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- #buzz
- #farhantahir
- #hassanchoudary
- #arydigital
A brand-new celebrity talk show with a twist — Buzz is where real conversations happen! Join Hassan Choudary as he sits down with your favorite stars for engaging, unfiltered, and fun-filled discussions.
BUZZ EPISODE 53 | Farhan Tahir | 20 June 2026 | Bas Tera Saath Ho | ARY DIGITAL
Host: Hassan Choudary
Guest: Farhan Tahir
Watch Buzz every saturday at 9:00 PM only on ARY Digital!
#buzz #farhantahir #hassanchoudary #ARYDigital
BUZZ EPISODE 53 | Farhan Tahir | 20 June 2026 | Bas Tera Saath Ho | ARY DIGITAL
Host: Hassan Choudary
Guest: Farhan Tahir
Watch Buzz every saturday at 9:00 PM only on ARY Digital!
#buzz #farhantahir #hassanchoudary #ARYDigital
Category
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Short filmTranscript
00:08and this is uh buzz a very very very very special episode of buzz because i have with
00:14me someone jen ko maynay itna dekha hai and sara bhaar ke tv ke oper dekha hai
00:19aaj kal hum unko apne television screens ke oper bhi dekh rahe hai but he's somebody jen ko
00:23meinne aapne saare favorite american tv shows mein dekha hai toh aaj ki je jo conversation hai please
00:29i do apologize in advance us mein aapko eek fanboy nazer aayega because woh bhoat saare
00:34aise sawal pooch raha hooga geho aise project se related hai jen ko aapne bhi bhoat shock
00:38se dekha hai uh unki age to meni us pe comment karun ga but we've actually grown up watching
00:44all those amazing projects that he's been a part of i have with me pehle unne paakistan ka
00:49naam paakistan se bahar roshan kiya aur aaj kal woh paakistan mein aapna loha banwa rahe hain
00:54faran taher saab salamayin sir how are you sir kya jala sir mein belgul thik haun aap kiasse
00:59hiya such a pleasure and such an honor to be chatting with you and mine as i've always said
01:03that i've been waab ka program mein shuru se dekh rahe sir sir sir sir sir sir sir
01:08aapko pada nije ki ye baat sunke mein kitra choda ho gaun aap
01:11aap mein yuh bietho gaun aap you deserve it you deserve it thank you
01:16sir sir kider hollywood ki chakha chon rooshniya khubsoorat khawateen obviously
01:23ya hanpe bhi bhot khubsoorat loog hai yeh meh nhi kao ga
01:25lakin kider pakistan ki garmi ke is mahal me joh chute kare hayy khuda agi kaso
01:30quite a change it's a change it's a change it's a change it's a big change weather
01:34baakijin toh ghar toh apna hiya na yaa jayana toh tha baapis kisi jay jay jay
01:37toh aage aage wos meh toh wos problem koji nahi hai
01:41biya Poete kooh waha peala kam hota hai hapea kar haata. Aap ko d".
01:45Aapko d explains janya ca amus
01:46toh ou sa imwrunnment aar unresources ko dhe ke samajna chahi hap
01:50inikun. Aap yye nischete
02:03You are very comfortable here on the set.
02:06It's as if you never left.
02:08It's not like you are doing Ollywood.
02:10I am going to take my AC and take my AC.
02:13You are doing a lot of work.
02:15That's the reason why.
02:16Because in a set, the set you keep so calm and peaceful.
02:22I think that the work that you do on screen will get better.
02:26If you create tensions off screen,
02:30the audience doesn't have to worry about it.
02:33It takes small things.
02:36That's why I always look at the set.
02:40Keep peaceful, keep happy, don't do much in your heart.
02:44Whatever you have to do, do it on the screen.
02:46I am going to take my tantrums.
02:49No.
02:50What is that?
02:52I will not admit it in the camera.
02:57Are you enjoying the process?
02:59Loving it.
03:00I am sure that it's quite different.
03:02It is.
03:03There is another thing that they say freedom of speech, freedom of speech, freedom of expression.
03:08That's right.
03:09That's why you do some things.
03:12The fun thing is that you have to stay in the rest of the environment.
03:17In the rest of the environment, in the rest of the creativity.
03:20You have to stay in the rest of the environment.
03:21You have to stay in the rest of the environment.
03:32You have to stay in the rest of the environment.
03:41You have to stay in the rest of the environment.
03:58You have to stay in the rest of the environment.
03:59Yeah.
04:00People like bad boys.
04:02And you do the villains really well.
04:04Because I want to be liked as a bad boy.
04:08That's right.
04:38That's right.
04:38That's right.
04:48And you have to stay in the rest of the environment.
05:10I have to stay in the rest of the environment.
05:12I have to stay in the rest of the environment.
05:12What did this happen?
05:13Why did it happen?
05:14I always see it.
05:16Now the person who is in my opinion is one person.
05:22You have to stay in the opening scene.
05:23It's my opinion.
05:27You have to stay in the first scene.
05:27Look at the first scene.
05:28What is doing?
05:29He is taking the account.
05:30Yes.
05:31Okay?
05:31He is taking the account.
05:32The children are coming to give money.
05:34How much money is coming to you?
05:36How much?
05:36You are saying that?
05:37The children are coming to me.
05:38Okay.
05:40That's right.
05:41All days, people have to balance the balance.
05:43The work, the balance.
05:44All situations have to balance.
05:48Yes.
05:48There are certain moments.
05:50The where the dhranidh has come.
05:52Whether it comes from personal or pressure from personal,
05:56it is its own justification.
06:00I think that any person of any person,
06:02I am saying that no person of service is not going to tell
06:06that today I will become the most violent person in this world.
06:10Unless you have a character playing such a character.
06:13Every character has a justification.
06:15If they are good or bad,
06:18it is justified for that person, for that person.
06:24What does the audience end?
06:27That is the audience's work.
06:30If they feel bad, they feel bad,
06:33then yes, they feel bad.
06:34They feel bad.
06:35I am not doing bad because I am not doing bad.
06:38And this is also the case.
06:40Some times you have seen this.
06:42You have also said that these are great people.
06:46I have said that they are great people.
06:48And it is true.
06:49The end of the day comes to your father.
06:50It goes to the night.
06:52He has kept his father.
06:53He has kept his love.
06:55He has kept his blessings.
06:58So I am watching him from that.
07:00I am watching him from that.
07:01There are some things that will like him.
07:03There are some things that will not like him.
07:05Now it is okay,
07:05that he has loved his children from his children.
07:08And it also needs to happen.
07:10I mean...
07:10In my opinion, there is a conversation
07:11that he has loved his children from his children from his children.
07:14It is natural.
07:14Yes.
07:14But he does a lot of blame.
07:17He does a lot of blame.
07:18He does a lot of blame.
07:18But he does a lot of blame.
07:20Okay?
07:20So,
07:20it is possible that after doing it,
07:23there is also a guilt.
07:24That,
07:24I have a little bit of blame.
07:27Yes.
07:27Will we know,
07:28at some point,
07:29the back story,
07:30that,
07:30that,
07:33you will see that.
07:34And you will also see that,
07:35you know,
07:36he,
07:36he has a justification.
07:38That,
07:39I have been standing in business.
07:42I have worked on this house.
07:44Okay?
07:44So,
07:45there has been an extra guilt on it.
07:47There are many pressures on it.
07:50your suffering on it is too much.
07:52that is being able to maintain the pressures.
07:53Okay?
07:54That sometimes
07:55he cannot manage well.
07:57It is hard to do it.
07:59Sometimes,
08:00sometimes he does it.
08:00Sometimes,
08:01he has to do it.
08:02Sometimes he does it.
08:02He is still in it at all.
08:05So,
08:06my decision is to be made
08:07If you are making such a character
08:09or showing this,
08:11whose
08:12One who has a power on one side then what is its power in it?
08:19Because it's inside every person.
08:21So I see it like that.
08:22Yes, I feel bad with audios.
08:25That's your win.
08:27Sir, I am very fascinated with you and I am sorry I am going to bring back your career trajectory
08:35again as well.
08:36um iron man and star trek and you know the jungle book and my favorite lost and you know prison
08:44break
08:45and scandal and gray's anatomy and whatnot um is it your passion for acting that you are settling
08:54in well uh in the pakistan entertainment industry yeah is it because this is where you belong to
09:01and so you feel at home what is it both both دیکھو یار میں نے یہ کام مجھے یہ پتا
09:08ہے کہ
09:08جب تک آپ مجھے چھے فوٹ زمین میں نہیں گار دیں گے نا اچھا برا میڈیوکر مجھے کرنا یہی ہے
09:15ٹھیک ہے وہ ایک چیز ہے دوسری چیز یہ ہے کہ ہم کئی دفعہ یہ کہتے ہیں کہ آپ تو
09:19وہاں کام کرتے ہیں
09:20یہاں کیوں کام کر رہے ہیں یار دیکھو کام کام ہے اور اب زندگی بہت گلوبل ہو گئی
09:27اگر میں نے وہاں سے کچھ سیکھا ہے تو یہ میرا فرض بنتا ہے کہ میں یہاں کے شیئر کروں
09:32اور یہاں سے بھی سیکھوں
09:34ٹھیک ہے یہ ون وے سٹریٹ نہیں ہے یہاں سے آپ کچھ اور سیکھ رہے ہو
09:38یہاں پہ ہمارا کام جائے وہ اور طریقے سے ہوتا ہے میں یہ بھی دیکھنا ہوں کہ اچھا یہاں کام
09:42جائے سے ہوتا ہے
09:42میرے وہ وہ میسٹری بھی مجھے سو جانی ہے
09:45تو میرے لیے یہ دونوں چیزیں بہت امپورٹن ہیں یہ گھر ہے ہمارا
09:50واپس تو مجھے آنا ہی تھا
09:52لہوری ہوں بھائی
09:54لہوری جیسے مجھے ٹور جائے اور لہوری رہتا ہے
09:57لہوری رہتا ہے تو آنا تو تھا باپس
10:00ہاں کن بجوہات بجے سا ہے وہ پرسنل بجوہات
10:03ٹھیک ہے وہ ایلگ بات ہے
10:05لیکن جب آگئے ہیں تو پھر یار اس انڈسٹری کو کیوں چھوگوں
10:10اور اگر ہم مل کے کوئی اچھا کام کر سکتے ہیں
10:13تو I think it would be
10:15it would be really
10:18unjust thing not to do it
10:20have you have you started now getting annoyed
10:22by this question
10:22what question
10:23ڈر بندہ تارگل ہے یہ پوچھتا ہے
10:24ڈر تسیو ہالی ووڈ کام کر رہے ہیں
10:26ڈیو چوڑ کے آگئے ہو یار
10:27ڈیو چوڑ کے آگئے ہو یار
10:33ڈیو چوڑ کے آگئے ہو یار
10:33باہر بیٹھ کے تنقید کرنا بہت آسان ہوتا ہے
10:37اگر کوئی چیز ہمیں بہتر کرنی ہے
10:38تو مل کے کرنی ہے
10:39آپ کو ہاتھ ڈالنا پڑے گا اس کے اندر
10:43ٹھیک ہے
10:44اور ہاں میرا میرا نظریہ
10:46ہمیشہ یہ کہ جس دن آپ نے یہ کہہ دیا
10:48کہ میں نے یہ چیز ماسٹر کر لی ہے
10:51اس دن کریٹیوٹی کی ڈیتھ ہو گئی ہے
10:55آپ کو اگر یہ کام کرنا ہے
10:57تو آپ کو ساری عمر تالے بلم رہنا ہے
10:59آپ کو لوگوں کو observe کرنا ہے
11:01ٹھیک ہے
11:02کوئی چیز جو ہے وہ آپ دیکھتے ہو کہ
11:04یار اس بندی کی چال ایسی ہے
11:05فائل کر لو دماغ میں
11:07ٹھیک ہے
11:08ہمارا سارا کام ہے observe کرنا
11:10اور پھر اس observation کو لے کر
11:12اس کو کسی طرح اس طرح سے ڈالنا
11:15کہ لوگ اس سے connect ہو جائیں
11:17تو یہ گیم ہے
11:18یہ گیم ہے جو میں کھیلنی ہی ہر جگہ
11:20یہاں پہ آئے ہیں تو یہاں
11:22یہاں پہ بھی دیکھنا کہ کیا گیم ہے
11:23اس لئے میں نے یہ آمنہ سوی میں بات کی تھی
11:26کہ میں نے ایک سال یہاں آکے صرف ویٹ کیا
11:30دیکھنے کیلئے کہ یہاں پہ ہو کیا رہا ہے
11:32آکے آپ کوئی چیز وہاں سے مسلط کر دو
11:34that's unfair
11:36آؤ پہلے دیکھو
11:37سمجھو
11:38اس کے بعد
11:39اس میں کودو
11:41کودو ضرور
11:42ٹھیک ہے
11:43تب کود گئے نا
11:44What was your initial assessment of the work
11:47جو ادھر ہو رہا ہے
11:50میری assessment
11:51اور میری complaint
11:51ہمیشہ سے یہی رہی ہے
11:53کہ یہاں پہ
11:54بہت talent
11:57انتہا سے زیادہ talent
11:58صرف ہمارا مسئلہ یہ ہے
12:00کہ ہم لوگوں کے genres limited ہیں
12:03ہم انہی پہ کام کرتے رہتے ہیں
12:04انہی پہ کام کرتے رہتے ہیں
12:05ہم انہی پہ کام کرتے رہتے ہیں
12:06اس کی وجہ سے آرٹسٹ کو
12:08یہ موقع نہیں ملتا
12:10کہ وہ اپنے
12:12پیلٹ کو
12:13اپنی ریپرٹر کو
12:14بڑھا سکے
12:15تو پھر آپ اسی میں چل پڑتے ہیں
12:17اس کے بات دوسرا مسئلہ یہ ہے
12:18کہ یہ جو
12:19نیگٹیو کیاریکٹر پوزیٹیو کیاریکٹر
12:22نہیں
12:23ٹھیک ہے
12:24تو یہ چیزیں ہمیں دیکھنی ہیں
12:26بچ سر جی سوٹا سا سوری کتا کلامی معاف
12:28ایک کلاسک چکنن اگ سیچویشن بھی ہے
12:30بلکل نہیں
12:31بکوز
12:32پیپل آفن سے کہ
12:33یہ جو آرڈینس مانٹ
12:35تو ہم وہ بنا رہے ہیں
12:37لیکن یہ بھی تو دیکھو نا کہ
12:39وہ خود تو نہیں بنا سکتے نا
12:42نہیں لیکن وہ جب اتنی پوپلیریٹی ملتی ہے
12:44ایک ہی طرح کی جانرہ کو یہاں پہ
12:46ٹھیک ہے
12:46پیپل سے کہ جو بنا رہے ہیں وہ کہتے ہیں
12:49یہ ہی تو لوگوں
12:50میں اس کی ایک دیکھو
12:52اب میرے بھانجے بھتیجے جو ہیں
12:53ٹھیک ہے وہ یہ دیکھتے ہیں
12:55فوراں کمرے میں جا کے
12:57ایسی چلا کے
12:59کمپیوٹر یا ٹی وی کھولتے ہیں
13:00نیٹک سرنا شروع کر دیتے ہیں
13:02جس کا مطلب ہے کہ ڈیمانڈ تو ہے
13:04بڑ وہ کہتے ہیں وہ نیش آرڈینس ہے بہت ہی
13:07نہیں نہیں یہ یہ
13:09دیکھو بات ساری یہ کہ یہ کاروبار ہے
13:11سچی جو بات
13:13آپ شلف پہ وہ چیز رکھتے ہو
13:15جو آپ کو لگتا ہے کہ بیکری ہے
13:16everything
13:17دیکھو اب یہاں پہ دیکھو میں یہ کہتا ہوں
13:19کہ یہاں پہ ایک بہت بڑی
13:23ڈیموکراپک ہے
13:24young aud zac
13:25My meaning is that young children are not a cartoon child, I am talking about it.
13:29Young people like me. Yes exactly.
13:33Now they have some problems and problems.
13:39People in the late 20s, in the mid 20s, in the early 30s.
13:42Exactly. They have other problems.
13:44We need to address those problems.
13:46We need to address those problems.
13:47All the things that we need to address in the 18-20s.
13:53It is a marriage.
13:55So we need to see this,
13:58whether we are catering everyone or not.
14:02Yes, there are some stories that are always happening.
14:08I am not saying that let them leave.
14:10I am just saying that our menu is expanding.
14:16Let them expand.
14:18If you want to make 5 or 6 different ways,
14:24they are going to make it.
14:26They are going to make it.
14:27But make some new people for people.
14:29Ladies and gentlemen,
14:30Farhan Tahrir is still with me.
14:32We will meet you after a short break.
14:34After a break.
14:41Tata,
14:49Tata,
14:50Tata,
14:51Tata,
14:52Tata,
14:57Tata,
14:57He will not come inside.
15:01Shayan, what are you doing?
15:02You keep it, brother.
15:03Stop it, Pupo.
15:04You're a man in the house.
15:06He's a man in the house.
15:08He's a man in the house.
15:09I have done that,
15:09but I should have done that.
15:11I don't have to do this.
15:14What did he do?
15:20Welcome back, Khawati Nose Rod.
15:22I have with me the man, the Iron Man,
15:24Farhan Tahir Sahib.
15:25Sir,
15:25there is one part in the work of Pakistan.
15:28We know that the audience of the drama is insane.
15:31It's insane.
15:32It's insane.
15:33It's not just in Pakistan.
15:35It's the world where the Hindi is understood.
15:38I've also seen it.
15:39I've seen it.
15:41I've seen it.
15:43I've seen it.
15:45When you started the drama,
15:48you've noticed a fan of fans.
15:50Exactly.
15:52The truth is,
15:53that the people who are watching my work,
15:55they're a particular person,
15:56who watch English things.
15:57I'm saying,
15:59they're a common man.
16:00He doesn't see it.
16:02He suddenly says,
16:03who is a good-looking man?
16:05He's a great actor.
16:06He's a great actor.
16:07He hasn't seen it before.
16:08He doesn't know the scene.
16:09He doesn't know the scene.
16:10He doesn't know.
16:22I'm used to that.
16:23How do you react?
16:24Like,
16:24how do you react?
16:26me and my brother,
16:27Ali,
16:27the name of Ali came out.
16:30I'm sitting on a side.
16:31I know that this person has earned his place here.
16:34So you have to give the person the focus.
16:39Now it's a little bit of a doubt that 2-4 people have to give me.
16:42Who are you?
16:45A few weeks ago, I have also had a chance to have a chance to have a chance to have
16:49a chance to have.
16:49A phenomenal actor.
16:51What a performer.
16:53Mashallah, you guys can't use jeans.
16:54I can't use jeans.
16:55And what they do.
16:58And every artist...
16:58They do this work.
16:59They do these small things.
17:01They win their hearts.
17:02So I asked them,
17:03I said,
17:04I'm not feeling a little competition.
17:07You're not feeling a competition.
17:09Because it's the same segment.
17:11It's the same.
17:12Father, brother, that segment.
17:16So it's not going to happen now.
17:17Who will take them to take them?
17:19Oh, man.
17:20It's all the money that comes.
17:23That's not a problem.
17:25The other thing,
17:26we've always worked for them.
17:28I'm sitting there and asked them,
17:30I'm doing this.
17:30What can I do?
17:31Okay, it's your imagination.
17:33We're always working on the dialogue.
17:34Now they're doing this.
17:36What they're doing is wearing a fat suit.
17:39I'm going to wear a fat suit.
17:41I said,
17:42I've done a fat suit.
17:43You have to brush your hair out.
17:46So that your mouth will get bigger.
17:48Okay, so you...
17:49This is all credit.
17:50No, no, no.
17:51No, no.
17:51No, no.
17:52No, no.
17:53We're not doing this.
17:53I'm going to do this.
17:56So we're working on the dialogue.
17:59Okay?
17:59Because we need to see how the quality of work is better.
18:04Okay?
18:04I always think that
18:06always the best idea should win.
18:09Yeah.
18:10When I'm doing this,
18:11I'm doing this first thing.
18:12I want the best idea to win.
18:15I want the best idea to win.
18:15I want the best idea to win.
18:17I want the best idea to win.
18:19Okay?
18:20We always have to see that
18:21when we come to work
18:23or when we come to work,
18:24we leave our ego
18:27or we leave our home
18:28or we leave the door outside.
18:31When we come to work,
18:33then the job should be top priority.
18:37Sir, this is what you first offered a role in Pakistan.
18:42How did you learn or have you come to work?
18:45I'm very interested in it.
18:46It happened because
18:49this is our circle.
18:51You know, it's always working.
18:53It's always working.
18:54If you were outside,
18:55it's always working.
18:56It's always working.
18:57It's always working.
18:59It's always working.
19:00It's always working.
19:02It's always working.
19:03So, my friend,
19:03it's often coming to work.
19:04Then,
19:05I offered one thing
19:07and then,
19:07I offered another thing.
19:08It's very easy.
19:09Re-entry.
19:10Yes.
19:11Re-entry or entry?
19:12I don't see.
19:13It's all nepotism.
19:14Look,
19:15I'm saying that
19:16nepotism,
19:17if it's justified nepotism,
19:20you must do it.
19:21You're saying it.
19:22You're saying it.
19:26you have to do one or two things.
19:29After all,
19:30you'll have to understand that
19:30this is a good thing.
19:33Okay.
19:34Now,
19:34there is a doctor.
19:35Okay.
19:36And his son is a doctor.
19:38So,
19:39father will try to put him
19:40a good place.
19:42Now,
19:43if his son is not a good doctor,
19:46then it's nepotism.
19:48And if he is doing it,
19:49to be a nepotism.
19:51But to help one another,
19:54one another is not a nepotism.
19:58Yes, it's true that the rest of the people
20:01are in Qatar.
20:03I understand that.
20:04But in their own place,
20:06they will also favor their people.
20:09How do you offer them?
20:14I'm going to do another channel.
20:15I'm going to do another channel.
20:16In that way, you become a politician.
20:18Right.
20:19Now, this is...
20:20In this case,
20:21you become a traitor.
20:23A traitor.
20:24Another one is coming to me.
20:25I've made a very good talk.
20:27Only three daughters.
20:29Oh!
20:30This is the same.
20:31I've killed him.
20:32I've killed him.
20:33No, I've killed him.
20:35What's wrong with him?
20:37No, I'm killed him.
20:38I've killed him.
20:39I've killed my children.
20:42If I'm killed on the screen,
20:45I've killed him.
20:46If I've killed him,
20:47then I'll probably die.
20:50I've killed him.
20:52I've killed mythological creatures.
20:54I've killed him in the bazaar.
20:57To die,
20:58it's also a fun thing.
20:59People remember to die.
21:00I don't have a difference in that.
21:02I've never seen a character
21:03in the script
21:04and seen how many lines are in it.
21:07Okay?
21:11Yes, yes, yes.
21:12What is this?
21:13You need a character.
21:14You need two scenes.
21:16Within this landscape,
21:18there is no one in your mind.
21:21Yes.
21:22There is no such a character.
21:24I can only see it.
21:25My intention is that
21:27my father played three or four.
21:30Okay?
21:30Now,
21:31I've played a character.
21:32I've played a character.
21:34Okay?
21:36So,
21:36I mean,
21:37as much as I can give this variety,
21:40my hope is that
21:41the producers and directors
21:44will see this.
21:45Okay,
21:46I'll do something to do
21:47with another challenge.
21:49I need a challenge.
21:51I need a challenge.
21:52I don't need a challenge.
21:53I don't need a job.
21:54I never say
21:55I always say
21:55not all work is good work.
21:56Yes.
21:59You think we're telling
22:01the kind of stories
22:03that would challenge actors
22:04and their skill set?
22:06As I said,
22:07I was just saying
22:08that,
22:09yes,
22:09it is challenging
22:10but
22:11until our genres
22:12are limited,
22:15there are new challenges.
22:18There is science fiction
22:20and horror.
22:22There is drama.
22:23There is comedy.
22:24You have to shift
22:25and shift.
22:27There is no more theatre.
22:30Yes.
22:30I've been brought up
22:31for 6 months after the theatre.
22:33So,
22:33there are challenges
22:35in the variety.
22:36There are challenges
22:37within the genres.
22:39Yes.
22:40So,
22:40we have to expand this.
22:43It's my challenge
22:44here.
22:45Which is not a criticism.
22:46This is an analysis.
22:50How are you finding the actors here?
22:52Love them.
22:53Look, it's fun to come here.
22:55Look, when I come here, I'll come here.
22:58I'll have a kid in the kitchen, a kid, and I'll be like,
23:00okay, it's time for now.
23:03The off screen conversations are like home conversations.
23:07That's it?
23:07It's very fun.
23:08They're here.
23:09They're here.
23:10They're here.
23:11They're here.
23:11They're here.
23:12That's right.
23:14Your blood is growing.
23:16They work with you.
23:18You did mention that we have a lot of talent.
23:20We have a lot of talent.
23:22So, these artists who are working,
23:24are obviously working on a very difficult situation.
23:28Do you think that their skill set is the way that internationally,
23:31if they get a chance, they can shine?
23:34Absolutely.
23:35I always believe that the Pakistanis is the right environment
23:41and the right support of Pakistan.
23:43It will not only do the work.
23:46He or she will shine in it.
23:47He will excel.
23:48He will excel.
23:48You see, our doctors go abroad.
23:50Our engineers go abroad.
23:52MashaAllah, they make names.
23:54Because they get support.
23:56They get the environment.
23:58So, I think that if we go here,
24:03I bet you on my life that they will shine.
24:08And if we can help that, we should help that.
24:12Okay?
24:13And in the future, sir,
24:14what will the work work on both sides?
24:17I heard you said that you have to do this.
24:19Technology has to do this.
24:20Technology has to do this.
24:21Technology has to do this.
24:21Now, I went to a series,
24:24from here,
24:25from here,
24:25from here,
24:28the dollar and a dollar.
24:30If we go there,
24:31you have to do this.
24:32You can do this.
24:33I am in the future.
24:36You are in the future.
24:37All I can do is get it.
24:39You can do this as well.
24:41You can do this.
25:03We need some support from the film city, but this is a very good thing.
25:07I think that we are doing this at high time.
25:10There is another problem that the film is the biggest problem for me.
25:15Look, there are 100 cinema theaters here.
25:20Yes, there are no screens.
25:22Now, if you think about the business, the investor will put the same amount of money as possible.
25:28It will become a vicious cycle.
25:33How many tickets for the film?
25:351,000, 1,200, 1,500.
25:37A man who works on his own,
25:39he will buy his two children and his wife,
25:42he will buy popcorn, he will put a patrol.
25:46If you pay 7,000, 8,000, 9,000 rupees,
25:49he will put it on his own,
25:51then how will the rest of his life go?
25:54That's the right thing.
25:54I am saying that you need to make a new place.
25:57You need to go to that class.
25:59But you need to make small theaters,
26:01you need to make a ticket for 300-400 rupees.
26:05You need to make more of your money.
26:08Okay?
26:09We don't only do the work for the elite,
26:11we need to do the people.
26:11You need to be involved in a financial aid.
26:13The person who is a suffering,
26:15and who works for the entire day,
26:18we will build this for the elite.
26:20For a minute to say it,
26:22and give it a chance to do his own rug,
26:23so that he forgets his life.
26:25And also,
26:25he will take another step in the second room.
26:31If we have to do this, this has to be a concerted effort by all of us.
26:37You have to give some subsidies to the government.
26:40Give some subsidies to the cinema.
26:43Give some subsidies to the cinema.
26:43If you will make it, you will have to give some tax.
26:47If you give some incentive, then it will be a work.
26:51It was not such a new work.
26:52It was before it was here.
26:55If you talk about Lahore, Abbott Road was the whole thing.
26:59Yes, it was an anime.
27:00It was an anime.
27:01Now there are shopping malls, khanders.
27:04We have to do it.
27:06Do you think that the audience can't accept entertainment as an industry or an art form?
27:13We are hypocritical.
27:15It's our unique relationship to entertainment.
27:18From the cinema and the drama.
27:20There is also a lot of shock.
27:22But we will go to our children.
27:24Yes.
27:26Then we will not do that.
27:27But if it is a hit, then it will be okay.
27:29Yes, then it will be okay.
27:30Yes, then it will be okay.
27:31It is an amazing love-hate relationship.
27:34Yes.
27:34It will be okay.
27:35It will be okay.
27:36It will be okay.
27:38It will be okay.
27:39But let me tell you.
27:41Entertainment is an industry.
27:43If you look at the global industry,
27:45in America, there will be world wars.
27:47Everything will happen.
27:48Entertainment is not finished.
27:49Yes.
27:50It will be increased.
27:51Yes.
27:51You will only see what trends are going on in that moment.
27:56When the economy is down, people want to see light-hearted things.
28:01When the economy is doing a good job,
28:03then you can put the drama and those things.
28:06So, you have to understand what is the trend.
28:08Of course.
28:09You have to work on the trend.
28:10In that way, you have to slip a little bit.
28:12You have to make money for four big projects.
28:15You have to make money for a small project.
28:16You have to make money for a small project.
28:17You have to make money for something else.
28:19Sir, finally,
28:21how do you see the future of Pakistan entertainment industry?
28:25Now that you are a part of it.
28:26My hope is that it's going to be a smash hit.
28:32Inshallah.
28:33I feel like this.
28:33The other thing is that,
28:35what you were talking about,
28:36the rest of the people are watching.
28:37Because Covid has solved our problems.
28:41Because we are watching foreign films,
28:42and we are watching it.
28:43Who will see it?
28:44Who will see it?
28:44Who will see it?
28:46We will see it.
28:46We will see it in our eyes.
28:48In Covid,
28:49because the whole house is sitting there.
28:50We will see everything.
28:51So, it is not a victim.
28:53So, I think that if we create content.
28:56Yes.
28:57We have to have to see it.
28:59It is a trend.
29:00We have to see it here.
29:01Because we are in our culture.
29:04If you go to Europe,
29:06we are not in our culture.
29:07We will see it once again as a novelty.
29:11Yes.
29:12But we have to see it.
29:13We have to see it once again.
29:15We have to see it once again as a product,
29:16which is a domestic product,
29:17in any industry.
29:18You have to see it as an export quality product.
29:20Yes.
29:20You have to understand it.
29:22You will not sell it there.
29:23You will not sell it there.
29:24Absolutely.
29:24You will put it in the jeans.
29:25Yes.
29:26So, we have to see it.
29:27We have to see it.
29:28Which stories are,
29:29which genres are,
29:31which we can get from here.
29:35In the end,
29:36we have to see it all.
29:38What is humanly relatable?
29:41Yes.
29:42What is humanly relatable?
29:43What is humanly relatable?
29:43It is a different thing.
29:44And it is necessary.
29:46It is necessary.
29:46That is why,
29:46because there are people,
29:48there are people,
29:49and there are people,
29:52preconceived ideas.
29:53Yes.
29:53And for those ideas,
29:56we have to see it,
29:57the common denominator of humanity.
29:59Yes.
30:00We have to see it,
30:00that there is cancer here,
30:03and people are dealing with it.
30:05There is also cancer.
30:07Okay.
30:07So, when you make that connection,
30:10you make that bridge,
30:11then things open,
30:12and people reduce prejudice.
30:15This is our media.
30:17Now,
30:18we fight after the war,
30:19we fight against the war,
30:21and we fight against the media.
30:22We fight against the opinion.
30:25We fight against the opinion.
30:25We fight against the opinion.
30:25If we fight against the opinion,
30:28then we say,
30:29that Hollywood is showing us
30:30in a good light.
30:31Hollywood has no responsibility.
30:34To show us in any light.
30:36This is our responsibility.
30:38This is our stories.
30:40And we know how to listen.
30:42So, this is our responsibility
30:43to make the stories,
30:45show us, share us,
30:47and break the prejudices.
30:49Absolutely, sir.
30:50Thank you so much, sir.
30:51It's been an absolute pleasure.
30:53And myself.
30:53One of my best interviews,
30:55did I say so myself?
30:56All of my best interviews,
30:57did I say so myself?
30:57All of my best interviews,
30:58Sir,
30:59Allah will keep you happy,
31:00and as you will be able to work,
31:02I hope you will get the opportunity,
31:04I hope you will get the opportunity.
31:05On that note,
31:06Khawad Tino's Raat,
31:07you will want to wish you,
31:08as I said,
31:09one of my best interviews.
31:11I hope that you will be very happy.
31:12You will be waiting for feedback.
31:14Inshallah,
31:14in the next week,
31:15you will be happy.
31:18You will be happy.
31:18You will be happy.
31:21Thanks,
31:22I'll be right back.
31:23card
31:23i
31:23i
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