- 7 weeks ago
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00:00Atta's first-year-old need-performers are very good.
00:04We are going to have a lot of money.
00:06So, if we don't have a lot of money, we have a lot of pressure.
00:10I think that when I was talking about this,
00:12I would say that I would not have to do this.
00:18I have to take a few steps,
00:20and I have to take a few steps.
00:21I will take a few steps to take a few steps.
00:25How sweet!
00:27Even though there are stuff like a big thing
00:30But it's just like a big thing
00:31But you keep in mind
00:32It's just a little sand
00:33But I have to give you a hug
00:38Like I said not
00:39But I have to give you health
00:40So I thought then I want to give you a hug
00:41I'm not saying that I'm vara
00:42So anyone else is in the way
00:45It's surprising for us to answer
00:47Sometimes we have to answer yet
00:49We have to answer the same thing
00:50Sometimes we have to answer
00:52but we have to answer
00:57The other person asked me, I am not going to have an emotional mood.
01:01My teacher said,
01:04I am not going to have a problem,
01:09My sister is not going to have a problem.
01:13My sister is going to have a problem.
01:18I have heard about you in the film,
01:21I am going to ask you to have a great welcome.
01:22Dhuidha Manasitiyaz majih zhali liye karen ki Dhuidhaji Sampunha team majih zhali liye karen ki ardi team gaya bai.
01:33So kaa, ha was a mutha prashne, baakichi team kuttea hai.
01:36Aga punayabharna nikta nafsa time coordination neet ne zhali ta ardiyaz pochle za nahi.
01:43So missing aastaat specially.
01:45Yes.
01:45Yes.
01:46So Dhuidhaan!
01:49Kameen的话.
01:50I'm always here.
01:51It's a about だhr Holiday.
01:53You have three female peces outs joints together.
01:54I wonder a clear question.
01:56Trailer fahun parts ko chan vatla, a must-ta trailer ai.
02:00And one day, we are all here.
02:02And there is no Dudeawaan.
02:03They are a countless other.
02:04Especially, so that's liebara is green and that was sehr claro.
02:14And that cinema has become a big part of it, especially when you are young.
02:19You can start with it.
02:21Because it means that you don't have to be able to do cinema.
02:25I was in a hospital in the hospital and in the waiting area.
02:31Then there was a conversation with two nurses.
02:34There was a case in the hospital.
02:39And I didn't have a conversation with them.
02:41But then I thought that it would be a cinema.
02:47And when I was in a position, it would be a cinema.
02:53And yes, we did it. We did the cinema.
02:59What's your name?
03:03We have two nurses in the hospital.
03:06Look at the film where the mum became avert.
03:10Because it's not the name of the hospital.
03:11But in the moment, one of the hits is when I call it and it works.
03:15I thought that your name was not a subject.
03:18But you can't understand the concept, etc.
03:22But we can find ourselves in the hands of the woman.
03:23We can't understand the concept.
03:26Yes, this is the idea.
03:28We can't understand the concept.
03:30You're going to have to start the conversation, we're going to have a couple of things.
03:35So, I think I'm going to be a producer, but don't worry about that.
03:44How can you do that?
03:45We're going to have a lot of work.
03:46Are we doing a lot of work?
03:49No, not a lot of work.
03:50But, I'm sorry to interrupt.
03:54We're going to have a lot of work.
03:57I think that's the same thing.
03:58I was going to shoot a hospital.
04:01I told my doctor about stories.
04:04I told him that he was 15 years old.
04:09He was a very relatable person.
04:10Actually, he was a very relatable person.
04:11He was a very relatable person.
04:14He was a very relatable person.
04:14I think he was a very relatable person.
04:18I was thinking about this.
04:19Especially, you had seen the movie.
04:22Yes.
04:22Yes. That's great.
04:25The number of 3s is not to be set in this type of 3s.
04:30The number of 3s is not to be set in this type of 3s.
04:35But if you are not to be set in this type of 3s,
04:44It's just a little bit of a difference in the scenes.
04:50We have to face the camera and say,
04:55what is the camera angle?
04:57We also have to do it.
04:59We have to do it.
05:02We have to do it.
05:03We have to do it.
05:03We have to do it.
05:04We have to do it.
05:11When we first started the schedule, we had to make the location of our work.
05:17So, we had to go to the scene, and we had to go to the picnic, sir.
05:22And when we started the scene at night, we had a lot of energy drain.
05:28It was cranky, and we had to go to the scene, and we had to go to the scene.
05:41But it was a lot of time.
05:43In the first experience, I thought that this was a good idea.
05:49But surprisingly, I had a lot of trouble.
05:52Because I had a lot of need-performed and need-performed.
05:59We had a lot of money, right?
06:01So, we had a lot of money.
06:02We had a lot of pressure.
06:04But fortunately, for some years, I didn't understand.
06:07I mean, you don't have to say the instruction, you don't have to say you, you don't have to say
06:11this.
06:11I have to say that I am holding my phone, you don't have to say this, I have to say
06:15that with us.
06:15We don't have body language.
06:17But in the same way, it is surprising that we just heard that the song was very good, so it's
06:22a very pleasant surprise.
06:24Do you think about this? Is it real?
06:28Yeah, it is real but it is a time pass.
06:31It's true.
06:31If you have money to take the other side, you don't have to pay attention.
06:37But you can take some money, you can take it.
06:41But you can record the mobile.
06:43This is the only way of the unit.
06:46You have to pay attention to the other side.
06:48You don't have to pay attention to the other side.
06:52It's a shame.
06:53So, I think it's a really hard part of it.
06:54So, this is not a practice,
06:57but when we played with the audition scene,
06:59we would just play a scene,
07:01and we would just play an audition.
07:03But we don't have to say that,
07:05but we would just play an improv scene
07:06so it's just like we did it.
07:09But fortunately,
07:11we would do a grasping,
07:12so we would just play the part of it.
07:14Yes, but we could play it.
07:17So, let's play the first audition.
07:22No, I actually don't have the idea.
07:25My idea is that I should get it.
07:27I don't have it.
07:29I don't know why I would have to join.
07:30I don't know why I would have to get this job.
07:33It doesn't have to be done by myself because I need to deliver a job.
07:36I have to do it because I'm not doing it.
07:40I don't know if you want to suffer on a day.
07:44I don't know if I have to suffer on a moment.
07:48But I think it was a good performance for the audition.
07:53I was the first selection.
07:55Fortunately, I didn't have the audition for the scene.
07:59I didn't have the audition for the scene.
08:00I didn't have the audition for it throughout.
08:03But what did you get to the audition first?
08:06What did you get to the audition first?
08:08Oh my god.
08:12I think it was the first audition I gave.
08:15Because when I started the audition, fortunately, I was a little bit worried.
08:20If you're new, you're going to have a audition.
08:22If you're new, you're going to have a audition.
08:23If you're new, you're going to have a audition.
08:25You're going to have a selection.
08:28But, jokes apart.
08:30I gave the audition first for the first,
08:33I had a complaint about that.
08:35And, you know, Malika and I...
08:38Obviously.
08:40Obviously.
08:43No.
08:44But, when I gave the audition, I was the first experience.
08:50And, you know, I didn't have the audition in the studio.
08:53You know, you have to shoot the record in the studio.
08:56You know, you have to shoot the record in the studio.
08:56So, you know, you have to shoot the audition.
09:01And, you know, all of these are common.
09:03And, you know, all of these are all the people.
09:05And, you know,
09:06you have to choose the number of me.
09:07You have to choose the slate, the details, the profile.
09:11And, you know, we have to choose the audition.
09:12So, I realized that...
09:15That's what I was concerned that
09:16that the audition is for all of the people's eyes.
09:17It's an audition for a few years.
09:19I was very conscious of that
09:21I thought that
09:22I would say that
09:23I would like to say that
09:23I would like to say that
09:23we will audition for a few years.
09:26It's not that it's an open studio
09:27and everyone else
09:29is making me feel like
09:30I had to feel like
09:30my number was like
09:33restless
09:34I thought that
09:35I didn't know
09:36I thought that
09:38I didn't know
09:38that I was a good one.
09:41I didn't know
09:41that I didn't know
09:41that I was a good one.
09:42No, I didn't. But I showed you the first number of the audition and fortunately, the ad cracked.
09:47So that was my first experience.
09:48What was your first experience?
09:50No, I don't know. I don't have a small complex.
09:54No, I don't have a family.
09:55No, I don't have a family.
09:57And how did you go to college?
09:59College just completed myself.
10:02Yes.
10:03I got a graduation.
10:05Three six years.
10:06Yes.
10:07Yes.
10:07So that was my first experience.
10:09Yes.
10:11I mean, I don't want to go to college.
10:13I don't want to go to college.
10:15But I was very conscious of seeing the audition.
10:19So that was my first audition video.
10:22Did you save the video?
10:24Yes, of course.
10:25I got a good audition.
10:26Yes.
10:26You got a good audition.
10:28You got a good award.
10:29I don't have a good idea.
10:31I don't have a good idea.
10:31I don't have a good idea.
10:31I will.
10:32But,
10:33we were at this stage.
10:35We were at career.
10:38We did.
10:39One of them,
10:40when we were teachers.
10:41We were at the stage.
10:44I came to the table.
10:46We were at another exhibition.
10:47I said,
10:48Hey everybody.
10:49I was at the doctor.
10:50This is an option.
10:50Your money is a gastric hour.
10:52And we're all looking for the details.
10:55We have to see how it works.
10:58We can't do anything.
10:58We have to think about it.
10:58We can't do anything but support them.
11:00And help them.
11:01So I think that they support them.
11:02Now, let's give my question.
11:03So now, if you have a junior in Italy, what have you said?
11:07It's the reason that they cast.
11:10They're the only reason that they exist.
11:12They're on their own side.
11:14The overall mannerisms are similar.
11:18I am holding the same thing, but I am still holding my head.
11:22I am still doing the same thing, but I am still acting.
11:28When I took the first audition, I was interacting with the two of them.
11:34I was doing the same dialogue, but when I was talking to the same dialogue, I was doing the same
11:38reactions.
11:39It was perfect and natural.
11:41I was not sure if I was acting as a normal actor.
11:46I didn't think I would like to speak.
11:47I didn't understand.
11:49But in this promotion, why did you go to this program?
11:53Why have you gotten to this program?
11:54Why did you get to this program?
11:57But it was very nice.
12:00I mean, we were out there.
12:01I had to get to this program.
12:04But it was so nice.
12:07In the music launch,
12:09we had to get to this program,
12:10and we were not sure anyone would like to speak.
12:12I said something about people.
12:14But they had an event to see if they came.
12:18But they were not given up to me.
12:19The script was never given up to me.
12:21But they had it in time.
12:22Because I had not given up to me.
12:23Please do something for me.
12:25What kind of change do you want to do?
12:26My father is my father's father's mother.
12:32He has brought his father's father's son.
12:36He has come to pass through.
12:36The father keeps me alive.
12:38He keeps me alive.
12:39He keeps me alive.
12:40So, he was a mother.
12:44He was a mother.
12:47But he was a mother.
12:50He was a mother.
12:51He was a mother.
12:51So, I didn't have a lot of efforts.
12:58I didn't have to do it.
13:01Oh my God.
13:03I didn't have to do it.
13:06But seriously, I didn't have to do it.
13:12I put a meeting right now.
13:16It was a good deal with my colleagues.
13:20It was a good deal with my colleagues.
13:20And it was a lot for me.
13:23I was a lot of people doing a lot.
13:25This is a hospital, you should go to the hospital.
13:27and he has been so happy to have this conversation
13:30so that he has naturally built the bonding
13:34and he has been told the same thing about yoga yoga
13:36he was saying that he has a suggestion
13:41he has to have a suggestion
13:43to have a tie day
13:44we are talking about holding tie day
13:46and he shows himself
13:49that he has made a tie day
13:53so he just told us
14:01It was so natural that we had a schedule, a film, a rap, and a single child, but I was
14:13a single child.
14:16But if you don't have the idea of that, then you can change it.
14:23That's what I was saying.
14:24I was working on my road.
14:27So, I had a lot of food in the kitchen,
14:30and I had a lot of prawns and biryani.
14:32Oh, no.
14:34Please, man.
14:35I was saying,
14:36I said,
14:37I'll ask you,
14:38I'll ask you,
14:39I'll ask you,
14:39I'll ask you,
14:40I'll ask you,
14:40I'll ask you,
14:41I'll ask you,
14:43I'll ask you,
14:43I want to ask you,
14:44So, I'll ask you,
14:46Oh, we won't win!
14:47I said I'll ask you all this.
14:48The prawns?
14:50That's when I have to eat.
14:51So, I just want to say that you can't eat.
14:54What do you think?
14:55I want to give it to the ground.
14:57You need to give it.
14:57I will give you a支度 of the hospital,
14:59My parents will give us the prawns.
15:01And the parents will be the backup.
15:03The parents will be the backup.
15:03The parents will be the backup.
15:04My parents will accept the benefits.
15:06But my parents will be the same.
15:07I got to blame.
15:09And the opening of the film was to announce that you were going to make a different movie.
15:20You are going to see a part of the film.
15:25How do you feel about the film?
15:26Especially if you were to to see this film.
15:28I am not familiar with the film.
15:29I am going to show you a story.
15:32You don't want to see it.
15:33I am going to show you how to make it.
15:37And I thought that we were thinking about the character, but I thought that it was a good thing.
15:45But I thought that we were doing a test shoot for two days.
15:50And I thought that we were going to go ahead with her.
15:56There is a lot of good actresses, so I don't have to worry about it.
16:02But...
16:02That's a good question.
16:03I think we are going to do it.
16:05But that was the reason.
16:07I thought that yes, I will do it.
16:09And that's why we are going to do it.
16:11And Sathis sir, especially as Naya.
16:15I think that there is a way to do it.
16:19You are a way to do it.
16:20And what is the way to do it?
16:23What is the way to do it?
16:25Sathis sir, I think,
16:26I don't have consideration in this world.
16:30Why not?
16:31Because I've been watching a lot more.
16:36I'm not sure if that's all.
16:37It's a bad idea.
16:39And that is what it's all about in the world.
16:40We have to do 24-25 years.
16:42And then, I both enjoyed it.
16:46But we had a production place.
16:50And we started Lord,
16:51I took a photo of Sathis sir and
16:52said, you are getting away from Sathis.
16:55And he said,
16:56you are not concerned about Sathis.
16:57We didn't have any thoughts.
16:59But we didn't have any thoughts.
17:01I didn't have any thoughts on my own.
17:02And I were able to tell if I was able to go to the camera.
17:09I was able to thank the camera.
17:10We were in the office of 12, so I was meeting at the home at 12,
17:15so I was able to call the camera.
17:17I was able to call the camera.
17:19We were able to say the camera.
17:23The story was written as well.
17:25And then things work out.
17:29What's wrong?
17:30I mean, when I was in the first place, I was in the cinema.
17:34So, what did you think about it?
17:37No, no.
17:38I don't know if we were to come to a place like that,
17:41but we were to go to a place like that.
17:45We were to go to a place like that.
17:46So, I think that the first thing was that it was a place like that.
17:50But the music is so beautiful.
17:54I mean, I was convinced in the past,
17:58I was also convinced that casting was all the same.
18:04I mean, I didn't think the music was beautiful.
18:08I didn't know the music was beautiful.
18:09I was a little bit surprised to have a presentation,
18:10I was a little bit surprised to have a cast.
18:13So, it was a little bit different.
18:17So, if you were to sing it, it was okay.
18:20When I was talking to Hila, I was talking to Hila, and I thought,
18:24I thought, who is here?
18:27You cast me.
18:29I thought, if you're my character, then you're this character.
18:34So, that is my only reason why I wanted to do this.
18:36If you want to play a role in the cinema,
18:39it's such a beautiful role.
18:41It's a very sensitive role.
18:42It's a very sensitive role.
18:44It's a very sensitive role.
18:47It's a very sensitive role.
18:48It's a very sensitive character.
18:53But I thought,
18:55I had a great question,
18:56if you don't have a big idea,
18:57then I thought,
18:59I don't believe it.
19:02It's a very sensitive role.
19:04But I thought,
19:05I thought,
19:07who is here?
19:09Who is here?
19:11Who is here?
19:20Who is here?
19:25I thought,
19:27I thought,
19:28I thought,
19:30the people are very sensitive.
19:32But I thought,
19:33I thought,
19:35I thought,
19:36I think,
19:36I think,
19:39I used to write a piece of the millenials
19:40had the same at the beginning.
19:44They used to write a piece of it too.
19:46Father was very strict.
19:49How many people do this way?
19:54I think that the�e said that even when she said this
19:58that she had to call us we had to leave
20:00her house to leave and say this.
20:05He has to say that she didn't leave the house.
20:05I can interrupt, to keep her going with this.
20:07I would like to get this done.
20:08My father had a chance to kill him.
20:11He had a chance to kill him.
20:14And for the 10 years, my father would have killed him.
20:18How sweet!
20:19Why did he kill him?
20:21He had a chance to kill him.
20:23So I was lucky to have a father like him.
20:25You are lucky. I am a father.
20:28I am a father.
20:30I think it's a big deal.
20:31It's still going to be empty.
20:33But no, if you get to the store, Aysha has a good benefit.
20:39It's a big deal.
20:39It's a big deal.
20:41It's a big deal.
20:43It's a big deal.
20:43It's a big deal.
20:44It's a big deal.
20:46I'm not a big deal.
20:46But I think that's what I'm doing.
20:48So I think there's no complaints at all.
20:51When I'm going to be empty?
20:53Why don't I be empty?
20:54Can I be empty?
20:55I don't know.
20:58I don't know.
20:59I think you've written so much about that at home a village.
21:02It's something that we have to know about.
21:04There's no complaints at home.
21:06There's no complaints about it.
21:07It's about ten people.
21:12I don't know.
21:16I'm not a big deal.
21:17I'm a big deal.
21:18I'm not a big deal.
21:19I don't want to be in amercial right now.
21:22What?
21:23What about your wife?
21:23What about you, Aapit?
21:24Your mother.
21:25My mother, the same story of the government.
21:27I was shot and I was shot slightly.
21:32I was like, actually, in sports.
21:35I was like, all of them, like the girls.
21:39I was like, I used to get a lot of girls and I was like, I was looking for a
21:41little bit.
21:44The same thing, I was like, but I got guilt.
21:46I was like, but I got guilt and I was like, never gonna get a hand.
21:51But I was like a kaka.
21:54I was like a joint family.
21:57Actually, we have to get a little bit of a bit, but otherwise we will be able to get a
22:00little bit.
22:01So, we have to get into the comments. We have to get into the comments.
22:05And we have to get into the comments.
22:11I cannot forget.
22:12I thought we would be able to get a good job,
22:17to prepare properly.
22:18I would like to put the entry in the book and say,
22:22I'll go and do it, but I'm going to go and do it.
22:26I thought I had a name,
22:28I thought I would like to write the name.
22:29I thought that.
22:29I thought it was just a book.
22:34I thought it was 40,000.
22:36And it was 36.
22:38If I had 4,000,
22:40So, my mother told me that it was 36 years old, it was a great competition.
22:45And I said, it was a great competition.
22:47Four years ago, my brother.
22:49I thought it was like, you know, I had to get two marks.
22:56I got to get a scholarship.
22:58How much did you get?
23:0191.64 and 92.
23:04I thought it was two marks.
23:06But who did you get that?
23:07Oh, what is it?
23:09But I thought, there is no strict or no.
23:12I don't know how much of that.
23:14I don't know how much of that.
23:18I thought it was a good thing.
23:21I am very proud of you.
23:23I am very proud of you.
23:24I am very proud of you.
23:25Where are you?
23:27What are you?
23:29We have seen a house in Manuvar.
23:33I am very proud of you.
23:35I am very proud of you.
23:35It is a good thing.
23:36There is a good thing.
23:37When we are planning, we do not need to build a picnic club like this.
23:41Because this is the Outland.
23:42There are 8,000 people in the Outland.
23:46So, there is a good thing.
23:47And they do not want to see the exterior of the exterior.
23:50We will see the exterior of the exterior.
23:52We will see the exterior.
23:52It is a good thing.
23:52It is so good you see the exterior.
23:57There is a suit and a top shot from the exterior and the top shot from the exterior.
24:00It's beautiful. It's beautiful.
24:04And Sathis, I think you first...
24:06Oh, oh, oh, oh.
24:08It's been a year for years.
24:10It's been a year for years.
24:12No, no.
24:14And first of all, in the college, I was doing a lot of work.
24:18It's been a lot of work.
24:19In the college, when I was in the 8th grade,
24:21there was Vishwa Sonin Chathakhali.
24:23He was a guru.
24:25He was a guru.
24:27And he was a guru.
24:30So, I was interested in inter-college.
24:32Who was interested in doing a great job,
24:36how he did a crafting, how he worked, how he worked, how he worked, how he worked, how he worked.
24:40Who was interested in that?
24:43I thought that he was interested in sharing the screen.
24:48In the last few years, he couldn't have done that.
24:51I thought that he was interested in the film.
24:56But it was an amazing experience.
24:58Seriously.
24:59I know that he was interested in the film and he was interested in shooting the film.
25:03I asked him about the film.
25:08I don't want to talk about that,
25:09I don't want to talk about that.
25:12But I think that's what I appreciate, and I think that's what I'm trying to do in my future, isn't
25:19it?
25:19I think that's one of the greatest universities in this country.
25:23Yes.
25:24Yes, I think that's how big it is.
25:27I mean, I think that's how big it is in the industry.
25:30I think that's how big it is in the industry.
25:32I think that's how big it is.
25:36But I think that's how big it is.
25:42And if you're a big fan of the company and you're a little bit of a big fan of the
25:47company,
25:47then I think that's what I think.
25:50You can't do it, you can't do it.
25:54I'm not going to do it.
25:55I'm not going to do it.
25:55It is your baby.
25:56You're going to do it.
25:58So, I just want to surrender.
26:00This is the thing I am learning.
26:01I think that's what I think is a big fan of the company,
26:06I'm not going to do it.
26:08I mean, what do you think?
26:09I think I'm going to do it.
26:11No, not.
26:12If I think that's how big it is,
26:16I think that's how big it is.
26:18It's really big.
26:21But I think that's what I'm doing.
26:23And as we work together, we don't have a contribution in that scene, but we don't have a contribution in
26:35that scene.
26:37There are small reactions and hand gestures that are not good.
26:44We don't have a contribution in that scene.
26:47We don't have a contribution in that scene.
26:58We don't have a contribution in that scene.
27:07So, there is a scene in that scene.
27:17There is a climax.
27:19No, no, no.
27:21We don't have a contribution in that scene.
27:23We don't have a contribution in that scene.
27:24So, the scene is here.
27:26The scene is in that scene.
27:28Anti-climax.
27:30It's not a climax.
27:32We are also in that scene.
27:32But, we don't have a ton of moments.
27:37We are also in that scene.
27:38We are the only moments.
27:42There is one shot at one shot.
27:45And..
27:46The scenes are the most important scenes.
27:51A lot of scenes are the most important scenes in the cinema.
27:54And, has to establish a very nucleic schedule on our performance.
27:58That's not a lot...
27:59I was like, I said, I was like, I said, I'm going to take one take.
28:04I said, please, we don't take a cutting.
28:06I said, okay.
28:07And I said, yes, sir, okay.
28:10I said, I'm going to take a break.
28:12And the scene started.
28:15And the trolley operated with the same scene,
28:19and the scene was performed.
28:20And the scene was performed.
28:22I said, I thought, I was going to take a cut,
28:26but I was like, it's so quiet that someone would say,
28:28and that's what I'm going to do.
28:29Actually, I thought,
28:32I thought, I didn't put one shot,
28:35I thought, I didn't put one shot,
28:37I didn't put one shot,
28:39but I didn't see it.
28:41And the scene was so beautiful.
28:43And the scene was so beautiful.
28:45I said, if I was like,
28:47I don't want to emote the scene.
28:49So, I think people were really good.
28:50So, so, you also think that the scene was good.
28:51So, there was a great idea of performance,
28:53but it's, you know,
28:56that the theater,
28:56that the performance started,
28:59then the silence was coming out of your mind.
29:01The thought you could cut the scene
29:03but it wasn't going to be in a zone.
29:04So, that's the scene was like...
29:06Usually, it's sort of like cut.
29:08It's like, the theme is getting started.
29:10But, like,
29:12there's a lot of silence in the set.
29:14So, that's the scene is set.
29:16This is so beautiful.
29:17But Aastad Kain, what's your name?
29:22Aastad Kain has a very strong personality.
29:28He has a good character.
29:31He has a good character.
29:32He has a great role.
29:37He has a good character.
29:40But he said, I'll do it.
29:44And things worked out.
29:46And we managed to get him on board.
29:48But it's like a hit.
29:51If you don't like your role,
29:52you don't like your performance.
29:55Yes.
29:55And thankfully,
29:58we've also extended the role.
30:00And if you take your work,
30:02then you take your work.
30:03Do you think you're a little girl?
30:05No, I don't know.
30:06But you're a little girl.
30:07No, I didn't know.
30:10I was at a time.
30:12And I was a little girl.
30:14there was a photo in the film.
30:17And I made a lot of photos.
30:19My daughter was actually
30:21she had a lot of photos.
30:22So, I didn't see it.
30:25So, technically,
30:27the location of the film is in India
30:29and you're out of India.
30:30But you also have a question.
30:32Listen to this, Shetra.
30:33Yes, but not.
30:34I don't have to say anything.
30:36And this film, Nimitta, has been a long time.
30:39But yes, it's a very good job.
30:42I mean, it's a very difficult role.
30:45I'll be very honest.
30:46Because of course, there are characters that are negative.
30:53But it's not.
30:55Because every character has a death.
30:58In such a real-life situation,
31:01There are two choices for each character.
31:05A situation has to be one.
31:07And if it's a situation,
31:08It's a situation to be one.
31:10And if it's a case,
31:12We don't have to get the truth.
31:16We don't have to get the truth.
31:17We don't have to get it.
31:17We don't have to get it.
31:19So I would say that
31:21You have to know that.
31:24You have to know that.
31:24So, it's not a big achievement for the audience.
31:28It's not a big achievement.
31:30It's not a big achievement for the character.
31:33Ashtar says,
31:34I think that in our film,
31:36there is something like Salman Khan.
31:42Thankfully, I'm thankful to Ashtar Sir.
31:44He said, okay, I'll do it.
31:46And he said,
31:46he was shooting one of the other scenes.
31:50And he didn't shoot the rest of the unit.
31:52He didn't shoot the rest of the unit.
31:53He didn't shoot the rest of the unit.
31:54No, there's a reason.
31:56The track is that,
31:58we're here,
31:59so we're here.
32:00So, the idea is that we're seeing one of the scenes.
32:04But we can't talk about it.
32:06Ashtar says,
32:08he's a big fan of the character.
32:10He's a big fan of the character.
32:12We can't talk about it.
32:14But his performance of Ashtar still stands out to be.
32:19He's standing out.
32:22We can't talk about it.
32:24We have to extend an extra role.
32:27We can extend the role.
32:28He's a pretty good role.
32:31He's a pretty good role.
32:32What I mean,
32:33we do a long-distance relationship.
32:36What do you've got to do?
32:38Do you have to work out as a film?
32:41A lot of people have to sit down.
32:44I don't want to talk about it personally, but I think it's a bit hard for long-distance.
32:51I don't think it's a bit hard for long-distance.
32:53Every time I think that my phone was available to me,
32:58I mean, it's a lot of emotional needs.
33:02My long-distance relationship is a lot hard for me.
33:05When I think about it, I think it's a lot harder for me.
33:08But long-distance, I think it's a lot harder for me.
33:18I don't know how many people do this.
33:22But in the cinema, I don't think it's a lot of long-distance.
33:27Actually, I don't think it's a lot of long-distance.
33:34But otherwise, long-distance is very difficult for me.
33:37I don't think it's a lot of long-distance relationship.
33:40It's difficult. It's a lot as I think it's a bit hard.
33:44But I'm not sure if you spend a lot of money.
33:47I'm not sure if I spend a lot of money.
33:53I just spend a lot of money.
33:53I spend a lot of money.
33:54It's not that much for me.
33:56I don't think that's the thing.
33:57Especially the thing that the film is about parents and children.
34:02and therefore I need to have a question.
34:05It's been a long time since I was here,
34:06so that I can't get to know what happened.
34:08I have been in my life, my father, my uncle, my aunt, my uncle.
34:12But it's been so much,
34:13that I have been living.
34:14My son, my mother, my daughter, my mother, my daughter,
34:18and my spouse,
34:19my father, my father,
34:23and my father and my father.
34:24So I was a teacher that I was a teacher.
34:27I was a student.
34:28Two or three years.
34:28we are all in Canada
34:31but we are all in Canada
34:35we have a great day
34:35but we have to get to Canada
34:36but still we have to get to Canada
34:38and I have to get a surprise
34:40I came back
34:42I came back to Chicago
34:43and I came back to the big red oil
34:44I am not sure how to say that
34:47I didn't have a good honor
34:49but I am very happy
34:51we feel it
34:53especially when I am
34:54We have to know that, after the work that comes in the same way, it is part of the work.
35:03We have to think that everything is something that, even if the work has been done, there is nothing.
35:06We have to think that the interview is ok.
35:08So, anybody who is in this situation would ask us this question,
35:14our company would not be willing to sell it now.
35:19It was the same, as we could be able to sell it and age.
35:22I have a long distance from my country.
35:27I am not a long distance.
35:29Sir?
35:30No, I have the same opinion.
35:33My country is a village.
35:36I am a village of Lagna Nantar.
35:39I am talking about my country and my country is a long distance.
35:44I am from here.
35:46I am not from here.
35:47I am from here regularly.
35:48I am from here regularly.
35:53But you are always aware of things.
35:56That is very important.
35:59You are at home at night,
36:01you are at night,
36:02you are at night and you are at night.
36:05You are at night and you are at night.
36:07It is a very important thing.
36:10I am very fond of this.
36:12It is a very much fault.
36:12It is a very hard time to play.
36:14I don't think it's a long distance, but I don't think it's a long distance.
36:21I'm talking about this.
36:23This is not a matter of fact.
36:25I gave an interview to you.
36:26It's a matter of fact, Sachin Moten.
36:29It's a matter of fact that our house is the only place where we're going.
36:35When you're young, you're going outside.
36:39You're going outside.
36:40When we get back, the situation is related.
36:44Our house is so much different.
36:46We're going to make our house.
36:49We're going to make our house.
36:49Especially if you're not, your dad or your neighbor.
36:52We're going to feel it.
36:54We are going to make our comfort space.
36:57We've got a lot of work that's not for the rest of the house.
37:01If we're going to make our house, we'll make our house more comfortable.
37:04That's the best of the best.
37:17So thank you so much.
37:20Yes, yes.
37:21Something that I think is important to understand.
37:28We need to answer this question and do our best questions.
37:37We need to answer the question and answer the question.
37:47I think it's interesting, it's a unique part of the fact that the fact that the fact that the fact
37:53is that it's a side track in the future.
37:58So, I just have to focus on the fact that we have to focus on the fact that we have
38:07to focus on the fact that the fact is not true.
38:10I feel so uncomfortable.
38:13But we try to communicate.
38:15It isека, though.
38:17If you think that you are the answer to that question,
38:19you are the answer in thei and you have an answer."
38:21Even if you think about this question,
38:23you are the other person,
38:23and you don't have a person.
38:26If you think about you doing that,
38:31then you will agree with yourself,
38:34you will be thinking about this question.
38:35The first question,
38:38when we talk about the person who is being a woman,
38:39We are not very concerned about the future.
38:41So our attention is exactly what happens,
38:45but we have to know what happens,
38:47that we have to think about the future of our conversation,
38:51so that we don't have to worry about the future.
38:53We don't have to worry about the future.
38:53But we have to say that we have to worry about a great deal.
38:59We are not allowed to stop telling the future.
39:02And I think that we are not allowed to do this in order to make sure
39:05and that is why we are not going to enter our own way.
39:09We are not going to get into our own way,
39:12but we are not going to be able to get into our own way.
39:15So, I think we can feel so much in this sense that we are not going to get into the
39:23world,
39:23and we are going to be able to get into our own way.
39:27We are looking at the cinema 4 September.
39:31So, it's a pretty silly way to get into our own way.
39:39Thank you so much, thanks a lot, thank you, thank you, thank you.