- 2 days ago
Outlaws of the Canyon (1949) β A thrilling Western adventure filled with danger, action, and suspense. When outlaws bring chaos to the rugged frontier, brave riders must face deadly challenges and fight to protect justice and freedom.
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00:00:00From the rim of the canyon
00:00:38I've had my reachin' on high
00:00:42Touch a star in the sky
00:00:47From the rim of the canyon
00:00:55Oh, I can't see far below
00:01:00Where the cool waters flow
00:01:05From the rim of the canyon
00:01:12Gazing on the wonders
00:01:15That grew at God's command
00:01:20Seems that he's so near me
00:01:25I can feel the touch of his hand
00:01:33Night, and the day is in flight
00:01:38What a glorious sight
00:01:43From the rim of the canyon
00:01:47From the rim of the canyon
00:01:52From the rim of the canyon
00:02:25Hello, Buck
00:02:25All right, Gene
00:02:28Take it easy a while, champ
00:02:30We're gonna get a little rest
00:02:33Hello, Gene
00:02:34Hello, Pat
00:02:35All set to win the race today?
00:02:37Well, I'm all set to drive it
00:02:39I don't know whether I'm set to win it or not
00:02:41If you was ridin' champ, you'd sure win it
00:02:43I could win a race myself
00:02:45If I could ride champ
00:02:46If you could ride him
00:02:51With a bit like this, I could sure ride him
00:02:53You try usin' a bit like that on champ
00:02:55And I'll have to use it on you
00:02:57Can't say I'd blame you
00:02:59You wouldn't want a bit like that
00:03:01In your mouth, would you, Gene?
00:03:12Who are you after this time, Pat?
00:03:15I had a break upstate
00:03:16Lost three men
00:03:18A guy by the name of Regan
00:03:20Charlie Lewis
00:03:22Jake Fargo
00:03:25Know him?
00:03:28Look like pretty bad hombres
00:03:30Yeah, I know Fargo
00:03:32It was my dad who sent him away
00:03:34Your dad there
00:03:35Twenty years ago
00:03:37Then maybe if your dad sent him away
00:03:39You oughta help me put him back again
00:03:40Maybe I will
00:03:42Right now, I've got a race to drive
00:03:44Well, I'm rootin' for you
00:03:46Good luck
00:03:47Thanks
00:03:49I'll see you over at the startin' line
00:03:50In about ten minutes, boys
00:03:52Okay, Gene
00:04:03I'm in
00:04:04Hello, Gene
00:04:04Say, you better gallop down to the Junction Cafe
00:04:06Matt Kimbrough's is beatin' your time
00:04:09Yeah, last thing we seen
00:04:11It was holdin' hand
00:04:12Thanks, fellas
00:04:13I'll look into the situation
00:04:16Here you are, Mr. Kimbrough
00:04:17The best cup of coffee in the house
00:04:20And you're the best-dressed waitress in town, Lily
00:04:22And the least-dressed, too
00:04:24This is what they used to wear in the old days
00:04:26Long before we ever heard of Canyon Junction
00:04:28We should've heard of it sooner
00:04:30Sugar, sugar
00:04:32Thanks, Lily
00:04:33Gene
00:04:34Hello, Lily
00:04:37Look, isn't it Pash?
00:04:39Matt gave it to me
00:04:40Hi, Matt
00:04:41Gene
00:04:43I wanted to ask you to go to the dance tonight
00:04:45But, uh, guess I'm a little late
00:04:49See you some other time
00:04:51See you on the startin' line, Matt
00:04:53Sure, Gene
00:04:54Good luck to you
00:04:55In the race, I mean
00:04:57Gene
00:04:59How do you know I won't go with you to the dance tonight?
00:05:02You didn't even ask me
00:05:03Wait a minute, Lily
00:05:04I asked you
00:05:05And I asked you
00:05:06Now
00:05:07And I just decided to go with whoever wins the race this afternoon
00:05:12If you win it, I go with you
00:05:14If Gene wins it, I go with Gene
00:05:16You forgot something, Lily
00:05:18There's three coaches in this race
00:05:20Suppose Tex Rollins wins
00:05:22I had a date with Tex
00:05:27Hold them steady, boys
00:05:28Stay in line
00:05:32Gene
00:05:36Good luck
00:05:38Get ready
00:05:39Get set
00:05:42Go!
00:05:56All right, that's three
00:05:57That's all we need
00:05:57Listen to all that yelling
00:05:59There must be a thousand people over there
00:06:00Over there, not here
00:06:01Come on
00:06:16Come on, Tex
00:06:17Come on, George
00:06:19Come on
00:06:20Come on, Gracie
00:06:21Let's go
00:06:21Come on
00:06:29Come on
00:06:29Come on
00:06:42No other horse on the place, Jake
00:06:44I'll ride this one if I have to kill it
00:06:51All right, get it on
00:06:54Get yourself all wet, Matt
00:06:55You won't be able to go to the dance
00:07:05Let's stop for a drink now
00:07:06We've got to win this race
00:07:12Come on
00:07:13Let's get in here
00:07:19You got him, Jake?
00:07:20I got him
00:07:21Let's get out of here
00:07:21We'll head for that ghost on, eh, Jake?
00:07:23Yeah
00:07:23What's your shortest way, Jake?
00:07:25The longest way, stupid
00:07:26But get out on your horse
00:07:27Sure, Jake
00:07:27Sure, sure
00:07:28Okay
00:07:30Okay
00:07:47Let's go
00:07:48Hey, let's go
00:07:48Hey, hey, come on
00:07:50Come on
00:07:52Come on
00:07:56Come on, Dale
00:07:57Come on, Dale
00:07:58Come on, Dale
00:07:58Come on, James
00:08:00Move over
00:08:06Better more, Tex
00:08:07Knock him off the road
00:08:09I got a date tonight
00:08:10Ha
00:08:11Ha
00:08:14Try that again
00:08:15I'll put you out of the race
00:08:25Tex
00:08:26Tax, you cost me a day
00:08:47Hiya, Gene. I hear you lost the race.
00:08:50You can pick up the marbles, Matt. You win.
00:08:54You can pick me and tax that, too. We've got to have a lift back to town.
00:08:58A lift? What do you mean, a lift? Gene, you've cracked up.
00:09:04How's it going to look you riding into town on the winner's coach?
00:09:07It looks like you're the winner.
00:09:08And I am, brother. I sure am. I'll tell Lily you're sorry you couldn't make the dance.
00:09:13Ah! Hey, wait a minute, Matt. I can't walk back to town, not on this.
00:09:18That's the best news I've heard in years.
00:09:22If you can't walk on it, you can't dance on it.
00:09:25Say, uh, it might rain tonight, Gene. In case you get cold.
00:09:31Wear this.
00:09:33Listen, Matt.
00:09:35In case you get lonesome, Gene.
00:09:38That ghost town's only a few miles over here.
00:09:40I hear tell those ghosts shake a mean rumba.
00:09:44Oh, I almost forgot something.
00:09:47Here.
00:09:51I'm dancing tonight with Lily.
00:09:54Around and around and around.
00:09:57And Lily is such a dilly.
00:10:01The sweetest girl that I've found.
00:10:03Oh, no, I don't even know.
00:10:04I've got a λ¬Έμ off.
00:10:17I don't know.
00:10:18I don't know.
00:11:02I don't know.
00:11:44I don't know.
00:11:47I can hear you, Mr. Hanlon.
00:11:51Not Hanlon.
00:11:52Autry.
00:11:54Oh.
00:11:57I...
00:11:58Excuse me.
00:12:00I guess I was half dreaming.
00:12:04Good place for it.
00:12:06Won't you sit down?
00:12:07Thanks.
00:12:10What happened to your leg?
00:12:12It's my ankle.
00:12:14I was driving in that stagecoach race.
00:12:18I lost the wheel about three miles from here.
00:12:20And you walked here?
00:12:22I went to here.
00:12:23Let's get that boot off.
00:12:25Sorry I don't have my first aid kit with me.
00:12:27I usually carry one.
00:12:30It might hurt a little.
00:12:33I hate to put you in all this trouble, Miss Lambert.
00:12:36You know me?
00:12:38Ruth Lambert?
00:12:39Sure.
00:12:41You teach school at the junction.
00:12:43I've seen you in town.
00:12:45I've seen you there, too.
00:12:48Usually you're with Lily Shannon.
00:12:51I'd have been out with her tonight, but it hadn't been for this.
00:12:55Miss Shannon's attractive.
00:12:57You must be very disappointed.
00:12:59Well, you can't win every time.
00:13:02May I ask why your way out here?
00:13:05Oh, I often ride out here on Saturdays.
00:13:08It's lonely, but I like it.
00:13:11When I first came in, you thought I was somebody else.
00:13:16Hanlon?
00:13:25Thanks a lot, Miss Lambert.
00:13:27Guess I'd better get my boot back on if I'm ever going to get it on.
00:13:33Feel better?
00:13:35Lots.
00:13:36When do you figure on riding back to town?
00:13:38Now, I guess.
00:13:40It'll be dark pretty soon.
00:13:44When you get back, would you mind having somebody bring my horse champ off to me?
00:13:47I'll do better than that.
00:13:49My horse will be glad to take both of us.
00:13:51All right?
00:13:52Thanks again.
00:13:53You know, Miss Lambert, you shouldn't ride out here.
00:13:56Not alone.
00:13:58Three convicts escaped from prison yesterday.
00:14:02They could be heading this way.
00:14:04But I'm not afraid.
00:14:06The ghost of Mornis Flack will look out for me.
00:14:15My horse.
00:14:17He's gone.
00:14:19I'll be straight off someplace.
00:14:21I'll find him for you.
00:14:22But I left him tied right to that post.
00:14:27He took it.
00:14:29Big Tim Hanlon took my horse.
00:14:32Miss Lambert.
00:14:33Big Tim Hanlon's grave is right up the street.
00:14:38You wouldn't understand.
00:14:41The horse probably strayed out in the country to get some grass.
00:14:44You better wait inside.
00:14:46Might take a while.
00:14:55Hey, you.
00:14:56I'm passing out some of that grub.
00:14:58Oh, sure.
00:14:59Get down a sec.
00:15:06Get it.
00:15:09Oh.
00:15:10Oh.
00:15:12Oh.
00:15:13Oh.
00:15:14Oh.
00:15:27Where's your horse, Grandpa?
00:15:29I'll trade you this one for it.
00:15:30He's got me a horse.
00:15:32Always go afoot.
00:15:34All by my own shop.
00:15:36They call me the Loco John.
00:15:38He admits it.
00:15:41Hey.
00:15:42Ain't that Gene Northridge's horse?
00:15:45Now, you wouldn't accuse me of being a horse thief, would you, Grandpa?
00:15:49Well, no.
00:15:50No, sir.
00:15:53Maybe, uh.
00:15:55Maybe you bought him, huh?
00:15:57That's right.
00:15:58Maybe I did.
00:15:59And does this smell good?
00:16:04Bacon and beans.
00:16:05Sure use a lot of that.
00:16:07Pop, got a couple extra plates?
00:16:10Hey.
00:16:12Ain't I seen you with some pressure for?
00:16:15Maybe.
00:16:16I get around a lot.
00:16:18Yeah.
00:16:19I'll get them pricks.
00:16:22Oh.
00:16:23Some bacon about them.
00:16:25Coffee's good.
00:16:26Pop.
00:16:30I know who you are.
00:16:33You're Jake Fargo.
00:16:35Now, now, don't get your dander up, Dad.
00:16:37Drop your gun belt, Jake.
00:16:39You all better drop your gun belts.
00:16:42Now, let's talk this over, Dad.
00:16:46Oh, you's getting excited?
00:16:49Why don't you have some...
00:16:54Charlie, watch this old guy.
00:16:56Come on, Ray.
00:16:57Come on.
00:17:13Whoa.
00:17:14Whoa.
00:17:18There's his tracks.
00:17:41I wondered if something might have happened to him.
00:17:44Well, I circled the town.
00:17:46Um, that horse of yours must have headed for home on the double.
00:17:51I wonder why he took it.
00:17:54He did take my horse.
00:17:56That's why you couldn't find it.
00:17:59Big Tim Hanlon took my horse, but, but why?
00:18:03Miss Lambert, in all my life, I've never heard of a ghost that steals horses.
00:18:11Well, what can we do now?
00:18:13We can't walk back to town.
00:18:15At least you can't, not with that bad ankle.
00:18:17I found a place at the street.
00:18:19An old hay barn.
00:18:21You'll be comfortable here.
00:18:22With my ghost?
00:18:24I won't need the blanket.
00:18:26The fellow gave it to me, he'll be here tomorrow.
00:18:29He'll give us a lift back to the junction.
00:18:32You sure you'll come back?
00:18:33Sure he'll be here.
00:18:34He's going to the dance tonight.
00:18:37He'll be here tomorrow to tell me how Lady stayed out and how much fun he had.
00:18:42With Lily Shannon?
00:18:45She means a lot to you, doesn't she?
00:18:49It means a lot when a smart guy tries to beat my time.
00:18:53You sure that's all it means?
00:18:56That's all.
00:18:59Jean?
00:19:00Do you hear music?
00:19:03Listen.
00:19:05Wait here, I'll be right back.
00:19:08I'll go with you.
00:19:09I'm not afraid of ghosts.
00:19:11Either.
00:19:19I'm not afraid of ghosts.
00:19:23That proves it.
00:19:26Somebody's prowling around this town.
00:19:28And it's not Big Tim Hanlon's ghost.
00:20:10Jane?
00:20:18he wants us to come in here
00:20:21it's a table
00:20:22set for two
00:20:24it's for us
00:20:39it's crazy
00:20:40it doesn't make sense
00:20:42he knew we'd be hungry
00:20:44he got dinner ready
00:20:47there's an old prospector
00:20:48up at the rim of the canyon
00:20:49just beyond here
00:20:50his name's local John
00:20:53he arranged this
00:21:28there you are
00:21:29all the horses you want
00:21:30take your pick
00:21:31I'll still take the one with the saddle
00:21:33unless you want to ride bareback
00:21:34the road
00:21:55THE END
00:22:24THE END
00:23:05SADDLE ALL YOU WANT?
00:23:06I'll take the horse too if he's got sense enough to stop
00:23:38I'd like to get this straight, Ruth
00:23:41You say you've talked to the ghost of Big Tim Hanlon?
00:23:45Several times
00:23:46When was the first time?
00:23:49It was my very first visit to the ghost town
00:23:52Of course, I'd read the history of Mornis Flat
00:23:56And about the Bonanza King
00:23:58His life, the background of this town, fascinated me
00:24:03As soon as I got the job teaching school in Canyon Junction
00:24:07I wrote out here
00:24:09It was just like in the book
00:24:12Just as I'd imagined it
00:24:13Of course, it was all empty of life now
00:24:17Forgotten place
00:24:18But I could picture it the way it used to be
00:24:23I stopped by the old cemetery
00:24:25And there was his grave
00:24:27Big Tim Hanlon's grave
00:24:30I could see it
00:24:31As he used to be
00:24:33When he was the Bonanza King
00:24:35A big, tall, fine-looking man
00:24:39Very sure of himself
00:24:40Boss of the town and of his own destiny
00:24:45It seemed hard to believe he was dead
00:24:49That day, all alone here
00:24:52I went into the old Bonanza
00:24:55It was late afternoon
00:24:57I guess I stayed pretty late
00:24:59Living there in the past
00:25:02It got dark and I'd lit an old candle
00:25:06I don't know how long I sat there
00:25:08I thought at the time I might have dozed off to sleep
00:25:12But now
00:25:14Now I know I didn't
00:25:17I was just sitting there
00:25:19Daydreaming
00:25:21And reading
00:25:23I could see this place like it was
00:25:26Filled with people and music
00:25:28Men talking about gold and silver
00:25:32About big strikes
00:25:34Grubstakes
00:25:36Hello
00:25:47Don't be afraid, young lady
00:25:51Who is it?
00:25:53I think Tim Hanson
00:25:54The man of what's home is down
00:25:56You're welcome here
00:25:58I'm glad you came
00:26:00I knew I hadn't been dreaming
00:26:03I had heard a voice
00:26:05A pleasant voice
00:26:08Speaking to me from somewhere in the shadow
00:26:12I didn't hear the voice again
00:26:15That's all he said
00:26:17The first time, I mean
00:26:19But you have heard it since?
00:26:21Often
00:26:23I've been coming out here every Saturday
00:26:26And in the evening
00:26:27He talks to me from the shadows
00:26:29What about?
00:26:30He knew I was lonely
00:26:33He wanted to help me
00:26:34Did he?
00:26:37I think he has
00:26:38Already
00:26:39I told him about
00:26:41Seeing a man
00:26:43In Canyon Junction
00:26:45A stranger
00:26:47And about falling in love with him
00:26:51But this man
00:26:52This stranger
00:26:54Was in love with someone else
00:26:58But we didn't always talk about me
00:27:00I'm not that selfish
00:27:03He told me quite a bit about himself
00:27:05But
00:27:06You never actually saw him
00:27:09I don't know
00:27:10I don't know, Dean
00:27:11I don't know
00:27:12Mr. Hanlon
00:27:16Mr. Hanlon
00:27:18Meet Tim
00:27:21That's no ghost
00:27:22Sounded like it came from the street
00:27:26Mr. Hanlon
00:27:39Who are you?
00:27:42Gene Autry
00:27:43Of the Flying A
00:27:44And this is Miss Lambert
00:27:45From the junction
00:27:46Yeah
00:27:48I know you, Gene
00:27:50I know you too
00:27:51School teacher
00:27:54About time you were starting for home
00:27:56We have no horses
00:27:57Yeah, I know
00:28:00I know who stole them to
00:28:02Beastways
00:28:03I know who stole your horse, Gene
00:28:06It was Jake Fargo
00:28:08He's busted himself out of jail
00:28:10You must be mistaken, John
00:28:13You probably saw a horse that looked like Champ
00:28:17Yeah, you mean to say
00:28:19I wouldn't know Champ
00:28:19When I saw him
00:28:20Listen, son
00:28:22I knew Champ
00:28:24When he was just a wee little court
00:28:27And I knew his sire for him
00:28:29And I knew the horses sire
00:28:31His sire for him
00:28:34Well
00:28:36I've got to set myself down
00:28:40My feet hurt
00:28:42Which way was Fargo heading with Champ?
00:28:46He wasn't heading nowhere with Champ
00:28:48He was heading after him
00:28:50Champ broke loose
00:28:51Out to my camp
00:28:53Then he'll go back home
00:28:55Yeah, he would
00:28:57Unless Fargo shot him
00:28:59You know, I wouldn't put nothing past that critter
00:29:02He'd shoot a horse
00:29:03Just as quick as he'd shoot a man
00:29:05I read about Jake Fargo in my book
00:29:08He robbed a stagecoach 20 years ago
00:29:10It was a gold shipment from the Lost Widow Mine
00:29:12Tim Hanlon's mine
00:29:14It was a shipment of silver dollars
00:29:16From Big Tim's Benanza
00:29:18Yeah
00:29:18Gee, you're right, miss
00:29:20He was just a little shaver in them days
00:29:23But his power was Marshall
00:29:25And Steve took right out after them fellas
00:29:29And he booked the money back
00:29:31Ha, ha
00:29:32Same day
00:29:33No
00:29:35No
00:29:36No, you're wrong, John
00:29:38As I remember it
00:29:39My dad never did get Big Tim's money back
00:29:42It was about $30,000
00:29:46In those days
00:29:47The stage line ran right along the rim of the canyon
00:29:50Between here and the junction
00:29:52Every Monday morning
00:29:53He carried the weekend profits
00:29:54From Hanlon's Bonanza
00:29:56To the stage bank
00:29:57He carried it in an old gunny sack
00:29:59Kicked under the driver's seat
00:30:01Three men found out about the old gunny sack
00:30:04Jake Fargo
00:30:05Charlie Lewis
00:30:06And Cash
00:30:07Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:30:13no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:30:13no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:30:13no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:30:13no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:30:23no, no, no, no, no, no, no, no, no, no, no
00:30:36Help! Help! Help!
00:31:25All right, hand it over. Not the mailbag, the gunny sack.
00:31:36That afternoon, my dad was talking to Big Tim about the hold-up when Fargo walked in.
00:31:42Collins and Lewis were with him.
00:31:45They didn't know the driver had left to identify him until my dad drew his gun.
00:31:51Fargo and his men shot their way out of town and headed back for the rim of the canyon.
00:31:56My dad had a posse organized and took out at them.
00:32:00Dad was riding a horse called Wonder.
00:32:02Looks a lot like my horse, Champ.
00:32:05He ought to. Wonder was Champ's granddad.
00:32:09With my dad on Wonder, that was a hard-riding combination.
00:32:14Fargo and his men found that out.
00:32:23The End
00:32:23The End
00:32:29The End
00:32:30The End
00:32:34The End
00:32:34The End
00:32:41The End
00:32:42The End
00:32:45The End
00:33:04I'll buy everybody a new hat if they're not headed for Warner's Bend.
00:33:06The End
00:33:10The End
00:33:17The End
00:33:37I'm taking the drop. You guys are too chicken. You can try and outrun the posse.
00:33:43The End
00:33:58This is where we split up. Emerson take half the boys and check the south bank. The rest of you
00:34:03check the north.
00:34:03Which way do you think Fargo's headed? Well, he can't go north. He can't go south. There's only one place
00:34:08he can go.
00:34:09Warner's Rocks. Which way are you going, Steve? I'll stay here and see if they don't double back.
00:34:15The End
00:34:16The End
00:34:25The End
00:34:26The End
00:34:31The End
00:34:35The End
00:34:36The End
00:34:38The End
00:34:45The End
00:34:49The End
00:34:51The End
00:34:52The End
00:34:52The End
00:34:53The End
00:34:54The End
00:34:54The End
00:34:54The End
00:34:54The End
00:34:55The End
00:34:56The End
00:34:58The End
00:34:58The End
00:35:25All right, let's get this stuff dried out as fast as we can.
00:35:28I don't want to spend any more time than we have to do this at the getaway, Jake.
00:35:33It's just a fine time supposed to work.
00:35:35Now I'll put this stuff out of fire and get it dried out.
00:35:39If you get through looking at your rifle, take a look at mine, will you?
00:35:42Sure, Jake, do it.
00:36:02There's something up there.
00:36:03Take it easy.
00:36:04Like this.
00:36:07It's only a little shale.
00:36:08Go for maybe.
00:36:09Take it easy.
00:36:10That's right.
00:36:11Take it easy.
00:36:13Drop your guns.
00:36:21You too, Collins.
00:36:33I'll get you, Steve.
00:36:35Next time.
00:36:36Next time, maybe.
00:36:38Not this time.
00:36:40Ten years, fifteen.
00:36:42It won't make any difference.
00:36:45Thirty years or forty years?
00:36:48We're going to be a couple of old men, Jake.
00:36:52That's the way it went, John.
00:36:54When my dad made the arrest, they'd already ditched the $30,000 and wouldn't talk.
00:37:00So big Tim Hanlon never did get his money back.
00:37:04Say, by the way, speaking of Hanlon,
00:37:08when you walked into town a while ago, you called his name.
00:37:11Ruth, why?
00:37:15You must have been hearing things.
00:37:20Where'd Ruth go?
00:37:22I don't know.
00:37:26Ruth?
00:37:29Hey, Ruth!
00:37:46Ruth!
00:37:50Ruth!
00:38:00John!
00:38:06John!
00:38:07John!
00:38:12Ruth!
00:38:16John!
00:38:20Ruth!
00:38:21Here I am, Jean.
00:38:42You haven't said a word, Jean.
00:38:45Are you fascinated or just amazed?
00:38:50I'm speechless.
00:38:52Where'd you get that outfit?
00:38:54From Big Tim Hanlon.
00:38:56I saw him, Jean.
00:38:57Where?
00:38:59Right up there on the balcony.
00:39:01I came back from the street, looked up, and saw him standing there.
00:39:06He spoke to me.
00:39:09Was he real?
00:39:10Very real.
00:39:12He told me about a room upstairs.
00:39:14A secret closet with an old trunk in it.
00:39:17This dress was in the trunk.
00:39:19It belonged to a woman Tim Hanlon once loved.
00:39:22An actress named Belle Travers.
00:39:24He gave her this dress a quarter of a century ago.
00:39:28And now he's given it to you.
00:39:31He said, if I wore it tonight, I'd have more appeal.
00:39:35To a man.
00:39:37So the ghost wants you to have appeal for him.
00:39:39He didn't mean it for himself.
00:39:42Well, where is he? What happened to him?
00:39:44He just disappeared.
00:39:45I walked up the stairs.
00:39:48He vanished.
00:39:51He said we should go around with dinner.
00:39:55He said you and I...
00:39:57He said you and I what?
00:39:59He said you and I might still be hungry.
00:40:03I am.
00:40:06He left a phonograph record on the table.
00:40:09He said you might put it on and sing it.
00:40:11He said an awful lot to be a ghost.
00:40:13He said you sing very well.
00:40:15How does he know I can sing?
00:40:19Well, this record was only made a few years ago.
00:40:22Hanlon's been dead 20.
00:40:24Should we question it?
00:40:26No, we shouldn't question the ghost.
00:40:28And we shouldn't disappoint him.
00:40:31You and your ghost.
00:40:49You're the only star in my blue heaven.
00:40:58And you're shining just for me.
00:41:05You're the only star in my blue heaven.
00:41:12And in dreams your face I see.
00:41:21You're the guiding light that brightens up the night.
00:41:29Till you come inside, my heart is lonely.
00:41:36You're the only star in my blue heaven.
00:41:42You're the only star in my blue heaven.
00:41:45And you're shining just for me.
00:41:53You're the only star in my blue heaven.
00:41:56You're the guiding light that brightens up the night.
00:42:00Till you come inside, my heart is lonely.
00:42:09You're the only star in my blue heaven.
00:42:18And you're shining just for me.
00:42:32Shut up!
00:42:34It's Tim.
00:42:37Drop the camera.
00:42:40Drop it, cowboy.
00:42:46Jake, come in.
00:42:49Get the dame.
00:42:53Who else is here beside you and the dame?
00:42:55Nobody unless it's a ghost.
00:42:57What are you doing here in a ghost town?
00:42:59Having dinner with a lady.
00:43:02He ain't so dumb.
00:43:04All right, start talking.
00:43:10Hey, who are you?
00:43:12The fellow you stole that horse from.
00:43:15Well, how do you like that?
00:43:17A slap-happy old prospector told us about you.
00:43:22You're old Steve Autry's son.
00:43:26I've got a score to settle with Steve.
00:43:29Sure wish he was here now.
00:43:31He'd like to be here, I assure you that.
00:43:34Maybe you'd like to try to fill his shoes.
00:43:37Maybe I can settle my score with you later.
00:43:40All right, keep them both here.
00:43:43I'll be back as soon as I pick up our jackpot.
00:43:55How do you know he won't run out?
00:43:57You trust him?
00:43:58Trust him?
00:43:59With what?
00:44:01$30,000.
00:44:03That's the loot Fargo got from that stagecoach 20 years ago.
00:44:07It was never found.
00:44:10That's what you came back for, isn't it?
00:44:12Suppose he might?
00:44:13I don't think so.
00:44:34Everything all right?
00:44:35It is now.
00:44:48What's the matter?
00:44:50It's gone.
00:44:57Cash Collins died in stir.
00:44:59Who else knew about it?
00:45:00Nobody.
00:45:05Unless...
00:45:10You get it?
00:45:12Some Steven's son cleaned us out.
00:45:14And I think I know whose son it was.
00:45:17You didn't come here for dinner with no dame.
00:45:19You came here for that dough.
00:45:20Where is it, cowboy?
00:45:31Who threw it?
00:45:32You were looking straight at us.
00:45:36One of those same pouches, all right.
00:45:46Silver's all dated 20 years ago.
00:45:48It's from the coach, all right.
00:45:51It's just one thing.
00:45:52We're about 30,000 cartwheels short.
00:45:56Where is it?
00:45:58I don't know.
00:45:59Ask the ghost.
00:46:01I'll ask the guy who threw it.
00:46:04Where is he?
00:46:05How do I know?
00:46:06Who is he?
00:46:08Big Tim Hanlon.
00:46:09Lady, don't kid me.
00:46:11Tim Hanlon's dead.
00:46:12He died after the lost widow mine was flooded.
00:46:15While he was rigging some pumps to pump it dry.
00:46:18We heard about it in stir.
00:46:20Listen, the guy who threw that bag can also throw slugs.
00:46:22I don't like the idea of just standing around waiting to be potted.
00:46:26All right.
00:46:26You and Charlie take a look around.
00:46:29Wait a minute.
00:46:31Why do it the hard way?
00:46:34Maybe we can have some help from the little lady.
00:46:37Just a minute.
00:46:38Take your hands off of her.
00:46:39The spot you're in, cowboy, you better keep out of this.
00:46:42Let him talk if he wants to.
00:46:44You know, Autry, the more I look at you, the more I see your old man.
00:46:52I'll hold your guns.
00:46:53Do a thorough job of it.
00:46:55It'll be a pleasure.
00:46:56It's up to you, cowboy.
00:46:58We want the rest of that dough and we want to know who threw the bag on the table.
00:47:08Go to you, Edward.
00:47:14Go to you, Sympie.
00:47:16Let's go.
00:47:16Let him go.
00:47:17We'll be right up.
00:47:17Go.
00:47:18Let him go.
00:47:21Let him go.
00:47:25Come on.
00:47:28Let him go.
00:47:29Come on.
00:47:51Gene!
00:48:07Let's go.
00:48:44Hey, what's Fargo?
00:48:48Fargo! Jake Fargo!
00:48:53Who called me?
00:48:54Well, not me, Jake. Honest.
00:48:57It's me, Fargo!
00:48:58Fargo! Speak to him, Helena.
00:49:01I'm right outside with your $30,000.
00:49:04Why don't you come and get it?
00:49:09It's him.
00:49:12Remember that voice if I lived to be a hundred.
00:49:15Of course it's him.
00:49:16What's the matter, Fargo?
00:49:19Afraid of ghosts?
00:49:28All right, come on with me.
00:49:30Both of you.
00:49:33Gene!
00:49:42Look, Jake.
00:49:43There's somebody in the old opera house.
00:49:45Yeah.
00:49:46Stay with the horses. Don't leave them for a second.
00:49:48Sure, Jake.
00:49:48Thank you, Jake.
00:50:26Big Tim drew them outside so we could escape.
00:50:28We've got to hurry, Gene.
00:50:35Not there.
00:50:37This way.
00:50:46They left a man outside to guard the horses.
00:50:49Better come this way.
00:50:53Don't doubt your sanity.
00:50:55I'm real.
00:50:57I hope you're real enough to loan me a gun.
00:51:00If I'd had a gun lottery, I'd have stopped that fight long ago in another way.
00:51:04All local Johns across the street in the Bonanza.
00:51:07He drew them over there to search.
00:51:08When they finish their search and left, we'll be in the Bonanza.
00:51:12With the guard out there?
00:51:14We don't have to cross the street.
00:51:15There's a tunnel that goes under it, right through here.
00:51:20It's an old mine shaft that I had converted to my own use about 30 years ago.
00:51:25As the Bonanza king, I had enemies as well as friends.
00:51:28I couldn't begin to tell you the many reasons I had for using that tunnel.
00:51:31And I couldn't tell you of a better reason than this one.
00:51:34Well, come on.
00:51:35Quick.
00:51:36Watch your step.
00:51:48Do you find him?
00:51:52I'll bet 10 to 1 he's been in there all the time.
00:52:06You got a gun, John?
00:52:07No.
00:52:08They took them off me when they chased me off McCream.
00:52:48Don't forget it, John.
00:52:49Forget it.
00:52:49Make him listen to me, Gene.
00:52:51It's just like that story you told me when your dad caught Fargo the first time.
00:52:55I could put on the same trick.
00:52:57Make that guard look the other way.
00:52:59Then I'll see Captain cut Champion loose.
00:53:03You can call him.
00:53:04And I ain't local.
00:53:06No, John.
00:53:08It's my horse and my dad's stunt.
00:53:11Anybody does it, I will.
00:53:14It only is the last resort.
00:53:22Shut up, you little quiet down here.
00:53:37You haven't told us why you're playing those.
00:53:42That's an explanation I really owe to Ruth.
00:53:46Handle the publishing.
00:53:49When I first played Ghost and talked to you out of the shadows, it was partly for fun.
00:53:54And partly just to talk to somebody.
00:53:57The reason I kept it up, well, I was afraid you might not come here again if you knew I
00:54:02was a living man playing a game.
00:54:05You must have enjoyed the game, Mr. Hammond.
00:54:09I probably gave you a lot of laughs.
00:54:11No, no, no, that's not true.
00:54:14I was lonely.
00:54:16The only company I ever had was for no local.
00:54:18John came here about once a month to bring me provisions.
00:54:22John?
00:54:24All I want is just one little nip, Mr. Hammond.
00:54:29Anything worth nipping was taken out of here long ago.
00:54:33You still haven't told us why you're not...
00:54:35Why I'm not dead?
00:54:37Why I'm not under that tombstone in the old churchyard?
00:54:40The question's not out of order.
00:54:43I was just a kid at the time.
00:54:46I went to your funeral.
00:54:50When my lost widow mine was flooded, I tried to rescue one of my crew.
00:54:56But I found he was dead.
00:54:59That gave me an idea.
00:55:02He was just about my bill.
00:55:04The face was disfigured beyond recognition.
00:55:06So I changed clothes with a dead man.
00:55:09Went out through an escape shaft and went to Mexico.
00:55:15They buried that miner right here in this town under the name of Big Tim Hammond.
00:55:20That's the funeral you attended, Gene.
00:55:22You saw a chance to disappear and dead.
00:55:24What?
00:55:25Business reasons.
00:55:27I made too much money here in Mourner's flat.
00:55:31And I spent too much.
00:55:34There was a young actress.
00:55:37Looked a lot like Ruth.
00:55:39Not as nice as Ruth.
00:55:42Her name was Belle Travers.
00:55:45Ruth wearing a dress I once got her.
00:55:49I also got her in an apartment house in San Francisco.
00:55:53A stable of racehorses.
00:55:55Put her in a play on Broadway.
00:55:58The play failed me.
00:56:00So did the mines around here.
00:56:02So did Belle.
00:56:06I came back here a few months ago to look for that $30,000 that Jake Fargo stole from me.
00:56:11I know it was hidden here somewhere.
00:56:13I found it three days ago.
00:56:15And you didn't clear out with it?
00:56:17I hung around waiting for Saturday to say goodbye to Ruth.
00:56:24You're in love with it, Tim?
00:56:26Oh, I'm too old, Gene.
00:56:28Much too old.
00:56:30Besides, Ruth's in love with you.
00:56:33Tim.
00:56:36When you walked into town, that was a break.
00:56:39So I set the table for two over at the hotel.
00:56:43Oh, as Cupid, I was going strong until Jake Fargo came along.
00:56:49But don't you worry about that.
00:56:51Between all of us, we can...
00:56:53John!
00:56:57John!
00:56:59I'll bet that local old fool went across the street after all.
00:57:03I wouldn't want to take your bet.
00:57:21Gene, where are you going?
00:57:22Through the tunnel.
00:57:23If I go out the front, the light will be behind me.
00:57:25That old man made a crazy play.
00:57:27Don't try to cover him, Gene.
00:57:28Stay here with Ruth.
00:57:38You're in love.
00:57:39I don't know who I'm talking.
00:57:44I don't want to take it easy.
00:57:45All right.
00:57:53Oh, please.
00:58:01Let's go.
00:58:54Thanks, John.
00:58:57Thanks for the try.
00:59:07We knew those horses were sunk.
00:59:11Get out of here.
00:59:15Snag those horses.
00:59:16I'll stop Audrey.
00:59:17Whoa.
00:59:18Whoa.
00:59:19Here, take it easy.
00:59:20Ow!
00:59:52You see him?
00:59:53No.
00:59:55Either he's got our door or that dame's got it.
00:59:58How are we going to smoke him out?
00:59:59I don't know.
01:00:02You just said how.
01:00:03Smoke him out.
01:00:05Keep me covered.
01:00:06I don't know.
01:00:14Oh.
01:00:18Oh.
01:00:21Oh.
01:00:23Oh.
01:00:32Oh.
01:00:41Oh, my God.
01:01:22If that don't smoke him out, nothing will.
01:01:25That wind will carry the fire right down to the stable.
01:01:45Watch your head.
01:01:57Well, so far, the fire's all on the other side of the street.
01:02:01But, gee, where...
01:02:02He must be in the stable.
01:02:04I see gun flashes from the halos.
01:02:07That fire's burning toward the stable, too.
01:02:22Keep out of sight, Ruth.
01:02:23I'm going to get us some guns.
01:02:50I'm going to get out of sight.
01:02:52Make as much noise as you can.
01:03:06That's coming from the hotel.
01:03:07Well, it can't be just the Dave not doing all that shooting.
01:03:22Give me some flux.
01:03:24I'm putting her out myself.
01:03:25And I'm getting out of here.
01:03:52They've quit.
01:03:53And your man's gone after him.
01:03:57Now, maybe you'd better go after your man.
01:03:59I can't.
01:04:00Somebody stole my horse.
01:04:03Sure.
01:04:04I did.
01:04:05Come on.
01:04:06We'll get it.
01:04:06Come on.
01:04:17THE END
01:04:46THE END
01:05:14THE END
01:05:47THE END
01:05:49THE END
01:05:52THE END
01:05:54THE END
01:06:28THE END
01:06:30THE END
01:06:47THE END
01:06:57THE END
01:07:12THE END
01:07:14THE END
01:07:16THE END
01:07:19THE END
01:07:26THE END
01:07:28THE END
01:07:30THE END
01:07:44THE END
01:07:59THE END
01:08:02THE END
01:08:16THE END
01:08:19THE END
01:08:32THE END
01:08:35THE END
01:08:52THE END
01:08:59THE END
01:09:02THE END
01:09:09THE END
01:09:18THE END
01:09:20THE END
01:09:24THE END
01:09:27THE END
01:09:29THE END
01:09:30THE END
01:09:32THE END
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