- 6 days ago
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00:00.
00:07Hello.
00:08Hi.
00:09What's your name?
00:11What?
00:12What's your name?
00:14What's your name?
00:15What's your name?
00:16Oh, Sagar didn't tell us about the promotion.
00:19Sagar didn't tell us about it.
00:20Sagar didn't tell us about it.
00:22Hey, alert, alert.
00:24Thank you, thank you.
00:28Thank you, Sagar didn't tell us about it.
00:29Sagar didn't tell us about it.
00:31Hey, what are you talking about?
00:32Yes.
00:32Hey, what are you talking about?
00:35It's a lot of money.
00:36Hey, brother.
00:38What is it?
00:39What is it?
00:39There's a little bit of a problem.
00:40Because I've already told you,
00:43but I'm the great director of the Viju and the superstar,
00:47Ankur Saudhri.
00:49He said,
00:51please, please.
00:52Please, please.
00:53I'm not sure.
00:55I'm not sure.
00:56So, I'm not talking about the Viju sir.
00:57You are talking about the Viju sir.
00:59And your two of them.
01:00Who is the Viju sir?
01:01Who is it?
01:01Viju sir.
01:02Who?
01:03I'm talking about the Viju sir.
01:05No, no, no.
01:07What's it?
01:08Okay, okay.
01:08What's it?
01:09Hey, I have to tell you.
01:09You're a senior.
01:10Superstar.
01:11Who's mom?
01:12Huh?
01:16Hey, hey.
01:17Hey.
01:17Come on.
01:17I will discuss the situation with you. I am going to shoot you the interview.
01:23Come on, please!
01:25Oh, my god had a life, Jim.
01:28Come on, come on, come on.
01:32We are the main to our team.
01:33This is the same thing.
01:35I am going to make a big page of this.
01:37Come on, Jim.
01:39Tell us about the big page of this.
01:41Let's go.
01:42Let's go.
01:43Just go.
01:44Just go.
01:47Hey, brother.
01:49You're the real one.
01:50You're the real one.
01:52One minute.
01:53You want the biscuit?
01:55You're gonna eat it.
01:56Please.
01:58You want it.
02:12Welcome to Sagar Dhum and the film of Mitran.
02:15We started a lot of conversation with Mitran.
02:18There is a lot of confusion about this cinema.
02:20There is a lot of teaser and trailer.
02:23There is a lot of teaser and trailer.
02:24There is a lot of cinema.
02:25There is a lot of superstar, Angkut Saudri.
02:31Welcome to Manapurwag.
02:33Welcome to Manapurwag.
02:34Let's go.
02:36Let's go.
02:37Let's go.
02:38Let's go.
02:39Let's go.
02:41Let's go.
02:44Let's go.
02:45Let's go.
02:47Let's go.
02:47Let's go.
02:49Let's go.
02:51Yes, sir.
02:52It's a great pleasure to see you in the film.
02:55Sir, thank you so much for being here today.
03:02Thank you so much for being here today.
03:05Thank you so much for being here today.
03:07How did you get to the cinema?
03:09What did you get to the cinema?
03:10That's my picture.
03:13What is your picture?
03:17What is your picture?
03:27You look at the cinema.
03:28This is a picnic.
03:29That's a picnic.
03:30Okay.
03:31Let's go.
03:32There is a picture for me.
03:34You are very excited.
03:35You are very excited for me.
03:39You are very excited for me.
03:42You have to go.
03:44You have to go.
03:47You have to go.
03:48You are very excited for me.
03:53You are so excited.
03:55So, what did you think of Ankush?
03:57What was your reaction?
03:59Of course, I did a lot of work in Ankush.
04:05I did a lot of work in the new cinema.
04:08I think it's a big cinema.
04:10That's an Ankush.
04:11I was able to do a lot of work in Ankush.
04:13But I did a lot of work in this.
04:16I've done a lot of work.
04:19And I think it's a lot of work.
04:21Because Struggler's first episode was released by YouTube.
04:24It was the first episode of Ankush.
04:27It was fun.
04:28It was fun.
04:28It was fun.
04:30And I didn't do anything.
04:32Why did you do this?
04:33Subodh Bhave, Praveen Tarde, Sanjay Narvekar,
04:36you name the person, Tanny Mahesh Mandrekar,
04:38Ravi Izadav Mangesh Desai,
04:40you can't do it.
04:41It's just an Ankush.
04:42Why did you do it?
04:43Abhishit Sawan, Kushala Mandri, Sanjay Narvekar.
04:46But it's just an Ankush.
04:48It's because Ankush was giving a shivya.
04:51Okay.
04:52Ankush has given an ayusha shivya.
04:54Okay.
04:54He felt a bit awkward.
04:57He was a little awkward.
04:57I was a god.
04:59But I'm not giving a shivya.
05:01He's giving a shivya.
05:03But when he was a young man,
05:06he was a young man.
05:09He was a young man.
05:11He was a young man.
05:11He was a young man.
05:11He was a person.
05:14He was a superstar.
05:15He was a young man.
05:17He was the young man.
05:19He was the young man.
05:20He was a young man.
05:21He's a young man.
05:22I mean, I was a young man.
05:24That's why my brother had pardas,
05:25an Ankush is the one.
05:27He's about 2 years old.
05:28He's about 2 brothers.
05:29Guys, please, please.
05:30Come on.
05:33Let me ask questions.
05:35To us, Lokan.
05:36My question is,
05:37Yes, it's 5 minutes.
05:38We also have a promotion.
05:41What do you do, Papa?
05:43It's 5 minutes.
05:45Sir, please don't speak.
05:47Hey, get up.
05:50Get up.
05:51No, no, don't get up.
05:53I don't want to get up.
05:54I don't want to get up at night.
05:58I don't want to get up.
05:59I don't want to get up.
06:01So, sir,
06:03I'm not going to get up at night.
06:04Why do you think you want to go to Strugglers in this cinema?
06:08I'm doing it.
06:09We don't want to get up.
06:13We generally have one piece of paper.
06:16I have three pieces.
06:18Okay.
06:19Limba, Mirchi.
06:22And it's Limba and Mirchi,
06:24which is the cinema.
06:25This is the cinema.
06:27So, we want to get up at night.
06:28We don't want to get up at night.
06:31So, we don't want to get up at night.
06:32Okay.
06:34So, Ankur Shada,
06:35I have a question.
06:37Ankur Shada,
06:39this series is really good.
06:40And it's all...
06:42It's a lot of good.
06:44What are you doing?
06:47I'm trying to get up at night.
06:51I'm trying to get up at night.
06:52I'm trying to get up at night.
06:54I'm trying to get up at night.
06:57I'm trying to get up at night.
06:59For example,
06:59Please, please.
07:01Please.
07:01Please, please, please.
07:04Please.
07:05Please, please.
07:08I know.
07:09I'm going to talk to you about it.
07:12That's great, right?
07:13Do you have any questions?
07:15Yes, yes.
07:16Angusadha, this series is a very popular series.
07:19This series is a very popular series.
07:21And then...
07:22Asun, don't you know?
07:25This series is a very popular series.
07:29Okay?
07:32So, how do you feel about this series?
07:34How do you feel about this series?
07:35Because you're a very junior.
07:38I mean, you don't have to think about this series.
07:41My question is,
07:43Abhinaya,
07:44Vagana,
07:45Bolina,
07:46and
07:47Lokan is a very popular artist.
07:49I mean,
07:52Abhinaya is a senior.
07:53There is a lot of people who learn a lot.
07:56If you learn a lot,
07:58if you learn a lot about Lokan,
07:59you will learn a lot.
08:00You will learn a lot.
08:02You will learn a lot about it.
08:02One day,
08:03one day,
08:04and one day,
08:04it will be a lot.
08:05But,
08:05there is a huge team.
08:07And I mean,
08:08Vijayumani's credit is that
08:09this is the last year.
08:11People are the only one.
08:12And we have the people who have the knowledge that
08:15this is your son.
08:16This is your son.
08:17This is your son.
08:18This is your son.
08:18This is your son.
08:19This is your son.
08:19Every group is a good group.
08:21You are the same.
08:23You are the same.
08:24Yes,
08:24One of your son,
08:25one of your son,
08:25one of your son.
08:26One of your children is not the same.
08:30You are the same.
08:32And you are the same.
08:33And you are the same.
08:35You have a lot of questions.
08:37How did you decide that?
08:40I thought about it,
08:40how did you decide that?
08:42That's the situation.
08:51Yes, the people in the world are...
08:54...that the people in the world must think that we're doing a lot of work.
08:58That's a question.
09:00That's a question.
09:01What is the question?
09:02Look, at the Uttar, there is a symbol of the nation.
09:07So, I will do that to my country.
09:11You're saying that I'm not saying that.
09:14No, no, no, no...
09:15Sorry.
09:16Sorry.
09:16I am going to take a look at you.
09:18I am going to take a look at you.
09:22We are going to take a look at you.
09:24We are not going to take a look at you.
09:31But let's say a little bit.
09:34I am going to take a look at your mom's face.
09:37We can't take a look at you because you don't have to do comedy.
09:48How did you get laughed in the office?
09:51You are going to take a look at you.
09:53Put your mouth in the office.
10:00But what are you doing?
10:03I am going to take a look at you.
10:08That means that you are your mom's office.
10:10Yes, that's it.
10:14Did you finally start the interview?
10:16Yes.
10:18So, our curiosity is that
10:19I have a great idea of the mother's advice
10:21that you don't want to make a good job.
10:24Why would you tell us about the little bit of fun for the little bit of fun?
10:28The little bit of fun for the little bit of fun is not fun for the little bit of fun.
10:31So, why is that?
10:33If you shoot the cinema,
10:35I am very serious.
10:39I am very serious.
10:40But when Ankur's dad comes to this actor, he is very successful, very sincere, and when he comes to that
10:46set, when he comes to the room, he is the character.
10:51He is the character in the cinema. And I have a great pleasure, but Ankur's dad, I have to explain
11:00to Ankur's dad that my father is not.
11:03not asks much matter. No means no.
11:10but with the decision making, it depends on the responsibility of her son...
11:13is there also revision, and certain thing becomes, I can now get it off focus on working from him a
11:28nation.
11:28It doesn't seem to be like a person.
11:30Let's go.
11:33But I'm going to be serious.
11:35And I'm going to be serious and I'm going to go to the cinema.
11:40Okay.
11:40So, what do you mean?
11:43No.
11:44I don't know.
11:44I don't know.
11:44I don't know.
11:46But let me tell you.
11:48Ankur is a superstar.
11:50I don't know.
11:53I'm going to go to the stage that we should.
12:02I'm going to play this kind of game.
12:07and the work that they do is to build their own business.
12:16Angusada, do you want to call these people?
12:19Do you want to call them or call them?
12:21No.
12:21No.
12:22No.
12:23No.
12:24No.
12:24No.
12:24No.
12:24No.
12:24No.
12:24No.
12:24No.
12:25No.
12:26No.
12:27No.
12:27No.
12:30There's a film.
12:32You have a lot of aspirants to me.
12:35Sir, I was telling that
12:37I am in the drawing of this film casting
12:42and I feel like I am based on how many actors are.
12:46But any actor is the only actor.
12:50But they are not just a male actor.
12:52Absolutely.
12:53Super.
12:53You have to say that you are working with one actor and that is your goal.
13:02You have to say that you are doing your job and your job.
13:05You have to say that you are doing your job.
13:06You don't have to say that you are doing your job and you have to say what you are doing.
13:16Because there is a schedule that comes to the situation.
13:19So now, I have to say that I have a petal, but I am supposed to have a petal.
13:25I want to label you, I want to label you, my petal.
13:28And I want to say that I will be able to label you, my petal when you have a petal.
13:36This is a very good way to make you work.
13:41And that is what my biggest job there is to do with Social Media.
13:45No, it's my part. And that script is the one that goes on.
13:48There's a lot of people who know the script, who's there, who's there, who's there, who's there, who's there.
13:54But this script is the one that knows what you're doing in the temple.
14:00That you're doing that. And you're doing that. And you're doing that.
14:05So, you don't do that.
14:07We don't know how we're doing that.
14:09But why do you think about this?
14:11We can't be focused on any technical background,
14:15a superstar is not a superstar.
14:17The thing I mean,
14:18can't be sad about the film.
14:22I'll go, come, come.
14:24He can't be sad.
14:25When he can't be sad about what he did,
14:28he can't be sad.
14:29His job is really good.
14:32What's that?
14:33Angushada, this is the season of the Struggler season.
14:39In the last 10 years, he was the director of Manor Anjan.
14:44When the producer asked the script,
14:47what do you think of the script that you are doing in this cinema?
14:52I thought it would be a good idea.
14:54Because the work of the film is clear and clean.
15:00And when the film came, it was a good idea.
15:04Because the vision and the visuals are a good idea.
15:08And I thought that the majority of the task is challenging.
15:13The majority of the task is that there are a lot of fan-followers.
15:16When I was there, people would say,
15:20what's going on? What's going on? What's going on in this group?
15:23I thought it was challenging.
15:24I thought that if we were in our hands, it would be great.
15:29And people would have to change the role of the film.
15:32So, I thought that the role of the film is changing the role of the film.
15:35So, in this form, we were seen as an amazing character.
15:38This is my great idea.
15:40Dadda, we have a teaser in this cinema. We have a very shade of the character.
15:46There are a lot of things in this cinema, because we have a very simple blazer, a typical,
15:53we don't have a class, we don't have a myth, we don't have that.
15:57So, we don't have that. We don't have that.
16:00If you don't have a ticket, you'll get a ticket.
16:02We don't have a ticket.
16:04But when we play this character, we have a great myth.
16:09And we all have fun.
16:11So, how much time did we play this scene?
16:15I love that movie.
16:17Because I love that movie.
16:19I love that movie.
16:21I love that movie.
16:21I love that movie.
16:22I love that movie.
16:24I love that movie.
16:25I love that movie.
16:27I love that movie.
16:28I love that movie.
16:29I love that movie.
16:30And then when the film comes fromizing, we have a very good style.
16:34And I love that movie.
16:36And I love that movie.
16:38So, I love that movie with a video, and made the movie.
16:41I love that movie.
16:42I love making the movie.
16:44I love it for a storyboard.
16:47on how the character was a backdrop,
16:50what was costume, what was the music scene.
16:52And it's more like some characters.
16:53I was able to entertain the film.
16:56And on the mobile,
16:58there was also a 15-20 minutes
16:59and there were only two people
17:01who were in HHSL,
17:03they were able to put the screen on the screen.
17:05And now, the film is complete,
17:06and the people are looking at it.
17:09But one thing is,
17:12I want to ask you,
17:13that you have a huge heroine,
17:15and you have a super star heroine in the cinema.
17:17That's why we're doing the trailer.
17:20What did you do, sir?
17:21Surprise!
17:23No, you're a great actor, sir.
17:25No, what?
17:26I'm a fan of HHSL.
17:29If you have a heroine,
17:33you have to be an heroine,
17:34you have to be an AHSL.
17:34If you have a heroine,
17:35the other people have to be an AHSL.
17:37Then, AHSL will be able to take the life.
17:39Every time,
17:41in the cinema,
17:43I have a heroine,
17:43you have to take the life of AHSL.
17:46But,
17:46I didn't show you such a beautiful heroine,
17:48you have to give me a video.
17:50You have to be an AHSL.
17:53You have to be an AHSL.
17:55You can't have to be an AHSL.
17:56You have to be an AHSL.
17:56I have to take a look at the film.
17:57I'm doing a AHSL.
17:58I'm doing a casting.
18:00I am doing a cast.
18:02I'm doing a casting.
18:06I'm doing a cast.
18:13But still, in this cinema, the heroines are also working on the heroines.
18:19So, I'm going to talk a lot about them.
18:22I'm not going to talk a lot about them.
18:23I'm not going to talk a lot about them.
18:28But there are three heroines in the Marathi industry.
18:35They look so glamorous.
18:37You've got three heroines in the trailer.
18:41And I'm going to talk a little bit about them.
18:45And there are three heroines in the trailer.
18:48I have a question about Kushal, you've got to go to the cinema.
18:54You're going to be a big fan of that cinema.
18:59What does that change to Kushal?
19:04What does that change to Kushal?
19:05As I started, I was a teacher.
19:09I was a teacher.
19:10I was a senior teacher.
19:13So, you've got to be a big fan of that.
19:16I was like,
19:18I'm going to talk to you.
19:20I'm going to talk to you.
19:21No, no, no, no, no, no, no, no, no, no, no, no, no, no.
19:32No, no, no, no, no, no, no, no, no, no, no, no, no.
19:35I have to say, I'm going to talk to you,-
20:05How sweet, how sweet.
20:07I don't have to change anything.
20:10I don't have to change the confidence.
20:12I don't have to change the confidence.
20:15In our cinema, I have two main characters.
20:20I have seen a lot of fun in the cinema.
20:24I have seen a mic for two hours.
20:29I have seen a couple of dates in the set.
20:33and then you have a direct role,
20:34and then you have to play it.
20:37Sanjay Dadawani and Praveen Dardeg.
20:40The name of the world is DSP.
20:42So, in this cinema, we have a character DSP.
20:46We have a director of special cinema.
20:47Because here is Mi Swatha's work.
20:50This cinema is Ankur Saoudari, director of work.
20:53This cinema is Sachin Goswami, director of work.
20:56This cinema is Mahesh Mandrekar, director of work.
20:59This cinema is a great work.
21:05Sanjay Dadawani and Aududh Gupta.
21:11So, this is also a great work.
21:14This is also a great work.
21:14So, this is the only thing for us to do this.
21:17We have to struggle, we have to do the chances.
21:20Why are we struggling?
21:22Our work is 3 times, sir.
21:25In this cinema, you have to do something else.
21:27I don't think he's a big guy.
21:32He said that he's a premier race.
21:36Did you give dates or if we're going to shoot back up?
21:40Did you think that dates are not like the dates?
21:43No, I didn't.
21:44I don't think that's the best.
21:47The best people have given us to do this.
21:49In these years, they've been able to help,
21:52so many people have been able to help.
21:54So I think that's the best industry to do this.
21:56It's very difficult to do.
21:57You can only call a phone.
21:58You can only call it.
22:01You can only call it.
22:02It's a little bit of an affection.
22:06I've heard the fact that I've heard about the set-up.
22:09Sir, in Nagarvaru,
22:10the city of Pahat was on the 3-3 day to go to the house,
22:13and it was a shift in the 3-3 day.
22:15The city of Pahat was on the 3-3 day to go to the house,
22:16and it was on the 3-3 day to go to the task.
22:18It was on the direct set-up.
22:19It was on the way to go to the driver's car.
22:20But he took the time to be there.
22:21And he took the time to be there.
22:25Sandhya Gadi took the time to be there.
22:27Sir, you can only make the plan for the Gowela,
22:30so would you have to make the plan for the Gowela or go to the house?
22:34Because he wants us to do the house.
22:37If you have to make the plan for the Gowela,
22:39he would not go to the house to go to the house.
22:41He would not go to the picnic.
22:45But, was that the way he said that?
22:47We are going to shoot you and going to get a picnique.
22:49No, when we get a picnique, we don't want to get a picnique anymore.
22:52I do not want to get a picnique anymore.
22:53Just like that.
22:57There is a great plan.
23:00There is no doubt about that and then a person will give you a picnique.
23:06But what is the problem?
23:08If there is a picnique, then we will get a picnique.
23:12There is no doubt about that.
23:13I will get a picnique anymore.
23:15Do you speak about this film?
23:17Do you speak about this film?
23:19Do you speak about this film?
23:25I think this film is a bit of a time injury.
23:29You are my own life.
23:31I will do that.
23:33It's interesting that this film has been a lot of fun.
23:38It's a lot of fun.
23:40But it's not that you can produce it.
23:46Shavati, this is actually a planning, that's right.
23:49Culprit.
23:50Culprit.
23:51You have been producing Malat.
23:54And Malat is the only thing that I will start the cinema,
23:57but I have to take a look at this topic.
23:59One minute, you are not a year old,
24:03but I have been doing this cinema.
24:06But in such a few years,
24:08I have been watching from 21 years.
24:10I have been watching from 25 to 30 years.
24:13I have been watching from 24 years.
24:13So, there is a plan.
24:15We have a plan for you,
24:16and you have to have a plan for me.
24:18So, the plan is not to do anything,
24:20so, let's go.
24:23I have to say that.
24:2320 years later, I have to say something.
24:26I have to say.
24:26And then, I have to say that.
24:29And then, I have to say,
24:30that you do not have to say anything.
24:33Then, I have to say something,
24:36and then I will say something.
24:38And then,
24:39In other words, I have committed to making a commitment to my Karan Arjun and Arjun to make a commitment
24:45to my Karan Arjun.
24:46And I also wanted to make that Karan Arjun.
24:50I wanted to make a business with Roushle and Pugle.
24:55But I wanted to make a decision in the cinema.
24:58I thought that Roushle was the director of H.O.R. Vada, Firella.
25:03Jetski.
25:04Jetski.
25:05No, we don't have the Roushle.
25:07He has called a contract to do with Roushle.
25:12What a Roushle.
25:13I like to make that.
25:14I am not giving theiyetals for your father.
25:17I'll give you my name, but Roushle.
25:19He's a wasteful.
25:19We don't have to make any mistakes on each other.
25:22He will do that.
25:25You might be happy with that.
25:27Why do you feel about Roushle?
25:28Do you feel that Roushle and why do you feel the same?
25:30Do you feel the same.
25:31You are afraid.
25:33What is this?
25:35The truth is that the elders have been like an orphanage,
25:38and that they are the daughters of his family.
25:40So I have to do their own family.
25:42That is a temple.
25:45I am a man who is an architect.
25:46I have to make a statue of a man who is a man.
25:48I am the man who is an architect.
25:51I will make a statue of it.
25:52Then I will take a statue of a man.
25:55I will make a statue of a man.
25:56But I will make a statue of the village very well.
25:59Very well.
26:00It's good.
26:01I don't know how many people are struggling with this episode.
26:05No, no.
26:05If you're struggling with this episode, it's good.
26:08If you're struggling with this episode, it's good.
26:11That's your question.
26:14Did you get back to the shooting?
26:16Did you get back to the pack-up?
26:18And the other one is going to shift.
26:19And you have to go?
26:22And then you have to shift.
26:25What do you think?
26:26What is your concern?
26:27We've been able to take a rest of the shooting.
26:29We have got to do some planning.
26:31We've got to do some other locations.
26:34We've got to do some other locations.
26:36We've got to go to this place.
26:38We've got to do some other locations.
26:40We've got to get to the production.
26:43For sure, the city is going to try and get to set.
26:47We've got to get to the place.
26:49We've got to the beach at 10-12 km,
26:51and we've got to get to the city.
26:55and in the UNA we have the same time,
26:58when we have one short time,
27:02and when we have the same time,
27:05we have the same pressure,
27:07we have to give up to the questions,
27:08but we don't have to give up to the comments,
27:11you're going to say,
27:13is there a lot of people here
27:15if you have a shooting sample,
27:16we have to be like,
27:17we need to try this out and try this out.
27:19We have a lot of time,
27:20I have a question for you.
27:22What?
27:22What is it?
27:23You shoot in Bangkok.
27:26But you don't see the bandana in the background.
27:29What is it?
27:30You don't see the bandana in Bangkok.
27:32If you don't, you don't see the bandana.
27:34What is it?
27:35You don't see the bandana.
27:38How did you shoot shooting?
27:43What is it?
27:45You're good.
27:46You're good.
27:46You're good.
27:48You're good.
27:48You're good.
27:49You're a hero.
27:55Angus, as an individual director,
27:59I'm not doing anything,
28:01but others work on the bandana.
28:03Or they do direct.
28:05So, let's all say Anubha,
28:06and how are you going to do that?
28:09I have already been a film.
28:12I have just watched it.
28:14I have filmed a film,
28:17I am a guru, I am a guru, I am a director and I am a triple role.
28:27I am not a guru, I am a guru.
28:32But my dad has been a director, I am a three-year-old.
28:36I am a three-year-old.
28:38And my dad thought that what's going on today.
28:45I am a guru, I am a guru, I am a guru.
28:53I am a guru, I am a guru.
28:57I am a guru, I am a guru.
28:58I am a guru, I am a guru, I am a guru.
29:00So my dad is asking me if you have a son in cinema.
29:06I am a guru, I am a guru, I am a guru.
29:10And I am a guru.
29:11So that's why I am a guru.
29:13So I am a guru, I am a guru.
29:17I am a guru.
29:18I am a guru.
29:22I am a guru.
29:23I am a guru.
29:25But I promise that I will be a guru to my building.
29:28I am a guru.
29:29And I am a guru to my son.
29:30I will be a guru to LALBA.
29:30Yes, yes, yes.
29:32I will be doing it.
29:33I will be doing it, I will be doing it.
29:37And I will be doing it.
29:37I will work in Mumbai.
29:38Did he?
29:38LALBA, yes, yes.
29:39Yes, yes.
29:40You had a guru to buy his car.
29:43Did you get that job as a professional?
29:46No, I think that, too, I thought it was a bit harder to do my acting.
29:50No?
29:51I think it's over there, too.
29:52I think we have to do a lot of work with that.
29:55We've got to get the job to do.
29:56Yes.
29:58I think that, too, I think that, too, it's terrible.
30:05I think that, too, I have to get to work with my wife and my wife and her daughter.
30:08I didn't have to listen to this song.
30:11He did not.
30:11I was about to have a very good attempt.
30:15I had a character in a very different way.
30:16I was in my muse.
30:20I was always about to play all the best.
30:22I acted like a fan.
30:25I was also able to play on a pub like an Shri Hajji Bandir.
30:28This was a fascinating thing.
30:31I played his role.
30:33I did not play on a fan.
30:35We will live at night at the night we will be on Saturday night.
30:38That's what we have to do.
30:42No, that's why we have a nice look.
30:45No, no.
30:45No.
30:46No.
30:47No.
30:49No.
30:58No.
30:59We have two actors in LALBAK.
31:01But we have to go for it.
31:02So there's some more.
31:03Anguja, I don't want to think about that.
31:06It's not the LALBAK.
31:09If we go to the film in Goa, we shoot in LALBAK.
31:13You should say, what's the film in the film?
31:16What's it?
31:17You can't tell the story about that.
31:18The world is in Goa.
31:24I was a great actor.
31:26I thought that everyone was in the film.
31:27but the time of the day was this morning and the time of the night came back and I thought
31:34there was a lot of experience for me that the mother is coming back and she wasn't here
31:41I thought she was like, Well my father is here and she's coming back and she's coming back
31:47I know that it's all about the films, all about the films, and all about the films,
31:52that it's all about the films that you're interested in.
31:54Okay, let's just give a video of the films, let's just give a video of the films,
31:56let's just give a video of the films,
31:57and I can't tell you that people are interested in the films of the films.
32:03That's the thing.
32:04But I should ask for that.
32:07My two groups are,
32:08one is Bhaiinder-Mira Rodla, Mukesh Rakesh Amul,
32:12and one is the group of the films.
32:15Okay.
32:16It's a good time for this group.
32:18Like they're going to kill a gappa at night.
32:20They're going to get to know how to do the stuff.
32:23So, I'm going to go.
32:24So, I'm very happy.
32:26But, I'm saying that today, I'm not a good guy.
32:30But, I'm not a good guy.
32:31Wow.
32:32How much is it?
32:33I'm not a good guy.
32:35I'm not a good guy.
32:36I'm not a good guy.
32:37I'm not a good guy.
32:39I'm not a good guy.
32:43I'm not a good guy.
32:44I'm not a good guy.
32:45But, Ankur, he seems like he seems like...
32:47Wow.
32:48See, I'll have to go by for the other guys.
32:52That's what I was wondering
32:56We have to goф╣ЛхЙН there.
32:57One more timeтАж
32:59Well..
33:00What a good guy said.
33:02I'd never stop asking Pourquoi I didn't know how to find glue.
33:04But, we see.
33:05How are all from the film in this cinema?
33:08What are the stories from the film?
33:11Listen to me.
33:11SirтАж
33:13In the cinema, we were doing sports sports adventure.
33:17Yes.
33:19But, first of all, I thought that my father was a lot of fun.
33:22That's why he was a lot of fun.
33:24He was a lot of fun.
33:25Yes.
33:26So, we were talking about Alibag Lake,
33:28but the whole world was a lot of fun.
33:32It wasn't a lot of fun.
33:33So, it was a lot of fun.
33:34It was a lot of fun.
33:35It was a lot of fun.
33:38It was a lot of fun.
33:42But it was a lot of fun.
33:44It's a lot of fun.
33:45It's like a lot of fun.
33:48And we did a parachute.
33:51We would like to cheat.
33:52It's not a camera angle.
33:54It's not a parachute.
33:55Yes.
33:56It's a lot of fun.
33:57But, in a moment, we didn't get any idea.
34:00We thought it was a good idea.
34:05We thought,
34:08I am doing paragliding.
34:09That is the only reaction.
34:11I am doing this.
34:13I am not doing it.
34:15It is not possible.
34:17I am saying acting like this.
34:19Yes, I am saying that I am doing this stunt.
34:21What a stuntman.
34:23I am doing this.
34:24I am doing this.
34:26I am doing this sop.
34:28I am doing Jetsky.
34:31I am doing this sop.
34:32I am doing this paragliding.
34:35I am doing this.
34:36What about me?
34:37We are doing this too.
34:37I am doing this as well.
34:41We are not doing this.
34:43I am doing this.
34:44I am doing it as a student.
34:44How am I doing this?
34:48I am working and I am doing this.
34:53We are shooting her.
34:56How do I do this?
34:58I am doing this.
34:59I am doing this.
35:00I am working.
35:02Yes.
35:02Yes.
35:03So, if you go back and say,
35:04Hey!
35:07I thought,
35:09Purtaji,
35:10Why were the Jets in 15 minutes?
35:15It was about 3-3 hours.
35:19No.
35:19No.
35:20No.
35:22No.
35:23No.
35:24No.
35:26No.
35:32No.
35:32No.
35:34It's a profitable cinema.
35:36But,
35:36I mean,
35:37I think in a cinema trailer,
35:39That's your mother.
35:41I want to know,
35:43How do you think bei the film is the real movie.
35:46I'll tell you.
35:47Yes.
35:47What's the matter?
35:48No.
35:49I think,
35:50I mean,
35:52You are in English.
35:55You show me your friends,
35:57And I will tell you your wealth.
35:59Wow.
35:59Wow.
35:59What is this?
36:00So, when I was in the video,
36:04the vision is full of our lives.
36:06What is this?
36:08He said that it's very hard.
36:09I said that there are also a lot of different vision.
36:13If you have to put songs on you,
36:14and you should give yourself the work of your voice.
36:18I've heard about this as an individualist cinema,
36:21I believe you should have created my own son.
36:24When we're not allowed to shoot this song to you.
36:26So, we have a very strong feeling, that we don't want to reveal it.
36:32But, the music is the moment we shoot.
36:40The moment we shoot the music is the moment we shoot.
36:42But the problem is that the other thing is that it is a good idea.
36:48Then we don't have any progress.
36:51We don't have any progress.
37:16I am the wealthiest, richest person on the earth, I am the wealthiest, richest person on the earth.
37:22What do you mean by this thing ?
37:24I am the same guy. I don't get anything to make it.
37:28I mean of course, yeah, Bajula Jaya jaya is coming out.
37:30But I am sure we have to make a promotion.
37:33You will know if we have a car from there.
37:35What if you have a car from there?
37:36The 407 sir.
37:38His name is Mr. Mithra.
37:40He just had rapped up our├╝r├╝ and posted poster.
37:44Then i thought of him who does this?
37:46By Mr. Humanaatla Mithra that is Mr. Kiran Desai.
37:50There was a car in Kiran.
37:51And I think it's a big deal.
37:55Ashrat, when I was thinking about it,
37:56there was a lot of film in the world.
37:58There was a lot of work in the world.
37:59Yes.
38:00But I have a lot of questions.
38:01In the past, in this cinema,
38:04what can we do in the future of Rashi?
38:09There are two or three things.
38:11One thing I would like to say is that
38:12one of the things that we have done in the future,
38:15one of the things that we have done in the future.
38:17Vigvigay Vinod films, web series of films, Hindi, and Vigvigay Bahashyatlil.
38:23Most of these films are going to be in the middle of a new film.
38:30In some of the people who are in the middle of a second, you can make a film for your
38:34family,
38:35you can enjoy it a lot. That's a guarantee.
38:38And the other thing is,
38:40It's about the place in these people.
38:44Don't forget to enjoy your friends and stay in the theater.
38:52Let's go on that.
38:53Where's that?
38:56Say it again.
38:57Say it again.
39:00You have a question.
39:02What do you think?
39:03Say it again.
39:05What?
39:07Oh, my God.
39:08Let's start the interview.
39:10Oh, my God.
39:12Let's start the silencer.
39:15Let's start the silencer.
39:16Let's start the silencer.
39:20Let's start the silencer.
39:21Let's start the silencer.
39:23But we don't have to.
39:25No.
39:28Wow.
39:30I have a question for you.
39:32You've come to the same time.
39:34Okay.
39:34If you want to tell me that
39:38in your group,
39:39Baba, this is one of the Soudun.
39:42Soudun is not this.
39:43Soudun is this.
39:45Sagar.
39:49Sagar.
39:49Viju, sir, who is the Soudun?
39:51You are the Soudun?
39:52Yes.
39:52I am the Soudun.
39:54I am the Soudun.
39:55I am the Soudun.
39:57You are the Soudun.
39:58I am the Soudun.
39:59I am the Soudun.
40:01Okay.
40:02Yes.
40:02You have this Pudis.
40:05How are the Soudun?
40:07What do you have to tell?
40:09Who?
40:09Viju.
40:31Viju, sir.
40:32I think it's like a steak.
40:33Yes.
40:34I thought I'd come.
40:36Why did you do that in the shooting?
40:38No, in the shooting, I don't know what to do,
40:43but I was set to set up.
40:46And if I'm going to get warm,
40:49then I'm going to get warm.
40:51What's going on?
40:52In the shooting,
40:54the first thing is,
40:56what's going on?
40:58What's going on?
40:59Because of the beat,
41:01the salad,
41:02and boiled fish,
41:04and boiled fish,
41:05little water,
41:06once they put them in the ketchup,
41:09I would always give them that,
41:10you should give them that.
41:13There's afigure at this time.
41:15My son calls for a roast at all.
41:17This is a dog and a pig.
41:18The other person calls.
41:19I'm trying,
41:19now I can give it all.
41:22Because
41:24I don't feel bad from this experience.
41:26He said that he was able to eat the food.
41:28He had to eat the chicken.
41:31He was able to eat the food.
41:34You know, he had to eat his diet twice a day.
41:37He said, hey, he's not the boiled fish.
41:41He gave me one.
41:44He said, no, he's not the one.
41:45He said, no, I'm not the two.
41:47He was the one who was the one.
41:48He said, no.
41:48He said, no, he's not the one.
41:50He said, I'm going to get one.
41:53Old.
41:54Gold is over!
41:58Gold is over!
42:00Gold is over!
42:02Gold is over!
42:04Gold!!
42:04It's already over!
42:08Old Goa!
42:08When I shoot shoot,
42:10and why would I say it's Gold?
42:15Then?
42:16It turned out again,
42:17it fell down!
42:19She!
42:24Then, we shoot at the same time.
42:26And then, old girl.
42:29And then, I don't know.
42:31We don't have a kiss.
42:32If you don't have a kiss,
42:38then you'll have to do it with your friends.
42:41But, I'll tell you.
42:43We have fish, burgers, chicken,
42:46munga, nuti,
42:47pho,
42:48daal,
42:50bakari, vikari,
42:51but we have a mood here.
42:53I mean, it means that we eat chonak.
42:59Chonak is a special place.
43:04When you go down to the ground and the ground, what do you eat?
43:09Chonak.
43:13What do you want to eat?
43:16That message is from Deepatai.
43:19That message is from Deepatai.
43:21That Deepatai,
43:22Ankur Dada said that
43:24when the child started this
43:26masha-warti ghost,
43:27the father said that
43:30the super star
43:32is a video of Maharashtra.
43:34And we don't think about Deepatai.
43:37Deepatai, you should say
43:38that we are not.
43:39We are eating a lot,
43:41we are eating a lot.
43:44You should say you're eating a lot.
43:47But you're not telling that clip
43:49from Deepatai who was seeing this clip.
43:52That's what the motive is.
43:54You're telling that clip from Deepatai.
43:57I am not saying that.
44:01I'll tell you that
44:01the script is coming
44:02I'll tell you.
44:04I'll tell you that and then
44:06I'll tell you that.
44:06That's when I was...
44:08Gappa Marath.
44:10Yes?
44:12That's when I was speaking Gappa Marath.
44:13That's when I was speaking Gappa Marath.
44:18When I was speaking Gappa Marath,
44:21I was speaking to my house,
44:22and I thought that my family would have been a good idea
44:24that I was thinking,
44:25that I was thinking of this.
44:28That's when I was speaking,
44:29and I was thinking about it.
44:31And I was trying to prove that
44:33that I wouldn't have been a good idea.
44:38I would have been a good idea.
44:40that I could have been a good idea.
44:41There was a break over,
44:42and then there was a break over.
44:44And there was no one to eat.
44:47Then I said,
44:48I asked my dog to eat,
44:49and my hand was like,
44:55I'm like,
44:57I'm like, I'm like,
44:59I'm like,
45:01I'm like,
45:03I'm like,
45:03I'm like,
45:04I'm like,
45:04I'm like,
45:06I'm like,
45:08But,
45:13I was the beginning of shooting
45:14that,
45:15I lost a unit.
45:18I was like,
45:19I'm like,
45:20I was shooting.
45:22Dad has also checked the Punjabi.
45:25Who?
45:25Bangal.
45:31I don't want to make a struggle with an episode without a shiya.
45:38Yes, that's right.
45:39I mean, you have a big picture.
45:41What do you think?
45:43You are a star, you are a superstar.
45:45But you have a big picture of the first shooting check.
45:48What do you want to do with the first shooting check?
45:50What do you want to do with the first thing?
45:51Then you are a star.
45:54So, you are a star and you will see that.
45:57You will see some other things.
46:01I don't know why I want to sing that song in this video.
46:04I do not know why I want to sing it.
46:06I want to sing it like that.
46:07It is a great song.
46:08I am not alone.
46:09I am not alone.
46:12But I want to keep the music.
46:16I am very happy, I am so happy, I am so happy.
46:19I said, we will get to work.
46:23What's the matter?
46:23He said, we don't have to do anything.
46:27Then, what would we do to do?
46:28I don't know.
46:33I didn't have to pay for the first cinema.
46:35I got cash.
46:36How did I pay for it?
46:38What did I pay for it?
46:39I got to pay for the first cinema.
46:42So, I got to pay for the first cinema.
46:44So, I said, I don't have to pay for it.
46:46I said, I don't have to pay for the first cinema.
46:51I came to pay for the first cinema.
46:51But the first cinema was, he took the number.
46:53I got to pay for the first cinema.
46:57So, who is the number?
46:58I don't have to pay for the first cinema.
47:04I...
47:08I was...
47:09I was waiting for a night.
47:11There was a night in Natka Satish and it was a $500 night. And the producer was there.
47:18Yes?
47:19Yes.
47:19Who did you call it?
47:20Ram Baro.
47:21Ram Baro.
47:22Yes.
47:23Yes.
47:23And they were very good night.
47:29They were working for $50 or $70, so they were a night.
47:34And in fact, they would have a hard time.
47:39Look at the price for $200, and they would have already paid $50.
47:43When they used $50 for $50, they would have begun to pay $50.
47:47They would say that they would pay $2000.
47:50And when they were a night, they would pay $2000.
47:53They would pay $5000 per year.
47:58And it would say that they would pay $25.
48:01I said that I had $15,000 in the bank. I said it would be $15,000.
48:10I said that this money would be paid for $18,000.
48:14We didn't know how many people would pay for them.
48:16I told them that they should do the money.
48:19I got one question that they are working on their business.
48:24I was thinking that I would like to see what I was thinking about.
48:28I wouldn't imagine that I would like to work in the film in cinema.
48:33I would like to ask them that I would like to give them that.
48:36I think that when I was working on that, I would like to get successful.
48:39I think that our target is good.
48:40The target is good in a parity.
48:43It's the restaurant bar of my team.
48:48I think that we have a team.
48:51In the cinema, we have to talk about how many producers are in the cinema.
48:54So, what do we do here?
48:57So, my dad is doing this.
48:59And if we have a good target,
49:04then we will come to our party.
49:07So, there is a house.
49:10I said, yes, dad.
49:11We have a house.
49:13That's right.
49:14And we have 10 reports.
49:17We have a house.
49:19We have reached my house.
49:23And I thought, how much do you do?
49:27I said, I have to pay 7,000.
49:29Okay.
49:32We have to pay 7,000 in every month.
49:35We have to pay 7,000.
49:38We have to pay 7,000.
49:39We have to pay 7,000.
49:40We have to pay 7,000.
49:43Here we have to pay 7,000.
49:48I've to pay 7,000.
49:56But every month,
49:58we have to pay 7,000.
49:59we set the $70,000 for a month.
50:01I called him,
50:02Dad.
50:03I asked him,
50:04I could pay 7,000 for this month by the mother.
50:08I will give you a check.
50:13And I will say, I will give you a check.
50:15I will not be in the same way.
50:18I will give you a chance to see the truth.
50:20And I will give you a chance to see the truth.
50:23What a matter.
50:24What a matter, sir.
50:29And I will say thanks to you.
50:31You will have to get a job of a village.
50:33The other thing is, when I have a job, I have to raise one hand in my hand.
50:37I have to worry, sir.
50:39But I have to worry, sir, I don't think we're going to worry.
50:39No, it's also that our quality is too much.
50:47But my sir is doing everything.
50:49My sir is doing everything.
50:50My sir is very aggressive.
50:54I have to worry about this very, very good.
51:00My sir is making a lot of people.
51:02I have to worry about it.
51:03I have to worry about it.
51:03that Viju has given you to pay for every month.
51:06And I don't say the weird thing.
51:09When it's been 7-8 months,
51:11Viju has given you to pay for every month
51:12a lot of money, a lot of money, a lot of money,
51:16a lot of money, a lot of money.
51:18And you have to go home.
51:19What a matter of a matter of time.
51:24But Viju, sir, you are very good.
51:27I'm a fan of the film.
51:29If you're a fan of DGS7, you're a fan of DGS7.
51:34You're a fan of DGS7.
51:35So what's your fan of DGS7?
51:39You're a fan of DGS7.
51:46I've been working on DGS7.
51:50I'm a fan of DGS7.
51:53I'm a fan of DGS7.
51:55I'm a fan of DGS7.
51:56Otherwise, the situation is very wide.
52:00There's a lot of money in our house.
52:05So if you're a fan of DGS7,
52:08you can get a ticket for your help.
52:10And you can get a ticket for them.
52:11I'm a fan of DGS7.
52:15I'm a fan of DGS7.
52:22I'm a fan of DGS7.
52:24I'm a fan of DGS7.
52:26I'm a fan of DGS7.
52:27My question is,
52:30I'm a fan of DGS7.
52:32I'm a fan of DGS7.
52:33You speak a lot about DGS7.
52:36But you can't make it other than you are,
52:40but you can do that little work in there.
52:43If you're in the Indian,
52:44you don't have to do that job in the Hindi.
52:51But we have to be careful that we can go to another place.
52:54Correct. Yes.
52:56And this is a great time for the moment.
53:01We have to be careful with the other place.
53:06So I thought that we were happy with the other place.
53:08I thought that we were happy with the other place.
53:11But I thought that you were in Hindi for a show.
53:15So do you think that you were in the lead?
53:18of their lead.
53:19I don't make films like Kutli.
53:23I said, this is very good.
53:24I've been saying a lot about Kutli.
53:26I have been talking about Hindi and then,
53:27I don't know how to do it when I did
53:28put my film in South Madoa in English.
53:32I only made an even film.
53:33I saw a large film and then there will be a big film.
53:37That's it.
53:38What do I say to my server team
53:39that you should check the video.
53:44What will we get to the program?
53:46In Bharpur Vasan, Ayushva Jagan and Maitri's film, you can make a film.
53:53If you are a Maitri and the Maitri's film, you can make a film.
54:01In other words, you have a lot of love for the Struggler series,
54:07because it's a stress buster.
54:11I think that the series is 5, and there is no entertainment for you in the cinema.
54:17If you have a stress buster, you can make a film,
54:20and you can make a picnic in this cinema.
54:27You have a lot of work.
54:28You have a lot of work.
54:30You have a lot of work, but you have a lot of work.
54:35And I think that you have a lot of work.
54:36But even in the years at the moment,
54:38you have a lot of work,
54:41and you have a lot of work.
54:43I wish you a lot more work.
54:52The moment of pain, pain, pain is not a part of the world.
54:58But the world is a part of the world.
55:02What a matter of fact.
55:04But Mithra, we also had the mother's house.
55:07We also had the house and the house.
55:09We also had the house in the cinema.
55:11We also had the house in the house.
55:15But you should tell us about the house in this movie.
55:17What do you think about this movie?
55:19But, we'll get together with Goela,
55:22so that's the cinema.
55:24We'll be able to play Goa.
55:26And the fun of this cinema.
55:27And if you want to go to Goela,
55:30please comment on the team.
55:33What do you think about it?
55:34It's a big one.
55:35So, let's get to the next one.
55:37It's a big one.
55:39You're a big one.
55:42Goela, goela.
55:45I'll just tell you one more.
55:48Sagar, thank you very much.
55:50I'm just wondering that you've got a strong strength
55:53in the Vino Sporting League.
55:55And you're also an actor.
56:00You've got a lot of money.
56:02Thank you so much.
56:03Thank you so much.
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