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Enjoy HD movies with English subtitles and stay tuned for regular uploads of the latest popular drama films.
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00:00Serafina, my wife, is a legendary master in the world of western handcrafted enamel porcelain, known as the Muse of
00:05Enamel.
00:06Her works have long took pride of place in the prime spots of top art varies in New York and
00:09Paris.
00:10Yet she smashed with her own hands the one-of-a-kind royal custom enamel vase Blazing Dragon,
00:16which we had crafted for Lord Edward of Britain to mark his 80th birthday.
00:20All because Ethan, her favorite young apprentice, sobbed that this Yunglong lion design of Brorode has from into ambiation project.
00:28I was at my wits end when my assistant handed me a screenshot of Serafina's Instagram.
00:32There she was, at the London Art Exhibition, beaming beside Ethan, tenderly adjusting his bowtie.
00:38So this was why she destroyed a decade of our hard work, just to pave the way for her so
00:44-called prodigy.
00:45Mr. Evans, Lord Edward's private secretary has called three times to follow up.
00:49What do we do now? There's no way we can remake it in time. No need.
00:53Tell the secretary we're breaching the contract. Issue a statement that the studio will voluntarily pay double the deposit as
01:00compensation.
01:01She claims to guard originality? Then she should have no complaints about smashing her own livelihood with her own hands.
01:08Mr. Evans, the secretary called again. He said, he said Lord Edward will pursue this to the very end,
01:13and he'll have us blacklisted in the entire European art circle.
01:16Fine beads of sweat broke out on my assistant's forehead.
01:18I looked at my anxious assistant and said, cancel all remedial measures.
01:22Inform the legal team to initiate the breach of contract process and pay double the deposit.
01:26Mr. Evans, if we do this, the studio will be-
01:28Let it go bankrupt.
01:29My phone rang, and Serafina's profile picture flashed on the screen.
01:35I answered and put it on speakerphone.
01:37Darling, I've calmed Ethan down. Don't worry, he's dropping the plazerism claim.
01:42Her tone on the other end was condescending, as if she were bestowing a favor.
01:45Why haven't you been answering my calls? Do you have any idea how worried I was?
01:49I clenched the phone so hard my knuckles turned white.
01:52And in your heart, which one of us is the outsider? Me, or Ethan, whom you've known for less than
01:57three months?
01:58What do you mean by that? Eli Evans, stop changing the subject.
02:02Hardly had the words left her mouth when the solid wood door of the studio was slammed open.
02:06Eli Evans, have you lost your mind? Breach the contract? Pay double compensation?
02:11Do you have any clue what this means? Don't you forget, it's me, Serafina, who's kept this studio afloat.
02:18You're just a technical director. What's smashing one vase? Even if I smashed ten, I could bounce back anytime I
02:25wanted.
02:26Hysterical woman in front of me, I suddenly felt she was a complete stranger.
02:29For a decade of marriage, I'd scoured Europe for the finest cowlin and enamel glazes for her,
02:34and adjusted the firing temperature a thousand times by the kiln for her creations.
02:38Yet in her eyes, I was worth less than a young apprentice she'd known for three months.
02:42Ethan's right, you're just jealous of his talent. How dare someone who only knows how to knead clay and mix
02:47glazes talk about art?
02:49Before Serafina could finish speaking, her personal phone rang.
02:52She glanced at the caller ID, and the rage on her face melted into a tenderness I'd never seen before.
02:59Ethan? Yes. I'll take you to meet the real heavy-headeds in the art world tonight.
03:03For ten years of marriage, I'd handled every trivial matter of the studio for her.
03:07While she took all the praise and glory for herself, and thought it was only right.
03:12I picked up my work phone and dialed my assistant's number.
03:15Initiate asset liquidation immediately. Sell off all liquidable equipment and collections.
03:21Mr. Evans, are you sure?
03:24Absolutely.
03:25I'd just hung up, when my phone screen lit up.
03:28Ethan had sent a snye propagation from an anonymous social media account.
03:32A hard-working craftsman like you will never work to MOT.
03:34I took a screenshot and sent it to Serafina.
03:37Her call came back in an instant, and her roar nearly split my eardrums.
03:41Eli Evans, how long are you going to keep sewing discord with such cheap tricks as photo editing?
03:45Ethan's just a kid. Have you lost your mind framing him like this?
03:49Serafina, calm down. Let's talk this through.
03:52There's nothing to talk about.
03:53Eli Evans, I've had enough of you.
03:55Ethan's right.
03:56Being with someone like you, I'll never reach greater artistic heights.
04:02Mr. Evans, there's one last contract left.
04:06My assistant handed over the document with a trembling hand.
04:09It's a custom contract with Vinsonet, the mafia godfather.
04:12Serafina signed it personally.
04:14The penalty for breach is...
04:16I glanced at the number at the end of the contract.
04:19An eight-figure number.
04:21In euros.
04:21It's a sky-high penalty.
04:24We'll lose everything.
04:26We'll even be crippled by massive debts.
04:29My assistant's voice was filled with despair.
04:37Have the car ready.
04:38We're going to Vinson's private estate.
04:40I'm going to terminate the contract in person.
04:43Outside Vinson's private estate, Villa Fanza, the lights were coming on,
04:47and a line of limited-edition supercars stretched into the distance.
04:50I'd just gotten out of the car, when I saw Serafina walking toward me,
04:54linking arms with Ethan.
04:56She was wearing a ho-couture gown worth a six-figure euro sore,
04:59and around her neck was the Harry Willingston diamond necklace I'd given her.
05:03The moment she saw me, a look of disgust flashed in her eyes,
05:06and she didn't even bother to stop walking.
05:08Ethan immediately hid behind her, putting on a feigned look of fear.
05:12Master, is Mr. Evans here to get revenge on me?
05:15I'm so scared.
05:17Eli Evans, have you caused enough trouble?
05:19Aren't you embarrassed enough?
05:21Tracing us all the way here?
05:23You think you're the still-the-studio's operations director?
05:27Right now, you're nothing.
05:30I pulled the termination letter out of my suit in her pocket.
05:33The thin paper fluttered slightly in the night breeze.
05:37When Serafina saw the document in my hand,
05:40she immediately put that a sun descending of hers.
05:42What?
05:43Can't hold on anymore?
05:44Want me to beg Vincent for mercy?
05:46She let out a cold laugh, her eyes filled with contempt.
05:50It's too late.
05:51Get out of here now, and I'll pretend I never saw you.
05:54I held up to the document in my hand,
05:56and the light glinted off the three English words termination letter.
05:59Make them stingingly bright.
06:01I'm here to terminate the contract.
06:03Serafina's face turned deathly pale in an instant.
06:06She lunged at me, snatched the termination letter out of my hand,
06:09and after redeating its contents, tore it to shreds in a frenzy.
06:12How dare you, Eli Evans?
06:14I'm telling you, without me, you're nothing!
06:17Just then, the estate's bodyguard stepped forward and cut off Serafina's screams.
06:22Mr. Vincent said he'll only see Mr. Evans tonight.
06:25No!
06:26Please!
06:26Let me see Mr. Vincent!
06:28I have something to say to him!
06:29But the bodyguards had already grabbed her by the arms and were dragging her out of the estate.
06:35I watched it all unfold, then turned and walked into the estate.
06:38Vincent sat behind a massive ebony desk,
06:40his expression calm, but his eyes sharp as an eagle's.
06:43Mr. Evans, have a seat.
06:47He slid the contract on the table toward me.
06:49It was the very one with the sky-high breach penalty that Serafina had signed in her own hand.
06:54In this contract, Serafina promised to make me a set of enamel porcelain tea sets
06:59using the lost Wensenden Royal enamel technique.
07:02Now, I want the goods.
07:04She can't make them.
07:06Then we'll follow the contract.
07:08I give you respect, but business is business.
07:12Within three days, either deliver the goods or pay the penalty.
07:18Vince's efficiency and resolve were as unwavering as ever.
07:22I nodded and stood up to leave.
07:24I just stepped out of the estate gate when Serafina's hysterical scream rang out behind me.
07:29You just want to see me humiliated?
07:32See me beg for your mercy?
07:34Three days!
07:35Do you have any idea where to find a craftsman who knows the Wensender Royal enamel technique
07:39in three days?
07:41This means I'll lose everything!
07:43A decade of my hard work, gone in an instant!
07:46You leech!
07:47How dare you treat me like this!
07:49Master, he's just jealous of your artistic achievements.
07:52Jealous that you care about me.
07:54Someone like him, with no artistic talent, could never understand our artistic pursuit.
07:59The more Serafina listened, the angrier she got.
08:03She raised her hand to slap me again.
08:08Serafina, you signed that contract with your own hand.
08:11And now that things have gone wrong, you blame me?
08:14She ranked her wrist free from my grasp, a flash of despair and madness in her eyes.
08:19I don't care!
08:21You have to fix this for me!
08:22We're still husband and wife!
08:25You can't leave me to die!
08:26I pulled out my phone and showed her a screenshot of the divorce appointment email.
08:30I'd already booked an appointment at the local family court, 2pm tomorrow, at the divorce registry.
08:35You...
08:36You've lost your mind?
08:41No!
08:42I refuse to divorce you!
08:46Eli Evans, dare you go through with this divorce!
08:49I'll make sure you can never work in the European art circle again!
08:54Master, he's threatening you.
08:57Classic player move.
08:58Create a crisis first, then pretend to save you, making you grateful to him for the rest of your life.
09:03Serafina's eyes lit up as his words sank in.
09:07She suddenly realized what was going on.
09:09That's right!
09:10You're putting on a show!
09:12You want me to beg for your help, don't you?
09:14Want me to bow down to you?
09:16I'm telling you.
09:17Over my dead body.
09:19It's just three days.
09:21I, Serafina, have weathered every storm life has thrown at me.
09:24Master, I know several national level.
09:26They'll definitely be willing to help you!
09:28Ethan immediately fawned over her.
09:30Serafina linked arms with Ethan triumphantly.
09:33See that?
09:34I have Ethan, and that's all I need.
09:37I've been sick of you for a long time.
09:39I was tired of her nonsense.
09:41I turned and walked away.
09:43Eli Evans!
09:44Stop right there!
09:46Serafina strouted at my back.
09:47You think I'll be scared if you leave?
09:49I'm telling you, I'll live a better life without you!
09:52I got in the car without looking back.
09:54My assistant started the car, and in the rearview mirror, I saw Serafina still stamping her feet and shouting insults
10:00where she stood.
10:00Mr. Evans, do you think she could actually find a craftsman who knows the Wenser Royal Enamel Technique?
10:04The Wenser Royal Enamel Technique had been lost for over a century.
10:07She thought she could find someone who knew it.
10:08Dream on.
10:09For the next two days, Serafina called every master craftsman in her contact list.
10:16Without exception, every master gave Serafina a negative answer.
10:22Serafina, the Winson Royal Enamel Technique?
10:26You must be joking.
10:28That craft was lost ages ago.
10:30Well, if it isn't the muse of enamel.
10:33Looking for someone to get you out of this mess?
10:36Sure.
10:37Hand over three million euros first, and I'll think about asking around for you.
10:43Serafina, the Winson Royal Enamel Technique?
10:45You must be joking.
10:47That craft was lost ages ago.
10:49She and Ethan rushed around to every famous craft workshop in Europe, only to be turned
10:54away at every door.
10:56As the deadline loomed, Ethan started making excuses to avoid her.
11:02In her despair, she finally started blowing up my phone with calls and messages, non-stop.
11:09Eli, I was wrong.
11:11Help me just one last time.
11:13Darling, I'm begging you.
11:15Just help me get through this, and I'll do whatever you say.
11:19Answer the phone, you bastard.
11:21Are you trying to drive me to my death?
11:23In the studio, I opened my private locker and took out the set of enamel craft tools I'd
11:29never shown anyone.
11:31For a decade, they'd been hidden away, and now, they were finally going to see the light
11:37of day again.
11:38My assistant pushed the door open and said,
11:43Mr. Evans, Serafina's called over a dozen times.
11:46I didn't answer any of them.
11:48Also, she sent Ethan over to beg for your help.
11:51I threw him out.
11:52Mr. Evans, where will you go next?
11:54My assistant asked cautiously.
11:56I wrapped the tools carefully in a velvet cloth.
11:59My voice soft but filled with unshakable resolve.
12:03To the divorce registry.
12:05In the waiting area of the divorce registry.
12:10Within minutes of sending the appointment email, Serafina's call came blasting through.
12:13Threatening me with divorce?
12:15Eli Evans, that's a pretty cheap trick.
12:16If you want me to fix things with Vincent, just say it.
12:18Stop with these childish games.
12:20You want a divorce?
12:20I'll go through with it in a heartbeat.
12:22Anyway, I have Ethan now, and life is so much better with him than it ever was with you.
12:25I took the divorce papers the staff handed me and signed my name, Eli Evans, on the line
12:30for the husband.
12:30This absurd decade of marriage, like that smashed enamel vase, was now nothing but dust.
12:37As you wish.
12:38I held up the divorce papers, took a photo, and sent it to my legal assistant.
12:43Before she signed, she bit her lips so hard it was almost bleeding.
12:47I thought I heard her whisper.
12:50Do we really have to do this?
12:54In the end, she signed her name, Serafina Renov.
12:57When I got the cold, hard divorce certificate, I held it up, took a photo, and sent it to
13:02my assistant right in front of her with a note.
13:04Inform the legal team.
13:05The divorce agreement takes immediately effect.
13:07Keys should parent in the fur connor.
13:08When I'd done all that, I turned and walked away.
13:11Not a shred of regret in my heart.
13:13Eli Evans!
13:24Lord Edward sent an invitation to his private art appreciation gala, the most exclusive gathering
13:30of London's collector's circle, happening tonight.
13:33The gala was held on the top floor of the Shard in central London.
13:36I pushed open the door to the venue, and it was filled with celebrities and the wealthy,
13:41all the top figures of Europe's art and business circles.
13:44Serafina was standing in the middle of the crowd, linking arms with Ethan, wearing a sapphire
13:49blue eau couture gown, grinning from ear to ear in triumph.
13:52Master Serafina has a real eye for talent.
13:54This boy was born to be an artist.
13:56This is my protege Ethan, a prodigy with an unlimited future.
14:00Master Serafina has a real eye for talent.
14:02This boy was born to be an artist.
14:09Eli Evans, don't think you can run AMA here just because you know Vincent's bodyguards.
14:14Stay out of trouble and don't ruin my night.
14:16If you dare open your mouth and say something stupid, I'll ruin your reputation for good.
14:20Hardly had the words left her mouth when a small commotion broke out on the other side
14:24of the venue.
14:25A spry elderly man walked through the crowd, his face filled with uncontainable excitement.
14:34Eli, you've finally decided to come out of hiding.
14:39Do you have any idea how long I've been waiting for you?
14:43Serafina's smile frozen on her face, as if someone had hit pause.
14:47Everyone's eyes darted between me and the elderly man, filled with shock and confusion.
14:53Ethan's face turned deathly pale.
14:55He clung tightly to Serafina's sleeve, a flash of panic in his eyes.
15:00Lord Edward, you know him?
15:02I know him far more than that.
15:05His master was my sworn brother.
15:07And Eli, he's the legendary lost heir of the Winsen Royal Enamel Technique, a myth in Europe's
15:14enamel craft world for over a century.
15:16That's impossible.
15:18He's just a goer.
15:19A so-called technical director whose only job is to adjust the temperature by the kiln.
15:25Eli injured his hand 10 years ago.
15:27He chose to stay behind the scene to repay a careness.
15:30Do you think your works made it in this industry on their own?
15:33Your so-called artistic talent is nothing but the fruit of a decade of his hard work.
15:38It was my final gift to you.
15:41Back then, you took care of me when I was injured, and I promised to make you you a star
15:46for 10 years.
15:47For this past decade, I've taught you everything.
15:51The very essence of the Winsor Royal Enamel Technique.
15:55For 10 years, I've created the core craftsmanship of every single one of your enamel works.
15:58All the glory you've enjoyed you've only ever stood on my shoulders to get it.
16:01Serafina trembled all over.
16:03She stared at me.
16:04Her eyes filled with rage that slowly turned to fear.
16:06Tonight's final lot is none other than a practice piece Eli made 10 years ago.
16:10A singly auctioneer walked onto the stage, holding a seemingly plain enamel teacup in his hand.
16:14The cup looked unassuming, but the enamel patterns on its surface exuded an understated
16:18starting bid, 5 million euros.
16:21That starting bid was already higher than the highest price any of Serafina's works had ever forged.
16:25We'll start the bidding at 10 million euros.
16:27The price soared wildly.
16:28Each bid slamming into Serafina.
16:31She stared at the plain enamel teacup, then at herself.
16:34Her eyes filled with despair.
16:35The price soared wildly.
16:36Each bid slamming into Serafina's heart like a sledgehammer.
16:39She stared at the plain enamel teacup, then at herself.
16:41Her eyes filled with despair.
16:42Her so-called artistic talent, the thing she'd prided herself on, was crushed to dust at this very moment.
16:47Final bid, 80 million euros.
16:50That price was more than a hundred times what her proudest work had ever sold for.
16:54Serafina finally understood.
16:55Her so-called gifted talent was nothing but my shadow.
16:57All her glory and fame were ruthlessly shattered in an instant.
17:00No, it's impossible.
17:02I'm a genius!
17:04I'm Serafina!
17:05I'm the muse of enamel!
17:08A genius?
17:10Without Eli, you're nothing.
17:12Just a fame-hungry clowned.
17:14So that's how it is.
17:16No wonder her works always had an indescribable sense of sophistication.
17:20Just a fraud.
17:21She tricked us all for ten years.
17:22Poor Master Evans.
17:24Wasting a decade of his life on this woman.
17:27Every word seared into Serafina's heart like a red-hot iron.
17:31Her entire artistic world came crashing down at that moment.
17:35Ethan tried to sneak out of the venue, but a few guests stopped him.
17:39Hey, kid!
17:40Your master's a fraud.
17:42So what about your so-called graduation project?
17:45Ethan's face turned white as a sheet.
17:47He couldn't say a single word.
17:49Serafina suddenly lunged at me like a madwoman.
17:52The venue's bodyguards rushed forward and restrained her tightly.
17:56She thrashed around in the bodyguard's arms, her hair a mess, her eyes wild with madness.
18:01I'm Serafina!
18:02I'm the muse of enamel!
18:04Get this crazy woman out of here.
18:05She's ruining the artistic atmosphere.
18:11Serafina's screams were cut short as the security guards dragged her away.
18:14I glanced at Serafina, crumpled on the floor as she was dragged away, then turned to leave.
18:19Her desperate heart-wrenching saws echoed behind me.
18:23A decade of patience.
18:25Finally over.
18:28That smile held relief, confidence, and boundless hope for the future.
18:33The plane flew on, carrying me toward a brand new life.
18:36Back in London, Serafina sat in a detention cell, consumed by regret.
18:41She hadn't just smashed an enamel vase.
18:44She'd smashed her own fate.
18:45I'd already forgiven her, not out of mercy, but because she no longer deserved my hatred.
18:50My phone vibrated again.
18:52Another text message, sent from an anonymous channel in the detention center.
18:55This time, I deleted it without even opening it.
18:58Some people are just part of the past.
19:01And I was destined for something far greater.
19:05Lord Edward's granddaughter saw me put my phone away and pushed a drafted indangible
19:10cultural heritage revival project plan in front of me.
19:14Her name was Chloe.
19:15She'd just graduated from the craft and design program at the London College of Art.
19:20Her eyes bright with the vitality and courage of youth.
19:23Her entire being radiating a love for traditional crafts.
19:28Chloe pushed the plan forward, her voice clear and bright.
19:31Master Evans, this is a preliminary plan I've made based on the current state of Lemoye's
19:35imamal craft.
19:36The core is to rebuild a training base for the Windsor Royal imamal technique to discover
19:41a nurturing young master craftsman.
19:43I took the plan she handed me, my fingers brushing the English words on the page.
19:47It was clear she'd done her homework.
19:48From Cowian selection and enamel glaze mixing to traditional technique teaching and the market
19:53integration of enamel cultural heritage crafts, every detail was thorough and practical.
19:58Who controls the Kylan mines and core enamel glaze mines in Lemoye's right now?
20:02I flipped to the raw materials section of the plan and looked up at Chloe.
20:07The essence of the Windsor Royal enamel technique lay first and foremost in raw materials.
20:12If the mines were controlled by others, the road to revival would be fraught with difficulties.
20:19Chloe's smile faded a little.
20:21She pointed her finger at a family name on the plan.
20:24The Holt family.
20:25Ethan's family.
20:27Ethan's family, the Holts, have a monopoly on three core Collin mines and two enamel glaze
20:33mines in Lemoye's.
20:35Portnary Craft and Canengote Inferior Yensetile, and they're even exploited it at turns.
20:40Hewster-Everbenna tripled.
20:43My fingers paused for a moment.
20:44A flash of coldness in my eyes.
20:46The Holt family had not only injured my hand and tried to steal the Windsor Royal enamel technique,
20:53but now they were monopolizing the core raw materials, trying to cut off the very foundation
20:59of Europe's handcrafted enamel industry.
21:01It was time to settle the score.
21:04Does Mr. Vincent have connections in Lemoye's that reach the mining sector?
21:09I thought of Vincent's influence.
21:10He held significant sway in both the business and underground circles of Western Europe.
21:16Lord Edward took over the conversation, picking up the cup of black tea on the table and took
21:21a sip.
21:22Vincent was in the mining trade in his early years, and he's on good terms with the local
21:26mining authorities in Lemoye's.
21:27But the Holt family has been rooted in Lemoye's for over a century.
21:30Their influence is far-raching and intricate.
21:33Confronting them head-on would be unwise.
21:34It would only bring unnecessary trouble.
21:36We don't need to confront them head-down.
21:37I set the plan down on the table, tapping my fingers lightly on the surface, a plan already
21:41forming in my mind.
21:42Wenzin is one d'anolum technique, and Chef Tamri relied then-soul on Colton Quail.
21:45It relies on the Holjohn's vinings and of stemplence of neat properties, for using
21:48them powered of the fall temper tune, and we owe be on troth for Presker.
21:51When Shualdoduo should break the dead box.
21:52The plane landed at Lumos Airport in France, the birthplace of European enamel craft, and the
21:56place where I'd studied the Windsor Royal enamel technique on my master a decade ago.
22:00I just stepped out of the airport when I saw Vincent's personal driving at the gate, holding
22:03a carved sandalwood box in his hands.
22:04Mr. Evans, Vinceman, Mr. Vincent asked me to give this to you.
22:08I opened the box.
22:09Inside was a palm-sized piece of kylian, pale white in texture rare grade 1 kylian, and
22:12a zinger of secret color enameled glaze, both top-door raw materials for the Windsor
22:15technique.
22:16I closed the box and nodded at the driver.
22:18Thank Mr. Vincent for me.
22:19When we meet in London sometime, I'll make a set of Windsor Royal enamel tea sets for him
22:22with my own hands.
22:23The car drove through the streets of Lumos.
22:26Small enamel workshops could be seen everywhere by the roadside, but most were quiet and lifeless.
22:32Master Evans, this is Master Maurice' workshop.
22:35He's one of the few elders in Lumos who still knows the traditional handcrafted clay forming
22:39and claude enamel techniques.
22:40A few years ago he refused to supply the Holt family, so they cut off all his raw materials.
22:45Now he can only make a meager living by crafting small enamel ornaments.
22:48I told the driver to stop, then pushed the door open and got out.
22:51I pushed the door open and saw an elderly man with white hair sitting at a workbench,
22:55kneading a piece of inferior cout slowly, getting it ready for forming.
22:59His movements were slow, but they held the ingraced discipline of a master craftsman.
23:03Every need was precise and methodical.
23:05Hearing the noise, the old man looked up at me, a hint of weariness and distance in his eyes.
23:10Are you with the Holt family?
23:11I've already said I won't take your work.
23:13Get out of here.
23:14Master Maurice, we're not with the Holt family.
23:17This is Mr. Eli Evans, the only heir to the Windsor Royal Enamel Technique.
23:21He's come to Lumoy to rebuild a training base for the Windsor Technique and revive the traditional enamel craft.
23:26The Windsor Royal Enamel Technique?
23:28It's been lost for ages.
23:30Where would an heir come from?
23:31The Holt family has dragged the name of the Windsor Technique through the mud all these years.
23:36Don't try to fool me with that title.
23:37I won't fall for it.
23:39I didn't argue.
23:40I walked over to the workbench and took the piece of inferior cowling,
23:44from the old man's hands.
23:47The moment my fingers touched the caillouan, I knew everything about it.
23:50The moisture content, the density, the sand content, all crystal clear in my mind.
23:55I walked over to the clay forming machine in the corner of the workshop, turned it on,
23:58and placed my hands on the clay, rotating it slowly.
24:01The clay rose slowly in my hands, transforming from an irregular lump into the rough shape of a vase.
24:07Then the neck, then the mouth.
24:09All in one smooth unbroken motion, not a single unnecessary move.
24:14The Windsor Royal Clay Forming Technique emphasizes,
24:17the hand follows the heart, the clay follows the hand.
24:21Every bit of pressure from the fingertips must be precise,
24:25to create a palosaline body with a natural curve and even thickness.
24:29I didn't make an intricate shape, just a basic Winson straight enamel cup.
24:35But I showcased the very essence of the Winson technique's clay forming and trimming to perfection.
24:41The moment the forming machine stopped, Master Maurice's eyes widened to the size of saucers.
24:47Maurice was a master of his craft.
24:50His hands trembled slightly as he stood up and walked to the workbench.
24:53He reached out to touch the clay cup, then pulled his hand back,
24:56afraid his rough fingers would damage the perfect porcelain body.
25:00Is this the Winson to Royal Freehand Forming Technique?
25:04Are you really the heir to the Winson to Royal Enamble Technique?
25:08I nodded and set the tools down on the table beside me.
25:11Master Maurice.
25:12The Windsor technique was never lost.
25:15It was just hidden among the people.
25:17I've come here to rebuild a training bastie for the Windsor Y Alamal Technique.
25:21To trot on the Windsor crotty, and to let the lemans of Lameau get fair by Kildjag's
25:26backplager inweld, so they can focus on their craft in peace, no longer exploited by the Holt
25:32family.
25:32Master Maurice's eyes turned red in an instant.
25:37He wiped the corners of his eyes with his sleeve and let out a heavy sigh.
25:41Good.
25:43The Windsor technique finally has an air.
25:46I thought I'd never live to see the Windsor technique see the light of day again.
25:50Master Maurice held my hand, his voice filled with excitement.
25:53Mr. Evans, I'm with you.
25:55Even without raw materials from the whole Holt family, this old body of mine can help
25:58you teach the young craftsmen all the clitonics I've learned in my life to them.
26:02When I walked out of Master Maurice's workshop, more than a dozen young craftsmen followed me.
26:06All Maurice's apprentices, or young people from other workshops in Lameau's.
26:10I stared at the young people in front of me, their faces filled with dedication to their
26:14craft and hope for the future.
26:16A warm current welled up in my heart.
26:17The revival of the Winson Royal enamel technique was never just my fight.
26:21It was the fight of all craftsmen who loved enamel and clung to their artisan spirit.
26:25We chose the old enamel kiln factory in Lameau's as the several for the training old kilns,
26:29though they'd been unused for years falling into despair and covered in dust.
26:33The renovation funds Vincent sent arrived soon after.
26:36Local craftsmen worked through the night, cleaning the kiln factory, repairing the forming
26:40machines, clogier workbenches, and the century-old kilns.
26:43In just three days, the old kiln factory took shape.
26:45A wooden plaque was hung at the gate.
26:47Ethan walked swaggerly into the training base, wearing a haute couture suit, and followed
26:51by several tall bodyguards, a proud and contemptuous smile on his face.
27:02Eli Evans, long time no see.
27:05Didn't expect you'd hide out in Lameau's and set up this fancy training base.
27:10Quite the show you're putting on.
27:12Anyone who didn't know better would think you could actually revive that outdated Windsor
27:16craft.
27:17I know you're short on raw materials and funds.
27:19This training base is just an empty shell.
27:22With this agreement, I'll offer 10 million euros to buy 80% of the shares in this training
27:27base.
27:27From now on, the Windsor Royal Animal Technique will belong to the Holt family.
27:32You can be a figurehead director, live a life of luxury, and collect dividends every year.
27:36Isn't that better than slaving away here for some so-called heritage?
27:40Ethan Holt, your family has a monopoly on Lumeau's raw materials and bullies craftsmen.
27:45Now you want to steal the Windsor technique?
27:47Have some shame!
27:49Old man, this isn't your place to speak.
27:51Dare say another word and I'll make sure you can't even make small ornaments.
27:54Your workshop will be closed for good.
27:55I raised my hand to stop the furious master Maurice, bent down to pick up the share transfer
28:01agreement from the table, and tore it to shreds piece by piece.
28:05The paper scraps fell to the ground like a layer of snow swirling in the kiln factory's
28:10wind.
28:11I find the Holt family's money disgusting.
28:14The Windsor Royal Enamel Technique is a treasure passed down by our ancestors, not a private
28:19possession the Holt family can covet.
28:21I'll find a way to get the raw materials on my own.
28:24I'll pass on the Windsor Technique on my own too.
28:27I don't need the fake kindness of the Holt family.
28:30Ethan's face darkened in an instant.
28:32A flash of viciousness in his eyes, his whole body exputing malice.
28:36Eli Evans, don't refuse a kindness when it's offered.
28:38Le Moyes is Holt family territory.
28:39Setting up this training base here means you're against the Holt family, against all the mining
28:41capital in Le Moyes.
28:42I'll give you three days.
28:43Either sign this agreement or get out of Le Moyes.
28:44Otherwise, I'll turn this training base of yours into a pile of rubble and you won't
28:46be able to touch a single piece of kion in this city.
28:48With that, Ethan let out a cold snort, turned, and left with his bodyguards.
28:53Before he went, kicked over a clay-nettling baskin beside him, spilling clay all over the
28:58floor.
28:59A blatant precaution.
29:00The craftsmen around us all looked worried.
29:03The craftsmen around us all looked worried, frowning and whispering to each other.
29:06Chloe walked up to me too, frowning.
29:08Master Evans, Ethan means what he says.
29:10The Holt family has too much power in Le Moyes.
29:12He'll definitely sabotage us.
29:13Should we pause the training base's work for now, lie low, and plan for the long term?
29:17Lie low?
29:18I shook my head and walked over to the century-old kiln nearby, running my fingers over the lines
29:22I time and the seal of the Windsor technique.
29:24Craftsmen of the Windsor technique never shy away from trouble, and we never bow to power.
29:28Let them come.
29:28I'd like to see if they can smash the artisan spirit of Windsor or the very roots of European
29:32enamel craft.
29:33I told Chloe to contact Vincent at once, asking him to keep an eye on the Holt family's every
29:36move.
29:37I also had Master Maurice organize the craftsmen of Le Moyes into teams to take turns guarding
29:41the training base, preventing any secret sabotaging.
29:43As for me, I retreated to the private workshop in the kiln factory, starting to design new
29:47amel vessel shapes and plan a Windsor royal enamel craft appreciation event proving the value
29:51of the Windsor technique with sheer skill.
29:53I would make the entire European art and collector crowns know, the Windsor royal enamel technique
29:58lives on, its air lives on.
30:01The Holt family's dream of monopolizing Le Moyes' enamel industry and erasing the Windsor
30:06technique was nothing but a phantom.
30:08But I never expected Ethan to strike so quickly and ruthlessly, with absolutely no moral boundaries.
30:13Right in the middle of preparations for the appreciation event, the training base's workshop
30:17was ransacked.
30:19As I looked at the mess before me, I actually smiled.
30:21The clay forming machines were smashed to pieces.
30:24The gold and silver wires for closinet were cut up.
30:28The freshly mixed enamel glazes were all poured out.
30:31Even the wooden plaque at the gate, that read Windsor royal enamel technique, intangible
30:37cultural heritage training base, was split in two, with an axe, thrown on the ground, and
30:43trampled all over.
30:44To make matters worse, Ethan spread rumors in Le Moyes' enamel market and on Oljo Ishrie's
30:49social platforms, claiming my Windsor royal anning technique was a fake, that I was a fraud
30:54make money a name of inangible hevertite iteration.
30:57He even had someone forbid evidence to smear my reputation.
31:00Overnight, the enamel circle in Le Moyes was abuzz with talk.
31:04Many craftsmen who had planned to join the training base began to hesitate, some even questioning
31:10my identity, afraid to contact me for afraid of offended the Holt family.
31:15Chloe stared at the wrecked workshop, her eyes red with tears but she held them back
31:19and grinned his teeth.
31:21Master Evans, let's call the police.
31:23Let the limo's police handle this.
31:25This is intentional property damage.
31:27The Holt family can't act with such impunity.
31:30I knelt down, picked up a shard of the broken porcelain body, and ran my fingers over it.
31:36The edge was sharp, pressing into my palm.
31:42Calling the police won't help.
31:44The Holt family has been rooted in Le Moyes for over a century, and has long since made arrangements
31:49with local officials, their arrival is merely a formality.
31:54They have no intention of truly helping us, and may even make things difficult for us.
32:00Besides, police can't resolve a war of words.
32:03Only strength can make everyone fall silent.
32:07Ethan wants to ruin my reputation, make the Windsor Royal enamel technique doubted and forgotten.
32:12Then I'll slap him in the face with my skill.
32:15Show him what the real Windsor technique is.
32:17I made the decision on the spot, move the Windsor Royal enamel appreciation event forward,
32:22hold it right here at the Ransack training base,
32:24and prove the authenticity and uniqueness of the Windsor technique to everyone
32:27by making enamelware live, showcasing its core craftsmanship.
32:30Mr. Evans, this is far too risky.
32:33The training base is in shambles, not a single decent workbench left.
32:37And Ethan will definitely come to cause trouble, he'll never let your demonstration go smoothly.
32:41It's precisely because it's risky that it matters.
32:44It'll let everyone see that the craftsmen of the Windsor technique never fear a challenge.
32:49Gell everyone, three days from now, the Windsor Royal Enamel Appreciation
32:54will veal at the training gidi, as you said, Winnerd, as planned.
32:58Everyone is welcome to watch, to question, to verify.
33:02The flame pattern relief was the core secret of the Windsor Royal enamel technique,
33:07the very craft behind the blazing dragon vase Serafina had smashed.
33:10Now that I'd announced I'd demonstrate it live, every enamel craftsman in Lumois,
33:14every collector and art curlist across Europe, wanted to see for themselves
33:18if this lost technique really still existed.
33:21When Ethan heard the news, he even posted on social media,
33:25vowing to expose my scam at the event,
33:28to ruin my reputation in front of the entire European art art circle.
33:32The day before the appreciation event, I led all the craftsmen in cleaning up the training base
33:36through the night, repairing the smashed forming machines and workbenches, mixing the enamel glazes.
33:40We picked up the split packle, pieced it back together roughly, and hung it against the gore again,
33:44broken, but unbroken in the spirit of the Windsor technique.
33:47Vincent also got wind of what was happening,
33:49and sent dozens of professional bodyguards to guard every corner of the training base,
33:55patrolling day and night to prevent the Holt family from sabotaging us again.
34:00Ensuring the event went smoothly.
34:02But the Holt family's viciousness exceeded all my expectations.
34:05In the pre-dawn hours of the event, someone snucked into the training base,
34:09suffing rags, dirt, and other debris into the flue of the main kiln,
34:13mixing wet firewood into the kiln's fuel, even adding sand to the kylian I'd prepared.
34:17They would spare no cost to make me look foolish.
34:21They wanted the porcelain body to crack crack as I made it live,
34:25the kiln to malfunction during firing,
34:27making me a laughingstock in public,
34:30branding me a fraud for good.
34:32At the first light of dawn, I went to check the kiln and raw materials.
34:37I spotted the debris in the fluth at a glance,
34:40felt the wet firewood in the fuel,
34:42and sensed the sand in the kiln the moment I squeezed it.
34:46Chloe saw all this and trembled with anger.
34:48Her eyes read,
34:50Ethan must have done this.
34:51The Holt family is so despicable.
34:54They don't want to compete.
34:55They want to destroy the Windsor technique completely.
34:58I didn't get angry.
34:59Instead, I calmly told the craftsman to clear all the debris from the flue,
35:04pick out the wet firewood, and replace it with dry oak firewood.
35:08Oak burns with a steady flame, easy to control the temperature,
35:11the perfect fuel for enamel firing.
35:13Moreover, I re-sifted and kneaded the kylian accordant sand content to remove all sand.
35:19I also made simple modifications to the kiln based on its damage,
35:23adjusting the flue vents to make the fire more even,
35:26better suited for firing Windsor technique enamelware.
35:28On the day of the event, the training base was packed with people,
35:32elderly and young craftsmen from Lameaux's,
35:34top collectors and art critics from across Europe,
35:37and many famous media reporters with cameras and microphones,
35:41ready to record this highly anticipated event.
35:43Ethan also came,
35:44accompanied by several Holt family elders
35:47and a few so-called masters from the European enamel circle he'd bribed.
35:50They sat in the front row,
35:52grinning like they were watching a show,
35:53their eyes filled with viciousness and disdain.
35:56They were certain I'd make a fool of myself today,
35:58that they'd expose me on the spot.
36:01Chloe walked up to the makeshift stage,
36:04picked up the microphone,
36:05cleared her throat,
36:06and her voice echoed through every corner of the training base via the speakers.
36:11Honored guests, fellow craftsmen, dear media friends,
36:14Today the Winster Royal Enamel Technique
36:16shulled disappreciation wet,
36:18not for fame or fortune,
36:19but to show you the Drew Winster Royal Enamel take,
36:21to prove it has never been lost,
36:23and to affirm it of traditional shoke the value.
36:26Next, please welcome the sole heir to the Winster Royal Enamel Technique,
36:29Mr. Eli Evans,
36:30to make a new Winster Enamel piece live,
36:32showcasing its closely guarded secret,
36:34the flame pattern relief.
36:35As her words fell,
36:37the crowd erupted into thunderous applause.
36:40All eyes were on me,
36:42filled with anticipation,
36:43doubt,
36:44and curiosity.
36:45I walked up to the clay forming machine on the stage,
36:48where a piece of top grade kaolan,
36:50and a small jar of secret color enamel glaze were laid out.
36:53The very premium row materials Vincent had given me.
36:57I picked up the cayenne,
36:59placed it on the forming machine,
37:00and said nothing,
37:01only turning on the machine with a light touch.
37:05The hum of the rotating machine rang out clearly in the silent training base.
37:09I placed my hands on the smooth kaolan,
37:11my fingertips feeling the clay's temperature and texture.
37:14I recited the craftsmanship mantras of the Winster Technique in my heart,
37:18clearing my mind of all distractions.
37:20My eyes were fixed only on the clay in my hands,
37:23on the enamel piece about to take shape.
37:25The clay rose,
37:26rotated,
37:27and took shape in my hands,
37:29every movement smooth and seamless.
37:31Precise to the millimeter.
37:33The vase's body,
37:34neck,
37:34and mouth took shape in one unbroken motion,
37:37with a natural curve and even thickness.
37:39Not a single unnecessary mark,
37:41showcasing the essence of the Windsor Technique to perfection.
37:45Windsor Royal Freehand Forming Technique
37:46working with the arms suspended in the air,
37:48no support at all,
37:49controlling the clay's rotation and shaping with the strength of the fingertips.
37:52A single misstep and the porcelain body would collapse.
37:55The crowd held their breath,
37:56their eyes fixed unblinkingly on my hands,
37:58watching the lump of cali and turn into an exquisite vase prototype in my palms.
38:01The once noisy venue fell so silent that only the hum of the forming machine and my breath could be
38:05heard.
38:05After forming the clay,
38:07I began trimming the porcelain body,
38:08doing clomusche,
38:09carving patterns,
38:10and filling the glazes.
38:11The carving of the Windsor Technique emphasizes chapping form and spirit.
38:14Its body winding,
38:15its head raised,
38:16vivid,
38:17lifelike with smooth and delicate lines.
38:18When attaching the Vassiers and filling the glazes,
38:20I used the Winster Technique's wire inlay and glaze filling method,
38:23embedding hair-thin gold wires into different colored enamel glazes with pinpoint accuracy,
38:27layering wires and glazes merged into one,
38:29not a single gap in between.
38:30The entire production process was done in one smooth flow.
38:33No pauses,
38:34no mistakes.
38:34Every step from clay forming to glaze filling was flawless,
38:37showcasing the exquisite craftsmanship and uniqueness of the Windsor Royal enamel technique in all its glory.
38:41But Ethan's face darkened by the second,
38:43from amusement at first,
38:45to panic,
38:45then to viciousness.
38:46His hands were clenched into tight fists,
38:48his knuckles white,
38:49his eyes filled with disbelief and jealousy.
38:51The Bazd Apprentice Pajda de Le Mane Rangda the Art of the Windsor.
38:54When the vase was fully shaped,
38:56I pented this with the century-old kiln.
38:57Firing enamel in the Windsor Royal Technique requires nine heating and nine cooling cycles.
39:02The temperature must be controlled with absolute precision.
39:05One degree too high,
39:06and the cracks,
39:07one degree too low,
39:08and the glazes loses its luster.
39:09The inseled wires fall off easily.
39:11I stood by the kiln,
39:12never leaving its side,
39:13watching the thermometer on the kiln,
39:15adding a handful of oak firewood from time to time,
39:18adjusting the flend vents to control the flame's size and temperature.
39:20Every movement was calm and precise.
39:23Three hours later,
39:24the fire was perfect.
39:25I slowly opened the kiln door,
39:27and a rich,
39:28fresh enamel scent spread out in an instant,
39:30filling the entire training base.
39:31I put on heat-resistant gloves,
39:33carefully took the enamel vase out of the kiln,
39:35and placed it on a velvet display stole on the stage.
39:37And it is a piece that I made myself.
39:39This vase is named,
39:41Return to Purity.
39:42Return to Purity,
39:44never forget one's original intent.
39:45This is the artisan spirit of the Windsor Royal Enamel Technique,
39:49and it's why I made this vase.
39:51The crowd erupted into thunderous applause,
39:54louder than ever before.
39:55The elderly craftsmen all stood up,
39:58clapping excitedly,
39:59some even tearing up as they walked to the stage,
40:02carefully touching the vase's body,
40:04their eyes filled with awe and admiration.
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