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فسيلة - transplant
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هي مكتبة رقمية تحتوي علي آلاف الفيديوهات العربية في جميع المجالات
It is a digital library containing thousands of Arabic videos in all fields.
قوائم تشغيل فسيلة
https://www.dailymotion.com/fasela/playlists
Category
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LearningTranscript
00:02Cost of building the palace
00:04Two tons of gold
00:05It's reasonable, but it's not Indian.
00:07My Lord, O my Lord
00:08Isn't this the tomb of the late King, may God have mercy on her?
00:09Four things you need to live
00:11And then, my lord?
00:12He is the king of India who built this current gathering
00:14What makes them better than us?
00:16There are many things, engineers, that we need to discuss.
00:18My Lord
00:18And then I don't want to open any shops at all.
00:20I want to make a dhiri
00:22We distribute Urs
00:24We work every monastery
00:25So that people can see it
00:26She says, "May God have mercy on her," meaning she was kind and wrote books.
00:29Don't mess it up, my lord.
00:30This is in the kingdom that surrounds us
00:31He built a house for his wife, Zacoin.
00:33And stuff it with the edges
00:34What is this Zaquin house?
00:35My lord, isn't there a Burger King there?
00:36There's definitely a house in Zacoin.
00:38Okay, let me tell you
00:38No palace
00:40Build me a chalet
00:41Is that reasonable, my lord?
00:42My son said, "Chalet."
00:43For the soul of the king, O telegram
00:44Who will take us to the North Health Center?
00:46Yeeeeeeeeh
00:48A lot
00:48Look, Shaid, I'll be generous with you.
00:50Tell me what you want
00:51Yes, Your Majesty
00:53I've been working at this job for over 30 years.
00:56There is no one in Omar who is neither Malik nor Lord nor even Dhok
00:59Nor Safraji
01:01Whatever you want is easy, Shahd Ya Rajab
01:03Witnesses who are slapping themselves because of the coercion of the coercive
01:07And from the fortress
01:08And he weighs many times his weight in gold.
01:11Witnesses who are getting married and receiving
01:14He marries and receives
01:15He marries and receives
01:17And he spent his life in length, width, and height
01:20You are the first one to ask about human witness.
01:24Not a witness to the brilliant architect Al-Faz
01:27Lover of pleasures
01:30That's great, Shahed!
01:31But honestly, I wanted to ask you
01:32Are you branching out too much, or is it three in one?
01:41Dear viewers, peace and blessings be upon you.
01:43Welcome to two new episodes of the Dabke program
01:45My dear friend, there is a writer from Japan.
01:47Visit Egypt
01:48And the pyramids went to a parallel world where no one had ever heard of the pyramids.
01:51When he went, he found a huge pyramid-shaped building in the desert.
01:55What did this strange building do?
01:56Joe went in and looked at him and found him to be really beautiful.
01:59Therefore, Pharaonic drawings and decorations remained.
02:01And there are people living inside
02:03Hey guys, they're pushing and running until...
02:04No, the owner of the building died.
02:05They'll definitely pay for his children now.
02:06All died
02:07My dear friend, I imagined that this Japanese writer decided to live with these people.
02:11A friend says to Abu Hamid
02:12How is he going to do that?
02:13The pyramid has no windows, and the world will be dark.
02:14Dear, this is the only small detail in the story.
02:17He brought you a writer from Japan who lives in a parallel universe.
02:19He doesn't know about the pyramids.
02:20And there are people living in new rented accommodation inside.
02:22This is my dear hypocentric
02:23What's important? In this hypothetical story
02:25This writer lived John Harm
02:27He published novels through it
02:29Stories were written about him
02:30What's important? The world sees the stories this man wrote.
02:33What's this all about, guys?
02:34Why don't we look at this building and restore it?
02:36It looks like something amazing
02:37We weren't taking any advantage of him.
02:38For many years
02:39And then the world begins its habit of exploring it.
02:41My dear, by the beautiful witness, think about why you were killed.
02:42This story is fictional.
02:44This story happened, but in another country.
02:46Where are your parents, Abu Hamid?
02:47With the most important tourist building in Spain
02:49It is the Alhambra Palace
02:51This, my dear, is the most visited building in all of Spain.
02:55This is more than how many? Who is Abu Hamid?
02:56Before Messi or after Messi, my friend
02:58divide
02:58The Alhambra, my dear
02:59Are they the pyramids of Spain?
03:01The palace is almost deserted.
03:03From the beginning of the seventeenth century
03:04Up to approximately the middle of the nineteenth century
03:06Two and a half centuries
03:07250 years
03:08This place
03:09The one in the vicinity of the pyramids
03:11Tahjour
03:11One says
03:12Wait, my dear
03:12What is this origin?
03:13And in red, my dear
03:14Huh?
03:15The one with the robe
03:15I'll tell you, as you already know
03:17It's Spain and Portugal
03:18and parts of southern France
03:19It was once
03:20Andalusia
03:21Andalusia was an advanced civilization
03:23By its Muslim government
03:24He lived during this period
03:26Muslims, Christians, and Jews
03:28This period
03:28The historian and literary critic calls it
03:30América Castro
03:31Convivinthia
03:32or Convivinthia
03:33From Reconquista
03:35Aziz's Spanish needs ventilation
03:36Which means cowardice
03:38Christian kingdoms in Europe
03:40It began to expand using wars
03:42They then proceeded to control the entire region of Spain and Portugal.
03:44Muslims and Jews walked from here
03:46This period is called Reconquista
03:48Something like that
03:49Remontada outfit
03:50But what Jonvia counts
03:51For those who die, people are more
03:52The rule of the Muslims at that time
03:53It began to recede
03:54It is breaking up into smaller emirates.
03:55After what continued
03:56Look how much
03:57750 years
03:58Emirate of Granada
03:59It was the last emirate ruled by Muslims in Andalusia.
04:01One of them reached her rule, named
04:03Muhammad ibn Nasr ibn al-Ahmar
04:04Ibn al-Ahmar began building a large castle
04:06To rule Granada
04:08What's up, Abu Hamad?
04:08Isn't his name Al-Ahmar?
04:09And who is this redhead?
04:10Redness, my dear, remains
04:12Palace guard
04:14builders
04:14They are building the castle's towers and walls.
04:17They use soil from the plateau.
04:18The game is built on
04:19This soil was a mixture of clay
04:21sand and gravel
04:22It contains a high percentage of iron oxide.
04:24Clear it because it's red
04:25The builders put water on the soil
04:27They poured concrete
04:28At this time
04:28People used to build with mud bricks or stone.
04:30And wood times
04:31They bring units and stack them on top of each other
04:32So that the son of Al-Ahmar
04:33He was in a hurry
04:34Granada and Istharub
04:35And this is a way for him to quickly prove his rule.
04:37Therefore
04:38The solution they came up with
04:39I was trying
04:40The land next
04:40After the one who is buried repents
04:42Teddy Mazej Design
04:43Bouhamad’s words remind me of concrete
04:45Bend down, my dear.
04:46He sat with Hassan about the
04:47Mustan Shaker Saab Al-Koud
04:48You are a strong shader
04:49She is indeed a young woman of the tribe of Al-Krasana.
04:50friendly
04:51As much as it
04:52It remains a trivial observation these days
04:53But at that time
04:54That was a creative style
04:55Be careful, my dear
04:56The red qasl is not a qasl
04:57And not one built
04:58Ibn al-Haml saved him
04:59He held people accountable and paid their taxes.
05:00And that's it.
05:01no
05:01This is a castle with many walls.
05:03Government and administrative offices
05:05Housing for government employees
05:07Except for the palaces of the rulers
05:08He has a separate poem and many dialogues.
05:11I'm talking to you, my dear
05:12On a building complex
05:13Fadl has been evolving for approximately 20 years.
05:15In this large complex
05:16In how many buildings are there?
05:17Those who have turned the world
05:17Their lineage is like music to the eyes
05:19And they adorned themselves with a poet's tale
05:21By God, my dear, it's sweet
05:22I'm going to Azbania
05:23No, my dear, I'm talking to Jan.
05:24The walls of the walls are filled with a poet's verses.
05:27One of the most beautiful books of Andalusia
05:29Some people consider these pictures
05:30The most beautiful thing to come out of all Islamic architecture
05:33These buildings
05:33These are pictures of the Nasrid rulers
05:35Which is the family of Muhammad bin Nasr bin Al-Ahmar
05:37Dear viewer
05:38O time of the surah
05:39Look at her and feast your eyes on her beauty.
05:47We left the building alone.
05:48You won't feel the need for competition
05:49The whole building is just a few plain walls.
05:51And the beautiful pictures
05:52Focus more, my dear
05:53Look
05:53to focus
05:54Focus more
05:54You will find one building
05:56In the middle of all this
05:57First, because of his appearance, he almost insisted
05:58Charles V insisted
05:59What's this? Just a second
06:00Charles V de Bouhbit from the Red Festival
06:02No, from another town.
06:04Charles V, my dear, was
06:05Holy Roman Emperor
06:07You were ruling 3-4 Europe
06:08After the defeat of Granada
06:10The fall of Andalusia
06:11Charles V decided to express his victory
06:13In buildings
06:14And a Spanish architect named
06:16Pedro Machuca
06:17Badro Dah
06:17He wasn't just an ordinary Spanish architect
06:20Pedro Azizi, I'm studying in Rome
06:21And who were the lions of Zito?
06:23Do you know who?
06:23Michelangelo and Raphael themselves
06:26Those who are actually drinking baldness from the teacher Al-Rashdan
06:28Badro Amray
06:29The palace's guard post is in the middle, just like that, as you can see.
06:31I don't know if this is a moment of luck or just bad luck.
06:33Akna Azizi personally
06:34I'm very intentional
06:35Not because he's beautiful
06:36But because it looks really good
06:38The difference between the beauty of Islamic architecture
06:41European architecture
06:42Ask the Europeans, my dear
06:44She loves dominance, control, and dominance.
06:46For example, about a building like this and a branch
06:47Fakhn building
06:48A building made of stone and marble
06:49And of course, one of the most important things that was in the building
06:51I confronted him
06:52Tell me, my friend, what do you see when you approach this building?
06:54A meticulously organized and luxurious interface
06:56The entry in the text exactly
06:58My sense divided it into two parts, each part being different.
06:59Why, my dear, is the need divided in two?
07:01This is called symmetry.
07:02If it weren't for my sense, you'd find that usually
07:04We build courthouses, for example.
07:05She's acting expectantly
07:06Because this symmetry, as you say, gives you a feeling inside
07:08Steadfastness, dormancy, stability, and pride
07:11Because the owner of this burden has a hold on all people.
07:14And I'm not marginalized.
07:15Now, my dear, compare this entrance
07:16At the entrance to Athur Bani Nasr
07:19The entrance that Nizad Qabbani started with was the one I intended.
07:21Our meeting took place at the entrance to Al-Hamra.
07:24What is the meaning of the word "Qatib"?
07:26One thing at a time, my dear, let's start with the revolutions themselves.
07:28Oh, in the ashes, this is praised
07:29How insistent are those who turned the world upside down
07:30And teachers throughout Spain
07:32And they are dragging tourists from Madrid and Barcelona
07:35Up to Granada so they could see them
07:36Dear palm trees, my chicks
07:37Those next to Charles V insisted
07:39Which means all their efforts are directed towards each other
07:41Charles alone insisted
07:42And you feel like they're a lot of small buildings next to each other
07:44It feels like Charles insisted on doing something like a huge blunder.
07:46She has a sweet, oriental charm.
07:47Milliam, a small piece arranged next to each other
07:49Forget about sweets and all that, my dear.
07:51Let's go back to Egypt again
07:52But Foto asked me a very logical question.
07:54He said, "Abu Hamad, where is the entrance?"
07:55I'm here to find you a picture of the entrance to the church.
07:57I had to look for a picture of Charles V
07:59I'm still with you like this.
08:00I don't care about your eyes
08:01Do you see the small door on the left of the picture?
08:03This is not the guard's room door.
08:04no
08:04This is from the insistence
08:05See the difference
08:06Or the first chapter in the series of pictures
08:08Sons of Half
08:09You're talking like that, Abu Hamad? That's what's happening.
08:10No, actually, my dear, this is the entrance.
08:12I want to improve the idea you talk about yourself
08:13The spirit of Al-Muizz Street in Cairo
08:14There, my dear, is one of the most beautiful houses that you don't visit.
08:17Beit Al-Suhaim
08:18Dol, my dear, at the entrance of this beautiful and wonderful house
08:21You'll find it coming from a small alley branching off Al-Muizz Street
08:24Where are you, teacher?
08:25The Great Door
08:26Where is the main entrance?
08:28You're in Beit Al-Suhaim, my dear; it's very easy to miss the entrance as you walk.
08:31Don't even notice that there's anything there.
08:32Oh, what a mess!
08:33No one sees Suhaimi, oh my!
08:34The building from the outside
08:36He tells you something
08:37Zay Ayam Building
08:38But when you go inside, you realize that you're in a completely different world.
08:41This is perhaps one of the most important design elements in Muslim civilization.
08:45But it wasn't general at all
08:46Not the building's shape, nor the decorations, nor even the raw materials
08:49But the difference between what's inside and what's outside
08:51Nobody understood this
08:52What's wrong with you, my dear?
08:53The difference between the palace of Charles V and the palace of Mohammed V
08:56Of course, they changed their name.
08:57From Dat Charles and that's it
08:58My dear, that's the difference between a torte and the nature of oriental sweets.
09:00The most important thing about a cake is its outer wrapper.
09:03Its shape and taste
09:05But inside, my dear, is the thorn of your heart.
09:06Kika is a sponge that absorbs sorrows and grief.
09:09Of course, my dear, you can make this cake.
09:12The Trilichi
09:13Adding some dairy makes it sweet inside.
09:15But it remains the most important element
09:17and external appearance
09:19Of course, my dear.
09:20It starts and works many episodes from within
09:22Manga drops
09:23Add chocolate filling
09:25Maltesers chips
09:27But attention remains focused on external appearance.
09:30Much more important in case of entanglement
09:32Because it's Zein's house
09:34Something that affects the person who sees it
09:35I'm the one who makes the Eastern sweets.
09:37It is the opposite.
09:37The external appearance is always expected
09:39And I didn't play with the shape of the dish and made conversations from the outside.
09:41The most important thing about this dish is its contents.
09:43The filling, my dear
09:44Answer, Pistachio, answer, hazelnut
09:46Put the cream in the phyllo pastry
09:47And the mango inside the knafeh and the return in the saw
09:50But it's just filler, my dear.
09:52Pampering and creativity, my dear
09:53Usually, there is stuffing inside.
09:55The value of each piece on the plate
09:56She's the one who determines the value of the dish.
09:58For a long time, my dear, in the West
09:59Nobody was there, Al-Mafraq
10:00Therefore, nobody paid any attention to these matters at all.
10:03To the point that the door was filled
10:04And some people go and live there normally.
10:06To some extent, I'm a fan of romantic writers and artists.
10:09They decided to live this experience
10:10He wrote, wrote, wrote, and wrote stories about Egypt
10:13The Japanese man's outfit, Abu Hamid
10:14May God hear you
10:15That simile was used in the first place
10:17Now, I'm biting him
10:17These people wrote books and stories about the oppressors
10:19Perhaps the most famous of them is my dear book, Tales of the Alhambra.
10:22Tales of Princes
10:23The one who was converted in 1950
10:25For a film with the same title, the writer
10:26This book is by the American Washington Irving
10:29Many people consider this the most important reason
10:31In the habit of discovering red
10:33And that's when Europeans began to understand
10:34There is a difference between their architecture and the expression of the Muslims.
10:36It's not just about outward appearances.
10:38But what's happening inside the building
10:40Insham
10:41The first building I'll enter is the famous one.
10:42Which comes from the picture or the consultation
10:44This is a building where government employees meet.
10:46It is engraved in the laws and so on
10:47Which is this building, my dear
10:48There's something very strange about it.
10:49It contains a prayer
10:50So what's the problem, Bahmin? It's normal.
10:51My dear, it's not the prayer mat that's strange.
10:53But its shape
10:54My dear gardener, on the original five-year-old, that's how it is.
10:56We build and label each other
10:57A large square inside a circle
10:59There's no way
10:59Square means square
11:01And the circle is a circle
11:02And in the number, the shape of Thumani
11:03Thumani Muntazim
11:04He touches the circle with his hand
11:06We're not here because of Gaza
11:07He's back to being famous again
11:08It contains rectangles
11:09and straight lines
11:10And regular, of course
11:11That's all, dinner at the mosque.
11:12And it made the whole building tilt.
11:14In the direction of the camel
11:15The European, for him, is Da
11:16madness
11:17How do you mess up the system?
11:19Building lines guy
11:20Hey man, you stand in a corner inside
11:21But why isn't the system working?
11:22You're my uncle, my dear, and I promise you, my camel, that's behind you.
11:24And he looked at her forehead like that, she had an extra scratch.
11:26He said no
11:26What's wrong?
11:27This kind of thing doesn't exist in European design anymore.
11:28But my dear Andalusian factory
11:29This system is not important to him.
11:31What matters to him
11:32Mining
11:33Meaning of lines
11:34This meaning is common among Muslims.
11:35More related to the use of space
11:37The one inside the building
11:37The building from the outside
11:38It is a result of the building's relationship to its surroundings.
11:41Nothing more than that
11:42The meaning of prayer
11:43It is facing the Qibla
11:44Now we just need to wrap all the empty space inside
11:46With a feeling that meets it
11:47We want to see the Schengen scenes, it's difficult.
11:49He asked her and then asked us
11:49Even after you save up some money and travel to Spain
11:52You won't have any money.
11:53You can get tickets and enter the palace.
11:55But you, my dear
11:56You can view this text for free.
11:57Go, for example, to the Sultan Hassan Mosque
11:59or the back
11:59Or any mosque in Islamic Cairo
12:01You will never find rows of worshippers
12:03Always inclined to error
12:04This style of thinking in the ancient Muslim scholar
12:07Most Islamic buildings
12:09It has a unique characteristic
12:11And that's difficult to imagine.
12:12Bring a nice picture
12:13The house of the two
12:14Or the decisive Sultan
12:15or the back
12:16Or the palace of Habra itself
12:17You will always find scattered pictures of the spaces inside
12:19And the building that was bitten looks nice in the pictures.
12:21He is the one who has a large camel
12:23Al-Hakim Mosque costume
12:24Ibn Talun Mosque
12:25And this
12:25To give space to the person filming
12:27He's taking the picture
12:28Open it for me, my dear
12:29Google
12:29He wrote in the research
12:30insisted
12:31And avoid any random European name.
12:33You will find a page
12:34Complete the images of the building
12:35From the outside
12:36And every picture is amazing
12:37I dream of the second
12:38Without going to Europe
12:39Look, the brown one insisted
12:40And you understand right away
12:41Let's go back again
12:42Alhambra Palace
12:43Europeans and Americans
12:44Your destiny
12:44Blood so they can appreciate this building properly
12:46They need to bring him in and explain it to him inside.
12:47They understand the meaning
12:48Shen, she's a piece of tartaya like that
12:50They pound and that's it.
12:50He needs to try every piece.
12:52On a dessert plate by itself
12:53They visit every space in the building
12:54And they think of him alone
12:56Indeed
12:56They entered the building
12:57And your eye doesn't see the flatterer
12:58After the famous
12:59We're still talking about all of that.
13:00You will reach the Basil Hall
13:02The one in the middle, my dear
13:03This beautiful view
13:04and flat surface
13:05Reflects behind
13:06Mork from the castle towers
13:07But that's not a bad thing, Abu Hamad.
13:08And at the same time, inside him
13:10Yellow Hall
13:11And at this moment, my dear, do you realize?
13:12Meaning that the building
13:13He understands from within
13:14Charles V Palace, Maamoun
13:16So that as you get closer to him
13:17He tells you a message
13:18Be careful
13:19I'm in control here.
13:20But Sultan Yusuf I
13:21He tells you to come in
13:22Make yourself at home
13:23Go inside
13:23The entrance is simple
13:24The gaps are simple
13:26But as soon as you go inside
13:27Open your mouth
13:28And she stands completely silent, utterly amazed.
13:30You will find beauty, my dear
13:31Culture, elegance, and grace
13:33Present in every detail of the building
13:34In the origin of Charles V
13:35You will find the columns are solid.
13:36Strong, stable, and organized
13:38But in Al Hamra
13:39The columns are graceful
13:40and decorated
13:41And if you feel, my dear
13:41It's a Tomatch decoration
13:43That is what needs to be proven.
13:44You understand very well
13:45If you are younger
13:46From you understanding
13:46All the details are right in front of you
13:48You need to go there and come back again
13:49You go and come back again
13:50To understand all of this
13:51You're in, my dear
13:51On Sultan Yusuf I himself
13:53And if you say after that
13:54On the Ambassadors Hall
13:55The one where the Sultan receives
13:57Ambassadors of the Second Kingdoms
13:58And the one that's also covered with a nose-dome
14:00Composed of more than 8000 pieces of wood
14:038000 separate pieces
14:04And combined in some
14:05To stand
14:06Raise your head up
14:07You're not even a pro, you're just exhausted from too much
14:09The details are very impressive.
14:10Yes
14:11He pulled it down hard, cutting the top
14:13No, my dear
14:14Its relationship and geometric forms are complex.
14:16Nor the capabilities that allowed them to build Abba
14:18Some doubt
14:19And at this height in the first place
14:20And every idea is a whole other story.
14:21The idea is
14:22Seven circular geometric configurations
14:25It symbolizes the seven years
14:26And above them all is the central circle
14:28Which symbolizes God's wrath
14:29Nor from the verses and poems
14:31The one written on the edges of the door
14:32In Makza Da Azizi
14:33After you enter
14:34You know your eyebrows well
14:35originally
14:36This hall isn't the most amazing thing to begin with.
14:37Still in the Sisters Hall
14:38Jaba, the lions, and the Muqrins
14:40Yallaho Ala Wabat Al-Muqranis
14:41Al-Muqrins Da
14:42One of the most important architectural elements
14:44What distinguishes Muslim architecture
14:45When you're going to Sultan Hassan
14:47To see the topic of the building's external boundaries
14:49And the introduction and the words I was telling you
14:50Before you enter
14:51Look above the entrance
14:52That's how it is, my dear, a big muqarnas
14:55Al-Muqrin, my dear
14:56As an architectural element
14:57His origin is from Qasa al-Wusta
14:58A promise to Iran
14:59And the gatekeeper of the Muslims
15:00And everywhere they adopted him
15:02And they literally brought the last
15:03There's nothing left to do more than what they've already done.
15:05And I simply employed him
15:06If you have a square building
15:07Four walls means
15:08And you want to put a dome on top
15:09You're going to run into a problem, my friend.
15:10How to fit a circle onto a square
15:13Of course
15:14There will be gaps between them
15:15Muqrins, my dear
15:16It is a gradient in the shape of a square.
15:18Until he reaches the circle
15:19This is a transition
15:20USB
15:21He lost his red hair, and then he said, "It doesn't get lost."
15:23We're still building Oba
15:24no
15:24We make all the opa (a type of vulgar term) adorned with muqarnas (stalactite-like decorations
15:26Dear viewer
15:27The muqarnas you see
15:28Which is the shape of something very complex
15:29It's possible to adopt
15:30No names
15:31Let's explain
15:31Dear viewers of Al Jamaliya
15:32If your rose is square
15:33Drawing on paper
15:34In two dimensions
15:35two dimensions
15:35And say that
15:36Come on, Moeen, guess
15:37His third dimension
15:38What does it look like?
15:39It could be a cube
15:41Day
15:41But it's also possible
15:42Look at this
15:43The sanctuary remains
15:44Its base is square
15:45In two dimensions
15:47But in three dimensions
15:48He went out, a woman
15:49It's possible with a very large number of grains.
15:50And in order to build anything in three dimensions
15:51He must erase two drawings on the heart
15:53My birthplace and my horizon
15:55Al-Muqranis Al-Mukalka'
15:56This is amazing!
15:57Is that possible, my dear?
15:58Building on the horizon, but
15:59Because it consists of many small pieces
16:01They fit side by side
16:02If you made the pieces
16:03And I knew the location of each one.
16:04No one stays
16:05We don't need to increase the protection alongside him.
16:07This is my dear
16:08Worker like a plate of oriental sweets
16:10Dimensional series
16:11That's more likely.
16:11Red origin
16:12The idea
16:13What the Western world is surprised by
16:14He is exploring
16:15In the Alhambra building
16:16This is the civilization of the Muslims
16:17She started to put on all this dazzling display
16:19The interior has a simple and modest outer cover.
16:21I will not follow, my dear
16:22Many categories of people
16:23She loves the original red color.
16:24Architects and historians
16:26Artists and tourists
16:27and program presenters
16:28And others as well
16:29But I myself, my dear, am more into it
16:31I'd love to see her admiration for this building.
16:33they
16:34athletes
16:35The proofs of the sun
16:36For Abi Ahmed
16:37The proofs of the sun
16:38Create, my dear
16:39And mathematics is no longer needed.
16:40Why do they love the original red one?
16:41Why, Abu Ahmed?
16:42It brings loved ones together
16:43And good things come
16:44No, dear
16:45Athletes love the original red color.
16:46Because of his baldness
16:48People are walking around reading
16:49And there is no victor but the highest walls
16:51And look at the columns
16:52And the tree, and the water
16:54The math people
16:55They're counting the axes
16:56Your Lord is One.
16:57Hassan and Hussein
16:58I swear by God, the Almighty
16:59I'm not coming back here again
17:00Athletes, my dear friend
17:02They like to count the tiles
17:03Because of set theory
17:04Agrob Thir
17:05Wasn't her name Abu Ahmed?
17:06The group is Serabi
17:07no
17:07Agrob Thir, my dear
17:08mathematical theory
17:09She is studying the group
17:10Of course, my dear
17:11You don't know what these groups are
17:12What group?
17:13Simply put, it is
17:14A collection of abstract mathematical objects
17:16and the operations applied to it
17:17any
17:18Why did they do that?
17:19This is the group, Abu Ahmed
17:20Wasn't it Russia and Uruguay?
17:21And the friends of Manso are a group
17:22Dear, this isn't how sports are defined.
17:24I'll explain myself
17:25What is this?
17:25This profit
17:26geometric shape
17:27I expect the sports are named after them
17:28Moroccan sports commentator
17:29Because if I say it's okay for the profit
17:30People will eat the candle
17:31If you made a profit and changed
17:32There's no time for things
17:33For example, a ninety-degree turn
17:35You'll find it's the same one.
17:36Why is there a degree in Mahou?
17:37It's also profitable
17:38Medicine reflects the content of the vertical
17:39or the horizon
17:40Qatar Medicine
17:40This is my dear
17:41The theories group you study
17:42The number of changes you can make to the shape
17:44And preferably
17:44When the power
17:45Nothing in it changes
17:46This, my dear, is what we all call symmetry.
17:48Of course, the shape becomes more complex.
17:50Every place is harder
17:50If you make it symmetrical
17:51The tiles and decorations that are originally red
17:53It's full of games related to symmetry.
17:55Look at this formation with me
17:57Maybe you were sitting in the bathroom
17:58Look at the mirage
17:58And you sit and play this game
17:59What a majestic mathematics teacher!
18:01They found that there are only 17 types of symmetry
18:04This can be achieved in the case of shapes
18:06two-dimensional
18:07Of course, the issue is bigger than that, Lazizi.
18:08Shoka, I don't want to hear her, she's deaf now.
18:10The red decorations remained
18:12It contains how many types of symmetry? 17 countries
18:14All of them
18:15Shuka Bra Biha
18:15What's going on?
18:16But Joseph I and Muhammad V
18:18Those who built the most important parts of these walls
18:20They weren't going to let the opportunity slip away
18:22They tell the visitors
18:23I'm Baba, ya la
18:24Except he exploits it and answers him last.
18:25Charles V, my dear, too
18:26He wanted to say the same thing
18:28And the two of them built buildings
18:29The same message arrives
18:30She says what's coming next is the story
18:31You tell him something
18:32Stop, my friend!
18:33You're right
18:34But everyone has their day
18:35He says this in his own way
18:36Who in Muhammad has the best way?
18:37I have dear Zoqiyat
18:38That's not what's important to me.
18:39I am actually dear
18:40The one who gives me more
18:41It is a layer of oriental sweets
18:42Every team is as we said, my dear
18:44Among the thinking of Muslims
18:45With the buildings they design
18:46Among Europeans
18:47And you, John
18:48But my dear
18:48When I try to think
18:49What is the reason for this difference?
18:50What's the issue with the difficulty?
18:51And we continue with a true thought
18:52In a truly different way
18:53After the two searches, I'll find you
18:54The reason is the temperatures.
18:56Because of the weather
18:57Muslims are free
18:58So we build buildings
18:59It has an inner courtyard
19:00The courtyard, my dear
19:01It helps regulate temperature
19:03High efficiency
19:04That's why Muslims care
19:05More inside than outside
19:07And Huda says to her, "O Muhammad"
19:08Charles V intended to use the courtyard
19:09Actually, my dear
19:10All of Europe is full of art.
19:11AS too
19:12Their interest
19:13A picture of the building as a whole
19:14As a single unit
19:15One Unit is much larger than the courtyards
19:17Two other studies said
19:18This was influenced by Islamic teachings.
19:20Islam confirms this in more than one place.
19:22On the subject of humility
19:23Whether in buildings, clothing, or any other need
19:24Islam doesn't just have texts that say
19:26Don't embellish it
19:27no
19:27He considers any place to be pure.
19:29mosque
19:29The important thing is what you do in it
19:31That's what you'd say.
19:32It becomes something endemic
19:33In people's habits and ideas
19:34Meaning Sultan Yusuf I
19:36He wasn't thinking like that.
19:37He wasn't thinking
19:37I am a Muslim
19:38So I need to build a building
19:39And compensate from outside
19:40no
19:40He actually works in the first place.
19:41He brings it down on all the other kingdoms
19:43But it's the culture he grew up in
19:45I let him become a hero inside
19:46The unimportance of outward appearance
19:48There is a counterpart to what is inside the building.
19:50This is a great idea, a thought of care.
19:51I personally love this idea.
19:52By God, Hamad
19:53Hello
19:53But it's a shake of the truth.
19:55It doesn't explain everything.
19:56Because the definite observation
19:57It is that there is a general tendency
19:58To achieve these ideas
20:00Every time we go, it will get more and more intense.
20:01The topic means
20:02Not just related to Islam
20:03naturally
20:04Islam is an element and a family
20:05But it doesn't explain everything.
20:06In the Far East
20:07China, Japan, Korea
20:08The ruler's family is named
20:10Forbidden City
20:11Because it was truly like a city.
20:12Too many buildings
20:13Gathered together
20:23I don't know what
20:25Why every time you go east
20:26That's the way it should be.
20:27And he held it in his hand, which held greater importance.
20:28Inside a building, from the outside
20:31Have you heard, my dear, about the knowledge movement?
20:33One of the beautiful things
20:35The one where Charles V's palace is located
20:37It is built in the Renaissance style.
20:39Renaissance
20:40The simple story
20:41Europe during these periods
20:42It was the death of an active scientific and philosophical movement.
20:49After that, Europe sank for a while.
20:51In the Dark Ages
20:52At that time, Muslims were at the height of their progress.
20:55And they saved sciences from the philosophies of Europe.
20:57They developed and improved them, and did the best among them.
20:59Take from Greece, Italy and Iran
21:00Central Asia and North Africa
21:02And they used all of this heritage
21:03In design and construction
21:04One of the most important Muslim leaders
21:06And you notice
21:06In the parts built by Hamad V
21:08Zay Bah and the Seven, for example
21:09It has a strong influence from Christian architecture.
21:12After that, Europe began to surpass Europe.
21:13In the Renaissance
21:14So she brought back their ancient knowledge from the Muslims
21:15After they rescued it, translated it, and explained it
21:17And they took with them the new sciences of the Muslims.
21:20They developed and improved it
21:21And they built a new renaissance
21:22The Renaissance
21:23The circles are rotating, my dear.
21:24Science and art are not of interest to anyone
21:26It's very kind of you, my dear, to me
21:28This isn't the only pattern you might see.
21:30In the story of the Alhambra Palace
21:31But there is another very sad pattern
21:33This pattern is a moment of Ibn Khaldun's
21:35Those who lived during the time of the Alhambra Palace
21:36Ibn Khaldun became Al-Hamra
21:37And I realized something very important
21:39These civilizations are coming to an end.
21:40He saw that the women who don't start to get very respectful
21:43By developing its products
21:44Until you reach a level of luxury
21:46The art of the end
21:48And improving his condition
21:49That, my dear, means
21:51It has begun to fall apart
21:52And here, my dear, is the exact story of the Alhambra Palace.
21:54Muslims ruled Andalusia for 150 years
21:57And the most beautiful and greatest Nabanu during this period
22:00She is the one who adopted
22:01And they are defeated
22:02imaginary
22:02But generally speaking, and again about nostalgia, sadness, East and West
22:06The important thing, my dear
22:07They will have conveyed to you that the building is not a statue.
22:09Architecture is not just a form
22:10The building's exterior shape is merely an element
22:12An element of the entire building's supporters
22:13And most importantly
22:14The space in which we move and live
22:17What does this blank space say?
22:18How does it work with us?
22:19Swiss architect Jacques Herzog says
22:21My dear friend, it was the Muslims who invented the void.
22:23The Alhambra Palace and its surprises
22:25One of the most beautiful models
22:27However, the building is not just a picture.
22:28But it's a void we live inside.
22:31Benmlaq
22:31That's all, my dear, and you're back in this void.
22:33And you have free time
22:34Please just watch the last episode
22:35You forget to look at the sources
22:38We are shopping
22:39We are
22:39My dear, you won't let me tell you a geometric point.
22:41Why, my dear, does Ibn Daiman always lose points in the sports exam?
22:44Let me tell you why, my dear
22:45Because, my dear, it's full-fat
22:46And he forgot to put the poison of integration
22:48Aurl says
22:49The state of Bouhmil is something we can only dream about.
22:52God