00:00Oh, what's up?
00:01Hey, you're a man.
00:02No.
00:03You're a man.
00:05Don't you say it for 24 years?
00:07I mean, you're a man.
00:09Not just a man.
00:09I'm not sure what I have to relate to this film.
00:12I guarantee you that I have to come.
00:15I'm not sure this is true.
00:18Because I'm not sure what I did.
00:20You're a man, Papa.
00:22You're a man, you're a man.
00:25I wish I had a man.
00:27Yeah, I do!
00:28I think I know I can get a boat.
00:38Don't get my hands.
00:39What happened, man?
00:44My god!
00:45Hello, I am Gitanjali.
00:48You will be the first film of the world.
00:50I'm sorry to say that I have loved,
00:52I have loved,
00:53I have loved,
00:55I have loved,
00:55and I have loved
00:56So, there are two families that have been closed in the cinema, and we are going to kill them.
01:05Sir, first question for you.
01:07Namaskar.
01:08Namaskar.
01:08There are two families that have been closed in the cinema.
01:13They have been closed in the cinema, and they have been closed in the cinema.
01:17And how do you see closed in these two families?
01:20Yes, and one of the big families are a small family.
01:28We often see different families in studies.
01:32Namaskar.
01:33No, who do not happen with a family in a family.
01:40They die in the two families.
01:42They have the only children in a family, right?
01:45I had to say, that I had a film that was exciting at the same time.
01:52The film was so exciting.
01:56The film was like, no, where was the film?
01:58The film was so exciting.
02:00The film was a great film.
02:03The film was so exciting.
02:04I think it's a good thing to do.
02:06Let's say that our work is a good thing to do.
02:09It's a good thing to do in the cinema.
02:11Yes.
02:12When we talk about the party, I think that we all know a lot of us.
02:20I think that two work are going to be doing the work.
02:23Because it's a good thing to do with our work, our voice, our voice, our voice, our voice.
02:27as a representative,
02:29the President of the United States has been working hard
02:34with this issue.
02:34It's a very, very good decision.
02:36It's a great decision to be done.
02:40In that situation, there's no casting.
02:46There are some new things that are done.
02:47There are some new products.
02:50But as a result,
02:51In Zimbala, did theulx press and sing the song for Alam alam alam alam alam at the time,
02:55It was a video, I just wanted to live out the story of Alam alam alam,
02:57but I was at the end of the book, we had one script for the script,
02:59we had a chance to have the script, so we had a chance when we were all able to have
03:03the chance.
03:04Even after that, I was the one priest compared to a group of Ensuite's parents,
03:08I did a very good job, and I did a work as a member of Samurun.
03:13The only thing was when I was still a member of the class,
03:19even after the class, we set up a comment on the work.
03:21I think it's very nice to get around the world.
03:25When the floor is getting the first of the floor,
03:28the floor is getting the first floor.
03:31I was always wondering how to work.
03:36But I didn't tell anything about it.
03:38As I was a fan of the film,
03:41I might have asked him to close the floor.
03:44We would like to explain the chemistry and the idea.
03:47Yes.
03:48That's why we were talking about Abhinath, instead of talking about dialogue.
03:52Yes.
03:54Yes.
03:55Yes.
03:55Yes.
03:55Yes.
03:56Yes.
03:58Yes.
03:59Yes.
03:59Yes, thank you.
04:00Since we are in the Chinese, I am the one who has a chance to get in touch.
04:03When we are speaking to our colleagues, I think the result is that there is no satisfaction.
04:08I have a chance to get in touch with our colleagues and our colleagues,
04:15and the results are happening in our community.
04:21I don't know how to do this, but I don't know how to do this.
04:24We have to understand, and I do not know how to do this.
04:27We have to understand, and we have to understand what we are doing.
04:30I am blessed that I have been blessed and I have been blessed and I have been blessed and I
04:36have been blessed.
04:41Jitindra, my question is that you have been open for a long time. You have been able to go and
04:50go.
04:50But what challenges do you think about this world and what challenges do you think about this?
04:59I will be able to do this very good work in the future and work together.
05:08If I am doing what I am doing and I will not believe that I should do more of that.
05:14I will not believe that I have to find a way to find that I can find a way to
05:18find a way.
05:18I know that it's just the way I am.
05:20I mean the man is just the way I learn.
05:25there are just a way away.
05:26It has a way to find true law,
05:30so if he knows the law,
05:32the law and the law are the way true.
05:36But I think that I think you ╨╖╨╜ate that I have to find.
05:40I see that I have said that I have to find that
05:44that I have to find new law.
05:47That's why we all have the credit, and that's why we bought Nithin.
05:54That's why we bought Nithin with Nithin.
05:58That's why it's called Nithin's story, but it's only two ways.
06:06It's about their own history and their own history.
06:11Many states, in this country, were used for these two families,
06:19they have been married, they have been married,
06:22they have been married, they have been married,
06:26they have been married, with my own children.
06:36My name is Siddhaj Januwal.
06:37We have a story about it.
06:42For us, I'm writing that.
06:45We have a lot of attention and they do this.
06:48We have to ask questions about the work we have.
06:53We have a different role in our society.
06:58We have a different role in our society.
06:59It's a great role in our society.
07:04And so, far, it is a pure man that's not only a human being, this person and his people would
07:12say to him,
07:13that of course, I would say that once you have a good time, you have to submit a note,
07:19you know the reasoning, that of course, and you have to be able to submit your note,
07:27and you are not able to get that note, but it is not apt to do that.
07:31I and Mrunmai, we have done 3-4 jobs, but we are not allowed to go abroad.
07:39But we have been a teacher, so we have been able to do something in the writing,
07:46and we have been able to do that, and we have been able to do that.
07:51But in the sense of the nature, the nature is very valuable.
07:58I can't remember the camera, but the nature is very valuable.
08:04But sometimes it doesn't have any help.
08:07It is true.
08:08But if you give this compliment, you give this compliment.
08:13It is not a long time.
08:16Marun, I'll just ask.
08:18But we also have two types of things.
08:20But how important you have in your country,
08:22in which you have worked with the first place
08:25and what are the issues of these two things?
08:28What are the issues you have to put?
08:29These two big types of things.
08:31I think that's what I've put in the last few years.
08:33These two big types of things are also needed.
08:35And even though they have worked with the big types of things,
08:39I've also had to put a lot of things.
08:41The same thing to my life.
08:43And I have to put a lot of things in my life.
08:43families, their names, their names, their names.
08:48And I always say to the people of the world,
08:51that there are a lot of people who want to love and love
08:57in the world.
08:58The people who want to do this wonderful work in the world.
09:04I don't think I've ever seen many people in the world.
09:09That's my first film.
09:14And that's why I thought that my father had a love for me.
09:18Because I don't think I've ever done this.
09:20So, I genuinely thought that I've ever come.
09:23I've never come, but I've never come.
09:26So, I've never come.
09:29I've never come.
09:29I've never come.
09:35And this film can be said to me because it's not a sound.
09:41It's not a place.
09:43So, the cinema has been a good way.
09:46It's not a good idea.
09:48It's not a good idea.
09:50It's not a good idea.
09:52It's a good idea.
09:55But that's the point of love.
09:58I believe that I've never come.
10:01I believe that the end of the cinema was positive.
10:04I think that the cinema was a good idea.
10:08I thought that I should have heard
10:12that the only way I could live in a place.
10:15And if they don't live in a place,
10:17I would have to stay with them.
10:20I have to stay with them.
10:23I have to stay with them.
10:23And I have to stay with them.
10:25We got to see it.
10:26And sometimes in Kutumban,
10:29imagine that two big people
10:32have come to see it.
10:35Everyone has come to see it.
10:38They have come to see it.
10:39They come to see it.
10:41But they don't have to see it.
10:45So, I think it's a very important thing to think about it.
10:50And I think it's a very important thing to think about it.
10:55but we have been living in the world, in the world, in the world, in the world.
11:01I have heard some of you, about it.
11:07I have never heard about it, but I think it's about all of the things that we have to do
11:07with our own life.
11:10What do you think about this world?
11:13What do you think about this world?
11:15What has happened to a world like that?
11:18I think your story is so opposite.
11:22I don't know if you were a kid.
11:25I think that's not an opposite character.
11:25I don't think that's an opposite character.
11:28They were very happy.
11:30They were very happy too.
11:32They were very happy.
11:34I thought that you were a little opposite character.
11:38I want to thank you for the same reason.
11:43If we were to the first time we were to the first time,
11:46we had to be one more time.
11:47But it was a good thing.
11:50It was a good thing.
11:51At the end of the day, we had to say,
11:53yes, that's right.
11:54So, Anand came to this film.
11:58And this film,
11:59I mean,
12:01the poster was like,
12:03you know,
12:05you know,
12:05you know,
12:05you know,
12:05you know,
12:06you know,
12:08you know,
12:09you know,
12:14you know
12:14there's no idea.
12:15But it's not like a person,
12:16you know,
12:17you know,
12:17you know,
12:19you know,
12:20you know,
12:20you know,
12:20you know,
12:21you know,
12:22you know,
12:23that's a question.
12:24So,
12:25you know,
12:26you know,
12:26it's not like a trailer,
12:33but you know,
12:36there's an audience,
12:38that's emotional about it.
12:42I mean,
12:43I think it's emotional to me.
12:44If it's a very emotional, it's a very attractive film, and I think it's a great question.
12:51Jitendra, your question is,
12:53I don't think there's always a lot of power and a lot of power and a lot of power.
13:00But in this way, how do you keep in the cinema?
13:03Because when you're in the show and you're in the show,
13:07you're in the show and you're in the show and you're in the show.
13:10But how do you feel about that?
13:14I mean, one thing is that if one person is in your own mind,
13:23then if one person is in your own mind,
13:28then you have to love your own love.
13:31Or what is it?
13:33In our own authentic places, we have explained the language in one thing,
13:39and what we have to do with the language.
13:44But if we are talking about this language,
13:48we are talking about the language in one thing,
13:52but we are not able to feel that there is such a way,
13:57such a situation as a which we are going to be talking about.
13:59Thank you for asking.
14:01When I was in this situation, I was told that I was wrong, I was wrong.
14:20I was told that I was wrong, it was wrong.
14:23Particularly, when I was talking about this area, I thought that the North Pole and the South Pole is attracted
14:35to one of the people.
14:37There is an old road.
14:38Well, this is our good phrase, the very good phrase.
14:41Our own word, this word is so boggling, that the very
14:46greener and white people, the bread and the
14:49greener like that love, the very good thing is so boggle,
14:52that it cannot be beautiful.
14:54In a case of gooders, the same thing is wrong.
14:59You don't have to meet the same thing.
15:01But if the same thing is wrong because some
15:03other things are wrong.
15:04Some people do in a case of gooders,
15:06but in a case of gooders, it doesn't cover the whole thing.
15:08They should not be the big thing.
15:10That's why we have to deal with.
15:12We should do that.
15:13We should have to deal with that.
15:15The baby is the big one.
15:17We have to get married, two sons, and all.
15:19But we have to deal with this big one.
15:23We have to deal with that.
15:24Now, during the evening, I thought about the day and the day we went to work.
15:28That was a miracle.
15:30That's why we have to do something for our children.
15:34We have to do something that we have to do.
15:37There are many people who are not in their own language and there is no way to understand the culture.
15:44They are not aware of the culture, but they are not aware of the culture.
15:55And it's time to come to my family. Some of these people are concerned about it.
16:05My two mothers were dancing, and they came to me, and this movie came to me, and this movie came
16:15to me.
16:17But I don't think this movie is another impact on me.
16:25It's so hard to get the dog out of it.
16:27It's so hard to get the dog out of it.
16:30It's hard to get it.
16:31It's hard to get it.
16:33I wonder if you have the attraction.
16:36I ask that you have the Kai Kai Shwarz,
16:40Upendra Sudha,
16:41that's why we love our dog story.
16:44That's not a bad thing.
16:46That's why we love our father-grandfather.
16:48That's why it's a scene of emotional breakdown.
16:50It was a scene in your house.
16:54It was a set and it was all that scene.
16:58Oh, oh, oh.
16:58What was the scene?
17:00What was the scene?
17:00The scene was not going to go to the scene.
17:02It was a long shot.
17:05It was a long shot.
17:06It was a long shot.
17:08It was a long shot.
17:09It was a room.
17:14There was a makeup room.
17:15There was a room.
17:16There was a youth.
17:17There was a right turn.
17:19I thought, oh, oh, oh, oh, oh, oh, oh, oh.
17:26It was all.
17:27There was quiet.
17:28It was all.
17:29There was no feeling.
17:30It was all.
17:32It was like that.
17:34Though, what, as a human being and a dead.
17:38That is not true.
17:39There is nothing like that.
17:40In this video, they still have to be watching it.
17:44They are going to produce food in the night.
17:45I am not afraid of it, but Vikram is not the same, there is no doubt.
17:49We are in a situation. We will have to make a big deal. We will have to make a big
17:56deal.
17:56So, there is no doubt. We will have to say it.
18:03We will not say it. We will say it.
18:06We will say it. We will say it.
18:09And we will say it.
18:13I mean, I think there are many things that exist in the world.
18:16I mean, if you think that there are many things that exist in the world,
18:18then what are the things that exist in the world?
18:25No, I've heard that we have a great love,
18:28and I'm optimistic.
18:34And I don't know anything about that.
18:36In the cinema, it's just that we have a great love in our lives.
18:40And so I think, the people are not the same.
18:44And I feel very related to that.
18:45Although, we are both brothers.
18:48But I don't know anything about it,
18:50because we have a very good bond.
18:52But the rest of us, we have the same attitude.
18:54That because we have a very bad reaction,
18:56so we have no problem at any point.
18:59We have no problem at any point.
19:00And I can't say anything.
19:01But that kind of attitude is the way we react to the extreme,
19:05How do we react to this film?
19:07I thought it was serious.
19:09So, why do we say that Atila?
19:12That's why we don't have any questions.
19:13So, there are a lot of questions.
19:14So, I thought, okay.
19:17If we come to this film,
19:19it's okay.
19:20It's okay. It's okay. It's normal.
19:22I thought, you've come to this film.
19:24I thought, you've come to this film.
19:25You've come to this film.
19:26You've come to this film.
19:27You've come to this film.
19:35You've come to this film.
19:36Exactly.
19:38How challenging is it?
19:39What are you doing?
19:42I've done it.
19:43I've done it.
19:44You've come to this film.
19:45I thought,
19:46I thought,
19:46I've come to this film.
19:48I don't have to worry about it.
19:55Because we're in the mood.
19:57We're in the mood.
19:58We're in the mood.
20:00We're in the mood.
20:00The mood happens.
20:02There's many scenes.
20:04They're friends.
20:07Like, I think the mood.
20:09I'm one of the tactics.
20:11I'm going to think the mood.
20:12I don't know.
20:14I do believe that.
20:15I don't know.
20:16We've heard it for Shahriya take a look.
20:19And we had a few questions about the people who wanted to do this,
20:22that there were the people who wanted to do this,
20:26and they wanted to see some of the scenes,
20:30and then they wanted to see some of them,
20:32and they wanted to see some of them.
20:35It was wonderful.
20:37One more time, I will tell you,
20:39that the people who were saying,
20:41they didn't say that they were saying.
20:43They were saying,
20:44they were saying,
20:45The fact is that in this cinema, there are many people who work in this cinema and who work in
20:53the world.
20:54And as we have seen in our world, we have to do the work in the world.
21:01We have to do the work in the world.
21:03I don't think you did anything.
21:04You can always miss yourself.
21:07I would like to say,
21:08If I were to go in a row,
21:11I would like to know.
21:12Even if I was to go in a row,
21:13I would like to know,
21:13I never would like to know,
21:14I would like to know the person who is making me laugh.
21:15I would like to know,
21:15But I would like to know,
21:22And the person who was talking about it?
21:24Do you think?
21:25No.
21:26He would like to know.
21:29No.
21:30No.
21:30He would like to know.
21:32No, that's not true. But that's the moment I was saying.
21:36That's why we were so proud of our people,
21:41and when we were so excited, we were so proud of them and we were so proud of them.
21:46You'd have to do this for a while.
21:51What would you say to Abhinayavad-Dalani?
21:53Just a second.
21:53What would you say to them?
21:55How did he say to them?
21:58That's 7 years old and it's about 10 years old.
22:02Yeah, that's 9 years old.
22:04That's the pressure.
22:06You've already been able to study the field for a long time.
22:11How did you speak about that field?
22:15First of all, I didn't say anything about that.
22:18Because we had a match in the end.
22:22If we had a match in the end,
22:24we would say that the people of the man of the match would say that.
22:27And in this film, there were 3 men of the matches.
22:31That's why Viva Kunmayal is like,
22:33Gitu, Sriyem Murunumai,
22:35and the other one is like,
22:37I'm a little girl.
22:39So, I don't know how to say that.
22:42One of the finest performances of their career,
22:50is like Murunumai and Gitu.
22:52It is great to watch their performances.
22:57I was thinking,
22:58I was thinking,
22:59I've done a lot.
23:02I've done a lot.
23:03I've done a lot.
23:04I've done a lot.
23:06I've done a lot.
23:07I've done a lot.
23:08I've done a lot.
23:09I've done a lot.
23:09Of the matches that were the non-strike end,
23:13he's also done a lot.
23:15The non-striker end,
23:17but when Samorishi was batting,
23:19it's a lot of fun.
23:19I would like to say that you are going to say something like that.
23:28I would like to say something like that.
23:29I would like to say that this film would be an audience.
23:34I asked the question is thatтАж
23:37Is it rare?
23:38No, it's rare.
23:39Is it rare to be a big fan?
23:40No, it's rare.
23:40No, it's rare to be a big fan.
23:43No, it's rare to be a big fan.
23:44No, but I'm not sure.
23:45We really want to say that.
23:46No, it's rare to be a big fan.
23:47Why does the film make that big fan?
23:50No, it's rare to be a big fan.
23:52No, it's rare to be a big fan.
23:54No, it's rare to be a big fan.
23:55I've worked in a long time.
23:57I've worked with it for 30 to 30 days.
23:59I've also got the big character,
24:02I've also got the fans.
24:03And I have a great fans,
24:06I want to give fans.
24:07It's a treat to the audience.
24:09I was asked to have a big fan of my role.
24:12I have become a lot of fans.
24:14There are a lot of literary studies that are absolutely non-corrupt.
24:23There is a very true literary studies that are human beings.
24:29And when you take the paper, you take the paper, you take the paper, you take the paper.
24:36What is film? Film is all about storytelling.
24:39What is storytelling?
24:39What is storytelling?
24:40Every short and short is how passionately you do.
24:45Every short is short.
24:48You have to be confident.
24:51What does it reflect?
24:52You have to be confident.
24:56When you do honest, you will have to be honest.
25:01You have to be honest.
25:09The way it comes to her voice has to be seen in the film.
25:18In 2012, there was a lot of work in the film.
25:22In the 4th place, there was no one line line to speak.
25:26There was no one line line line line.
25:29We learned that expression work, too.
25:32There is no one line line line line.
25:39But it's so beautiful that everyone is living in such a beautiful condition.
25:46And in small and small conditions that we need to apply,
25:49we have to think about the relationship and how difficult it is.
25:53And for those things,
25:56if we relate to this film,
26:00we have to get a guarantee.
26:03And we have to deal with it.
26:04We have to deal with it.
26:07And we have to deal with it.
26:10And we have to deal with it.
26:11That's the guarantee.
26:13And when you shoot a scene,
26:17you have two things.
26:18You think about the love story, chemistry, etc.
26:22What do you think about the scene?
26:25I think,
26:28we have to do one thing.
26:32We have to deal with it.
26:33But,
26:34one or the other thing,
26:37we don't have to deal with it.
26:40And the other thing,
26:4230 people have to deal with it.
26:44They can deal with it.
26:46So,
26:46we have to deal with it.
27:02there's only two issues.
27:04Thousands of decisions for all of us have to deal with it.
27:12And,
27:12because all of us have to do our deal with this,
27:13those are the real point.
27:18And they're the nhс║еt ada.
27:19...but it's a big deal of things.
27:21In other words, we have to think that in Thailand, there are no differences in the world.
27:26And the story of the Misharga and the Iwadila, they've never met.
27:32They came to the country.
27:34In other words, you can't imagine that.
27:39We had to think that he imagined that he would have been in the world.
27:47There is no direction.
27:51You can have a ministry.
27:55But if a result is true, the press can be done.
27:58When you shoot in Kazakhstan,
28:02there are no Gedhasa,
28:06Zantara, brah,
28:07bollukost,
28:08positive,
28:09should be answered and
28:09every day you receive messages.
28:12If I had a phone, I would like to hear what I was talking about, but I would like to
28:19hear what I was talking about.
28:21No, no, I would like to ask international roaming.
28:24I don't know.
28:27I don't know.
28:31But no, I don't know.
28:33Like that, I think I have a better friend to have a good friend, then I am a father.
28:39There are so many films in this cinema, but I have a great friend of mine.
28:47And I think that's a big deal.
28:53And I think that's why you're doing the television, the comedy, the comedy.
28:56When I was doing a comedy in a comedy, I'd be so excited.
29:00You can't wait to see the details.
29:02You can't wait to see the details.
29:04Upindra Ji, what's your question about Natan?
29:08It's not true.
29:12I think that if you keep the details,
29:15what is the result of this?
29:17What is the brother from Anandar.
29:20It's true.
29:21It's true.
29:22It's true to you.
29:24And it's a very good thing,
29:28that's why Rajiv is bonding.
29:31And the reason why it's happening is that
29:37sometimes you have to say,
29:38you don't want to be able to get the world into the world.
29:42You don't want to be able to get the world into the world,
29:43you don't want to be able to get the world into the world.
29:45It's a good thing to say that,
29:51and it's true.
30:13Thank you very much for joining us.
30:23KITRA PADGURHA JAUN PAHA BENDHU GANNYAWAD
