A college girl meets a reporter, they take a trip to the country, and they wind up meeting a creepy old woman who lives in a closed-down resort.
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FunTranscript
00:00:00The End
00:00:11John Ewan, let's go. It's enough.
00:00:23You said you wanted me to be scared.
00:00:25Reliable.
00:00:27I was wrong, I admit it.
00:00:31Come on, I love playing with an old building. Let's go.
00:00:35No, not yet.
00:00:38Look, I admit it, I'm scared.
00:00:40What do I have to say?
00:00:42Why don't we go?
00:00:45Well,
00:00:46because I think
00:00:48you're going to be perfect.
00:00:49No, don't do that! Come on, please!
00:01:12Let's go.
00:01:15Okay.
00:01:17Okay, come on out.
00:01:20Please don't scare me.
00:01:29Where are you?
00:01:44Look, I know you're going to shut back.
00:01:47It won't be a surprise. It won't scare me.
00:02:02Come on out. Please don't hide.
00:02:17Come on out. Please don't hide.
00:02:19Let's go.
00:02:28Let's go.
00:02:30Let's go.
00:02:31Let's go.
00:02:44Let's go.
00:02:51Let's go.
00:02:53Let's go.
00:03:13Unfortunately, when we talk about deviancy in society, we face the problem of determining what is, in fact, normal.
00:03:20Of all the deviant behavior patterns we find in society, perhaps the most common is incest, followed closely by homosexuality.
00:03:29Both of these are culturally defined patterns, and societal attitudes towards them vary from one society to another.
00:03:36In fact, generally, we classify them as relative deviant patterns.
00:03:41Does anybody have the time?
00:03:44I'd be interested.
00:03:45Okay, that's enough for today.
00:03:47On Monday, we'll talk about another pattern that might be of interest to all of you.
00:03:52Cannibalism.
00:03:53Have a good weekend.
00:04:25Please, madame, keep walking. Act as if nothing is happening.
00:04:30If you value my life, please, madame, make pretend as though we are together.
00:04:35Do not look behind you, whatever you do.
00:04:37Don't look behind, please.
00:04:39Please do not look behind you.
00:04:40No.
00:04:42Well, now that you have looked behind you, let me ask you a few questions.
00:04:46No.
00:04:47Did you possibly see two men in dark suits getting out of a Citroen with a French poodle?
00:04:53No.
00:04:54No.
00:04:55Okay, then.
00:04:56How about two men in dark suits getting out of a Volkswagen with a German Shepherd?
00:05:02Are you sure that, no?
00:05:03No, I'm sorry.
00:05:11I can't help.
00:05:16Are you absolutely certain?
00:05:18I'm absolutely certain.
00:05:21Good.
00:05:22Then we are safe.
00:05:24Will you go on a picnic with me?
00:05:26Oh, you're too much.
00:05:27Please.
00:05:28No, I really can't.
00:05:29Please.
00:05:29Look, I've got a jug of wine.
00:05:31No.
00:05:31I've got a jug of wine and I've got a loaf of bananas.
00:05:34And I've got a piece of bread.
00:05:35And I need a thou.
00:05:36And you're a thou.
00:05:38Oh.
00:05:39Thank you very much.
00:05:40Well, I really can't.
00:05:42I just can't.
00:05:43I have too much to do this afternoon.
00:05:44What could you possibly have to do that's more important than going on a picnic?
00:05:47I have a lot of homework and I have to finish a painting and it's almost the end of this.
00:05:50Are you a painter?
00:05:52Oh, yeah, a little, you know.
00:05:53Do you know a painting called Dejeuner Serlerbe?
00:05:57Oh, Dejeuner Serlerbe.
00:06:00Dejeuner Serlerbe.
00:06:01Yeah, I know it.
00:06:02And who wrote, who painted that painting?
00:06:05Manet.
00:06:05Manet.
00:06:06And was Manet a great painter?
00:06:07Oh, yeah, he was a great painter.
00:06:08He was a great painter.
00:06:10And what is that painting of?
00:06:12Could it be of a picnic?
00:06:15And what experience gave Manet the great power to portray it on canvas?
00:06:20Well, I would say it's because he suffered.
00:06:23And?
00:06:23Because he worked on his painting so hard, which I have to do right.
00:06:26And?
00:06:26And?
00:06:27And?
00:06:29And he went on a picnic.
00:06:32You're right.
00:06:32He went on a picnic.
00:06:34But there were two men in that picnic.
00:06:36And there was a nude woman.
00:06:38And we just don't have the requirement.
00:06:39Oh, wait.
00:06:40That's okay.
00:06:40I'll be nude.
00:06:41Hey!
00:06:42Wait!
00:06:43Why do these things always happen to me?
00:06:45Well, look, Jenny.
00:06:46You have to admit that picnic was a gourmet delight.
00:06:49Yeah.
00:06:50I'll have to admit, bananas and bread is pretty exotic.
00:06:54Hey, I have a question.
00:06:56How did you know my name?
00:06:59Sergeant.
00:07:00No way.
00:07:01Good guess.
00:07:02Huh.
00:07:02What?
00:07:03Well, actually, I asked your professor.
00:07:05Are you in my class?
00:07:07No.
00:07:07I don't go to school.
00:07:08I work in the newspaper.
00:07:09Ace reporter, huh?
00:07:12Well, actually, for the time being, I've run errands.
00:07:14But I'm supposed to start writing in the feature section soon.
00:07:18What will you write about?
00:07:19Travel?
00:07:19You don't even know the way back.
00:07:21Well, you'll see.
00:07:23We should have turned left back there.
00:07:25No, I'm absolutely positive it was right.
00:07:27We're going the right way.
00:07:28Believe me.
00:07:33Oh, hell.
00:07:35Well, maybe you can write about crotch.
00:07:55Let's see your license, boy.
00:08:01Take it out of the wallet.
00:08:06Hey, uh, what seems to be the problem, Sheriff?
00:08:09I didn't think I was speeding.
00:08:10No, you weren't speeding.
00:08:12What are you doing in this valley?
00:08:14Just passing through.
00:08:15You planning on staying along?
00:08:18Not particularly.
00:08:19Hey, what's going on here?
00:08:20Are you going to give me a ticket or what?
00:08:21Calm down, boy.
00:08:23I want to give you a piece of good advice.
00:08:24The people in this valley don't care too much for strangers.
00:08:29Is that all?
00:08:31Yeah, that's all.
00:08:32You two be on your best behavior.
00:08:35Oh, okay.
00:08:36Luther, give him back his license.
00:08:39Certainly, Sheriff.
00:08:51City kids.
00:08:52Yeah.
00:08:55What was that all about?
00:08:57I don't know.
00:08:58They sounded like they got their dialogue out of some third-rate Western.
00:09:01We don't cotton much to strangers in these here parts, sir.
00:09:23Uh, absolutely positive.
00:09:25It was right.
00:09:28Well, it does look at this point like I'm in a sliding.
00:09:32Oh, no.
00:09:33Uh-uh.
00:09:33Fine.
00:09:34What do you suppose that's for?
00:09:38No.
00:09:39Oh, no, wait, John.
00:09:40Let's see where it goes.
00:09:42Oh, come on.
00:09:42Let's go.
00:09:43Where's your spirit of adventure?
00:09:45I lost it in the Greyhound bus people.
00:09:48Typical.
00:09:49Aren't you curious?
00:09:52You really wanna?
00:09:53Yeah.
00:10:01Okay.
00:10:02Let's watch.
00:10:02Let's drive.
00:10:36Wow.
00:10:38This is incredible.
00:10:41What do you think it was?
00:10:44I don't know.
00:10:45Probably an old resort.
00:10:47There used to be a lot of them in this valley in the 1890s.
00:10:50Yeah?
00:10:53Oh, my God.
00:10:53Oh, my God.
00:10:55There used to be a lot of them in this valley.
00:10:56Sorry.
00:10:56Don't worry.
00:10:57Oh, my God.
00:10:57Oh, my God.
00:10:57Oh, my God.
00:10:57Please, don't worry.
00:11:06Oh, my God.
00:11:14Babe.
00:11:14Oh, my God.
00:11:15We will meet again.
00:11:15And, you know, you know, I'll never have a baby.
00:11:17Oh, my God.
00:11:20Do you know, we'll have a baby?
00:11:22Oh, my God.
00:11:22Oh, my God.
00:11:23You're not so dumb after all.
00:12:19You're not so dumb.
00:12:23You're not so dumb.
00:12:56Jenny, where are you going?
00:12:57I'm going up here to see what's there.
00:12:59Come on.
00:13:34You're not so dumb.
00:13:49You're not so dumb.
00:14:17What are you doing here?
00:14:20You startled me.
00:14:21Oh, I startled you.
00:14:24God, I thought I was having a heart attack.
00:14:25Well, it's your own fault.
00:14:27You know the truck passing is illegal.
00:14:30Tell her.
00:14:31It's turned to bad.
00:14:32What's the matter?
00:14:33What's the matter?
00:14:33You okay?
00:14:34Yeah.
00:14:35Who are you?
00:14:37Lordy, I live here.
00:14:39Question is, who are you?
00:14:41We saw the buildings.
00:14:42We were curious.
00:14:45He killed the cats and there's no harm.
00:14:49We were just coming back to the picnic and we got kind of lost.
00:14:52Well, I guess there's no harm done.
00:14:55Here, let's go out to the sunshine.
00:14:57I just worry about young hooligans and vandals breaking over the windows.
00:15:03Do you really look here?
00:15:04Yes, I do, child.
00:15:07Would you like to see my nose?
00:15:10I'm just about to make some tea.
00:15:12Would you like some?
00:15:13Oh, that's no trouble.
00:15:14No, no.
00:15:15I was just about to put it on.
00:15:17Come along.
00:15:19What kind of spa was it?
00:15:21Oh, this spa was famous for its mineral waters.
00:15:27And its hot spring baths.
00:15:31Of course, the weather was perfect, too.
00:15:39This is one of the cottages used by guests who stayed for a longer time.
00:15:46You're going to have to excuse the mess in here.
00:15:49I'm not used to having visitors.
00:15:56Oh, good heavens.
00:15:58I've completely forgotten my manners.
00:16:01My name is Abercrombie.
00:16:03Agnes Abercrombie.
00:16:05I'm Jenny McAllister, Anna.
00:16:07And this is Storm.
00:16:08It is.
00:16:09Well, I'm pleased to make your acquaintance.
00:16:12Make yourselves at home, and I'll go see if the tea kettle is hot.
00:16:32Oh, good time.
00:16:33There we go.
00:16:37Oh, thank you.
00:16:42You're going to be here by yourself?
00:16:43Yes, I do, child.
00:16:46Actually, it's very comfortable here.
00:16:50Why didn't this spa close?
00:16:51I mean, most of the others around here closed during the 1930s, didn't they?
00:16:54Oh, yes.
00:16:56Oh, yes.
00:16:57Financial problems, I suppose.
00:17:00And then there were some rumors about the owner and his wife.
00:17:06Who couldn't be?
00:17:06Oh, the usual sort, child.
00:17:11People would always find something to talk about, and it's usually cruel and untrue.
00:17:17But why did you stay here?
00:17:19Well, I had no place else to go.
00:17:23My father was head caretaker here, and we lived on here together for two or three years after the place
00:17:33closed.
00:17:35And then my father died.
00:17:38And then I stayed on.
00:17:40Well, how old were you when he died?
00:17:41Oh, I guess I was about your age, child.
00:17:45The young girl.
00:17:48I've always loved it here.
00:17:51This spa was the biggest, the most expensive, and the most beautiful in the valley.
00:18:00Oh, but that was a long time ago.
00:18:05Another day.
00:18:08These rooms look very comfortable.
00:18:11Do you use the rest of the house?
00:18:13Oh, no.
00:18:14I boarded most of them up.
00:18:16They're all falling down inside.
00:18:19How many other buildings are there?
00:18:22Oh, there's 13 and a half.
00:18:26And a half?
00:18:30You young people probably think we're silly, but we think 13's an unlucky number.
00:18:36And when the architect planned all the 13 buildings, they made him add an extra one.
00:18:47And what do the insides look like?
00:18:50Oh, they're pretty messy now.
00:18:54They're all falling down.
00:18:56Do you mind if we look around?
00:18:58No.
00:18:59No.
00:18:59Would you like me to show him around?
00:19:03Oh, no.
00:19:03This place really has quite a history.
00:19:05I'd like that very much.
00:19:08John, do you mind if I just stay here for a while?
00:19:10Is that all right, Mr. McCom?
00:19:13I feel dizzy for some reason.
00:19:14Are you sure you're okay?
00:19:16Oh, yeah.
00:19:16It's nothing.
00:19:17Isn't that sick?
00:19:18Are you challenging?
00:19:18Oh, it's nothing.
00:19:20I just...
00:19:21I'd just like to sit here and I'll catch up with you in a minute, okay?
00:19:24Huh?
00:19:25Okay.
00:19:27You catch up when you're feeling okay, all right?
00:19:30All right.
00:19:31All right.
00:19:48All right.
00:19:56Who is what I am going to do so much?
00:19:58Oh, ugh.
00:20:04Yeah, wow.
00:20:06I would beready something next.
00:20:07Oh, man.
00:20:07Oh, wow.
00:20:12Hey, okay.
00:20:14Wow.
00:20:17We all want one.
00:20:19I shouldn't know, Mr. Lord.
00:21:03I shouldn't know.
00:21:28I shouldn't know.
00:21:56I shouldn't know.
00:21:59I shouldn't know.
00:22:00I shouldn't know.
00:22:19What?
00:26:12Hey, what are you doing up there?
00:26:14I'm looking for you.
00:26:16Well, come on down with me and drop the phone, okay?
00:26:19Careful, child.
00:26:20That's an old building.
00:26:22Okay.
00:26:29Hi.
00:26:29Hi.
00:26:30Hi, welcome down.
00:26:32You feeling better, John?
00:26:34You're still looking a little pale.
00:26:36Oh, much better, thank you.
00:26:37You missed a great tour.
00:26:38Oh, but there's still the main banquet hall.
00:26:41Come on.
00:26:42Come on.
00:26:43Come on.
00:26:48Now, this is a great kitchen, where they provide goods with all the dining halls and the spot.
00:26:57Three dining halls and the restaurant.
00:27:00That's true.
00:27:01I'm a little bit more.
00:27:02He's a terrible man.
00:27:04He's got me to be shining and beautiful.
00:27:10Ah, I'm inside of me.
00:27:13Oh, jeez.
00:27:16You can get that in just a minute.
00:27:18Oh, thank you very much.
00:27:25All right, here's the smart handle.
00:27:29When your refrigerator was first put in here,
00:27:33it was the largest thing anybody had ever seen.
00:27:36Oh, jeez.
00:27:37Oh, it is you.
00:27:40Yes, very long.
00:27:42It's a shame.
00:27:44Oh.
00:27:48Come on, you two.
00:27:50Let's get out of here.
00:28:08Oh, let's go.
00:28:18Come on, let's go.
00:28:21Let's go.
00:28:33Get in.
00:28:42Well, thank you very much for the tour.
00:28:44It was really fascinating, but I guess we better get going
00:28:47if we want to get back before it gets dark, huh?
00:28:48Well, thank you both.
00:28:50I enjoyed your company.
00:28:52I'm sorry I startled you, child.
00:28:55That's okay.
00:28:55It's my fault.
00:28:56Nonsense.
00:28:57Now, you take care of yourself.
00:28:59I think you may be coming down with a fever.
00:29:02I will.
00:29:02Thanks again for everything.
00:29:03You're welcome.
00:29:05Come again sometime.
00:29:06Maybe we will.
00:29:07Bye-bye.
00:29:20Bye-bye.
00:29:30THE END
00:30:03Oh, hello.
00:30:06Oh, do you make a habit of dropping in on people?
00:30:11Well, it does get their attention.
00:30:13Oh, no kidding.
00:30:16Hey, I was wondering when I was going to see you again.
00:30:18Hey, look, I'm sorry. I've been really busy down at the paper.
00:30:20That's another thing. I called that paper where you work,
00:30:23and the person I talked to didn't know who you were.
00:30:26Oh, well, you probably spoke to the front desk.
00:30:28Well, they don't know me up there.
00:30:32I'm always in the back in the feature section.
00:30:34Well, anyway, I was looking for you today.
00:30:37I've got a surprise for you.
00:30:39Oh, not another Groucho the Spy all-expense-paid picnic, is it?
00:30:43Nope. Better than that.
00:30:46A whole day with me, ending with dinner on the town.
00:30:49Hmm, sounds promising.
00:30:50When?
00:30:51Saturday.
00:30:52Well, I think I'm free.
00:30:54I know you are.
00:30:57Well, you're right.
00:30:59Where are we going to go?
00:31:01Oh, well, that's the catch.
00:31:03Okay. What are you holding back?
00:31:05Where are you going to take me?
00:31:06Soda Spring Spa.
00:31:10John, no.
00:31:12Oh, John, you know I don't like that place.
00:31:14I know. I know, but...
00:31:16Listen, this is a great opportunity for me.
00:31:18I told my editor about the place,
00:31:20and he thinks it's the perfect subject
00:31:21for a story in the feature section.
00:31:23Oh, that place gives me the creeps.
00:31:25Oh, come on, please.
00:31:26I mean, this is my first chance to do some actual writing.
00:31:29Next time, you can pick the place.
00:31:32Really?
00:31:33I promise.
00:31:35And it won't be so bad.
00:31:36I mean, after I get a few pictures
00:31:37and get the facts from the old lady,
00:31:39we can drive our cars back to the city for dinner.
00:31:42Our cars?
00:31:45Yeah.
00:31:46That's the other thing.
00:31:48See, I'll be doing some work north of there,
00:31:51and I thought maybe you could drive your own car up
00:31:54and meet me out in front.
00:31:55John, couldn't I go with you?
00:31:56You can't. It's somebody else's story.
00:31:58I'm just taking photos.
00:32:00I wish you could, but it's impossible.
00:32:04Look, I really want to spend the day with you.
00:32:07It would mean a lot to me.
00:32:10Please.
00:32:14Okay.
00:32:17What time?
00:32:1912 o'clock.
00:32:21You better be there.
00:32:22I'll be there before you, for sure.
00:32:24You better be.
00:32:38That rat!
00:32:40That rat!
00:37:12Well, the story goes like this, but mind you, I don't believe a word of it.
00:37:20I figure it's the old people in the valley talking.
00:37:24Well?
00:37:26Well, okay.
00:37:30Back in the day, back in the day, back in 1930 or so, on the 50th anniversary of the opening
00:37:38of the spa, they had a huge ball in the banquet to celebrate.
00:37:46The owner's daughter, the owner's daughter, the owner, the owner, the owner, the owner, the owner, the owner, the owner,
00:37:47the owner's daughter had been married that afternoon, so they made her the guest of honor.
00:37:52Well, they did that, and they were there, and the owner, the owner, the founder, the owner...
00:38:20dinner and they they found that well yes well they found that the cook had killed the girl
00:38:35and cooked her and it fed her to the guests oh my god that's my sentiments exactly
00:38:44but as the story goes that was the end of the spa
00:38:48it closed that night and never opened again why did the cook kill the girl they never figured
00:38:54that out and they never caught her her is this story true oh of course not i think it's all
00:39:03legend and not fact but the old people in the valley really believe it there's people who
00:39:09swear that they've seen the ghost of that bride out here walking around in a white wedding dress
00:39:15and people have come out here and were never seen again and a lot of other such nonsense but i
00:39:21figured that the spa closed because they well they just ran out of money yeah i like that reason best
00:39:30oh that must be john oh he's a friend of mine i'm supposed to meet him here
00:39:37well thank you for everything and for not shooting me my pleasure
00:39:43why hey wait uh this is uh this is the quickest way out to the front
00:39:50it's faster going through here now this is the back of the back of the main building and you can
00:39:56cut
00:39:56right through here
00:40:01kind of spooky huh
00:40:03i thought you uh didn't believe that story
00:40:06well i don't believe it but uh still kind of spooky
00:40:13now right down there to the right
00:40:17okay thank you very much for everything
00:40:19don't mention it
00:40:21i hope i see you again
00:40:22well i hope i see you too
00:40:23bye bye
00:40:24bye bye
00:40:48bye
00:40:49I don't know.
00:41:39I don't know.
00:41:49You're not here, and you weren't here, and nothing else was, either.
00:41:52I thought I was going out of my mind.
00:42:00Oh, hello!
00:42:02What a delightful surprise.
00:42:04Hello, Mrs. Abercrombie.
00:42:05Are you feeling better today, child?
00:42:07I was worried about you.
00:42:12Well, it's so nice to see the two of you again.
00:42:16Come on in.
00:42:18I'm just putting on a pot of tea.
00:42:20I'd love some.
00:42:24You've got to believe me.
00:42:26Just a few minutes ago, there was nothing here.
00:42:29She wasn't here, and the room was completely empty.
00:42:32Hey, hey, hey.
00:42:32Hey, hold on.
00:42:35You must have come in the wrong way.
00:42:37You mistook an empty guest house for hers.
00:42:38No, I didn't.
00:42:40Well, then how do you explain it?
00:42:42I don't know.
00:42:44I don't know.
00:42:46I just don't like it here, John.
00:42:48Please, let's go.
00:42:49Now you're being silly.
00:42:50Look, relax.
00:42:53You feeling okay?
00:42:55Oh, damn it, I'm fine.
00:42:59Just must have made him stay.
00:43:01He's ready!
00:43:04Come on in.
00:43:05We'll be in in a second.
00:43:08You're looking at him.
00:43:11Oh, I guess.
00:43:15It's just that I...
00:43:16I'm so sure.
00:43:24I guess it's possible.
00:43:49You do must be kind of an awful housekeeper.
00:43:52Every time you come here, the place is a mess.
00:43:55Don't be silly.
00:43:56It looks fine.
00:43:57Now, tell me.
00:43:59What brings you two back here so soon?
00:44:02Such an unexpected pleasure.
00:44:04Well, when I got back, I was telling my editor about...
00:44:07Your editor?
00:44:08Do you work for a magazine?
00:44:10Newspaper.
00:44:10Oh, I hear you.
00:44:13Be careful.
00:44:14It's very hot.
00:44:15See, I don't exactly work for them yet.
00:44:16I mean, I don't write.
00:44:17There you go.
00:44:19But I think I've got my chance now.
00:44:21I think I can do it.
00:44:23And I think I'll get it.
00:44:24The editor thinks that the resort would be a perfect subject for a particular story in the second section.
00:44:30What?
00:44:31It's so short.
00:44:32He's willing to make every effort to try and get it in.
00:44:35So if you're interested, I brought my tape recorder and I'd like to take a few pictures and ask a
00:44:42few questions.
00:44:44Yeah.
00:44:46Now, you were saying...
00:44:50Oh, well, uh, my editor thinks that the resort here would be a perfect subject for a feature story in
00:44:57the Sunday section.
00:44:58So, uh, I brought my camera and my tape recorder and if I can impose on you for a little
00:45:03longer, I'd like to ask you a few questions.
00:45:06Oh, of course.
00:45:07And I find the whole thing so exciting.
00:45:10Good.
00:45:11Say, listen, I have something that might involve you, your man.
00:45:15I have a scrapbook with all pictures of this resort.
00:45:19I'd love to see it.
00:45:20Yeah.
00:45:21There's a picture in here of my father.
00:45:23Here, let's shove this stuff over here.
00:45:26And some of those, in some of those carriages I was telling you about.
00:45:31What's that?
00:45:32Well, let's see.
00:45:33Let me see.
00:45:33His father-in-law.
00:45:34Oh, there's his.
00:45:34Is that the arcade?
00:45:35Yeah.
00:45:36Yes.
00:45:36Oh, that's beautiful.
00:45:37Isn't that a little...
00:45:38Oh, we shouldn't see how something to do like that.
00:45:40Yes, but just...
00:45:42Excuse me.
00:45:44Oh, I think I need some air.
00:45:47But you want a ride, John?
00:45:48You look awful pretty, though.
00:45:49I just feel dizzy again.
00:45:52I'll go outside for a while.
00:45:53Hey, Jenny.
00:45:56Do you want me to come with you?
00:45:57Oh, no.
00:45:58Look, get your story.
00:45:59I'm sorry.
00:46:00I'll just be outside.
00:46:02I'll be fine in a minute.
00:46:04Okay.
00:46:05Okay.
00:46:39I'll be fine in a minute.
00:47:02I'll be fine in a minute.
00:47:40I'll be fine in a minute.
00:47:47Jenny.
00:47:55Jenny.
00:47:57Jenny.
00:48:01Jenny.
00:48:02I don't know.
00:48:40I don't know.
00:49:28I don't know.
00:49:33I don't know.
00:49:36Jenny!
00:49:38Jenny!
00:49:40She's not here!
00:49:42Jenny!
00:49:47What happened?
00:49:49I heard you scream.
00:49:49What happened?
00:49:51It's okay.
00:49:53I'm here.
00:49:54What happened?
00:49:55He...
00:49:57He was after me.
00:49:59And I...
00:50:00I got trapped in this room.
00:50:04And...
00:50:05He was gonna kill me!
00:50:07Who?
00:50:07The man with the action!
00:50:10And someone else!
00:50:11There was no one here!
00:50:13Yes.
00:50:15He was upstairs.
00:50:17Upstairs and then...
00:50:18And then he ran down here after me.
00:50:21Your wrist, how'd you do that?
00:50:22Oh, child, you probably...
00:50:24Cut it when you fainted.
00:50:26You better come back to my rooms.
00:50:29No!
00:50:30No!
00:50:30Let me show you!
00:50:31Hey, quick!
00:50:32Mrs. Abercrombie's right!
00:50:33No, wait!
00:50:34I'll just show you!
00:50:35Jenny!
00:50:40Jenny, please!
00:50:41John, they were here!
00:50:43There was that girl and...
00:50:44And there was this crying cell!
00:50:46Jenny!
00:50:46Come on!
00:50:47That's the best one, Mrs. Abercrombie's room.
00:50:48You can lie down.
00:50:49My only kid must have a fever!
00:50:51Oh, you'll burn!
00:50:53Cut it, child!
00:50:54But they were here!
00:50:55Where could they have gone to?
00:50:56Jenny!
00:50:57Jenny!
00:50:58Come on!
00:50:58There's no one here!
00:51:00Come on!
00:51:01You need to lie down.
00:51:03Matt!
00:51:04Matt!
00:51:15I'm all right.
00:51:16Really?
00:51:16Oh, this man, you stay here and rest.
00:51:18John, will you go to the kitchen and get the rag next to the sink?
00:51:22It's just a scrap!
00:51:23That's no scratch, child.
00:51:25It should be bandaged properly.
00:51:27And when you get back home, you go see a doctor.
00:51:30Here, I can do it.
00:51:31No!
00:51:31Let me.
00:51:32No.
00:51:35How's that fever, child?
00:51:38I think you could be coming down with a flow.
00:51:45The sun's about to set.
00:51:47It'll be dark in an hour.
00:51:49We'll have to be going soon.
00:51:50Going?
00:51:52Well, we plan to go back to the city for dinner.
00:51:54Oh, my!
00:51:54I won't stand for that.
00:51:56You stay here and have dinner with me.
00:51:59And spend the night, too.
00:52:03Jenny needs the rest.
00:52:05And besides, you don't need any dinner in that foggy city.
00:52:11You'll get pneumonia for sure.
00:52:12That's a very generous offer, but I'm afraid you can't accept.
00:52:15It would be in a position.
00:52:17Oh, no.
00:52:18It would give me the greatest pleasure.
00:52:20But you weren't planning on three for dinner.
00:52:22And besides, there isn't room for us here.
00:52:23Oh, yes, there is.
00:52:25There are two cottages where my relatives used to stay when they visited me.
00:52:31All I need are pillows and some blankets.
00:52:35Of course, I'm afraid it's a little dusty now.
00:52:38Oh, that's very kind, Mrs. Abercrombie, but...
00:52:40No, hush, child.
00:52:42I insist you'll need the rest.
00:52:45It's all decided.
00:52:46I won't hear anything more.
00:52:48I'm going out now to make the bed.
00:53:11John?
00:53:12I'm in here!
00:53:18Hi.
00:53:19Hi.
00:53:20Hi.
00:53:20How is it in there?
00:53:22A little dusty.
00:53:24It's not bad.
00:53:25It's no hotel.
00:53:26Hold on a second.
00:53:34No second time, I'll wear it.
00:53:37Thank you, sir.
00:53:48You still sorry I was staying?
00:53:51Oh, well...
00:53:52I'm just so confused with everything that's been happening to me.
00:53:56Everything you think's been happening to you.
00:53:58Okay, so there's no proof, but...
00:54:00It doesn't prove that it didn't happen, and...
00:54:03And it doesn't change one thing.
00:54:06What's that?
00:54:09That I saw Mrs. Abercrombie coming out of that padlocked room.
00:54:13That she told us she didn't have the key for it.
00:54:15Jenny, you gotta believe me.
00:54:17Mrs. Abercrombie was with me the whole time, talking about the resort.
00:54:21She didn't leave until we heard you scream.
00:54:24Well...
00:54:25It doesn't change what I saw.
00:54:29And after what the hunter said...
00:54:31Oh, wait, wait a minute.
00:54:34I thought you just told me that the hunter didn't believe that story himself.
00:54:39Nothing.
00:54:40But nothing.
00:54:43Come on.
00:54:46Now look, Jenny.
00:54:48You've just gotta relax.
00:54:51You've probably got a touch of some bug that's going around that's playing tricks on you.
00:54:56Maybe so.
00:54:59Anyway, I...
00:55:00I'm glad I'm not here alone.
00:55:06You know...
00:55:07Abandoned screwing tools always intrigue me.
00:55:10When I found one when I was little...
00:55:12I used to jump in and pretend I was a Christian being thrown to the lion.
00:55:16No, no, no, no!
00:55:17What?
00:55:18Well, it's the...
00:55:19The scene at the end of the monster movie when the...
00:55:21The heroine is finally trapped by the grotesque beast.
00:55:24Is it in a swimming pool?
00:55:25Sure.
00:55:26Ah!
00:55:30Step by step...
00:55:33Closer and closer...
00:55:34The beast came to our heroine.
00:55:37Poor Miss Betty Lou.
00:55:40Until...
00:55:41At last there was no one left to go and she was trapped.
00:55:45Ow!
00:55:47Ow!
00:55:48The final step...
00:55:51The beast licked his lips in anticipation...
00:55:56And snorted.
00:55:58Ow!
00:56:00Ow!
00:56:02Then...
00:56:03He looked down at her.
00:56:06With an emotion he had never felt before.
00:56:10Was it...
00:56:12Love...
00:56:14Anger...
00:56:15Pity...
00:56:16Okay!
00:56:18A certain tenderness, shall we say.
00:56:20And with this tenderness...
00:56:23He picked our heroine up.
00:56:25The very heroine...
00:56:27He hated...
00:56:28He knows what protest did.
00:56:30Ow! No!
00:56:31Help!
00:56:32For that very moment...
00:56:33Our hero appears on the scene.
00:56:36Oh!
00:56:38Brave...
00:56:39Young...
00:56:40Intelligent...
00:56:42Trustworthy...
00:56:42Loyal...
00:56:43Helpful...
00:56:44Friendly...
00:56:44Courteous...
00:56:45Kind...
00:56:45Obedient...
00:56:46Cheerful...
00:56:46Thrifty...
00:56:47Brave...
00:56:47And reverend...
00:56:51Our hero, Dr. Bradley, who just happens to be the creator of this hideous thing.
00:56:54Cognizant of the evil he has wreaked upon an unsuspecting world.
00:56:57And now that his creature threatens the one thing in the world he loves besides science.
00:57:03Has come to do battle with the hideous monster.
00:57:06Slowly, he approaches him.
00:57:08The thing rears up.
00:57:10He approaches again.
00:57:11The thing rears up.
00:57:13Come here, you beast, lay hands off of her.
00:57:16You mean me?
00:57:17Yes, you, you hideous creature.
00:57:20Don't be rude.
00:57:22Take that!
00:57:23And that!
00:57:24Take that!
00:57:25Take that!
00:57:26Take that!
00:57:26Take that!
00:57:27And the hero gets the upper hand and with a heroic plunge, dives his knife into the creature's heart.
00:57:34Help!
00:57:36Oh!
00:57:39Oh!
00:57:40Oh!
00:57:41Oh!
00:57:45Oh!
00:57:46My hero!
00:57:48Oh!
00:57:49Oh!
00:57:51Oh!
00:57:52Oh!
00:58:02Oh!
00:58:03Oh!
00:58:05Oh!
00:58:05Oh!
00:58:07Oh!
00:58:10Oh!
00:58:22what can it be why our hero is no hero at all but Dracula's nephew out for a bite
00:58:35oh you never stop oh oh John
00:58:50what what okay what what what what please stop
00:59:03stop what what what please stop what please stop please stop
00:59:13one more way to get it
00:59:37yeah
00:59:38yeah
00:59:39yeah
01:00:00I don't know. I've always hoped someone would come along and be interested enough in it to
01:00:07fix it up like it used to be, you know, painted and wallpaper and fix up the lovely old gardens
01:00:18and the, and the walks. Oh, but that's, nobody feels like that to a place like this anymore. Those days
01:00:28are gone.
01:00:31This meal is superb. You shouldn't have had so much trouble. Oh, I'm glad you enjoyed it. Well, it's not
01:00:38any trouble, you know. Cooking is really my hobby. Well, it is fantastic. I'm glad you like it. What kind
01:00:46of meat is this, Mrs. Evercrombie? Is it beef? No. Well, then, lamb or pork? No. What is it then?
01:00:54It's an old secret family recipe. I call it the Hunter's Stew. It's far all the fun if I told
01:01:05you how I made it. Well, it's delicious. So, before I go, do you promise you'll tell me how I
01:01:11make it?
01:01:13Yes. I promise to tell you how I make it before you go. Now, anybody for some wine? I love
01:01:27some. Oh, thank you very much. Of course, of course.
01:01:58There we go.
01:02:19I propose a toast to the hospitality of our generous hostess. Yes, indeed. Thank you.
01:02:28Oh, what a clumsy fool I have.
01:02:31Never get us.
01:02:33Yes.
01:02:35How unfortunate.
01:02:38Please don't make me stay. Let's go tonight.
01:02:40Get yourself all excited again.
01:02:42Please.
01:02:45There's got to be a perfectly logical explanation for everything that you think has been happening to you.
01:02:54You've probably got a fever and you're overtired.
01:02:58I don't believe John.
01:03:00There's nothing wrong.
01:03:03Believe me.
01:03:07I'll take care of you.
01:03:18I'm sorry nothing ever works out the way I planned it.
01:03:22It's the story of my life.
01:03:24I'm dinner in the city.
01:03:26I'll be right next door.
01:03:31What you need now is rest.
01:03:34I'll be right next door.
01:03:38tonight you get some sleep and then tomorrow we'll try to figure things out
01:03:44we'll find your hunter friend and we'll go see what we can find out in town about our
01:03:50mrs. Abercrombie okay I promise you'll help me check it out
01:03:55cost my heart
01:04:05I guess you left it for me to wear
01:04:11really hey come on let me see it
01:04:17well that's not exactly playboy
01:04:34I'll be right next door
01:04:50I'm
01:05:02I'm
01:05:07I'm
01:05:08I'm
01:05:17I'm
01:05:25THE END
01:06:00THE END
01:06:33THE END
01:06:35THE END
01:06:37THE END
01:06:38THE END
01:06:39THE END
01:06:41THE END
01:06:44THE END
01:06:52THE END
01:07:03THE END
01:07:05THE END
01:07:20THE END
01:07:22THE END
01:07:30THE END
01:07:31THE END
01:07:31THE END
01:07:33THE END
01:07:35THE END
01:07:36THE END
01:07:36THE END
01:07:39THE END
01:07:40THE END
01:07:40THE END
01:07:44THE END
01:07:45THE END
01:07:45THE END
01:07:58THE END
01:07:58THE END
01:07:58THE END
01:08:04THE END
01:08:04THE END
01:08:04THE END
01:08:04THE END
01:08:05THE END
01:08:06THE END
01:08:06THE END
01:08:07THE END
01:08:08THE END
01:08:09THE END
01:08:09THE END
01:08:15THE END
01:08:15THE END
01:08:16THE END
01:08:33THE END
01:08:33THE END
01:08:34THE END
01:08:43THE END
01:08:44THE END
01:08:45THE END
01:08:45THE END
01:08:45THE END
01:08:45THE END
01:08:46THE END
01:08:46THE END
01:08:46THE END
01:08:47THE END
01:08:47THE END
01:08:47THE END
01:08:48THE END
01:08:48THE END
01:08:48THE END
01:08:48THE END
01:08:48THE END
01:08:50THE END
01:08:50THE END
01:08:52Get out of there and get her!
01:08:54Hold on, get her!
01:09:14Get the key to the padlocked room.
01:09:19That will prove it to John.
01:09:23It's on time.
01:09:39Find her!
01:09:46So...
01:09:51Hear!
01:09:52I don't know.
01:10:32I don't know.
01:10:34Where are you?
01:10:38Oh, good God.
01:10:40Now listen.
01:10:42Everything must be exactly the same as I told you.
01:10:47Most important, the circle.
01:10:50Don't worry, it will be.
01:10:52Why do we need all this?
01:10:54We didn't have to with the others.
01:10:55The others were not the same.
01:10:58She must be just like that first bride.
01:11:03Okay.
01:11:04Now, remember, we waited for tonight for a reason.
01:11:08So that it can be just the same.
01:11:12She must die between midnight and six in the morning, the second before or after.
01:11:22Now, I'm having trouble with our helpers.
01:11:25They're too anxious.
01:11:27They could spoil everything.
01:11:30Now remember, most important, the circle.
01:11:36Now, she must enter it without us forcing her.
01:11:41Understood?
01:11:45What about Luther and the others?
01:11:47If they're here by midnight, fine.
01:11:50If not, we won't wait a second for them.
01:12:01Okay.
01:12:17Well, let's go.
01:12:22Let's go.
01:12:23Let's go.
01:12:26Oh, my God.
01:12:58Oh, my God.
01:13:28Oh, my God.
01:14:00Oh, my God.
01:14:30Oh, my God.
01:14:51Oh, my God.
01:15:20Oh, my God.
01:15:37Oh, my God.
01:15:51Oh, my God.
01:16:12Oh, my God.
01:16:30Oh, my God.
01:16:45Oh, my God.
01:17:19Oh, my God.
01:17:38Oh, my God.
01:17:40Oh, my God.
01:17:44Please, please, please.
01:17:48Please, please.
01:17:52Mommy.
01:18:16Mommy.
01:18:33Mommy!
01:18:36Mommy!
01:18:39Mommy!
01:18:40Mommy!
01:18:59James!
01:19:00James!
01:19:02James!
01:19:02I want you to keep you awake!
01:19:03Everybody, come on, we've got to get out of here!
01:19:15John, look out!
01:19:23Oh, God, not you.
01:19:26I'm sorry, John, but you are so perfect.
01:19:43What do you mean?
01:20:23she's waking
01:20:26ah good
01:20:27it's almost midnight
01:20:30I wanted her to be awake
01:20:33what about Luther and the others
01:20:35I told you we weren't going to wait for them
01:20:39then let's start
01:20:40oh we have to wait till midnight
01:20:44that drug may wear off at any time
01:20:46we don't know how much we got in her
01:20:47ah enough did
01:20:50I don't want to hurry and spoil this
01:20:54we've worked too long looking for one as perfect as her
01:21:00ah fine child
01:21:02I'm so glad you could join us
01:21:06although it's a shame
01:21:08that John and I worked so long and hard
01:21:11looking for someone like you
01:21:14you're not going to be with us very long
01:21:22it's no use Jenny
01:21:24that shot we gave you was a local anesthetic
01:21:28you can see and hear fine
01:21:30but you can't move your body at all
01:21:34frustrating isn't it John
01:21:36but you have no idea how frustrating it's been for John and me
01:21:41waiting all this time
01:21:44for this night
01:21:46this special night
01:21:50ah but it is well worth it
01:21:53oh oh I must thank you for being so generous
01:21:59with that blood for the circle
01:22:06it's almost time
01:22:12fine child
01:22:14in a moment you're going to learn the recipe for my honey sister
01:22:49that you're going to learn the recipe for me
01:22:56THE END
01:23:29THE END
01:23:57THE END
01:24:34THE END
01:24:41THE END
01:24:49THE END
01:24:51THE END
01:24:54THE END
01:24:55THE END
01:24:56THE END
01:24:57THE END
01:24:59THE END
01:25:00THE END
01:25:00THE END
01:25:01THE END
01:25:02THE END
01:25:04THE END
01:25:04THE END
01:25:05THE END
01:25:06THE END
01:25:12THE END
01:25:17THE END
01:25:22THE END
01:25:23THE END
01:25:30THE END
01:25:38THE END
01:25:50THE END
01:25:58THE END
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01:26:01THE END
01:26:02THE END
01:26:03THE END
01:26:05THE END
01:26:05THE END
01:26:05THE END
01:26:06THE END
01:26:14THE END
01:26:22THE END
01:26:25THE END
01:26:31THE END
01:26:32THE END
01:26:36THE END
01:26:38THE END
01:26:45THE END
01:26:45THE END
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01:26:46THE END
01:26:46THE END
01:26:53THE END
01:26:58THE END
01:27:03THE END
01:27:05It happened! It happened! It happened! It happened!
01:27:19Hey, Sheriff! Sheriff, look what I found!
01:27:23I don't think this little lady's been telling us the whole truth.
01:27:28That's sure enough marijuana.
01:27:32That's not mine!
01:27:33Well, it's your car, ain't it?
01:27:35Yes, it's my car, but those are not mine!
01:27:39I'm afraid you'll have to wait here a while, Sheriff.
01:27:42This little lady doesn't serve no private sale.
01:27:45Put her down here with the other one.
01:27:59Don't worry, Miss. You won't be here long.
01:28:25I wonder how long it'll have to be here.
01:28:33Get long enough, my child.
01:28:58Get long enough, my child.
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