15You do?
01:06:16Come on, then.
01:06:18Bet you've done it before.
01:06:19I never have.
01:06:19Guess you'll have.
01:06:20I've seen you.
01:06:21You're a liar.
01:06:31Come on.
01:06:45What's the matter with you? Get a move on.
01:06:50Oh, boo, I've got my little baby.
01:06:54You do it behind you.
01:06:55Windy, get up.
01:06:57Windy.
01:06:59Is Oliver tremble?
01:07:01Yeah, it's easy, I tell you. I can do it backwards.
01:07:05Don't be an ass.
01:07:06I've done it hundreds of times.
01:07:08You never have.
01:07:09You're a liar.
01:07:11No, don't! Don't!
01:07:15Don't!
01:07:25He's dead!
01:07:27Stop! Stop! Wait!
01:07:29Get some help, quick!
01:07:31Thank you! Get some help!
01:08:04Stop!
01:08:05Stop!
01:08:05Stop!
01:08:06Wait for a minute!
01:08:08Stop!
01:08:11Stop!
01:08:13Stop!
01:08:23That tastes close!
01:08:24Stop!
01:08:26Stop!업
01:08:41Oh, my God.
01:09:20What's the matter, farmman?
01:09:21Practising?
01:09:30Have it, Sherry. They're awfully nice.
01:09:31Thank you, nurse.
01:09:34Hello, darling.
01:09:35Hello, mummy.
01:09:37How are you feeling, old boy?
01:09:38All right.
01:09:39Daddy, don't let them take my picture.
01:09:41Do what?
01:09:42I'm afraid I mentioned there was a press photographer downstairs wanting his picture for the papers.
01:09:46He doesn't seem to like the idea.
01:09:48No.
01:09:48That's all right, Johnny. Don't you worry.
01:09:50Nurse, go and send him away.
01:09:52Yes, sir.
01:09:54Well, how's Spike?
01:09:55He's doing well.
01:09:56What did you find?
01:09:58Compression of the spinal cord in the neck.
01:10:00There's a temporary paralysis of the breathing mechanism.
01:10:02Listen, we got that iron lung just in time.
01:10:05He's not going to die, see?
01:10:07No.
01:10:08Of course not.
01:10:09He'll be out again in a fortnight.
01:10:13It's a visit of you, Spike.
01:10:16Hello.
01:10:18Hello.
01:10:20Bet you've never seen anything like this before.
01:10:22I have.
01:10:24Bet you haven't.
01:10:25Yes, I have.
01:10:26You're a liar.
01:10:29What's the matter?
01:10:31That thing.
01:10:33What?
01:10:33That's all, Magnus.
01:10:34What's it doing there?
01:10:36I don't know.
01:10:37The nurse started telling me some yarn.
01:10:40Lord, it's right.
01:10:41I'll have it all before I go.
01:10:43Johnny, your mother's come to take you home.
01:10:46Say goodbye, Spike.
01:10:47Goodbye.
01:10:49Goodbye.
01:10:55Good afternoon, nurse.
01:10:56Oh, good afternoon.
01:10:57The committee missus started yet?
01:10:58I think they've just gone in.
01:11:02No.
01:11:04Yes.
01:11:05Got you, my lad.
01:11:05This time you don't escape from me.
01:11:07Mr. Harper, that's the patient.
01:11:09Gentlemen.
01:11:09Gentlemen.
01:11:10I have him at last.
01:11:11The boy with the magnets.
01:11:13Johnny.
01:11:14Daddy, I didn't mean to do it.
01:11:16I didn't think.
01:11:17But, Dr. Prince, this can't be yours, son.
01:11:19Well, certainly it's my son.
01:11:21This is the boy we've all been looking for.
01:11:23Oh, can't be.
01:11:24Johnny, you're not the boy who gave Mr. Harper a magnet.
01:11:27Yes, Daddy, but I didn't think I was doing wrong.
01:11:29Not at the time.
01:11:30Wrong?
01:11:31Wrong?
01:11:32Wrong.
01:11:35You've done nothing wrong, my lad.
01:11:36Don't you know why we've all been looking for you?
01:11:38Why?
01:11:39So that I can present you with this.
01:11:43Please, sir.
01:11:43I don't think I want it.
01:11:45Oh, no.
01:11:46No, no, no, no, no.
01:11:47I want you, lad.
01:11:49I want you.
01:12:10Can't you hear me?
01:12:11Do as I tell you.
01:12:13Come away from that dirty thing.
01:12:16Come away, I tell you.
01:12:21Here.
01:12:22Come away at once.
01:12:28What's that?
01:12:29It's if it can't matter.
01:12:31Want to swap it?
01:12:33What for?
01:12:36I'll give you my invisible watch.
01:12:39You will.
01:12:41Show me.
01:12:46Listen.
01:12:53Okay.
01:12:58No, no, look what I've got.
01:13:19There's no one.
01:13:25There's no two.
01:13:26No, no, no, look what I've got.
01:13:31There's no one.
01:13:32There's no one.
01:13:34There's no one.
01:13:40I said that.
01:13:40Oh, no.
01:13:40Oh, no.
01:13:43There's no one.
01:13:43Oh, my God.
01:14:14Oh, my God.
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