- 15 hours ago
Unsilenced：Soul Slaughters HD
Category
🎥
Short filmTranscript
00:00A copycat learns the result. He learned the process.
00:09Alright, what do we got?
00:11Nightmare. Looks like she was stabbed repeatedly.
00:13I'm gonna say she's been here at least four hours.
00:17The ice shards found at the scene are from an abandoned meat locker.
00:20The victim was held there for at least a week.
00:23He didn't stand a chance.
00:26Media's already calling him the modern ripper.
00:29Don't name him. Names make monsters into legends.
00:34I want evidence.
00:40Ella?
00:42It's too specific.
00:43No copycat would know this detail.
00:45And if he's not trying to be the original...
00:47A copycat learns the result. He learned the process.
00:52He's back.
01:00He made a mistake.
01:14Hello, are you okay?
01:17Do you know this technique?
01:25check this feather check the source of fiber check all unsolved female murders in the past
01:3020 years compare the wound cleaning method and time of disappearance again the scope
01:34will be very barge let's start with the first forgotten person do you think he will kill again
01:43he has never stopped
01:50make up sew up and dress the deceased no one wants to do this but someone has to do it
01:59what are you doing here the forensic team is shorthanded so i'll help organize the instruments
02:12what did you do before i am an embalmier
02:16make up sew up and dress the deceased no one wants to do this but someone has to do it
02:20i like quiet
02:21work dead people don't disbane me your technique is very professional learned by myself yes i have
02:27read many books and seen many corpses sometimes the funeral home receives unexpected deaths and the
02:32wounds need to be healed so i study them myself do you know this murderer incognizance but i am
02:39familiar with his technique i mean this person's incision position endo and depth of a chunk junta it's not
02:46that ordinary surgeons can something he must have received special training or there is a lot of
02:51practice
03:02it's a pity
03:05marcus is at the funeral home
03:24find out where marcus is
03:44marcus is at the funeral home
03:57caris is at the funeral home
03:59so
04:04thank you
04:14as
04:35I don't know.
04:53She said she was afraid.
04:54I told her not to be afraid.
04:56It will be over soon.
04:57She believed it.
05:00I put her clothes back on and buttoned them up.
05:03There are bloodstains in her nail crevices.
05:05I cleaned them three times.
05:07The funeral home fire occurred five years ago.
05:09Also stopped five years ago.
05:10It's not a coincidence.
05:12Who do you think he's handling it for?
05:20He was my idol since I was a child.
05:23Smarter than me.
05:24The three bodies.
05:26How many did you handle?
05:28Three.
05:29All of them.
05:30He gave them to me.
05:31I cleaned them up, stitched the wounds, put their clothes back on.
05:35Why did he give the bodies to you?
05:37I'm a mortician.
05:38I can touch the dead legitimately.
05:40No one suspects a man who puts makeup on corpses.
05:43But I'm not as good as him.
05:45His technique is perfect.
05:47I can only copy about 70-80%.
05:49He let me watch.
05:51He said it was art.
05:53He said the most beautiful moment for a human being is not when they're alive.
05:58It's when they're frozen.
06:01What's his name?
06:10I can't say.
06:12Why not?
06:13He was my idol since I was a child.
06:15Smarter than me.
06:16More elegant.
06:17More confident.
06:19And then I knew I'd be his shadow my whole life.
06:23But being a shadow is better than being invisible.
06:26Who is he?
06:29You want to know?
06:32Marcus Reed admits handling the bodies.
06:35But he's not the killer.
06:36His technique is identical to the killer's.
06:39Same stitching angle.
06:40You can't learn that just by watching.
06:42He's not copying the killer.
06:43He was being trained by him.
06:44Marcus is a mortician.
06:45He has basic skills.
06:46But the reverse suturing and incision angle, those were taught.
06:48So when he handled the bodies, the marks matched.
06:49Even forensics would conclude it's the same place.
06:51So he was planted from the start?
06:52From the very beginning.
06:52Find someone insecure, desperate to be seen with technical skills.
06:55Use him, train him.
06:56And when the time comes, push him out as the scapegoat.
06:57The killer left a signature.
06:59Marcus doesn't know about it.
07:00He never placed anything on the victims.
07:01He only cleaned.
07:02This feather was placed by the killer himself.
07:05He was there, watching.
07:07Does Marcus know?
07:08Probably not.
07:16You came.
07:25I knew you'd come.
07:28You finally remembered me.
07:41Stop.
07:42No filming.
07:42Stop what you're doing.
07:43Stop.
07:44No filming.
07:45Stop what you're doing.
07:52You damn fools.
07:54Letting the killer cut our slints right under our noses.
07:56I'll have his badge for this.
07:59Everyone, this is a provocation against us.
08:02We absolutely can let him get away with this.
08:05I've already sent people to pull yesterday's surveillance footage.
08:10This is yesterday's surveillance footage.
08:11He knows we're watching him.
08:21Hey guys, look where I am.
08:24Hey guys, check this out.
08:25You know where I am right now?
08:26So I'm hearing three people just got killed here.
08:29Extremely professional work, like surgical.
08:32Word is, it's a serial killer.
08:34And get this.
08:35He likes to collect the pretty parts of the dead.
08:38Stop.
08:38No filming.
08:39Stop what you're doing.
08:40Stop.
08:41No filming.
08:41Stop what you're doing.
08:43What's going on out there?
08:44Some influencer looking for thrills.
08:46Get rid of him.
08:47Hey, do you know who I am, pal?
08:48One phone call from me and you could lose your job.
08:50I don't care who you are.
08:51Leave.
08:52Now.
08:52All right.
08:53All right.
08:54Looks like our great detectives are getting angry.
09:02Found it.
09:08Same feather.
09:09From 20 years ago.
09:10He's telling us he was always there.
09:12Just no one was looking.
09:15Ella, you need to see this.
09:17Kale Roy, that influencer who showed up at the station today,
09:19he posted a video.
09:22We need to talk about...
09:23Let me tell you something.
09:24The third victim, there's an incision on her neck right here.
09:26Three centimeters below the right ear.
09:28Depth down to the millimeter.
09:29This isn't ordinary knife work, folks.
09:31This is a mark.
09:31A signature.
09:32Who's the killer sending message?
09:33Three centimeters below the right ear.
09:35That number.
09:35Only someone who read the autopsy report could know it.
09:38The feather detail hasn't been released to the press.
09:40He knows too much.
09:40There's someone behind him.
09:42No one just knows these things.
09:43A man who keeps details down to the millimeter
09:45doesn't let information leak by accident.
09:47Unless...
09:48He gave it to him on purpose.
09:57He thinks he's the star of his own show,
09:59but he's standing on a stage someone else built.
10:01Kale posted another video.
10:03This one's worse.
10:03He got your medical records.
10:04Where the hell did he get those?
10:05Your files were sealed by court order.
10:07Ella Cross, the prosecutor in the snow killer
10:09because she's so obsessed?
10:10You know why she's a victim herself?
10:11Years ago, someone attacked her.
10:13Left this scar.
10:13Question is,
10:14can someone with that kind of tramity
10:15really be objective?
10:16You tell me.
10:18Someone's feeding him.
10:20First the crime scene details.
10:21Now my medical records.
10:23First leak.
10:23The day after the third victim was found.
10:25The autopsy report wasn't even finished yet.
10:27He mentioned the killer has a victim type.
10:28That detail was only discussed in our briefing.
10:30That meeting lasted 20 minutes.
10:31Exactly.
10:31Seven people in the room.
10:32Every leak.
10:33The day before every police action.
10:35Like someone knew exactly what we were going to do.
10:37We have a leak inside?
10:37Someone who knows what we say in this balding
10:39without being in this balding.
10:40I want Kale Roy's complete communication records.
10:42Past month.
10:43Every message.
10:43Every call.
10:44He thinks he's the star of his own show,
10:46but he's standing on a stage someone else built.
10:48He's too loud.
10:49Loud enough that I can see the hand behind him.
10:51What are you going to do?
10:52I'm going to see the victim's family.
10:53She was right.
10:54Everyone's talking about me.
10:55No one's talking about who killed her daughter.
10:57To comfort her?
10:57No.
10:58To promise her.
10:59I will put his name in her hands.
11:02You don't know.
11:03You don't know anything.
11:04Go away, prosecutor.
11:05You're not welcome here.
11:15I'm Ella Cross.
11:16The prosecutor assigned to your daughter's case.
11:18Seen online isn't the truth.
11:20Do you know my daughter's name?
11:21You don't know.
11:22You don't know anything.
11:23Go away, prosecutor.
11:25You're not welcome here.
11:42You pushed the wrong person.
11:44Let go of me.
11:45I didn't take anything from you.
11:55Who's there?
12:01You okay?
12:03Fine.
12:04What do you take?
12:06Canned food.
12:07Some bread.
12:08Fourteen.
12:09Third offense.
12:17You're stealing for your sister?
12:19How do you know?
12:21Because someone gave me canned food once.
12:23A long time ago.
12:26Get him a cup of hot water.
12:31How did it go with the victim's family?
12:38She asked me if I knew her daughter's name.
12:41I didn't.
12:42I should have.
12:43We've been studying how he kills.
12:45Never why he chooses these locations.
12:48This isn't random.
12:49He's drawing something.
12:51He's drawing what he wants.
12:52An angel.
12:53They're blacklisting me.
12:55It has to be Ella.
12:56She contacted the platforms.
13:02Come downstairs.
13:07Who's there?
13:19Go to his apartment.
13:20Now.
13:22He posted a picture last night.
13:24Feather close up.
13:25It's exactly the same as the evidence at the scene.
13:28That photo will not pass the review.
13:34The police wanted to frame me.
13:35I just did what they should have done.
13:37He panicked.
13:38What happens if you panic?
13:39They will escape and evade our capture.
13:42But what he didn't know was that the person who gave him the feathers no longer needed him.
13:46What do you mean?
13:47He will only appear when the next scapegoat is found.
13:53Go to his apartment.
13:54Now.
14:08He blames everything on you.
14:12He blamed everything on someone who didn't give him anything instead of blaming the person who used him.
14:24Your eyes are the most beautiful I've ever seen.
14:33I have money.
14:34Please spare me.
14:35I have a fortune.
14:36And luxury cars.
14:37Villas.
14:37All yours.
14:38Please.
14:41Your eyes are the most beautiful I've ever seen.
14:45Beautiful enough to make me obsessed.
14:52I still have stocks.
14:53I can give them to you.
14:55Spare me.
14:56They found a new clue, but the target disappeared before taking action.
15:01Would it be interesting to hear about this?
15:04Yeah!
15:11He got on the car.
15:12No, he didn't get on the car.
15:18He was taken away by the murderer.
15:20He is still alive.
15:22The murderer wants us to know.
15:23Why?
15:24Because he is playing.
15:26He said he likes to look in the direction we're chasing and make that direction suddenly disappear.
15:31This time, I will also draw a direction for you.
15:46We found him.
15:47We found him.
15:48We found him.
15:49Not us.
15:49A homeless man.
15:57The eyes are gone.
15:59The eyes are gone.
15:59Clean job.
16:01He said he liked beautiful things.
16:09Same footprints.
16:10That seals it.
16:15What is it?
16:15Nothing.
16:16Nothing.
16:18We finished the factory interior.
16:20Nothing but footprints.
16:22Is this guy a ghost?
16:24He's not a ghost.
16:26He just knew we were coming before we did.
16:28He just knew.
16:37What's he doing?
16:58He has cars with his son.
17:00the autopsy's back
17:02the same as before
17:03even the scalpel brand matches
17:05he doesn't disguise his methods
17:07because he doesn't want us to think it's someone else
17:09he's showing off
17:17why does he take the eyes?
17:19keeps them
17:20he likes to keep things
17:22put that aside
17:23that's not what matters right now
17:49you've been looking at this painting for a long time
17:51longer than most people
17:52I was wondering why the fallen angel looks serene
17:56logically falling should be painful
17:57I collect art
18:01collect art?
18:02what kind?
18:04those works that haven't been finished yet
18:08what kind?
18:21Oh
19:00Oh
19:29She struggled too much the neck muscles are spesming and the lines are not perfect
19:58This alley is only 300 meters away from the art museum
20:01Where did she go on her last night?
20:03Art gallery
20:03After closing she left and the surveillance footage saw her walking out alone, not coming back again
20:08What about the internal monitoring of the art museum?
20:10Looked, she was alone in the exhibition hall watching paintings for almost an hour
20:13During this period three or four people passed by her but no one stopped to talk to her
20:19He has a notebook
20:20What?
20:20Starting from the third body all victims have identifiable marks on their necks
20:24Birthmarks, moles, scars, tattoos
20:26He didn't choose them because they were good-looking
20:27He chose them because there was something around their necks that he could collect
20:30What does he take this for? Stamp collecting?
20:32The artist chooses the canvas
20:37He has a specific hunting ground
20:39The place he went to was chosen by these girls themselves
20:43He is someone who will appear in the same place as them
20:46A place they wouldn't consider dangerous
20:49A place where they would say to him
20:51Do you also like this painting?
20:59The purest one is always the last to be completed
21:06Did you get his face?
21:09Besides the main entrance, are there any other surveillance feeds from last night?
21:13There is one at the side door, but the angle is poor
21:15We checked
21:16Only a few visitors
21:17There was also someone who seemed to be staff
21:20Walked past the edge of the frame, head down
21:23Staff?
21:24Should be
21:25We have cleaners after hours
21:27And some curators come by occasionally
21:32Did you get his face?
21:37Side door
21:38No face
21:39Means we know the timeline when someone accessed the building after hours
21:43He came in from the side
21:45Not the main entrance
21:46Are there access logs?
21:48Our side door has an old mechanical lock
21:50We requested an electronic one last month, but it wasn't approved yet
21:57He had already researched this place thoroughly before we even thought of coming here
22:01His hunting ground is decorated more professionally than ours
22:07He stood there watching her
22:09While the surveillance only captured a silhouette
22:11He may have been observing her here for more than one night
22:13He picked her time, her route, and the paintings she chose to see
22:18What kind does he choose?
22:36It's still a little short
22:38You are looking for me
22:40I'm also preparing for you
22:47I'm also preparing for the diversion
22:48So if I saw this
22:49Well, let's тогда
22:50Well, first of all
23:04You can wait for me
23:05If I know
23:05I can wait for me
23:06If I do
23:07If Iафix
23:08You can go
23:09I've met
23:11Working
23:11You can be
23:12At least
23:12Going
23:17I asked Cooper to check it. Long-term lease, pay in cash. Kana.
23:21Because he has been waiting for this day for more than 20 years. He can't use his real name.
23:39Fuck. He's a dead man.
24:08What does it mean?
24:09He rented a warehouse as a dead person.
24:13That's it. Turn around and head west.
24:27There's nothing on the doorknob. It has been wiped using alcohol or similar substance.
24:32Where's the lock?
24:33The cheapest model. But the lock is oiled and well-maintained.
24:38It's not something left unattended for 15 years.
24:50Not rotten. It's about saving.
25:05Number 29 hasn't been chosen yet.
25:07She's been chosen. He just hasn't put the photo up.
25:18There's another cabinet here. Separate from the others.
25:33There's another cabinet here. Separate from the others.
25:39The rehearsal hall rehearses every weekend. Tomorrow night.
25:52When I was little, I always thought what happened that night was a separate incident in my life.
25:57Just an accident. Now I know it wasn't.
26:02I've been living in his story my whole life.
26:04From the age of six to now, I'm just a work that he hasn't finished yet.
26:08You didn't become his work, Ella.
26:10What's in each jar is one person. He has 29 seats, 28 of which are full, and the 29th is
26:15empty.
26:16He's still looking.
26:18No, he's not.
26:21Run a search. Medical background.
26:23Purchased industrial-scale temperature and humidity control equipment in the last month.
26:30The rehearsal hall rehearses every weekend. Tomorrow night.
26:34Contact the management of the Symphony Hall to get a list of all female members and regular customers.
26:39Number 30 has not been notified yet.
26:43He didn't know that we had found the warehouse.
26:46We are Nez unknown.
26:47Then keep it in this state. Don't release any news until dawn.
26:51Wait for him to go to the rehearsal hall.
26:54Go. We still have 24 hours.
27:08Target entering the area. All exits maintain radio silence.
27:26Prepare.
27:48Don't leave here.
27:59He's gone.
28:13He's going for the dancer next.
28:15The opera house will be the stage.
28:22If he isn't caught, it's on us.
28:24But if we let him get away, they'll just become his audience.
28:29Then what do we do now?
28:31Wait for his next move.
28:34You can return it to her mother in person.
28:37You won't have that come certain.
28:39Peter Ella Cross, someone is looking for you.
28:42He said that he was...
28:44You can chase me. You can also stop me.
28:46But I said I would finish the work no 30 unless you come to see me in person.
28:51I know your warehouse has been found.
28:54I also know that you are checking my medical records.
28:57So, I'll give you a choice.
29:00Within a week, if you catch me, I will admit defeat.
29:05But if you can't do it within a week...
29:08No.
29:0930 will die.
29:12There's also a second option.
29:14Something.
29:15You don't have to catch me.
29:16Come and see me by yourself.
29:18Alone.
29:19I'll give you the location of all the remaining victims' relics.
29:23Including 28, the imperfect one.
29:25I still have her earrings.
29:27You can return it to her mother in person.
29:30You won't have that come certain in person.
29:33It's not a threat, prosecutor.
29:36This...
29:41I won't ask for the relics now.
29:43But I know you'll give them to me.
29:49He's messing with you.
29:52He's playing.
29:53If the locations of the remains are real, there will be an end for the 28 families.
29:59You can't go.
30:15I know it's a trap.
30:16But we have to find out whether what he said about the 28 relics is true or not.
30:20If it's real, I'm going.
30:30I won't ask for the relics now.
30:32But I know you'll give them to me.
30:34Because what you want is another one.
30:36Pick a place.
30:38Not the warehouse.
30:39Not your basement.
30:40It's the place where you can remember the first time you did it.
30:43You finally understand.
30:45The park where we first met 20 years ago.
30:47Remember?
30:48I remember.
30:49I'll wait for you there.
30:51No.
30:51I'll be the one waiting there.
30:53You're the one who's late.
31:00I'm sorry.
31:01I'm gonna kill that bastard!
31:33She's alive.
31:34As long as she lives, that's enough.
31:54When you attacked me for the first time, I tore off a small piece of your gloves.
32:01The car has arrived.
32:03He didn't catch you 20 years ago.
32:05You survived.
32:06I grabbed the piece of the glove for three hours when I was six years old.
32:10It is stained with his sweat and dandruff.
32:12But now it's old and useless.
32:14Then let it go back to the scene.
32:16This fragment is the only witness.
32:18It's clearer than I remember.
32:25The work should be completed while sitting.
32:28You chose the park 20 years ago.
32:30There was another witness here 20 years ago that you didn't find.
32:33When you attacked me for the first time, I tore off a small piece of your gloves.
32:38It has been in the case file for 20 years.
32:40It's time to go back to the crime scene today.
32:43Even at six, you understood me better than anyone.
32:47I always thought that failure was just a flaw.
32:51Now I know that was never a failure.
32:55It was your signature left behind.
32:59I've kept this scar for 20 years, waiting for you to ask about it.
33:04Aren't you gonna run away?
33:05Run.
33:07You've come with pieces of my glove.
33:10Even at six, you understood me better than anyone.
33:13How could I ever run away?
33:14North City abandoned silk reeling factory.
33:17Third workshop beneath the north wall.
33:18The brooch of the first victim wrapped in red cloth.
33:28Here it is.
33:29You can give it to his mother.
33:37One is missing.
33:38This is the 29th one.
33:41Your own.
33:50You brought them here.
33:51You said you invited me.
33:53This is not right.
33:55It was I who invited you here.
33:57This fragment has accompanied me for 20 years.
34:00It's back to you now.
34:02You have collected things from 28 people.
34:04One is missing.
34:05This is the 29th one.
34:07Your own.
34:14You were in the ambulance back then, clutching something in your hand.
34:18I asked you what it was, but you didn't say.
34:22Another mother's.
34:3528 addresses.
34:36I matched it the first time.
34:37At least the first three are in perfect agreements with the old archives.
34:40Starting from tomorrow, find the family for each relic.
34:45What was your motive for committing the crime?
34:48Motivation.
34:49This word is too rough.
34:51Your full name?
34:52Julian Sebastian Morrow.
34:53Julian Sebastian Morrow.
34:55Medical doctor majoring in cardiothoracic surgery.
34:5852 years old.
34:59Do you admit to 28 charges of murder?
35:0228 steps completed.
35:04Unfinished together.
35:06A total of 29.
35:11The 29th number should be you.
35:13What was your motive for committing the crime?
35:17Motivation.
35:17This word is too rough.
35:19That's not a physiologic reflex.
35:21That is the last color of the soul.
35:22Marcus Reed was taught by you.
35:24What he will never leave if he didn't understand is the other aesthetic.
35:27Right.
35:27Aesthetics.
35:28I have only one criterion for choosing a partner.
35:31Where is Adam?
35:32Adam is different.
35:32He was raised by me since childhood.
35:33His muscles in his neck kept crampling.
35:35So he cannot be a work of art.
35:36He can only be a tool.
35:38There are still people working for you outside after you go to prison, right?
35:41When you asked me this question, you already knew the answer.
35:44Who is that person?
35:46You don't know.
35:47You won't find him in any records.
35:49He is not a shadow.
35:51Do you have the conditions?
35:52There are no conditions.
35:53I have only one request.
35:54What?
35:55Before I die, let me see you again in this interrogation room.
35:57Not a prosecutor.
35:58Not an opponent.
35:59It's Julian and Ella.
36:05I'm a prosecutor.
36:07All the grounds for conviction in this case.
36:08Julian Sebastian Morello, 52, the former director of the cardiothoracic surgery department at St. Mary's Hospital, was officially arrested last
36:16night.
36:16He pleaded guilty to 28 charges of first-degree murder that occurred within 28 years.
36:21Did he turn himself in?
36:23He showed up at the appointed place voluntarily without any resistance.
36:27There is a rumor that he has a personal relationship with you.
36:29He attacked you himself 20 years ago.
36:31I'm a prosecutor.
36:33All the grounds for conviction in this case are derived from the chain of physical evidence, confessions and witness statements.
36:38My personal relationship with the case is limited to the scope of my duties.
36:41I won't answer questions that start from personal experiences.
36:44I have been pursuing this case for 20 years so that no one will be hurt again.
36:54The fastest hurry turns to annualization.
36:57The next time you ask this question, please use their names.
37:00It was handled very well.
37:04He said during the interrogation yesterday that there was still a shadow outside.
37:09You believe?
37:10Everything he does has a follow-up.
37:13Next time we meet, not in court.
37:17This court sentences you to death, and the execution date will be determined after the quarantine period ends.
37:23I don't think I am a demon.
37:26They are only dedicated to art.
37:32Next time we meet, not in court.
37:45Walk back.
37:48You came to visit an old friend.
37:51No.
37:52I'm here to tell you something.
37:54One of the family members of the person whose eyes you took away had her name engraved correctly.
37:58The tombstone bears her third name.
37:59She is a person who has changed her name twice.
38:01Which one?
38:02The 17th.
38:02My most perfect work has not yet arrived.
38:05It will be completed in my prison.
38:06Sent to me by someone I don't say who it is.
38:13All appeals have been exhausted.
38:14Within two weeks.
38:15I know.
38:16I'm not going to appeal.
38:17Why did you call me here?
38:18Transfer some money from my trust to one of my nephews.
38:21I need you to write an inheritance distribution clause.
38:25Alan Walker?
38:27I haven't heard of this person before.
38:28It's the child of a colleague when I was young.
38:31He has been unemployed recently.
38:33I want to help him.
38:36Of course.
38:36Morrow met with his lawyer today.
38:38This is a record.
38:38He has never had a nephew.
38:41He is still using the same network to contact the outside world today.
38:44Not a phone, not a network.
38:46It's face to face.
38:47But he can't leave the death row.
38:48He used a lawyer's note to pass on information.
38:51The note didn't write a will.
38:52It was an address and instructions.
38:54Where is Alan Walker?
38:55Now!
39:05Where is he now?
39:08He is not at home.
39:10He has already left.
39:12Was Morrow waiting for this day four years ago?
39:16This note was left for him.
39:19He's saying that you're not the only one in a hurry.
39:23Number 30 isn't Cecilia.
39:24It's someone else.
39:31Cecilia Bloom, 28 years old.
39:32Lead singer of the choir.
39:33She meets all of Moray's selection criteria.
39:35Number 30.
39:36He didn't come to kill.
39:37He's only here to take her away.
39:38So leave the same way she would.
39:39The back door?
39:40No.
39:40It's the side aisle exit reserved for the choir.
39:42After rehearsal, the lead singer always leaves that way alone.
39:44Moray knows this.
39:45He's in prison.
39:48You're Cecilia.
39:49There's someone waiting for you outside the front door.
39:51A woman.
39:51She says she's an old acquaintance of yours.
39:54Who?
39:54She says her name is Ella.
40:04Moray received an external call, but he didn't answer it.
40:06The number is from a public phone booth.
40:08He's telling us he's already started.
40:10Number 30 isn't Cecilia.
40:12It's someone else.
40:17The one everyone overlooks.
40:19Moro doesn't make mistakes like this.
40:20He let us see the rehearsal deliberately to split our attention.
40:23Has Alan Walker taken her?
40:25Already checked.
40:26She's not on duty tonight.
40:27No one's answering at her apartment.
40:28Let's go.
40:29Let's go.
40:41Alan Walker.
40:42She knew him.
40:44Moro gave him every step from prison.
40:45The location.
40:46Her shift time.
40:47Which door she would open.
40:48The face she'd see first.
40:50Alan Walker used to be maintenance here.
40:51All units.
40:52Track Caroline Ashford's phone and pull every employment record for Alan Walker from the past two years in this area.
40:56Any overlap with church personnel.
41:18Her phone signal is here.
41:20Basement.
41:21Basement.
41:28He said you wouldn't be late.
41:34Put the knife down.
41:36He said if I got caught to tell you something.
41:40What?
41:41The Requiem wasn't sung by me.
41:43It was her.
41:44You saved candidate number 30.
41:46But what you can't change is as long as she's alive, I'm not dead.
41:49He's wrong.
41:50He's already dead.
41:51He just hasn't been buried yet.
42:06You thought I would forget.
42:08I remembered it for 26 years.
42:22Number 30 is not completed.
42:24I know.
42:25He said that what you made him imitate was not just your craft, but your very being.
42:31An excellent apprentice.
42:34But he is not you.
42:36So I failed.
42:38You didn't fail.
42:40You ended it by your own hand.
42:42If you hadn't torn off that piece of the glove when you were six years old, everything would have been
42:47different.
42:47It wasn't that piece of the glove.
42:50It was you asking me if I was cold.
42:53You thought I would forget.
42:54I remembered it for 26 years.
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