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هي مكتبة رقمية تحتوي علي آلاف الفيديوهات العربية في جميع المجالات
It is a digital library containing thousands of Arabic videos in all fields.
قوائم تشغيل فسيلة
https://www.dailymotion.com/fasela/playlists
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LearningTranscript
00:01Welcome to a new chapter in our program
00:04Today we have the esteemed guest, Professor Mahmoud, clearly.
00:06Hello from us
00:07This is the artist who became famous for his roles that were all evil.
00:10His roles, all of which are violent
00:12All of them are mean
00:14And the situation
00:15and lowly
00:16Bloodshed
00:17And killed
00:18Professor, it doesn't have to go this far; it's just acting.
00:21Don't take it personally, Mr. Mahmoud
00:22But the public wants to know
00:24How are you so skilled at evil?
00:26God is the only one who strives
00:28To be honest with himself and with the public
00:30Because the most important thing is for people to believe the character
00:33I can't believe it
00:34And those who are victorious
00:35What is this, sir?
00:36Are you here to insult me or what?
00:37I don't understand
00:38Let's talk about your latest film
00:39Artist Salma Essam
00:40The one who played the role of Alia
00:43Tell us more about your relationship with her.
00:44By God, Salwa is one of my dearest friends.
00:46She is a very kind person
00:49And it begins with all goodness
00:50Hey man, what's your best friend like?
00:52You killed her with three movies in a row!
00:53This is a professor, this is acting
00:54This is a dramatic context
00:56But she's still alive and well.
00:58enough
00:58Let's take some phone calls from the public.
01:01With us is Basem
01:02The credit goes to Bassem.
01:02I am the life star after she was featured in the film
01:05I hate you so, so, so much
01:06I'm adding my voice to yours, Basoum
01:08So, I did my part correctly.
01:10No, no, I hate you, I really hate you.
01:12I mean, I'm different to you now.
01:14I'm teasing you during the breaks.
01:15God is sufficient for us, and He is the best of guardians.
01:16O esteemed professor
01:18This role doesn't reflect my real personality.
01:21No, this role doesn't look real.
01:22And you look like a traitor by nature.
01:24He fought and did it
01:26Oh, this injustice!
01:28Why are you slandering me?
01:29I am a representative of the Qat team in my grandfather's role.
01:31Mr. Mobile
01:31I mean, the evil you're showing us in front of the camera
01:33There's not a little bit of it ingrained in your personality.
01:36What I meant
01:37What do you mean?
01:38You're not opening Twitter, or what, mobile?
01:40You're so lazy, you murderer, you bloodthirsty killer!
01:42Stop right there
01:43No, you're saying something murderous and violent.
01:45You probably don't know that my sweetheart is here with us too.
01:48We'll show you what's coming, come to Sima
01:50Now the game is out in the open.
01:52If you threaten me
01:53Keep enduring
01:56Is this evil?
01:57I don't make anything up.
01:58Say to yourself, O Most Gracious, Most Merciful
02:00Is he the Lord of Muhammad, peace be upon him?
02:01O Muhammad
02:01Don't imagine, Muhammad
02:03Don't imagine, Muhammad
02:04Every morning
02:05Muhammad didn't listen to him.
02:06Even on the gun
02:07You are comfortable, Muhammad
02:08Evil is above, my love
02:09Evil How
02:10There is no evil, only good.
02:11Oh peace, they're not calm, how?
02:12Don't imagine, Muhammad, I'm telling you
02:13His vision
02:14O Muhammad
02:14O Muhammad, open up his words, O Muhammad
02:16Come on, millions, look!
02:24Dear viewers, peace, mercy and blessings of God be upon you.
02:26Welcome to a new episode of the Dabke program
02:28In them, March 30, 1981
02:31John, the American president
02:33Outside the Hilton Washlton Hotel
02:35Everyone is surprised
02:36A young man was shot at on Saturday.
02:39So that the president can try to impress
02:40And in a reservation
02:41Regen survives after being shot
02:44Oh
02:44A pen stroke
02:45Thank God the young man was arrested
02:47It is a need
02:48Hashi, the beautiful viewer, let me tell you
02:50The year 1981 means the end of the Cold War.
02:52That's why a million predictions were made about this young man.
02:54Is he a communist?
02:56No, anarchist.
02:57No friendship against Reagan's violent capitalist agenda
03:01The love with the weapon
03:02The answer, my dear, is one of the above.
03:05The young man carried out the assassination attempt.
03:06Not because of capital
03:07or communism
03:08But that's because, Abu Ahmed
03:09Because of the crush
03:10Crash, Abu Ahmed
03:11You see, my dear, she did it because of her crush.
03:12And the exit works on Play on Story
03:14And you say it, O Lord, always
03:15Oh wailing
03:15O you who are incapable of opening your speech
03:17The young man, my dear, in his confession
03:18He told the strangest story you could ever hear
03:20I am John Hinckley Jr.
03:21I am a 26-year-old American man
03:23Is it true that you tried to impersonate the American president?
03:25I was obsessed with the Hollywood star
03:27Jodie Foster
03:28The one who was in the movie
03:29I tried to flatter her so she would love me
03:31So I said, "I've lost Robert De Niro."
03:33And a political figure
03:34My love
03:35Mahooz, it's the main fighter
03:36USA
03:37There are other ways to impress girls
03:39It's all here because of the matter
03:41For you, O Commander
03:43I'll tell you about it
03:45After many events, the Americans are certain
03:47The man doesn't just file a complaint and then get acquitted.
03:49From the assassination attempt
03:50But he enters a psychological space because he is ill.
03:52And my dear will remain inside this space for 35 years.
03:55Until he is released in 2016
03:56The FBI will then decide to interrogate you all.
03:59Paul Schuder, screenwriter of Taxi Driver
04:01Scorsese is the director and De Niro is the star
04:03And he asks them the question, "Are you brave?"
04:05Why did you make that movie?
04:06An American youth was inspired to assassinate the president.
04:08Paul Shader, I swear I wanted to tell you about your age in us
04:11But God guided us, but this film...
04:13He tied his hands for two weeks
04:13At that time, my dear, Paul Shader had just broken up with his wife.
04:16And he's also with the woman he cheated on his wife with.
04:18He was in debt and found himself a patient in the hospital.
04:20He is suffering from ulcers
04:21When a nurse spoke to him for the first time to get his information
04:24He discovered that he hadn't spoken to anyone for weeks.
04:26Hence the film's focus on a lonely person living in New York
04:29And the first thing he did was to relieve himself
04:31This movie was written quickly.
04:32Just a way to release pent-up emotions, nothing more.
04:33Imagine, my dear, her writing two words that express your own self-worth
04:35He then takes out a film that takes the film Dior
04:37Scorsese, the film's director, said
04:39It wasn't surprising that someone from New York
04:41He'll even see the movie.
04:42Therefore, no one will be affected by it.
04:44Not even Tali Reviews does an episode about it.
04:45He was surprised when he found the film was a huge success worldwide.
04:48Imagine, my dear, her breaking the world.
04:49I need a dear brother who is in a good situation.
04:51Young people from Manchuria in China
04:52Those who didn't know where it was
04:53They put it down and told him
04:54Mr. Scorsese
04:56The film had a strong impact on us
04:57They depicted the violence and the isolation we are living in.
04:59With utmost care
05:00But what surprised Scorsese the most
05:02It is the Hinckley crime
05:03Because the film's protagonist was ultimately a victim of violence.
05:05The film didn't present violence as a solution at all.
05:07Quite the opposite, in fact.
05:08And here, my dear, we must stop and ask
05:09Is it possible for a film to create an impact of this magnitude?
05:12And what about the Hinckley incident, Tat One Time Vengo?
05:14Is it possible for a film to achieve the opposite of its message?
05:16And all the methods the film uses to deliver a message actually have the opposite effect?
05:20Therefore, the film that thinks it's good
05:22Is it turning into an evil movie?
05:23In the late sixties, my dear Hollywood, there was an art block
05:27Television was a successful invention
05:29So successful, in fact, that it was the status quo of cinema.
05:31The films that are successful are films that come from Europe.
05:33While all Hollywood movies are recycled and repetitive
05:35It no longer has any effect.
05:37At that point, Paramount decided to make a different kind of film.
05:39Each of its components is carefully selected on a sorting scale.
05:42In order to achieve the effect she wants
05:44He bought the novel "Gad Fadher" by the Italian writer Mario Bozzi.
05:48She decided to turn it into a film
05:50The directors assigned to the project began to admire a young director, 33 years old.
05:53His name is Francis Ford Coppola
05:55Coppola, my dear, this film is a lifetime project.
05:57The first borrower of the novel began writing on a small piece of paper.
06:00Oh, Samen and Selin, whom he sees as having weak roles
06:02And he went to the director of Paramount Company for nominations
06:05The man stopped at the first name
06:06Marlon Brando told him, "This is on my mind."
06:09No, I don't want Gisatti, I want Marilyn Brando.
06:10This is a hot topic, my dear; they'll see Marilyn Brando's body.
06:14Marilyn Brando, my dear, said the great actor at the time
06:17The termination companies saw a toxic person
06:18He caused problems selling everything
06:20Coppola's objection
06:21He got up from the chair and made a face.
06:24He said, "It remains a theatrical masterpiece."
06:25What kind of director would I be if you didn't let me choose my heroes?
06:29The drama queen was strong, my dear, but it turns out the drama only works in drama.
06:32After much effort, the director of Paramount was satisfied
06:35But he told him, "We have three stories."
06:36First thing, he has no reward
06:38We'll do a first screen test to see if it works or not.
06:41He pledges to pay one million dollars
06:43If he causes any problems, it's because of what he does on the site.
06:45Dear Shot, worse than the Treaty of Versailles
06:47The guy was nice asking Brando to go to his house
06:49He washes his clothes and feeds the meat to his shoulders.
06:50Coppola, a very long onion
06:52He rose proudly from the ground
06:53He agreed
06:55But he agreed, though he frowned a little.
06:56Indeed, Coppola went to Brando
06:58He agreed with him and said to him
06:59Please, we need a solution for the screen test.
07:01Coppola entered Brando's house with some Italian propolis.
07:04Tuscan cigars and Italian cheese
07:06And a little bit of both Wayne and George Cleine
07:08To put him in death using the screenshot
07:19Brando didn't stop there and continued, saying to him
07:20The man in the novel works as a director
07:22They used to take a course before
07:23Isn't that right, a voice ink cartridge?
07:25Farah changed her voice
07:26So that the voice of Jad Fader, whom we all know, can be heard.
07:28I'm a charlatan, I'm not Amir Eid Allah
07:30And then Brando told him
07:32My gut feeling tells me he's a rough man.
07:34Glez and Shamah the Bulldog
07:36He took the handkerchief flag and stuffed his mouth with Climax.
07:38So that he can do this from Lot like that
07:40Bulldog and during his time and a half
07:42Marlon Brando made a appearance
07:44The serious one, the one we all know
07:46Khad Cobola Screen Test for the company from here
07:48And the company was impressed by this.
07:50Coppola will have a similar battle
07:52For Paramount to accept Al Pacino's continued presence
07:54In the role of Michael Corleone after what they described
07:56That it's more anime
07:57But thank God, my dear Coppola insisted on it
07:59And he won this battle too.
08:02Because the biggest battle of the film hadn't come yet.
08:05Mobilized with the Italian American Civil Rights League
08:09Who? Okay, my dear.
08:10Someone said their name wrong; this is a group led by
08:13Real estate broker and businessman
08:15American Italian Joe Colombo
08:17This is a group whose goal is to defend the image
08:19Italian immigrants in America
08:21I have all the development and stereo images.
08:23The ones that films and institutions use to portray them
08:25If you think about it, my dear American, you'll find that the film
08:27It is originally a novel by Mario Puzo
08:29Italian-American and directed by Coppola
08:31Italian-American, and that's why it was difficult.
08:33These people have actually developed themselves
08:35They portray themselves as criminals, but they
08:37They did not accept the agreement, especially the one regarding the tie.
08:39By God, Colombo, you're a real gem!
08:41Mr. Colombo, don't let anyone make a picture of you.
08:42Strike Columbo with iron fist
08:44Because, in reality, my dear, here's the surprise: Good Columbo
08:47Those who defend the image of Italian immigrants
08:48Some people are truly awful and malicious.
08:50Seven Italian Americans is the same
08:53He was a mafia member and a prime suspect with the FBI.
08:54In Gram, tax evasion, extortion, and Ammar
08:57God, God, Dantlak smokes cigarettes
08:59But he embodied the mafia's attempt
09:01To whitewash herself as a media figure
09:02And easing the restrictions on their portrayal in society was a crime.
09:04Imagine, my friend, any company spending billions
09:06On Corporate Image
09:07And the mafia had Colombo who appeared in his interviews
09:10And he says romantically, Tani Shaker
09:11I'm the head of a family, but it's not a mafia.
09:13I am a good boss to my wife and four children.
09:15And you
09:16In his book The Godfather Legacy
09:19Harla Lippo is talking about Columbo
09:21The link was the first thing they distorted: that Paramount had bought a novel
09:24They started working for them in the Laz'a
09:25Media war, threatening phone calls
09:28It reached the point of threatening with an explosive tip-off.
09:30Your husband hit your car
09:32Albert Ruddy, the producer of the film that started to get dusty
09:34The topic is about Bijad and the mafia kidnapping or informing someone about breaking the film.
09:37And because of that, it didn't happen.
09:38Rudy decided to treat the mafia the same way they treated him.
09:40He requested a friendly meeting with Joe Colombo
09:42And the movie script table will come out
09:43He asked him, "What are your requests, Colombo Bey?"
09:45So he told him, "The first thing you need to do is remove the word 'mafia' from the script."
09:49Referring to the mafia using words like "family"
09:51And also part of the Arab clubs
09:53Go to the Lord's box
09:54Rudy heard this, and he and his family were frowning.
09:57What are you saying? Who do you think you are?
09:59I agree, but please agree.
10:00Klum, my dear, agrees
10:01Although Paramount saw this agreement
10:03He is challenging the film's message against crime.
10:06But the agreement again
10:07And it's true, my dear, that the mafia will assassinate Kluma later.
10:09This means the man will become a victim of the people he defends.
10:12Paramount will temporarily suspend Rudy
10:14But the important thing, thank God, is that the film was made.
10:16Mafia members attended a special screening
10:18And they liked the film
10:19And in March 1972 the world saw
10:21Francis Ford Coppola's page
10:24In Jad Father
10:24The film cost between six and seven million dollars to produce
10:27The film "Iradat" premiered in America.
10:29That's about seventy-nine million dollars
10:31Those who are about a billion, a quarter of whom are good today
10:33And here the phenomenon began
10:36The author, Tom St. Pietro, my dear, says in his book
10:40The Godfather Effect
10:40The moment the film was shown was a historic moment.
10:43It will not only contradict the expectations that the filmmakers had in mind
10:45But it will have the exact opposite effect.
10:47And doubled and eternal for everything that was in his mind
10:49This film sparked public outrage until 2009
10:52You will consider that more than 74%
10:54From the American people
10:55Americans of Catalan descent found activity in the Mafia
10:58While the actual percentage was
11:0100782
11:02Bakad ya ba'ween, are you checking the length of the last one?
11:04And the film that talks
11:06About cruelty and about the world of crime
11:08He will turn mafia men into stars
11:09To the point that members of the Mafia in the seventies
11:11They started wearing the same clothes as him on the set of the movie.
11:13The events of which took place in the late 1940s
11:15The film brought back a trend that had gone out of fashion, my dear, as mentioned in his book.
11:17Breaking Damo says Frank Friel
11:19The officer who led many raids on the homes of mafia men
11:22Almost every household has an income
11:23He needed to find empty, straight-line tapes in it.
11:26Neatly preserved mobile home
11:27Jerrika Bisi, a journalist specializing in mafia affairs
11:30He said, "I made those films
11:32Mafia men from Off Honor
11:33Men of honor, not men of crime.
11:35The impact of the film "Dear" was overwhelming.
11:37To the point that someone witnessed the mafia crimes firsthand
11:39Dominic Monteniglio is lying to himself.
11:41From Abu Hamad Montu
11:42He is Montgate Montagelio
11:44Dominic, my dear, his uncle was Nino.
11:46My dear uncle, your uncle Nino remains my dear uncle
11:47Oh God, he's blind! What will he hear? Surely he's blind!
11:49Nino was an enemy in the Gambina family
11:51One of the Fifth Mafia Families in New York
11:54Dominic was working as his uncle's identifier.
11:55But he's a mafia boss.
11:57It's all threats, killings, and dismemberment.
11:59He wanted to be a male singer
12:00You'll become a doctor, Mohi, and embarrass us! Dominic fled to California.
12:03He's in disguise to follow his passion.
12:05And in his free time, he went and watched the movie.
12:07And in the scene where Michael says
12:08For Fredo's brother
12:12And indeed, Dominic returns to his uncle and the family.
12:15And in it, after Dominic, he says
12:16The film is creative and contradicts reality.
12:18The one who was good and extorting
12:20And it's tried and tested, what are you waiting for?
12:22Who would lie about all of this?
12:24He believes he belongs to a prestigious institution.
12:26An institution with laws
12:27He carries out people's orders, elegantly entrenched in darkness.
12:30And it was part of something bigger than him
12:32Belonging to this entity is a national duty.
12:33Then Dominic, who entered the witness protection program, said
12:36At the end of his career
12:37Mafia movies were the greatest form of beautification.
12:39The mafia actually had it
12:41Imagine, my dear, you're making a film under the influence of colitis and malfunctioning.
12:44This affects one person, who then tries to influence the American president.
12:46Or make a film that says crime doesn't pay
12:48People join the mafia
12:49The more important question now is, why are people taking this so seriously?
12:51What makes movies sometimes
12:53It goes beyond being a fictional tale
12:55He was actually violently affected
12:57We cannot predict it or control it
12:59Research field on the effects of film
13:01Viewer behavior is a very old field.
13:04It began in the 1920s and 1930s
13:05So you could say it actually emerged around the time cinema became widespread.
13:08In the 1960s, for example, the American-Canadian psychologist
13:10Albert Bandura
13:11He conducted an experiment called Bobo Doll Experiment
13:13At Stanford University, on 72 children
13:15It lasted for two years
13:17The children are divided into three categories.
13:19Each child is sitting inside in a room with a punching bag.
13:21Or an inflatable doll named Bobo
13:23But a group of children left her with Bobo
13:26And countries are guns and violent toys.
13:28And another category in the same environment, but you put an adult man next to the children, hitting Bobo, playing violent games, and saying words like
13:34And kill him with his balloon
13:35And the third-grade children sit while watching movies that contain scenes of violence.
13:39The result, my dear, was that all the children engaged in violent Spooky behavior.
13:43They all, my dear, hit the boo-boo
13:45So, my dear, does the baby feed the baby and the baby hit the baby?
13:47So what does Bobo do? Smoke cigarettes?
13:49But honestly, not all children hit the baby with the same violence.
13:52The children fell into two categories: those who saw adults hitting the doll, and those who saw videos containing violence.
13:58They were much more inclined towards violence, to the point that they even imitated the words they heard, whether from the scenes they saw.
14:04Or from what the older people who were with them in the room said
14:06I understand, my dear, I mean the kids you let have guns
14:09So he doesn't commit the same kind of violence as the kids who see an adult doing something.
14:13Or someone might see him watching TV.
14:15Of course, my dear, this experiment has been heavily criticized.
14:17But a great deal of controversy began to arise regarding the idea of simulation or
14:21It means you imitate the movie's heroes in their appearance, behavior, and decisions.
14:25Silstoura Keda Azizi
14:26I say to Essam
14:27What's the difference between a man and a woman, Muhammad, you're a flood?
14:30Author and psychology professor Skip Dine Young in his book
14:33In his book
14:35He's talking about a movie
14:35And this, my dear, is one of only three films in history to have won all five major Academy Awards.
14:41Best film, director, screenplay, actors, and actress
14:44Take the prize, Wash Wash, Abu Hamid
14:45Maybe, but I don't have a name.
14:47The important thing is that the film was released in 1934
14:50And it appeared that Clark Gable had a son.
14:52Tablas without vanilla campaigns
14:53Vanillac factory outlets for slippery floors
14:55And the American shawl sold everything in Belbeis
14:57So they can feel like they have some Clark Gable in them.
14:59You also have Rachel's hairstyle at Ferns
15:02The one all the girls copied
15:03I wish I had husky dogs that resemble wolves.
15:05It increased greatly after the Game of Thrones series.
15:07Chess became a trend after Queens Jump
15:09And of course, a pullover that's always with you, like the one from Amr Ghiab.
15:11Aziza bought six pieces of the same brand.
15:13What is your wish?
15:14And Shakit is wearing the shantytown clogs
15:16"Small, my dear" is the name of the newborn that comes out after every series.
15:18Like the fashion trend that emerged after the series
15:21Eyebrow shaping even in TV series
15:22The Turkish names among them are Noor and Muhannad.
15:24But the matter didn't stop at simple imitation.
15:27external shape
15:28Skip Payne Young said that movies can be eight
15:30We need something called behavioral conditioning.
15:32Behavioral conditioning theory, my dear
15:34You're saying that when you take me like that, I'll make a tank
15:36And this comes, Abu Hamid, we are a reservoir of sorrows
15:38No, my dear, the theory says you are a reservoir of violence.
15:40The theory states that we store all scenes
15:42The violence we see within ourselves until
15:44No situation arises that prepares her for the appearance
15:46If you saw a thousand scenes of a fight in a cafe
15:47You won't go specifically to a cafe to get stuffy
15:49But if a fight breaks out in a cafe where you're sitting
15:51Suddenly, a thousand scenes will appear in our minds
15:53They will be the reference that will be acted upon.
15:55Not only that, cinema and films can also enhance
15:58And it shows you this theater if you
16:00You have a predisposition to violence
16:01For example, on Halloween night in 2021
16:03A young Japanese man named Kyota Hattori
16:05Cute Turkish guy in a suit
16:07He was wearing the same outfit as the Joker.
16:09In the movie about Wagen Phoenix in movie 19
16:11This is normal and didn't attract anyone's attention.
16:13Because it's Halloween night, and it has Halloween and Halloween costumes.
16:15It's normal, and people considered it like a normal tankuri.
16:18Like the fishermen who are busy with their wedding preparations
16:19They were hardworking hunters, but this young man was cute.
16:21So he went and took out a knife
16:23He started feeding more than 16 passengers.
16:26They caused them serious trouble
16:27This scene was a simulation of a flag scene.
16:29It happened on the Anfa train too
16:31In the same film, Wakin Phoenix
16:33Even if it doesn't look exactly the same, it means a ghost.
16:35A similar sensation occurred in 1999
16:37At Snowy School in Colorado
16:39There were two people involved in random gunfire.
16:42More than 13 killed
16:43Butcher 21
16:45They were wearing elegant black robes
16:47Matrix movie characters' coats
16:49According to Skip Danion and the opinion of a professor of criminology
16:52Yasuiki de Juchi
16:53I hope I said his name correctly.
16:54Excuse me, Yasuiki, but this gram
16:56It didn't happen because someone watched the film, but because
16:58He had a psychological issue, and their opinion was that the film
17:01The decor or stage
17:03The one who let the criminal express his problems
17:06Do you know, my dear, what President Barack Obama's favorite movie is?
17:09Obama, not a movie, Ya Bahmad
17:10High death to Captain Mamdouh Farag
17:12No, my dear, Obama loves Ali Spicy.
17:13Donald Raab loves Captain Mamdouh Farag
17:16Barack Obama's favorite movie
17:18He says that this is the film that inspired his political life.
17:20In Congress because it combines
17:22The protocol is outwardly gentle, but inwardly brutal.
17:24Political life behind the scenes
17:25This is the same movie that the reformed gangster saw.
17:28The one who wanted to play guitar made him come back
17:30In general, so that he can get involved in the mafia again
17:31The film could be used as justification
17:33So that he can return with it
17:34It made him feel a sense of belonging to a large entity.
17:35And it made him see the mafia in a less bad light.
17:37What it really is
17:39That is, if we consider the film to be a message and everyone
17:41Translate it differently than the other one.
17:42God knows best if Olan translated it differently from the other.
17:45No
17:46Listen, Obama, Yellen
17:49This is because there are factors
17:51Age and psychological makeup
17:53The environment in which a person grows up
17:54And that's what makes one see the Joker
17:56He takes her to a masquerade party.
17:58Or he can go to Qatar and appreciate his passengers.
17:59Therefore, we considered the film to be a message.
18:01Every message has a medium.
18:02I tracked through it
18:05Why is it a famous and important phrase?
18:08He says
18:10The media is the message itself.
18:12He means that the media or news outlets
18:14Not just a form of entertainment
18:15Things like movies don't just tell us stories
18:17But it is through the wisdom of communication that we move forward.
18:19In all its forms
18:20What does "Abu Hamir" mean?
18:21It means that the best thing we can do is go and look for movies and TV series.
18:23The answers to the questions are numerous.
18:25The costume of love, communication, visibility, and unity
18:27And all that increases human dependence on media
18:30The more they wish for the answers, the more
18:32The one that you are applying for
18:32If drama remains the means
18:35The one your daughter took from you one day
18:36Her idea about the relationship between a father and his daughter
18:38You'll find her coming in and saying, "How are you, Sibaba?"
18:40Of course, it's a disaster; nobody calls me "Ya Sebaba" in reality.
18:42And no one is talking about an important topic
18:44The person turns his back like that and looks at the camera.
18:47And nobody eats three breakfasts anymore, just lunch from Manfofin.
18:49The last person I would have imagined would have been behind my back
18:52You are Ahmed, William
18:53And I was the last person who expected him to be behind my back.
18:56Stops in my back
18:57You are Ahmed, William
18:58And your problem remains if you end up with a nomadic woman.
19:00Applied to films
19:01And you remain, except for any other hair you may have.
19:03I swear I didn't jump off a waterfall or anything.
19:05From the hour you knew
19:06I didn't hit the four who opposed me
19:07Even the gang leader who kidnapped me
19:08And he told you the Sanyo didn't come to our place
19:10I called the police and they let me out normally.
19:11Amal asked her, "What are you doing?"
19:13Whose relief is this, he said?
19:13Faraj, what did the talk show tell me?
19:14According to McLondon
19:16If we converted the tanks
19:17I saw what you were watching on the screen
19:19And that's it.
19:20Our knowledge will then be merely influenced by the images we see.
19:22And the situation, O Muhamin
19:23Let's stop watching Netflix
19:24No, my dear
19:25The solution is simple
19:25But regret is hard for you
19:26I need a drill to puncture the tank.
19:28Open the gutter
19:28You need to broaden your mind, my dear.
19:30And understand what will surround him
19:32Because, as MacDonald says, it's true
19:33The way the message pleads
19:35More important than the message
19:36For example, my dear
19:37You might see an advertisement talking about
19:38No, you're not doing anything good.
19:40That's what's apparent
19:41That's what's visible
19:41But in the advertisement
19:42For example, you will see that six is what is stored for the remainder.
19:44This isn't something that can be said
19:45But that's obvious
19:46You'll see that the man is coming from work
19:48Even the words in the advertisement
19:49Clean
19:50Shiny
19:50Motivate
19:51Wafari
19:51You might even find background music with us.
19:54It gives you a certain feeling
19:55None of this is being said
19:56But all of this makes certain assumptions.
19:59These assumptions lead you
20:00And you're not even aware of it in the background.
20:02So be careful, my dear
20:03This is called media grammar.
20:04You might be able to see the message the person is saying.
20:06But there is something metaphysical.
20:08Do we feel it?
20:09We don't necessarily know her
20:10My condolences, my dear, your world is expanding
20:12And you learn and think
20:13The end, my dear
20:13If you watched a hundred episodes of Victim
20:14Hatakki violently
20:15Impossible
20:16Look, maybe he learned to speak quickly.
20:17And you love the look of your cat
20:18And you're sitting there alone
20:19Information says
20:20information
20:21information
20:21information
20:21To try and impress people
20:22And make them love you
20:23Time is on the side of your weakness
20:24Look, he's using you to provoke me, you violent one.
20:26Not because you are able and don't want to
20:28But because you're a fool
20:31Tell me, dear, where can you practice violence?
20:33Maybe you're familiar with the previous cases.
20:34And she threatens future cases
20:35And it descends with extreme force
20:37Gear on sources
20:38The ultimate violence
20:39Click the subscribe button on the channel
20:42Of course, I'm on the right path
20:42If you knew your father, Muhammad
20:44No, it's better.
20:44Mulla Bla Shouf
20:46Aziz, come join us, we'll make you cry
20:47Let's go
20:54What? I don't know her.
20:59What's hot, my dear?