00:04All of the insecurities are scared, and those who are not scared, are scared.
00:09The pseudo culture is high-profile award.
00:13They will not listen to a song, or they will feel a little bit of a song.
00:17They say that we don't have awards.
00:20They either say it or they say it or they say it very hurt.
00:23They will be bad.
00:25There are a lot of heroes in this film.
00:44We all know that the music industry is not going on a good path.
00:49The film industry is not going on a good path.
00:52If a film is doing a good business,
00:54and people accept it and get hit,
00:58then it will be happy.
00:59It will be happy.
01:00In the morning, there will be a little bit of water.
01:03What do you want to do in this industry?
01:06What do you want to do in this industry?
01:09All of the insecurities are scared.
01:12And those who are not scared, they are scared.
01:14So, this is a great place.
01:17This is a great place.
01:19The film industry is not going on a good path.
01:21The film industry does not see good.
01:22And the media of the film has also gone on a lot.
01:25So, there is a little confusing situation.
01:27What is going on, what is going on?
01:29How does it work, what is going on?
01:30The music industry and the film industry don't know.
01:32There is a lot of time.
01:33The market has become so confusing.
01:36You know, you are confused.
01:37There is a lot of the music industry.
01:38Yes, yes.
01:40How did you visit at which time?
01:43First of all, I got a song called Sajid Vajid.
01:49I got a song called My Heart.
01:53I got a song called My Heart.
01:54I got a song called My Heart.
01:56I got a song called My Heart.
02:01This song was sung by Bali Brahman Bhatt.
02:03I got a song called My Heart.
02:06It was sung by照ak alboinc microwaved and came here.
02:09This song was similar to me.
02:13This song was sung that something was gonna be good.
02:15Anyway, that song I thought was not good.
02:18So, in that moment, I got a song called My Heart.
02:23That song came asulars from Sílsechat Vajiyan.
02:27So, this song was sung by superheroes.
02:29How did Something you say was that song?
02:30You see, that paradox 간 konsum irnée.
02:32When song hits, repeating it from shit.
02:34But when a song is popular, the bad nature of a man is also awarded.
02:39And when a man is awarded, how do you feel like this?
02:45It's been a lot of years in awards.
02:48Like I said, I've never met a man, I've never met a man.
02:51This is a popular song in India.
02:56But I don't think that it will be nominated for this song.
02:59It's a big deal.
03:00Because maybe the high-profile awards, the pseudo-culture,
03:07they probably won't listen to it.
03:08Or it's a little bit of a song.
03:11Until someone has a very high-class performance,
03:16they won't have a high-class pseudo-news-papers,
03:19until they won't get nominated for the nomination.
03:24There are many awards.
03:26There are many awards.
03:27The film is hit and only a good star can be awarded.
03:33Normally, they get awards.
03:36What does it feel like you are playing?
03:39It's a lot of excitement.
03:41It's a lot of excitement.
03:41And the only thing is that people are unrupped.
03:48There are more awards.
03:52And people are getting away from the awards.
03:55And there are more pain.
03:57But the strength of the work is growing.
04:00You have said that the music is in India and in the same time,
04:06people have accepted the music and accepted the music,
04:09so do you accept the award?
04:13Yes, it is.
04:15But there are two awards in every artist's life.
04:20And people who say that we don't have awards,
04:23they either say it or they say it,
04:25or they say it.
04:27But the second reason I think that the award is everyone wants.
04:30No one says that I don't want to award.
04:32The one who doesn't want to award in India,
04:34the one who wants to award in India is the one who wants to award.
04:35But the award is the one who wants to award.
04:37The talent is the one who wants to award.
04:41So I want to say that if people like this song
04:44and feel that I have a good song,
04:45the range is good,
04:47the emotions are good,
04:48then you should nominate it.
04:50When this song was recorded,
04:52the pictures were released,
04:53the film was released,
04:55the three stages were released.
04:56How did you see the film?
04:57How did you see the film?
04:59How did you see the film?
05:00How did you see the film?
05:01How did you see the film?
05:02It was done.
05:04In fact,
05:05because the film was very long,
05:07I told myself that this film is not going to be the film.
05:11But the film was so much demand
05:12that they had to put it in the film.
05:13So they had to put it in the film.
05:15They had to put it in the film,
05:18they started a sequence in a bit
05:19and it was a good song.
05:22It was a good song.
05:25I thought this was a good song.
05:26How did you feel this film?
05:27How did you feel about it?
05:27The film was a good one.
05:28especially in my opinion,
05:29the sequence was very good
05:30which used to talk about
05:33a horse with a horse with a horse,
05:35which is a long shot.
05:38If you want to note that the master shot is very long without cutting.
05:42So, we have an idea from this man's acting caliber.
05:48And Salman has given it to us.
05:50And there is no answer about the direction.
05:54It's a wonderful direction.
05:56It's a very sensible direction.
05:58It's a very good direction.
05:59And especially, the people of Hindustan and film-premier people are watching this film.
06:06In the future, you are working on two-three films.
06:09Yes.
06:10You are going to launch a very early film.
06:13When are you going to launch?
06:14Yes.
06:1518 September of my first film shooting is called Nepal.
06:19Which will be my third film shooting.
06:22It will be released.
06:23I hope you are going to be in December or January.
06:26And the Nepal film that is now starting,
06:29God wants to come to the next year.
06:32It will come to the next year.
06:33This film is called Rajat Mukherjee Dwaran Nidrishit.
06:35It is directed.
06:37There is a new girl in my hand.
06:39Flooran's name.
06:40T.P. Agrawal's producer.
06:42Sangeet Nikhilwine.
06:44One hero has reached one film to Golden Jubilee and Black and Nam Jubilee.
06:48And the 10 heroes have not played one film.
06:51This is the media.
06:54You have also played one film.
06:56You have also played one film.
06:57How did you feel?
06:59How did you feel?
07:01Absolutely.
07:03In this case, if you listen to me,
07:06If you listen to me today,
07:08Which hero will hit the film?
07:10There is no guarantee.
07:11Hit to be a non-star cast cast.
07:14It will also be hit.
07:16And not to be hit.
07:17Not to be hit.
07:17Not to be hit.
07:18Not to be hit.
07:18Not to be hit.
07:20Not to be hit.
07:22Only one of the heroes are now.
07:24At the same time,
07:25There is no HS.
07:27A other dream.
07:28No Vasude was made for the film.
07:29For the cause of the entire movie.
07:30And it is worked for the entire film.
07:32In itorias for the entire film.
07:33The film was not to be made for the balkonies.
07:36It was never done for the whole movie.
07:37I mentioned that back on the stage for the background,
07:38the stage of the film is a master's film.
07:41This film is a master's film.
07:42This film is a master's film.
07:43It's the film, auto-rikshia.
07:44Because obviously,
07:45where the Hindu society is growing.
07:47We feel that all of the people in Bombay is growing.
07:49so we cannot go through the theater
07:52but in the 90% of the world
07:56the rural area is in the area
07:58where there are
08:00and there are no AC and there are
08:03people who have a film
08:04and have these films
08:07in this way
08:07on this way
08:12this film had been a business
08:14It was a real business, it was done.
08:16And there is no doubt that the film is not made for balconies,
08:20but it's done.
08:24Thank you, sir.
