Poslednji krug momci (2025) - Domaći film
Film je koncipiran kao akciona komedija u kojoj se uporedo razvijaju dve priče. U jednoj grupa poznatih ličnosti pokušava da stigne na premijeru filma koji je privukao veliku pažnju, ali ih na tom putu prate brojne komične i neočekivane situacije. Istovremeno, unutar samog filma prikazuje se parodijska priča o junacima koji se bore protiv negativaca i, prolazeći kroz niz neobičnih akcionih scena, neprestano upadaju u nove nevolje. Spajanjem te dve linije radnje, film gradi humorističan osvrt na žanr akcionog filma i njegove prepoznatljive obrasce.
#balkan #domaći #filmovi
Film je koncipiran kao akciona komedija u kojoj se uporedo razvijaju dve priče. U jednoj grupa poznatih ličnosti pokušava da stigne na premijeru filma koji je privukao veliku pažnju, ali ih na tom putu prate brojne komične i neočekivane situacije. Istovremeno, unutar samog filma prikazuje se parodijska priča o junacima koji se bore protiv negativaca i, prolazeći kroz niz neobičnih akcionih scena, neprestano upadaju u nove nevolje. Spajanjem te dve linije radnje, film gradi humorističan osvrt na žanr akcionog filma i njegove prepoznatljive obrasce.
#balkan #domaći #filmovi
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Short filmTranscript
00:00:28This video is brought to you by the
00:00:51Thank you very much for taking the time for the interview that you do today.
00:00:57and give you a message to the media.
00:01:00Just to remind you,
00:01:02in this moment when this interview happens,
00:01:05in front of the room,
00:01:07you can see a little atmosphere.
00:01:11These are your fans
00:01:14who are waiting for a moment
00:01:16to put them here to take pictures
00:01:18and ask them something.
00:01:21Yes.
00:01:32Hollywood, Mosfilm,
00:01:34gotovo svi europski filmski centri,
00:01:36prvi put su složni u tome
00:01:38da je ovo najsvežije ostvorenje
00:01:41u svetskoj kinematografiji.
00:01:43Da li je reč o neavangardi
00:01:44i zapravo na koji način ste uspeli
00:01:46da pomirite te ogromne protivrečnosti
00:01:48koje današnji savremni film čine nekako sterilnim?
00:01:52Drago mi da ste to primetili.
00:01:54Imate zaista oštro oko.
00:01:56Naime, kada radite sa jednom ekipom glumaca
00:01:59ovakvog kalibra,
00:02:01sam proces stvaranja je prilično jednostavan.
00:02:09Nekada ste izjavili da ne može da postoje osoba
00:02:12koji se neće sviditi ovaj film,
00:02:15ispostavilo ste da ste definitivno bili u pravu.
00:02:17Na čemu ste gradili vaš optimizam
00:02:20imajući vidu da je i sama premijera
00:02:23protekla uz taj jedan veliki incident koji nekako ni dan danas nije razjašnjen
00:02:30iz današnje perspektive.
00:02:32Kako vi na sve to gledate?
00:02:34Nije uvek sve teklo glatko
00:02:37i kada se setim događaja sa same premijere
00:02:43upadnem u neku vrstu, tako da kažem, jednog retro moda.
00:02:50A na što tačno mislite?
00:02:55Mislim na reakciju publike.
00:03:00Ispričat ću vam ako imate vremena.
00:03:18Hvala na reakciju publike.
00:03:22Hvala na reakciju publike.
00:03:24Kako je to film?
00:03:27Poslednji krug?
00:03:29Poslednji krug mobci.
00:03:30Uvek, uvek malo kreativnije.
00:03:32Uvek da bude recimo...
00:03:35Osmi putin.
00:03:38Osmi putin.
00:03:39Osmi putin.
00:03:40Osmi put putin.
00:03:42A bići deveti?
00:03:43Povraćaj u budućnost.
00:03:46Ne povraćam danas nego sutra.
00:03:49Povraćanje u budućnost, možu i tako?
00:03:51Patuna pomodanča.
00:03:52To se prešao već na voć i povrća.
00:03:54Prapantan skok.
00:03:56Cena voća i povrća.
00:03:58Ili u maksiju imaš pobesneli maksi.
00:04:00To je kada u maksiju skoče cena.
00:04:02Pobesneli maksi.
00:04:07Ejda ste mi živi, zravi momci.
00:04:09Tebi sam donal šećer, možda šećeriš.
00:04:11Možda šećeriš.
00:04:12On je vruća.
00:04:13Vi ste meni šmekeri neviđeni.
00:04:15Majkini obojca onaj.
00:04:18Nemoj sad, majkini.
00:04:20Možeš onu u facu, aga napraviš ovo, majkini.
00:04:23Ajde, brate, ako ti možeš da doneseš isjelu.
00:04:25Neki led.
00:04:26Možeš da donesi nam vruću kafu.
00:04:28Ej, vi ste mi šmekeri neviđeni, majkini.
00:04:41Subota, menjaj.
00:04:43Na Enfield Roadu sastaju se dva futbolska giganta.
00:04:46Konačno ćemo znati kome sila preti, a ko svetinju brani.
00:04:49Moje ime je Aleksandar Stojanović, a vi gledate finale Islanskog Kupa.
00:04:53Keflavik Rejkević.
00:04:54Nej!
00:04:55Naša televizijska stanica ponovo je najgledaniju regionu.
00:04:58Na prvom mestu, kao i cele protekle nedelje, sa šerom od 105%,
00:05:02nalazi se reality program Sin Asfalta, Sin Prašume, Sin svoje majke.
00:05:07Na drugom mestu je obrazovno-politička emisija Kako da budem dobar petneste vriča,
00:05:12zatim kultna serija Mali zubo na fjenu od moga,
00:05:15jutarnji program Selo gori, a žika se šareni
00:05:18i muzički program Raspevane cinkare.
00:05:28Zadim.
00:05:30Ajde.
00:05:32Recimo, bitje krvi?
00:05:35Ženski mesečni trilipe?
00:05:42Joj Gordane, brate!
00:05:44Pa jes ti od svih našao mene da orusit?
00:05:46Boki, izvini, molim te. Ljubite, brate, zablesavio sam se nešto,
00:05:49si mi dobar.
00:05:50Mare be, esam dobar, brate. Radio sam do sedem jutros.
00:05:52A platu primio nisam tri meseca.
00:05:54What do you think?
00:05:55No, I don't think I'm a man, the movie is a mess.
00:05:58I'm a guy who's a guy who's a guy who's a guy who's a guy.
00:06:00You see how he's got a guy?
00:06:02What do you think?
00:06:04I'm a man who's a man who's a man.
00:06:06You're a man, what do you do?
00:06:10A guy.
00:06:11What do you do?
00:06:13A guy.
00:06:14You're a guy who's a guy.
00:06:15I'm a guy, brother. I'm a guy who's a guy.
00:06:17Don't worry, don't worry.
00:06:19What do you do?
00:06:20I'm a guy who's a man who's a guy.
00:06:24What?
00:06:26The man who's a guy.
00:06:28I don't know anybody who's a guy.
00:06:30I'm a guy who lives.
00:06:33I can't even write.
00:06:34It's all of a career.
00:06:35I can tell you what you mean.
00:06:36Do you check your eyes?
00:06:37You're a girl who's a boy.
00:06:37Gladiator.
00:06:38Gladi, but no.
00:06:40No.
00:06:41Gladiator is a girl, not a girl and you're a bitieve.
00:06:44That's the best part.
00:06:44What do you do?
00:06:46Why does it happen?
00:06:48Why do I know what to do with me?
00:06:51I'm walking, God's way, I can't sleep.
00:06:53Why do I have to have a smile?
00:06:56Why do I have to be with me?
00:06:58I'm walking, my head, I'm taking my legs but I'm trying to keep it.
00:07:03How many does it happen?
00:07:06Why do I have to be with my head?
00:07:08Why do I know what to do with me?
00:07:10I'm walking, God's way, I can't sleep.
00:07:13Yesterday, I'm reading my notes.
00:07:15That's what I'm filming.
00:07:17And I'll finish the filming, I'll get the boobie,
00:07:19and I'll take a look at that one.
00:07:21When I'm filming the producer,
00:07:23he says that I need to film a film.
00:07:25Oh yeah!
00:07:26What did you say?
00:07:27No, I don't know.
00:07:28I've filmed 500 films, and I've filmed 800.
00:07:31You know what I'm doing.
00:07:32If someone's filming you, I'm going to film you.
00:07:35Yes, you really.
00:07:36The most important is the art form,
00:07:38the art inspiration.
00:07:39No.
00:07:40And what else?
00:07:42Color.
00:07:42Color.
00:07:43Color.
00:07:43Bez boje.
00:07:44You don't have a film today.
00:07:51Some communal things.
00:07:54The drama is called Želja.
00:07:56When he doesn't have a long time.
00:07:57Yes.
00:07:58And then he'll go...
00:07:59No, he'll never go.
00:08:00No, he'll never go.
00:08:01And then he's actually...
00:08:02A taxist.
00:08:04Or when he'll go, he doesn't do the climate.
00:08:06Do you know what's that for?
00:08:07A light bulb.
00:08:08No, no, no.
00:08:09What's the problem?
00:08:09No, no, no.
00:08:12No, no, no.
00:08:13No, no, no.
00:08:14No, no, no.
00:08:14No, no, no.
00:08:14No, no, no.
00:08:15No, no, no, no.
00:08:16No, no, no.
00:08:16Milošoviću!
00:08:17Is there any of these clowns?
00:08:19No, Petrović has a difference.
00:08:22But it's complicated to keep a connection.
00:08:24What's that, brother?
00:08:25What's he doing here in the future?
00:08:27Well, it's a chance.
00:08:29But the girl is on the floor.
00:08:30Or he's on the floor.
00:08:31No, don't be negative.
00:08:34No, no, no.
00:08:36No, no, no.
00:08:37What's that?
00:08:38What's that?
00:08:39What's that?
00:08:40What's that?
00:08:41What's that?
00:08:41What's that?
00:08:41Where are they?
00:08:42I don't have a clue.
00:08:44I don't know.
00:08:44You can buy a card for the film.
00:08:46Where are they?
00:08:46They're going to get away from the film.
00:08:49Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
00:08:52oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
00:08:53oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
00:08:54oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
00:08:54oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
00:08:57oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
00:09:07This is the Everest of the world's cinema. What are you doing now?
00:09:12I think I know what it is. I'm going to Blagane to see if you are still alive.
00:09:18Yes, but yesterday. I've planned everything. I don't think I'm a son.
00:09:22And Simkita Tapkaroska. And Djokka Persona.
00:09:26Mishka Plavog. Gocod Drdara.
00:09:30When it's not for us, it's not for us.
00:09:33There's no land for old people.
00:09:35Futuristic pensioners.
00:09:37Most of them is Kvaj.
00:09:39Yes, that's another one of the most in Belgrade.
00:09:41He connects Borcu and Burmu.
00:09:45I don't want to sit in this cafe.
00:09:47The same people are coming.
00:09:49The same team.
00:09:57How has that changed?
00:09:59You remember our time. There are no two different people.
00:10:02You can't see them.
00:10:03You're different.
00:10:03You're the same.
00:10:05You're the same.
00:10:05You're the same.
00:10:06What's happening?
00:10:08Why is it with us?
00:10:10Why do I know what to do with me?
00:10:13Where I'm not sleeping in the night?
00:10:15Why do I kill myself in the songs?
00:10:18Why do I kill myself?
00:10:19Why do I kill myself?
00:10:19How do I kill myself?
00:10:33You know...
00:10:35Just would have to keep him open to me, it's not very difficult.
00:10:38It's a failure of the pursuit, it's in the direction I went.
00:10:41The morgue will fall and run and the
00:10:44will be released!
00:10:45The world will open, the volcanic it is in the plains,
00:10:48but the goal of the enemy will reach,
00:10:50the evil of the enemy will reach,
00:10:53the war will spread, theças of the enemy will reach,
00:10:59the sufferings of any group of people
00:11:02and the experience will be listened,
00:11:03so it's not true.
00:11:11This is my life, my film, my craft
00:11:17This is my choice, my team, my staff
00:11:19These are my words, my words, I don't want to show you
00:11:24What's happening? Why is it in a club?
00:11:28Why is it in a club?
00:12:01Why is it in a club?
00:12:03Since the beginning of time, for reasons long forgotten, mankind has been facing extinction by the terror of a hostile
00:12:14dark force.
00:12:18At the height of its power, this dark empire was vast, stretching from the deserts of Africa to the borders
00:12:25of northern England.
00:12:30A time of hardship and pain. People were unaware of the secret rituals and how this dark force had been
00:12:37ruling over them.
00:12:42Once in a while, brave men among us tried to confront this terrifying enemy and bring things back to normal.
00:13:06To be continued...
00:13:30Oh, my God.
00:14:07Oh, my God.
00:14:26Oh, my God.
00:15:14Oh, my goodness.
00:15:17What about this?
00:15:20Oh, my God.
00:15:28So, what do you think?
00:15:31Nga.
00:15:32President Forsyth, Mr. Mappenzo just said that you had a great speech at the Security Council meeting.
00:15:38How come, Mr. Mappenzo?
00:15:39Salsa.
00:15:41Well, Mr. President, no one succeeded in this area before you...
00:15:44Thank you, Dikembe, my friend.
00:15:46Nga.
00:15:47Don't be modest, Mr. President.
00:15:49It's a big step for you winning the Nobel Prize for Peace later this year.
00:15:52You're so kind.
00:15:56Excuse me.
00:16:03Incoming message.
00:16:04Agent Kegai.
00:16:04Special Agent Ramsey speak.
00:16:06Bring the files of rejected agents.
00:16:08Quick, quick.
00:16:08Awakening your downstairs.
00:16:26Take care.
00:16:28Take care.
00:16:35Cool.
00:16:36Hayden.
00:16:36Welcome.
00:17:03I don't have time for this ship.
00:17:04Tell me.
00:17:06Skunk-raped elephant while we were feeding pigs during the Operation Christmas.
00:17:12What the fuck are you talking about?
00:17:15Sir, Operation Christmas.
00:17:19Oh, when?
00:17:22Well, while we were feeding pigs.
00:17:25Why, for God's sake, it happened during my mandate.
00:17:28What about the genius king? Is he safe?
00:17:30He's in the mountain, in our safe house.
00:17:32Agent Sylvester Stallone is running the operation.
00:17:38Gentlemen, both of you know what is necessary.
00:17:41We have to ask these guys for help.
00:17:43You all know what I think about those people.
00:17:46For God's sake, we need people of their caliber.
00:17:48No, but these three basically do not have any communication with Agent Sylvester Stallone.
00:17:53We have no other choice.
00:17:55Anyway, find them.
00:17:56Yes, sir.
00:17:57We must react immediately.
00:17:59You're going to have to hunt them down.
00:18:13In our database, there isn't much info about the three of them.
00:18:16Look, Ramsey, we'll pull this together.
00:18:19We don't have any time to waste.
00:18:21We are for sure in need of their fighting skills and their experience.
00:18:31I will walk you through the details.
00:18:33The first one is apparently somewhere in Europe fighting.
00:18:36Not for the money, but for the pure pleasure.
00:18:45One of the strongest men from our class of 1942.
00:18:48Good with knives and knees.
00:18:51But don't let his pure muscle fool you.
00:18:53He is smart as hell.
00:18:56Ray Bazzik.
00:18:57Let me tell you.
00:18:58He has it all.
00:19:00The two biggest fighters in the final match.
00:19:05Give them the money and see them the victory of the men's strength.
00:19:10Let me tell you.
00:19:44The second one was known as the best operative on the field I've ever seen.
00:19:48He was seen a few years ago in a gym on the West Coast.
00:19:51He was a spy.
00:19:53A mole.
00:19:54A janitor.
00:19:55The secret agent went by many names.
00:19:58Usually Walter Bellamy.
00:19:59But in our agency, we just called him...
00:20:02The Hook.
00:20:06Now he's settled down and become a family man.
00:20:08According to our knowledge, he withdrew from the service because he fell for a female Mossad agent.
00:20:15Hey, Cement.
00:20:17Hey.
00:20:18What if it isn't the sweetest little wife in the cold world?
00:20:22Hey, baby.
00:20:23I'm sitting here with your son.
00:20:25Just chilling.
00:20:26Reading your book.
00:20:27I'm finishing the warming up.
00:20:30Are you going to be here for supper?
00:20:31Yeah, and I will have a lot, lot, lot shorter training than usually.
00:20:36Just five hours.
00:20:38Great, sweetie.
00:20:40We will be here waiting for you.
00:20:42Okay, baby.
00:20:43I love you both.
00:20:44Bye.
00:20:46Bye.
00:20:48Bye.
00:20:49Bye.
00:20:50Bye.
00:20:56Bye.
00:20:57Bye.
00:20:58Bye.
00:20:59Bye.
00:21:01Bye.
00:21:01Bye.
00:21:01Bye.
00:21:06Bye.
00:21:09Bye.
00:21:09Bye.
00:21:16Bye.
00:21:18Bye.
00:21:22Bye.
00:21:25Bye.
00:21:28He goes by the name Yotruska Ilyich Yustinov.
00:21:33Extremely handsome guy, let me tell you, Ramsey.
00:21:35Also pay attention about two girls that go by his side.
00:21:39They can be deadly if you make only one wrong move.
00:21:42And hurry up, we don't have much time left.
00:22:06What is this?
00:22:10What is this?
00:22:25She is the best friend of Mrs. Petrushka.
00:22:30And she is the best friend of nature.
00:22:32She is the best friend of Mrs. Petrushka.
00:22:52If I understand correctly, these are three agents removed from the service.
00:22:57Good.
00:23:00They will like to save the world and so on.
00:23:05Classic film stereotype.
00:23:09So many times the story.
00:23:13This is a serious avantgarde.
00:23:32Just look at them.
00:23:34Still looking sharp.
00:23:44I remember their first successful mission back in Afghanistan.
00:23:47The good old days.
00:23:49They were adaptive.
00:23:51Cunning.
00:23:53Efficient.
00:23:56Sexy.
00:23:59Just brilliant.
00:24:03I need a plan ASAP.
00:24:06Some sort of distraction.
00:24:08Yo, miss.
00:24:09Miss distraction.
00:24:12Gentlemen.
00:24:13Can you take some refreshments to those fine gentlemen over the hill, please?
00:24:18No problem.
00:24:21Are you sure it will work?
00:24:24Does a person have 13 teeth?
00:24:26How the fuck should we know?
00:24:28Am I biologist?
00:24:29Some sort of national geographer?
00:24:30Or what am I?
00:24:32They were capable of solving the most dangerous situations from their rookie days without any weapons.
00:24:37The fire has stopped.
00:24:39It looks like she did it.
00:24:43The fire has stopped.
00:24:49It looks like she did it.
00:24:53You can see where they put it.
00:24:55I think.
00:24:56The production is on the level.
00:25:00But that's all.
00:25:02Good, good.
00:25:04Let me watch the film until the end.
00:25:07It will be very interesting.
00:25:18We all know each other.
00:25:20You all know Special Agent Ramsay.
00:25:23So, we can get started.
00:25:25Okay.
00:25:34Our super skilled archaeological team was exploring southern parts of African deserts, chasing the story behind the legend about the
00:25:42ancient flagstone.
00:25:46The story says that our ancestors left us the possibility to have complete harmony in the world.
00:25:53That could be achieved by assembling ancient flagstone and a certain missing part.
00:25:58One fraction among scientists had a theory that this missing part is already in the hands of mankind.
00:26:05This missing part, or should I call it motherboard USB, enters into the flagstone and when it's correctly connected, brings
00:26:13complete harmony in the world.
00:26:16I will show you now a few people that we know whose bodies embrace the forces of darkness when the
00:26:22motherboard USB stands apart from the ancient flagstone.
00:26:27Napoleon, can you see his hand?
00:26:30Napoleon, can you see his hand?
00:26:32Hitler noticed the sign behind his moustaches.
00:26:37And obviously Bill Clinton.
00:26:39Anything I'm catching for you here?
00:26:41I can notice that everywhere appears this VA mark.
00:26:44Cambodia.
00:26:46For what?
00:26:47I used to work there as a gynecologist.
00:26:51And I've seen babies which were born with the VA sign on their bodies.
00:26:58I also heard about those appearances.
00:27:00Well, actually, this mark VA is an acronym for Vaviland Abudars.
00:27:11Our troubles began the same day we discovered the flagstone.
00:27:15Our finest, and I mean our finest historians and philologists, try to translate these strangely encrypted symbols.
00:27:23But they all redrawed a few days after we found it.
00:27:26Shit.
00:27:27The only person who was able to decipher the flagstone is a 15-year-old boy.
00:27:37The look is deceiving.
00:27:40This kid, in fact, is a genius.
00:27:43That nerd kid goes so far in our safe house in Coast Mountains, guarded by superior team led by Agent
00:27:49Stallone.
00:27:51Agent Kigai can take it from here.
00:27:59But sting on geob
00:28:01Info is leaking from our organization.
00:28:05Test the problem discreetly.
00:28:07We will have you on video surveillance all the time.
00:28:16Your primary mission is not only to find the genius nerd kid,
00:28:20but also to find out what the heck happened to Stallone's superior team,
00:28:23directly in charge for guarding him in the cottage.
00:28:28His team went there silent as a breeze,
00:28:31and I know I don't have to mention this twice,
00:28:35but you must be a breeze shadow.
00:28:59Holy Mary, Mother of God.
00:29:04It's so fucking wrong.
00:29:08This situation is even worse than my Facebook status, man.
00:29:38What the fuck?
00:29:40Some strange shit is going on here, man, I tell you.
00:29:48We should have known.
00:29:49Arbadas.
00:29:53Smeet...
00:29:58Smeet...
00:30:10Smeet...
00:30:11Smeet...
00:30:13Smeet...
00:30:32President Forsythe, I'm sending you a visual.
00:30:35They need a rescue point ASAP.
00:30:40Did you see that?
00:30:41They are moving more than 200 miles per hour.
00:30:52They are moving more than 200 miles per hour.
00:31:20Gentlemen, we have a problem.
00:31:23Two enemy vehicles equipped with missiles are approaching the bottom of the hill.
00:31:29Repeat, go into the woods.
00:31:42We are fixing it right now.
00:31:51Danger is eliminated.
00:31:55President Forsythe, give them coordinates.
00:31:58Follow these coordinates.
00:32:00Kilo.
00:32:01Uniform.
00:32:02No, no.
00:32:03Unicorn.
00:32:03Romeo.
00:32:04Alpha.
00:32:04Charlie.
00:32:05Charlie.
00:32:06Theo.
00:32:07He told me.
00:32:08Well done.
00:32:23He said, it's nothing like a ship.
00:32:24He said, it's all about the combat.
00:32:27He said, it's nothing like a ship.
00:32:30He said, there's only a ship.
00:32:33He said, no.
00:32:34He said, it's nothing like a ship.
00:32:37Repeat, report your status.
00:32:40We had a situation here.
00:32:42It's a major fuck-up.
00:32:44Calm down.
00:32:46What about the nerd kid?
00:32:47The little kid nerd is MIA.
00:32:50Fuck.
00:32:52The rest are dead.
00:32:54Everyone!
00:32:56We'll check everything with Agent Stallone.
00:32:58Come back to the headquarters.
00:33:00Call that cunt, Agent Stallone.
00:33:02I got plenty of things to say to him.
00:33:04By the time I'm through with FC S.O.B.
00:33:08The only agent he's gonna be the real estate one.
00:33:16That Stallone, what a djubre.
00:33:19It's unbelievable.
00:33:21That Stallone has always been a very nice and nice young man.
00:33:26And you see, all of them are a difficult djubre.
00:33:31I'm not sure.
00:33:47What's up, President Forseeth?
00:33:51Oh, sit.
00:33:52You, Agent Stallone, made so much crap.
00:33:57Make no sense.
00:33:59I'm gay.
00:34:06Stallone, do you know why I'm more likely use knife to kill someone?
00:34:12Because guns are too slow.
00:34:17Agent Stallone was so stupid that he didn't organize superior team by himself.
00:34:23I don't buy this shit.
00:34:24Mr. Crown long enough, you're gonna buy it.
00:34:26No, no, no, no, no.
00:34:27Just cut the crap.
00:34:28Then, this is the final lab, guys.
00:34:40You are right.
00:34:43Agent Stallone did ask for the mission transfer to a guy named Morrison, our former agent.
00:34:50Apparently, this guy runs a multinational company situated in Texas.
00:34:54There's nothing to be worried about.
00:34:56I will survey you the whole time from my control room.
00:35:03Morrison's company is not the best kept place.
00:35:26Morrison was a suspect of our internal affairs for many years and finally was rejected from
00:35:31service.
00:35:31We found him guilty of overthrowing many regimes without authorization, of money laundering,
00:35:38of bestiality, and we believe he might be the main vavel in Aberdar currently.
00:35:43When you arrive at the building, you will have to pass through two lines of security.
00:35:48The outer perimeter is guarded by two Italians.
00:35:51They're real professionals, former members of the Paluba.
00:35:55They're very sharp, so you're gonna have to think of something smart to get in.
00:36:01They're very sharp, so you're gonna have to think of something smart to get in.
00:36:08Senti, ti devo dire una cosa.
00:36:10Sono innamorato da morire proprio.
00:36:12Senti, figliolo.
00:36:13Te la dico io.
00:36:15L'amore è come una scoraggiata.
00:36:18Più la prendi forte, più diventa una merda.
00:36:21Ma dai, che dici?
00:36:22Che dici?
00:36:24May I be your assistance?
00:36:25Yes, please.
00:36:27We are obviously going to the swimming pool.
00:36:34Hold on just one second.
00:36:36It seems as if you've forgotten something.
00:36:53After you get past the Italians, the weak point in the security is on the roof.
00:36:57Obviously.
00:36:59There's only one guard.
00:37:01When you reach him hook, remember to use your special DPR kick.
00:37:05It'll knock out a mule for five minutes solid.
00:37:09When you're done, go downstairs and join the rest of the team.
00:37:13Look at this two hours.
00:37:15How does someone give money for this stupidity?
00:37:19You, Piotrushka, just do your thing and send us the tone.
00:37:24Shushain, sir.
00:37:25You need the shushain?
00:37:27Hello, sir.
00:37:29After all this rain, today's a beautiful day.
00:37:33Yeah, yeah.
00:37:34Sure.
00:37:37So, what's the main thing you're telling me?
00:37:39Listen, kid.
00:37:40You're all new to this.
00:37:41The main thing about security, you gotta know everything that goes around you.
00:37:44Literally gotta have your eyes on your back.
00:37:48Oh, my God.
00:37:50The production is excellent.
00:37:52Good, good.
00:37:53Morrison's location is currently on the fifth floor.
00:38:14Gentlemen.
00:38:16I have the tone.
00:38:18All the pieces are coming together.
00:38:21You have nothing to worry about.
00:38:22Just transfer the money to their prime minister.
00:38:24Everything will go smoothly after that.
00:38:26Mr. Morrison.
00:38:28Have to go.
00:38:30How's my Abadar in charge?
00:38:33Feeling cocksure?
00:38:35Keeping everything under control?
00:38:38Yes.
00:38:39Using the foolishness of Agent Stallone, we've managed to retrieve the genius nerd kid from the mountain cottage.
00:38:45I'm all professional.
00:38:46Four or even five eyes on your back.
00:38:48I understand.
00:38:49You have five eyes on the back.
00:38:50I get it.
00:38:51Let's go.
00:38:54Attention.
00:38:56So...
00:38:56Second line of Abadar command is entering the building.
00:38:58We will own the planet.
00:39:01Here is the ancient knife.
00:39:03Directly from the late Cara Abadar.
00:39:05for the sacrifice of the genius nerd kid.
00:39:09Ah, such a great honor.
00:39:12Where will the sacrifice take place?
00:39:16It will take place in London, Virgil Arbidala.
00:39:22Did anyone ask for me?
00:39:24No.
00:39:25Did anyone ask for Morrison? Mr. Mini Morrison?
00:39:28No, mister.
00:39:29Was anyone here at all?
00:39:31Only the two gays that went to the swimming pool.
00:39:33Swimming pool?
00:39:34You dumb Italian pricks?
00:39:36We don't have a swimming pool.
00:39:39Abort the mission. Abort the mission. You're busted.
00:40:07We have the town.
00:40:09The sacrifice will take place in London, Virgil.
00:40:13It will take place in...
00:40:14But there is nothing we can hear.
00:40:20Try now.
00:40:23No, still nothing.
00:40:26Excuse me for disturbance, Mr. President Forsythe, sir. The bus ran over my dog.
00:40:30Screw yourself! We are trying to save the world here.
00:40:37If idiots could fly, this place would be an airport.
00:40:45Give it quiet!
00:40:46The sacrifice will take place in London, Virgil Arbidala Lounge, near Issac's Road.
00:41:05You had a plan in Monday, 1922.
00:41:08You had a plan in Monday, 1922.
00:41:09You let other women make a fool of you.
00:41:12Why don't you do right, like some of the men do
00:41:20Like some of the men do
00:41:26Get out of here and get me some money
00:41:29Get out of here, get out of here
00:41:35Get out of here, get out of here
00:41:42Get out of here, get out of here
00:41:45Get out of here
00:41:48Get out of here
00:42:35It's got good damn whiskey.
00:42:38Man, isn't it?
00:42:39Listen up, small balls.
00:42:41Beat it.
00:42:42Oh, Jesus, man.
00:42:44Go get the room.
00:43:13Let's go.
00:43:14I'm sorry.
00:43:23I don't know.
00:43:59I don't know.
00:44:17I don't know.
00:45:07I don't know.
00:45:11I don't know.
00:45:12I don't know.
00:45:12I don't know.
00:46:08I don't know.
00:46:28I don't know.
00:46:30I don't know.
00:46:34I don't know.
00:46:36I don't know.
00:46:59I don't know.
00:47:02I don't know.
00:47:04I don't know.
00:47:41I don't know.
00:47:43I don't know.
00:48:06I don't know.
00:48:22I don't know.
00:48:48I don't know.
00:48:53I don't know.
00:48:57I don't know.
00:48:58I don't know.
00:49:11I don't know.
00:49:14I don't know.
00:49:16I don't know.
00:49:23I don't know.
00:49:34I don't know.
00:49:36I don't know.
00:49:47I don't know.
00:49:49I don't know.
00:50:05I don't know.
00:50:35I don't know.
00:50:58I don't know.
00:51:01I don't know.
00:51:02I don't know.
00:51:30what technology.
00:51:32This girl.
00:51:34The closet.
00:51:39The closet.
00:51:40The closet.
00:51:41The closet is the top.
00:51:45I thought it was impossible to get in, man.
00:51:48Follow me, guys.
00:51:53is. Just watch out for those laser beams. Be quiet, but don't worry, we're safe here.
00:52:20No one can hear us or see us here. And here it is, motherboard USB, right in the center of
00:52:27the room.
00:52:47If we step on it, it will set off the alarm. Well what now? We will make the human rotating
00:52:53T-model. Uh, sure.
00:53:10Wait, wait, wait. I've lost 15, 20 euros. I must have dropped them inside.
00:53:15What the hell is wrong with your mustache? Are you a retard?
00:53:23Gentlemen, enemy movement is huge.
00:53:41They are right behind you. You're on your own. Just follow me. Look, the harmony. This way is north. Shit.
00:53:55These are under us again.
00:53:58Bye bye.
00:54:21Bye bye.
00:54:39gentlemen no need to panic yet but abradars are big from eight o'clock
00:54:43guys stay focused
00:55:01i thought you don't go on a boat
00:55:18watch your left side guys repeat your left side
00:55:24those are one in a million men there might look to the cost of all abradars i'm telling you
00:55:33we have a few more miles stay steady and go
00:55:50so
00:56:11gentlemen extraction chopper is approaching
00:56:24the field is clear repeat the field is clear
00:56:28go go go
00:56:45free to take off
00:56:47air force chopper is approaching
00:56:50move move move
00:56:54enemy spotted
00:56:58enemy down
00:57:00good job guys
00:57:04gentlemen
00:57:05you are safe to go
00:57:06heavy artillery is covering your back
00:57:13the motherboard usb was safely inserted
00:57:17into its final destination
00:57:18once assembled with the ancient flagstone
00:57:21as if by a miracle
00:57:23the stifling shadow of the
00:57:25babylon abadars
00:57:26the babylon abadars
00:57:54vanished
00:57:56the
00:57:58brave men who realized free will
00:58:01is a gift they will never know how to use
00:58:03until they fight for
00:58:13you
00:58:33oh
00:58:39you
00:58:48oh
00:58:49oh
00:58:50oh
00:58:50oh
00:58:50oh
00:58:50oh
00:58:51oh
00:58:51oh
00:58:52oh
00:58:52oh
00:58:52oh
00:58:55oh
00:58:55oh
00:58:55oh
00:58:55oh
00:58:55oh
00:58:56oh
00:58:56oh
00:58:57oh
00:58:57oh
00:58:57oh
00:58:57oh
00:58:57oh
00:58:59oh
00:59:06The reality is.
00:59:15God bless you, this is the only film.
00:59:19Thanks a lot.
00:59:21I can't believe how a couple of times can do it.
00:59:25These films usually end.
00:59:27I wish a happy end.
00:59:54Don't tell me I knew it.
01:00:14I told him not to go to this mission, but now he knows the best.
01:00:20Well, your husband was a brilliant man and he dropped that in a split of seconds.
01:00:24It all happened so quick, so it was a good thing in a way.
01:00:27I mean...
01:00:29Your husband was a brave man.
01:00:31He died serving his country.
01:00:34Here, his Medal of Honor.
01:00:38My life doesn't have any strength without him.
01:01:05Little David had a wonderful childhood.
01:01:08Keep going.
01:01:11Keep going.
01:01:13Keep going.
01:01:14And so they lived.
01:01:16Happily Ever After.
01:02:04We made it.
01:02:05Finally.
01:02:14We made it.
01:02:20We made it.
01:02:50We made it.
01:03:13We made it.
01:03:42We made it.
01:03:44We made it.
01:04:06We made it.
01:04:06We made it.
01:04:42We made it.
01:05:17We made it.
01:05:18We made it.
01:05:33We made it.
01:05:58We made it.
01:06:20We made it.
01:06:44We made it.
01:06:46We made it.
01:06:50We made it.
01:07:47We made it.
01:07:50We made it.
01:07:50We made it.
01:07:51We made it.
01:07:51We made it.
01:07:51We made it.
01:07:52We made it.
01:07:53We made it.
01:07:53We made it.
01:07:53We made it.
01:07:53We made it.
01:07:53We made it.
01:07:54We made it.
01:07:54We made it.
01:07:54We made it.
01:07:54We made it.
01:07:54We made it.
01:07:55We made it.
01:07:55We made it.
01:07:55We made it.
01:07:55We made it.
01:07:55We made it.
01:07:55We made it.
01:07:55We made it.
01:07:56We made it.
01:07:56We made it.
01:07:56We made it.
01:07:57We made it.
01:07:57We made it.
01:07:57We made it.
01:07:57We made it.
01:07:57We made it.
01:07:58We made it.
01:07:58We made it.
01:07:58We made it.
01:07:58We made it.
01:07:58We made it.
01:07:58We made it.
01:07:59We made it.
01:07:59We made it.
01:07:59We made it.
01:07:59We made it.
01:07:59We made it.
01:07:59We made it.
01:07:59We made it.
01:08:00We made it.
01:08:00We made it.
01:08:00We made it.
01:08:00We made it.
01:08:00We made it.
01:08:00We made it.
01:08:01We made it.
01:08:01We made it.
01:08:01We made it.
01:08:01We made it.
01:08:01We made it.
01:08:01We made it.
01:08:01We made it.
01:08:01We made it.
01:09:00We made it.
01:09:01We made it.
01:09:02We made it.
01:09:10We made it.
01:09:21We made it.
01:09:53We made it.
01:10:15We made it.
01:10:42We made it.
01:11:12We made it.
01:11:13We made it.
01:11:43We made it.
01:12:18We made it.
01:13:10We made it.
01:13:13We made it.
01:13:47We made it.
01:14:17We made it.
01:14:47We made it.
01:15:17We made it.
01:15:43We made it.
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