A young woman investigating her sister's suicide at a private girls' school finds herself battling a Satanic cult.
#HorrorMovie
#HorrorFilm
#FolkHorror
#TeenHorror
#HorrorMovie
#HorrorFilm
#FolkHorror
#TeenHorror
Category
🎥
Short filmTranscript
00:00:28Transcription by CastingWords
00:00:34CastingWords
00:01:13CastingWords
00:01:27CastingWords
00:01:57CastingWords
00:02:16CastingWords
00:02:22she has to be there she told me she'd be there she has to
00:03:01be there
00:03:28Elizabeth!
00:03:33Elizabeth!
00:03:40Elizabeth!
00:03:53She ain't home.
00:04:00She told me she'd be here.
00:04:03You a sister?
00:04:06Yes.
00:04:09She just went to the store.
00:04:13Ask me to give you a key.
00:04:42Come on.
00:04:44Come on.
00:04:55Come on.
00:04:58Come on.
00:05:03Come on.
00:05:04Come on.
00:05:16Come on.
00:05:26Oh, my God.
00:05:47Oh, no.
00:05:50Please, no.
00:06:28John?
00:06:31What's going on?
00:06:32It's your sister, Miss Sayers.
00:06:34She's gone crazy in there.
00:06:36Screamed and locked the door.
00:06:44I tried all the doors and windows.
00:06:46They're all locked.
00:06:47Excuse me, please.
00:06:52Martha?
00:06:54Martha, it's me, Elizabeth.
00:06:57Open the door, please.
00:07:00Can you break it in?
00:07:22But you can't really argue with the coroner's report, Miss Sayers.
00:07:26Lieutenant, my sister did not commit suicide.
00:07:28She had no reason to kill herself.
00:07:31She was happier than she's been in years.
00:07:33But no one could have gotten into the house.
00:07:36The doors and the windows were all locked from the inside.
00:07:39She did not commit suicide.
00:07:41Why would she catch a plane from Massachusetts, hire a car at the airport,
00:07:45and drive all the way to my house to kill herself?
00:07:50Well, there's no rationale with suicide, Miss Sayers.
00:07:52I understand how upset you are, but if you...
00:07:54No, you don't understand anything.
00:07:56If she was going to kill herself, there were worse times,
00:07:58like when our parents died or when we were separated by different schools
00:08:01hundreds of miles apart, but not now.
00:08:04But you did admit that she was a melancholy girl.
00:08:07That she was lonely.
00:08:09Well, you hardly saw her during the past few years.
00:08:11Then ask her friends at school.
00:08:15We did.
00:08:16Did you try her ex-roommate, Lucy Denbrow?
00:08:20Do you really think she would make that much difference?
00:08:22Yes, she was her roommate for two years.
00:08:24She knows Martha.
00:08:27Okay, Miss Sayers.
00:08:29We went to Miss Lucy Denbrow in Massachusetts,
00:08:31and to some of the other classmates at the academy,
00:08:33and the headmistress.
00:08:36No one could give us any further information.
00:08:38I can't accept that.
00:08:40There just isn't enough evidence for us to pursue it any further.
00:08:44I'm sorry.
00:08:47But the case is closed.
00:08:50Not for me it isn't.
00:09:05I just, uh, I couldn't fly into the funeral.
00:09:08I mean, there was no warning. None.
00:09:10I told the police when they called it.
00:09:12Everything was fine.
00:09:13I mean, just great.
00:09:14Martha was busy and working.
00:09:15So was I.
00:09:17If you don't like the sherry, I can rent them for some vodka.
00:09:20No, no. Please don't worry about it.
00:09:21I don't drink much.
00:09:22I just grabbed this little place right after graduation.
00:09:25I sure hope my guardian sings for the lute.
00:09:27Lucy, did Martha keep a diary or anything like that?
00:09:31Oh, you know her better than that.
00:09:32No memories for her.
00:09:34Life was now.
00:09:35Well, something was going very wrong.
00:09:37It had to be.
00:09:38Nothing I knew of.
00:09:39Sure you wouldn't like some vodka?
00:09:41No, thank you.
00:09:42She wasn't upset or anxious or anything?
00:09:45Oh, anxious maybe.
00:09:47About our graduation and you and her getting your own place
00:09:49and finally being together.
00:09:52Nothing else.
00:09:53Like what?
00:09:55Someone, something at the school maybe.
00:09:59It has to be something there.
00:10:00No.
00:10:01It had to be something that happened at the academy.
00:10:03I would know if there was anything else.
00:10:05No, I'm telling you no.
00:10:07I'm going there.
00:10:08Well, you won't find out anything. Nothing.
00:10:10Nothing.
00:10:10Nothing.
00:10:11I've got to try.
00:10:13You won't tell anyone you saw me.
00:10:15Or that you talked to me.
00:10:16Promise me.
00:10:17Do you understand and no one?
00:10:22I'm sorry.
00:10:25Martha's death and everything.
00:10:27I...
00:10:28Please forgive me.
00:10:30Yes, of course.
00:10:42I've got to try the
00:10:42and find them into a new life.
00:10:43No.
00:10:54Please forgive me.
00:10:56But there are nobleman.
00:12:11Hi, I'm Roberta Lockhart. We're the welcoming committee from your class. Now, the dragon lady had us memorize a short
00:12:16welcoming speech. I'm afraid it'll make you throw up.
00:12:19I'm Elizabeth Morgan. We know. We've been expecting it. This is Debbie Jones. Hi. And that's Jody Keller. Hi. Jody,
00:12:27why don't you get the bag? Okay.
00:12:31The dragon lady wanted us to show you around. To see that you were fed, housed, settled, made you feel
00:12:39like one of us within 15 minutes of your arrival.
00:12:42How are we doing? I've been at home already. That's good. The dragon lady said... Does the lady have another
00:12:47name? Headmistress. She is a bad painter, a worse sculptress, and a lousy musician.
00:12:54She's a perfect headmistress for an academy of fine arts. Those who can do, those who can't teach. But this
00:13:00place has a marvelous reputation.
00:13:02Hey, listen. A lot of the professors are super. Really super. Jody's got a crush on the head of the
00:13:08fine arts department.
00:13:09Ha, ha, ha. We all do. It's a school hobby. Uh-huh. If you like that sort of thing.
00:13:17Pouligny Montrachet, 69. Ha, ha. She does not speak French. She just reads labels very well.
00:13:28To our new friend. Take a big swallow, because you're going to need it for the dragon lady.
00:13:33Cheers.
00:13:37We here at Salem Academy feel that girls of good breeding are more easily groomed into young ladies of culture
00:13:45and refinement.
00:13:47We do have our traditions here. But then I suppose, like most traditions, they're meant to be broken.
00:13:54Not all of them.
00:13:56Oh, good. I... I'm so pleased to hear you say that. I don't know. It seems to me that...
00:14:03So many young people today, especially in the arts, tend to have little regard for traditional techniques, the classic forms.
00:14:13Picasso was a realist painter before. He was an impressionist.
00:14:16It's a lovely reference, my dear.
00:14:18Now, this academy has its own tradition.
00:14:23Under different names, it has been here in this very place for over 300 years.
00:14:31Well, Elizabeth, I realize that you must be very tired after your long trip, but since you enrolled after the
00:14:38quarter began, I think it would be wise for you to start your classes today.
00:14:42Thank you for accepting me.
00:14:44Only because you qualify.
00:14:46Now, I want you to have one of these, since we're some distance from the main power lines, we often
00:14:52have quite erratic and exasperating electrical failures.
00:14:56There's nothing to be frightened of. You just keep that in your room. Usually the blackouts last only a short
00:15:01time.
00:15:02Now, here's your curriculum, and this is your list of classes for today.
00:15:07Professor Clamp at Graphic and Fine Arts, Professor Delacroix, Behavioral Psychology.
00:15:11Yes, I think you'll find them very interesting. Both of them, very interesting.
00:15:15Good luck, Elizabeth.
00:15:17I hope you'll find Salem Academy as rewarding as I did when I was a student here.
00:15:31Mrs. Williams speaking.
00:15:35Yes.
00:15:42Yes.
00:15:47Yes.
00:15:48The new girl just arrived.
00:15:50She...
00:15:51Yes.
00:16:09So, if illusion and reality are different, they're also very much the same.
00:16:19What we think we see is as real as what we actually see.
00:16:25Example, optical illusion.
00:16:31How many see the squares coming out from the canvas, projecting out?
00:16:34Hands.
00:16:36Right.
00:16:37How many see the opposite?
00:16:38The box is going into the canvas.
00:16:41Okay.
00:16:42Now, what I'm going to do, on signal, I'll clap my hands.
00:16:45You'll blink your eyes and then stare right into the drawing.
00:16:48And those of you who see the reverse of the image you just saw, raise your hands.
00:16:52All right?
00:16:52Ready?
00:16:53Blink.
00:16:53Okay, now stare at that canvas.
00:17:01Hands.
00:17:03Yeah.
00:17:06Good.
00:17:08Good.
00:17:09Now, everybody but our new classmate, who was obviously concentrating.
00:17:13Sorry, I guess I wasn't concentrating.
00:17:15No, I think you were concentrating on something and therefore locked into your mind the very
00:17:19first image you saw.
00:17:20You have to let your mind hang loose.
00:17:23But I did blink my eyes.
00:17:25But not your mind.
00:17:26The artist has to be free to see things in different ways.
00:17:30To dare to see things unlike anyone who's ever seen them before.
00:17:34Now, let's look at some of our own masterpieces.
00:17:39We have Roberta's landscape, which is still rather obvious, but I'm sure she'll see more
00:17:45as she develops.
00:17:52And Debbie's gloomy view.
00:17:57I hope she brightens things up a bit when she goes back to work.
00:18:00Or when she finds a new boyfriend.
00:18:04All right, just remember, everything is illusion and reality.
00:18:09Except for the grade you get at the end of the term.
00:18:12Until then, condemn nothing.
00:18:14Embrace everything.
00:18:15And hang loose.
00:18:17Okay?
00:18:18See you tonight.
00:18:25Hey, this is over.
00:18:26Come on.
00:18:34Excuse me a minute.
00:18:43Debbie?
00:18:46I liked your painting.
00:18:49You're the only one who does.
00:18:51The girl in it, she's very pretty.
00:18:53Is she a student here?
00:18:54Was.
00:18:56Martha Sayers.
00:18:57She's dead now.
00:19:00Were you very close?
00:19:03Not really.
00:19:05I just thought that she...
00:19:08What?
00:19:10Fitted into that room.
00:19:14You ready for round two?
00:19:15Yeah, what's our next class?
00:19:17Rats.
00:19:21You'll see that the eating cycle of the rodents will become more intense.
00:19:25They'll work harder and fight harder to get food that sometimes will be where they expect it and sometimes it
00:19:33will not.
00:19:37We'll teach them that the food is always behind the red door.
00:19:42And when they have that well learned, we'll take the food away and put it behind the white door.
00:19:49And when they learn that, we'll switch again.
00:19:53And again.
00:19:54And again.
00:19:59To what end?
00:20:01Roberta.
00:20:06To frustrated.
00:20:08Uh, drive it crazy.
00:20:09Why would I want to do that?
00:20:13Debbie.
00:20:17I don't know.
00:20:19Of course not.
00:20:20I might as well ask the rodents as asked you.
00:20:30Elizabeth, what's the purpose of this experiment?
00:20:34To make them passive.
00:20:36And why would we want to do that?
00:20:38So that they're not able to fight back again.
00:20:41Exactly.
00:20:44To show that a mind can be broken to any level by manipulation.
00:20:49And locked on that level.
00:20:52To make it believe what we want.
00:20:54To act as we wish.
00:21:03Dismissed.
00:21:13Now then, when you step on his tail, it squeaks.
00:21:16But then when you step on his head, it doesn't squeak.
00:21:21Can you tell me to point at that tail?
00:21:23Well, on the other hand, don't, don't forget to close the white door when you, when you...
00:21:31When you...
00:21:32Debbie!
00:21:34Debbie!
00:21:42It's still very hot.
00:21:44The doctor should be here soon.
00:21:45Debbie?
00:21:46We should have told the headmistress to notify our family.
00:21:49No, we can't.
00:21:50Why not?
00:21:52Doesn't have any parents.
00:21:53She's only got a guardian.
00:21:54He's somewhere in Europe.
00:22:07Hi.
00:22:08Debbie, the doctor will be here soon.
00:22:13Well...
00:22:14What for?
00:22:18I... I don't need a doctor.
00:22:20Have you had this before?
00:22:22Had what?
00:22:23Don't you remember coming out of the psych class and suddenly screaming?
00:22:26Like you were in some terrible pain.
00:22:29I don't feel any pain.
00:22:32Hey, what time is it?
00:22:346.30.
00:22:35Pa, I want to go wash my face.
00:22:37I don't want to be late for Dr. Clampett's wine party.
00:22:49I'm going to get some more.
00:22:58But you can't just dismiss it. We saw it happen.
00:23:01I'm not just dismissing it. I just hate to feed something like this in such flimsy evidence.
00:23:06Look, we're not asking you to judge Professor Delacroix. Just talk to him about his class.
00:23:11About why he's so hard on Debbie. Then you draw your own conclusions.
00:23:15And what if I draw none?
00:23:16Then we'll have to drop it.
00:23:18Unless...
00:23:18Unless what?
00:23:19Unless something else happens.
00:23:22Well, let's just wait and see if something else happens. If it ever does.
00:23:25Where's Jody? She promised to come.
00:23:27She's still doing office duty for the dragon.
00:23:37You needn't watch the clock, my dear. I'll let you know when your time is up.
00:23:41Yes, ma'am.
00:23:48How is Debbie?
00:23:50She's fine now.
00:23:57Jody, have you been aware of any unusual conduct in your teachers or your classmates? I mean, other than Debbie's
00:24:05outburst?
00:24:07No, ma'am.
00:24:13If that's the doctor...
00:24:19If that's the doctor, tell him I still want him to come over.
00:24:24Salem Academy.
00:24:26Yes, sir.
00:24:30Yes.
00:24:32Yes, sir.
00:24:35It's the Boston police.
00:24:49Lucy... Deborah?
00:24:53Committed suicide.
00:25:01It's two of us.
00:25:33It's the only one.
00:25:37Let's find out.
00:25:39Yes, sir.
00:25:40No, no, no, no.
00:25:41Yes, sir.
00:25:41Yes, sir.
00:25:41Yes, sir.
00:25:41No.
00:25:42Let's go.
00:26:14Let's go.
00:26:57Debbie, are you awake?
00:27:02Were you asleep?
00:27:04No.
00:27:05I couldn't sleep.
00:27:06I hope you don't mind.
00:27:07No, I don't mind.
00:27:11I didn't know her, but that girl's suicide really shook me up.
00:27:15Lucy?
00:27:16Hmm.
00:27:18Lucy was nice.
00:27:20She was really nice.
00:27:22At the party, you said that makes two of us.
00:27:27Martha.
00:27:27Martha Sayers.
00:27:29She committed suicide, too.
00:27:31Isn't that the girl in your painting?
00:27:35What do you think made them do it?
00:27:40I don't know.
00:27:45It's like there were rats in Delacroix's maze.
00:27:53Maybe we all are.
00:27:57I wish those lights would come on again.
00:28:04I meant what I said about your painting.
00:28:06I really do like it.
00:28:08But that Martha girl seems scared to death in it.
00:28:11I paint what I feel.
00:28:14What is she so scared of?
00:28:18I don't know.
00:28:21Was it that room?
00:28:23Something in it, maybe?
00:28:26Where is that room, Debbie?
00:28:28It's so strange.
00:28:29It's so cold and dark.
00:28:30It looks like a dungeon.
00:28:35It's like it was a memory.
00:28:40It's like it was a room I saw a long, long time ago.
00:28:43Do you know where?
00:28:51Here.
00:28:52Here.
00:28:53I'm almost sure.
00:28:55I am sure.
00:28:56It was right here in this building.
00:29:00Well, I'd better let you get some sleep.
00:29:03I'll see you tomorrow.
00:29:05Night.
00:29:07Night.
00:29:11Night.
00:29:22Night.
00:29:28Night.
00:29:29Night.
00:29:29Night.
00:29:30Night.
00:29:32Night.
00:29:33Night.
00:29:37Night.
00:29:37Night.
00:29:38Night.
00:29:38Oh, my God.
00:30:20Oh, my God.
00:30:48Oh, my God.
00:31:34Oh, my God.
00:31:44Oh, my God.
00:32:02Oh, my God.
00:32:17Oh, my God.
00:32:27Oh, my God.
00:32:33Oh, my God.
00:32:50Oh, my God.
00:33:11Oh, my God.
00:33:28Oh, my God.
00:33:48Oh, my God.
00:34:04Oh, my God.
00:34:07Oh, my God.
00:34:20Oh, my God.
00:34:30Oh, my God.
00:34:43Oh, my God.
00:35:06Oh, my God.
00:35:36Oh, my God.
00:36:22Oh, my God.
00:36:49Oh, my God.
00:37:03Oh, my God.
00:37:57Oh, my God.
00:38:15Oh, my God.
00:38:49Oh, my God.
00:39:12Oh, my God.
00:39:29Oh, my God.
00:39:54Oh, my God.
00:40:09Oh, my God.
00:40:38Oh, my God.
00:40:39Oh, my God.
00:41:30Oh, my God.
00:42:03Oh, my God.
00:42:05Oh, my God.
00:42:06Oh, my God.
00:42:34Oh, my God.
00:42:45Oh, my God.
00:43:20Oh, my God.
00:43:23Oh, my God.
00:43:35Oh, my God.
00:44:06Oh, my God.
00:44:45Oh, my God.
00:45:17Oh, what's the meaning of this? After hours, you know the rule.
00:45:21Debbie's dead.
00:45:24What?
00:45:26We found her body in the cellar.
00:45:28But how?
00:45:30We don't know.
00:45:32It looks like she committed suicide.
00:45:36Oh.
00:45:39Oh, dear God.
00:45:46I'll have to call the sheriff.
00:46:02Hello, this is Mrs. Williams, the headmistress at Salem Academy.
00:46:05We need you right away. Please, hurry.
00:46:10Yes.
00:46:16Hello.
00:46:17They'll locate the sheriff as quickly as possible.
00:46:19What do we do about Debbie?
00:46:21I'll ask Dr. Clamford to lock the cellar door and wait for the sheriff.
00:46:24And I want you to promise me to say nothing to the rest of the girls until after the sheriff
00:46:28arrives.
00:46:28I don't want to panic in the middle of the night.
00:46:31Yes, ma'am.
00:46:39Poor Debbie.
00:46:42And Lucy Dambrao and that Sayers girl?
00:46:44Oh, come on, Roberta.
00:46:46You can't believe they all committed suicide.
00:46:49Well, it would be one hell of a coincidence.
00:46:52It sure would.
00:46:52Three girls from the same school?
00:46:54No, they were murdered.
00:46:57Or at least driven to do what they did.
00:47:01You mean like the rats in the maze?
00:47:03I'd bet my life on it.
00:47:05What do you know about Delacroix?
00:47:07Not much.
00:47:09But his personnel fire reports are in those cabinets.
00:47:12The dragon lady keeps them on everybody.
00:47:14Let's take a look.
00:47:15Come on, fella.
00:47:22Fella.
00:47:24Wait a minute.
00:47:27It's gone.
00:47:29All right.
00:47:30Now let's look for Lucy Dambrao and Martha Sayers.
00:47:33What for?
00:47:34Just a hunch.
00:47:40No file on Martha Sayers.
00:47:42Yeah, Lucy Dambrao's gone, too.
00:47:45Maybe she took them out after they died.
00:47:48Let's look for Debbie Jones.
00:47:55It's gone.
00:47:57But the headmistress didn't know she was dead until just now.
00:48:01She wouldn't take them out of here just to hide them someplace else.
00:48:05That doesn't make any sense.
00:48:07She probably doesn't even know they're gone.
00:48:11Let's check out Delacroix's lab.
00:48:13Shouldn't we wait for the sheriff?
00:48:15It might be too late.
00:48:17Okay.
00:48:19I'll tell you one thing.
00:48:20I'm checking out of here first thing in the morning.
00:48:24I mean, what's the matter?
00:48:27I've just thought of another one of your great coincidences.
00:48:30Something all three girls had in common.
00:48:32What?
00:48:33They all of them had no one to help them.
00:48:35All their parents are dead.
00:48:37Elizabeth, so were mine.
00:48:38But you don't see me killing myself over it.
00:48:40Come on.
00:48:58Come on.
00:49:14Let's go.
00:49:44Denver, Sayers, Joe.
00:49:47You were right.
00:49:50Roberta, look.
00:50:00You're all dead.
00:50:02They were slaughtered.
00:50:07They were slaughtered.
00:50:12I know why you came here, and I know who sent you.
00:50:17But it won't stop me.
00:50:19It won't silence me.
00:50:22It killed them the way it wants to kill me.
00:50:26Who killed them?
00:50:27It wasn't a person.
00:50:29You know it wasn't a person.
00:50:32Not me.
00:50:34I won't give in, not ever.
00:51:02I won't give in, not ever.
00:51:03I won't give in, not ever.
00:51:15I won't give in.
00:51:19I won't give in.
00:51:30I won't give in.
00:51:33I was in his lap.
00:51:33He's killed all his animals.
00:51:34He's going crazy.
00:51:35He thinks somebody's after him.
00:51:36Where is he now?
00:51:37He ran toward the woods.
00:51:39I'll try to stop.
00:51:40No, he's got a gun.
00:51:41Wait for the police.
00:51:42They're on their way.
00:51:43Mrs. Williams told me.
00:51:44I took care of Debbie.
00:51:46Now, look, if they see him with a gun, they might shoot him.
00:51:48Maybe you'll listen to me.
00:51:49You two wait here, and don't scare the other girls.
00:51:51Wait right here.
00:51:58Wait right here.
00:52:31Wait right here.
00:52:52Wait right here.
00:53:14Come on.
00:53:22Johnny, Johnny help me.
00:53:26Johnny!
00:53:29Hop me!
00:53:39Johnny.
00:53:39Help me!
00:53:41Help me!
00:53:43Come on.
00:53:44What?
00:53:44Eric!
00:53:44Oh, Shelton.
00:53:46Oh, no!
00:54:11Please, please!
00:54:12Oh, I'll never go down there again.
00:54:15Please, please let me out.
00:54:17Oh, I won't tell.
00:54:19Oh, please let me go.
00:54:20Leave me out.
00:54:21I won't tell.
00:54:22I won't tell.
00:54:23I won't tell.
00:54:34I'm worried about Dr. Clampett.
00:54:36Don't worry about him.
00:54:37He can take care of himself.
00:54:39He's something else.
00:54:40I've never met anybody like him.
00:54:42You never will.
00:54:44For all of us in school,
00:54:46and especially those of us without parents,
00:54:49he's fulfilled a very special need.
00:54:51We can't just stay here and do nothing.
00:54:54We're doing exactly what he told us to do.
00:54:57I always do that.
00:54:59Sounds to me like you're in love.
00:55:04Maybe.
00:55:05Very special kind of love.
00:55:10See, when I first came to the academy, I was really lost.
00:55:14He gave me confidence in myself.
00:55:17He gave me a belief in my own...
00:55:21ability?
00:55:22I was thinking of the word power.
00:55:25Power?
00:55:25To do what?
00:55:26Not that kind of power.
00:55:28Power to live.
00:55:28Power to never feel vulnerable again.
00:55:30Never feel like your life is right on the edge of being wiped out.
00:55:34And if it were, nobody would care.
00:55:35Nobody would give a damn.
00:55:37He gave you all that?
00:55:39And more.
00:55:41He can't help you if you fight him.
00:55:43He can't help you if you resist him.
00:55:45Who wants to fight him?
00:55:47Right now, I could use all the help I can get.
00:55:51Well, I guess it was easier for you.
00:55:52You had parents and a family.
00:55:58No, all I had was a sister.
00:56:00She's gone now.
00:56:04My real name is Sayers.
00:56:07Martha Sayers was my sister.
00:56:10You see, I never really believed that she committed suicide.
00:56:12That's why I came here.
00:56:14When she was here, Dr. Clampett tried to help her.
00:56:17She wouldn't listen to him.
00:56:18You know, I think we're getting very close to finding out what really happened to her.
00:56:22And Lucy.
00:56:24And Debbie.
00:56:28I hope so, Elizabeth.
00:56:31I really do.
00:56:36I couldn't find him. He got away.
00:56:37The police?
00:56:38I don't know what's keeping them, but he could come back here looking for you two.
00:56:42Maybe he always knew that Elizabeth was Martha Sayers' sister.
00:56:46I'm sorry. I should have told you before.
00:56:48I just didn't know who to trust.
00:56:49I understand.
00:56:52I don't want you here or in your rooms.
00:56:54It's the first place he'd look.
00:56:56Up to my classroom.
00:56:57Lock the doors, draw the blinds, and don't let anyone in.
00:57:01Come on.
00:57:01The only thing to do is do the blind.
00:57:02Come on.
00:57:03It's the only way we can.
00:57:11Come on.
00:57:17The only way you can do it.
00:57:19The only way we can do it.
00:57:20The only way you can do it.
00:57:21That's all right.
00:57:21That's all right.
00:57:29I'm not sure.
00:57:35Oh, no. I'll get the lamp.
00:58:12It would be best to clear the girls out of here for the night.
00:58:19Why? What are you going to do?
00:58:21Just clear the school.
00:58:22No. No, I won't let you do anymore.
00:58:28I don't know why I'd let you do what you've done.
00:58:31But it's over now. It's all over.
00:58:39Oh, please.
00:58:44Please. Don't make me do anymore.
00:58:51Please.
00:58:57Jessica.
00:59:09Yes, Dr. Clambert.
00:59:11You'll do as you're told.
00:59:13Yes, Dr. Clambert.
00:59:22You'll tell them and the rest of the staff it's because of the power failure.
00:59:27Yes.
00:59:28You'll tell them that the power company has notified us that it can't be restored and it would be dangerous.
00:59:33I want everybody out.
00:59:35Yes. Whatever you say.
00:59:38It won't be long now.
00:59:43It's almost over.
00:59:46The bus is full, ladies. Try the minibus.
00:59:54Funny your room.
01:00:02Keep moving.
01:00:05Professor?
01:00:08Why can't we take our own cars?
01:00:10Dragon lady's orders.
01:00:11Doesn't want any of you pure in heart going out and making clandestine rendezvous.
01:00:15And don't you dare tell that battle axe I called her a dragon lady.
01:00:18Oh, it's our secret forever.
01:00:20Yes, forever.
01:00:22Oh, by the way, Professor Jenkins said to tell you according to the register there's still eight girls here.
01:00:26All right, tell him I'll transport them along with the headmistress.
01:00:30All right?
01:00:35All right, Rhodey.
01:00:42What's that?
01:00:43Sounds like some cars.
01:00:44The police.
01:00:45Hazel, they'll come in.
01:00:46Dr. Clampett said to stay here.
01:00:48I'm not waiting.
01:00:49Elizabeth, wait.
01:00:51Elizabeth!
01:01:01Wait!
01:01:05Wait!
01:01:40Wait!
01:01:41Wait!
01:01:41I'm not waiting.
01:01:41I'm not waiting.
01:01:45Wait!
01:01:49Whoo!
01:01:49Oh!
01:01:50Oh, my God.
01:01:57i'm sorry.
01:01:58Oh, my God.
01:02:06Elizabeth!
01:02:08Where have you been?
01:02:09Delacroix, he's dead.
01:02:11What? In my car. I found him in my car.
01:02:13Where are the police? What's happened to them?
01:02:15Come on, we'll call him again.
01:02:22Mrs. Williams?
01:02:24Mrs. Williams, Professor Delacroix is dead.
01:02:26He's been murdered.
01:02:27The headmistress isn't here right now.
01:02:29She told me to wait for her.
01:02:32She's gonna punish me.
01:02:33I know she is.
01:02:35But she's wrong. It's a lie.
01:02:38Somebody told her a lie about me.
01:02:40I wasn't in that room.
01:02:42I would never go down there.
01:02:44Jerome. I don't know.
01:02:45Did you tell her? I bet you were the ones
01:02:47who told her I went down to that room.
01:02:49Forget her. Get the police.
01:02:53Hey, what are you doing?
01:02:54You can't use that phone if Miss Abigail
01:02:56doesn't let anybody use that phone.
01:02:58Operator? Operator?
01:02:59I can't get anybody.
01:03:04Phones must be out too.
01:03:06Everybody's gone. I saw them leave.
01:03:08What are you talking about?
01:03:09Oh, the buses. They were headed toward town.
01:03:12But I think we're the only ones here.
01:03:14You better get out of this office.
01:03:16Miss Abigail will give you demerits
01:03:18if she catches you here.
01:03:20Where's your car?
01:03:21The keys are gone. Somebody took them.
01:03:24Look, we could walk to the highway
01:03:25and hitch a ride into town.
01:03:27No, that's a long way in the dark.
01:03:28It's better than staying here with her.
01:03:32Yeah, and whoever killed Professor Delacroix.
01:03:36I wish we had a gun or something.
01:03:39Did she keep one?
01:03:41Let's find out.
01:03:43What are you doing?
01:03:45Miss Abigail will throw you out of school.
01:03:48She'll be back anyway.
01:03:49Wait a minute. There's one in the basement.
01:03:51When I was down there looking for props,
01:03:52there was one in a steel cabinet in the basement.
01:03:54Are you sure?
01:03:55Yeah, one of the maintenance men kept it there, I think.
01:03:58A gun and a couple of rifles.
01:03:59No, you can't go down there.
01:04:01No, you can't go down there.
01:04:03That's why I'm in trouble.
01:04:04Miss Abigail doesn't let anybody go down there.
01:04:07Okay, what do you say?
01:04:09Is it the highway or do we try for the gun?
01:04:12Let's get the gun.
01:04:13No, please, please don't go down there.
01:04:15She'll think I sensed you.
01:04:17Please don't go down there.
01:04:19Please.
01:04:19Listen, you just stay here.
01:04:21And we'll tell her you didn't have anything to do with it, okay?
01:04:25Okay.
01:04:27You tell her I was never in that room.
01:04:29Tell her any damn thing you please.
01:04:30You just stay put.
01:04:31Okay.
01:04:34But he'll find out.
01:04:37Miss Abigail will tell him.
01:04:39She always tells him everything.
01:04:58Where is it?
01:04:58On the wall.
01:05:05There's a key taped to the top of it.
01:05:09Oh, I got it.
01:05:21The rifles are gone.
01:05:23The revolver?
01:05:24I don't know.
01:05:25I'll look.
01:05:34It's empty.
01:05:35Hold it.
01:05:41You know how to use that thing?
01:05:42Yeah, I was brought up on a farm.
01:05:44My father had these around all the time.
01:05:50Come on, let's get out of here.
01:05:51Wait.
01:05:51It could be one of the girls.
01:05:52We've got to see.
01:05:54Okay.
01:05:56Walk to one side in case I have to use this thing.
01:06:14Alright.
01:06:15Come on.
01:06:20You're dark.
01:06:23You're dark.
01:06:35You wait.
01:06:35I can't even see.
01:06:35You should know that coord m combinca team.
01:06:35I may talk with you.
01:06:36You're on now?
01:06:38There's a light.
01:07:00We've waited for you, Elizabeth.
01:07:07Look around you.
01:07:10Eight of my girls died here.
01:07:13Eight, all unwanted, like you, like all of them.
01:07:18I have waited too long.
01:07:21Now I have found eight to take their place.
01:07:25And like them, abandoned once again.
01:07:32It's no coincidence that we don't have families, Elizabeth.
01:07:35He wanted it that way.
01:07:38It has to be that way.
01:07:41Jodie, Roberta, who do you think he is?
01:07:44We know.
01:07:47Malleus Maleforkum, the hammer of witches.
01:07:51Some call him Satan.
01:07:56I welcome what man rejects.
01:07:59I beckon what man despises.
01:08:03I forgive what man will not.
01:08:06Well, you don't believe that.
01:08:08That he's Satan.
01:08:15None of you can really believe that.
01:08:17They believe what they must.
01:08:22Tonight they will sacrifice their mortal souls.
01:08:27Willingly.
01:08:29Hear where it started.
01:08:31And they will return with me.
01:08:33You're crazy.
01:08:36Listen to me.
01:08:37I don't know what kind of a hold he has on you.
01:08:40But he's killed Delacroix and Debbie.
01:08:43We know, Elizabeth.
01:08:47Come with me willingly.
01:08:51Your sister would not.
01:08:53Nor Lucy Dembrough.
01:08:56Don't listen to him.
01:08:57Look, there are eight of us against his one.
01:08:59You've got to get out of here before it's too late.
01:09:01For God's sake!
01:09:03For his sake or mine?
01:09:06They've already made their choice.
01:09:23Come.
01:09:25No!
01:09:26No!
01:09:36We shall meet when I have the eighth.
01:10:09Mrs. Williams, there's a fire in your basement.
01:10:10I'm plant monitoring.
01:10:11I forgot to water these plants today.
01:10:13You won't tell Miss Abigail, will you?
01:10:15I won't tell Miss Abigail anything.
01:10:16Now, come on.
01:10:16We have to get out of here.
01:10:19Give me that.
01:10:20What are you doing?
01:10:21Wait!
01:10:26Come on, get out.
01:10:27Come on!
01:10:28Yeah, I want to see!
01:10:30Come on!
01:10:51Come on!
01:10:55Your people told us about the power danger.
01:10:58Looks like we're a little late.
01:11:30Come on!
01:11:33Everybody out?
01:11:37No.
01:11:38Not everyone.
01:11:43Where's the headmistress?
01:11:46She'll have to notify their families.
01:11:52They didn't have any.
01:11:55Where...
01:11:56Where's Dr. Carpenter?
01:12:00Where he belongs.
01:12:43Where's Dr. Carpenter?
01:12:43They're not missing.
01:12:43What?
01:12:44Where are we!
01:12:44This is the best.
01:12:44Where are we?
01:12:44How are we?
01:12:46We are...
01:12:46How are we?
01:12:51Things looks still interesting.
01:12:55Oh, my God.
01:13:21Oh, my God.
Comments