- 2 days ago
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00:00:12To be continued...
00:00:30You've got to light a candle, got to find your way, but you've got to make it happen today.
00:00:47So they tell you all visions of things you've never seen, but that triggers your aching, intensifies your need.
00:00:54And you've got to light a candle, got to find your way, but you've got to make it happen today.
00:01:04There's an aching inside you, a need for you to try.
00:01:08All the new feelings in you, don't let them pass you by.
00:01:12And you've got to light a candle, got to find your way, but you've got to make it happen today.
00:01:19All the new feelings in you, don't let them pass you by.
00:02:16The day the school bell gave out was the day it opened.
00:02:19all began. It was my idea, but Keats, that oversexed poet, had a hand in it, too.
00:02:26They told her how upon St. Agnes' Eve, young virgins might have visions of delight, and
00:02:32soft adorings from their loves receive, upon the honey middle of the night. If ceremonies
00:02:38do, they did aright. As supperless to bed, they must retire, and couch supine, their
00:02:44beauties lily-white, nor look behind nor sideways, but require of heaven, with upward eyes, for
00:02:51all that they desire. Does that mean what I think it means? Well, what do you think it
00:02:58means, Sarah? Well, that they, uh, they want to have fantasies about their future lovers.
00:03:07Exactly. That's what the ritual's for, so they'll dream about their future husband.
00:03:14Mrs. Stone, what does couch supine mean?
00:03:20Couch supine. I guess, well, couch is just a figurative way of saying lie, and supine
00:03:30means to lie on your back in a very open position. What I don't understand is that the, her boyfriend
00:03:37is in the closet, and she's getting undressed, and he sees all of this, and doesn't she know?
00:03:42Doesn't she care? I mean... No, she doesn't know. She didn't know. I'm sure she would have
00:03:45cared if she knew.
00:03:49Mrs. Stone? Yes? Um, it says, but dares not look behind. I don't understand the technique of,
00:03:57like, how she got into bed. I mean, did she walking backwards? She doesn't back into bed
00:04:03because she can't back into bed. That's one of the rules. But what she, you know, she just
00:04:06walks around in a little semicircle, and that's not violating the rules.
00:04:11Oh, what, what's a bodice?
00:04:13Aww.
00:04:15A bodice is, you know, the top half of a very old-fashioned, long dress.
00:04:21It says, Pamela, if you have something to share with Barrett, I think you should share
00:04:26it with us all.
00:04:30It says, all Aggies are going to be virgins forever.
00:04:39Well, at least it's about the ball. But there's more. Mrs. Stone, there is more.
00:04:44Oh, Rudy, shut your brain.
00:04:46Go on.
00:04:47Go on, read it.
00:04:49Barrett, what's the rest?
00:04:50Hey, Pruney, thanks a lot.
00:04:52Barrett.
00:04:53Sweet.
00:05:00I want a vision of to light tonight in the moonlight.
00:05:04Well, it's not exactly Keith's rhyme scheme, but not bad.
00:05:08Is it?
00:05:09You might make a poet.
00:05:12Oh, I didn't mean it that way.
00:05:14We're running overtime. The bell's broken.
00:05:17We're late for field hockey, Mrs. Stone.
00:05:19Yeah.
00:05:22All right, all right, all right.
00:05:24All right.
00:05:25Oh, if they don't get a new school bell, I'm going to ask for overtime pay.
00:05:31Okay, girls.
00:05:33Fair play.
00:05:34And let's remember, this is a game of position.
00:05:51That's not fair.
00:05:52She cheated.
00:05:52She cheated.
00:05:53Miss Shaw, she tripped her on track.
00:05:54Prune face here cheated.
00:05:55We should get the point.
00:05:59She tripped her on track.
00:06:00I did not.
00:06:01It was an accident.
00:06:02That point doesn't count.
00:06:04I pronounced the game a tie.
00:06:08Okay, girls, come on now.
00:06:09Let's cool off in the pool.
00:06:10It's time for life-saving tests.
00:06:12Okay, to the rescue.
00:06:14All right, go quiet, please.
00:06:16Save her, please.
00:06:20How's that?
00:06:21Yeah.
00:06:22Okay.
00:06:24Priscilla!
00:06:26Priscilla!
00:06:36Do you know what prune face in her section are getting for their haul gift?
00:06:40What?
00:06:40What?
00:06:40They're buying an antique grandfather clock.
00:06:43Do you believe in it?
00:06:44Oh, no.
00:06:45But I'm not fair in the shot at all.
00:06:48Boy, that really gets me mad, though.
00:06:51Hey, listen, Pam, are you okay?
00:06:52Are you water locked, Pam?
00:06:53Yeah, how are you doing?
00:06:54Are you okay?
00:06:54No, I'm okay.
00:06:56Hey, listen, no dinner tonight, okay?
00:06:58Are you not kidding?
00:06:59After film, hockey, and swimming, I'm starved.
00:07:03I'm going on a diet.
00:07:04I'm going to pine.
00:07:06Well, I'm going to dinner.
00:07:08Yeah, well, you already know who your lover is.
00:07:11Duncan Yo-Yo?
00:07:12Do you kiss Duncan?
00:07:14I don't have to tell you.
00:07:15I don't have to answer that.
00:07:16Oh, come on.
00:07:17I don't have to answer that.
00:07:18Well, you kiss him tonight, Duncan.
00:07:20Oh, of course I do.
00:07:20What do you think?
00:07:21I have a prune?
00:07:22Oh, yeah.
00:07:22Do you French kiss him?
00:07:23Get out of here.
00:07:24Come on, come on, tell me your French kiss.
00:07:26Get out of here.
00:07:27I'm not saying another word.
00:07:29Barrett.
00:07:29Come on, tell me.
00:07:30I'm going to tell you anything, Barrett.
00:07:32Come on.
00:07:33Barrett.
00:07:33What?
00:07:34What's a French kiss?
00:07:49Are you going to fix it?
00:07:52Uh, no, no, no, no, not this one.
00:07:56She's shot.
00:07:59It's really a mess around here without it.
00:08:02Hey, how much would a new one cost?
00:08:04Pretty expensive.
00:08:06About $500.
00:08:08All it needs is a new casement.
00:08:12Oh.
00:08:16We have to get this gift.
00:08:19My section.
00:08:20Are you blind?
00:08:22Yes, I am.
00:08:24Bells make great gifts.
00:08:29We don't have that much money.
00:08:31Oh, come on.
00:08:32Kids like you in a school like this?
00:08:35$500 has got to be nothing.
00:08:37We're supposed to earn the money ourselves.
00:08:39It's a rule.
00:08:43What's your name?
00:08:45Pam.
00:08:46I'm Homer.
00:08:48Hey, uh, listen, Pam.
00:08:50You know, a bell like this,
00:08:53it doesn't always have to cost that much.
00:08:56No?
00:08:56No, no, no, no.
00:08:58You see, uh,
00:09:00sometimes discounts can be arranged.
00:09:03How much discount?
00:09:04Well, it depends on
00:09:06how much you play the game.
00:09:09You mean for the bell?
00:09:11Well, you still have to pay for the materials,
00:09:13but to the...
00:09:15Well, let's just say it's for the labor.
00:09:25Are you sure that Keith started like this?
00:09:28Look backwards.
00:09:30It doesn't matter.
00:09:31It's in separate.
00:09:34I'm going to get even with Pruney
00:09:36and her pit friends.
00:09:39Pam, turn around.
00:09:42Why don't you come and do the ritual with us?
00:09:44You'll feel better.
00:09:46Yeah, you can think about your lover
00:09:47rather than old prune face.
00:09:48Hey, Barry.
00:09:50Yes?
00:09:51Doesn't the poem say I need a fragrant bodice?
00:09:53Yes, but if you don't have one,
00:09:55don't worry about it.
00:09:56I've got some.
00:09:59Okay, this is the eve of St. Agnes,
00:10:02and we're the young virgins like Madeline.
00:10:05Yep.
00:10:06And we've all fasted,
00:10:07or at least most of us have fasted.
00:10:10And now we're all going to get visions of our loves.
00:10:13Mallory?
00:10:14I mean, I'm getting ready.
00:10:15Okay.
00:10:16Does that mean when we wake up in the morning
00:10:17we'll be non-virgins?
00:10:19Rainbow.
00:10:22It's the pine time.
00:10:24Mallory!
00:10:25Hi, you guys.
00:10:26Mallory, what's that?
00:10:28Oh, you're...
00:10:28It's the fragrance
00:10:29so that my vision will be able to locate me.
00:10:33Let's do ohm, get into being spiritual.
00:10:35I thought this was supposed to be sexy.
00:10:41How will I know when I get a vision?
00:10:43Oh, you'll know.
00:10:44Well, how will I know?
00:10:46It'll feel good.
00:10:47Will I feel it in my breasts?
00:10:51Well, in both of them?
00:10:55If they can find each other.
00:10:58Do you think mine will grow?
00:11:01Oh, my God.
00:11:11She's blushing.
00:11:12Oh, look at her.
00:11:13The freckles are popping out.
00:11:14Look at her knees.
00:11:16Come on, you're disturbing my vision.
00:11:17You raped the whole thing.
00:11:18I did not.
00:11:19Was it Keats?
00:11:21Keats is dead, Mallory.
00:11:22But you're not far from wrong.
00:11:24He's a poet, but he's alive.
00:11:28Mr. Shillelagh!
00:11:30Oh, really?
00:11:30Oh, am I gross?
00:11:32At least it's a vision.
00:11:34Yeah.
00:11:35Okay.
00:11:41What's that weird noise?
00:11:43It's Mallory's breasts growing.
00:11:46Oh, I've just had a terrible vision.
00:11:49What?
00:11:50Oh, it's that ugly fat guy done.
00:11:53Really?
00:11:54What happened?
00:11:55Well, out on the lawn after Jim, I saw him and this other guy looking at the bell, and they
00:12:01said that it was broken.
00:12:02So I had this idea for us to get a new bell for our section gift.
00:12:15So I said, well, how much will it cost?
00:12:17And he said, $500.
00:12:19$500?
00:12:20No, only $100 a piece.
00:12:23Well, if you want to know what I think, I think Barrett should get the money because her
00:12:27vision happens to have a very well-paying job.
00:12:30Well, that's not very poetic, Brooke.
00:12:32It is, too.
00:12:34How is it poetic?
00:12:35Madeline's vision brought her very expensive fruits and custards.
00:12:40And soft adorings from our loves received, right?
00:12:44Right.
00:12:45Well, what we have to do is tell our visions what soft adorings we need.
00:12:49We need $100 a piece.
00:12:51Okay.
00:12:52Hmm.
00:12:53That I can agree with.
00:12:54And you go first.
00:12:56That I can't agree with.
00:12:57What?
00:12:58I don't want to go first.
00:12:59Brooke, you got a boyfriend.
00:13:01Yeah, and anyway, you know he wants to do it.
00:13:03Yeah, no, but that's just the point.
00:13:05What's the matter?
00:13:06Don't you want to?
00:13:07Don't you think it would feel good?
00:13:09Get out of here.
00:13:11And besides which, what's to guarantee me that you, you, you, and you are going to do
00:13:15the same thing I did?
00:13:16Brooke, how could you?
00:13:17We're your friends.
00:13:18We'll each take a candle, and after we've each done it, we'll light one.
00:13:22And we won't stop until they're all lit.
00:13:24Okay.
00:13:24We'll make a pact.
00:13:27We're all going to do it.
00:13:31We're all going to do it.
00:13:35Okay.
00:13:36Candles on heat.
00:13:38Red one.
00:13:39I want a red one, too.
00:13:40Yeah.
00:13:50Friday night's dream on Saturday toad is sure to come true, be it never so old.
00:13:58Hickory, dickory, six and seven.
00:14:01Allabone, crackabone, ten and eleven.
00:14:04Spin, spun, muscadun, twiddle, twaddle, twenty-one.
00:14:50What kind of plan?
00:14:54I don't know.
00:14:59I think they have an attack of the giggle.
00:15:02Well, in that case, maybe some of us should go lie down in the entrance.
00:15:22You girls don't behave yourself when you have to call your parents.
00:15:26They're agnes, and it's agnes you have a tradition to avoid.
00:15:29But Miss Burns, that's what we're doing.
00:15:31We didn't want to get in trouble.
00:15:32It's for the gift.
00:15:33That's what we were talking about.
00:15:35It's for the school.
00:15:36We want to give the best gift ever.
00:15:38It takes a lot of planning.
00:15:40That's very commendable, but you mustn't do the planning during classes.
00:15:43We have to raise all this money.
00:15:45Yeah, really.
00:15:47Just what are you doing to raise this money?
00:15:53It's a secret.
00:15:55Well, I'll accept that provisionally.
00:15:57But if your behavior doesn't improve...
00:16:00Thank you, Miss Burns.
00:16:01Far out.
00:16:02Wait downstairs until class is over.
00:16:16I'm scared.
00:16:18Don't back out now.
00:16:29Go on.
00:16:31I can't do it alone.
00:16:32You have to do it alone.
00:16:34I'm doing it with Duncan.
00:16:36Right.
00:16:38Now.
00:16:49Yeah, go on.
00:16:51I can't.
00:16:51I'm too scared.
00:16:52I'll quit.
00:16:53Oh, wow.
00:16:55I can't believe you're here.
00:16:58I got everything ready for you.
00:17:01You know, this is the greatest thing that ever happened.
00:17:05I can't believe you finally came.
00:17:20Duncan.
00:17:24Duncan.
00:17:25Duncan, I have to have a hundred dollars.
00:17:28Now.
00:17:29Now?
00:17:30Uh-huh.
00:17:32You mean you're charging?
00:17:34Me?
00:17:36Well, it's for a good cause.
00:17:51Rookie, I only have twenty dollars.
00:17:59Okay.
00:18:01Okay.
00:18:13Listen.
00:18:14Don't go away, because I'll be right back.
00:18:18Okay.
00:18:22Okay.
00:18:28Very good.
00:18:29You're doing very good.
00:18:31Now, don't you settle for less than a hundred.
00:18:33But I love him.
00:18:34It doesn't matter.
00:18:35Come on.
00:18:35Do your blast up and let him undo you.
00:18:37Richard, wake up.
00:18:38Wake up.
00:18:39Come on.
00:18:40Come on.
00:18:40Sony speaker.
00:18:42A lifetime guarantee.
00:18:44Now, don't forget to moisten your eyes, wet your lips, and hold your belly.
00:18:49I don't forget anything.
00:18:51God, don't forget to pant.
00:18:53What?
00:18:54Pant.
00:18:55You've got to pant a lot.
00:18:56Thirty-two dollars.
00:18:58And forty-two cents.
00:18:59Is that all you have?
00:19:00Yeah.
00:19:01You got yourself a deal?
00:19:02Enjoy your speaker.
00:19:03Hey, Gus, why are you breathing so hard?
00:19:05I'm in training.
00:19:06Training?
00:19:07Who's in the night?
00:19:09Duncan.
00:19:10Be quiet.
00:19:10People are trying to sleep here.
00:19:12Duncan, you're in training?
00:19:14Guys, I'm training.
00:19:21Gee, I was afraid you'd split.
00:19:23Did you get the money?
00:19:24Sort of.
00:19:25Come on.
00:19:26Come on, Brooke.
00:19:27Give me a break.
00:19:31Well, I can't.
00:19:33Can't I have thirty-three dollars and forty-two cents worth?
00:19:37I tell you what.
00:19:38I'll take the thirty-three dollars and forty-two cents.
00:19:44And when you get the rest, I'll come back.
00:19:46But, Brookie, he doesn't have any more money.
00:19:50This can be the down payment.
00:19:52Will I see you tomorrow?
00:19:54Bye, Duncan.
00:19:55I hope you raise the money.
00:20:04Oh!
00:20:05Nobody moves.
00:20:06Nobody can start.
00:20:07You turn the steam wheel.
00:20:08Bring out the big stuff.
00:20:09The place is surrounded.
00:20:11Get that light out of my eyes.
00:20:12It's only war, Doug.
00:20:14You're all under arrest.
00:20:15You're an Agnes Wilford guard.
00:20:17You can't arrest us.
00:20:18Right is the barrel of a gun.
00:20:19You have the right to remain silent and to counsel.
00:20:21I warn you that anything you say may be taken down and used in evidence against you.
00:20:24Oh, stop it, Waldo.
00:20:25We're not doing anything.
00:20:27Nobody moves.
00:20:27Nobody gets hurt.
00:20:28We're just taking a ride.
00:20:30Perpetrators, freeze.
00:20:31He's gonna arrest me.
00:20:33Not until I've advised you of your rights.
00:20:36Miranda versus Arizona.
00:20:39Perpetrators have the right to make two local phone calls or one long distance up to 50 miles.
00:20:44Waldo.
00:20:45Hey, Waldo, I'd like to shine your badge.
00:20:48Officer Brewer to you, little lady.
00:20:50You're in big trouble here.
00:20:52I'm really interested in police work.
00:20:54You are?
00:20:56Oh, handcuffs.
00:20:57Hey, wait a minute.
00:20:58You have signed in.
00:20:59What are their names?
00:21:00Waldo, were you gonna put handcuffs on me?
00:21:02Of course not.
00:21:03I only use cuffs on class A perpetrators.
00:21:06What class am I, Waldo?
00:21:08You, little girl, are a misdemeanor.
00:21:10Is that like Miss America?
00:21:11More like Miss Guided.
00:21:13Now, what's your name?
00:21:14Waldo, suppose I was a really dangerous criminal like Bell Star.
00:21:19Then I'd put you up against this wall.
00:21:21Hands over your head.
00:21:21Feet wide apart.
00:21:23Now, let's have your identification, little lady.
00:21:26Waldo, what are you doing?
00:21:28I'm searching you for concealed weapons.
00:21:29Do you really want to know my name?
00:21:33The perpetrators have the right to remain silent only after they give their name.
00:21:37Well, I can give my name and remain silent.
00:21:40Huh?
00:21:41No, no tricks.
00:21:46M-A-L-L-O-P.
00:21:51Hey!
00:21:52Hey, you locked the cups!
00:21:56Wait!
00:21:57Come back!
00:21:58Wait, wait, wait, Waldo.
00:22:03Valerie, it seems that these belong to you.
00:22:07Uh, yes, Miss Burns.
00:22:08They ripped off on my bicycle last night.
00:22:11That's not the version I heard from Officer Brewer.
00:22:14Oh, well, I had to go out and lock up my bicycle, and, um, Waldo, Officer Brewer, came out of
00:22:21the bushes behind me as I was bending over and started ripping up my pants and tearing at them, and
00:22:26it was just horrible.
00:22:28It was awful.
00:22:29Okay, Valerie, stop it.
00:22:30Now, one more bit of trouble like this and you girls are all in hot water.
00:22:34Is that understood?
00:22:35But we didn't mean any harm.
00:22:37I'm sorry.
00:22:39We'll have no more of it?
00:22:40No, Miss Burns.
00:22:41Yes, Miss Burns.
00:22:43I met a lady in the meeting.
00:22:45It's so beautiful.
00:22:46You're next.
00:22:47Hi.
00:22:47How'd it go with Burns?
00:22:49Yes.
00:22:49Well, I think it's going to be okay, but we've got to get going.
00:22:52Shh, the roofing.
00:22:54I'll tell you about it later.
00:22:55Come on.
00:23:01Goodbye.
00:23:03Goodbye.
00:23:13Hi, Rainbow.
00:23:17Hi.
00:23:18Hi.
00:23:20Is Bear going to get the money?
00:23:22Yeah.
00:23:23Far out.
00:23:24Now, I think I'll go pick her some flowers.
00:23:27She might need them.
00:23:29Okay.
00:23:29See you later.
00:23:38Mr. Shillelagh.
00:23:40Well, Watchman, one of the night who goes there.
00:23:44Hi.
00:23:46It's Sweet Juliet.
00:23:47Come at last.
00:23:48No, it's me, Barrett.
00:23:50Sweet Barrett.
00:23:51Come at last.
00:23:55Quiet, Beast.
00:23:56Beauty is here.
00:23:57Whatever beauty wants, beauty gets.
00:24:01What do you want, beauty?
00:24:03Buy it.
00:24:04Byron.
00:24:04That's a nice dog.
00:24:05It's not a dog.
00:24:06It's a cat.
00:24:07Oh.
00:24:08Well, that's nice, too.
00:24:10Hiya, Byron.
00:24:10His name is Coleridge.
00:24:12He's a pain in the ass.
00:24:14Shake hands with Shelly.
00:24:15Keats.
00:24:16Keats.
00:24:17Hiya, Keats.
00:24:18You're funny.
00:24:20I'm not funny.
00:24:22I'm a poet.
00:24:23Poet in residence.
00:24:25Come to think of it.
00:24:26That's pretty funny.
00:24:31Now, what do you want to know about poetry?
00:24:35How I make up the rhymes?
00:24:38What rhymes with apple?
00:24:41Tapple.
00:24:42Right.
00:24:42And that gives me an idea for a line for my poem.
00:24:51Good.
00:24:54Glory be to God for dappled things.
00:24:58You like it?
00:24:59I just wrote it.
00:25:01That sounds like Gerard Manley Hopkins.
00:25:03I suspect you're here for more than poetry.
00:25:06You're Judith.
00:25:07Come to the tent.
00:25:09And Barrett, come to your office.
00:25:14Quiet, Milton.
00:25:16He's in heat.
00:25:17He's only a poppy.
00:25:18I'm in heat.
00:25:19You're in heat.
00:25:20Someone's in heat.
00:25:21What rhymes with heat?
00:25:25Neat?
00:25:25Exactly.
00:25:26The way I love my tea.
00:25:33It also rhymes with beat, too.
00:25:34A natural talent.
00:25:36And feet, too.
00:25:38The school where I used to pretend to teach.
00:25:41The girls all threw themselves at me feet.
00:25:44Feet.
00:25:46Handmaidens to artists.
00:25:48In search of poetic insights.
00:25:51And better grades.
00:25:53Like Fanny Braun?
00:25:55Who's that?
00:25:56Is that the sophomore with the runny nose?
00:25:58No, you know.
00:25:59Keats' mistress.
00:26:00The one who inspired all his poetry.
00:26:02Oh, that Fanny Braun.
00:26:04Much have I traveled in the realms of gold.
00:26:07Yes.
00:26:08And days of old.
00:26:10Before I had a cold.
00:26:11Wow.
00:26:13Hey.
00:26:14Do you think Keats' poetry improved after he met Fanny Braun and learned about life?
00:26:20You know, had a relationship?
00:26:22Forget about all those facts they teach you upstairs.
00:26:27Poetry is beyond what.
00:26:30It's passion and action.
00:26:33Yes.
00:26:33Yes, that's exactly what I try to show in my poems.
00:26:36Oh.
00:26:40Um.
00:26:40Wait.
00:26:41Let's see.
00:26:42Look at this one.
00:26:43Poetry is action.
00:26:49I met a lady in the Meads.
00:26:51Full beautiful.
00:26:52A fairy's child.
00:26:54Her hair was long.
00:26:55Her foot was light.
00:26:57And her eyes were wild.
00:26:59That's very good.
00:27:00You have potential.
00:27:01That's not me.
00:27:02That's Keats.
00:27:04No matter, my dear.
00:27:05No matter.
00:27:06It will be all the great your furniture.
00:27:08They also serve who only sit and wait.
00:27:13A muse.
00:27:14You shall be my muse.
00:27:16What do I have to do to be a muse?
00:27:18Amuse me, muse.
00:27:19Inspire me like Fanny.
00:27:23What's her name?
00:27:23And such is fame.
00:27:25Braun.
00:27:27I made a garland for her head.
00:27:30And bracelets, too, in fragrance zone.
00:27:33She looked at me as she did love.
00:27:36And made sweet moan.
00:27:39I set her on my pacing steed.
00:27:43And nothing else saw all day long.
00:27:47For sideways would she lean and sing a Perry song.
00:27:52She found me roots of relish sweet.
00:27:56And honey wild.
00:27:58And manna do.
00:28:01And sure in language strange, she said.
00:28:06I love thee, true.
00:28:07True.
00:28:09Wonderful stuff.
00:28:11She took me to her elfin groat.
00:28:15And honey.
00:28:16And there she wept.
00:28:17And sighed full sore.
00:28:20And there I shut her wild, wild eyes.
00:28:23With four kisses.
00:28:24This is four.
00:28:30And then, then, I, I, there loved me asleep.
00:28:37And there I dream.
00:28:40Ah, woe betide.
00:28:42The latest dream I ever dreamed.
00:28:45On the cold hillside.
00:28:48I saw pale kings, princesses, too.
00:28:53Pale warriors, death pale, where they are.
00:28:57And cried,
00:28:58La belle dame sans merci,
00:29:02et thee enthrall.
00:29:12Oh, do not go gentle into that good night.
00:29:19Rage, rage.
00:29:21Hey, hey, did you do it?
00:29:23Oh, well, I did the best I could, Muse.
00:29:27Unfortunately, the best is yet to come.
00:29:29But you were supposed to do it.
00:29:31Patience.
00:29:32You were supposed to do it, and you didn't.
00:29:35Quiet, quiet.
00:29:35I'll give you an A, two A's.
00:29:37But how am I supposed to get the money?
00:29:38Money?
00:29:39What money?
00:29:39The hundred dollars.
00:29:40I have to get a hundred dollars.
00:29:42Harlet.
00:29:43Oh, a scarlet.
00:29:45Harlet in a blue blazer, disguised as a muse.
00:29:48You better pay.
00:29:49Miss Burns says that we have to raise the money.
00:29:51Is she in on this, too?
00:29:52I tell her everything, and you better pay or else.
00:29:56Oh, come on.
00:30:02Who do I make this out to?
00:30:03Emily Dickinson?
00:30:05Cash.
00:30:06Emily Cash.
00:30:11Expensive spirit, and a waste of shame, is lust in action.
00:30:23In honor.
00:30:33Here lies one whose name was writ in booze.
00:30:37Oh.
00:30:49Anyway, I started reading this poem, La Belle d'Am San Nersi, and he unbuttoned my top
00:30:55button.
00:30:56Well, it's about time.
00:30:57Well, Pam, I couldn't just go in there and say, come on, let's do it.
00:31:00Okay, go on.
00:31:02And then, he looked up at me, and he touched me.
00:31:06Oh, where?
00:31:07Well, my blouse was unbuttoned.
00:31:10He touched your breath?
00:31:11Yes.
00:31:12How did he touch it?
00:31:14Hard.
00:31:14Oh, God.
00:31:15And then, you know what he did?
00:31:16What?
00:31:17He lifted me down from the mantelpiece.
00:31:19Yeah?
00:31:20And he laid me across his desk.
00:31:22Yeah?
00:31:23And he put the book of poems right by my head, and he still kept reading the whole time.
00:31:27Where?
00:31:27And then, he knelt up over me.
00:31:29Oh, and?
00:31:30And he fell down on top of me.
00:31:32Oh, and?
00:31:33Well, that's it.
00:31:34That's why I don't think we did it, because that's all that happened.
00:31:37Oh, God.
00:31:39Well, I asked him after it was his mumbling some Dylan Thomas stuff.
00:31:42I woke him up, and I asked him, and he said, I did me best, Muse.
00:31:46Well, then.
00:31:47But the best seems yet to come.
00:31:51That means he wants to see you again.
00:31:53Yeah?
00:31:53Yeah.
00:31:54Yeah.
00:31:54Oh.
00:31:57And that means I yelled at him for nothing.
00:31:59Huh?
00:31:59Well, because I got very upset.
00:32:00I thought we didn't do it, and I started yelling at him.
00:32:02And I told him he better give me the hundred dollars or else, and then he started yelling
00:32:05at me.
00:32:06What did he say?
00:32:07He said, harlot.
00:32:09A scarlet harlot in a blue blazer disguised as a muse.
00:32:12That's what I'll do.
00:32:13That's how I'll get my money.
00:32:15I'll be a Jean Harlot.
00:32:17Mallory, it's Harlow.
00:32:18That's what I'll do.
00:32:19But I can't wear this.
00:32:21No, but we'll find something.
00:32:22Tonight, we'll get your whole outfit together, and we'll all look at you.
00:32:26Okay, but we don't have much time.
00:32:27But I'm going to get cash.
00:32:28Get cash.
00:32:30Now, Brooke, you've got to keep after Duncan to get the rest of the money.
00:32:33Don't worry about it, Pam.
00:32:35In cash.
00:32:35Well, Pam, don't worry about it.
00:32:37He has a promise to me tomorrow.
00:32:38Hey, Pam.
00:32:39Who do?
00:32:39Don't worry about me.
00:32:40I've got to take care of the rest of you guys first.
00:32:43Now, let's light your candle.
00:32:45Okay.
00:32:46Will you read it for me?
00:32:47Sure.
00:32:50Hickory, dickory, six and seven.
00:32:53Allabone, crackerbone, ten and eleven.
00:32:56Spin, spun, muscadun.
00:32:58Twiddle'em.
00:33:01Twaddle'em.
00:33:03Twenty.
00:33:19Watch yourself.
00:33:20It's wired.
00:33:23Be careful what you touch.
00:33:25You could get a shock.
00:33:29Hi.
00:33:30Hi.
00:33:31It's really beautiful.
00:33:32Yeah, I did it all myself.
00:33:34Gee, that's amazing.
00:33:36You got a school up there, huh?
00:33:37Yeah.
00:33:38I'm an Aggie.
00:33:39Hey, listen.
00:33:39Don't tell them I parked you, okay?
00:33:41Okay.
00:33:42What's your name?
00:33:43Rainbow.
00:33:46What did your parents need?
00:33:48Martha.
00:33:49But I hate that name.
00:33:51My name's Jairo.
00:33:52Jairo?
00:33:53Wow, that's really cool.
00:33:55I'm an inventor.
00:33:57Wow, what do you invent?
00:33:59Nothing much yet, but I'm working on a lot of stuff.
00:34:01I did this prototype for a start.
00:34:03Oh, so far.
00:34:04It's a total living machine.
00:34:06You know, I always wondered who invented these things.
00:34:09It has everything I need in it to travel.
00:34:12I'm a self-contained unit.
00:34:14Do you think I'll be able to buy one?
00:34:17Oh, no.
00:34:17When it's ready for full-scale production, everyone's going to have one.
00:34:21You'll be able to have your own.
00:34:22People are going to live in it.
00:34:24There won't be any more cities.
00:34:27When my grandmother went to Agnes Wilford, fish used to live in this river.
00:34:31Yeah, they still do.
00:34:33The young striped bass born upstream in freshwater come down.
00:34:36And after about a year or so, they're adult fish, they swim out into the ocean.
00:34:39They do?
00:34:41I'd love to be a striped bass and swim wherever I want to.
00:34:46Well, when I get my prototype finished, I think you'll be able to.
00:34:51Do you think you'll be ready by Sunday?
00:34:52Oh, no.
00:34:53I still have 21 more days left on my shake day.
00:34:57I've got to find my locations for the ninth day.
00:35:00Okay.
00:35:06Bye.
00:35:09Hey, listen.
00:35:10Would you like to come with me?
00:35:13No, I don't think I'm alone.
00:35:14Oh, but I could really use a good assistant.
00:35:17Wow, that'd be really super.
00:35:18I could show you how to operate my prototype.
00:35:20Okay.
00:35:21Come on, I'll take your bike.
00:35:22I'll show you.
00:35:25Mallory, where did you get that outfit?
00:35:27Who's kidding?
00:35:30Oh, Mallory, you look like a chicken.
00:35:32You guys are just jealous.
00:35:33Mallory, you look like a chicken.
00:35:35You guys are just jealous.
00:35:36Eat your hearts out.
00:35:39Hey, Mallory, how the heck are you going to get past Waldo dressed like that?
00:35:43Yeah, I'll be right down.
00:35:50See you in one hundred bucks.
00:36:08Hey, how'd you get on campus?
00:36:09I'm sorry.
00:36:10I'm looking for the boat in school for boys.
00:36:13Oh, that's to the left and down the hill.
00:36:18Hey, wait a minute.
00:36:36Yeah, yeah, I come here maybe three, four times a week.
00:36:38I work up the hill there at the school.
00:36:41Agnes Wilford.
00:36:52That's about it.
00:37:00Hi there.
00:37:02Would you like to have a party?
00:37:04I beg your pardon?
00:37:05Would you like to have a party?
00:37:07Would you like to go with me?
00:37:09Well, I'm going to leave for another half hour anyway.
00:37:11Oh, I can't wait.
00:37:13Okay, if I finish my drink.
00:37:16You want ginger ale or something while you're waiting?
00:37:20I'd like a real drink.
00:37:22Oh, you want a real drink?
00:37:23No.
00:37:24All right, have a sip of this.
00:37:26And then when I'm done, I'll take you back up to Agnes Wilford.
00:37:29I've never heard of her.
00:37:31All right, have a drink.
00:37:41All right.
00:37:43Awesome.
00:37:43Yeah.
00:37:44You want something?
00:37:45I'd like a drink.
00:37:47What?
00:37:48I'm old enough.
00:37:49I know, but what kind?
00:37:52Oh, what do you recommend?
00:37:56Gee, I don't know.
00:37:57I mean, nobody ever asked me that before.
00:37:59Make it a martini.
00:38:02Rocks or straight up?
00:38:05Both, the double.
00:38:19Hey, I'll buy you a drink.
00:38:21I already have one.
00:38:24Buy another.
00:38:26Sure.
00:38:28Two more.
00:38:33You're one of the dancers here?
00:38:35No, not in a place like this.
00:38:38Well, what kind of dancing do you do?
00:38:43Where do you do it?
00:38:45Swan Lake.
00:38:49What kind of a place is that?
00:38:51It's in Europe.
00:38:54You better than that?
00:38:55You better believe it.
00:39:00You give command performances?
00:39:03If the price is right.
00:39:06One hundred bucks, baby.
00:39:08One hundred bucks.
00:39:10Yeah, you're dreaming, kid.
00:39:13Hey, uh, if you're good, I'll make it fifty.
00:39:17I didn't know.
00:39:17I was supposed to have the hundred dollars.
00:39:19Well, maybe fifty.
00:39:20Okay.
00:39:21But cash, strictly, kid.
00:39:25You're off, kid.
00:39:36Tough luck, buddy.
00:39:46I've never seen anything like it in my life.
00:39:54What country are you coming from?
00:39:56Paris.
00:39:58Paris?
00:40:00Nice.
00:40:00Uh, what's your name?
00:40:02Sig.
00:40:03I bet you that you never even went to Paris, did you?
00:40:07And in fact, you're not even a dancer, are you?
00:40:09Sure I dance.
00:40:10Uh-huh.
00:40:10I've studied five years.
00:40:12Well, you must have learned something in that amount of time, didn't you?
00:40:15The five positions.
00:40:17Oh.
00:40:18One for each year.
00:40:20Why don't you show me some?
00:40:21Oh, no.
00:40:22First, I want the money.
00:40:25Well, uh, Madeline, you drive a hard...
00:40:30It's wonderful.
00:40:37Second position.
00:40:38Oh, but come on.
00:40:39Who are you kidding?
00:40:39Wait, wait, the third one's even better.
00:40:42Yeah, I've seen that, too.
00:40:43That's worse.
00:40:44Hey, look.
00:40:44Where did you study dancing, that mighty gingo dancing school?
00:40:47It's classical.
00:40:48Very classical.
00:40:50I know what it's like in France.
00:40:52It's not classical.
00:40:54This, the first position.
00:40:56Wait, wait.
00:40:57You don't understand.
00:40:58I have to send my little sister to Agnes Wilford.
00:41:00Yeah, all your sisters.
00:41:01Is she with the glasses?
00:41:02What?
00:41:03Wait, wait.
00:41:04I need the money for...
00:41:05Yes, yes, yes.
00:41:06This is the second position, by the way.
00:41:08I need the money for a section gift.
00:41:12For a section gift?
00:41:14That's right.
00:41:15I'm graduating from Agnes Wilford, and Pam, Brooke, Barrett, Rainbow, and me decided to
00:41:19get this bell.
00:41:21Like in Keats.
00:41:23You, Pam, blah, blah, blah, bell, like in Keats.
00:41:26You were a high school girl.
00:41:27I'm graduating this Sunday from Agnes Wilford, and we need this gift.
00:41:32And we all had to get the money on our own.
00:41:35So this is the way you earn the money?
00:41:37Just like in the poem.
00:41:39A scarlet harlot.
00:41:42Whatever happened to cookies?
00:41:45Jesus.
00:41:48Do you know what kind of trouble you can get yourself into doing this?
00:41:51Do you have any idea you go to a bar, you look like a prostitute, you tell a man you'll
00:41:55give him a private performance for $50?
00:41:58No.
00:41:58I don't know.
00:42:00I guess not.
00:42:09In the first place, you could have met enough.
00:42:13I would have taken you back here and beaten you to a pulp.
00:42:17And in the second place, you happen to meet me.
00:42:20I don't need this kind of a hassle.
00:42:22I'm sorry.
00:42:24Yeah.
00:42:25You're silly.
00:42:37And what are you going to be when you grow up?
00:42:39I'm going to the city to be a top fashion model.
00:42:43A top model?
00:42:45Well, I've seen hundreds of girls like you get off the trains at Grand Central.
00:42:51They've got their portfolios.
00:42:53And if you're lucky, if you're lucky, you might get on to page 255 of an underwear catalog.
00:43:02Or maybe in the back pages of a farmer's journal advertising seeds.
00:43:07Well, that's the lesson for today.
00:43:11So now you may get out.
00:43:13You're dismissed.
00:43:15Can I have my money now?
00:43:17Oh, you didn't bring your homework in.
00:43:18No, you'll have to get out.
00:43:20Yeah, but I need the $50.
00:43:22Yeah, but you don't understand.
00:43:23I didn't hire you.
00:43:25Turn on the TV as you go.
00:43:37Hey, you think I could stay for a while?
00:43:41Oh, what for?
00:43:42For whatever.
00:43:46You're a dumb one.
00:43:48Don't you know they're going to eat you up alive?
00:43:54Oh, is this what turns you on?
00:44:00Well, there are millions like you, all waiting to make it with this thing.
00:44:08You think you could make this shutter click?
00:44:11It costs $7.50 a roll.
00:44:12I don't know if you're worth it.
00:44:16Now, you owe me about 25 cents.
00:44:18That's $0.50.
00:44:33Back to a quarter.
00:44:39Now we're even.
00:44:47Pretty good.
00:44:49How much do models get?
00:44:51$5 an hour?
00:44:59$10 an hour?
00:45:02$50.
00:45:07Working your way up, man.
00:45:09That's a lot.
00:45:18You know what I thought.
00:45:30Mallory, you're back.
00:45:32How did it go?
00:45:33Did you get the money?
00:45:35Of course I got the money.
00:45:37$100 cash.
00:45:39Oh, hey, what happened?
00:45:41I'll tell you later.
00:45:43Let's light my can.
00:45:44Come on, tell us.
00:45:47Mallory, what happened?
00:45:48She's holding out on us.
00:45:53You know, there's an awful lot of money in this.
00:45:56Allabone, crackabone, 10 and 11.
00:45:59Spin, spun, muscadun, twiddle'em, twiddle'em, twenty-one.
00:46:09And that's how it's done, Liebchen.
00:46:20Are you really sure this was your first time?
00:46:23I think so.
00:46:28See the rainbow in the field
00:46:31Colors everywhere
00:46:33Gently touching you and me
00:46:37We don't have the care
00:46:39Sun shining, golden rays
00:46:43Can't you feel the glow?
00:46:46Changing everything we touch
00:46:49Warming our love soul
00:47:16Let me love in this golden rays
00:47:19A rainbow just like you
00:47:21All the colors come alive
00:47:25When the sun shines through
00:47:28Brightness of this magic scene
00:47:31Will stay till love is done
00:47:34Warning us as we touch
00:47:37The rainbow and the sun
00:47:59Gifts are one thing
00:48:00That's admirable enough
00:48:02But a missing girl is something else
00:48:04Now I want Martha found
00:48:06And I want her found now
00:48:07Call her Rainbow
00:48:09What?
00:48:10She likes to be called Rainbow
00:48:12Don't worry, I'll find her, Miss Burns
00:48:15Well, see that you do
00:48:16Or it'll be the end of the rainbow
00:48:30Where do you think Rainbow could be?
00:48:32Do you think she went to River Park?
00:48:34No, not all night
00:48:36Well, let's get back to Whitehall
00:48:38I've got to go find her
00:48:39Yeah
00:48:51Sign out!
00:48:52Hey, sign out!
00:48:54Oh, sign off and pass out, Waldo!
00:49:08Rookie!
00:49:15But soft
00:49:16What light through yonder window breaks?
00:49:22Duncan, you broke the window
00:49:24Hi, I got it
00:49:25That's going to cost you extra
00:49:27Huh?
00:49:29Go on
00:49:30Hey, listen
00:49:31How do I get in?
00:49:32Through the door, dum-dum
00:49:34Oh
00:49:48Here I am
00:49:54Brookie, what's going on here?
00:49:56Well, don't, dum-dum
00:49:57He never learned, do you?
00:49:58How are you?
00:49:59Let's see the speaker
00:50:01It's a Sony
00:50:01And it has a lifetime guarantee
00:50:03It's a good one
00:50:05Yeah, but what we need is a cash
00:50:07One hundred bucks, baby
00:50:09One hundred bucks
00:50:10Don't you pick on him
00:50:12Okay, the deal's on
00:50:13But I'm in charge
00:50:17Do it
00:50:18You can't do it like that
00:50:20You have to set the mood
00:50:22It has to be poetic
00:50:24Okay, you take care of that stuff
00:50:25Okay, we'll do the poem
00:50:27The Eve of St. Agnes
00:50:29By John Keats
00:50:32Ah, bitter chill it was
00:50:33The owl for all
00:50:35Get to the good parts
00:50:36They're all good parts, Mallory
00:50:38You know what I mean
00:50:40They told her how
00:50:43Upon St. Agnes Eve
00:50:44Young virgins might have visions of delight
00:50:48And soft adorings from their loves received
00:50:52Upon the honeyed middle of the night
00:50:54If ceremonies do they did aright
00:50:58As supperless to bed they must retire
00:51:02And couch supine their beauties lily white
00:51:05Nor look behind
00:51:07Nor sideways
00:51:08But require of heaven
00:51:10With upward eyes
00:51:11For all that they desire
00:51:16Meantime, across the moors
00:51:17It comes from Porforo
00:51:19You be Porforo
00:51:20Come on
00:51:21Who?
00:51:21Just get in the closet
00:51:23No, not now
00:51:25There'll be time for that later
00:51:26Come on, did you bring any food?
00:51:28You know
00:51:28Or what?
00:51:30Give him some
00:51:30Rainbows
00:51:32Thanks
00:51:33Not now, later
00:51:36Beside the portal doors
00:51:38Buttress from moonlight
00:51:39Stands he
00:51:40And deflores all saints
00:51:42To give him sight of Madeline
00:51:44Thanks
00:51:45Kneel
00:51:45Touch
00:51:46Kiss
00:51:47Insult such things have been
00:51:48Pray
00:51:50First it's pay
00:51:51And now it's pray
00:51:52Do it
00:51:53Cut this junk
00:51:54And get to the hot stuff
00:51:55Oh, all right
00:51:56You're losing all the imagery
00:51:58Who knelt with jointed hands
00:52:01And piteous eye
00:52:03Fearing to move or speak
00:52:06She looked so dreamy
00:52:09Enough
00:52:10Help me get her into bed here
00:52:12I can't keep changing around like that
00:52:14Just do it my way
00:52:17Thus whispering
00:52:20His warm, unnerved arm
00:52:23Sank in her pillow
00:52:26Beyond a mortal man
00:52:28Impassioned far
00:52:30And these voluptuous accents
00:52:33Arose
00:52:36Ethereal
00:52:38Flushed
00:52:39And like a throbbing star
00:52:42Seen mid the sapphire heaven's deep repose
00:52:46Your pants
00:52:47Take off your pants
00:52:48Like this
00:52:50Do it very slowly
00:52:52Come on
00:52:53Just do it now
00:52:53Come on
00:52:54Come on down
00:52:55Be melted
00:52:56That's right
00:52:57As the rose
00:52:59Blendeth its odor
00:53:01With the violet
00:53:04Solution sweet
00:53:18Pookie
00:53:19This is worth the whole stereo
00:53:43Damn liberal
00:53:46Waldo
00:53:47Up against the wall
00:53:49Now you stop that
00:53:50Get your hands off me
00:53:51Hands over your head
00:53:52Get your hands off me
00:53:54You have the right to remain silent
00:53:55And to counsel
00:53:56I warn you
00:53:57Anything you stand by
00:53:57Waldo
00:53:58There is something going on
00:54:00In a girl's room
00:54:01That I think you should know about
00:54:02How do I know
00:54:03You're not a counteragent
00:54:04I don't
00:54:04Hey
00:54:05Do you know who my father is
00:54:07You may make two local phone calls
00:54:08Or one long distance
00:54:09Not to exceed
00:54:10He's a trustee
00:54:11Of Agnes Wilford
00:54:13He could get me promoted
00:54:15He could
00:54:16I think you should check into this
00:54:18There's some kind of plot going on
00:54:20Oh plots are my special
00:54:22Come on
00:54:22I'll go up with you
00:54:23I'll handle this
00:54:25It could be dangerous
00:54:40Pirates
00:54:41You're going to wake them
00:54:43We did it
00:54:48Sure did
00:54:48Pam is going to be really surprised
00:54:50When he hears about this
00:54:51Look at them
00:54:52Wasn't it romantic?
00:54:54Yeah
00:54:54With the poem and everything
00:54:56I think they'll do it again
00:55:03I don't know
00:55:06Open up
00:55:07No other poem in there
00:55:11What?
00:55:16Here get the sign
00:55:23Open up for the forces of justice
00:55:25Or I'll bash it in
00:55:29All right
00:55:30It's out of my hands
00:55:36You're under arrest
00:55:37I'm under the covers
00:55:38He only moves
00:55:39Okay, okay
00:55:40All right
00:55:41What's going on here?
00:55:42Huh?
00:55:43What's going on?
00:55:44Hi, Wando
00:55:47Remember me
00:55:48That's an alias
00:55:51Wait a minute
00:55:51You can't do that
00:55:52I'm an officer for peace
00:55:53Wando
00:55:54What is this thing?
00:55:56Oh, I love it
00:55:57That's my time clock
00:55:58What does it do?
00:55:59Here's to punch in
00:56:00Various points around the campus
00:56:01I make that point
00:56:03Never to follow the same pattern
00:56:04Twice that way
00:56:05Potential perpetrators
00:56:06Cannot establish an AMO
00:56:07What is your AMO?
00:56:09That's notice of Ronda
00:56:10That's police talk
00:56:11Oh
00:56:13What?
00:56:14Wando
00:56:17Now
00:56:17Wait a minute
00:56:18I can't see
00:56:19What are you doing?
00:56:20Hey, come back
00:56:22Come back
00:56:23Come back
00:56:23Do it
00:56:24No
00:56:24No
00:56:25No
00:56:25No
00:56:25No
00:56:25No
00:56:26No
00:56:26No
00:56:27No
00:56:27No
00:56:28No
00:56:28No
00:56:37No
00:56:37No
00:56:49No
00:56:50No
00:57:10No
00:57:10No
00:57:11I got to get out of here, Brookie
00:57:14Promise me you won't sell it to anybody else, okay?
00:57:16Yes, where are you?
00:57:19No
00:57:19No
00:57:21No
00:57:21No
00:57:21No
00:57:22No
00:57:22No
00:57:22No
00:57:22No
00:57:23No
00:57:23No
00:57:24No
00:57:24No
00:57:24No
00:57:24No
00:57:29Bookie!
00:57:30Book!
00:57:35Sweet mystery of life.
00:57:37At last I bowed you.
00:57:47You're making a big mistake here.
00:57:49You're not my muse.
00:57:50Damn right I'm not.
00:57:52It's alright. It's our right.
00:57:53You can be Fanny, what's your name?
00:57:56If you guys have a boy in there, you're gonna be...
00:58:00Oh my God!
00:58:01Hide me! Hide me!
00:58:03My arms!
00:58:03I'm a boy! Hide me!
00:58:05I'll unfold them and fold in you.
00:58:07I'm a boy! I'm a boy!
00:58:09Oh my God! You are!
00:58:11There's only...
00:58:13I need my shoes!
00:58:14I need my shoes!
00:58:15One place for people like you.
00:58:18In the closet.
00:58:20There's a boy in here! I know there is!
00:58:22Mr. Shillelagh.
00:58:24Call me K.O.
00:58:26I'm just tutoring here.
00:58:29Iambic pentameters.
00:58:31Quatrains.
00:58:32You're not supposed to be here.
00:58:34I think I better leave now.
00:58:36No, don't leave in a huff.
00:58:38Leave in a minute and a huff.
00:58:41Let go of me.
00:58:42Mr. Shillelagh, what are you doing?
00:58:44I want to talk to you about your poetry.
00:58:47Mr. Shillelagh.
00:58:49Love is furious.
00:58:52Love is true.
00:58:55Mr. Shillelagh!
00:58:56Mr. Shillelagh!
00:58:57Mr. Shillelagh!
00:58:58Hey!
00:58:59Oh, sweet solution!
00:59:01Mr. Shillelagh.
00:59:03What is this?
00:59:04Oh, Fanny, where have you been?
00:59:06I've been waiting here for you.
00:59:09Pruney, what are you doing in our section?
00:59:11There's a boy in here!
00:59:12No, no, no, ladies!
00:59:14There's an opera for me getting up.
00:59:17Get out of here!
00:59:25No, I hate you!
00:59:31No, I hate you!
00:59:33Yes, sir!
00:59:34They're having a tool to get
00:59:36and right from their very eyes!
00:59:38Pure, raw, unprotected violence!
00:59:43You will not!
00:59:48What's going on here?
00:59:49No violence, no violence!
00:59:51Up, up, ladies!
00:59:52Up, cease and desist with...
00:59:54You bitch!
00:59:57Mr. Shalina!
00:59:59Shalini!
00:59:59Shalini!
01:00:01You are never, ever to be in a girl's room!
01:00:05You are under arrest!
01:00:08This is grounds for dismissal!
01:00:10Oh, no!
01:00:11I'm misunderstood!
01:00:13I was tutoring!
01:00:14There's a boy in this room, Miss Burns!
01:00:16They have a boy in this room in that closet!
01:00:20I saw!
01:00:21Oh, shut up!
01:00:22There is something queer in that closet!
01:00:24That's more exact than you know!
01:00:26No!
01:00:27I want whosoever in there!
01:00:30I want whosoever in there!
01:00:31Now!
01:00:40Hi!
01:00:43In the room!
01:00:44The women sure do come and go!
01:00:47I want all of you to come with me right now!
01:00:50I am going to get to the bottom of this!
01:00:53A brief 365!
01:00:56You're taking a sinking ship!
01:00:58And you're...
01:00:59Drained the...
01:01:02Frying...
01:01:03Pan out of the...
01:01:05Firing...
01:01:07Whatever!
01:01:08That's, uh...
01:01:10Kelly!
01:01:11Shelly!
01:01:12Or sheets!
01:01:14Mr. Shalita!
01:01:16Shelly!
01:01:16Shelly!
01:01:17Shelly!
01:01:18Shelly!
01:01:18You and I have come to the end of the road!
01:01:23That's Shelly!
01:01:25Or Keats!
01:01:27Shelly!
01:01:29Or Keats!
01:01:55If you want to have a hike...
01:01:57Let me see...
01:02:01Oh, it's a rainbow!
01:02:03Pail!
01:02:04Where have you been? I've been looking all over for you.
01:02:07I've been with Jairo.
01:02:09Is that your vision?
01:02:12Did you get the money?
01:02:14Oh, Pail, I'm sorry, I forgot.
01:02:17You forgot?
01:02:20Besides, Jairo doesn't have any money.
01:02:22He believes in a casual society and the global credit card system.
01:02:26Come on, I've got to get you back to campus right now.
01:02:29Jairo can take us back to this prototype.
01:02:32Sure, it's no problem.
01:02:34Okay, let's go.
01:02:41All right, girls, sign in.
01:02:46What? Your turn?
01:02:48Hey, you, where are you going?
01:02:50I have to run, it's my period.
01:02:52Oh.
01:02:56How are things going with your project?
01:02:58I mean, the bell and all.
01:03:01Very, very slow.
01:03:03Listen, if you're in some state of pre-consciousness about money, you're entirely focused on money.
01:03:09You know, money is just pieces of paper with dead people.
01:03:12Where did the cash for this thing come from?
01:03:14Hey, that's not fair.
01:03:16I never asked Jairo for any money.
01:03:20And if we don't get the bell, it's my fault, not his or yours.
01:03:25But we did it.
01:03:27And that's part of the agreement.
01:03:51Hi, Jairo.
01:03:52I'll be back later.
01:03:54I've got a computer system interface circuitry.
01:03:56I've got a computer interface.
01:03:59Goodbye, Jairo.
01:04:01Bye, Pam.
01:04:03Good.
01:04:04Showdown, please.
01:04:07Maybe it's time to start that cashless assignment.
01:04:21Where are the others?
01:04:22Where have you guys...
01:04:23Well, why didn't one of you go find Rainbow?
01:04:26Because you're the one who jumped up and said,
01:04:28Oh, I've got to find Rainbow.
01:04:29I've got to find Rainbow.
01:04:31Well, I'm sorry, but I had to go find her.
01:04:33Because I'm the only one who could find her.
01:04:36I'm the only one who would.
01:04:37I'm the only one who can ever do anything around here.
01:04:40For the last four years, it's been going on like this.
01:04:42You and your bright ideas, you're going to get us all suspended with your bright ideas
01:04:46that are so much fun and so much adventure.
01:04:52How did you get the money?
01:04:54Jairo?
01:04:55What's a Jairo?
01:04:57It's not a what?
01:04:58It's a he.
01:04:59Oh.
01:05:00I am not going in there until she apologizes to me.
01:05:04I absolutely refuse.
01:05:08Suit of the church.
01:05:09Isn't it beautiful?
01:05:11It's ugly.
01:05:12It is not.
01:05:15You should see what I got to wear.
01:05:17We wore nothing.
01:05:18Nothing?
01:05:19Not even that?
01:05:20It was a black knitted crochet thing.
01:05:23It was just perfect.
01:05:24Oh, I look so good.
01:05:25Well, folks, Barrett isn't going to speak to any of us.
01:05:28Barrett is a poet.
01:05:30Barrett is upset.
01:05:30She's supposed to be upset.
01:05:32And listen, she saw Mr. Shillali and Pruney today.
01:05:40I'm going to bring Barrett her flowers.
01:05:42Maybe it'll make her feel better.
01:05:45It's only two days before graduation.
01:05:48Yeah, it's two days before graduation.
01:05:50And if I don't get myself to Holyoke, my father's going to have my head on a silver platter.
01:05:55We were the ones who thought of that whole poem thing, remember?
01:05:58I mean, that was all her idea.
01:06:00I mean, she's taken all the credit for it.
01:06:01And she's the one who hasn't gotten her money.
01:06:04Every one of us has gotten the money except her.
01:06:06And that's all she thinks about is money.
01:06:08It's not the bell as an object.
01:06:11It's the feeling of us behind that the bell will leave.
01:06:15We were out in the fields.
01:06:16That's where I got the flowers.
01:06:18Oh, rainbow, that's nice.
01:06:20That was so poetic.
01:06:22Yeah?
01:06:23It's a sunrise.
01:06:24Really?
01:06:25Oh, rainbow, it's so romantic.
01:06:29Yeah, just think when we come back.
01:06:32I'll be a top fashion model and you'll be a president of everything.
01:06:39I think we all owe each other apologies.
01:06:44Right.
01:06:53Hey, Barrett.
01:06:55Barrett.
01:06:57Barrett.
01:06:58Hey, my poet.
01:07:00You know, poets have to experience good as well as bad.
01:07:04Uh, Kate's wasn't always happy, you know.
01:07:07I didn't forget about the poem.
01:07:09I didn't forget what you did.
01:07:11Hey, do you think we could do my ceremony?
01:07:15Let's do rainbow ceremony.
01:07:19Okay.
01:07:20Okay.
01:07:21Okay.
01:07:30This is for gyro and the future society.
01:07:35Hickory, dickory, six and seven.
01:07:39Alibone, cracklebone.
01:07:41Ten and eleven.
01:07:43Spitty, spun, musk done.
01:07:47Twiddle, twiddle, twenty-one.
01:07:54Congratulations, rainbow.
01:07:56Thanks.
01:08:05Your turn, ladies.
01:08:08Good luck.
01:08:09Good luck.
01:08:27Now I trusted you.
01:08:28I put my faith in you.
01:08:30And you let me down.
01:08:32As a result, we are going to be paid a visit this afternoon by Mr. Pruner.
01:08:38Mr. Pruner is a trustee of Agnes Wilford and he is welcome here anytime.
01:08:42I don't mind telling you that I hold my job at his pleasure.
01:08:46If he chooses to end my contract, he can and will.
01:08:50It's burnt.
01:08:53But all we wanted to do was get the best section gift ever, that's all.
01:08:56I don't doubt the sincerity of your goals.
01:09:00It's your methods.
01:09:02Apparently your fundraising methods that are the cause of the trouble.
01:09:06Think it over.
01:09:21What now?
01:09:23Well, there's no new bell.
01:09:25We might make Miss Burns lose her job.
01:09:28You're still a virgin on top of everything.
01:09:30This is all because you hate Pruney.
01:09:32Now we've got no gift and old Pruney's got her grandfather's clock.
01:09:37Yeah.
01:09:37I'll see you later.
01:09:39Bye.
01:09:48My daddy's coming to visit.
01:09:51Kiss off, Pruney.
01:09:54Kiss off, Pruney.
01:09:55Miss Burns.
01:10:02Kiss off, Pruney.
01:10:03Kiss off.
01:10:06Kiss off, Pruney.
01:10:20Kiss off 215 inches.
01:10:20Kiss off, Pruney.
01:10:22Kiss off.
01:10:22Kiss off center.
01:10:23Kiss off.
01:10:32Going up to Agnes Wilford?
01:10:35Hi.
01:10:36Well, hop in.
01:10:45What's an Aggie doing hitchhiking?
01:10:50I know who you are.
01:10:53Do you now?
01:10:55You're Mr. J.P. Pruner, the famous lawyer now, aren't you?
01:10:59Could be, my dear, could be.
01:11:08Now stop that.
01:11:10What do they teach you at that school anyway?
01:11:14Mr. Pruner, I'm in trouble and it's all your daughter's fault.
01:11:17Now, now, my dear, don't cry.
01:11:20Don't cry.
01:11:21Just tell me all about it.
01:11:24What's she done this time?
01:11:26All we wanted to do was buy a bell for the school.
01:11:29She keeps getting in the way.
01:11:31She can be troublesome.
01:11:33Always did have a bitchy streak.
01:11:36I think she got it from her mother.
01:11:39I'll be expelled if I don't get a hundred dollars.
01:11:43Well, please help me, Mr. Pruner.
01:11:45Please, please.
01:11:54Hiya, Daddy.
01:11:55Hello, darling.
01:11:57Where'd she come from?
01:11:59Oh, just one of your little friends I ran to on the road.
01:12:03Now, run along, girls.
01:12:07What were you doing with my father?
01:12:10Oh, Pruner, go wind your grandfather clock.
01:12:26Hi, Tiger.
01:12:27Hiya, Burnsy.
01:12:28Come here.
01:12:31Come here.
01:12:55Oh, she did it!
01:12:58You got it!
01:13:00Oh, it's finished!
01:13:01A whole 100 dollars!
01:13:03Beautiful!
01:13:05Just Mr. Pruner, that's all right.
01:13:08And now we can get the bell!
01:13:09Better wait on that, I've got one more thing to do.
01:13:11But dares not look behind!
01:13:18You've done a great job here.
01:13:21It's been a hard year.
01:13:33She's getting better!
01:13:37We'll be right back up!
01:13:39I guess.
01:13:42I'm gonna go get the bell.
01:13:43I'm just gonna go Let's try it!
01:13:45We have to wait!
01:13:46I don't know.
01:13:47I don't know.
01:13:49I don't know.
01:13:49I don't know.
01:13:53I'm sure he's autre-game.
01:13:53I don't know.
01:13:54You see?
01:13:55I don't know.
01:14:32Homer?
01:14:35Mr. Homer, where are you?
01:14:37Hello.
01:14:38You're right.
01:14:44Booney?
01:14:45Oh.
01:14:46Did you make a wrong turn?
01:14:48No, I...
01:14:50I guess I'm not supposed to be here.
01:14:53I'm sorry.
01:14:53I got the money for the bell.
01:14:55Is it too late?
01:14:57There's not much time left.
01:14:59Well, please.
01:15:01It's very important to me.
01:15:12Hey, did you guys ever get that clock?
01:15:16Yeah, we did.
01:15:18Congratulations.
01:15:18Congratulations.
01:15:20Thanks.
01:15:21I guess you guys are getting the bell, huh?
01:15:25Well, we've got the money for it.
01:15:28We'll get the bell, though.
01:15:31Well, at least you earned the money yourselves.
01:15:36I'll pay a start.
01:15:39Oh, thank you.
01:15:42What are you going to be doing after graduation?
01:15:45Well, it's a tradition in our family that all the women go to Vassar.
01:15:51But I'm going to go to Europe with Pam.
01:15:53Oh, that's nice.
01:15:56Aren't you as beautiful as Don says?
01:16:00I don't know.
01:16:04I can tell.
01:16:08How?
01:16:10Hey, you want to know your future?
01:16:12No.
01:16:13Oh, come on.
01:16:14I've got a book.
01:16:15It'll show you.
01:16:16Yeah?
01:16:17Yeah, where is it?
01:16:21It's called I Ching.
01:16:23And it's an ancient Chinese book of wisdom.
01:16:56Pruny's future.
01:16:59Fire.
01:17:01Brightness.
01:17:03Beauty.
01:17:05Hey, Rainbow.
01:17:06Could you do me a favor?
01:17:08Sure.
01:17:09Could you call me Priscilla?
01:17:42There's anything inside you I need for you to try.
01:17:46All the new feelings in you Don't let them pass you by
01:17:51And you've got to light a candle You've got to find a way
01:17:55And you've got to make it happen today
01:18:00You've got to light a candle You've got to find a way
01:18:04And you've got to make it happen today
01:18:09You've got to light a candle You've got to find a way
01:18:13And you've got to make it happen today
01:18:26We all made it and we all split
01:18:29Our diploma in one hand and our classical education in the other
01:18:34Brooke went to Holyoke and a co-ed dorm
01:18:37With all the yo-yos there, she doesn't need Duncan
01:18:41Mallory took the first train to Grand Central
01:18:43And found a penthouse with her very own playboy
01:18:46Check the center poles
01:18:48The biggest surprise was Pruney
01:18:50She and Barrett are living in Greenwich Village and sharing an apartment
01:18:54And a very young poet
01:18:56Rainbow and I made it to Paris
01:18:58There's nothing like living on the left bank for improving your French
01:19:02So light another candle for the Blazers
01:19:04In the words of another poet
01:19:07We didn't go out with a whimper
01:19:09We went out with a bang
01:19:15There's anything inside you
01:19:18I need for you to try
01:19:19All the new feelings in you
01:19:22Don't let them pass you by
01:19:24And you've got to light a candle
01:19:26You've got to find a way
01:19:28And you've got to make it happen today
01:19:34You've got to light a candle
01:19:35You've got to find a way
01:19:38And you've got to make it happen today
01:19:42You've got to light a candle
01:19:44You've got to find a way
01:19:47And you've got to make it happen today
01:19:51Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
01:19:53oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
01:19:53oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
01:19:54oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
01:19:54oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
01:19:55oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
01:19:55You
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