- 4 hours ago
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🎥
Short filmTranscript
00:18Satsang with Mooji
00:48Can someone tell me why we're here?
00:49Because when posh people invite you to their party, you go.
00:53Is it definitely fancy dress?
00:55I mean, it better be.
00:57It's certainly not just drinks and nibbles, is it?
00:59No, no, it was on the invitation.
01:00Did we RSVP?
01:01I don't think we did.
01:02Oh.
01:04Oops.
01:09Oh.
01:11Oh.
01:13Oh.
01:14Oh.
01:14Oh.
01:15Oh.
01:16Oh.
01:17Oh.
01:18Oh.
01:28Oh.
01:30Oh.
01:30Oh.
01:31Oh.
01:31Oh.
01:32Wow.
01:33Well, what would everyone like to drink?
01:34G&T's?
01:36Vino?
01:36Or who wants to try some of my punch?
01:38I call this my jus de bacchanal.
01:43It's lethal.
01:46Good girl.
01:48Who's next?
01:48You go.
01:50Aphrodite, am I right?
01:52Yeah.
01:53You can always rely on Aphrodite to bring the party.
01:56Where's hubby?
01:57Is he babysitting?
01:58It's not babysitting when they're your kids, is it?
02:02Absolutely not.
02:03What?
02:05Your house is amazing.
02:06Oh, God.
02:07It was a total hovel when I first bought it, but now we adore it.
02:10Oh, we do.
02:11We do.
02:11Please.
02:12Go and mingle.
02:14I love that you brought your rent away.
02:17Sorry?
02:18Hmm?
02:20Oh.
02:20Hello.
02:21Hi.
02:22Welcome.
02:23Punch for this one too.
02:24Oh, thank you.
02:25Of course.
02:26Oh, you both came into Aphrodite.
02:29Was that deliberate?
02:30Oh, well, I thought she was going to do the sheet too, but it's fine.
02:35This is gorgeous.
02:36Oh, yeah, it's from home.
02:39Good for you.
02:41And what's this one come as?
02:43I'm a minor tool.
02:45Not playing the game, eh?
02:47It's a gods and monsters party, isn't it?
02:50I mean the game, darling.
02:59Where the fuck are we?
03:01Where have all these people come from?
03:03Oh, come on.
03:04It's funny.
03:05We're having a random adventure like we used to.
03:07Single girls together again.
03:10I'm free.
03:11It's a big moment for me.
03:13Yeah.
03:14How do you mean?
03:17We've broken up.
03:18What?
03:20We've split up and broken up.
03:22You haven't. You had an argument.
03:23Do you think we should stay out here or is it more fun inside?
03:25You've got kids.
03:27What's going to happen to them?
03:28It'll be fine.
03:29We'll co-parent.
03:32It was just a kiss.
03:34I know you're upset.
03:35I'm not upset.
03:36I'm relieved.
03:38I'm excited.
03:39I'm so excited.
03:40This is one of those nights where you don't know what's going to happen.
03:51She's being weird, isn't she?
03:53They've split up.
03:56What?
03:57Actions have consequences, Jessica.
04:13Hi.
04:14Hi.
04:16Can you come in the pool now, Daddy?
04:18No.
04:19Not now.
04:20Sorry.
04:22Do you have to stay in bed like when you hurt your leg?
04:26No.
04:29No.
04:29I'm just a bit tired.
04:31Hey, can you go find me?
04:42Yeah.
04:43Come on.
04:44We're coming.
04:51Okay.
04:52I'm working up there.
04:54Throw it to me!
04:57Yeah, that's good.
04:58You got it, honey?
04:58I can't be outside because I, like, made it.
05:03Yeah.
05:04It goes on and on.
05:05They love the tape.
05:07That's amazing!
05:08They want me to go to LA for a chemistry read.
05:10I knew they'd want you.
05:11Well done.
05:12You look beautiful, by the way.
05:14Oh, thanks.
05:19It's a film based on those books you love.
05:21Shadow May.
05:23Yeah.
05:25I've sort of grown out of those, but...
05:27But that's amazing.
05:30I think we should celebrate.
05:32Yeah.
05:33You need to have more fun.
05:34Come with me.
05:34Come on.
06:02You just made make sure if you seen him.
06:12This is one of my mean ads, Clare, a wonderful painter, animals mostly, lots of her work all around the
06:19place.
06:20Oh, watch out for Clare when it comes to Sparagnos.
06:23It's when everyone goes mad and tears each other apart.
06:26Oh, it's the after-party, if you will.
06:31Deathless Aphrodite, a terrible enchantress.
06:35This is from Arachne's little harbour atelier, isn't it?
06:39So expensive, but woven from the lunar silk moss, so it'll last forever.
06:44Who have you come as?
06:46Oh, I don't do fancy dress. I'm an actor.
06:49Oh, of course you are, looking like that.
06:51Would we have seen you in anything?
06:52We love gritty urban drama, it's our favourite genre.
06:58He's about to play a centaur, actually.
06:59Oh, well, why shouldn't you?
07:01I mean, anyone can play anything now, can't they? It's fabulous how many more opportunities there are in the arts
07:05for people from all over the world, all different kinds of backgrounds.
07:08You went to Harrow, so...
07:10Yeah.
07:11Goodness.
07:13You're an old boy too?
07:15I knew it!
07:16Oh my God, stop banging on about your bloody school, no one cares, am I right?
07:25How long have you been married?
07:27Oh, God, no, we're not!
07:29No.
07:30We're not married, we just...
07:31Do you know what, you should do fancy dresses.
07:33I've seen them.
07:35This.
07:37This guy.
07:39Yes!
07:40Yes!
07:43You look amazing.
07:44Yes!
07:45I look at you!
07:47Do you know how he's doing?
07:49Ah, that's it.
07:50I don't know.
07:53Cheers.
07:54Cheers.
07:56Cheers.
07:57Cheers.
07:59Cheers.
08:00Cheers.
08:01Cheers.
08:01Cheers.
08:02Cheers.
08:02Cheers.
08:06Cheers.
08:10Good afternoon, or evening.
08:12What time is it there?
08:13Hi, Natalie.
08:14Thanks for coming on at Setshot Notice.
08:15You're so welcome.
08:16I've got Greg with me.
08:18Hi, Natalie.
08:18I've jumped in on this, so I had to move pretty quickly up through the levels, as you can imagine.
08:23Nice to see you, Greg.
08:24And I've also got Suzanne, Sarah, Dominique and Maria.
08:26The whole senior management team, who obviously you know.
08:30Ah, yes.
08:31Hi, guys.
08:32Hi, Nat.
08:32Hi, Nat.
08:33Let's start with the nature of the complaint, which is in and of itself extremely serious,
08:38as it involves an accusation of sexual harassment.
08:41Sorry, what?
08:42We understand the complainant was primarily concerned with unwanted comments on his appearance.
08:45This...
08:46I'm totally...
08:47And the subsequent unwanted contact with them?
08:49It would be great to get your take on that.
08:51Well, they've been away.
08:52Did you send something to his home address?
08:55What?
08:55Did you send a box of baked goods?
08:57He said they arrived this morning.
08:58Oh.
08:59Yes.
08:59The cupcakes.
09:00But they were just a gesture of goodwill.
09:02The victim feels that these were intended to put pressure on him and to drop in the complaint.
09:06The victim?
09:07Debbie, this is me.
09:08He's also celiac, so it could be construed as menacing or an act of coercion.
09:12Why would I be coercing him?
09:13Well, unfortunately, we are going to have to escalate this to a formal grievance and suspend you pending a full
09:18investigation.
09:19Are you serious?
09:24Oh, sorry.
09:24Oh, no. No, after you.
09:26Please.
09:26Thanks.
09:38So you're here on holiday?
09:40Yeah.
09:41And how do you know the hosts?
09:43Oh, we don't.
09:46They like to collect people.
09:50Like a king and a queen.
09:52They gather a court around them.
09:55Very strange.
10:02Cheers.
10:06More than one.
10:08Well, maybe my family.
10:10Hey.
10:11Hey.
10:11Can I talk to you quickly?
10:14Yeah.
10:26Are you following me around?
10:34You're having a good time?
10:36No.
10:40Oh, uh, Avery, can you give us a moment, please?
10:47And you.
10:49Oh, sorry.
10:50Can you say please?
10:52Please.
11:07I'm sorry.
11:10What for?
11:13Uh, well, I mean, Dan made a mistake.
11:18But I'm sorry about that.
11:22I know it's made things weird.
11:23And I'm just, I really am.
11:24I'm just, I'm so sorry.
11:27Don't apologize.
11:30You did me a favor.
11:32Seriously.
12:16Yeah!
12:24Guys, where's Leia?
12:25Come on, you shouldn't be out here without an adult.
12:28What's the role of screaming?
12:30Someone at my cake.
12:32Okay.
12:37Henry, did you eat this cake?
12:40It's important, Henry.
12:41You have a nut allergy and there are nuts in this, aren't there?
12:44Did you eat it?
12:46Who ate it?
12:48But if you're not in any trouble, just tell me, did Henry have any at all?
12:51No.
12:52Yes.
12:54What does that mean?
12:56What do we do now, Henry?
12:58How bad is your allergy?
12:59How long does it take to happen?
13:00Minutes or...
13:03No, lay off now.
13:04Lay off!
13:07That's something.
13:08You have to leave it.
13:10Yeah.
13:16I think I've just been worrying about what other people think too much, you know?
13:20I've been worrying about that all my life.
13:22I hear that.
13:24There's a lot of shame attached.
13:26Exactly.
13:28When you start thinking about your relationship history,
13:30and maybe it's you, you know, maybe you're picking wrong people.
13:34Right.
13:35You blame yourself.
13:36But actually, it's not your fault if other people aren't ready to commit to you.
13:39And just because someone's your age or older,
13:42it doesn't mean they're more mature or ready for a relationship.
13:45I mean, we know that, right?
13:47You still get blindsided and hurt.
13:51It's like, how do you let yourself trust someone?
13:54How do you know?
13:55You know?
13:56It's scary.
13:59But I think you do know.
14:02Who cares what other people think?
14:05Maybe you have to take a risk.
14:07And trust it.
14:23Henry, how do you feel?
14:24Will you just talk to me, please?
14:26Is he going to be okay?
14:27I don't know.
14:29Okay, look.
14:30Can you do that your lips?
14:32Do they feel balloony?
14:34Your throat?
14:35Open your mouth?
14:36Okay, airway?
14:37Is it constricted at all?
14:38Okay, do you have an EpiPen?
14:41No, where do you want me to have to keep the medicine?
14:44Oh, Jesus.
14:51Guys, come on!
14:53Okay, look.
14:54I'll take you to mommy.
14:56Why is there never any reception?
15:01What's happening?
15:02Where the fuck have you been?
15:05I had to make a phone call.
15:07He ate nuts.
15:08He's fucking got a nut allergy.
15:09He doesn't have a nut allergy.
15:12What?
15:14Just thinks he has a nut allergy because all the other kids have it.
15:17It's fashionable.
15:18And he puked one time when he ate a whole jar of peanut butter.
15:24Oh, my God.
15:27Where are you going?
15:28Paris.
15:30Yeah?
15:31Uh, oui.
15:32No.
15:38You all right?
15:40You all right?
15:52What is this place?
15:55Come on, come on.
15:58Oh! Look at this. Wow, that's... I want to see that bedroom.
16:37Oh, wow. Things have happened in here.
16:45They definitely have.
16:47Shut the door.
16:56Who's this guy?
16:58Wow.
17:00Hmm.
17:01Terrifying.
17:05Is he alright? Because he doesn't look comfortable.
17:15Oh my god.
17:17Is that door?
17:19No.
17:21Why?
17:21Definitely means something, right?
17:24Yeah.
17:34Hide. Come on, come on.
17:36Go, go, go.
17:47I always used to do stupid things at the hot east.
17:53Do you remember graduation night?
17:56I ran off and climbed that tree and you found me hiding up there.
18:01And you didn't say what you're doing.
18:04You just laughed and climbed up next to me.
18:10And we watched the sun come up.
18:13Do you remember that?
18:17Do you remember that?
18:18I do remember.
18:21You're always very...
18:25...funny.
18:42I'm sorry.
18:43I just don't understand why you can't stay until, like, tomorrow.
18:46I told you all the way. I don't need this shitty job. I have a trust fund.
18:50And why would I stay, huh? For you?
18:55Leia, don't go.
18:56He's really upset. Can't you see that? Does that not bother you at all?
18:58Hola, he's not my kid.
19:00Okay?
19:01Look, I'm sorry, Henry, you're a good boy, but...
19:04...your parents don't look after you very well.
19:05What?
19:07They're all very selfish.
19:08Oh, I'm sorry. We're selfish.
19:09I don't have kids.
19:12You're so busy looking up your assholes that you don't even see what you have in your hands.
19:16Is that like a French saying, or...?
19:19Fine, okay. You're right.
19:22Let's go.
19:25How will you even get to the airport?
19:27There's a boat today, and my dad booked me a taxi.
19:29Good for you. Godspeed. I can do this. I'll be fine.
19:34Au revoir.
19:37Bonne chance.
19:51You look nice in those trousers.
19:54Now, did that make you feel uncomfortable?
19:57Absolutely not.
19:59Did he look good in the trousers?
20:02Yes, but apparently I should have said the trousers look good.
20:06Not him, because then apparently it wouldn't be sexual harassment.
20:10No one's allowed to flirt anymore.
20:12No.
20:13It's not like I'm his boss.
20:16I mean, technically, I'm his line manager.
20:19Dave should be flattered.
20:22Ancient civilizations understood the anarchic nature of Courtship when Zeus wanted Ganymede.
20:27He just transformed into an eagle, picked him up in his talons, and had his wicked way with it.
20:33Ganymede didn't mind. He'd just been fucked by a god.
20:35Yes, sure.
20:36Well, all gods are at it. They'd all be cancelled now, I'd say.
20:41They definitely would.
20:43Dave sounds like a sniveling little snowflake to me.
20:46Yes.
20:47You know what to do.
20:48Oh.
20:52Oh.
20:53Oh.
20:58Okay.
21:00It's ringing.
21:04Hi, Debbie.
21:06It's Natalie.
21:09Oh, I'm sorry. Did I wake you?
21:12I just want to say, fuck your job.
21:17Bye.
21:20Yes.
21:21Yes.
21:23Yes.
21:23Yes.
21:24Who wants a normal job like that anyway, darling?
21:29When things go wrong, sell up, move, start again.
21:33It's always been my rule of thumb.
21:35Yeah.
21:40I just quit my job.
21:42I'm free.
21:46Congratulations.
21:53We're like out in the world, like connections, so...
21:56Hi.
21:57Hi.
21:58This is Andros.
22:00Hey.
22:01Hi.
22:01Have you seen how late it is? How the hell did that happen?
22:03This place is a time of work.
22:07Oh, this is...
22:08This is my husband, Stefanos.
22:10Hi.
22:11Hi.
22:13This is Jacob, my boyfriend.
22:17Hi.
22:18Hey.
22:19Someone's hosting their own divorce party.
22:24She's having a good time.
22:25I think when you end a marriage, you have to process it your own way.
22:29What do you mean end a marriage?
22:31You haven't heard?
22:32It's sad, but sometimes, if you're not happy, it's better to be apart, isn't it?
22:36It's unfair to stay, actually.
22:46Hey.
22:47Can you come down?
22:48Come up.
22:50No.
22:51Get down, please.
22:52Come on.
22:53Come up.
22:53I'm serious.
22:55Come on.
22:57I mean, it's not even dangerous.
23:01What the hell's going on?
23:04What?
23:05I didn't know you and Dan had...
23:08Oh, yeah.
23:11Why didn't you say anything?
23:14I don't know.
23:18It's not...
23:19You can't just do that.
23:22You can't just do that to Dan.
23:25It's not alright, you know?
23:28You need to stop.
23:30Take a minute and think about what you're doing.
23:33I mean that in the best way as your friend.
23:36Yeah.
23:37Is everything alright?
23:41Yeah. Yeah.
23:54I think it's sometimes helpful when you feel overwhelmed to think that...
23:59You're just a tiny speck in a huge, mysterious universe.
24:03And it's okay not to understand it.
24:07All you need to do is just be present.
24:11In the now.
24:14Breathing.
24:17You know?
24:32Okay.
24:33I've got a trap as well.
24:36Um...
24:36We were thinking...
24:39If you guys would like to come upstairs with us.
24:42Oh, right.
24:44I mean, wow, thank you.
24:47That's...
24:47That's so kind of you.
25:06Your dad wants to go.
25:12He, um...
25:13Has to leave in the morning.
25:17I'm sorry if that's both the rest of the holiday for you.
25:24Probably won't feel that different though.
25:26I know.
25:38I know.
25:43You know if you wanted your first time to be on this holiday tonight?
25:46Would it be a good time to go out?
25:50Hot random at a mad party.
25:52You have a good story to tell when you're older.
25:55Obviously that's the best you can hope for, really.
25:58I know.
25:58I don't even know if he likes me.
26:01Of course he likes you.
26:07I'll take every dad for you.
26:09Okay.
26:10Just guys sit.
26:22Ugh!
26:23I don't know.
26:28Huh?!
26:46Having a moment, darling.
26:49If you're feeling sick, best to do a Roman bomb.
26:51Bring it all up now and then you can start again with a body and coke.
26:56I'm sorry, I don't really know what I'm doing.
27:01Things have gone a bit wrong.
27:03Oh, sweetheart, are they being mean?
27:08I can see you're at a very emotionally challenging moment in your life.
27:13You're a bud, trying to bloom.
27:17A caterpillar trying to wriggle out of your little chrysalis and become a big, sexy butterfly.
27:22But they won't let you, will they?
27:27I'm happy you found these three.
27:31You know who they are, don't you?
27:33Yeah.
27:34The more I, the fates.
27:38Clotho, Lachesis and Atropos.
27:41The maiden, the mother, the hag.
27:44They decide your destiny when you're born.
27:47The golden thread is your life.
27:49And when Atropos cuts the thread, that's when you die.
27:55Death isn't necessarily bad, darling.
27:58It can mean change, transformation, like Hanging Man in Tarot.
28:04I've kind of been seeing them around since I got here.
28:10Well, that's because they're trying to tell you something, aren't they?
28:14Yeah.
28:17What do you think they're trying to tell me?
28:20They're your connection to all the mysteries of your future.
28:24They've sent you signs, and you have to trust them, follow them, let them lead you.
28:31This island is deeply connected to the Morai, of course.
28:35There's a temple here where offerings were made to them.
28:39Sometimes even sacrifices.
28:43I think I've been here before, and I think there's a reason I came back here.
28:49So do I.
28:51I see you, darling.
28:54I know that you're a seer, like me.
28:58You see because you seek.
29:02You're a huntress.
29:03And tonight, you hunt.
29:30And tonight, you hunt.
29:34You're a huntress.
29:36You're a huntress.
29:38You're a huntress.
29:49You're a huntress.
29:50You're a huntress.
29:53You're a huntress.
29:54You're a huntress.
29:55You're a huntress.
29:57You're a huntress.
29:58You're a huntress.
30:00You're a huntress.
30:00You're a huntress.
30:01You're a huntress.
30:02You're a huntress.
30:06Who wants to play a game?
30:09I do.
30:13That's my girl.
30:15In this jar, there are two black stones.
30:19The two who pick them out must kiss each other.
30:24Sort of ancient Greek spin the bottle, if you like.
30:28And it's compulsory.
30:33What?
30:40Yeah.
31:08Oh, that would have been fun.
31:16Never mind, never mind.
31:21Oh, look at that.
31:41Go on.
31:43You know you want to.
31:56Here we are.
32:03Oh, look at that.
32:06Oh, look at that.
32:23Oh, look at that.
32:27Oh, look at that.
32:34Oh, look at that.
32:39Oh, look at that.
32:41Oh, look at that.
32:41Yeah, there it was.
32:42Oh, look at that.
32:47Oh, look at that.
33:00Oh, look at that.
34:02Now, it's time to judge.
34:06Who is the most beautiful?
34:10Who is the most beautiful woman here tonight?
34:21One of you must choose.
34:24So who will?
34:27Who will decide?
34:46Who is the most beautiful woman here tonight?
34:57I'm not joking, kiddo.
34:58You have to choose.
35:00There'll be consequences for you if you get it wrong.
35:03Mate, come on.
35:07I'm sorry.
35:08I don't understand.
35:10So now you can't speak English?
35:12It's not hard.
35:16Her?
35:19Her?
35:22Her?
35:25Who is it?
35:27Who is the most beautiful?
35:32Her?
35:39I don't think we should play this anymore.
35:40My party, I'm Lord of the Bacchanal.
35:48And I demand that you choose.
35:52Don't get it wrong.
35:54Don't anger the gods.
36:06Who is it?
36:08Come on.
36:09It's just a game.
36:10Come on.
36:25Don't get it wrong.
36:27Don't get it wrong.
36:33It can't be right.
36:34Don't do this.
36:37Don't do it.
36:39Do it?
36:47you made the wrong choice my friend
36:50my wife is the most beautiful woman here
36:56she is a goddess
37:03now get the fuck out of my house
37:04put the gun down
37:07I want him out of my house
37:09I mean who does he think he is
37:11coming in here
37:13trying to sully
37:16your daughter
37:19it's a disgrace
37:38his face
37:42come on music
37:44music
37:57thank you guys
37:59thank you
38:03I really enjoyed that
38:24let's go
38:26what are you doing
38:27I'm going to head
38:28no stay
38:29the party's not over yet
38:31the night is young
38:32stop me
38:33seriously
38:34it's time to go home
38:55so open up the door
39:00cause we've time to give
39:03and I'm feeling it so much more
39:09open up your door
39:21love is so hard to find
39:28and even harder to define
39:34oh
39:35open up the door
39:40and I've never been so sure
39:47open up the door
39:54open up the door
40:08open up the door
40:23open up the door
40:50open up the door
41:12open up the door
41:15open up the door
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