Μίστερ Τραμπάκουλας (1984)

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00:00:09The End

00:07:04He is a lightened, open,

00:07:07A lightened,

00:07:09A lightened,

00:07:11A lightened,

00:07:13A lightened,

00:07:14A lightened,

00:07:15A lightened,

00:07:28Thank you, Angel,

00:07:29I am not a friend.

00:07:30You are the one who is the one who is the one who is the one who is the one

00:07:46who is the one who is the one who is the one who is the one who is the one

00:07:48who is the one who is the one who is the one who is the one who is the one

00:07:49who is the one who is the one who is the one who is the one who is the one

00:07:50who is the one who is the one who is the one who is the one who is the one

00:07:56who is the

00:08:00...and I know my second career.

00:08:31Oh, give us a gift.

00:08:33Oh, give us a gift.

00:08:36Oh, I'm holding you.

00:08:38And the anger that we've got.

00:08:41And the water that we've got.

00:08:44And the dirt that we've got.

00:08:45And the water that we've got.

00:08:47And the water that we've got.

00:08:47The water that's right.

00:08:49They're the water that's right.

00:09:01монτζşίτλια

00:09:29And the

00:09:31The Taxes and the Pean is the syntax

00:09:35And the way we are there are

00:09:38It's a lot of people who say it

00:09:40And what do you say, boys?

00:09:41O Kaka-Boo-Boo, Kaka-Boo-Boo-Boo

00:09:46Kaka-Boo-Boo-Boo, Kaka-Boo-Boo-Boo

00:09:48Kaka-Boo-Boo-Boo-Boo

00:09:49O Kaka-Boo-Boo-Boo

00:09:52O Kaka-Boo-Boo

00:10:02Πρώτησα στην κουλιά το διευθυντή

00:10:05Γιατί δεν ανεβαίνουν οι μισθοί

00:10:09Γιατί θα πρέπει να ψωνίσω εγώ στη λαμική

00:10:14Και να το γίνει κοραμαγική

00:10:17Γιατί να την κολεύω συνεχώς με να νικά

00:10:22Με κύριους μα πατού σε φιλικά

00:10:25Όλοι μαζί που Kaka-Boo-Boo-Boo

00:10:28Πι, Καπάκου, Μπυρνή, Κακά

00:10:30Α, ο Κίκη, Α, ο Κίκη

00:10:33Παγκανακα, ο Κίκά, ο Κακά

00:10:35Πο, ο Κίκη

00:10:37Παπακού, Μπυρνή, Κακά

00:10:39Α, ο Κίκη, Α, ο Κίκη

00:10:41Παγκανακα, ο Κακά

00:10:46Ο γιόκας μου ρωτάει συντεθώς

00:10:51Παπακά μου την παναπή φτωχός

00:10:55What a price of our name is the name.

00:10:59What he told me is the name.

00:11:00He says, I'm calling him a man.

00:11:05I'm calling him a man.

00:11:07He says, I'm fast.

00:11:10What a price of our names is the name of our names.

00:11:15A price of our names is the name of our names.

00:11:27Bravo, Milly!

00:11:28Look at the image!

00:11:53Votato...

00:11:54Passes...

00:11:55Passes...

00:11:57Passes...

00:12:12We are from the A.G.A.

00:12:13From the IRTA, by the telegram.

00:12:15I am from the A.G.A.

00:12:17Votato...

00:12:18I don't know.

00:12:20What are you doing?

00:12:21You have potatoes?

00:12:22I have potatoes.

00:12:24I will take potatoes.

00:12:26I will take potatoes.

00:12:29I didn't want to take potatoes.

00:12:31I will take a meeting.

00:12:33I did not take a meeting.

00:12:33I took a meeting.

00:12:34I will take a meeting.

00:12:36As a man, how are you seeing...

00:12:43I hear you.

00:12:45I hear you.

00:12:46I will take a meeting.

00:12:48How are you doing?

00:12:48I will take a meeting.

00:12:50I will take a meeting.

00:12:51I will take a meeting.

00:12:54But I do not have a meeting.

00:12:59Should I leave?

00:13:01I will leave.

00:13:02What is the meeting?

00:13:05And then, and then,

00:13:08and then, and then,

00:13:09and then,

00:13:10and then,

00:13:11It's the name of the Greece, the name of the Athenians!

00:13:13The potatoes, the potatoes!

00:13:15The potatoes!

00:13:15Let me cook them!

00:13:17Why are you eating this?

00:13:24The presence of the President of the Presidential, of the Presidential, of the Presidential, of the Archdiocese and of the

00:13:35People's

00:13:36It was a pandemic of the gay person Harry Klein,

00:13:39who was the king of Vassili Trian Tafilidhi,

00:13:42who had died for many years in the United States.

00:13:45In the end of the year, the television of the Ennerd

00:13:48is today showing some stories and stories from the lives of Harry Klein

00:13:52in comparison to the most recent broadcasts.

00:14:15Thessaloniki my great, my sweet mother

00:14:19You're my best friend, my sweet mother

00:14:25Thessaloniki my great, my sweet mother

00:14:31Where I go, I always have my heart

00:14:37Thessaloniki my great, my sweet mother

00:14:41You're my best friend, my sweet mother

00:14:44You're my best friend, my sweet mother

00:14:52Thessaloniki my great, my sweet mother

00:14:58Γεννήθηκα το 1940 στις 2 Απριλίου

00:15:02Δηλαδή μια μέρα αργότερα

00:15:05Τη μέρα που γεννήθηκα κάτι φοβερό συνέβη

00:15:09Έζησα

00:15:12Θυμάμαι τα παιδικά μου χρόνια στη Θεσσαλονίκη

00:15:14Τα παιχνίδια στην Καλαμαριά

00:15:17Όταν θέλαμε να παίξουμε τους κλέφτες και τους αστυνόμους

00:15:20Δεν έβρισκες κανένα που θα θέλει να παίξει τους αστυνόμους

00:15:25Πεινούσαμε, κρυώναμε και ελπίζαμε

00:15:27Στην Καλαμαριά όλοι πεινούσαν, κρυώναμε και ελπίζαμε

00:15:33Κάς ξεψυχήσω μπρος στον πυργό το λευκό

00:15:39Στην Καλαμαριά μια χούφτα ξεριζωμένη πόντι

00:15:44Αγωνίζοντα για να ζήσουν

00:15:47Ανάμεσά τους ο Μπαρμπανίκος πατέρας μου

00:15:49Και η Κυριακή Τσαϊμάνα μου

00:15:54Δύσκολες και σκληρές μέρες

00:15:56Που τις αντιμετωπίζαμε με αισιοδοξία και χαμόγελο

00:16:01Εδώ έμαθα να κλαίω

00:16:03Εδώ έμαθα να γελάω

00:16:07Όλα σε τούτου τον τόπο έχουν κάτι να σου πούν

00:16:12Κάτι να σου θυμίσω

00:16:15Σ' αυτό το σπίτι πρωτόπιξα καραγκιόζηστος εντώνη της μάνας μου

00:16:20Εδώ μάζευα τους φίλους μου και τους έλεγα τα αστεία μου

00:16:23Και σ' αυτό το σπίτι κάθε καλοκαίρι ζω το σήμερα και το χθες

00:16:28Με την οικογένειά μου

00:16:37Με την οικογένειά μου

00:16:39Σε ευταλίνη η καρδιά έχει δύο βαυλακιά

00:16:49Μα σένα τρέχνεται ματάκια σ' άλλο τα φάρμακια

00:16:54Που ήχαν σ' ένα τρέχνεται ματάκια σ' άλλο τα φάρμακια

00:16:59Του ήλικών την κερβαναγκιών το καλών το χθινό

00:17:04I'm a woman and I'm a woman and I'm a woman and I'm a woman and I'm a woman and

00:17:14I'm a woman and I'm a woman and I'm a woman and I'm a woman and I'm a woman and

00:17:19I'm a woman and I'm a woman and I'm a woman and I'm a woman and I'm a woman and

00:17:22I'm a woman and I'm a woman and I'm a woman and I'm a woman and I'm a woman and

00:17:23I'm a woman and I'm a woman and I'm a woman and I'm a woman and I'm a woman and

00:17:24I'm a woman and I'm a woman and I'm a woman and I'm a woman and I'm a woman and

00:17:25I'm a woman and I'm a woman and I'm a woman and I'm a woman and I'm a woman and

00:17:26I'm a woman and I'm a woman and I'm a woman and I'm a woman and I'm a

00:17:32Good girl mamma mia, good girl mamma mia, good girl

00:17:36To keep in mind that watch the ball

00:17:40The actor who wheelchair is�zzleloaded.

00:17:42They're old, old friends.

00:17:46They didn't forget.

00:17:47It was a conversation and conversation, a meeting with them,

00:17:50a conversation that was in a meeting with the same woman and the same woman.

00:17:55And they had all these years from then.

00:17:58The Anatole-Pad.

00:17:59Who are my friends, who are crying in their pain and pain.

00:18:04The black and white eyes are ready to give up the sound of the lyrus.

00:18:09And the sound of the Stelio.

00:18:11Good, Stelio.

00:18:22How are you...

00:18:23There's a

00:18:23a hand.

00:18:24Br assemblyman of Stelio.

00:18:30Thank you very much.

00:18:38Welcome to the stage.

00:18:39Oh, it's not a lot.

00:18:40You come here with the other.

00:18:43It's a little bit like you.

00:18:45I'm going to go.

00:18:47I'm going to come down below.

00:18:49Bye, mon.

00:18:50I love you.

00:18:52Did you feel that?

00:18:55I don't know the cream.

00:18:58You didn't know it.

00:19:00I don't know it.

00:19:01Hey, guys.

00:19:03Just the cream.

00:19:07I just loved the cream.

00:19:08Let's try it.

00:19:09Let's try it.

00:19:10Are you ready?

00:19:11Are you ready?

00:19:13Let's try it.

00:19:16Let's try it.

00:19:18Let's try it.

00:19:20You're ready.

00:19:39Let's try it.

00:19:42Let's try it.

00:19:43You're ready.

00:19:45You're ready.

00:19:47You and I have no idea.

00:19:50There's still a place where you keep it.

00:19:55You're waiting for me to stay home.

00:19:59By the new car, you are free.

00:20:06You were for me a long history

00:20:13With a new life I will find a way

00:20:381947

00:20:40For the first time I crossed this door

00:20:43at the Municipal School of Calamaria

00:20:48I liked the games

00:20:50I liked the math, but I had to do it

00:20:55First at school, but first at the game

00:21:00when I came back a little while

00:21:02I worked as a kid

00:21:05I worked as a kid

00:21:06I was a kid

00:21:08I was a kid

00:21:10I was a kid

00:21:11I had a kid

00:21:13I had a kid

00:21:15but I still have a kid

00:21:255th gym

00:21:26of Thessaloniki

00:21:30I had a kid

00:21:33I had a kid

00:21:34I was a kid

00:21:45I had a kid

00:21:53Thank you very much.

00:22:38Thank you very much.

00:22:57Thank you very much.

00:23:23Thank you very much.

00:24:02Thank you very much.

00:24:23Thank you very much.

00:24:53Thank you very much.

00:25:23Thank you very much.

00:28:36What do you want me to do?

00:28:38I want you to do it!

00:28:46Let me give you this man, this man will come to him and to him.

00:28:50Very good man, very good man!

00:33:48Don't you, Rezili! You're a bad guy!

00:34:04Angel...

00:34:05Oh my God!

00:34:08You're sure that you're going for a while.

00:34:11Well, look at that...

00:34:13Not so much, but to make sure it's safe.

00:34:45You tell me good night, now we'll take it away.

00:34:59I change your light if you're not okay.

00:35:05Take a bite, my darling, only to get away.

00:35:13I change your light if you're not okay.

00:35:18Take a bite, my darling, only to get away.

00:35:24I change your light if you're not okay.

00:35:32Yes, darling, darling, why?

00:35:37I change your light if you're not okay.

00:35:39It doesn't matter, it does not matter, it does not matter, it does not matter, it does not matter.

00:35:48Tell me, tell me where are you? Tell me! Tell me!

00:36:00I, I, I sleep alone on my bed, but I don't play in my bed.

00:36:20I, I, I sleep alone on my bed, but I don't play in my bed, but I don't play in

00:36:38my bed, but I don't play in my bed.

00:36:48I, I, I, I sleep alone on my bed, but I don't play in my bed, I don't play in

00:37:11my bed.

00:37:19Oh, my darling, without you I'm a big zero, Maurice.

00:37:25Oh, oh, dishonorable society.

00:37:32Oh, they're gonna burn the jar balls, my darling.

00:37:38Oh, oh, you kiss me, me kiss you.

00:37:48Oh, my darling, you are so good.

00:37:51Oh, my darling.

00:37:51All right, Yann.

00:37:52Oh, my darling, Yann.

00:37:56Oh, my darling, Yannis.

00:37:57Oh, my darling, ooh.

00:38:00Oh, okay.

00:38:01Hey, young boy, my darling.

00:38:04Oh, my darling you are interested in that.

00:38:10Oh, my darling.

00:38:12Oh, my darling.

00:38:13TREXE, TREXE, CHAROOLY, EINES ANDRAZ, CHAROOLY,

00:38:17ANDRAZ, ORAIOS, GEROS!

00:38:21TREXE, TREXE, CHAROOLY, EINES ANDRAZ, CHAROOLY,

00:38:26ANDRAZ, ORAIOS, GEROS!

00:38:30EVABORÈ και ζαχαρούχο, χου-χου!

00:38:33Μεγαλώνει, μεγαλώνει, μεγαλώνει τα...

00:38:36TREXE, TREXE, CHAROOLY, EINES ANDRAZ, ORAIOS, GEROS!

00:38:41Χάρη! Τι γίνεται στο Αιγαίο?

00:38:50Τις που...

00:38:56Προ-πο, από πολύτιμο λάδι ελιάς!

00:39:05Με πίσατε, τα τον πάρω!

00:39:09Αιγαίο!

00:39:10Ένας στους δύο τον παίρνει!

00:39:26Αντί να τον παίρνετε από πίσω,

00:39:28Κάντε του μία πίπα!

00:39:32Δώρο!

00:39:36Πίπες Ταϊάννα, υγεία καθαριώτης Αρχονδιά!

00:39:43Ταϊάννα, η πρώτη πίπα!

00:39:53Διακόπτουμε το πρόγραμμα μας για να σας ανακοινώσουμε την απόφαση του Υπουργικού Συμβουλίου,

00:39:57το οποίο συνείχθη εκτάκτως προκειμένου να ασχοληθεί με τις επιπτώσεις που είχε ο θάνατος του Χάρη Κλίν

00:40:02επί της εθνικής οικονομίας, της εξωτερικής πολιτικής και των μετεωρολογικών συνθηκών της χώρας.

00:40:08Όπως είναι γνωστόν, το σύνολο των εργαζομένων της χώρας, αν και παρήλθε μία και πλέον εβδομάδα από τον θάνατο του

00:40:14Χάρη Κλίν,

00:40:15αρνείται να επιστρέψει στις εργασίες του, με αποτέλεσμα την πλήρη παράλυση της εθνικής οικονομίας,

00:40:20την πτώση της τιμής του χρυσού στις διεθνείς χρηματαγορές,

00:40:23την αύξηση των ζαρζαβατικών, των ξηρών καρπών, των ιδών υγιεινής, του ταραμά και της μουστάρδας.

00:40:29Κατόπιν εισηγήσεως του Υπουργού Δημοσίας Τάξεως του Υπουργικών Συμβούλιων, αποφάσισε απεργία πίνης.

00:40:35Εν τω μεταξύ, ο έκπτωτος αυτοκράτορ Μποκάσα δεν έστειλε συλληπιτήριο τηλεγράφημα στην κυβέρνηση,

00:40:42ενώ παρυτήθη η κυβέρνηση της Τασμανίας εισέδειξη πένθους.

00:40:46Ο εκπρόσωπος των πέτρολαιοπαραγωγών χωρών του ΟΠΕΚ, Σέιχης Γιαλατζή,

00:40:50εδήλωσε ότι σταματά την ανατίμηση του πετρελαίου επί τριήμερον, συμμετέχοντας έτσι, εις το παγκόσμιο πένθος.

00:40:57Ενώ στην Κίνα, σε μεγαλειώδη συγκέντρωση στην πλατεία του λαού,

00:41:02εμπρός από το Μαυσολείο του ΜΑΟ, εκατομμύρια παραλυρούντες Κινέζοι έκαψαν το μείωμα του μεταστάντως, ενώ έψαλαν

00:41:16Που σημαίνει, γρήβαμ σε θέλει ο βασιλιάς.

00:41:20Καληνύχτα σας.

00:41:49Που είμαι, πού βρίσκομαι, πού είναι λέει, στα πετράλα να είσαι, βρεις τον παράδεισο, είστε δεν βλέπεις τις φουσκαλίδες που

00:41:56είναι γύρω σου,

00:41:57την τελευταία φορά που σε είδασανε στον εξαποδό, γιατί δεν σε κρατήσα να ησυχάσω κι εγώ πια, ήμερτο Θεέ μου.

00:42:04Κι από κει με διώξανε.

00:42:05Γιατί.

00:42:07Λόγω κοινωνικών φρονιμάτων.

00:42:10Θαύμα. Και τώρα τι θέλεις δηλαδή από μένα.

00:42:13Αν είμαι δυνατόν, να επανεξεταστεί η περίπτωσή μου στον παράδεισο, κάπου πρέπει να πάω κι εγώ επιτελώς.

00:42:41Θα ήθελα να είμαι πράσινος, πράσινα να μιλούσα, πράσινα να κοιμώνα, πράσινα να ξυπνούσα.

00:42:53Στα πράσινα μου όνειρα, πράσινα μουρμουρίζω, πράσινη είσαι σ' αγάπη μου και δεν σ' αναγνωρίζω.

00:43:05Έλα να πράσινη είσουνε και πράσινα να σμίξουνε και από την πράσινα δά μας, να φάει κι η γελάδα μας.

00:43:18Έλα να πράσινη είσουνε και πράσινα να σμίξουνε και από την πράσινα δά μας, να φάει κι η γελάδα μας.

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00:58:56Nothing.

00:58:57Okay, let's go to the house.

00:58:59I'll go to the house.

00:59:01It's time to say that in 1944,

00:59:09the mother of Varkis had her name on the house.

00:59:13Why, the Varkis?

00:59:15Why, the Varkis?

00:59:16What's that?

00:59:19I don't know anything.

00:59:20I don't know anything.

00:59:22I don't know anything.

00:59:25Nothing, eh?

00:59:26Nothing, eh?

00:59:27You've made a lot of ideas,

00:59:30different places and different symbols.

00:59:31You've already made some other ideas.

00:59:35You've made anything.

00:59:38You're the best of the past.

00:59:56The fire!

00:59:57The fire!

00:59:58The fire!

01:00:00The fire!

01:00:34Oh, my God, what are you going to do here?

01:00:36What are you going to do here?

01:00:56My brother came.

01:00:58I feel like I'm dying.

01:00:59My brother be in pus and puts his eyes on him and he's like what's in the blood?

01:01:06My brother was one of the best friends in me.

01:01:07It's very close to him and he's like what's next to me?

01:01:09I saw you I saw him.

01:01:10I saw him like that.

01:01:12pumpkin

01:01:12they said you saw When did you see the girl playing around the universe ?

01:01:21yes yes, I saw a armed zombie

01:01:22but I didn't маш Her Herklin

01:01:23I miro fana

01:01:27I had no interaction

01:01:28I didn't kill this

01:01:30I engagement

01:01:33of those victims

01:01:34I have 2010

01:01:35very condemned

01:01:35With.

01:01:36and I saw the Chareglin that he fell from the sky

01:01:39and he was able to get it

01:01:42You can tell me how much you can tell me?

01:01:44What is the sky?

01:01:45Of course, the Chareglin!

01:01:46You can tell me what I have to tell you about it

01:01:50I can tell you that I can tell you that I can tell you

01:01:52because I can tell you that if you have the Chareglin, you can tell me what I have to tell

01:02:00you about it

01:02:00Why do you think?

01:02:01I can tell you that I don't know many words

01:02:04Yes, I am. I am a marfavit.

01:02:16Yes, that's right.

01:02:20It's a zombie.

01:02:21Yes, I didn't say that Harry Clane was born here.

01:02:25I didn't say that Harry Clane was born here.

01:02:27He was born here.

01:02:30I was born here.

01:02:31You're a fervent.

01:02:33No, I'm a fervent.

01:02:35Where did you go?

01:02:37I was born here.

01:02:40I didn't say that Harry Clane was born here.

01:02:44I saw that Harry Clane was born here.

01:02:47He was born here.

01:02:48He was born here.

01:02:50I saw him and I saw him.

01:02:52I asked him to go.

01:02:54I saw him.

01:02:55As you can see Harry Clane is born here.

01:03:13He was born here.

01:03:15He was born here.

01:03:17He was born here.

01:03:28He was born here.

01:03:30I was born here."

01:03:32I'll show you how I see the waves of the world, where I see it.

01:03:38Because I'm a crazy hero of the game.

01:03:51I've told him that I have told him that this guy is...

01:03:55And that's what Christoph is saying.

01:03:57are people, it's their fault, it's their fault, they're all the way,

01:04:01they're going to eat one life, we're going to eat it in the map.

01:04:05I have to say that...

01:04:09The world can't remember the tropes of such a lot,

01:04:20If you're in a safe place, I'm in a white face.

01:04:35With this my child, the night of the night

01:04:42The birds and the birds and the birds

01:04:46And the birds, you know, how does it have a kooka

01:04:52But kooka is a kooka

01:05:04M' αυτήν μηλώ, μ' αυτήν λαλώ, μ' αυτήν ευδαιοπνεύματα,

01:05:12μ' αυτήν αδειοστάδια πρόοδου και θυμής.

01:05:20Κι αν άλλοι κινητοποιούν αρμάτες και στρατεύματα,

01:05:28εγώ όμως κινητοποιώ τους γλωσσικούς μου μης.

01:05:43Κοιτάξτε τη γλώσσα μου, τι τρόμος σ' αντιλήσουν.

01:05:53Μ' αυτήν χτυπώ, μ' αυτήν νικό, μ' αυτήν και καταπλήσουν.

01:06:08Σε Δύση και σ' Ανατολή, τη δείχνω για φοβέρα,

01:06:17μ' αυτήν ο γέρον διάβολος, σας παίρνει τον πατέρα.

01:06:32Μ' αυτήν μιλώ, μ' αυτήν λαλώ, μ' αυτήν ευδαιοπνεύματα,

01:06:40μ' αυτήν αδειοστάδια πρόοδου και θυμής.

01:06:48Κι' αν άλλοι κινητοποιούν αρμάτες και στρατεύματα,

01:06:56εγώ όμως κινητοποιώ τους γλωσσικούς μου μης.

01:07:12Υπότιτλοι AUTHORWAVE

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