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Transcript

00:00:19Tonight we continue to remember some of the best stories that have passed through the mystery ship, by Cuarto Milenio.

00:00:24Some of them have at least left their mark on us, leaving us with questions that have never been answered.

00:00:30And logically, we start with one of the ones that most captivated our audience.

00:00:33It happened in Zaragoza, specifically in a house that until that day in 1934 was just an ordinary house, one more.

00:00:39Gascón de Gotor Street, number 2.

00:00:41And the neighbors heard a voice, a laugh, or a wail, some said, that gradually rose step by step.

00:00:49step each of the stairs.

00:00:52It gives the impression that that was the prelude, the beginning of a phenomenon that later became something

00:00:56incredible.

00:00:57A joke, who knows. A voice, a voice on a stove, a voice that was able to guess events.

00:01:02A voice that seemed to see what was happening inside that house.

00:01:06A voice that ultimately could not be captured.

00:01:08And that's despite the involvement of judges, military personnel, police officers, and even the first sound engineers of the time.

00:01:14In the end, 70 years and mystery.

00:01:17It is therefore a matter of honor to begin with one of the first Spanish X-Files.

00:01:22Let's learn the story of the goblin of Zaragoza.

00:01:28Zaragoza awoke in the cold autumn of 1934 with the same uncertainty that accompanied Spain in a turbulent time.

00:01:35Civil war was near and social tension was becoming palpable in the streets.

00:01:40It was a dark time in which there was hardly room for a smile.

00:01:44However, at the beginning of November a strange phenomenon occurred that caused everyone to forget all the

00:01:51evils before that dark prodigy.

00:01:55The laments, because at first there are plaintive ones, a voice that sounds feminine, a voice that later changes to masculine.

00:02:04But at first they are laments, they are groans.

00:02:06Then María begins to listen, Ben, as if dragging out the words.

00:02:11And that's precisely when he decides to warn the lady of the house, the owner of the building.

00:02:16And from then on, well, they take it more seriously and call the police.

00:02:21It all began on the second floor of a building located at 2 Gascón de Gotor Street.

00:02:25A chilling laugh, like a prolonged cackle, brought many neighbors out onto the main staircase.

00:02:32They looked at each other, but there was no one there anymore.

00:02:37Thus, 70 years ago, this nightmare began.

00:02:48Today, nothing remains of the old house, as it was demolished decades ago.

00:02:53The very name of the current building evokes that bygone era.

00:02:57But, goblin, it will forever be a place marked by that voice from beyond the grave.

00:03:03This caused such an impact that everyone from the two floors where they lived came out onto the stairwell.

00:03:07Just as they were caught at that moment, at 5 in the morning, well, that's how we all were, right?

00:03:11And then, all hell broke loose, they started to see what was going on,

00:03:15And at noon they called the police, huh?

00:03:17That's when he, from the same floor where he was, said that cowards, cowards,

00:03:22You called the police, cowards, cowards.

00:03:24Nobody could believe what was happening.

00:03:27But those phrases, groans, and threats arose in front of dozens of witnesses.

00:03:33It was a deep voice, coming through the old kitchen stove.

00:03:37According to the official complaint, the first person who witnessed the events,

00:03:41It was the housemaid, Pascual Alcocer.

00:03:45A humble and simple woman, who, when she put her hand to that hearth,

00:03:48He could hear a wail that, seemingly arising from nowhere, said,

00:03:52What are you doing to me?

00:03:54The girl then pressed the switch, plunging everything into darkness.

00:03:59And that entity, or macabre prankster, responded instantly,

00:04:05light that I do not see.

00:04:06The agents took over the house; an army of construction workers inspected all the electrical and gas lines.

00:04:15I think they tore the floor apart from top to bottom to see where that mysterious voice could be coming from.

00:04:20And they didn't find anything, really.

00:04:23The news of that mysterious voice spread through the streets of Zaragoza like wildfire.

00:04:27And thousands of curious onlookers crowded in front of number 2 Gaspón de Gotor Street every day.

00:04:33They were people eager to hear about the miracle, or to confront what they believed to be an evil entity.

00:04:39An entire army of scholars was recruited to solve the enigma,

00:04:43at the same time as newspapers from Aragon and throughout Spain,

00:04:45They echoed the event, dedicating large headlines to it.

00:04:49The mystery of the goblin became so popular that it even crossed our borders.

00:04:54featuring on the front page of the London newspaper The Times.

00:04:57Meanwhile, that voice continued to challenge with its wit and wisdom

00:05:02to all who dared to approach there.

00:05:05Authorities cordoned off the area, and all inspections yielded no results.

00:05:10The question was obvious.

00:05:12Who was hiding behind those voices that seemed from another world?

00:05:18The mystery of the goblin grew day by day,

00:05:21at the same time as growing unease among the top provincial authorities.

00:05:26Given the judge's inability to clarify the facts,

00:05:29It is the renowned psychiatrist Joaquín Jiménez Riera,

00:05:32the one who tries to clarify what is happening there.

00:05:35To do this, he thoroughly questions the housemaid,

00:05:38Pascual Alcocer,

00:05:40and determine what this is,

00:05:41through a phenomenon that is a mixture of hysteria and unconscious ventriloquism,

00:05:45the one who causes the phenomenon without knowing it.

00:05:48The fact that someone unconsciously uttered words

00:05:52It is not entirely out of the question.

00:05:54In other words, it is likely that some people with a hysterical profile,

00:06:01that is, characteristic of hysteria,

00:06:02and without being aware of it,

00:06:06emit messages at a given moment, emit words,

00:06:10uttered phrases at a given moment

00:06:12that could distract the rest of the audience at any given moment.

00:06:17They blamed Pascuala,

00:06:20And he took advantage of the situation and took her on a car trip to the swamp.

00:06:23under the pretext of picking vegetables and bringing things back from there,

00:06:26And the goblin kept talking there, even though she wasn't there.

00:06:28So that was ruled out.

00:06:30Even though they were turning the poor woman into a fool,

00:06:32so whether it was her or not.

00:06:34The residents were evacuated,

00:06:36the whole isolated apple,

00:06:38The building's architects checked every corner,

00:06:41and the army cut off all radio communications.

00:06:45They thought they had solved the mystery by blaming the maid,

00:06:48However, when everything seemed resolved,

00:06:51and in the presence of the assault guards,

00:06:53That voice emerged again,

00:06:56with a terrible threat,

00:06:58shouting, insulting,

00:07:00and swearing to kill all the inhabitants of the house.

00:07:03Pascual Alcocer was already far away,

00:07:06But that diabolical voice was still there.

00:07:10The technicians return with their hearts in their mouths,

00:07:13and before the engineer in charge of all the works,

00:07:16Something amazing happens again.

00:07:18That voice, whoever it was,

00:07:21He seemed to guess impossible facts

00:07:23about the internal structure of that place.

00:07:26He was a bricklayer,

00:07:27who had been involved in the construction of the building,

00:07:30or with its juice, its paddle, its pickaxe, its beak,

00:07:35to measure how many sides were already needed

00:07:37so as not to bring it into the house that was inhabited

00:07:38Excessive material, but just enough.

00:07:41And he started measuring,

00:07:42And when I was measuring,

00:07:43He said, "Don't bother."

00:07:44It measures 75 centimeters.

00:07:47Of course, this man just stared at the subway

00:07:49from zero to 75,

00:07:52And that was exactly what I gave myself.

00:07:54Another anecdote related to this,

00:07:57The thing is, that man never came back to our house.

00:07:59And in the attic we mentioned earlier,

00:08:02in a jacket,

00:08:03We had the bucket stored away,

00:08:05the pickaxe and everything that man was,

00:08:06who never came back to pick it up.

00:08:08Arturo Grijalva is the only witness

00:08:10what remains of this story.

00:08:11Son of the homeowner,

00:08:13and the youngest of six siblings,

00:08:14He was just a child when the goblin spoke to him.

00:08:18The police, astonished and filled with fear,

00:08:20He even used it

00:08:21to demand the presence of that entity.

00:08:24It was an overwhelming experience,

00:08:26that remains alive in her mind,

00:08:29and that she will never forget.

00:08:31There was no family life there,

00:08:33no family bed, no family life,

00:08:34nor anything,

00:08:36We depended on whether or not there were people in the apartment.

00:08:38Because a police couple,

00:08:40on duty for short periods,

00:08:41she was fixed there,

00:08:42fixed there in the kitchen.

00:08:44And another one in the entrance courtyard,

00:08:46and another one in the street,

00:08:46and around the house.

00:08:47I was there all day.

00:08:48I told him, let's go, Dad, let's go to bed.

00:08:50You've slept.

00:08:50This guy is crazy.

00:08:53I mean, I told him,

00:08:54and he jumps out at me a few seconds later,

00:08:55crazy, not small.

00:08:58That voice that left us all in the USA except me,

00:09:01Because I say, well,

00:09:02has spoken to me.

00:09:04But he also left us.

00:09:06That's the last sentence I heard him say.

00:09:08After two months of voices,

00:09:10messages and threats,

00:09:12That voice was silenced forever.

00:09:14and for no apparent reason.

00:09:16As if it had never existed.

00:09:19However,

00:09:20Its echo accompanied him for life.

00:09:21to several characters

00:09:22who were involved

00:09:24one way or another

00:09:25in those strange events.

00:09:27Even indirectly,

00:09:29That voice also claimed a victim.

00:09:31The maid of the house.

00:09:33He went to his grave

00:09:35with the stigma of guilt.

00:09:37Which he never had.

00:09:38I have had the opportunity

00:09:39to talk to Pascuala

00:09:40And curiously,

00:09:42when I asked him

00:09:42who did the voices,

00:09:44She answered me

00:09:45the wall.

00:09:47For her, the voices

00:09:47The wall made them.

00:09:49It was a huge problem in his life.

00:09:51She ended up being locked in her house

00:09:52years without going out

00:09:54not even to do the shopping

00:09:55because curiously

00:09:56people still

00:09:58he was chasing her

00:09:59to ask

00:09:59nor the media.

00:10:01Even practically

00:10:02last year when he died.

00:10:03That husky, intelligent voice

00:10:05It will never be heard again.

00:10:07He went away.

00:10:08Who knows where?

00:10:10Perhaps weary

00:10:11for a world

00:10:11that I would never understand her.

00:10:14Today,

00:10:14in the 21st century,

00:10:16We live in a time

00:10:17where they no longer have a place

00:10:18these strange

00:10:19and incomprehensible fables.

00:10:22However,

00:10:23that no one can deny

00:10:24It's that those events

00:10:26that motivated

00:10:26an extensive official investigation

00:10:28for absurd reasons

00:10:29that they may seem to us today

00:10:31They really happened.

00:10:34The old building

00:10:35it collapsed

00:10:35as the only way

00:10:37to put a definitive end

00:10:38to the mystery

00:10:38that kept

00:10:39in its entrails.

00:10:40A mystery

00:10:42regardless of who it may offend

00:10:43no one could solve it.

00:10:49After 35 weeks

00:10:51in search of the mysteries

00:10:52We are certain

00:10:53that the greatest of all

00:10:54It's hiding in here,

00:10:55in the human brain.

00:10:57Only in this way can it be explained

00:10:58that there are people

00:10:58so malevolent,

00:10:59so evil,

00:11:00so diabolical,

00:11:01some would say.

00:11:02A few weeks ago

00:11:03We review the history

00:11:04the one they called

00:11:05Angel of Death,

00:11:06the doctor of experiments

00:11:07Hitler's doctors,

00:11:08the SS doctor,

00:11:10Josef Mengele.

00:11:11And the truth is that

00:11:11It was a report

00:11:12difficult to explain,

00:11:14difficult to do

00:11:15in assembly and production

00:11:16of this program

00:11:17and surely difficult to see,

00:11:19but real,

00:11:19authentic.

00:11:20There were no freaks here

00:11:21which were a product

00:11:23of suggestion

00:11:23or that can

00:11:24to be about them

00:11:25any opinion.

00:11:26No,

00:11:26There was a human being here.

00:11:27with first and last names

00:11:28which also did not purge

00:11:29their faults,

00:11:30who spent a night

00:11:31through Spain

00:11:31and that in the end

00:11:32He fled from justice.

00:11:33Sad example,

00:11:35We wanted to remember it

00:11:36to see

00:11:37the dark mirror

00:11:38of the human soul.

00:11:39We wanted to remember

00:11:39the atrocities

00:11:41of a malevolent man,

00:11:42Josef Mengele,

00:11:43the angel of death.

00:11:49The end of World War II

00:11:52brought with it

00:11:53the long-awaited peace,

00:11:54but also

00:11:55knowledge

00:11:56how far

00:11:56had arrived

00:11:57the atrocities

00:11:58committed

00:11:59during the conflict.

00:12:02With horror,

00:12:03the allies

00:12:04they discovered

00:12:05that much

00:12:06in the fields

00:12:06German extermination

00:12:08as in prisoners

00:12:09that the Japanese

00:12:10they had scattered

00:12:11throughout the Pacific,

00:12:12sinister scientists

00:12:14had used

00:12:15to human beings

00:12:16like guinea pigs

00:12:18to carry out

00:12:18the cruelest experiments.

00:12:21A horror

00:12:21that exceeded

00:12:23any fiction.

00:12:31The most famous

00:12:32of these butchers

00:12:33It was the doctor

00:12:34Josef Mengele,

00:12:35the angel

00:12:36of death

00:12:37of Auschwitz.

00:12:38Mengele

00:12:39injected into the veins

00:12:40all kinds of substances

00:12:41such as phenols,

00:12:42chloroform,

00:12:44napta,

00:12:45insecticides,

00:12:46sometimes

00:12:47directly into the heart.

00:12:49He killed objects

00:12:51of his experiments

00:12:52to perform autopsies on them.

00:12:54To others less fortunate

00:12:56I practiced on them

00:12:57These live autopsies,

00:12:59the so-called vivisection.

00:13:01Conscious and without anesthesia

00:13:02for studying

00:13:03the limits of resistance

00:13:05to traumas

00:13:05and the pain

00:13:06in human beings.

00:13:07One of his last attempts

00:13:09It was directly to provoke

00:13:11malformations

00:13:12embryonic

00:13:12to create monsters

00:13:14humans at will.

00:13:18The experiments

00:13:20by Mengele

00:13:20were charged

00:13:21up to 60 victims

00:13:22daily

00:13:22in those

00:13:23gloomy barracks

00:13:24from the fields

00:13:25concentration.

00:13:26The twins

00:13:27They were his passion.

00:13:29I was trying

00:13:30sew them

00:13:30and cause them infections

00:13:32to check

00:13:33which one was more resistant.

00:13:35Sometimes

00:13:36injected dyes

00:13:37in the pupils

00:13:38of the children

00:13:38to convert

00:13:39her blue eyes

00:13:40in browns.

00:13:42One of the experiments

00:13:43more terrifying

00:13:44was to leave

00:13:45in batches

00:13:46of newborns

00:13:47in front of lamps

00:13:47of rays

00:13:48ultraviolet

00:13:49and check

00:13:50how long did it take

00:13:51in dying.

00:13:53This doctor died

00:13:55He passed by right.

00:13:56to head

00:13:57the list

00:13:57of the criminals

00:13:58of war

00:13:59most wanted

00:13:59of the world

00:14:00until 1985

00:14:02it was discovered

00:14:03who had died

00:14:04in Argentina

00:14:05in 1979.

00:14:07The Red Cross

00:14:08she was forced

00:14:09to admit

00:14:10after his death

00:14:11that had provided

00:14:12a passport

00:14:13Mengele

00:14:13issued

00:14:14on behalf of

00:14:14by Helmut Gregor

00:14:15an alias

00:14:16which would follow

00:14:17used in Argentina.

00:14:18A document

00:14:19of the CIA

00:14:19would confirm

00:14:20that the doctor

00:14:21of Auschwitz

00:14:21had been

00:14:22visiting Paraguay

00:14:23at least

00:14:24since 1951

00:14:25and had taken

00:14:26a comfortable life

00:14:27in Argentina

00:14:28until his death.

00:14:29In his long escape

00:14:30towards an unjust

00:14:31freedom

00:14:32he stayed overnight

00:14:33in Spain.

00:14:34He was never tried

00:14:36because of the horrible

00:14:36crimes committed.

00:14:43There were many others.

00:14:44like the doctor

00:14:45Carol Barnett

00:14:46famous for experiments

00:14:48that he carried out

00:14:49with homosexuals

00:14:50in the field

00:14:50concentration

00:14:51of Buchenwald

00:14:52where among other things

00:14:53he dedicated

00:14:54during a season

00:14:55to castration

00:14:56of gays

00:14:56to replace

00:14:57his testicles

00:14:58by metal balls.

00:15:00He never paid

00:15:01for the crimes

00:15:02tasks.

00:15:04But the worst

00:15:05of all of them

00:15:06although not

00:15:07the most well known

00:15:08It was the Japanese

00:15:09Shiro Ishii

00:15:10commander

00:15:11of the unit

00:15:12731

00:15:13a secret center

00:15:15of experimentation

00:15:16in armament

00:15:17biological

00:15:17where thousands

00:15:18of prisoners

00:15:19Chinese

00:15:20English

00:15:21Australians

00:15:22and Americans

00:15:23died

00:15:24as a result

00:15:25of experiments

00:15:26in which

00:15:26they were administered

00:15:27narcotics

00:15:28inoculated

00:15:29diseases

00:15:30like typhus

00:15:31and submitted

00:15:32to action

00:15:32of toxic gases

00:15:33immersion

00:15:34in ice water

00:15:35and cameras

00:15:36low pressure.

00:15:37His experiments

00:15:39almost always

00:15:39the result

00:15:41death

00:15:41of the subject

00:15:42experimental

00:15:42after a

00:15:44long

00:15:44and painful

00:15:45agony.

00:15:47The real thing

00:15:49incredible

00:15:49of this story

00:15:50It's good.

00:15:51part of the criminals

00:15:52They ended up working

00:15:53for the powers

00:15:55allies

00:15:55after the war.

00:15:56like the

00:15:57Shiro Ishi

00:15:58who became

00:15:59in one of the

00:16:00main

00:16:00responsible

00:16:01of the program

00:16:02of weaponry

00:16:02biological

00:16:03United States

00:16:04or the general

00:16:05Walter Emil Schreiber

00:16:07that was assigned

00:16:08to school

00:16:09of medicine

00:16:09of the air force

00:16:10in Randolph Hill

00:16:11Texas.

00:16:1460 years

00:16:15after this

00:16:15hidden history

00:16:16of the Second World War

00:16:17world

00:16:18it gives the impression

00:16:19that only

00:16:20we know a

00:16:21small part

00:16:22lowercase perhaps

00:16:23of that horror

00:16:24that should never have

00:16:26happen.

00:16:27That hell

00:16:28on earth

00:16:28caused

00:16:29by some demons

00:16:31calls

00:16:31doctors death.

00:16:35Many stories

00:16:36many events

00:16:37many reports

00:16:38It is the long chronicle

00:16:39from the first season

00:16:40of fourth millennium

00:16:41a program

00:16:41that has always gone

00:16:42in search of the mystery

00:16:43We are continuing our investigation

00:16:44here

00:16:44we're coming back

00:16:45in just a few minutes.

00:17:13October 1917

00:17:15There were still 30 years to go

00:17:17so that in this world

00:17:17if they were talking about UFOs

00:17:18or similar things

00:17:19however

00:17:20that exist

00:17:21It must be true.

00:17:22but ask them

00:17:23to Nicolás Sánchez Martín

00:17:25a pastor

00:17:26who attended

00:17:27along with his mount

00:17:28near the population

00:17:29by Rivera Oveja

00:17:30in Extremadura

00:17:30He saw a light

00:17:32a light fixture

00:17:33a kind of lamp

00:17:34manipulated by invisible hands

00:17:35which they had already talked about

00:17:37many ancestors

00:17:38It was like a constant chronicle

00:17:39in the Urdes area

00:17:40everyone knew

00:17:41the story

00:17:42from that lamp

00:17:43of the dead

00:17:43Olud and Rivera Oveja

00:17:45however

00:17:45He wanted to challenge

00:17:46that mystery

00:17:47and faced

00:17:48They even tell

00:17:49the neighbors

00:17:50who are still alive

00:17:51of that story

00:17:51who pulled out one of his daggers

00:17:53or field machetes

00:17:54in the end

00:17:55that light

00:17:55also attending the meeting

00:17:56it pierced him

00:17:57His death is a story

00:17:58worthy of being remembered

00:18:00for many

00:18:00This is

00:18:01the chronicle

00:18:02of the first martyr

00:18:03of the mysteries

00:18:03today

00:18:04his body rests

00:18:05under a wooden cross

00:18:06perhaps it also keeps

00:18:08many mysteries

00:18:09What did he find?

00:18:10What kind of properties

00:18:11What strange things did that light have?

00:18:13What are they?

00:18:13in short

00:18:14Popular lights?

00:18:16we tried to find out

00:18:17traveling through the place

00:18:18of the facts

00:18:18we went there

00:18:19Rivera Oveja

00:18:20to discover history

00:18:21of the martyr

00:18:22Nicolás Sánchez Martín

00:18:25October 21

00:18:26of 1917

00:18:28It was disastrous

00:18:29for a pastor

00:18:30of the cities

00:18:30Nicolás Sánchez Martín

00:18:32a man

00:18:3439 years old

00:18:35who fought

00:18:35face to face

00:18:36with the mysterious

00:18:37light

00:18:38by Rivera Oveja

00:18:46Colás

00:18:47as they called him

00:18:47his

00:18:48He was returning on his horse.

00:18:49from the Sierra de Aigal

00:18:50where every week

00:18:52was done

00:18:52a livestock fair

00:18:54I had to return

00:18:55to his people

00:18:56Camproncino

00:18:57on the other side

00:18:58of the shallow

00:18:59Los Angeles River

00:19:00Nicholas stopped

00:19:01in the village

00:19:02and there the locals

00:19:03they alerted him

00:19:04about the apparitions

00:19:05of a strange light

00:19:06that he had them

00:19:07frightened

00:19:09although warned

00:19:10of danger

00:19:11Colás decided

00:19:12resume march

00:19:13towards his people

00:19:14escorting two women

00:19:15by those

00:19:16lonely roads

00:19:17the three travelers

00:19:19after crossing

00:19:19a large trough

00:19:20they saw in the distance

00:19:21a very bright light

00:19:23and elongated

00:19:23It's been a long time

00:19:25but in Rivera Oveja

00:19:27There are still people

00:19:28that is agreed

00:19:29of the chilling

00:19:30history

00:19:31of the daredevil

00:19:31Nicholas

00:19:44The two women

00:19:45scared

00:19:46They started running

00:19:47as a soul

00:19:48that the devil takes

00:19:48because the oval light

00:19:50it rose

00:19:51a few centimeters

00:19:52of the riverbed

00:19:53the light fixture

00:19:54then it was launched

00:19:55towards the horse

00:19:56that raised

00:19:57its hind legs

00:19:58neighing

00:19:59in that dramatic moment

00:20:01an intense heat wave

00:20:02invaded the body

00:20:03from Nicholas

00:20:04still dizzy

00:20:05It had courage

00:20:06to break into a gallop

00:20:07until they reach their home

00:20:08in Cambroncino

00:20:09about 6 kilometers

00:20:11distance

00:20:14before the gaze

00:20:15astonished

00:20:15of their neighbors

00:20:16the burly Colás

00:20:17He lay down on his cot

00:20:18with a pale complexion

00:20:19like wax

00:20:20Some say

00:20:21who died

00:20:22after a few hours

00:20:23febrile

00:20:24and stammering

00:20:25trying to explain

00:20:26even with the terror

00:20:28engraved in his eyes

00:20:29as it had been

00:20:30their last meeting

00:20:31with that light

00:20:32the doctor

00:20:34Victor Sanchez Hoyos

00:20:35he attended to the pastor

00:20:36in his agony

00:20:37and he was surprised

00:20:38upon perceiving

00:20:39that his blood

00:20:40seemed to have

00:20:41frozen

00:20:42within their veins

00:20:45and there in the stream

00:20:46from Banogá

00:20:47The light came on for him

00:20:49and hit him

00:20:50two cakes

00:20:52and the man

00:20:53blushing with fear

00:20:54he went away

00:20:54for Cambroncino

00:20:56and went in

00:20:57in bed

00:20:59and the woman

00:21:01said

00:21:02Oh light

00:21:03light

00:21:04sheep

00:21:04that you have killed

00:21:05to my husband

00:21:06fourth millennium

00:21:08He went to the exact spot

00:21:09of the fateful

00:21:09Nicholas's meeting

00:21:10with the light

00:21:11in the step

00:21:12of the Los Angeles River

00:21:13known as

00:21:15Walnut Tree

00:21:16between Rivera Oveja

00:21:17and Cambroncino

00:21:19People were afraid

00:21:20that the light

00:21:20it came out

00:21:21and attack her

00:21:22so well

00:21:23so they decided

00:21:24how it was done

00:21:25formerly

00:21:25It seems that time

00:21:26it stops

00:21:27and it rises again

00:21:28at the beginning of the 20th century

00:21:30they decided

00:21:30bless the place

00:21:31doing

00:21:32here on these rocks

00:21:33what's here

00:21:33already destroyed

00:21:34through the tastings

00:21:35that they have done

00:21:35for the bridge

00:21:38They made a petroglyph

00:21:39some sculptures

00:21:40in stone

00:21:41some crosses

00:21:41representing

00:21:42a Golgate

00:21:42or an ordeal

00:21:43so

00:21:44It was a warning.

00:21:45for walkers

00:21:45that they should not be afraid

00:21:47to pass

00:21:47that this place

00:21:48It was already blessed

00:21:48and that the light

00:21:49anymore

00:21:50was going to appear

00:21:51It's certainly curious.

00:21:53what happened

00:21:54a few days before

00:21:55of death

00:21:55by Nicolás Sánchez Martín

00:21:57just 300 kilometers away

00:21:59thence

00:21:59and in a straight line

00:22:01crossing the border

00:22:03the appearance

00:22:04of a huge

00:22:05luminous sphere

00:22:06above the skies

00:22:07of the region

00:22:08of Fatima

00:22:08in Portugal

00:22:10in Portugal

00:22:11It happened on the day

00:22:11October 13

00:22:12of 1917

00:22:14so

00:22:15three shepherd boys

00:22:17and a crowd

00:22:18of 70,000 people

00:22:19they observed

00:22:21speechless

00:22:21the famous

00:22:22miracle of the sun

00:22:24Would there be any relationship?

00:22:26between the miracle

00:22:26related to

00:22:27the apparitions

00:22:28of Our Lady of Fatima

00:22:29and the light fixtures

00:22:31Rivera Oveja?

00:22:32today

00:22:33death

00:22:34by Nicolás Sánchez Martín

00:22:35the martyr

00:22:36by Rivera Oveja

00:22:37He is already a legend

00:22:39his mortal remains

00:22:41lay beneath

00:22:42of a wooden cross

00:22:43in the cemetery

00:22:44of pity

00:22:45in Cambroncino

00:22:46with the

00:22:47he buried

00:22:48a mystery

00:22:49but the questions

00:22:50they never die

00:22:51and they keep floating

00:22:53in that place

00:22:54what or who

00:22:55killed

00:22:56to Nicolás Sánchez Martín

00:22:57in 1917?

00:23:06Now leave me alone

00:23:07let me tell them

00:23:08a little secret

00:23:09one of the images

00:23:10that me more

00:23:11It has shocked me

00:23:11in these 35 weeks

00:23:13and that has nothing to do with

00:23:14also with ghosts

00:23:15spectra

00:23:16or strange phenomena

00:23:17was the one issued

00:23:18in a program

00:23:19about the museum

00:23:20of the police

00:23:21was there

00:23:22in a small display case

00:23:23and it held a story

00:23:23truly gruesome

00:23:24it was the body

00:23:25of an old man

00:23:26with a stake

00:23:27in the middle of the chest

00:23:27his son

00:23:28the killer

00:23:29I believed

00:23:29that individual

00:23:30He was a vampire

00:23:31That's how it began

00:23:31to history

00:23:32of the exorcism

00:23:32from Córdoba

00:23:33what I didn't know

00:23:34There were documents.

00:23:35graphics

00:23:35of that story

00:23:36so terrible

00:23:37the truth is that

00:23:38There were many

00:23:38the surprises

00:23:39that came our way

00:23:40on that unforgettable trip

00:23:41And there are many

00:23:42beautiful museums

00:23:43and known

00:23:44in Spain

00:23:44but the museum

00:23:45of the police

00:23:45It's worth a visit.

00:23:46very special

00:23:47and very attentive

00:23:48There are many keys

00:23:49many mysteries

00:23:49many enigmas

00:23:51to be resolved

00:23:52I invite you to remember them

00:23:54Welcome to a museum

00:23:56different

00:23:56a place that gathers

00:23:58hundreds of exciting

00:23:59stories and anecdotes

00:24:00of the struggle

00:24:01against crime

00:24:03the objective

00:24:04of the museum

00:24:04of the police

00:24:05that is

00:24:06in Ávila

00:24:06is learning

00:24:07to always be

00:24:08one step

00:24:09past

00:24:09of the criminal

00:24:17They say the weapons

00:24:18fire

00:24:18the devil's got them.

00:24:19many of them

00:24:21have been protagonists

00:24:22of savage wars

00:24:23and of bloody crimes

00:24:25Here we have

00:24:26a Japanese musket

00:24:27of the 16th century

00:24:28which is a unique specimen

00:24:29Here we have

00:24:30several pistols

00:24:32pairs of pistols

00:24:33in mourning

00:24:33some of them

00:24:34They are exemplary

00:24:35made to order

00:24:36and therefore

00:24:37They are unique

00:24:38We have a couple

00:24:39of pistols

00:24:40signed by Zuloaga

00:24:41who was the teacher

00:24:42king's armorer

00:24:42Charles III

00:24:43and a wide collection

00:24:44of pistols

00:24:45that have been

00:24:46placed by evolution

00:24:48that has had

00:24:48the firing mechanism

00:24:50logically

00:24:51the police

00:24:52has been evolving

00:24:53at the same time as he did it

00:24:53our young democracy

00:24:55we are facing a set

00:24:56office furniture

00:24:57what became of General Mola

00:24:59And here it begins

00:25:00a collection of uniforms

00:25:01the first of them

00:25:02It's the gray uniform

00:25:03which emerged in 1941

00:25:05It was a uniform

00:25:06that had

00:25:08connotations

00:25:08related

00:25:09with the times

00:25:09of the dictatorship

00:25:10in 1978

00:25:11arose

00:25:12the brown uniform

00:25:13that we have here

00:25:14which was the uniform

00:25:15of the transition

00:25:16and currently

00:25:17Well, in 1986

00:25:19the uniform emerges

00:25:20blue

00:25:21the one I wear

00:25:22at the moment

00:25:22what is

00:25:23the one with the greatest social acceptance

00:25:24and the most elegant

00:25:25There was a time

00:25:26in which it was sharpened

00:25:27ingenuity

00:25:28to achieve

00:25:29with a few pesetas

00:25:29many times

00:25:30to get food

00:25:32in a Spain

00:25:32ravaged by hunger

00:25:33but others

00:25:35just to give

00:25:36a whim

00:25:38we met

00:25:39here in the room

00:25:40of Bertillon

00:25:41Bertillon was the father

00:25:42of the modern

00:25:43forensic police

00:25:43in this room

00:25:44is very well represented

00:25:45Spanish picaresque

00:25:46among other things

00:25:48There are numerous scams

00:25:49and also counterfeits

00:25:50of banknotes

00:25:51among the counterfeit bills

00:25:52We have this copy

00:25:53that is drawn

00:25:54by hand

00:25:55in the 1940s

00:25:56the person who did it

00:25:57because he bought

00:25:58a straw hat

00:25:59which cost him 7 pesetas

00:26:01and with the rest

00:26:02went to a party

00:26:03with some friends

00:26:04We have this curious artifact

00:26:06which was used to steal

00:26:08lightbulb

00:26:08of public lighting

00:26:09from Madrid

00:26:10It was a time

00:26:11in which a light bulb

00:26:12could reach

00:26:13a value of 7 pesetas

00:26:14and salaries

00:26:15of the workers

00:26:15They were going for 5 or 6 pesetas

00:26:19when they did not exist

00:26:21digital cameras

00:26:22nor computers

00:26:22was signed

00:26:23to the criminals

00:26:24with devices

00:26:25that were authentic

00:26:26works of art

00:26:26and with a lot of imagination

00:26:28one of the objectives

00:26:30of the police

00:26:31it has always been

00:26:31the identification

00:26:32of people

00:26:33suspects of crimes

00:26:34That's why in the topics

00:26:35photographic

00:26:36have developed

00:26:36various objects

00:26:37various instruments

00:26:38like this

00:26:39which is a team

00:26:40photo review

00:26:41of detainees

00:26:42the photo was being taken

00:26:43head on

00:26:43placed the person

00:26:45on this chair

00:26:46and then

00:26:47without moving

00:26:48the reviewed

00:26:49from their site

00:26:49turning this lever

00:26:51the photo was being taken

00:26:52profile

00:26:53maintaining the same standard

00:26:56in the next stay

00:26:57objects coexist

00:26:58of undoubted historical value

00:26:59with the pet

00:27:00of the museum

00:27:01true champion

00:27:02of the struggle

00:27:03against drug trafficking

00:27:04Well, here we have

00:27:05Jasso

00:27:05It was a dog

00:27:06trained

00:27:07in the search

00:27:07drugs

00:27:07that after working

00:27:08eight years

00:27:09died of natural causes

00:27:10and we decided

00:27:11have it here

00:27:12permanently

00:27:12in the museum

00:27:13These are machines

00:27:14for packaging

00:27:15drugs

00:27:15of ecstasy

00:27:16and hashish

00:27:17And here we get closer

00:27:19to reproduction

00:27:20of an inspection

00:27:21on call

00:27:22from the 1950s

00:27:22the characteristics

00:27:24that has

00:27:25this environment

00:27:25It is therefore a balustrade

00:27:27that separated the citizen

00:27:28from the police

00:27:28and a state

00:27:29a platform

00:27:30where there always was

00:27:32a location

00:27:33of superiority

00:27:33of the official

00:27:34with respect to the citizen

00:27:35security measures

00:27:37increasingly advanced

00:27:38They do not discourage the thief

00:27:39who devises new methods

00:27:41to take away

00:27:41down to the last cent

00:27:43the hole

00:27:43It consists of performing

00:27:44a series of holes

00:27:45to penetrate through them

00:27:46on the cameras

00:27:47armored

00:27:48from the banks

00:27:48as you can see

00:27:49This is a great drill

00:27:50perforator

00:27:51Today they use media

00:27:52even more drastic

00:27:54What are excavators like?

00:27:55that drives

00:27:56to a human being

00:27:57to commit murder

00:27:59in the museum

00:28:00of the police

00:28:00from Ávila

00:28:01are found

00:28:01represented

00:28:02some of the events

00:28:03more terrifying

00:28:04of our history

00:28:05criminal

00:28:09April 11

00:28:10of 1924

00:28:11in the midst of the dictatorship

00:28:12of Primo de Rivera

00:28:13a band

00:28:14of five robbers

00:28:15assault

00:28:16the express

00:28:16from Andalusia

00:28:17in Alcázar

00:28:18of San Juan

00:28:18your goal

00:28:20It was stealing

00:28:20the correspondence

00:28:21valued

00:28:22in more than a million

00:28:23of pesetas

00:28:23of the time

00:28:24to get

00:28:25its purpose

00:28:26They helped us

00:28:27in murdering

00:28:28to the two officers

00:28:29mail

00:28:29who were guarding her

00:28:30It's the meeting

00:28:31of a series

00:28:32of criminals

00:28:32among them

00:28:33an old

00:28:34postal worker

00:28:36son of a military man

00:28:38high grade

00:28:39of the time

00:28:39that he knew

00:28:40the structure

00:28:41and how they were manipulated

00:28:42and how they were made

00:28:43the trips

00:28:44They get on the train

00:28:45where there are two officers

00:28:47mail

00:28:48requesting

00:28:48based on knowledge

00:28:50of this person

00:28:51who had been employed

00:28:52They get on the train

00:28:53three of them

00:28:54the three

00:28:55between the three

00:28:56kill

00:28:57to the two employees

00:28:58mail

00:28:58and they take

00:28:59a large part of the loot

00:29:00that there

00:29:00as loot

00:29:01a large part of the money

00:29:02that was being transported

00:29:03remain

00:29:04convicted

00:29:05then afterwards

00:29:05subsequently

00:29:06a lesser sentence

00:29:08another one of them

00:29:09who prepares

00:29:10narcotics

00:29:11in order to be able to leave

00:29:13asleep

00:29:13to the officers

00:29:14mail

00:29:14and they are arrested

00:29:16subsequently

00:29:17the three of them

00:29:18since one

00:29:19of which ones are assembled

00:29:20on the train

00:29:20he commits suicide

00:29:21the three

00:29:22are condemned

00:29:23by garrote

00:29:23and they are executed

00:29:25This man

00:29:26with virile features

00:29:27and a hard look

00:29:28It's Jarabo

00:29:28the first psychopath

00:29:30fiend

00:29:30who acted

00:29:31in our country

00:29:32July 19

00:29:34of 1958

00:29:34in Madrid

00:29:36ended life

00:29:37of four people

00:29:38using this gun

00:29:39an FN

00:29:40of 7.65 millimeters

00:29:42and this knife

00:29:43kitchen

00:29:44he planned it coldly

00:29:45the crime

00:29:46and took care

00:29:47exquisite

00:29:47to leave no traces

00:29:49besides

00:29:49he reworked the stage

00:29:51of the crime

00:29:51to mislead

00:29:52to the police

00:29:53this individual

00:29:55commits

00:29:55for a theatrical love

00:29:57in the search

00:29:58of the recovery

00:29:59of a jewel

00:30:00and a letter of ownership

00:30:02kills

00:30:03to a marriage

00:30:04one of which

00:30:05is a partner

00:30:05of a house

00:30:07of ignorance

00:30:08to his wife

00:30:09and the maid

00:30:10which is the one that opens it

00:30:11the door

00:30:11subsequently

00:30:12leaving a day

00:30:14in between

00:30:14with complete coldness

00:30:15He returns on Monday.

00:30:16to the store

00:30:19of pledging

00:30:20murderess

00:30:21to the other partner

00:30:22and

00:30:24delivery

00:30:25all the clothes

00:30:26of blood

00:30:26at a dry cleaner

00:30:27detail

00:30:28by which

00:30:29is located

00:30:30by the police

00:30:31and

00:30:33accused

00:30:34of the commission

00:30:35of those crimes

00:30:36is being judged

00:30:37for those four deaths

00:30:38the woman

00:30:39the woman

00:30:40of the first

00:30:41of the partners

00:30:41pregnant

00:30:42four months

00:30:43and is condemned

00:30:44to Garrotevil

00:30:45January 9th

00:30:46of 1984

00:30:47María Teresa Mestre

00:30:49It was brutal

00:30:50murdered

00:30:51in Tarragona

00:30:52his killer

00:30:53Angel Mayallo

00:30:5422 years old

00:30:55hit her

00:30:56with this tubular wrench

00:30:57and dismembered her

00:30:58with this saw

00:30:59then he sent

00:31:00a letter

00:31:01to their relatives

00:31:02demanding a ransom

00:31:03of 25 million

00:31:04of pesetas

00:31:05this attends

00:31:06with a close friend

00:31:07of his children

00:31:08to an apartment

00:31:09that she knew

00:31:10perfectly

00:31:11for the same property

00:31:12I also had

00:31:13an apartment

00:31:13rented

00:31:14where he spent

00:31:14the holidays

00:31:15in the summer

00:31:16in this apartment

00:31:17They have it there.

00:31:17a series of discussions

00:31:19They disagree

00:31:20in some things

00:31:21that proposes

00:31:21this boy

00:31:22the Mayallo guy

00:31:23and that is the one who

00:31:25It turns out to be

00:31:26the close friend

00:31:26of his children

00:31:27and hits her

00:31:28She hits him

00:31:29with a key

00:31:29of these

00:31:30to remove the screws

00:31:31to remove the wheel

00:31:32She hits him

00:31:34and kills her

00:31:34then afterwards

00:31:35dismembers her

00:31:37He confesses

00:31:38to a torde

00:31:38when they ask him

00:31:39because

00:31:39He always denied it

00:31:40and it was never known

00:31:41why

00:31:42It was the two of them

00:31:43it was thought

00:31:45at some point

00:31:45that could have been

00:31:46any sexual problems

00:31:48between with half

00:31:49but it was never known

00:31:50He never said it

00:31:51and precisely

00:31:51he always argued

00:31:53that he was ashamed

00:31:54say it

00:31:55but perhaps

00:31:56the most

00:31:56startling

00:31:57from this gallery

00:31:58be the one who committed

00:31:59Álvaro Rafael Bustos

00:32:0033 years old

00:32:02in Córdoba

00:32:02January 4th

00:32:04of 1987

00:32:06believed that his father

00:32:07he was possessed

00:32:08by the devil

00:32:08to free him

00:32:09he nailed it

00:32:10a stake

00:32:11wooden

00:32:11in the heart

00:32:12taking advantage

00:32:13that the father

00:32:13I was sleeping

00:32:14he drove a stake into the ground

00:32:15in the fourth space

00:32:17intercostal

00:32:17and then

00:32:18short

00:32:19the tendons

00:32:20of Achilles

00:32:20with this

00:32:22silver knife

00:32:23so that he wouldn't chase him

00:32:24in the afterlife

00:32:25as it indicates

00:32:26the satanic ritual

00:32:27was an individual

00:32:28which I read frequently

00:32:29books

00:32:30of spiritualism

00:32:31flooded the room

00:32:32handfuls

00:32:34salt

00:32:34and even

00:32:35I was preparing

00:32:35another stake

00:32:36to kill

00:32:37to another member

00:32:37of his family

00:32:38which also

00:32:38I understood

00:32:39who was possessed

00:32:40by the devil

00:32:40to know these facts

00:32:42macabre

00:32:42can help us

00:32:43to avoid

00:32:44that they be repeated

00:32:44in the future

00:32:45and to be alert

00:32:47so as not to become

00:32:48in the next victim

00:32:54tonight

00:32:54the mystery ship

00:32:55keep traveling

00:32:56some of the reports

00:32:57that left their mark on us

00:32:58reports with mystery

00:32:59stories we follow

00:33:00remembering here

00:33:01with all kinds

00:33:02of documents

00:33:03We'll be back in a few minutes

00:33:44It was the train accident

00:33:46most important

00:33:47from all over Europe

00:33:47It happened in the post-war period

00:33:49in the mountains of León

00:33:50in a very difficult time

00:33:51very dark

00:33:52And perhaps that's why

00:33:53the mouths have remained

00:33:54sealed all this time

00:33:55There are discrepancies in the figures.

00:33:56There were people who spoke

00:33:57hundreds of dead

00:33:58and from certain circumstances

00:33:59very painful

00:34:00an accident

00:34:01in a specific place

00:34:02called tunnel number 20

00:34:04what no one had been able to forget

00:34:05It's the story

00:34:06from a reviewer

00:34:07very particular

00:34:08a man who went ahead

00:34:09to the facts

00:34:10at a parapsychological level

00:34:11would be a man

00:34:12with the gift of clairvoyance

00:34:13or precognition

00:34:14in short

00:34:15a man who went ahead

00:34:16to the future

00:34:16but of those documents

00:34:18of that species

00:34:18of his administration

00:34:19or of vision

00:34:20There was information

00:34:21and specific cases

00:34:22our colleague Luis Álvarez

00:34:24went there

00:34:24to recover them

00:34:25and to reassemble

00:34:27a puzzle

00:34:27truly amazing

00:34:29Do you want to know

00:34:30the story

00:34:31from the phantom inspector

00:34:32And what about tunnel number 20?

00:34:34So the journey begins

00:34:42the death train

00:34:43the express mail 421

00:34:46had left Madrid

00:34:48January 2, 1944

00:34:50bound for A Coruña

00:34:54It was Christmas time

00:34:56and the families

00:34:57They awaited the arrival

00:34:58from the compoy

00:34:59at the stops

00:35:00The train departs from Madrid

00:35:01December 2nd

00:35:03at night

00:35:03arrives in Valladolid

00:35:05at a quarter to eight

00:35:06a.m.

00:35:06of the 3rd

00:35:07It's already running late.

00:35:09It's a day

00:35:09in which many people

00:35:11return to their homes

00:35:12because of the topic

00:35:13of the Christmas season

00:35:15and the train

00:35:16It's packed with people

00:35:17We're talking

00:35:18one day

00:35:19according to what they tell us

00:35:20they told us

00:35:21on a gray day

00:35:22of a foggy day

00:35:24of a day with ice

00:35:25and that too

00:35:26likely

00:35:28affected

00:35:29to visibility

00:35:31of the area

00:35:31the express mail

00:35:33It was composed

00:35:33of 11 units

00:35:34leading the way

00:35:35a locomotive

00:35:36American

00:35:36steam traction

00:35:37they traveled between

00:35:39600 and 1000 people

00:35:40among them

00:35:42military

00:35:43and the players

00:35:43of the team

00:35:44soccer

00:35:44Betanzos

00:35:45who were returning

00:35:46of a meeting

00:35:47already in León

00:35:48the train stops

00:35:50before arriving

00:35:50to the pronounced

00:35:51Manzanal port

00:35:52the operators

00:35:53discover

00:35:54that drags

00:35:54a problem

00:35:55braking

00:35:56but they are forced

00:35:57to continue

00:35:57the march

00:35:58it becomes essential

00:36:00that the correspondence

00:36:01arrive at your destination

00:36:03therefore

00:36:04starts to go down

00:36:05the port of Manzanal

00:36:06with a single locomotive

00:36:07which was precisely the one that

00:36:09I had problems

00:36:10on the brakes

00:36:10the runaway locomotive

00:36:12put down

00:36:13and with a whistle

00:36:15relief

00:36:16relief

00:36:17relief

00:36:17passed through the part

00:36:19that is

00:36:20tower

00:36:21next to the railway

00:36:23because they heard him

00:36:24perfectly

00:36:25that

00:36:25I was going

00:36:27where was I going

00:36:28to collide

00:36:29meanwhile

00:36:30in the valley floor

00:36:32at the station

00:36:33from the Bierzo tower

00:36:34the stoker

00:36:35Alfonso Álvarez

00:36:36and his partner

00:36:37they operated

00:36:38with a locomotive

00:36:39maneuvers

00:36:40oblivious to the misfortune

00:36:42that was coming

00:36:42on

00:36:44and then

00:36:45we took

00:36:45the loaded

00:36:47that we had left

00:36:48there on another track

00:36:49And we already went

00:36:50via

00:36:511

00:36:52and I remember

00:36:53about that

00:36:54what does it tell us?

00:36:54the stationmaster

00:36:55hey

00:36:56hurry

00:36:56the mail is coming

00:36:57Of course the mail is coming

00:36:59being there

00:37:00we felt a blow

00:37:01very stupid

00:37:02and we left

00:37:03launched

00:37:04the impact

00:37:05It has been strong

00:37:06but apparently

00:37:07There are only a few injured.

00:37:09some train cars

00:37:10of the express mail

00:37:11have stayed

00:37:12boxed

00:37:13inside

00:37:13from the tunnel

00:37:14number 20

00:37:14while

00:37:16the operators

00:37:17from Renfe

00:37:17they take stock

00:37:18of the situation

00:37:18without knowing

00:37:19that the worst

00:37:20was about to arrive

00:37:21a locomotive

00:37:22Santa Fe

00:37:23steam traction

00:37:23is approaching

00:37:24full speed ahead

00:37:25in the opposite direction

00:37:27and then

00:37:27my cousin

00:37:28that was coming from above

00:37:29saw Santa Fe coming

00:37:31he began to zarfón

00:37:33Get out of there

00:37:34he left

00:37:34who was coming to Santa Fe

00:37:35the fellow train driver

00:37:37dies instantly

00:37:38and inside

00:37:39from the tunnel

00:37:40number 20

00:37:40unleashes

00:37:42hell

00:37:42the second

00:37:44convoy

00:37:45what have I done

00:37:45against them

00:37:45They are surprised

00:37:47inside

00:37:47and it occurs

00:37:48that's where the great massacre began

00:37:49because well

00:37:49there it dies

00:37:50people who were helping

00:37:51apart from the people

00:37:52that was

00:37:52on the train

00:37:53of the first accident victims

00:37:55There were two carriages

00:37:55pine

00:37:56wooden

00:37:57and if there is fire

00:38:01Well, you'll tell me.

00:38:03those who died

00:38:05Nobody knows

00:38:06and she knows them

00:38:07Nobody has said it

00:38:08that tunnel

00:38:09number 20

00:38:10became

00:38:10in an authentic horn

00:38:11crematorium

00:38:12realize

00:38:13that the next day

00:38:13northern Castile

00:38:14January 4th

00:38:15published

00:38:16that for the moment

00:38:17There were 26 dead

00:38:18and even the survivors

00:38:20have declared

00:38:21that gunshots were heard

00:38:22we imagine

00:38:23produced

00:38:24by the military

00:38:25that were riding

00:38:26on that train

00:38:26that they preferred

00:38:27to die that way

00:38:28faster

00:38:29before

00:38:30that die

00:38:31the grass of the flames

00:38:34have passed

00:38:35more than 60 years ago

00:38:37and it is still unknown

00:38:38with certainty

00:38:39the number of people

00:38:40who lost their lives

00:38:41inside

00:38:42from the tunnel

00:38:42number 20

00:38:43the relationship

00:38:45that they gave me

00:38:45me

00:38:45It was about

00:38:4650

00:38:4750-60

00:38:48deceased

00:38:49at that first moment

00:38:51with that figure

00:38:52was the one I

00:38:53clear

00:38:53the one they were giving me

00:38:54as an officer

00:38:55I was the one who considered

00:38:56I wasn't given it by official channels

00:38:57but the one they were giving

00:38:58health services

00:38:59It appears in the Guinness Book of Records

00:39:01for many years

00:39:02like the accident

00:39:03with the highest number of victims

00:39:04of the history of the railroad

00:39:05and appears

00:39:07that has around

00:39:08of 800 victims

00:39:09the number of deaths

00:39:11it was completely ignored

00:39:13after many

00:39:15research

00:39:15after some time

00:39:17Some say

00:39:18that if they didn't arrive

00:39:19250

00:39:20and others

00:39:21They place it

00:39:22between 250

00:39:23and 500

00:39:24But the truth is

00:39:25exact

00:39:26It is unknown

00:39:27and it will never be known

00:39:28clear

00:39:28in the year 2003

00:39:30the filmmaker

00:39:31from the agency

00:39:31Eferramón de Fontecha

00:39:33won a Goya award

00:39:34after having prepared

00:39:35a short documentary film

00:39:37called

00:39:37Tunnel number 20

00:39:38It was the first time

00:39:40in 60 years

00:39:41that someone was taking care of it

00:39:43of this tragic event

00:39:44who had been relegated

00:39:46to oblivion

00:39:46January 3rd

00:39:48of 1944

00:39:49will be remembered

00:39:51forever

00:39:51in the minds

00:39:52of the Leonese

00:39:53like a hellish day

00:39:54most

00:39:56keep silent

00:39:57and he doesn't dare

00:39:58still to be addressed

00:39:59something incredible

00:39:59what happened

00:40:00a few days before

00:40:02an event

00:40:04that ran

00:40:04like gunpowder

00:40:05and that many

00:40:06they related

00:40:07with a prophecy

00:40:08or with an authentic

00:40:10ghost

00:40:11December 31st

00:40:13according to what he stated

00:40:14Don Pablo Herrero

00:40:15a citizen

00:40:16of recognized solvency

00:40:18of the town

00:40:18from Estorga de León

00:40:19This man

00:40:20He went to the police station.

00:40:21of the Civil Guard

00:40:22of the Rural Civil Guard

00:40:23to the eleventh command

00:40:25and declared

00:40:26that on December 31st

00:40:28He used to ride that train.

00:40:30and at the station

00:40:31from Valladolid

00:40:31got on

00:40:32a reviewer

00:40:33a strange reviewer

00:40:34a reviewer

00:40:36with his cape

00:40:37railway

00:40:37with a basket

00:40:39in which it was presumed

00:40:40who had brought the snack

00:40:40and?

00:40:42he told them

00:40:43to people

00:40:44who were occupying that carriage

00:40:45among them

00:40:46Don Pablo Herrero

00:40:48that

00:40:48had occurred

00:40:50an accident

00:40:50in Torre del Bierzo

00:40:51in the tunnels

00:40:52this

00:40:53three days before

00:40:54Nobody remembers

00:40:55the face

00:40:56of that individual

00:40:57the face

00:40:58whose

00:40:58desperate

00:40:59announced a tragedy

00:41:01that had not yet happened

00:41:03There were many witnesses

00:41:05And there was no doubt

00:41:06someone seemed

00:41:08to have gone ahead

00:41:09in time

00:41:09as herald

00:41:10of a bleak future

00:41:12for later

00:41:13get off

00:41:13and disappear

00:41:15with the same mystery

00:41:16of their arrival

00:41:17after the strange complaint

00:41:19the special judge

00:41:20of railway accidents

00:41:21orders to open

00:41:22an investigation

00:41:23to several bosses

00:41:24station

00:41:25with the intention

00:41:26to identify

00:41:27to the phantom inspector

00:41:28first

00:41:29which is proposed

00:41:30is that I would have had

00:41:31to see something

00:41:32with the accident

00:41:33in case it had not been

00:41:34a species

00:41:35of premonition

00:41:35would have been

00:41:37an act of sabotage

00:41:38We're talking

00:41:39of 1944

00:41:40and at that time

00:41:41There were a lot of people

00:41:41that he was not satisfied

00:41:42with the authoritarian regime

00:41:44that had been installed

00:41:45in Spain

00:41:45and they were provoked

00:41:47sabotage

00:41:48They had a strong presence

00:41:50the maquis

00:41:51the subsequent investigation

00:41:52will rule out

00:41:53an act of sabotage

00:41:54to the convoy

00:41:55despite the efforts

00:41:57of the authorities

00:41:58never seen

00:41:59with the whereabouts

00:41:59of that strange character

00:42:01inspector's uniform

00:42:02that night

00:42:03predicted the accident

00:42:05who it was

00:42:06as no one else managed

00:42:08locate it

00:42:09where did he flee

00:42:10and that he intended

00:42:12that night

00:42:12in its fleeting warning

00:42:13how could I describe

00:42:15someone

00:42:15the tragedy

00:42:16that was about to happen

00:42:17at that point

00:42:19map accuracy

00:42:20today nobody

00:42:21enter here

00:42:22to buy

00:42:22their tickets

00:42:23somehow

00:42:24the tower station

00:42:25she was cursed

00:42:26forever

00:42:27and ruin

00:42:28took over

00:42:29from the place

00:42:29Tunnel number 20

00:42:31It was demolished

00:42:32a while ago

00:42:33but not even the pickaxes

00:42:35nor the excavators

00:42:36have been able

00:42:38with the unsettling

00:42:38memory

00:42:39of that

00:42:39phantasmagoric

00:42:40visitor

00:42:41a strange memory

00:42:43impossible

00:42:45that remains

00:42:46alive

00:42:46among these rough

00:42:48mining valleys

00:42:51today almost nobody

00:42:52talks about UFOs

00:42:53Nobody remembers anymore

00:42:54of that old enigma

00:42:55that species

00:42:56of cosmic longing

00:42:57which motivated

00:42:58many hopes

00:42:59Madrid was not spared

00:43:00of them

00:43:00in the 1950s

00:43:01there was a real

00:43:02boiling

00:43:03in many cafes

00:43:04in many gatherings

00:43:05some intellectuals

00:43:06like Buero Vallejo

00:43:07Alfonso Paso

00:43:07police commissioners

00:43:09people from the embassy

00:43:10American

00:43:10they got together

00:43:11trying

00:43:12recreate in your mind

00:43:13how could they be

00:43:14those visitors

00:43:15of the cosmos

00:43:15And the fact is that almost nobody

00:43:17he was far away

00:43:18of the possibility

00:43:19that we had

00:43:20visitors from outer space

00:43:21reality perhaps

00:43:23It was very different.

00:43:23But it's true

00:43:24that at that time

00:43:24there were files

00:43:25really interesting

00:43:26one of them

00:43:27was the protagonist

00:43:28of many covers

00:43:29newspaper

00:43:29such spectacular covers

00:43:31which said the following

00:43:32Mars puts on in Madrid

00:43:33its first stone

00:43:35What did they mean?

00:43:36Do you want to know this story?

00:43:37the protagonist

00:43:38from a nurse

00:43:39one early morning

00:43:40and the university city

00:43:41It's an incredible story

00:43:42from the nurse

00:43:44Alberto San Martín

00:43:45and his space stone

00:43:51Mars places in Madrid

00:43:53its first stone

00:43:54the newspaper El Alcázar

00:43:55opened its edition

00:43:56February 5th

00:43:57of 1955

00:43:59with this extraordinary headline

00:44:01who came accompanied

00:44:02of the statements

00:44:03from a nurse in Madrid

00:44:04Alberto San Martín Gómez

00:44:06which assured

00:44:07having seen

00:44:08a flying saucer

00:44:09on the road

00:44:10from A Coruña

00:44:10In fact

00:44:12the facts

00:44:12They were given a few months earlier

00:44:14specifically

00:44:15between 2 and 2:30

00:44:17in the early morning

00:44:17November 17

00:44:19that night

00:44:20and always according to his testimony

00:44:22an alien

00:44:24He handed her an object

00:44:24that transformed

00:44:26in a kind of talisman

00:44:27for an entire generation

00:44:28of lovers

00:44:29of the unknown

00:44:31in a first version

00:44:33San Martín told

00:44:34to the reporter

00:44:35Arcadio Vaquero

00:44:35that he had gone out

00:44:36from home in the early hours

00:44:37to calm down

00:44:38from a severe toothache

00:44:40he went

00:44:41towards a bridge

00:44:41of the road

00:44:42from A Coruña

00:44:43in the university city

00:44:44near the house

00:44:45by Velázquez

00:44:46years later

00:44:47already in Brazil

00:44:48where he emigrated

00:44:49San Martín recounted

00:44:50in his book

00:44:51The ambassador

00:44:52of the stars

00:44:53a different version

00:44:54of the facts

00:44:55So what he said

00:44:56without changing the date

00:44:57It was that he was coming

00:44:59suffering

00:45:00like a species

00:45:00of recurring dreams

00:45:02in which he had

00:45:03like a species

00:45:04of visions

00:45:05dreamlike

00:45:06of a species

00:45:07of cities

00:45:08with some

00:45:08with domes

00:45:10So

00:45:11a little strange

00:45:12and that he

00:45:14I was beginning to listen

00:45:15during those

00:45:16daydreams

00:45:17like a species

00:45:19voice

00:45:19that he was demanding

00:45:20he himself

00:45:21San Martín

00:45:21who called him

00:45:22Alberto San Martín

00:45:23he felt an impulse

00:45:24to leave his house

00:45:25and search for the origin

00:45:27from that strange voice

00:45:28He walked through open fields

00:45:30and solar

00:45:30of what then

00:45:31It was the outskirts

00:45:32of the capital

00:45:33but to one side

00:45:35of the road

00:45:35someone emerged

00:45:38the meeting

00:45:39from the nurse

00:45:39with that stranger

00:45:40man

00:45:41It was given without mediation

00:45:42word

00:45:48and then

00:45:49of a short wait

00:45:50the nurse

00:45:51He had in his hands

00:45:51an object

00:45:52fit

00:45:53small brick

00:45:55to understand

00:45:56what really

00:45:57occurred

00:45:57it is necessary

00:45:58time travel

00:45:59all the way to Madrid

00:46:00of the 50s

00:46:00and learn the history

00:46:02of the first

00:46:03Spanish society

00:46:03who dedicated

00:46:04to the study

00:46:05of what then

00:46:06It was known as

00:46:06flying saucers

00:46:08his mysterious

00:46:09president

00:46:10It was called

00:46:10Fernando Sesma

00:46:13fourth millennium

00:46:14located

00:46:14to one of the last

00:46:15survivors

00:46:16from that period

00:46:17of meetings

00:46:17almost clandestine

00:46:18perhaps

00:46:19the first scholar

00:46:21of ufology

00:46:21from Spain

00:46:22Gilde Menzel

00:46:23in addition to being a founder

00:46:24of society

00:46:25of friends

00:46:25of visitors

00:46:26from space

00:46:26Buru

00:46:27and witness

00:46:28of those

00:46:28amazing meetings

00:46:29which they attended

00:46:30intellectuals

00:46:31like Grandfather Vallejo

00:46:32or Alfonso Paso

00:46:33once he came

00:46:34Fernando

00:46:35at the beginning

00:46:36the meeting

00:46:38it says look

00:46:40what has happened

00:46:42that night

00:46:42my wife

00:46:44has woken up

00:46:46and it woke me up

00:46:49me

00:46:49and he told me

00:46:50Look what I just did

00:46:51of dreaming

00:46:51that I was

00:46:54in the city

00:46:55university

00:46:57and that suddenly

00:46:59I saw some

00:47:01light discs

00:47:05that seemed

00:47:06nacreous

00:47:07and then

00:47:10says

00:47:11one went down

00:47:12next to me

00:47:14and left

00:47:16and left

00:47:16a man

00:47:16shimmering

00:47:17also

00:47:18like mother-of-pearl

00:47:19And so he did.

00:47:21a movement

00:47:23breaking off a piece

00:47:25of the

00:47:25UFO

00:47:26and I gave it to him

00:47:27He gave it to her

00:47:29in the hand

00:47:29and says

00:47:30with that

00:47:31You have the first one

00:47:32stone

00:47:33from the first door

00:47:35Fernando Sesma

00:47:36in publications

00:47:37later

00:47:38so much

00:47:38press articles

00:47:40as in his books

00:47:41he always commented

00:47:42that the dream

00:47:43of his wife

00:47:44had happened

00:47:45before

00:47:46that he/she came out

00:47:47in the press

00:47:47in the Alcázar

00:47:48the story

00:47:49by Alberto San Martín

00:47:50the space stone

00:47:51from the nurse

00:47:52Alberto San Martín

00:47:53it transformed

00:47:54in a short time

00:47:54in a powerful

00:47:55catalyst

00:47:56of concerns

00:47:56and wills

00:47:57among the few

00:47:58scholars

00:47:59from that time

00:47:59many people

00:48:01they began to come

00:48:03to the León café

00:48:03specifically

00:48:05to the basement

00:48:05of the happy whale

00:48:06to listen

00:48:07to Fernando Sesma

00:48:08to San Martín

00:48:09and other members

00:48:10from the Bureau

00:48:11men

00:48:12that seemed

00:48:13to have knowledge

00:48:14special

00:48:14they met

00:48:16around

00:48:16to the call

00:48:17space stone

00:48:17the expectation

00:48:19There was so much

00:48:19to know its origin

00:48:20which ended up being

00:48:21subjected to basic analysis

00:48:23By Pedro García

00:48:24Bayón Campomanes

00:48:25renowned professor

00:48:26of mineralogy

00:48:27of the University

00:48:28from Madrid

00:48:29because also

00:48:30the stone

00:48:31then the teacher

00:48:32I think Campomanes

00:48:34is the one that

00:48:35analyzed

00:48:36and saw that he couldn't

00:48:38to be made

00:48:39of a joke

00:48:40about strangers

00:48:42nine symbols

00:48:43that appeared

00:48:43engravings in stone

00:48:44Much was said

00:48:45and much was written

00:48:47the same Sesma

00:48:48compared

00:48:49the proportions

00:48:50of the stone

00:48:50with that of the great

00:48:51pyramid of Egypt

00:48:52and with elements

00:48:53Kabbalistic

00:48:54and biblical

00:48:55academics

00:48:56like Joaquín Navasquez

00:48:57Museum director

00:48:58Archaeological Museum of Madrid

00:48:59I was comparing the signs

00:49:01with those of the old

00:49:02cultures of the past

00:49:03for Gil de Menfel

00:49:05the symbols

00:49:06they formed the silhouette

00:49:06of a woman

00:49:07expression of life

00:49:08and fertility

00:49:10It was also said

00:49:11that the stone

00:49:12It came from Mars

00:49:13or even from Saturn

00:49:16before San Martín

00:49:18embarked as an emigrant

00:49:19towards Brazil

00:49:20in 1956

00:49:22Fernando Sesma

00:49:24he suspected her story

00:49:25both he

00:49:26like Gil de Menfel

00:49:27They listened in astonishment

00:49:29the confession

00:49:30from the nurse

00:49:31and then

00:49:31he told

00:49:34what had happened

00:49:35really

00:49:36says

00:49:37I came

00:49:37of a fun

00:49:40with my girlfriend

00:49:41She left her

00:49:42in the Arguelles

00:49:43and

00:49:44lost consciousness

00:49:46and suddenly

00:49:47awoke

00:49:48and was

00:49:50On Bridge

00:49:51of the

00:49:53university

00:49:55and had

00:49:56a stone

00:49:57in the hand

00:49:57and not

00:49:58He didn't know

00:49:59how it had come to him

00:50:01and then

00:50:02it was invented

00:50:04that he had

00:50:05given a man

00:50:06and that this

00:50:07even if there had been

00:50:08confessed in private

00:50:09San Martín

00:50:10He continued telling

00:50:11that the stone

00:50:12It was a gift

00:50:12of that kind

00:50:13extraterrestrial

00:50:15the nurse

00:50:16He died in Sao Paulo

00:50:17Brazil

00:50:17in 1982

00:50:20perhaps

00:50:20without really knowing

00:50:21how that

00:50:22unsettling stone

00:50:23it reached his hands

00:50:25without knowing

00:50:26How far

00:50:27had invented

00:50:27or not its history

00:50:28without suspecting

00:50:30that a dramatic death

00:50:31He was waiting for him

00:50:32on the way back

00:50:33from the corner

00:50:35all the reports

00:50:36and chronicles

00:50:37of fourth millennium

00:50:37have gone in search

00:50:38of the mystery

00:50:39But there are some

00:50:39some in particular

00:50:40who have stayed

00:50:41within us

00:50:42that we cannot forget

00:50:43We want to meet them again

00:50:45remember them

00:50:45to relive them and feel them

00:50:47We'll come back here

00:50:47in a few minutes

00:50:48in fourth millennium

00:50:49who have stayed behind in search

00:51:25During this first season of Cuarto Milenio, we have visited many places.

00:51:29Our mystery ship has moved to enclaves where supposedly, it must always be said that way, strange phenomena occurred.

00:51:36And if we're going to imagine things, is there any place more sinister than a psychiatric hospital, where, for example, crimes have been committed and which today

00:51:42Is it abandoned?

00:51:43It is somewhat common for these places to generate legends.

00:51:46But to what extent are there verifiable facts? Or are they simply the imaginings of a public that wants to see ghosts where there are none?

00:51:52Are there any?

00:51:53We wanted to check out one of these hotspots. A psychiatric hospital, indeed. Very close to Ciudad Real.

00:51:59The name, The Watchtower. The story, you should know it.

00:52:05The Atalaya in Ciudad Real is one of those buildings touched by bad luck.

00:52:10A place people prefer to avoid. An enclave steeped in dark stories.

00:52:25Its first purpose was to become a hospital for tuberculosis patients.

00:52:29Hence its location on a hill facing the sun.

00:52:32Although just as its construction was completed, the disease was practically eradicated in Spain.

00:52:37And she had to find another job.

00:52:39Another function aimed at alleviating the suffering of the most disadvantaged.

00:52:45It became a children's psychiatric hospital, and later a hospital for all types of mentally ill patients.

00:52:52An enormous building, like a gigantic city standing still in the middle of nowhere,

00:52:57where only a few inpatients were swarming.

00:53:02In the 1980s, the building was abandoned, left to decay and become a haven for gangs and drug addicts.

00:53:09or couples seeking intimacy in a macabre place.

00:53:12Even back then, there was talk of strange presences, visions of children, and inexplicable phenomena.

00:53:22Soon the legends of the watchtower began to circulate throughout Ciudad Real,

00:53:26quickly becoming a landmark.

00:53:31When it finally closed, in the 1980s, people started entering that building.

00:53:37And so the legend about the building's past begins to spread,

00:53:41What was happening to the sick people inside, what suffering they were experiencing,

00:53:44that there were laments and groans, that indeed, when there were sick people,

00:53:47The groans of the sick could be heard, but they weren't complaining about anything that was being done to them.

00:53:51but because of their mental illness, since some preferred screaming within their madness, didn't they?

00:53:55But there were people who associated it with mistreatment or some kind of unnatural or inhumane treatment towards

00:54:02they.

00:54:03That has stuck in the minds of many people,

00:54:06And that building has always had a...

00:54:09It has sent shivers down the spines of many people who still pass by there,

00:54:13especially at night.

00:54:14What this environment lacked was blood, crime,

00:54:20And the most tragic event ever remembered in the entire province happened there.

00:54:25precisely there.

00:54:27The brutal murder was committed on April 21, 1987.

00:54:32in the same shadow of the watchtower.

00:54:35An event that, despite the time that has passed,

00:54:37It was never clarified,

00:54:39and that has increased the mystery of the place.

00:54:43That morning, the young people Alfredo Lozano and María del Mar Perales

00:54:48They were executed in cold blood in their own vehicle.

00:54:52They were barely 20 years old,

00:54:55and they were kissing.

00:54:57The culprit, National Police officer Isidro Mejías,

00:55:01He committed suicide just a few meters away.

00:55:03perhaps enveloped in a strange madness.

00:55:06It happened in 1987, on Easter Monday night.

00:55:10on Easter Tuesday, after Holy Week,

00:55:12and it was and is shrouded in mystery.

00:55:15It's what we usually call,

00:55:16dirt was thrown on top of him,

00:55:18And it was never clear what happened there and how it happened.

00:55:23The Cuarto Milenio team had received dozens of messages

00:55:26of people who had suffered terrifying experiences

00:55:30in the bowels of this abandoned behemoth.

00:55:33And we didn't hesitate to get started.

00:55:35and to know that gloomy world in the middle of the night.

00:55:42Disturbing graffiti, rubble,

00:55:45the sound of air seeping into every corner,

00:55:49remains of precisely decapitated pigeons,

00:55:52reports and invoices from the old psychiatric hospital.

00:55:55The elements of oblivion confronted us at every turn.

00:55:59Around 3 a.m.,

00:56:01One of our digital recorders recorded something disturbing.

00:56:06A voice that seemed to be approaching forcefully to tell us something.

00:56:11Perhaps it's the effect of the wind, or perhaps not.

00:56:18This scene was complemented by the legend of the lady of the watchtower,

00:56:22a woman in her forties,

00:56:24which, according to many witnesses,

00:56:26She appears in her nightgown in the vicinity,

00:56:29always following the same route.

00:56:31And some speak of appearances of similar figures.

00:56:34former patients

00:56:36in the hospital

00:56:37or on the same entry curve.

00:56:42The watchtower remains open,

00:56:45hoping that some administration will take action.

00:56:48Firstly, because of the danger posed by an open building of this type.

00:56:53And secondly,

00:56:54because perhaps he deserves to rest in peace,

00:56:57after so much dark history

00:56:58accumulated over time.

00:57:05In this review of the stories that made us dream, imagine, and ask questions,

00:57:09which is the main reason why we do Cuarto Milenio,

00:57:12We cannot forget a curious character.

00:57:15A character who had a somewhat tormented life

00:57:18And who knows, maybe he's still strolling around.

00:57:21through some corridors of what is now the Provincial Council of Granada.

00:57:24At least that's what the press said.

00:57:25And officials said so too.

00:57:27which, for the first time in our country,

00:57:29They testified about ghostly or spectral apparitions.

00:57:32The case reached the point

00:57:34that the vice president of that Granada institution

00:57:37He even asked for help

00:57:39or request an investigation by a group of parapsychologists,

00:57:42The Omega Group.

00:57:43For 15 years,

00:57:44No one had returned to this place.

00:57:45Our correspondent and colleague,

00:57:47Juan Jesús Vallejo,

00:57:48He was able to open the doors to that enigma

00:57:50and tell the story again from the inside.

00:57:51what had happened.

00:57:52Apparently, they were talking about children's bones.

00:57:54inside some partitions,

00:57:56They were talking about EVP recordings,

00:57:57of spectral apparitions

00:57:59and even officials

00:58:00who had panicked

00:58:01or had even requested to be discharged

00:58:03because they had seen all kinds of strange phenomena.

00:58:06We tried to solve this enigma

00:58:08going there, to the scene of the events,

00:58:10putting the facts on the table,

00:58:12trying to ask us too

00:58:13If it is true that Father Benito,

00:58:15the mysterious priest,

00:58:17He kept hanging around that place.

00:58:18It's the story of the X-File.

00:58:20of the Provincial Council of Granada.

00:58:23There are thousands of buildings like this one.

00:58:25spread throughout Spain.

00:58:27Seemingly anonymous properties

00:58:29that house official bodies.

00:58:31Rooms and living areas

00:58:32where hundreds of officials work.

00:58:35Only a few harbor a dark past.

00:58:37that seems to be able to surface

00:58:40at the most unexpected moments.

00:58:42Mysterious events have occurred,

00:58:46enigmatic, paranormal,

00:58:47that mainstream science has been unable to explain

00:58:49full,

00:58:50not even those who have been commissioned

00:58:53through research

00:58:56through parapsychology groups.

00:58:59The Provincial Council itself

00:59:02He kept it secret and hidden.

00:59:04because it could be a Spanish X-File,

00:59:08of the many that exist.

00:59:15It was the mid-1980s

00:59:17and for some time

00:59:19several workers from the official building

00:59:22of the Provincial Council of Granada

00:59:23They complained about the strange noises.

00:59:25that they perceived some nights.

00:59:27What initially began as a simple discomfort

00:59:29It evolved into a poltergeist case

00:59:32much more aggressive.

00:59:33They talked about typewriters

00:59:35who typed by themselves,

00:59:36of children's cries

00:59:38and above all

00:59:39of a strange and elongated presence.

00:59:43The staff was restless

00:59:47because strange things were happening,

00:59:51the girls, the employees

00:59:53when they went to the restrooms

00:59:54They were pulling her hair,

00:59:56The guards didn't want to do it

00:59:58night watch

00:59:59because they were scared,

01:00:01They saw strange things,

01:00:02glows, voices

01:00:04and he asked me

01:00:07if I wanted to go and talk

01:00:09with his boss.

01:00:10The members of the defunct team

01:00:12Omega Investigations,

01:00:14led by Juan Burgos,

01:00:16They were able to spend several nights there

01:00:17inside the building

01:00:18checking on site

01:00:20the existence of strange phenomena

01:00:21that could never be explained.

01:00:24One of the people

01:00:25which he was able to verify

01:00:26how the impossible

01:00:27it materialized suddenly

01:00:29It was Pilar Perry.

01:00:31What I saw personally

01:00:33in a huge room

01:00:34that we were

01:00:34like six or seven people

01:00:36completely silent

01:00:38and in the dark

01:00:38Well, some lights on the ceiling,

01:00:40some elongated lights,

01:00:43white,

01:00:43not white,

01:00:44white, yellowish

01:00:45And then they went,

01:00:46I don't know,

01:00:47How can I tell you,

01:00:48They were going from one side to the other

01:00:50and after a little while they returned,

01:00:52but not in a measured way

01:00:53but, well,

01:00:54Just doing their own thing, right?

01:00:56Then I thought,

01:00:57one always thinks

01:00:58in a way, I don't know,

01:01:00You look for yourself first

01:01:00The logical answer, isn't it?

01:01:01And then I thought,

01:01:03Well,

01:01:03This will be some kind of car.

01:01:04But of course,

01:01:05then it turns out

01:01:05What is that building?

01:01:07It was a watertight seal,

01:01:08I mean,

01:01:08It had no windows,

01:01:10I mean,

01:01:10There could be nothing,

01:01:11no leaks

01:01:12nowhere

01:01:13and we were

01:01:14in the dark.

01:01:15But Team Omega,

01:01:17officially authorized

01:01:18with a pioneering permit

01:01:19in history

01:01:20of our country,

01:01:21not only could he observe

01:01:22that night

01:01:23strange lights

01:01:24wandering

01:01:25inside

01:01:25from the building's courtyard.

01:01:27A little later

01:01:28they confirmed

01:01:29with perfect clarity

01:01:30those laments

01:01:31long and pitiful

01:01:32that ended

01:01:33infecting

01:01:34the unease

01:01:34among the experienced

01:01:36parapsychologists.

01:01:37We were

01:01:38on the top floor

01:01:39and it turns out

01:01:40that we were

01:01:41trying

01:01:42to record EVP (Electronic Voice Phenomena)

01:01:44on each floor

01:01:45We had a tape recorder

01:01:46trying to record EVP (Electronic Voice Phenomena)

01:01:47because it had been collected there

01:01:49a psychophony

01:01:50quite clear,

01:01:51No?

01:01:51The first one.

01:01:52So we had

01:01:53that

01:01:53And of course,

01:01:54We were all there

01:01:54in total silence.

01:01:55And suddenly

01:01:56they begin

01:01:57like some voices

01:01:58of man

01:01:59of three or four men

01:02:02but to discuss.

01:02:03I mean,

01:02:03some voices

01:02:04that you heard them

01:02:05clearly arguing.

01:02:06You didn't understand

01:02:07what they said

01:02:08but there was

01:02:08a heated argument,

01:02:10No?

01:02:10Even I thought

01:02:11man,

01:02:11They're going to mess us up.

01:02:12EVP recordings.

01:02:14Well,

01:02:14Well, there was nobody there.

01:02:16There was nobody there.

01:02:17That night

01:02:18official investigation

01:02:19She wasn't the only one

01:02:21who lived

01:02:21the members

01:02:22from the Omega group.

01:02:23But because

01:02:24to virulence

01:02:25of the phenomena

01:02:26and counting

01:02:26with which the building

01:02:27in question

01:02:28was

01:02:29in one of the areas

01:02:30historical

01:02:30older

01:02:31from Granada,

01:02:32They decided to investigate

01:02:33about the origin

01:02:34of the property.

01:02:35His investigations

01:02:36they confirmed

01:02:37than the past

01:02:37of the building

01:02:38It was much darker

01:02:39and grim

01:02:40of what they

01:02:41they imagined

01:02:42initially.

01:02:42Me when it came out

01:02:44the news

01:02:44in the newspaper

01:02:46Ideal

01:02:47and they passed

01:02:48a few days

01:02:49I made some

01:02:49statements

01:02:50my name is

01:02:51the architect

01:02:53of the provincial council

01:02:55who was the one

01:02:55performed

01:02:56the work

01:02:56remodeling

01:02:57and he told me

01:03:00that he

01:03:01personally

01:03:02upon opening

01:03:03that opening

01:03:06of that arch

01:03:07found

01:03:09several remains

01:03:11of skeletons

01:03:11of newborns

01:03:13and among them

01:03:15that of an adult.

01:03:17The surprises

01:03:18They hadn't done

01:03:20more than start

01:03:21in the entrails

01:03:22of that sinister building.

01:03:25After what we experienced

01:03:26and what he found out

01:03:27It was clear

01:03:28for members

01:03:28of the team

01:03:29Omega research

01:03:30that one

01:03:31It was not just another case.

01:03:33This building

01:03:34hidden inside

01:03:35from times past

01:03:36immemorial

01:03:37something that seemed

01:03:38truly malevolent.

01:03:41December 23

01:03:42of 1986

01:03:43several members

01:03:45of the group

01:03:45They returned again

01:03:46to challenge

01:03:47at night

01:03:48inside

01:03:49of the property.

01:03:55We conducted an investigation

01:03:57in which

01:03:58we simultaneously

01:03:59the tape recorders

01:04:01to do

01:04:02the records

01:04:03Let's see if it works

01:04:04if it could be heard

01:04:05some EVP

01:04:06or it was collected

01:04:06something.

01:04:07Both

01:04:08on each floor

01:04:09There were also

01:04:09a camera

01:04:10infrared

01:04:11that fired

01:04:12sporadically

01:04:13in case he appeared

01:04:15some image

01:04:15that could

01:04:16collect also.

01:04:18Then

01:04:18in the room

01:04:19down

01:04:20It was being done

01:04:21a Ouija board

01:04:22in case there was

01:04:23some spirit

01:04:24that I would like to tell you.

01:04:26Come on,

01:04:26We were putting it on

01:04:27pretty easy.

01:04:28And then

01:04:29on each floor

01:04:30There were two researchers

01:04:31completely dark

01:04:33silently

01:04:34quiet

01:04:35clear

01:04:35so as not to

01:04:36simply

01:04:37They were watching.

01:04:42But that early morning

01:04:43It wasn't going to be either.

01:04:45like the others.

01:04:46Several members

01:04:47of the group

01:04:48they were divided up

01:04:49for different

01:04:49rooms of the property

01:04:50with the purpose

01:04:52to leave

01:04:52different devices

01:04:53energy measurement

01:04:54and recorders

01:04:55that they were capable

01:04:56to detect

01:04:57possible activity

01:04:58paranormal.

01:04:59The first hours

01:05:00passed

01:05:01as normal

01:05:01until one

01:05:03from the researchers

01:05:04Juan Burgos

01:05:05passed nearby

01:05:06from the gap

01:05:06from the wall

01:05:07years ago

01:05:08had housed

01:05:09skeletons

01:05:09of children.

01:05:11So

01:05:11right at that moment

01:05:13a meter jumped

01:05:14of alterations

01:05:15field

01:05:15electromagnetic.

01:05:17A lightning bolt

01:05:18It came out from the wall

01:05:18and it impacted

01:05:19in the hand

01:05:20of that man

01:05:20terrified.

01:05:22Fairly

01:05:23when I approached

01:05:23with that meter

01:05:24field

01:05:25to take the measurements

01:05:26it shot

01:05:28the alarm

01:05:29of the meter

01:05:29both the sonorous

01:05:30like the visual

01:05:32and jumped

01:05:35an arch

01:05:35voltaic

01:05:36from the wall

01:05:37to the device

01:05:38and he fell.

01:05:39He fell to the ground

01:05:41It opened

01:05:42the lid

01:05:43I thought

01:05:43that had broken

01:05:44when I was

01:05:45picking it up

01:05:46and assembling it

01:05:48well

01:05:48started to go out

01:05:50a smoke

01:05:51from the wall

01:05:52I thought

01:05:53which was

01:05:53a short circuit

01:05:54something

01:05:55initially

01:05:56I even asked

01:05:57a fire extinguisher

01:05:58Here it is

01:05:59something burning

01:06:00such

01:06:00but amazingly

01:06:02that thick smoke

01:06:04he started to take

01:06:07a figure

01:06:09a species

01:06:10of monolith

01:06:11and even

01:06:13until we arrive

01:06:13to configure

01:06:14a face.

01:06:16When panic

01:06:17had already made prey

01:06:18of some

01:06:18of those present

01:06:19that came out

01:06:20fleeing the room

01:06:21appeared slow

01:06:22and mysterious

01:06:23from the same wall

01:06:24a pleasant mist

01:06:25which was taking

01:06:26human form

01:06:27and that it moved

01:06:28stealthy

01:06:29through the passenger compartment

01:06:30until it disappeared

01:06:31in a room

01:06:32adjacent.

01:06:33The witnesses

01:06:34They drew a portrait

01:06:35robot

01:06:35of what they had seen

01:06:36when that face

01:06:38it was issued

01:06:38for the first time

01:06:39on a television

01:06:40regional

01:06:40the surprise

01:06:42It was capital.

01:06:43It seems to be

01:06:44that comes

01:06:44of a bet

01:06:45in common

01:06:46of the perceptions

01:06:47that have had

01:06:48the members

01:06:49of the group

01:06:50Omega

01:06:52and then

01:06:53It cools down

01:06:54at a meeting

01:06:57later

01:06:59so that

01:07:00a cartoonist

01:07:01from Granada

01:07:03from the newspaper

01:07:04ideal

01:07:05could

01:07:06carry out

01:07:07in a way

01:07:08artistic.

01:07:09Then what appears

01:07:10in the famous drawing

01:07:11It's a portrait

01:07:13robot

01:07:13of the set

01:07:15of everything that had been seen

01:07:17starting with what

01:07:18Juan Burgos saw it.

01:07:20Since that night

01:07:21Nothing was ever the same again.

01:07:23for none

01:07:24of the members

01:07:24from the Omega association.

01:07:26Upon analysis

01:07:27the hand of Juan Burgos

01:07:28it was verified

01:07:30like the brand

01:07:31that he had left

01:07:31that strange ray

01:07:33on your skin

01:07:33it looked made

01:07:34due to pressure

01:07:35of tiny incisors

01:07:36like those he owns

01:07:38a child.

01:07:39Yes, there was a doctor.

01:07:40great friend of mine

01:07:41and that it was part

01:07:42from the research group

01:07:45and when

01:07:46the arch jumped

01:07:47And I went to get

01:07:49the device

01:07:49with the flashlights

01:07:50that had filters

01:07:53infrared

01:07:53and so on

01:07:53He made the comment to me.

01:07:55Juan

01:07:57You're bleeding

01:07:58a little bit of the hand

01:07:59which is

01:07:59I say yes

01:08:00I don't know

01:08:01it will have been

01:08:01what has jumped

01:08:02of the wall

01:08:04it says but if

01:08:05has a shape

01:08:05bite-sized

01:08:06as if you had

01:08:08bitten and such

01:08:10I mean, I don't know.

01:08:11Do you think so, Juan?

01:08:12no no

01:08:12says yes

01:08:13if it has

01:08:14the whole form

01:08:15I say but no

01:08:16It doesn't look like it

01:08:17to be a bite

01:08:17with teeth

01:08:18He says good

01:08:20But it has

01:08:20all forms

01:08:21They are like incisors

01:08:23and they are marked

01:08:24I thought at that moment

01:08:26who was himself

01:08:27electric arc

01:08:28that I had burned

01:08:29I had

01:08:29Well

01:08:30then there were many

01:08:31arguments

01:08:32about

01:08:33about that brand

01:08:36clear

01:08:39It wasn't an electric arc

01:08:4120 years have passed

01:08:43since these events

01:08:45and we

01:08:46we also wanted

01:08:47spend a night

01:08:48in this property

01:08:49in company

01:08:50of the main ones

01:08:51protagonists

01:08:52the important thing

01:08:53as of today

01:08:54is that the hypothetical

01:08:55presences

01:08:56that swarm

01:08:57through this building

01:08:58seem to remain submerged

01:09:00in a strange lethargy

01:09:01Some pray

01:09:03so that never

01:09:05wake up

01:09:09October 1975

01:09:11an American doctor

01:09:12revolutionizes the literary world

01:09:14and the world of medicine

01:09:15that was the name of his work

01:09:17life after life

01:09:19Raymond Moody

01:09:20surely

01:09:20did not imagine

01:09:21the brutal repercussions

01:09:22that they were going to have

01:09:23those stories

01:09:24They were people

01:09:25like you

01:09:25like me

01:09:26like anyone else

01:09:26that in trances

01:09:28close to death

01:09:29had seen

01:09:29different scenes

01:09:30which are already classics

01:09:31For example

01:09:32his own body

01:09:33in the middle of a road

01:09:34in the middle of the accident

01:09:35or perhaps at the table

01:09:36from the operating room

01:09:37and then

01:09:37a kind of identity

01:09:38or of double self

01:09:40of conscience

01:09:41or of the soul

01:09:41the ancients would say

01:09:42that is rising

01:09:43little by little

01:09:44and gets to see

01:09:44the whole picture

01:09:45to the point

01:09:46that he gets to see

01:09:46the instruments

01:09:47with whom he is undergoing surgery

01:09:48He even goes so far as to see

01:09:49to relatives

01:09:50sobbing

01:09:51because of that alleged loss

01:09:52They are people

01:09:53that has been

01:09:53between two worlds

01:09:54perhaps in the anteroom

01:09:55of that other reality

01:09:56that we cannot see

01:09:57nor contemplate

01:09:58Some say

01:09:59that later emerged

01:10:00a tunnel of light

01:10:01and even some individuals

01:10:02what they said

01:10:03with palm raised

01:10:04that still

01:10:04It wasn't the right time.

01:10:05the amazing

01:10:06of this story

01:10:07we have verified

01:10:08faithfully

01:10:09that there are thousands of people

01:10:10in Spain

01:10:11who have suffered

01:10:12the ECMs

01:10:13or experiences

01:10:14near death

01:10:14this report

01:10:16It was a way

01:10:17to delve

01:10:17in this mystery

01:10:18a mystery

01:10:19which is well known

01:10:20in hospitals

01:10:20in medical centers

01:10:21a mystery

01:10:22that there

01:10:23and perhaps keeps

01:10:24the key

01:10:25of the human being

01:10:26the big question

01:10:27It's still there

01:10:27Is there life?

01:10:28What happens after life?

01:10:33life exists

01:10:34after life

01:10:35We'll go somewhere

01:10:37when undertaking

01:10:38our last trip

01:10:40There are very few of them.

01:10:41those who have been

01:10:42on the verge of death

01:10:43those who arrived

01:10:45to cross the threshold

01:10:46and they returned

01:10:46to tell the tale

01:10:48This was their experience

01:10:49upon crossing

01:10:51the last frontier

01:10:59and it was like

01:11:00as if it were going up

01:11:01up

01:11:02and then

01:11:03I started

01:11:04Let's see my body

01:11:04but I went in

01:11:05in that tunnel

01:11:06that I saw

01:11:06a white light

01:11:08and according to

01:11:09it was moving forward

01:11:10the light

01:11:11it was becoming

01:11:12bigger

01:11:13elderly

01:11:14and stronger

01:11:15when they have

01:11:16the contact

01:11:17with the deceased

01:11:18friends

01:11:21companions

01:11:21family

01:11:22deceased

01:11:22They usually see it

01:11:24much younger

01:11:26that when they died

01:11:27It's an experience

01:11:29of death

01:11:29of having been

01:11:30on the threshold

01:11:30of death

01:11:32many even

01:11:33They report that

01:11:34those beings

01:11:35that they find

01:11:35somehow

01:11:36they force them

01:11:37or induce them

01:11:38to return

01:11:38It's very comforting.

01:11:39at last

01:11:40to have been so close

01:11:41of something

01:11:42to the one we had

01:11:42so much fear

01:11:43because we have him

01:11:44less fear

01:11:44and also

01:11:45we have survived

01:11:46science

01:11:47It takes time

01:11:48becoming interested

01:11:48because of these experiences

01:11:50in 1975

01:11:52the doctor

01:11:53in medicine

01:11:53Raymond Moody

01:11:54published a book

01:11:55that convulsed

01:11:56to the opinion

01:11:56international public

01:11:58life

01:11:59after life

01:12:01then I read it

01:12:02I find it interesting

01:12:03I'm talking to you

01:12:03a new path

01:12:04I'm talking to you

01:12:04a new perspective

01:12:05And I ask myself

01:12:07that here

01:12:07There has to be

01:12:08I think

01:12:09cases

01:12:09equal

01:12:10or similar

01:12:11the doctor

01:12:12the doctor

01:12:12Vila

01:12:12has investigated

01:12:13in the last

01:12:1325 years

01:12:14more than 120 cases

01:12:16since then

01:12:18combined

01:12:18the study

01:12:19from the experiences

01:12:20near death

01:12:21or FM

01:12:22with his work

01:12:23in the hospital

01:12:24virgin

01:12:24of the Macarena

01:12:25from Seville

01:12:26in short

01:12:27will publish

01:12:27a book

01:12:27with the reflections

01:12:29of a whole career

01:12:29and 60 of the cases

01:12:31that impacted him the most

01:12:32I was so happy

01:12:34so happy

01:12:35there in that dimension

01:12:36which is good

01:12:37I saw

01:12:38to all my beings

01:12:39to my loved ones

01:12:40the case studies

01:12:41It says that in the first phase

01:12:43the sensation occurs

01:12:44exiting the body

01:12:45upon regaining consciousness

01:12:48the patients

01:12:49they recounted with precision

01:12:50what had happened

01:12:52in the operating room

01:12:52even if they were in a coma

01:12:54sedated

01:12:55or clinically dead

01:12:56They had seen it all

01:12:58from some high place

01:13:00They are fully aware

01:13:02They have even detailed

01:13:04many patients

01:13:05then what happened

01:13:06in the operating room

01:13:06then

01:13:07when he was under house arrest

01:13:09well maybe

01:13:09in the middle of an operation

01:13:11There has already been a failure

01:13:12heart rate

01:13:13or let's go

01:13:14blood pressure

01:13:15or product of anesthesia

01:13:17and so on

01:13:17This is high.

01:13:18and I was watching

01:13:18what we are doing

01:13:19and he was seeing everything

01:13:21and come and give me

01:13:22and didn't react

01:13:24so

01:13:24the doctor

01:13:26from the head of the ICU

01:13:28says

01:13:29Maria Jose

01:13:30this

01:13:31It's over

01:13:32Not here

01:13:33This is gone

01:13:34We can't do anything

01:13:35then they claim

01:13:37to have ventured

01:13:37in a tunnel

01:13:38that absorbs

01:13:39like a black hole

01:13:40with direction

01:13:41in a blinding light

01:13:42meanwhile

01:13:43They claim to see their life

01:13:45to go through like in the movies

01:13:46as if they were screens

01:13:48at breakneck speed

01:13:49They started happening to me

01:13:51a movie

01:13:52but very fast

01:13:53very fast

01:13:54very fast

01:13:54and then when

01:13:55I looked small

01:13:56I saw myself at 6 or 7 years old

01:13:58with 5

01:13:59with 12

01:14:00come on

01:14:01all

01:14:01since the mattress

01:14:03He hit me

01:14:03until I was introduced

01:14:05in it

01:14:06I revived

01:14:08all my life

01:14:09up to that age

01:14:10in a way

01:14:12different

01:14:13as I remembered her

01:14:15And that really

01:14:16It left its mark on me

01:14:17Some say

01:14:18that at the end of the tunnel

01:14:19They meet again

01:14:20with their loved ones

01:14:21although they never arrive

01:14:23to talk to them

01:14:24and at the end of the tunnel

01:14:26they meet

01:14:27with an immense

01:14:28ball of light

01:14:29Some touch it

01:14:31others

01:14:32they don't even dare

01:14:33approach

01:14:34but in what everyone

01:14:35they agree

01:14:36It is in its nature

01:14:37divine

01:14:39unlike anything else

01:14:40the above

01:14:41contemplated

01:14:41And I saw my mother-in-law walk by.

01:14:43who had died

01:14:45so I did

01:14:47a few years

01:14:48who had died

01:14:50My father had died

01:14:51two or three years earlier

01:14:52I saw it too

01:14:53from afar

01:14:53to an uncle of mine

01:14:55to a neighbor of mine

01:14:56from here

01:14:57next to the light

01:14:58may appear

01:14:59a being

01:14:59may appear

01:15:01or not appear

01:15:01if a being appears

01:15:03each

01:15:04everyone

01:15:05according to

01:15:05their custom

01:15:07their religion

01:15:08his anthropology

01:15:10your psychology

01:15:11it

01:15:12equips it

01:15:13to something

01:15:14a Christian

01:15:15I would say he is a saint

01:15:16or what an angel is

01:15:17upon his return

01:15:18their lives

01:15:19They will not return

01:15:20to be the same

01:15:21sometimes

01:15:22the light

01:15:23transmits

01:15:24a message

01:15:24wordless

01:15:25a species

01:15:26dialogue

01:15:27inside

01:15:28many decide

01:15:29change

01:15:30and live

01:15:31consequently

01:15:32with what you have learned

01:15:33really

01:15:33that the experience

01:15:34It was enriching

01:15:35No, dear.

01:15:36and there is no love left.

01:15:37for going through it again

01:15:38Because that's not it.

01:15:39but yes

01:15:40there is a trend

01:15:41to recognize things

01:15:42from another angle

01:15:43that normally

01:15:44It's a change

01:15:45transcendent

01:15:46in life

01:15:47of the person

01:15:47in the form

01:15:48to understand life

01:15:49and above all

01:15:49in the form

01:15:49to understand death

01:15:50but not all

01:15:51the FM

01:15:52are positive

01:15:53Some say

01:15:55to have been

01:15:56literally

01:15:57in hell

01:15:58but it's the percentage

01:15:59It's small

01:16:01in studies

01:16:02serious studies that have been conducted

01:16:03above all

01:16:03FM experiences

01:16:04It doesn't reach 5%.

01:16:06It is normally experienced

01:16:08with a great feeling

01:16:08of tranquility

01:16:09peace

01:16:10inside

01:16:11and normally

01:16:12the people themselves

01:16:15that have happened

01:16:16because of this experience

01:16:18They say they already know

01:16:19or that they are not afraid to die

01:16:21in history

01:16:22of humanity

01:16:23There are several references

01:16:24that demonstrate

01:16:25that threshold experiences

01:16:26have always accompanied

01:16:28to the human being

01:16:29from the Holy Bible

01:16:31passing through some

01:16:32from the writings of Plato

01:16:34we found references

01:16:35clear on this matter

01:16:37But if there is a text

01:16:39that makes a reference

01:16:40clear

01:16:40and explain these experiences

01:16:42and their visions

01:16:44It is the Tibetan book

01:16:46of the dead

01:16:46It was written

01:16:48in the eighth century

01:16:49B.C.

01:16:50the Tibetan book

01:16:52of the dead

01:16:53he tells us

01:16:53what happens

01:16:54at the moment

01:16:55in which he dies

01:16:56a person

01:16:56the original title

01:16:58is a bard all

01:16:59bard

01:17:00It's like in the Tibetan language

01:17:01is called

01:17:02to the states

01:17:03of conscience

01:17:04that occur

01:17:05between successive lives

01:17:06among the reincarnations

01:17:08so

01:17:08according to the bard todol

01:17:10when we die

01:17:11we face

01:17:12at first

01:17:13to the experience

01:17:14of white light

01:17:15those people

01:17:16enough

01:17:17developed

01:17:18on the ground

01:17:19of spirituality

01:17:20throughout his life

01:17:21that they already know

01:17:22through experiences

01:17:23mystics

01:17:24through satori

01:17:25through samadhi

01:17:26in what is white light

01:17:27when they see her

01:17:28They recognize her

01:17:29and they no longer have to reincarnate

01:17:30they become

01:17:31in Lords of Karma

01:17:32the writer

01:17:33Fernando Sánchez Dragó

01:17:35he was operated on

01:17:36surgically

01:17:37life or death

01:17:38states that

01:17:39when push comes to shove

01:17:40There was someone

01:17:41who leaned

01:17:42on the stretcher

01:17:43and whispered to him

01:17:44in the ear

01:17:45comes back

01:17:46the last

01:17:47that I have had

01:17:48the most vivid

01:17:49The contradiction is understandable.

01:17:50of all of them

01:17:51It's the one I pick up

01:17:52in this book

01:17:52Cocoro

01:17:53and in which I tell

01:17:54everything that happened to me

01:17:55from the moment

01:17:56in which I had

01:17:57that have happened

01:17:57about 14 months

01:17:59since then

01:18:0015

01:18:01in which I had

01:18:02that enter

01:18:02in the operating room

01:18:03So it was an experience

01:18:04extraordinary

01:18:05extraordinarily cheerful

01:18:07Besides, I always say

01:18:08that this is a book

01:18:08about death

01:18:10lively

01:18:10and about the disease

01:18:11full of health

01:18:12and in it I crossed

01:18:14based on experiences

01:18:15that were not

01:18:16exactly the same

01:18:17which Raymond Moody collects

01:18:18and all the bibliography

01:18:20existing on the gender

01:18:21but they were very similar

01:18:23perhaps societies

01:18:24advanced western

01:18:26need a change

01:18:27of perception

01:18:28life

01:18:28and death

01:18:29perhaps only in this way

01:18:31let's understand

01:18:32that our conscience

01:18:33It's just a drop

01:18:34in the ocean

01:18:35that we are but a breath

01:18:37a mere accident

01:18:39people

01:18:39that have been

01:18:40near death

01:18:41It's not that they are

01:18:41detached

01:18:42or generous

01:18:42or that are better

01:18:43I don't even say

01:18:44that they are better

01:18:44simply

01:18:45They have a different standard.

01:18:46of life

01:18:48Hollywood took

01:18:49to the big screen

01:18:50this puzzling

01:18:51affair

01:18:51in the film

01:18:53Deadline

01:18:53some students

01:18:55of medicine

01:18:56were induced

01:18:57voluntarily

01:18:57to a state

01:18:58clinical death

01:18:59for later

01:19:00to be resurrected

01:19:01and be able to analyze

01:19:03what we saw

01:19:03on the other shore

01:19:06It's curious.

01:19:07that all those who have

01:19:08crossed the boundary

01:19:09say the same thing

01:19:10are perhaps

01:19:12inherent phenomena

01:19:13to the man

01:19:13is this perhaps it?

01:19:15a script

01:19:15carefully established

01:19:17of the human psyche

01:19:18to make us

01:19:19lighter

01:19:19to our march

01:19:20What does science say?

01:19:23the big question

01:19:24to which science

01:19:25dares us to answer

01:19:26Can it exist?

01:19:30awareness

01:19:30without the need

01:19:31of that physical support

01:19:32which do we call the brain?

01:19:34so

01:19:34If I were a scientist

01:19:35I would absolutely dedicate

01:19:37all my efforts

01:19:38to answer

01:19:39to this question

01:19:39likely

01:19:40until there are some memories

01:19:42biological

01:19:42from a similar experience

01:19:44at the biological level

01:19:45because it could have

01:19:46a biological explanation

01:19:47And that's because everyone

01:19:48we have gone to a place

01:19:49passing through a tunnel

01:19:50and they were waiting for us

01:19:51at birth

01:19:54It terrifies us all

01:19:55the idea

01:19:56to leave this world

01:19:57to do it

01:19:58we would like

01:19:59that it was calm

01:20:00but

01:20:01What is it now?

01:20:02its conception

01:20:03about death?

01:20:05I'm not afraid

01:20:06to death

01:20:06because

01:20:07I honestly

01:20:09that experience

01:20:10for me

01:20:10It was the experience

01:20:12most wonderful

01:20:12that I have had

01:20:13The man is afraid

01:20:14to death

01:20:15but

01:20:16I believe there are

01:20:17a greater terror

01:20:18to other things

01:20:18that look alike

01:20:19to death

01:20:20which is the change

01:20:20to the transformation

01:20:21none feared

01:20:22and after the experiences

01:20:24These are the ones I'm telling you about

01:20:24even less

01:20:25even

01:20:26experiment

01:20:27certain attraction

01:20:28towards death

01:20:28because I am

01:20:29absolutely convinced

01:20:30that it is a

01:20:31experience of happiness

01:20:32and

01:20:33as a result of which

01:20:35We will answer

01:20:36which is the only thing

01:20:36that matters to me

01:20:37in life

01:20:37answer the big questions

01:20:38we're going to find

01:20:39the answer

01:20:40to the big questions

01:20:41but

01:20:43life exists

01:20:44after death

01:20:46I believe

01:20:47that

01:20:48not everyone

01:20:51when one dies

01:20:52survives

01:20:52I think that

01:20:53survive

01:20:54only

01:20:55those people

01:20:56that they have taken advantage of

01:20:57the time of his life

01:20:58to follow a path

01:20:59of perfection

01:21:00to reach the moment

01:21:01of death

01:21:02being taller

01:21:03wider

01:21:04deeper

01:21:04more extensive

01:21:05and more intense

01:21:06of what they were

01:21:07at the time of birth

01:21:08that is to say

01:21:08have been built

01:21:09a soul

01:21:30and of course

01:21:31It stands to reason

01:21:32that this program

01:21:32and this review

01:21:33for the best moments

01:21:34of fourth millennium

01:21:35I finished

01:21:36with one of the actions

01:21:38which has become

01:21:38in success

01:21:39because maybe

01:21:40interacts perfectly

01:21:41among you

01:21:42and we

01:21:42the photographs

01:21:43of the mystery

01:21:44the ones they send us

01:21:45so that we can analyze

01:21:47so that we may search

01:21:47the enigma

01:21:48and often

01:21:49It needs to be said

01:21:49We'll solve it

01:21:50but others

01:21:51They're still there

01:21:51Those are them

01:21:52the ones that interest us

01:21:53now

01:21:53those we couldn't resolve

01:21:54Carmen

01:21:54good night

01:21:55good night

01:21:55Iker

01:21:56we're going to go with

01:21:57some of the best

01:21:57photographs

01:21:58not even Guillermo León

01:21:59that analyzes

01:22:00all meticulously

01:22:01was able to resolve

01:22:02Do you remember?

01:22:03from one of Granadilla?

01:22:04Victor Blazquez

01:22:05she sent it to us

01:22:06had taken a photo

01:22:07to that landscape

01:22:08to that town

01:22:08which also

01:22:09It's sunk

01:22:10underwater

01:22:11and suddenly

01:22:11A figure emerged

01:22:13She looks like a woman

01:22:14with hair blowing in the wind

01:22:15and at that moment

01:22:16in that place

01:22:17there was nobody

01:22:18for now

01:22:18Iker

01:22:18we have not been able to resolve

01:22:19plus this photograph

01:22:21very curious

01:22:21in a place also

01:22:22full of power

01:22:23magical since time

01:22:24and memorial

01:22:24Passion fruit

01:22:25and surely also

01:22:25They will remember Juan de Huesca

01:22:27that he sent us

01:22:27This curious photograph

01:22:29where we see

01:22:30middle on the ground

01:22:31to a man

01:22:32I don't know if you remember

01:22:33this man

01:22:35spectral

01:22:36transparent medium

01:22:37which also

01:22:37Juan identified

01:22:38with a relative

01:22:39deceased

01:22:41a few months ago

01:22:42at least curious

01:22:43Iker especially

01:22:44because still

01:22:45We haven't found out

01:22:46to whom does it belong

01:22:47that effigy

01:22:48and they will remember

01:22:49This curious image

01:22:50that he sent us

01:22:50Maribel from Badajoz

01:22:51were

01:22:52in the town

01:22:53celebrating the holidays

01:22:54Easter

01:22:54There we see one

01:22:55of the children

01:22:56Nazarene dress

01:22:57along with two elderly people

01:22:58along with two elderly people

01:22:59who were relatives

01:23:01of this little boy

01:23:02but right behind

01:23:03so they received

01:23:04an unexpected visit

01:23:06someone behind them

01:23:07I was also looking

01:23:08stared directly at the camera

01:23:09and observing them

01:23:10then

01:23:11of course

01:23:12as always

01:23:13the words

01:23:13from our friends

01:23:14that they send us

01:23:15the photographs

01:23:15there was nobody

01:23:16in that house

01:23:17because they would have

01:23:18realized

01:23:19Now let's look at two shadows

01:23:20the shadows

01:23:21they have always been

01:23:21very present

01:23:22in the photographs

01:23:23from our friends

01:23:24the viewers

01:23:24clarity

01:23:25and the shadows

01:23:26good and evil

01:23:27in this case

01:23:27you will decide

01:23:28Alejandro Díaz

01:23:30had captured

01:23:31this image

01:23:31from your home

01:23:32through the window

01:23:33two effigies

01:23:34flaming

01:23:35They appeared to be taking a stroll.

01:23:37over there

01:23:37he told us

01:23:38that at that moment

01:23:39there was nobody

01:23:40but precisely

01:23:41the camera

01:23:41captured them

01:23:42according to Guillermo León

01:23:43There could be an explanation.

01:23:44although neither

01:23:45I was very clear about it

01:23:46yes indeed

01:23:46Some shadows can be seen

01:23:47that something

01:23:48or someone

01:23:48was happening

01:23:49along that path

01:23:50at that specific moment

01:23:51and they will also remember

01:23:53This curious image

01:23:54because we are left with it

01:23:55all recorded

01:23:56that shirt

01:23:58long

01:23:58with large arms

01:24:00with long sleeves

01:24:01red

01:24:02she sent it to us

01:24:03Natalia González

01:24:04from Murcia

01:24:04He told us that he captured her

01:24:06in Almería

01:24:07and she looks like a girl

01:24:08who is strolling

01:24:09through a landscape

01:24:10at that time

01:24:11Iker who was

01:24:12completely alone

01:24:13We don't see anyone

01:24:14around

01:24:15It's winter

01:24:16and she wears

01:24:16an outfit

01:24:17very strange

01:24:18another of the photographs

01:24:19that in fourth millennium

01:24:20we have not been able to

01:24:21provide a solution

01:24:23and the children

01:24:25They've come out a lot

01:24:26to reduce

01:24:27undisputed protagonists

01:24:27throughout

01:24:28these weeks

01:24:29of fourth millennium

01:24:30Broad

01:24:30had captured

01:24:31This curious image

01:24:32in Dublin

01:24:32and curious above all

01:24:34Iker

01:24:34because we see

01:24:35to a girl

01:24:35excellent

01:24:35He could be running

01:24:36through this landscape

01:24:37so idyllic

01:24:38so green

01:24:39but it turns out

01:24:40who goes barefoot

01:24:41and as if dressed

01:24:42of communion

01:24:43also in a month

01:24:43from the cold

01:24:44in Dublin

01:24:45as we see

01:24:46to the companions

01:24:47that are behind

01:24:48They are warm

01:24:49Iker with an anorax

01:24:50with gloves

01:24:51What was he doing?

01:24:52that barefoot girl

01:24:53in a hurry

01:24:54through a park

01:24:54from Dublin?

01:24:55is another one of those that

01:24:56we have not been able to resolve

01:24:57for now

01:24:58And what do you say?

01:25:00from one you liked

01:25:01Are you very much like Iker?

01:25:02What did you call her?

01:25:03the one-eyed boy

01:25:04the one-eyed boy

01:25:05which later turned out to be

01:25:06the one-eyed doll

01:25:08because we found out

01:25:08yes indeed

01:25:09who was a child

01:25:10that he held in his arms

01:25:12a kind of little doll

01:25:13And that doll, yes.

01:25:15who had lost one eye

01:25:16Thank God

01:25:17to the child

01:25:17Nothing had happened to him

01:25:19many images Iker

01:25:20that have reached us

01:25:21via email

01:25:22through letters

01:25:23and which we appreciate

01:25:25lot

01:25:25But I didn't want to end it.

01:25:26without putting one thing

01:25:28which has called a lot

01:25:29attention

01:25:29and that they have written to us

01:25:31hundreds of letters

01:25:32asking ourselves

01:25:33what we had found out

01:25:34on that topic

01:25:35what had happened to him

01:25:36It was Arguiñe

01:25:37Arguiñe sent us

01:25:38that video

01:25:39where we see his daughter

01:25:40approach a shop window

01:25:41is approaching

01:25:42and something seems to be coming out

01:25:44through him

01:25:45Let's see it

01:25:46There it is coming out

01:25:47again

01:25:48that species

01:25:49strange reflection

01:25:50friends who have contributed to us

01:25:52several hypotheses

01:25:53like a car was passing by

01:25:54behind

01:25:54and with the reflexes

01:25:56He could have done that

01:25:57but the girl

01:25:58how do you see it?

01:25:58how at that moment

01:25:59Well, we don't know.

01:26:01Iker

01:26:01It's one of the things

01:26:02that we will try

01:26:03during this time

01:26:05summer

01:26:07analyze better

01:26:08Take it to more experts

01:26:10and of course

01:26:11We will try to provide a solution.

01:26:12although we don't know

01:26:13Yes, we will have it.

01:26:14that is very clear

01:26:15It's because it's the filming

01:26:16that more controversy

01:26:18has aroused

01:26:19within these

01:26:20first 35 programs

01:26:21from Fourth Millennium

01:26:22And it's true that we rested.

01:26:23We rest during this time

01:26:24summer

01:26:25But it must also be said

01:26:26that the contact methods

01:26:27are open

01:26:28for photos

01:26:28or films like these

01:26:30of course

01:26:30those two contact methods

01:26:31they always remain open

01:26:33and they want to send us

01:26:34any topic

01:26:34who wants

01:26:35that in future programs

01:26:36Let's try

01:26:36Well, it's also there

01:26:37that contact method

01:26:38via email

01:26:39on Fourth Millennium

01:26:40at4.com

01:26:42and our post office box

01:26:44which also doesn't close in summer

01:26:45They have to write to us

01:26:46to section 18.189

01:26:49clearly stating

01:26:50Madrid's postal code

01:26:5128,080

01:26:53And we must say Carmen

01:26:54that this farewell

01:26:55It's very special.

01:26:55It even has something emotional about it

01:26:57although we will return

01:26:58very soon

01:26:58and with many surprises

01:26:59It needs to be said

01:27:00but nothing mysterious

01:27:01He is already traveling in search of

01:27:02of new enigmas

01:27:03that resolve

01:27:04It's the perfect time

01:27:05to say that

01:27:06We must say thank you

01:27:07and I have to give them

01:27:08because many people

01:27:09They only see us

01:27:10And there's a whole team

01:27:11back there

01:27:11a team of excellent professionals

01:27:13everyone who makes Cuarto Milenio

01:27:14and besides, they all have

01:27:15a very important plus

01:27:16which is reflected here

01:27:17hope and faith

01:27:18in telling new things

01:27:19hope and faith

01:27:20in believing that not everything has been discovered

01:27:22They are all living examples

01:27:24of the spirit of this program

01:27:25and they have succeeded

01:27:26the most important

01:27:26your trust

01:27:27a treasure

01:27:28that cannot be bought

01:27:29nor sell

01:27:30The truth is that we are

01:27:31very happy

01:27:31And we promise you that.

01:27:33many important surprises

01:27:34We'll be back here

01:27:35in our house

01:27:36in 4

01:27:37very soon

01:27:37thank you

01:27:38Thank you all

01:27:39They already know

01:27:39We are Fourth Millennium

01:27:41Let's see

01:27:45Let's see

01:27:47Let's see

01:28:32Subscribe to the channel!

01:28:39Subscribe to the channel!

Cuarto milenio - 1x36 - Lo mejor de Cuarto milenio - Parte 2 - HD 720

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