Inner Sanctum (1948) – The Secret That Could Not Stay Buried
A mysterious and suspenseful classic filled with secrets, fear, and unexpected twists. Inner Sanctum follows a dark mystery where the past refuses to remain hidden, leading to suspicion, danger, and a haunting journey into the unknown.
Experience the atmosphere of classic cinema and uncover a secret that was never meant to be revealed.
#InnerSanctum #InnerSanctum1948 #ClassicMovies #ClassicFilm #MysteryMovie #MysteryFilm #SuspenseMovie #SuspenseFilm #FilmNoir #VintageMovies #OldMovies #ClassicCinema #1940sMovies #HollywoodClassics #Mystery
A mysterious and suspenseful classic filled with secrets, fear, and unexpected twists. Inner Sanctum follows a dark mystery where the past refuses to remain hidden, leading to suspicion, danger, and a haunting journey into the unknown.
Experience the atmosphere of classic cinema and uncover a secret that was never meant to be revealed.
#InnerSanctum #InnerSanctum1948 #ClassicMovies #ClassicFilm #MysteryMovie #MysteryFilm #SuspenseMovie #SuspenseFilm #FilmNoir #VintageMovies #OldMovies #ClassicCinema #1940sMovies #HollywoodClassics #Mystery
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FunTranscript
00:00:00The End
00:00:38The End
00:01:16A waiter, a Coke and a chicken salad, please.
00:01:33I beg your pardon, have you got the time?
00:01:35Eighteen minutes past six.
00:01:37Well, I could have made a guess myself.
00:01:39If it was too much trouble to look at your watch, why don't you say so?
00:01:41I have no need for such contrivances.
00:01:46He guessed correctly.
00:01:48I have twenty after.
00:01:50I'm a little fast.
00:01:52I can believe that.
00:01:57You, um, always tell time without a watch.
00:02:00I once had a difference of opinion with a watchmaker.
00:02:04I've boycotted timepieces ever since.
00:02:06I couldn't be without this.
00:02:08It has great sentimental value.
00:02:10A gift from your fiancée.
00:02:12A former fiancée.
00:02:14My present fiancée gave me this.
00:02:16It's an engagement present.
00:02:17We're being married in a few days.
00:02:19A good catch for the right girl.
00:02:21And you've seen him.
00:02:23Oh, but you couldn't.
00:02:25He hasn't left his compartment since we've been on the train.
00:02:28He sits there and looks out the window.
00:02:30Hour after hour.
00:02:32I don't know what he sees except telephone poles and dirt and farms and more telephone poles.
00:02:38It bores me terribly.
00:02:40Oh, I don't think I have no appreciation for the great Northwest, mister.
00:02:45Dr. Valonius.
00:02:46How do you do?
00:02:47I'm Marie Kembar.
00:02:48The truth is, trains bore me.
00:02:50Nothing ever happens.
00:02:52Nothing to do except look out the window.
00:02:55It's so monotonous.
00:02:56You get on a train in one place and the engine huffs and puffs and let you off in another.
00:03:02It takes so much time.
00:03:03It wastes so much time.
00:03:05I find the trip particularly exciting.
00:03:09This is the first time I've traveled this route.
00:03:13The first time is always exciting.
00:03:15No matter what one does.
00:03:18We're approaching a curve at high speed.
00:03:20That nail file, the point is sharp.
00:03:23So?
00:03:24You might hurt one of those pretty fingers.
00:03:36You're a doctor.
00:03:37I need some doctoring.
00:03:38The degree is honorary.
00:03:39I don't practice medicine.
00:03:42My poor finger.
00:03:49You told me this was the first time you'd been over this route.
00:03:53How did you know we were approaching a curve?
00:03:56I warned you in time.
00:03:58I never listened to warnings.
00:04:01Besides, I'm glad it happened.
00:04:03Anything to break this monotony.
00:04:06I'm too forceful.
00:04:08Perhaps I'm too stubborn to listen to warnings.
00:04:12When I do listen, in one ear, out the other.
00:04:18That isn't good.
00:04:20I could tell you of a forceful woman.
00:04:24She knew what she wanted and thought she knew how to get it.
00:04:29Sounds like me.
00:04:31She was warned of some danger?
00:04:32Yes.
00:04:34She was on a train.
00:04:35She was warned to stay on it, but in one ear, out the other.
00:04:42As the train pulled into the town of Kleberg, it was after nine.
00:04:51The station was deserted, except for a man.
00:04:54He was a man trying to lead a simple, happy life.
00:04:58He found out life was neither simple nor happy.
00:05:02The girl, the girl who was warned,
00:05:05made his life complicated and miserable.
00:05:08You can't ditch me like a colonel!
00:05:24And she didn't have much opportunity to regret the unheeded warning.
00:05:54She wanted to push me like a colonel!
00:05:55Hi.
00:05:55Hi.
00:06:06Did you miss the train, mister?
00:06:10What's the matter, you hurt?
00:06:14Bleeding.
00:06:16You must have hurt yourself when you put that big bundle
00:06:18on the train.
00:06:20Gosh, it's sticky.
00:06:22You ought to see a doctor.
00:06:23Old Doc Arnold, he lives up near the post office.
00:06:28Sure is a lot of blood.
00:06:30Maybe you'd better tie it up.
00:06:32Make a tourniquet.
00:06:33Michael?
00:06:35Michael?
00:06:36Shh.
00:06:36That's my mother.
00:06:37She doesn't want me to come down and watch the trains at night.
00:06:40Don't say anything.
00:06:41Come here.
00:06:45Let's hide in here.
00:06:51Why'd you put that bundle on the back of the train?
00:06:53The baggage car's for bundles.
00:06:55The back of the train is for people.
00:06:57Michael?
00:06:58I'll fix you.
00:07:09She never lets me alone for a minute.
00:07:12Always willing something's gonna happen to me.
00:07:14I'm too big to be treated like a baby.
00:07:16She's always telling me how I'm gonna be carried home with a broken something.
00:07:24I'd better get home before she does.
00:07:26Sorry I can't help with that tourniquet.
00:07:28Go see Doc Arnold.
00:07:29Bye.
00:07:29Bye.
00:08:18Hey.
00:08:19Hey fella.
00:08:23Bridge washed out up ahead.
00:08:25Can't get through that way.
00:08:27Hop in.
00:08:28Maybe we can get through on 77.
00:08:44River overflowing all the way up to Portland.
00:08:47Snow.
00:08:49Might have been pretty in the winter time.
00:08:51Especially around Christmas.
00:08:54Then comes along the spring thaw and rain.
00:08:58Ain't nothing pretty about that.
00:09:01Going far?
00:09:03No, not far.
00:09:06Lucky thing for you, I came along.
00:09:08I had to cover the news about the bridge.
00:09:11Otherwise I'd have been in bed long for an hour.
00:09:14Clayberg Bulletin.
00:09:16I'm the reporter, publisher, and editor.
00:09:20One man organization.
00:09:23McPhee.
00:09:26Dunlap.
00:09:28Dunlap.
00:09:29Dunlap?
00:09:31No.
00:09:32Don't know any Dunlaps here.
00:09:34Going north?
00:09:36Hell.
00:09:37Crazy.
00:09:40A lot more snow to me.
00:09:43Had my way, I'd go south.
00:09:49Yeah, I read a lot about fellas getting picked up at night nowadays.
00:09:54First thing they'd knock the driver over the head.
00:09:57Take his money, his car.
00:10:02Away they go.
00:10:39Hey! Wake up!
00:10:56How far are we going?
00:10:57I don't know.
00:10:58Didn't know if we were still on 77.
00:11:01We weren't on 77 at all.
00:11:03Get some looks and think this is Clayberg.
00:11:06Well, a couple of roads washed out,
00:11:08so I just turned around and kept on driving.
00:11:10I should have stayed awake and drove myself.
00:11:13Can't get you staying up late.
00:11:15I got enough news about the flood anyway.
00:11:18Stay in here?
00:11:20Can't go anywhere else.
00:11:22Where's the hotel?
00:11:23Hotel.
00:11:25Get in.
00:11:31Tell Mrs. Mitchell McPhee sent you.
00:11:33An old friend.
00:11:35Thanks for the lift.
00:11:36Didn't get you very far.
00:11:38You get out tomorrow, all right, maybe?
00:11:42Well, good night.
00:11:45Good night.
00:12:01Good night.
00:12:07Mr. McPhee said you had a room.
00:12:10I have a room, but it's not for rent.
00:12:13I'm sorry.
00:12:14McPhee said...
00:12:15You want to see Mrs. Mitchell.
00:12:17Maybe she has a room.
00:12:19Come on in.
00:12:32Aunt Thelma.
00:12:34You get washed out by the river?
00:12:37Yeah.
00:12:38This town is washed out any way you look at it.
00:12:41Aunt Thelma, can you come here a minute?
00:12:43I haven't got a cold.
00:12:45Tommy?
00:12:46Ruth, he hasn't sneezed once.
00:12:48Don't you think he should just go to bed?
00:12:50I'm not going to have a sick boy on my hands.
00:12:54Oh, no, you don't.
00:12:56You're going to stay here and have your throat sprayed.
00:12:58Open.
00:13:01It tickles!
00:13:02Now, Michael, you stay right here or you get what I promised you for sneaking out to watch the trains.
00:13:06I did not.
00:13:07You tell lies now and you'll grow up to be a bandit.
00:13:10If you didn't go to the railroad station, where were you?
00:13:14All right.
00:13:16I won't do anything until I have proof.
00:13:18But if you've been lying, oh, boy, will you get it.
00:13:23This man said McPhee sent him for a room.
00:13:25He's washed out.
00:13:26Oh, that's too bad.
00:13:28But if you're a friend of McPhee's, I guess we can find a room for you.
00:13:31This is Mrs. Mitchell.
00:13:32Dunlap.
00:13:33Harold Dunlap.
00:13:34How do you do?
00:13:34I'm Jean Maxwell.
00:13:35Hello.
00:13:37Now, where in the world will I put you?
00:13:39Well, good night.
00:13:40I'm going to bed.
00:13:43To read.
00:13:45Oh, good night, darling.
00:13:47Oh, I know.
00:13:47Just go upstairs.
00:13:48First door to the left.
00:13:50And take a towel out of the linen closet.
00:13:52Just keep opening doors until you find it.
00:13:54It's there somewhere.
00:13:55Oh, my goodness.
00:13:56You must get out of those wet clothes.
00:13:58The roof will have you under vapors, too.
00:14:00Come down later for a cup of tea.
00:14:03My goodness, you won't have anything to come down in, will you?
00:14:07I'll get you a pair of Willie's work pants.
00:14:09They should fit you, and he won't mind.
00:14:11He's out now piling up sandbags at the river.
00:14:33You're still here.
00:14:34I told you to go to bed.
00:14:36Oh, I'm gone.
00:14:37Oh, good heavens.
00:14:39I put Mr. Dunlap in Mike's room.
00:14:41Well, they'll just have to share it.
00:14:43But there's only a single bed.
00:14:45Where's Mike going to sleep?
00:14:47On the floor?
00:14:48They'll get along all right.
00:14:49I'll put up a cot.
00:14:50Oh, boy, a cot!
00:14:52I'll tell Mr. Dunlap.
00:14:53I'll carry the tea.
00:14:54Oh, thank you.
00:15:12Mr. Dunlap.
00:15:16Mr. Dunlap.
00:15:23I see someone in there.
00:15:25Mr. Dunlap.
00:15:27I brought some hot tea for you.
00:15:29Thanks very much.
00:15:30But I've changed my mind.
00:15:33But thanks is the same.
00:15:35I've got a terrible headache.
00:15:37I just need some sleep.
00:15:38That's all.
00:15:39Oh, yes, of course.
00:15:40Sleep's good for a headache.
00:15:42And take an aspirin.
00:15:43You'll feel better in the morning.
00:15:59Would you have some tea?
00:16:00Mr. Dunlap has a headache.
00:16:03I don't think Mike would mind sleeping on the sofa.
00:16:05Would you, Mike?
00:16:06I'd like it.
00:16:07It's really quite comfortable.
00:16:08I've sat there often myself.
00:16:11I'll get the bedding.
00:16:42I'll get the bedding.
00:16:47I'll get the bedding.
00:16:54I'll get the bedding.
00:16:58I'll get the bedded.
00:17:02I'll get the bedding.
00:17:03Who's there?
00:17:04Shh.
00:17:06Have a can of beer and go back to sleep.
00:17:08What do you want to do?
00:17:09Wake up the whole house?
00:17:14What do you got, Willie?
00:17:15Barney, shh!
00:17:17Beer?
00:17:21A couple of years ago, when the river overflowed, I caught a whole case of bourbon floating
00:17:26by.
00:17:27I didn't see none of it.
00:17:28Not even a hark, you stingy old nincompoop.
00:17:32Oh, give me a can of beer.
00:17:34I won't give you nothing.
00:17:36Just a measly can.
00:17:38I ain't gonna give you nothing.
00:17:39This ain't good enough for you.
00:17:42You go get yourself a case of bourbon and hide it good.
00:17:45Ah, you know I had to hide it.
00:17:47Mrs. Mitchell doesn't approve of drinking on the premises.
00:17:50Oh, she doesn't, huh?
00:17:52Well, listen.
00:17:53If we want a can of beer, who's gonna stop us?
00:17:56Besides, Mrs. Mitchell and me is just like, just like that.
00:18:04Yes, sir.
00:18:05And anything I wanna do, I do.
00:18:08Now, for instance, if I wanted to get myself a cold piece of chicken out of the refrigerator,
00:18:13the, the, the, did you, did you pray?
00:18:15Uh, the ice box, I take it.
00:18:18Whenever I wanna do something, it's okay.
00:18:23You go.
00:18:25You know, she knows that I'm not feeding well around here.
00:18:28I'll move just like that.
00:18:30Ah, I give her that.
00:18:32You only know how to pull a corpse out of bourbon bottles.
00:18:36This is a man-sized job.
00:18:38And you wanna know something?
00:18:40I can twist the old girl around my little bits of finger.
00:18:44You wanna know how?
00:18:45How?
00:18:46Flatter her.
00:18:47Tell her she's beautiful.
00:18:49Can't you use flattery without being a big liar?
00:18:52Look, bud.
00:18:54When you tell a woman that's over 40 that she's beautiful, you ain't a liar.
00:18:58You're a philanthropist.
00:19:01I know how to handle women.
00:19:03Nothing to it.
00:19:06Don't interrupt.
00:19:07Women are women.
00:19:10Mrs. Mitchell.
00:19:11Yes, Mrs. Mitchell, too.
00:19:14I've boarded here so long, I practically own the place.
00:19:18All right, go ahead.
00:19:19Have a can.
00:19:20I think I've had enough already.
00:19:22Ahem.
00:19:23Shhh.
00:19:28Did you get that way falling into the river?
00:19:31Uh, no, Miss Mitchell.
00:19:32Well, we just had one each.
00:19:34And, uh, we got a lot left over.
00:19:37Try one.
00:19:39What?
00:19:40Oh, oh, we really worked hard, uh, uh, Miss Mitchell.
00:19:44That, the river's up two feet more than it was.
00:19:46Gosh, it's awful.
00:19:48Oh, it's really terrible.
00:19:49It's kinda like a nightmare.
00:19:51Heh.
00:19:52All right, Willie.
00:19:53Go to bed.
00:19:56Muhammad...
00:19:57Huh?
00:19:58Huh?
00:20:10Oh, my God.
00:20:52He's gone.
00:20:53Mike, he's gone.
00:20:55Shh, Ruth, you waken everybody.
00:20:57Mike, he isn't on the sofa.
00:20:58His clothes are gone, too.
00:20:58Oh, he'll get himself drowned.
00:21:00I just know he'll get himself drowned.
00:21:01I'm sorry, Mr. Dunlap, to awaken you,
00:21:03but Ruth's boy's gone off.
00:21:04This goes on all the time.
00:21:06Mr. Dunlap, help me find him.
00:21:07I just know he'll be drowned if we don't find him.
00:21:09Yes, I hope you'll find him.
00:21:10He must have gone to the river.
00:21:11I'll go with you.
00:21:12No, no, you better stay here.
00:21:13I'll bring him back.
00:21:14But you've never seen him, Mr. Dunlap.
00:21:18Well, there's not many boys out this time of night.
00:21:20He's a tall boy, freckles, spaces between his front teeth,
00:21:22but he's handsome except for that.
00:21:24I'll find him.
00:21:25If he drowned himself, it'll be my fault.
00:21:28Won't you need a coat?
00:21:31No.
00:21:32No.
00:21:33No.
00:21:34No.
00:21:36No.
00:21:38No.
00:21:46No.
00:21:47No.
00:21:50No.
00:21:51No.
00:21:52No.
00:21:54No.
00:21:57No.
00:22:00No.
00:22:02No.
00:22:18No.
00:22:20No.
00:23:24Come on, kitty.
00:23:25You're kidding.
00:23:27You're kidding.
00:23:31You're kidding.
00:23:34Come on.
00:23:42You're scared. You're scared me.
00:23:46I thought you were the cat.
00:23:49You're going down by the river?
00:23:53You look like someone.
00:23:55Everyone looks like someone.
00:23:58Yeah, I'm going down the river.
00:24:00Want to come with me?
00:24:01Well.
00:24:03Come on.
00:24:04We're going to watch it together.
00:24:08You may not get another chance to see the river overflowing.
00:24:11It's pretty exciting.
00:24:13Well.
00:24:14Come on.
00:24:15Okay.
00:24:21Hey, you're walking too fast.
00:24:22Wait for me.
00:24:32Well, Mike.
00:24:33So there you are.
00:24:35That awful cat scared the life out of me.
00:24:36I found him.
00:24:37He was starting from home anyway.
00:24:38Oh, what?
00:24:39What did he hit me for?
00:24:40I just went for a walk.
00:24:41Just a walk.
00:24:42You'll have a hard time walking or sitting before I get through with you.
00:24:45Thank you for finding him, Mr. Dunlap.
00:24:47This is my son.
00:24:49Well, come on.
00:24:54Luckily, Mr. Dunlap told him before he fell in the river.
00:24:57Two minutes more and he'd been through the park.
00:24:59That boy always disappearing.
00:25:01Where did you know?
00:25:02Where were you?
00:25:03I got in dressed in the bathroom like you told me.
00:25:05Come on, Mike.
00:25:06Get to bed.
00:25:06We're ready.
00:25:08One little misstep and you'd fall out the window.
00:25:11What's the matter with you?
00:25:13Tired of living?
00:25:14What's this?
00:25:16Popcorn in a noiseless bag.
00:25:18So I won't keep him awake.
00:25:19Well, get to bed.
00:25:21His father used to eat crackers.
00:25:28Good night.
00:25:29Good night.
00:25:30And don't get out of bed until morning.
00:25:32You'll keep an eye on him, won't you?
00:25:34He'll be all right.
00:25:34How can you keep an eye on me if you're asleep?
00:25:36No, it's a...
00:25:37Come on, Ruth.
00:25:39Good night.
00:25:40Good night.
00:26:08Good night.
00:26:11Good night.
00:26:12Good night.
00:26:18You asleep?
00:26:20Not yet.
00:26:22I don't like to sleep.
00:26:25Boy, think of all the things I could be doing right now.
00:26:29If it wasn't for my mother, she doesn't let me have any fun.
00:26:33Like watching the trains down at the station.
00:26:38You know, he looked like someone I saw the other night.
00:26:42You won't tell my mother I was at the station.
00:26:45I slipped out.
00:26:47I wasn't at the station.
00:26:50Oh, anyway, you know I was.
00:26:53My mother knew I wouldn't get my allowance for six months.
00:26:57I'd get a wallop in two.
00:27:00I don't like being walloped.
00:27:04Gee, trains are wonderful, especially at night.
00:27:08They're like big, long snakes with lighted skins.
00:27:12And they whistle and smoke and rattle.
00:27:15Boy, there's something.
00:27:18What was it you saw at the station?
00:27:21Oh, just a man.
00:27:23He put a bubble or something on the train.
00:27:26And I guess he hurt his arm.
00:27:28Must have cut it.
00:27:30Is that why you were watching me take my shirt off?
00:27:34I was just wondering.
00:27:36Not many people come to Clayburg.
00:27:38And you're the only stranger, I mean person, who's new around here.
00:27:44Still want to see my arm?
00:27:46Nah.
00:27:47Wouldn't make any difference anyway.
00:27:48Even if you were the same man.
00:27:55Come here.
00:28:06It wasn't anywhere near the station tonight.
00:28:09I hitched a ride to Clayburg.
00:28:11Remember that.
00:28:12Sure, but nobody...
00:28:13Look.
00:28:16And a scratch on it.
00:28:19Nothing on that one, either.
00:28:21Yeah, fine, but I wasn't...
00:28:23I never travel on trains.
00:28:24I like to watch them, but not ride them.
00:28:27I don't even know where the station is.
00:28:29Yeah.
00:28:30Well, there's nothing wrong with being there.
00:28:32Unless there's someone like my mother who doesn't want you to go.
00:28:35The first time we saw each other was in the park.
00:28:38Sure.
00:28:39In the park.
00:28:42Yeah.
00:28:43And it was lucky you found me before my mother did.
00:28:46You saved me from a shellacking.
00:28:48I'm sure lucky you came to Clayburg.
00:28:51Say, why don't we sneak out now and go down by the river?
00:28:56Okay.
00:28:57I'm getting sleepy anyway.
00:28:59Good night.
00:29:00Good night.
00:29:01What's your name?
00:29:03Harold.
00:29:04Good night, Harold.
00:29:18My best friend McPhee sent over had an appetite like a horse.
00:29:22I hope this one doesn't have too long a reach.
00:29:24Well, if he has, I'm going to sit next to him.
00:29:27Here's Mr. Dunlap now.
00:29:29Good morning.
00:29:29Good morning.
00:29:30Hi, Harold.
00:29:31Hello, Mike.
00:29:32That bed was so comfortable I overslept.
00:29:33Oh, that's good.
00:29:34Oh, Mr. Dunlap, this is Ruth Bennett.
00:29:37We met last night.
00:29:39Yes.
00:29:40And this is my niece, Gene.
00:29:41We met last night, too.
00:29:43Oh, that's right.
00:29:44A jolly good morning to you.
00:29:47And this is Barney.
00:29:49Pleased to meet you.
00:29:50And Willie.
00:29:51Won't you sit down?
00:29:53Say, ain't them my pants and shirts you're wearing?
00:29:57Oh, yes.
00:29:57My things were wet.
00:29:59I loaned them to him, Willie.
00:30:01Well, here, I'll buy them for me.
00:30:02How much?
00:30:03For a pet, yeah?
00:30:03Willie, five years ago when you bought them, you only paid three and a half.
00:30:08Prices have gone up.
00:30:10Okay.
00:30:11Two bucks.
00:30:12Give him a dollar.
00:30:16So, where are you from?
00:30:20North.
00:30:21North?
00:30:22Greenfield?
00:30:23Lunsdown?
00:30:25Barton?
00:30:26Helmville?
00:30:27Barton.
00:30:29Barton?
00:30:30I used to work in the post office in Barton.
00:30:33Knew every street and alley by heart.
00:30:35Where did you live?
00:30:38I didn't live there very long.
00:30:40It was, uh, on Orchard Street.
00:30:43Orchard Street?
00:30:45Orchard Street.
00:30:46Of course.
00:30:47Down near the paper mill.
00:30:50I'm full.
00:30:52Can I go out now?
00:30:53You go out on the porch and stay on the porch.
00:30:55If you put one foot...
00:30:56Okay, okay, Ma.
00:30:57I'll stay right on the porch.
00:30:59I won't even put one toe off it.
00:31:04Close the windows.
00:31:05They're coming through the door.
00:31:06Hi, Missy.
00:31:07Well, if it isn't little Lord Fauntleroy's bad brother.
00:31:10Morning, Missy.
00:31:12Mm-hmm.
00:31:13Uh, morning.
00:31:14Morning.
00:31:15Come in.
00:31:16Sit down.
00:31:19The morning will it, then.
00:31:21Right.
00:31:22You're late, Missy.
00:31:23The coffee's lukewarm.
00:31:24That's just the way I like it, huh?
00:31:26Uh, morning.
00:31:28Morning, sweetheart.
00:31:29Hiya, Westbrook.
00:31:31Don't call me that.
00:31:33Hi.
00:31:34Didn't steer you wrong, did it?
00:31:36Oh, thanks very much.
00:31:37Couldn't have done better anywhere.
00:31:39What about the flood?
00:31:40Not any worse, Al.
00:31:42Same.
00:31:43Bridge is out.
00:31:44They tried to put up a pontoon affair, but it didn't last long.
00:31:48You'll be able to get out around dinner time.
00:31:51Trains can't get through either.
00:31:53Bad thing happened on the Limited last night.
00:31:56Another wreck?
00:31:57I just knew the Limited would do something like that.
00:31:59I've warned Michael a hundred times.
00:32:01Calm down, calm down.
00:32:03Nothing was wrecked.
00:32:04Except a girl.
00:32:06Can happen to anybody.
00:32:07This magazine's full of things like that.
00:32:09Got it over the wire this morning.
00:32:12Some girl got herself killed on the Limited.
00:32:15Found her on the rear platform.
00:32:18Nail file.
00:32:20Like that.
00:32:22Right through the heart.
00:32:23Somebody drew her in?
00:32:24They weren't cleaning her nails.
00:32:28What had happened?
00:32:30Don't know yet.
00:32:31Somewhere up around Seattle, they found the body.
00:32:33Mike should hear about this.
00:32:36Maybe this will stop him from running down to that railroad station.
00:32:39Oh, Mrs. Bennett.
00:32:41Mrs. Bennett.
00:32:42Let me tell him.
00:32:43Mike and I got pretty friendly last night.
00:32:45There's no sense in scaring the boy.
00:32:47He should be scared.
00:32:48I'm scared when he's out alone, heaven knows where.
00:32:51If scaring will scare him, he should be scared.
00:32:52I'll tell him.
00:32:53I think he'll behave himself.
00:32:55Uh, you don't know that boy very well, do you?
00:33:00Full of mischief.
00:33:01Need some discipline.
00:33:03That's what he needs, all right.
00:33:05He needs a father.
00:33:08Gotta go!
00:33:09Wait for me.
00:33:12Nice to meet you, Dunlap.
00:33:15I'll give him a good talking to, just like a big brother.
00:33:18Make sure you scare him.
00:33:24Very sweet man.
00:33:28Very sweet.
00:33:30Take it easy, dearie.
00:33:32He offered to be Mike's big brother, not his father.
00:33:35I'll just ignore that remark.
00:33:40Hello, Mike.
00:33:41Hi.
00:33:47Mike, your mother's on the warpath.
00:33:50It's nothing new.
00:33:51Well, I just thought I'd tell you.
00:33:53I think you better hide for a while.
00:33:55What have I done now?
00:33:57Holy cow.
00:33:58She's always after me for something.
00:34:01She'll calm down, but maybe you better beat it.
00:34:04Nah, that'll make her madder.
00:34:06She'll get over it, don't worry.
00:34:08But not if she sees you now.
00:34:10I'd better stay right here on the porch.
00:34:13Okay, do what you like.
00:34:15Stay here.
00:34:15I don't like staying here.
00:34:17Well, if you don't like it, don't do it.
00:34:19Listen, I'll bet you know lots of places where you could have more fun than sitting here twiddling your fingers.
00:34:24Sure.
00:34:24I know a lot of places.
00:34:26Down by the river, or near the railroad tracks, or the park.
00:34:31Gosh.
00:34:32I sure would like to shimmy up one of them big trees.
00:34:35I could see the whole town, and tracks, and river, and everything, from the top of a tree.
00:34:41Why don't you go?
00:34:42My mother'd find out.
00:34:44She's got something magic about her.
00:34:46The way she finds out everything.
00:34:49No, she'll cool off later.
00:34:51Sometimes she boils for days.
00:34:54Here.
00:34:55You get yourself something you'll want for dinner.
00:34:58Lots of candy.
00:34:59Anything you like.
00:35:01Nope.
00:35:02I'd really catch it.
00:35:04I think your mother found out about the station.
00:35:06Did you tell her?
00:35:07Of course not.
00:35:09Thanks.
00:35:10You're a pal.
00:35:11Stay away till after dinner.
00:35:12Okay.
00:35:14I'll do the same for you someday.
00:35:16Okay, Mike.
00:35:30You make the best coffee this side of Brazil, Thelma.
00:35:33Sorry, McPhee.
00:35:34The pot's empty.
00:35:35In that case, I'll run along back to the shop.
00:35:37You couldn't have done a good job that quickly.
00:35:40That boy of yours won't go near the train again.
00:35:42I gave it to him good.
00:35:44Oh, here.
00:35:44Let me take these.
00:35:45Oh, my.
00:35:48You're going to spoil things around here for me, young fella.
00:35:51I'd have a good mind going down and work on the bridge myself and get you out of here faster.
00:35:55I wish you would.
00:35:56I've got to leave today.
00:35:57Maybe I can.
00:35:59If I hear anything, I'll call you.
00:36:01Bye, all.
00:36:03Bye, McPhee.
00:36:03See you later.
00:36:06Why, Jean, what has happened to you?
00:36:08I just don't like to do things that are expected of me, that's all.
00:36:11I have to do them myself when I'm in the mood.
00:36:13Well, it's the nicest thing I've ever heard.
00:36:15Oh, I won't say another word.
00:36:17I'll catch up on my book.
00:36:20What book are you reading?
00:36:22None.
00:36:23But I've read so many, and they seem so easy.
00:36:26I decided to write one myself.
00:36:37You wash, I'll dry.
00:36:39Didn't think you were the type.
00:36:41I'm not.
00:36:44How could you tell?
00:37:00Well, look, you're going to dry, dry.
00:37:05Maybe you are the type.
00:37:07You were right the first time.
00:37:09Where are you from, Harold?
00:37:12Look, if you want to dry, I'll call you when I'm done washing.
00:37:17You won't have to call me.
00:37:19I'll be right here.
00:37:24I don't really care where you're from.
00:37:28But I wonder where you're going.
00:37:30I'm just going.
00:37:32The sooner the better.
00:37:34I'm not going to some little hick town like this, I hope.
00:37:37You know, I'm a poor little orphan girl myself.
00:37:40From San Francisco.
00:37:42I'd have stayed there if I'd have had any money.
00:37:44You want to try working?
00:37:46Yeah, I tried it.
00:37:50I used to know a girl like you.
00:37:52The only work she ever did was working some guy for all he had.
00:37:56Spent every dollar he ever made.
00:37:59Lucky girl.
00:38:01Every man I ever met was ruined before I could get him.
00:38:04I don't get any breaks at all.
00:38:07You're different.
00:38:09Same as all the others.
00:38:10Only you admit it.
00:38:12A girl's a girl.
00:38:14Oh, I talk like I'm wised up.
00:38:18Truth is, I'm this way because of some guy.
00:38:21It all happened two and a half long years ago.
00:38:25Guess I'm about over it by now.
00:38:28I was sweet and gay and were madly in love.
00:38:33Sun shined every day, but the moon blotted it out.
00:38:36Then one day I found a note.
00:38:40Darling, this is goodbye.
00:38:42I'm going back.
00:38:44To my wife.
00:38:46Jerk was married.
00:38:47I didn't know.
00:38:50Tough.
00:38:55What's with you now?
00:38:56We're all friends.
00:38:56Tell me all.
00:38:57Who, what.
00:38:59Why are you running away?
00:39:03The girl you used to know.
00:39:05The one you said was like me.
00:39:07She spent all your dollars?
00:39:09Yeah.
00:39:10She spent all my dollars.
00:39:13I didn't care.
00:39:15Then one day I found out a few things.
00:39:18A switch.
00:39:19She was married and she left you a note.
00:39:22You know, she wanted to marry me.
00:39:24I loved her.
00:39:26I guess.
00:39:27I don't know why.
00:39:30It happened.
00:39:32Everything was fine.
00:39:33Just a few days ago,
00:39:35I found out she was supporting some other guy.
00:39:38You just ditched her, huh?
00:39:41Yeah.
00:39:42I ditched her.
00:39:44That dame on the train that McPhee mentioned.
00:39:47She got it good.
00:39:48Paid for a lot of others.
00:39:51Wonder what she did to deserve such a happy end.
00:39:56Probably took some guy like you over the coals
00:39:58and he didn't like it.
00:40:07You're very pretty
00:40:09when your lips aren't moving.
00:40:18Why don't we try that again sometime?
00:40:22Without the tone.
00:40:26You're well off now.
00:40:27Don't look for trouble.
00:40:31Excuse me.
00:40:32I forgot the beer that I brought home last night.
00:40:34Nobody likes the stuff with me,
00:40:36so I might as well take it down to the place with me.
00:40:38Nobody will be in for gas.
00:40:40Nothing to do, you know.
00:40:41Don't apologize, Willie.
00:40:43You want your beer.
00:40:43Take it.
00:40:44Have a can?
00:40:45No, thank you.
00:40:47That's enough.
00:40:49Oh, well, a friend might drop in.
00:40:50Yeah, I know.
00:40:51You don't care who you share your beer with.
00:40:53Last night, I heard you offered something to Mike.
00:40:55Well, I didn't know what I was doing.
00:40:58What's the matter of that kid, anyway?
00:40:59I saw him outside
00:41:00and I told him what I heard on the radio
00:41:02and he acted like I was chasing him with a gun.
00:41:05What did you hear?
00:41:06Uncle Hobill?
00:41:07The news about that girl
00:41:09that was murdered on the train last night.
00:41:11The police up in Seattle
00:41:12thinks that she was murdered
00:41:13between here and Lundstown.
00:41:16Sure you won't have a can?
00:41:20Oh, excuse me again.
00:41:54Oh, excuse me.
00:42:10I don't see why anyone
00:42:11should take it upon themselves
00:42:12to tell my son he could go for a walk.
00:42:15Since when does anyone have to tell him?
00:42:17When he wants to go, he goes.
00:42:18I warned him not to put one foot off the porch.
00:42:22Yes, but you didn't say anything about both feet.
00:42:29Yeah?
00:42:31That Gene?
00:42:34Sweetheart.
00:42:37McPhee.
00:42:39Mike's here.
00:42:42He's a nuisance.
00:42:44Do you break something if he hangs around here?
00:42:47Oh, cut it out.
00:42:48You were a boy once yourself, McPhee.
00:42:50Why don't you let him help you run your press?
00:42:52After all, somebody has to take over
00:42:54when you get old and fat, you...
00:42:56All right.
00:42:57All right, I'll keep him here till dinner time.
00:43:00Am I invited to dinner?
00:43:02Okay.
00:43:03Listen.
00:43:04The road's still washed out.
00:43:06Tell that man.
00:43:07Bye.
00:43:20You're thinking things?
00:43:21Think them.
00:43:22You got something to say?
00:43:23Say it.
00:43:25Feel like a game of checkers?
00:43:28I just knew you were a checker fiend.
00:43:30Something about you that gives you away.
00:43:32Which do you want?
00:43:33Red or black?
00:43:35Well, can't play standing up.
00:43:44Ladies first.
00:43:47Well, it's your move.
00:43:51I'll move this one for you.
00:43:54You know, I'm bound to win this way.
00:43:56Playing against myself.
00:43:58Don't kid yourself.
00:44:00That's the best way to lose.
00:44:02Fight yourself, and the part that wins doesn't count.
00:44:05It's the part that loses.
00:44:07I have a short memory.
00:44:08One time I lose, the next time I win.
00:44:11Sort of balances the books.
00:44:15You know, you've been in this burg less than a full day.
00:44:18I've been here two and a half years.
00:44:21Question.
00:44:23Which one of us is more anxious to leave?
00:44:25You?
00:44:27Me, or both of us.
00:44:31You know, I tried working once.
00:44:33I could maybe try it again.
00:44:35That's a real nice thought.
00:44:37Real nice.
00:44:38I could get my old job back in San Francisco.
00:44:42Fine.
00:44:42Why don't you?
00:44:43I've never seen the Golden Gate.
00:44:45When you get there, send me a picture postcard.
00:44:48Where will I send it?
00:44:49Are you really going?
00:44:51That all depends on you.
00:44:54Don't depend on me, honey.
00:44:56Not me.
00:44:58Harold.
00:45:01I've been doing some thinking.
00:45:03Without even trying.
00:45:06You better do some thinking, too.
00:45:17She's just covering up for him, that's all.
00:45:19And if she did tell him he could go, what rate is she doing to...
00:45:21I told Mike he could go, not Jean.
00:45:24You told him?
00:45:25Why didn't you say so?
00:45:27Has he come back yet?
00:45:28No, but if you send him somewhere, I guess it's all right.
00:45:32Oh, I didn't send him anywhere.
00:45:33I just told him he could go.
00:45:35I shouldn't have.
00:45:36You're very right to be strict with him.
00:45:39Why, he's liable to go down to the river.
00:45:42Maybe hurt himself.
00:45:44Might even fall in the deep water.
00:45:46I worry too much.
00:45:48He's always come right back till now.
00:45:50He'll be all right.
00:45:52Would you like to try a game of checkers?
00:45:54No, thanks.
00:45:55I've tried one.
00:45:56Harold.
00:45:59McPhee just called.
00:46:00Mike's with him.
00:46:01They'll be home for dinner.
00:46:02Don't tell me.
00:46:04Oh, no.
00:46:04I'm only his mother.
00:46:08I'm only his mother.
00:46:09Been thinking?
00:46:10All done.
00:46:12Wait a minute.
00:46:17The roads are still washed out.
00:46:19So they're washed out.
00:46:20The bridge is still down, too.
00:46:23Takes more than a day to build another one.
00:46:25Look, if you go, where are you going to go?
00:46:27You've got to stay here.
00:46:30You've got nothing to run away from.
00:46:33Except me.
00:46:46You haven't touched your dinner, Michael.
00:46:48I'm not hungry, Ma.
00:46:49All right.
00:46:50Don't eat unless you want to.
00:46:51No.
00:46:52Harold doesn't agree either.
00:46:54No one has to eat unless they want to.
00:46:56How's the flood, Mr. McPhee?
00:46:58It's fine.
00:46:59Still is a promising job for the Red Cross.
00:47:03Any more news about the gal who had a heart manicured?
00:47:06No.
00:47:06No new developments.
00:47:08They figured she was killed about five hours out of Seattle.
00:47:12Somewhere near Lundstown.
00:47:14Maybe even right here in Claybury.
00:47:17Trouble is, no one got off the train in Lundstown.
00:47:20Or here.
00:47:22And she must have got off the train.
00:47:24Because the soles of her shoes were wet.
00:47:27No one else on the train had wet soles on her shoes.
00:47:30So the police are stuck.
00:47:33No one saw her get out, huh?
00:47:35No.
00:47:36And what's more important is, no one saw anyone else leave the train.
00:47:41Now that anyone else is the one that done the killing.
00:47:46Ma.
00:47:47Now, Michael, we're not going to talk anymore about trains.
00:47:50I'm going to try a new method with you.
00:47:52You do whatever you like, just so you tell me beforehand.
00:47:55We're starting a new slate.
00:47:58But, Ma, last night at the stage...
00:48:05What happened, Adam?
00:48:06What's the matter, boy?
00:48:07Oh, dear, is he hurt?
00:48:09I tripped.
00:48:09Easy, boy.
00:48:11I'd better call Dr. Arnold.
00:48:12Oh, no, no, that's all right.
00:48:13I'll be all right.
00:48:14Want a shot of whiskey?
00:48:15That's my ankle.
00:48:16I think I sprained it.
00:48:18Could you help me upstairs?
00:48:20I'll go up and fix the bed.
00:48:21Sure, we'll get you upstairs, okay, son?
00:48:22Just take it easy now.
00:48:25That's it.
00:48:26Now, give me around.
00:48:27Yeah, it sprained.
00:48:29Hey, Mike.
00:48:30Come upstairs and keep me company.
00:48:32I want to stay down here.
00:48:34All this country.
00:48:38Come on, now.
00:48:39That's it.
00:48:40Just hold on.
00:48:42There you are.
00:48:43That's it.
00:48:44Now we're...
00:48:46That's it.
00:48:47Just hold on.
00:48:51Just take it easy now.
00:48:53That's it.
00:48:55There you are.
00:48:57Almost there.
00:49:00Easy does it.
00:49:01Hope you feel better.
00:49:02Thanks.
00:49:04Ain't swollen yet.
00:49:06Better have it wrapped up tight.
00:49:08Here he is.
00:49:10Hiya.
00:49:11Mike will help me, Badger.
00:49:12Thanks for free.
00:49:13No, no.
00:49:14You stay right here and keep Mr. Dunlap company.
00:49:17It's time for bed anyway.
00:49:18You were up so late last night.
00:49:19I want to go down with you.
00:49:21Oh, you big baby wants to come over you.
00:49:23I'll get you something to use for a bandage.
00:49:28Mike will help me.
00:49:29Thanks very much, Mrs. Bennett.
00:49:30You're welcome.
00:49:31If you need anything, Mike will get it for you.
00:49:38What's the matter, Mike?
00:49:40Mad about something?
00:49:41No.
00:49:42What's wrong?
00:49:43Nothing.
00:49:44I'd just like to go downstairs.
00:49:46Well, if you want to tell anybody anything, call them up here.
00:49:50I'd like a chance to hear about it, too.
00:49:56You're not sure, Mike?
00:49:57You know how it feels when your mother thinks you've done something when you really haven't?
00:50:00But you should have some proof.
00:50:03I saw you put that girl on the train.
00:50:07There was blood on your sleeve.
00:50:09I wasn't cut.
00:50:10The girl was.
00:50:12Besides, where's your suit?
00:50:14Show me the suit if it wasn't you.
00:50:18Oh, is that all?
00:50:19Well, here, I'll get it for you.
00:50:23Let me lean on your shoulder.
00:50:46What's going on up there?
00:50:47That fellow, Harold, probably hopping around on one leg.
00:50:52Mrs. Bennett.
00:50:53Mrs. Mitchell.
00:50:54Come up here, quick.
00:51:05Mike ran out the back way.
00:51:07I couldn't stop him.
00:51:07My ankle.
00:51:08Why?
00:51:09He's upset.
00:51:09Well, he said he was going down to the park to shinny a tree so he could see what they're
00:51:12doing down at the river.
00:51:13I told him it was dark and he might fall and hurt himself, but before I could stop him,
00:51:17he ran off.
00:51:17Mike, there's no controlling it, though.
00:51:19Well, you'd better get back into bed.
00:51:21Here, put your arm on my shoulder.
00:51:22I'll be all right, but you'd better look for Mike, too.
00:51:25Everyone should look for him before it's too late.
00:51:28Oh, my goodness.
00:51:29You, oh, yes, you're right.
00:51:35Mr. McPhee.
00:51:37McPhee.
00:51:38Mike's run off.
00:51:39Not again.
00:51:40Please, please help me find him.
00:51:41He may fall out of a tree.
00:51:43What's he doing in a tree?
00:51:45All right, let's just go find the boy.
00:51:47Hey, wait a minute, wait a minute.
00:51:48What's the big idea?
00:51:49I was with it.
00:51:50Come on, let's go to the park.
00:51:51We'll drive there first.
00:52:00Willie.
00:52:01Willie, he may be just loitering on the street.
00:52:03You go down to the station.
00:52:04What is this, a posse?
00:52:06Okay.
00:52:09Gene, you stay here and take care of Harold.
00:52:11We won't be long, I hope.
00:52:41It's a pretty clumsy job of faking an accident.
00:52:44Why'd you do it?
00:52:46I like to be alone occasionally.
00:52:48But you're not alone, darling.
00:52:50You've got me.
00:52:53Why'd you pull that sprained ankle stunt?
00:52:56I told you why.
00:52:57All right.
00:52:58Forget it.
00:52:59I'll guess.
00:53:01Could be you wanted me to nurse you instead of Mike.
00:53:04Is that why you let him run off again?
00:53:06Yeah.
00:53:07I did want to be alone with you for a few minutes.
00:53:10It would have been so simple.
00:53:12All you had to do was walk to my room.
00:53:14If it was empty, you could have waited.
00:53:17You're not dumb, Harold.
00:53:19I'm not dumb either.
00:53:22Something's brewing.
00:53:23You planning to leave?
00:53:25Okay, I.
00:53:27Water, water everywhere, and not a drop to drink.
00:53:30That's why you're all dressed for bed.
00:53:33In your suit.
00:53:34I was going to go out and look for Mike.
00:53:37That's a pretty good reason for changing your clothes.
00:53:41Oh, would you like to try again?
00:53:45I don't suppose you heard the news.
00:53:48In about a half an hour, the highway's going to be open.
00:53:52Oh?
00:53:53Mm-hmm.
00:53:54A couple of men with badges and notebooks.
00:53:58Handcups are coming here to talk to the state police.
00:54:03You know, I'm a little more suspicious than these homegrown small-towners.
00:54:10You did something.
00:54:13And I think I know what it is.
00:54:18All my life, I've been attracted to the wrong kind of guy.
00:54:23If you're thinking of leaving, forget it.
00:54:26You're going to stay right here in Clayburg for the time being.
00:54:29For me.
00:54:32No one saw you get on or off the train.
00:54:34You're a free man.
00:54:38Well, did anyone see you?
00:54:42Who saw you?
00:54:45If they can identify you, you're finished.
00:54:58Mike!
00:55:01So he's the one.
00:55:03He saw you get off the train.
00:55:06What have you done to him?
00:55:07Nothing much yet.
00:55:09But there must be something, some other way.
00:55:12He'll talk.
00:55:13That's what I thought.
00:55:15I don't know what's going on in your mind, but you can't touch him, do you hear?
00:55:21Some women get what they're looking for.
00:55:23But you can't kill a kid.
00:55:28You're pretty awful.
00:55:30You're even too bad for me.
00:55:33I don't know what you're planning to do, but I won't let you do it.
00:55:38You're very pretty when those lips aren't moving.
00:55:54Mike!
00:56:04Come back!
00:56:07Sounds like he's coming from over there.
00:56:08Wait.
00:56:16Hey, Dunlap!
00:56:26Was that you yelling come back?
00:56:28Yeah.
00:56:30You see him?
00:56:33That's him.
00:56:34Get him.
00:56:36You can run faster than I can.
00:56:38Got good news for you.
00:56:39The road's open.
00:56:46Mike!
00:56:50Harold just ran after Mike.
00:56:51We got him spotted.
00:56:53I'm glad somebody's able to run.
00:56:56Did you say Harold ran after Mike?
00:56:59Like a deer.
00:57:00Well, when I was young, I used to...
00:57:01Harold's ankle is sprained.
00:57:03He couldn't even walk to his room.
00:57:06It's all right.
00:57:32I'll see you.
00:57:34I'll see you next time.
00:57:36Bye!
00:57:36Oh, you poor me who did this to you.
00:57:39Wait a minute.
00:57:40There.
00:57:41There.
00:57:43Oh, darling, everything's going to be all right.
00:57:46He tried.
00:57:47He tied me up.
00:57:48Now, now, now.
00:57:49Calm down, Mike.
00:57:51He's coming after me.
00:57:53Let me go.
00:57:54He'll kill me.
00:57:54Oh, dear.
00:57:55Nobody's going to.
00:57:56Michael.
00:57:57I'll give you the beating of your life.
00:57:58I miss you.
00:57:59Rude.
00:57:59Can't you see the boy's frightened?
00:58:01He should be frightened because when I get through with him.
00:58:02Mike, tell me, who was trying to kill you?
00:58:04I didn't think I was going to kill him.
00:58:06Now, you keep out of this.
00:58:07Mind you.
00:58:07You tell me.
00:58:08Shut up.
00:58:09Mike, go on.
00:58:10Tell me.
00:58:11She'll hit me if I tell.
00:58:13She won't lay a hand on you.
00:58:14I promise you that.
00:58:17That's night at the station.
00:58:19So you were at the station.
00:58:22Yes, dear.
00:58:23Go on.
00:58:24You won't hit me?
00:58:26We'll see.
00:58:29Well, I saw Harold.
00:58:31He killed that girl.
00:58:33Well, he knows I saw him dump her on the train.
00:58:37He tried to kill me.
00:58:39Oh, good heavens.
00:58:41And he's here in the park.
00:58:42We'd better go home.
00:58:44McPhee.
00:58:45How can a big man like you move so quietly?
00:58:49Rubber heels.
00:58:51See, you found Mike.
00:58:52Couldn't catch up with Harold.
00:58:53He was running like blazes.
00:58:55Harold, a killer.
00:58:56You see, something might have happened to you.
00:58:58I won't go out again, Ma.
00:59:01A killer.
00:59:03Tell me something quick.
00:59:04What's going on?
00:59:05I'm the newspaper.
00:59:06Come on, McPhee.
00:59:07I know, but tell me something.
00:59:09All my readers depend on the bulletin for the latest news.
00:59:12Come on.
00:59:13I'll tell you on the way home.
00:59:14I know, but I...
00:59:40You forget something?
00:59:42No, not a thing.
00:59:44Mike's all right.
00:59:47The road's open.
00:59:50Not for me.
00:59:52You're not leaving?
00:59:54No.
00:59:58I'm tired of running.
01:00:02You know, you and me...
01:00:05Yeah.
01:00:09We might have been all right together.
01:00:13If she'd stayed on the train,
01:00:17she'd be alive, and I'd be a free man.
01:00:23Those cops from Seattle,
01:00:26they should be here soon.
01:00:30They'll be here.
01:00:42It's quite a storm.
01:00:44We're going to stop soon.
01:00:46Don't get off.
01:00:53Play, board.
01:01:15We're going to kill you like a comet.
01:01:17Oh, my God.
01:01:50The End
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