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00:04:02Well, I'll be darned.
00:04:04Well, I suppose this means I'm getting decrepit.
00:04:07No!
00:04:08I tried to find a black snake quip for you,
00:04:10but I had to take that instead.
00:04:11When you're not shaking that over our heads to make us work,
00:04:14you can hobble around on it and enjoy your sciatica.
00:04:16Now, come on, boys.
00:04:17Do me a favor and clear up this mess.
00:04:20I'd hate the Van Rypers to know that I lived with a couple of heathens
00:04:23who worked on Christmas Eve.
00:04:25That's right, by Jove.
00:04:26I forgot they were gummy.
00:04:27Are Van Rypers coming here?
00:04:29Yes, and I was lucky to get them, too.
00:04:30They're fascinating people.
00:04:32They're world travelers.
00:04:33They'll give you all the latest news about India, Chad.
00:04:37So come on.
00:04:37We'd better be getting dressed.
00:04:41Joseph, see that the living room gets cleared up.
00:04:43And mix the tom and cherries.
00:04:45Yes, Mr. O'Brien.
00:05:07It's a lot of childish nonsense.
00:05:10Oh, yeah.
00:05:12And liqueurs?
00:05:14Shortrace and creme de menthe.
00:05:17Don't forget brandy for Major Chadwick.
00:05:21Yes, Excellency.
00:05:24Joseph, remember the last Christmas in St. Petersburg, just before the war?
00:05:29Yes, Excellency.
00:05:30Here, Joseph.
00:05:33Here, Joseph.
00:05:34Thank you, Excellency.
00:05:38The order of Stanislav for me?
00:05:42You were a great friend to follow me to America, Joseph.
00:05:47It was no longer my Russian without you, then.
00:05:52Excellent.
00:05:58Joseph, when I had jewels and lands and palaces, I was often weary and discontent.
00:06:09When everything was taken away, except my life, I learned that the way to be really happy is to serve
00:06:19others, to be needed.
00:06:22So don't be sorry for me or for what was lost.
00:06:27Come.
00:06:28The guests will be here.
00:06:30Yes, they...
00:06:31And nothing will be ready.
00:06:32Madame Tanya!
00:06:33Hear me, Sir O'Brien.
00:06:34Will you please fix my tie?
00:06:37You know, I'm all thumbs when it comes to tying a proper bow.
00:06:41And the tail...
00:06:43Oh, it's magnificent.
00:06:47Sure, it is magic how you do it.
00:07:01Yes.
00:07:02It really seemed like Christmas in those days.
00:07:07What we should have, George, is a troupe of grandchildren.
00:07:11Yeah.
00:07:12Blowing horns and beating drums all over the place, not for me.
00:07:16Oh.
00:07:16Well, here's a Merry Christmas to you, anyhow.
00:07:18Merry Christmas.
00:07:19Merry Christmas!
00:07:20Good evening, gentlemen.
00:07:22Christos Pascrese.
00:07:24That's for Easter.
00:07:25Oh, Christmas so, so it is.
00:07:27Well, a Merry Christmas to you, then.
00:07:29You're looking very festive, Madame Tanya.
00:07:31Thank you, Major Chadwick.
00:07:33And here is your present.
00:07:34Such a big present.
00:07:37Whatever can it be.
00:07:51I shall have to sit down.
00:07:54Well, we thought it would surprise you, but we didn't think it would knock you down.
00:07:57Well, George, get a domiciliary for the Countess.
00:08:00Come now.
00:08:01You must try it on and see how it looks.
00:08:06Ah.
00:08:08It's beautiful.
00:08:11But it will keep me no warmer than your kindness has all these years.
00:08:22Zdorovia.
00:08:23And don't tell me that doesn't mean your health.
00:08:26It does.
00:08:27Masha Zdorovia.
00:08:28And Merry Christmas.
00:08:29Merry Christmas.
00:08:30Many of them.
00:08:33And don't you try to duck out and have a tray in your room.
00:08:36You're sitting at the table.
00:08:37I'll be there.
00:08:39And now I must be looking after things.
00:08:42The guests are very distinguished.
00:08:44And as the hostess, I must see that everything is perfect.
00:09:04Now, we'll see.
00:09:08Hey, Teligran, sir.
00:09:17Oh, what's wrong now?
00:09:19The Van Riefers, they can't come.
00:09:21Oh, that's odd at the last moment.
00:09:25Can't be helped.
00:09:26Illness in the family.
00:09:28Illness in the family.
00:09:30You shouldn't have let them know I'd be here.
00:09:34Don't be ridiculous, George.
00:09:37You had nothing to do with it.
00:09:38Didn't I?
00:09:39Oh, I can hear them.
00:09:42George Vale Melton.
00:09:44Isn't he the fellow who was mixed up in the Shreve case?
00:09:47Acquitted?
00:09:47Lack of evidence?
00:09:49Oh, for pity's sake, George.
00:09:51Don't be so sensitive.
00:09:53That's all past and forgotten.
00:09:55Sure it is.
00:09:56And don't flatter yourself that anybody remembers.
00:10:00To tell you the truth,
00:10:01I'm relieved that the Van Riepers are not coming.
00:10:05He's telling the same jokes he told 20 years ago.
00:10:09And she dyes her hair.
00:10:10I think it's a shrimp pink now.
00:10:15I don't know why I asked them to come at all at all.
00:10:20The trouble with us is we're in a rut.
00:10:24Too much work, no play.
00:10:27We don't take time to see our old friends.
00:10:30Yes.
00:10:31Not so many of our old friends left, Michael.
00:10:34Well, then we ought to make new ones.
00:10:37What we ought to do is...
00:10:40What we ought to do is...
00:10:43Oh, come on, have a drink.
00:10:50Confusion to our critics...
00:10:52And to us...
00:10:53A Merry Christmas.
00:10:54Merry Christmas.
00:11:10Merry Christmas.
00:11:13There must be some lonely souls out in that crowd.
00:11:16You're a sentimentalist.
00:11:20I have an idea, Chad.
00:11:22Get out your cards, gentlemen.
00:11:24What are you up to now?
00:11:26These are some of the gift wallets that were left over with $10 in each of them.
00:11:30Put your cards in them, gentlemen.
00:11:31We'll throw them out of the window and maybe they'll bring back somebody to have dinner with us.
00:11:35What, strangers out of the street?
00:11:37Oh, there are no strangers on Christmas Eve.
00:11:40Besides, it's better than sitting around and hooting at each other like three old owls in a van.
00:11:44If not a one of them comes back.
00:11:47I'll take you up on that.
00:11:49Dinner appears for all of us and the loser pays.
00:11:52You heard, Chad. It's a bet.
00:11:54That's all right. I can't lose.
00:11:55How long do we wait?
00:11:57Win or lose. We dine at seven.
00:12:05St. Anthony.
00:12:07Send us back an honest soul.
00:12:11With an appetite.
00:12:18Mine goes first.
00:12:25It's gone.
00:12:27Your turn, Chad.
00:12:32I can't see without me glasses.
00:12:34All right. You're next, George.
00:12:37Come on. Come on. Let it go.
00:12:43Well, I doubt if you'll find anybody worth feeding.
00:12:46But if it gets unbearable, George and I can pop round to the club for a rubble bridge.
00:12:50Don't worry. Nobody will come back with them.
00:12:54You're a man of very little faith, George.
00:12:57Come away from the window before you break the charm.
00:13:09Well, finders keepers.
00:13:11Any money in it?
00:13:13Ten dollar bill.
00:13:14George Vale Melton.
00:13:16Engraved by, uh, Tiffany.
00:13:19He'll never miss the money.
00:13:20Here you are, Robin.
00:13:21Merry Christmas.
00:13:22Thank you, madam.
00:13:23You have a heart of gold with other people's money.
00:13:27I tell you, England's territorial expansion has quite a different significance.
00:13:31No matter how thin you slice it, a grab is a grab.
00:13:35Grab, boss.
00:13:36That's a specious term.
00:13:38England carried civilization into the wilderness.
00:13:41What was Australia before she redeemed it from the Aborigines?
00:13:44She made it a thriving territory, a ranking continent.
00:13:48For her own special benefit, of course.
00:13:50For the benefit of the whole world.
00:13:52For the benefit of Australia itself, I guess.
00:13:56The proof is there isn't an acre of the empire that isn't proud to fly the British flag.
00:14:06And furthermore, let me down.
00:14:07Oh, will you stop that noise?
00:14:10Noise, is it?
00:14:11What do you two think you're making?
00:14:13The next thing you'll be digging trenches in the rung.
00:14:15Yes, but I'm bound to refute his unenlightened bias.
00:14:19Bias, my foot.
00:14:20He always takes the other side of the argument to get your goat.
00:14:28Well, it looks like you pay for the dinner over here.
00:14:30Oh, Brian.
00:14:33Maybe I do.
00:14:36And then again, maybe I don't.
00:14:46Oh, good evening to you.
00:14:47Good evening, sir.
00:14:48Somebody here lose a wallet?
00:14:49Yes, yes, come in.
00:14:50Come in.
00:14:51Which one did you?
00:14:52I mean, my name is O'Brien.
00:14:54That's the name, all right.
00:14:55There's $10 in it.
00:14:57$10 it is.
00:14:58Here you are, sir.
00:15:01Well, Merry Christmas.
00:15:02Wait, wait.
00:15:03Stay and have a bit of cheer with us.
00:15:05Well, I'll...
00:15:06Oh, come along, come along.
00:15:08What is your name, lad?
00:15:10James Houston, sir.
00:15:11Houston.
00:15:12That's mighty nice of you.
00:15:14Well, it's nice of you.
00:15:15Sir.
00:15:16I need to bring back my wallet.
00:15:18Come along, come along.
00:15:19Mr. Melton, Mr. Chadwick, this is Mr. Houston.
00:15:22Good evening.
00:15:23Proud to know you, sir.
00:15:24Mr. Houston brought back my wallet.
00:15:26And now he's going to have a drink with us.
00:15:27What'll you have, lad?
00:15:28Oh, whatever you're having, sir.
00:15:31I'm having Tom and Jerry myself.
00:15:33How about you, Chad?
00:15:34Well, just a spot.
00:15:36And you, George.
00:15:36No, thanks.
00:15:37I've got to watch out for my back.
00:15:39It really feels like Christmas Eve in here.
00:15:42A mighty nice fire.
00:15:44Oh, I've been wondering at the log.
00:15:45Let me do that, sir.
00:15:51Nothing like an open fire.
00:15:53We always have them down home.
00:15:58You're from the west.
00:16:00Texas, sir.
00:16:01I'm from Oklahoma myself.
00:16:03Oklahoma?
00:16:04Well, I declare.
00:16:06Howdy, neighbor.
00:16:09That's a small world, isn't it?
00:16:11Here.
00:16:12Sit down.
00:16:13Thank you, sir.
00:16:14Chad.
00:16:14Thank you, Michael.
00:16:15Merry Christmas.
00:16:16Merry Christmas.
00:16:17Been up here long?
00:16:19It was since September.
00:16:21I came up with a rodeo to Madison Square Garden.
00:16:25Thought I'd stay around and look the town over.
00:16:28Stayed a little too long, I guess.
00:16:30Now I'm working for a steak to get back to Texas.
00:16:35Were you going someplace?
00:16:36Dinner, perhaps?
00:16:37No.
00:16:38No, sir.
00:16:39No place in particular.
00:16:40Just walking around.
00:16:42I've never been away from home on Christmas before.
00:16:45Well, so long as you're not going anywhere,
00:16:47why not have dinner with us?
00:16:48Now, that's right kind of you, sir, but I don't...
00:16:51Well, after all, Michael, it's no inducement
00:16:54for a young fellow to dine with three old fogies like us.
00:16:57You know.
00:16:58Well, now, if...
00:16:59if you put it that way, I...
00:17:02I can't very well refuse.
00:17:05Major Chadwick, this young lady says she found your wallet.
00:17:08Hmm?
00:17:08Oh, yes, of course.
00:17:10Of course.
00:17:13Good evening.
00:17:15Oh, good evening.
00:17:17Are you Mr. Chadwick?
00:17:18Oh, yes.
00:17:20Oh.
00:17:22I believe it's customary to describe lost articles.
00:17:25Oh, yes, that's right.
00:17:25Of course.
00:17:26Of course.
00:17:28Well, it was a sort of a wallet.
00:17:31A square wallet.
00:17:32With my card inside.
00:17:35Any money?
00:17:37Of course.
00:17:42Oh, yes.
00:17:43Oh, yes.
00:17:43Ten dollars.
00:17:45Here you are.
00:17:45Oh, yes.
00:17:46Yes, thank you.
00:17:47Thank you very much.
00:17:48You're very welcome.
00:17:49Merry Christmas.
00:17:50Merry Christmas.
00:17:51Wait a minute.
00:17:52Wait a minute.
00:17:52Don't go.
00:17:53Come over to the fire.
00:17:54It's cold outside.
00:17:55Get a Tom and Jerry for the young lady, George.
00:17:58It'll warm you up.
00:17:59Oh, you didn't.
00:18:00What's your name?
00:18:01Jean Lawrence.
00:18:02My name's James Houston, ma'am.
00:18:04How do you do, Mr. Houston?
00:18:06Yes, Mr. Houston.
00:18:08Put those two places back.
00:18:10I believe Mr. O'Brien will have guests for dinner after all.
00:18:15Yes, excellent.
00:18:17The last time I had a Tom and Jerry was back home in New Hampshire.
00:18:20New Hampshire?
00:18:21Then you're not spending Christmas Eve with your family.
00:18:23No.
00:18:24I was just going out to the movies.
00:18:26Why don't you stay and have dinner with us?
00:18:29Oh, well, thank you very much, but I couldn't.
00:18:31Why not?
00:18:31Have you had dinner?
00:18:33No, but I had a late lunch and I...
00:18:34Dinner is served.
00:18:36That settles it.
00:18:37Come along.
00:18:38We'll not take no for an answer.
00:18:40Come along.
00:18:41Now, it's all planned.
00:18:43It's a little game we're playing.
00:18:44I'll tell you all about it.
00:18:46You see, there were three of us here and we made a bet.
00:18:49And one of us lost.
00:19:08The poor Christian men be sure, rank or wealth possessing.
00:19:15Ye who would now bless the poor, shall yourselves be blessed.
00:19:26Say, boy, you can sing.
00:19:29Hey, fellas, come up.
00:19:31We want some music up here.
00:19:35I dream of Jeannie with polite brown hair.
00:19:44Born like a vapor on the summer air.
00:19:53I see her tripping where the bright streams play.
00:20:03Happy as the daisies that dance on her way.
00:20:10Many were the wild notes her merry voice would pour.
00:20:19Many were the blithe birds that warbled them o'er.
00:20:29I dream of Jeannie with a light brown hair.
00:20:44Floating like a vapor on the soft summer air.
00:21:03My boy, you have a grand voice.
00:21:05He's a real singer.
00:21:07Oh, it's nothing so much.
00:21:08I used to sing a bit down on the range.
00:21:11Come on, let's all sing.
00:21:13That's a good idea.
00:21:14Joseph, Alfonso and Catherine, come here.
00:21:17We're all going to sing.
00:21:17Sure, come on.
00:21:19How about jingle bells?
00:21:20Jingle bells.
00:21:22Oh, jingle bells, jingle bells, jingle bells.
00:21:27Oh, what thunder is to ride in the one-horse open land.
00:21:31Jingle bells, jingle bells, jingle all the way.
00:21:34Oh, what thunder is to ride in the one-horse open land.
00:21:37Don't dream about it.
00:21:41O song by YouTube, though.
00:21:42Oh, my pets are called me to ride in the one-horse open land.
00:21:45Ciao, keeps going where you are.
00:21:52Click again.
00:21:53Yourlex is a red McCain.
00:21:54But he flew to peace, like you tell me to ride in the two blocks.
00:21:56Hot إ
00:21:56Wall than before, it's three stores open land.
00:22:03Oh, Movement.
00:22:08Ah, Colleen, sure you make me wish I was 22 again.
00:22:11I like you the way you are.
00:22:13Good night.
00:22:13Good night, young lady.
00:22:14Don't forget, we have a date tomorrow.
00:22:16Three o'clock at the clinic.
00:22:17Good night, gentlemen.
00:22:17Good night.
00:22:18Good night, Madame Tanya.
00:22:19I had a lovely time.
00:22:20Bless you, Chad.
00:22:21We'll all stay.
00:22:22Good night, ma'am.
00:22:24Good night, Jimmy.
00:22:25Oh, wait.
00:22:26We are forgetting your overcoat.
00:22:28Oh, I didn't have an overcoat.
00:22:34Well, that's not my overcoat.
00:22:36Your overcoat.
00:22:47You have a good tailor.
00:22:57Well, I...
00:23:00Good night, ma'am.
00:23:20All right.
00:23:21Ah, the grand youngsters.
00:23:24That boy reminds me of David.
00:23:28I thought you two were going out to the club to play bridge.
00:23:31Now, Michael, don't gloat.
00:23:34Look at the Irish.
00:23:38I'm turning in.
00:23:40Good night.
00:23:41Good night, George.
00:23:42Good night.
00:23:46Tough guy.
00:23:47Gave the lad his pet overcoat.
00:23:56Well, here we are.
00:23:59I can hardly believe it's all been great.
00:24:01Neither can I.
00:24:03Maybe we're dreaming.
00:24:08You know, I wouldn't be a bit surprised to see Santa Claus.
00:24:13Reindeers and all, sliding right down the sky in a minute.
00:24:16But you...
00:24:23His name's Gallagher.
00:24:25He's Officer Johnson for us.
00:24:27He's not sugar.
00:24:29Well, I declare that's really something.
00:24:32I never expected to find a girl in New York carried sugar around for a horse.
00:24:36Oh, good evening, Miss Lawrence.
00:24:37Oh, good evening, Officer Johnson.
00:24:39This is Mr. Houston.
00:24:40Oh, so I am.
00:24:41He's just admiring your horse.
00:24:42Yeah, I raise him myself down in Texas.
00:24:45Oh, you do, huh?
00:24:46Sure is.
00:24:46They're pretty cool.
00:24:47What do you feed them, Roldoes?
00:24:49Yep.
00:24:49Yeah, sure is.
00:24:51You know, I haven't been on a horse for three months.
00:24:53I used to live on one, practically.
00:24:55I...
00:24:56I sure would like to ride him.
00:24:58Oh, I'm sorry, son.
00:25:01But if the sergeant ever caught me letting anybody ride my horse,
00:25:04I'd be found in a beaten Flatbush.
00:25:05Yeah, sure.
00:25:06I understand.
00:25:06Well, it's mighty fine seeing him, anyway.
00:25:10He sure is pretty.
00:25:25Is it all clear?
00:25:27All clear.
00:25:38Hey!
00:25:39The sergeant's coming!
00:25:55Good evening, Sergeant.
00:25:57Evening.
00:25:58Anything wrong?
00:25:59Oh, nothing at all.
00:26:01Oh, it's a lovely evening, isn't it?
00:26:02Huh?
00:26:03I mean, after the snow.
00:26:04I love the snow, don't you?
00:26:05It makes everything seem more like Christmas, doesn't it?
00:26:06I would, uh...
00:26:08Yeah, well, good evening.
00:26:09Sergeant, um...
00:26:10Would you mind awfully if I ask you a few questions?
00:26:13All right.
00:26:13What is it?
00:26:15Uh...
00:26:15Have you ever been to Texas?
00:26:17I have never been south of the battery.
00:26:19Oh, that's too bad.
00:26:20You ought to travel, you know.
00:26:21It's really quite broadening.
00:26:22Yes, well, I'm broad enough now.
00:26:23Oh, sergeant, um...
00:26:25Do you like children?
00:26:27Well, I bet I had.
00:26:28I've got six of my own.
00:26:29Oh, you don't say.
00:26:30You know, I've got 20.
00:26:31What?
00:26:32That isn't the clinic.
00:26:33I work there.
00:26:34Oh.
00:26:37Well, good night, sergeant.
00:26:38It's nice to meet you.
00:26:40Whew!
00:26:41It was that close.
00:26:44Hello, Texas.
00:26:46How'd you like the ride?
00:26:48Oh, I liked it.
00:26:51Fine.
00:26:53And that's for you, Johnson.
00:26:55Yes, sir.
00:26:58Merry Christmas.
00:27:00Well, Merry Christmas to you, sergeant.
00:27:05Merry Christmas.
00:27:10What else do you do besides feeding sugar to a horse?
00:27:13Oh, I'm sort of a kindergarten teacher.
00:27:15I keep the children busy and amused while they're convalescent.
00:27:18You know, it helps them get well quicker.
00:27:20Do I have to get sick to join your class?
00:27:22I'm afraid you're much too young for that.
00:27:25I hate to let you go.
00:27:28I'll see you tomorrow at three.
00:27:31Good night.
00:27:33Good night.
00:27:33Good night.
00:27:35Oh, Jimmy.
00:27:37Your coat.
00:27:39Oh.
00:27:41Thanks very much for letting me work.
00:27:43You're sure welcome.
00:27:47Good night, Texas.
00:27:49Good night, teacher.
00:27:54Oh.
00:27:55Oh, here.
00:27:55Oh, dear.
00:27:58Oh, dear.
00:27:59Oh, dear.
00:28:25Oh, dear.
00:28:26How are your children, Mrs. Brown?
00:28:27They're just fine, but the little one has the measles and the big one has the mum.
00:28:31Oh, I'm sorry to hear that.
00:28:33That's a pity, isn't it?
00:28:34Yes, it is.
00:28:35Do you take sugar?
00:28:36Yes, please.
00:28:37Merry Christmas.
00:28:39Merry Christmas.
00:28:40Merry Christmas, everybody.
00:28:41Merry Christmas, everybody.
00:28:42Well, if it isn't a big chief dream at the pace himself.
00:28:45Come on, and join the tribe.
00:28:47Hello.
00:28:48Hello.
00:28:49And who may you be?
00:28:50My parents said I'm four and Irish.
00:28:52Well, I'm Michael and I'm 64 and I'm Irish.
00:28:55Who's Irish too?
00:28:56I'm Irish too.
00:28:57Who's Irish too?
00:28:58I am.
00:28:58Oh, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho.
00:29:01Ah.
00:29:01And then the elephant said through his big long nose, I want to be the king.
00:29:11Oh, ho, ho, ho.
00:29:27Let's go.
00:30:21Oh, they all fell down.
00:30:22You bet your life it is.
00:30:24It's a ringer.
00:30:26A ringer.
00:30:28Hey, Madam Tanya, where do you think you're going?
00:30:30Don't I have to pick up the bottles?
00:30:32Oh, the buyer depends on that.
00:30:35We have to pick up the bottles.
00:30:37Jeannie, come on, Jeannie.
00:30:39You're next.
00:30:44Here, hold my coat.
00:30:46I'll show you what a ball in the air.
00:30:49Never mind bragging.
00:30:50Right, old fella.
00:30:51Shoot the works.
00:30:56Stand clear.
00:30:57What a champion.
00:31:00One, two.
00:31:08Ever so humble, there's no place like home.
00:31:18I'll show you what I want.
00:31:27Hmm.
00:31:30Hmm.
00:31:31Hmm.
00:31:32Hmm.
00:31:34Hmm.
00:31:35Hmm.
00:31:35Hmm.
00:31:35Hmm.
00:31:36Hmm.
00:31:36Hmm.
00:31:36Hmm.
00:31:38Hmm.
00:31:53I've never seen Timmy have such a good time. I'm grateful to you both.
00:32:11Ah, you know, we're going to have a lot of good times together.
00:32:14Goodbye.
00:32:15Bye, Ginny.
00:32:16Goodbye, dear.
00:32:18You're just like the daughter I always wish for.
00:32:20Come on, let's get going.
00:32:21Good here, lad.
00:32:22Happy landing, sir.
00:32:23Goodbye, madam.
00:32:26And don't be gone too long.
00:32:28No, hurry back.
00:32:29We'll be back and you take good care of yourself and don't go with those bowling alleys.
00:32:33Mr. O'Brien, can't you gentlemen please take the train?
00:32:38Oh, there she goes.
00:32:39I suppose you'd like to have us take a stagecoach.
00:32:42Oh, now don't worry.
00:32:44We'll be back before you know it.
00:32:46Goodbye.
00:32:47Bye.
00:32:48Bye.
00:33:04I wish they were taking the train.
00:33:08Oh, don't you worry.
00:33:09They'll be all right.
00:33:34Come on, Gallagher.
00:33:37Tea or coffee?
00:33:39Coffee.
00:33:40I don't know.
00:33:40I don't know.
00:33:41Dogs?
00:33:44Cats?
00:33:47Sugar and cream?
00:33:49Brussels sprouts?
00:33:52Oh, that's bad.
00:33:54But it's the only one you've missed so far.
00:33:56Everything else we like alike.
00:34:00You know, I had a hunter with something to keep me here in New York.
00:34:04Enjoy it.
00:34:06Do you have somebody back in Texas?
00:34:08Oh, sure.
00:34:10Do you like her?
00:34:11Oh, crazy about her.
00:34:13Oh.
00:34:15You must tell me more about her.
00:34:17What's she like?
00:34:18Well, she's pretty.
00:34:21Got about your coloring.
00:34:23Brown eyes.
00:34:25I suppose she's crazy about you, too.
00:34:27Oh, yeah.
00:34:28Every night when I come home, she runs clear to the gate to meet me.
00:34:32What's she going to say about me?
00:34:34Oh, I don't know.
00:34:36She'll probably say, um...
00:34:40Jimmy, you and your old horses.
00:34:43Yeah.
00:34:44How many fellas you got on the street?
00:34:46Oh, not many.
00:34:48Who?
00:34:50Just Mr. Chadwick, Mr. Belton, Mr. O'Brien, and you.
00:34:56As soon as I get a decent job, we can get married.
00:34:59Jimmy, you just proposed to me.
00:35:01What?
00:35:02What?
00:35:03I did.
00:35:04Well, it's...
00:35:05It's all right, isn't it?
00:35:07Darling.
00:35:12Paper, mister?
00:35:15Not just now, Sonny.
00:35:16Extra.
00:35:18Extra.
00:35:19Extra.
00:35:19Extra.
00:35:21I'm still pretty worried about those Brussels sprouts.
00:35:24Oh, really?
00:35:25Well, is that it for spinach?
00:35:27Okay.
00:35:29Come on.
00:35:29I've got to tell somebody.
00:35:31I think she'll be back.
00:35:32Let's go.
00:35:44We had hope until an hour ago.
00:35:54I knew I would never see them again.
00:36:02Somehow, I knew.
00:36:28I wonder if I was there?
00:36:36I know how can I do it.
00:36:39I'd be able to see them again.
00:36:46Susan, did you hear?
00:36:49What, excellency?
00:37:22Keep the tobacco jar filled, Chaucer.
00:37:28And bring the hard touches as you usually do.
00:37:41I know you are here.
00:37:45I cannot see you or touch you.
00:37:50But I know you've come home.
00:38:14She didn't see us.
00:38:19I remember now.
00:38:21We were flying.
00:38:25There was a storm.
00:38:27And the storm.
00:38:27And the storm.
00:38:27And the storm.
00:38:27The mountain.
00:38:29We crashed.
00:38:31Yes.
00:38:33Everything went black for a moment.
00:38:36Then we were here.
00:38:41I seem to feel all right.
00:38:43How are you, Chath?
00:38:45Splendid.
00:38:46Light as air.
00:38:49My glasses.
00:38:51They're gone.
00:38:55I don't seem to need them.
00:39:01So this is it.
00:39:03Sure, it's no more than walking from one room into the other.
00:39:07How's your back?
00:39:11Oh, look at him.
00:39:13And my feet don't hurt.
00:39:16And I can see right through you, George.
00:39:19You always could.
00:39:21And now do you believe in the immortal spirit of man?
00:39:25It's just the habit of being here that brought us back for a while.
00:39:29For a while.
00:39:31And then what?
00:39:33You're not afraid, Chad.
00:39:34No.
00:39:36Only curious as to what comes next.
00:39:38We'll find that out when the time comes.
00:39:42Oh.
00:39:42Are we still in partnership?
00:39:44Looks like we're out of business.
00:39:46Yes, and good riddance too.
00:39:52Oh, Jim, don't be ridiculous.
00:39:54You can't have three best men.
00:39:55Who says I can?
00:39:56Why can't I have three best?
00:39:58Joseph?
00:39:59Joseph, do you see why I can't have three best men if...
00:40:02What's the matter, Joseph?
00:40:05You have not heard.
00:40:23I can't have three best men.
00:40:29It can't be, Jim.
00:40:32It can't be.
00:40:42Evening, ma'am.
00:40:42I can't.
00:40:45Madame Daniel.
00:40:51They loved you both.
00:40:55Very much.
00:40:58They were good to us.
00:41:01They were good to us.
00:41:02They were friends.
00:41:05They brought us together.
00:41:11We came to tell them.
00:41:15Oh, Jim.
00:41:19Janey.
00:41:22Ah, poor kids.
00:41:24They've come to tell us their good news.
00:41:26Strange seeing it from this side.
00:41:29There's no pain for us.
00:41:32Except our grief.
00:41:34Everything seems faint and far away.
00:41:38Except loving people.
00:41:43Madame Tanya.
00:41:46Madame Tanya.
00:42:03In the library.
00:42:24The desk.
00:42:50What's going on?
00:42:53Left them a couple of bonds.
00:42:54Enough to get married on.
00:42:56Shouldn't have done it.
00:42:58Money's bad for kids.
00:43:01Don't forget, your still owes a debt.
00:43:03Dinner from the last time you were wrong.
00:43:07Dear Jimmy and Jane.
00:43:10Accept this gift for the happy day.
00:43:12I can see their eyes.
00:43:14It's not far off.
00:43:16You have a blessing.
00:43:28Just like them to do this for a couple of strangers.
00:43:34You are not strangers.
00:43:37You feel the very lonely place in his heart.
00:43:44But...
00:43:44Won't you need these?
00:43:46No, Jimmy.
00:43:48I think.
00:43:49I'm well provided for.
00:43:54Is there anything I can do?
00:43:59No.
00:44:00Perhaps, Jimmy.
00:44:01You would come and live here for a while.
00:44:05So, Joseph and I would have someone to look after.
00:44:11Oh, I'd be glad to, ma'am.
00:44:15Go now.
00:44:16You have a lot to talk over.
00:44:40I could swear I see them over there.
00:44:43So could I.
00:44:48I beg your pardon.
00:44:49Are you related to the men who lived here?
00:44:51They were our friends.
00:44:53Could you give me some idea what they were like?
00:44:55The report is that the men who lived here?
00:44:56That they were eccentric old hermits.
00:44:57That's not true.
00:44:58I should say not.
00:44:59They were swell.
00:45:00Well, I'm on the daily press.
00:45:02My paper wants human interest.
00:45:03Won't you come along and talk it over?
00:45:10This is station WRC National Network, New York City.
00:45:13You've just heard your radio reporter giving you the latest news flash from the WRC Tower.
00:45:18The time is 15 minutes after...
00:45:20Want me?
00:45:21Here's a story for our next week's personalities in the news program.
00:45:25Now get those kids.
00:45:27Every Wednesday evening at 7.30 p.m.
00:45:30Which brings to the air people who have a...
00:45:42I think you should, Madame Tanya, don't you?
00:45:45Jim, they might give you a chance to see.
00:45:48And all you need is a chance.
00:45:51That's right, Jimmy.
00:45:53Opportunities don't come every day.
00:45:55What about Jean?
00:45:56It says in the telegram they want her too.
00:45:58Oh, I couldn't.
00:45:59I'd be too scared.
00:46:00Go ahead and see what they say.
00:46:03Darling, if they let you sing, I know you'll be a hit.
00:46:06You'll be famous.
00:46:07You'll be rich.
00:46:08You'll be able to buy that big ranch with a million horses.
00:46:11Madame Tanya can come stay with us.
00:46:12Yeah, we can all live happily ever after.
00:46:14I still say he'd be better off back in Texas,
00:46:17and the ranch where he belongs.
00:46:18Well, I agree with Michael.
00:46:20The boy's got talent.
00:46:22Why shouldn't he do something with his voice?
00:46:24Sure and why not?
00:46:26What's wrong with him being a singer?
00:46:28The world needs music just as much as it does buildings and bridges.
00:46:32Well, I'd have it your way.
00:46:33And I'm not in favor of it.
00:46:38I'm not in favor of it.
00:46:38My name's James Huston.
00:46:40I received this telegram from Mr. Barrett.
00:46:42I'll tell him you're here.
00:46:49Mr. Barrett.
00:46:50Mr. Huston's here.
00:46:54Mr. Huston, you may go right in.
00:47:07I sure hope I didn't do any damage, Miss Terry.
00:47:12Oh, that's all right.
00:47:14Where have I seen you before?
00:47:16Oh, probably in the paper.
00:47:19Mm-hmm.
00:47:21Well, Texas, are you interested in on the air?
00:47:25Well, I hope so.
00:47:26Well, let me know when you go on.
00:47:28I'd like to hear you.
00:47:30My telephone number's on there.
00:47:32Good luck.
00:47:35Why, thank you, ma'am.
00:47:51Where can I phone?
00:47:52Right here. Use this one.
00:48:00Oh, Jimmy, really?
00:48:01Yeah, they're going to put me on the broadcast tonight.
00:48:04Yeah, I'm going to sing.
00:48:06Oh, darling, I know you'll be good.
00:48:08Would you call Madam Tanya and tell her?
00:48:10I've got to go practice.
00:48:12I mean, rehearse.
00:48:15Yeah, I'll come by and pick you up after it's over,
00:48:17and we'll go celebrate.
00:48:20Bye, honey.
00:48:22I'll be singing to you.
00:48:23Goodbye and good luck, darling.
00:48:27Churchill.
00:48:30He's going to sing.
00:48:32Sing?
00:48:34No, not him.
00:48:35I mean Jimmy.
00:48:36He's singing tonight at 7.30.
00:48:38WRC.
00:48:40I've got to tell all the nurses.
00:48:42Is my wife here?
00:48:44I know she's over nine years old.
00:48:46This is a children's hospital.
00:48:51Hello, Mom.
00:48:52Mom, I...
00:48:53Yeah.
00:48:56Mom, what I called you about is a surprise.
00:49:00Yeah, I want you to tune in on WRC at 7.30 New York time tonight.
00:49:06I...
00:49:07Yeah, I...
00:49:08What?
00:49:10Oh, no, Mom.
00:49:11I don't need him.
00:49:13No, but Mom, it's not cold enough for him.
00:49:18But, Mom, people don't wear him in New York.
00:49:22Yeah.
00:49:23Now, don't forget, Mom.
00:49:257.30 tonight.
00:49:27Yeah.
00:49:29Goodbye, Mom.
00:49:37Uh, do you mind?
00:49:38No, it's quite all right.
00:49:44Miss Terry's apartment.
00:49:46Who's calling?
00:49:47No, she isn't in right now.
00:49:49I don't know when she'll be back.
00:49:51I'll tell her you call, Mr. Houston.
00:49:54Hello.
00:49:55Hello, Miss Terry.
00:49:57This is Jimmy Houston.
00:50:00Yeah, I met you at the radio station, you remember?
00:50:03Yeah, well, I'm calling you like you said
00:50:05because I'm going to be on the air tonight at 7.30.
00:50:09You are?
00:50:09Yeah, singing.
00:50:10Oh, you must be swell because Barrett's tough.
00:50:13Sure, I'll be listening in.
00:50:15Thanks for letting me know.
00:50:18Goodbye, Mr. Houston.
00:50:33It sounds pretty good.
00:50:34Pretty good.
00:50:35It's a hit.
00:50:37We can go into a fast rehearsal just as soon as Tony Marshall returns from Florida.
00:50:40Oh, poor old Tony.
00:50:42He'll be making his entrances in a wheelchair pretty soon.
00:50:45Don't worry, he's had his face lifted.
00:50:48Besides, he still brings them in.
00:50:50What about some dinner?
00:50:51Oh, it's quarter to eight.
00:50:53Quarter to eight?
00:50:54Wait a minute.
00:50:55There's something I want to hear if I haven't missed it.
00:51:04So why should we run?
00:51:08Let's get drenched in moonbeams.
00:51:11The blossoms of romance need showers to start.
00:51:19Don't shelter your heart.
00:51:23It's raining dreams.
00:51:27I heard the thunder crash the moment we kissed.
00:51:34And now that we've kissed, it's raining dreams.
00:51:42I saw the lightning flash and light up the skies.
00:51:49Or was it your eyes?
00:51:53Or was it your eyes?
00:51:53It's raining dreams.
00:51:56We're caught in a moon shower with no place to run.
00:52:05So why should we run?
00:52:08Let's get drenched in moonbeams.
00:52:13The blossoms of romance need showers to start.
00:52:20Don't shelter your heart.
00:52:24It's raining dreams.
00:52:41That is worse than heading off a stampede.
00:52:44How was I?
00:52:45All right.
00:52:48Here they come.
00:52:51Hello?
00:52:52Oh, yes, Miss Terry.
00:52:55Yes.
00:52:56He's here.
00:52:58You're doing fine.
00:53:01Hello?
00:53:06Well, it's nice of you to say so.
00:53:08Oh, I mean it.
00:53:09Really?
00:53:10Well, just a minute.
00:53:12My producer, Phil Hubert, wants to talk to you.
00:53:16Hello, Mr. Houston.
00:53:17Yes, this is Phil Hubert.
00:53:21Well, you're very good.
00:53:22Thank you very much.
00:53:26Well, I'd be glad to, sir.
00:53:28Yes, I have the address.
00:53:29I'll be up there directly.
00:53:32Goodbye.
00:53:34Well, we can't go very far wrong with a voice like that.
00:53:37Let's see.
00:53:37We could build him up on the radio,
00:53:38and then I'd get Kelly busy on the publicity.
00:53:41And if he looks like you say he does,
00:53:43I think maybe we've got something.
00:53:53Jimmy!
00:53:54Darling!
00:53:55You were marvelous.
00:53:56Oh, thanks, honey.
00:53:57But you don't know the half of it.
00:53:58I'm on my way now to see a fellow about my singing.
00:54:01Oh.
00:54:01Yeah, I just came by to tell you I can't stay.
00:54:03I've got to go right away.
00:54:04Goodbye.
00:54:05I'll phone you later.
00:54:07Goodbye.
00:54:08I'll be waiting.
00:54:13Well, hello.
00:54:14Evening, Miss.
00:54:15Mr. Hubert, Mr. Houston.
00:54:17Proud to meet you, sir.
00:54:18Hello!
00:54:19Congratulations!
00:54:20You stopped the show.
00:54:21Oh, no, ma'am.
00:54:22I reckon it was fixing to stop anyway.
00:54:24I came on at the end.
00:54:25Oh!
00:54:26Well, how did you like the applause?
00:54:28Oh, fine, sir.
00:54:29I figured half of it was good manners,
00:54:31and the rest was on the station payroll.
00:54:34It's a crime to spoil modesty like that.
00:54:36Boy, you are a natural.
00:54:38Miss Terry and I are going over the book of our new show.
00:54:41Our old leading man is beginning to creak a little we thought perhaps you might fit in with our plans
00:54:46Well, I declare you you mean on the stage, sir. Yes. Oh, no, I don't think that all come on
00:54:53have a drink
00:54:54Have something to eat. Let's get better acquainted. I feel lucky tonight
00:54:58Just success
00:55:10Hello, oh, I'm sorry. Dr. Brown is on day duty
00:55:36Oh
00:55:37Louisiana lady la-la-la-la-la la-la
00:55:44Just a moment success. I'm gonna sing in a show lovely music
00:55:54You better go to bed he's after three. I'm all right, Joseph. I'm all right
00:56:06Oh
00:56:07Good night Joseph good night
00:56:09Oh
00:56:16Well, why not who wouldn't celebrate he's getting his chance
00:56:21yeah
00:56:22Chance to get mixed up with a lot of cheap people
00:56:24Turn his head and make a fool of him
00:56:27He'll drink too much and he'll laugh too much.
00:56:30He'll lose his way.
00:56:31Well, two sides to it, George.
00:56:34The way I see it, he'll give people a lot of pleasure.
00:56:38Ah, he's a good lad.
00:56:40And he's in love with the fine girl. She'll keep him steady.
00:56:44To be born innocent is natural.
00:56:46But to die pure of heart, that's a gift.
00:56:51Well, stick to your faith, Michael.
00:56:54You may need it before you're through.
00:56:57Ah, you're always looking at the black side of things.
00:57:45I'm sorry.
00:57:47I'm sorry for you.
00:57:48If you are sorry for me, I'll never go away.
00:57:49I'm sorry for you.
00:57:52No matter what you did.
00:57:54If you're sorry for it, no power of darkness can touch you.
00:57:58If you'll only say you're sorry, John.
00:58:03But I did need a doing.
00:58:07I have no remorse. I never did have.
00:58:11I'd be a hypocrite to say I'm sorry now.
00:58:27Come on, sir.
00:58:36THE END
00:59:08THE END
00:59:29THE END
00:59:30THE END
00:59:41THE END
00:59:43THE END
00:59:49THE END
00:59:49THE END
00:59:58THE END
00:59:59THE END
00:59:59THE END
01:00:00THE END
01:00:01THE END
01:00:01THE END
01:00:01THE END
01:00:01THE END
01:00:02THE END
01:00:02THE END
01:00:02THE END
01:00:03THE END
01:00:03THE END
01:00:03THE END
01:00:03THE END
01:00:04THE END
01:00:05THE END
01:00:19THE END
01:00:27THE END
01:00:27THE END
01:00:27THE END
01:00:28THE END
01:00:40THE END
01:00:46THE END
01:00:51Someone who really loves me, the way a woman wants to be loved.
01:00:59Oh, she's the smooth one. Smooth as silk that one is.
01:01:05Every move, every word is figured.
01:01:10I want someone who really loves me, the way a woman wants to be loved.
01:01:15And him taking it hook, line and sink.
01:01:19Oh, I've made an awful mess of it.
01:01:23You've got to help me, Chad.
01:01:25You've got to help me bring the boy back.
01:01:29Chad.
01:01:31I heard something.
01:01:33Sure you heard something. I've been talking to you right along.
01:01:40It's the old bugle call.
01:01:43The last first.
01:01:49It's for me, Michael.
01:01:52Dad.
01:01:53Dad.
01:01:56David.
01:01:58Dad.
01:02:00David.
01:02:02David.
01:02:06This is my boy, Michael.
01:02:08My boy, David.
01:02:13I thought I'd never see you again.
01:02:15We all think that.
01:02:16I've come for you, Dad.
01:02:18Where now?
01:02:20What's it like?
01:02:21What do you want it to be like?
01:02:26I remember the old army post at Simla.
01:02:30Without the reins, of course.
01:02:34We were happy there.
01:02:37Great country.
01:02:42Great country.
01:02:43Splendid regiment.
01:02:44Good horses.
01:02:47Good sport.
01:02:49Keen men.
01:02:52Then that's it.
01:02:54Every man gets his dream.
01:02:57Let's go.
01:02:59Mother's waiting.
01:03:02Mother.
01:03:08Good luck, Michael.
01:03:11Goodbye, Alan.
01:03:12No, no.
01:03:13Not goodbye, old fellow.
01:03:15We'll be seeing you.
01:03:18Won't we, David?
01:03:20That's right, Dad.
01:03:23Good luck, Michael.
01:03:25Good luck.
01:03:27Good luck.
01:04:11Good luck.
01:04:14Don't cry, Jeannie.
01:04:16Don't cry, Colleen.
01:04:18That does no good.
01:04:21Get your Irish up.
01:04:24You're prettier than she is.
01:04:27And sweeter, too.
01:04:30And younger.
01:04:33Are you going to sit back and let her run off?
01:04:37Not if you're the girl I think you are.
01:04:42Sure, and if he's worth loving at all,
01:04:45at all he's worth fighting for.
01:04:48Now go to him.
01:04:50And when he sees you, his heart will remember.
01:04:55Put on your pretty things and go to him.
01:04:59Go now, Jeannie girl.
01:05:02And good luck.
01:05:07Good luck.
01:05:14Sometimes I get homesick for the prairie.
01:05:18The stars and quiet.
01:05:21The sound of a dog barking way off in the distance.
01:05:25Say, do you like horses?
01:05:27My father used to practically live at the tracks.
01:05:30I went with him a lot.
01:05:33Before I was ten, I knew every race horse in the country by his first name.
01:05:37No fooling.
01:05:40Say, you know, you're a pretty wonderful girl.
01:05:45Am I?
01:05:48I'm just a hick.
01:05:50I don't know why you've been so nice to me.
01:05:53I think a lot of you.
01:05:55You know that, don't you?
01:06:01Don't answer me.
01:06:02Colleen.
01:06:03My ex-husband, drunk as usual.
01:06:06Colleen.
01:06:08Let me in.
01:06:09No.
01:06:10You'd better go out the back way.
01:06:12I can't sneak out.
01:06:13Leave.
01:06:13We don't want a row.
01:06:14Unpleasant things have a way of getting into the papers.
01:06:16Think of the show.
01:06:18But I can't leave you here with him.
01:06:19I can handle him better alone.
01:06:21Please.
01:06:24You're sure you'll be all right?
01:06:27Oh, Jimmy.
01:06:30Let's go away for a few days to the country.
01:06:32I need a rest, and you do too, before we start rehearsal.
01:06:37Well, what about Mr. Hubert?
01:06:39Oh, I'll talk to him and make all the arrangements.
01:06:41You go home and pack a bag, and I'll telephone you when I'm ready to leave.
01:06:48Open the door!
01:07:06You're Houston, aren't you?
01:07:10That's right.
01:07:13You don't look like you've been sneaking out of back doors very long.
01:07:18She doesn't want to see you.
01:07:23Get going.
01:07:27Okay.
01:07:29You'll find out.
01:07:46Hello, Jimmy.
01:07:48Hello, Jeannie.
01:07:50I was worried about you.
01:07:52I just wanted to make sure you were all right.
01:07:55Oh, I'm fine.
01:07:57I've been awful busy.
01:08:00I wanted to talk to you, but it seems like I haven't had a minute.
01:08:16You're looking mighty fine, Jeannie.
01:08:18You're looking well, too.
01:08:20I'm sorry about not seeing you, Jeannie.
01:08:24I understand.
01:08:27Oh, Jimmy.
01:08:28I'm so glad about your success.
01:08:30It's just what I wanted for you.
01:08:33Thanks.
01:08:41Everything happened so suddenly, Jeannie.
01:08:44I...
01:08:45Maybe later on, when things quiet down and I sort of get my breath again...
01:09:02I guess I'd better go now.
01:09:05Goodbye, Jim.
01:09:06Good luck.
01:09:12Jimmy.
01:09:13Jimmy.
01:09:13If things ever go wrong for you or people don't treat you right or you'll get sick or something...
01:09:17Don't forget we're friends.
01:09:18You'll let me know if you need me, won't you?
01:09:37You fool.
01:09:38Go after her.
01:09:39Don't let her get away, Jimmy.
01:09:40Don't let her get away, Jimmy.
01:09:54Hello.
01:09:56Oh, hello.
01:09:58I talked to Hubert.
01:09:59Everything's all set.
01:10:00We can stay until Tuesday.
01:10:01Isn't that wonderful?
01:10:02It gives us three days.
01:10:04I'll pick you up in about 20 minutes.
01:10:06Will you be ready?
01:10:06You bet I will.
01:10:09Goodbye.
01:10:30If there's anything important, you can reach me at the Pinewood Inn.
01:10:32But I mean important.
01:10:36If you don't stop annoying me, I'll have you put away where you belong.
01:10:40Harleen, I've been trying to see you to tell you I've got a chance of a comeback.
01:10:44Miller's got a show.
01:10:46He's...
01:10:47He's going to give me the lead if I can get on my feet again.
01:10:50And...
01:10:50Well, I can't do it alone.
01:10:52Miller's going to give you a lead?
01:10:54Yes.
01:10:54What are you trying to do?
01:10:55Kid me?
01:10:56Look at you.
01:10:58I knew you wouldn't care.
01:11:01I know there's someone else now.
01:11:05There's always been someone else.
01:11:10But no one loves you the way I do.
01:11:14Arlene.
01:11:17Arlene!
01:11:17Take your hands off, please.
01:11:18But Arlene, please!
01:11:28Madam Tanya.
01:11:29I'm worried about Ginny.
01:11:31It's not right for him to go away with that tarry woman.
01:11:34No good will come of it.
01:11:35Nothing but trouble.
01:11:37Do everything you can to stop him.
01:11:42There he is now.
01:11:56I have no idea.
01:11:57I'm Arlene Terry.
01:11:58Mr. Huston ready?
01:11:59Mr. Huston ready?
01:12:00I shall see.
01:12:09So long, madam, Tonya.
01:12:10Jimmy, please don't go.
01:12:14What's the matter?
01:12:15You look worried.
01:12:16I am.
01:12:16That girl.
01:12:17Those stories in the paper.
01:12:20Oh, that's nothing but publicity.
01:12:21It don't mean anything.
01:12:23Jimmy, a man can't spoil his life over a woman.
01:12:26I know our friends wouldn't like you to go away with that girl.
01:12:30Well, that's nothing but publicity.
01:12:31She's fine.
01:12:33She gave me a part in her show,
01:12:35and we both want to get away to the country for a few days before rehearsals begin.
01:12:40Jimmy, Mr. Melton lost everything, home, family, reputation, over such a woman.
01:12:48Oh, now you're making it sound much more serious than it really is.
01:12:51Now, don't you worry.
01:12:53I'll be all right.
01:12:54I'll be back by Tuesday.
01:12:55Goodbye.
01:13:12What was that?
01:13:14Just the luggage.
01:13:15What's the matter?
01:13:16You seem nervous.
01:13:17I do?
01:13:19Say, do you believe in hunches?
01:13:22Sometimes.
01:13:23Why?
01:13:24I got a funny feeling we're going in the wrong direction.
01:13:27On the trail, when I feel like that, I usually turn back.
01:13:31Oh, I can see you were cut out for the stage, Jimmy.
01:13:33Superstitions and everything.
01:13:35Do they have superstitions on the stage, too?
01:13:37Heavens, yes.
01:13:38Hundreds of them.
01:13:40Madame Tanya's the one that has hunches, and she's not usually wrong.
01:13:44Is she the disagreeable old lady who answers the door?
01:13:47Well, she's not disagreeable.
01:13:49She's just been through a lot.
01:13:51You know, I don't think I should have run off and left her the way I did.
01:13:54Oh, nonsense, Jimmy.
01:13:56You shouldn't be living in that musty old house with a couple of musty old servants.
01:14:00You should have an apartment of your own where you can do as you please.
01:14:03I'll find you one.
01:14:08Is that wind too much for you?
01:14:10Snuggle down.
01:14:12Oh, you're so nice, Jimmy.
01:14:14Maybe you won't think that after you know me better.
01:14:16Why not?
01:14:17Oh, I've got a lot of old-fashioned backwoods ideas.
01:14:21Oh, we'll soon get rid of those.
01:14:23We'll have a lovely time in Pinewood.
01:14:25We'll walk and ride horseback and roast chestnuts by the fire.
01:14:29No crowds, no autograph hounds.
01:14:32There aren't many people up here this time of year.
01:14:35I'll have you all to myself.
01:14:43How part of Pinewood Inn?
01:14:44About five miles.
01:14:46Where can I get a drink?
01:14:47Right around the corner.
01:14:48Fill it up.
01:14:50I'll be right by.
01:14:51Yes.
01:15:13Feeling any better?
01:15:15A little.
01:15:16I don't know what's wrong with me tonight.
01:15:19It's kind of strange.
01:15:21Oh, come on.
01:15:22Cheer up.
01:15:22We're on a holiday.
01:15:26Your dinner is ready to serve, Miss Tanner.
01:15:28Good.
01:15:30Food is what you need.
01:15:32And plenty of it.
01:15:52Michael.
01:15:55Michael.
01:15:56Michael O'Brien.
01:16:00I'm here.
01:16:06It's time, Michael.
01:16:09Right now?
01:16:12Yes.
01:16:13Now.
01:16:15I can't go now.
01:16:19I can't.
01:16:20You're called only once.
01:16:23But I can't leave Jimmy.
01:16:25He needs me.
01:16:28There's trouble coming.
01:16:30I got him into this.
01:16:33I must get him out.
01:16:36It means you will linger in the shadows of Earth for all time.
01:16:42I can't go now.
01:16:46I can't.
01:16:49I can't.
01:16:51So be it.
01:16:52Michael.
01:16:58...
01:16:59...
01:17:01...
01:17:02...
01:17:03...
01:17:17It gives me great pleasure to announce, ladies and gentlemen, that we have with us this evening
01:17:22two very distinguished Broadway personalities, Miss Arlene Terry and Mr. James Houston.
01:17:43If we try hard enough, we may get Mr. Houston to give us a song.
01:18:11Oh, Jimmy.
01:18:12Jimmy.
01:18:16The doctor, an ambulance, quick.
01:18:21Sponge.
01:18:25Quit the heart.
01:18:26Let's try and suit you.
01:18:27One chance in a thousand.
01:18:30Take his blood pressure, nurse.
01:18:32All right.
01:18:48Oh, no.
01:18:59Jimmy.
01:19:03Oh, Jimmy, why didn't you listen?
01:19:06I tried to warn you.
01:19:09Jeannie.
01:19:14Jeannie.
01:19:16Jeannie.
01:19:36She shouldn't cry like that for me.
01:19:41She loves you, Jeannie.
01:19:45Whatever happened to me anyway?
01:19:48She was too young and thoughtless.
01:19:52And success came too sudden.
01:19:55And that woman, she...
01:19:58She's gone.
01:20:01She had no soul at home to go on with.
01:20:11Jeannie.
01:20:14I'm sorry.
01:20:19If I could only tell her.
01:20:23We make mistakes sometimes that can never be limited.
01:20:28It's myself I'm blaming, Jimmy.
01:20:31Not you.
01:20:56Michael.
01:20:58Michael.
01:21:00Michael O'Brien.
01:21:02You've come back.
01:21:03Your mother would give us no peace until we came back for you.
01:21:09If it isn't asking too much, could you be doing me a favor before we go?
01:21:15Could you give the boy another chance?
01:21:18He's a good lad.
01:21:21And he's learned his lesson.
01:21:23Give him a chance to live.
01:21:27So be it.
01:21:29Let him go back.
01:21:32Come along, O'Brien.
01:21:34You're the stubbornest soul we ever loved.
01:21:37Come along, O'Brien.
01:21:37Come along.
01:21:37Come along.
01:21:43We'll find him.
01:21:43We'll find out.
01:21:44We'll find out.
01:21:44We'll find out.
01:21:51We'll find out.
01:22:14George, George, I dare to see you.
01:22:18What happened, how did you get here?
01:22:21I've come a long way out of darkness.
01:22:25Darkness is a terrible thing, Michael.
01:22:28I thought of you and Chad and your faith and loyalty and friendship.
01:22:34And then the bitterness began melting out of my heart.
01:22:39And I saw a light.
01:22:42And I followed it.
01:22:43And it brought me here.
01:22:47Sometimes we have to go to the darkness alone before we can see the light.
01:22:55There's more rejoicing in heaven over one sinner of repentance.
01:23:12It's my mother.
01:23:43That we can see the darktakes in the earth.
01:23:44And that being a sister came from the left left the streets of theこそDERike.
01:23:44About him or two ships were never borders with people.
01:23:49Heunknoy.
01:23:49People neveriden.
01:23:49Oh, I forgot.
01:23:49If the one im rocket goes down, you're never gonna die right cuerpo.
01:23:49If the oneнич ∞k is only bananas.
01:23:53Now according to the sea,
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