- 12 minutes ago
- #berkeleysquare
- #bbc
#berkeleysquare #bbc https://www.youtube.com/channel/UC5domZkB-eRa6BuFOO8OXaQ
Hide And Seek: Hannah meets her young charges, Bertie and baby Charlie. Nanny Simmons has no affection for the children and is hostile to Hannah. Hannah is not fond of Nanny Simmons either after being locked in her bedroom and unable to get to baby Charlie when he was crying. The Countess is pleased with Lydia and insists she and baby Ivo go to the park alone when she realizes Nanny has a cold. Nanny Collins isn't pleased, but Lydia wins her over with the gift of an embroidered needle case. Matty is blamed for the problems in the St. Johns' home. When she meets Lydia and Hannah in the park, she is surprised to learn Hannah is unhappy with her position at the Hutchinson house.
Starring:
Clare Wilkie
Victoria Smurfit
Tabitha Wady
Hide And Seek: Hannah meets her young charges, Bertie and baby Charlie. Nanny Simmons has no affection for the children and is hostile to Hannah. Hannah is not fond of Nanny Simmons either after being locked in her bedroom and unable to get to baby Charlie when he was crying. The Countess is pleased with Lydia and insists she and baby Ivo go to the park alone when she realizes Nanny has a cold. Nanny Collins isn't pleased, but Lydia wins her over with the gift of an embroidered needle case. Matty is blamed for the problems in the St. Johns' home. When she meets Lydia and Hannah in the park, she is surprised to learn Hannah is unhappy with her position at the Hutchinson house.
Starring:
Clare Wilkie
Victoria Smurfit
Tabitha Wady
Category
🎥
Short filmTranscript
00:25To be continued...
00:34To be continued...
01:06Dove great lummox!
01:08What have you done now?
01:10Hello, auntie.
01:12It's not a problem.
01:13Just let me stay here a day. I'll take it till the fuss dies down.
01:17So what then?
01:18Go back down to Lyme House?
01:20You think they'll have forgotten you killed Lenny Flynn by then, do you?
01:22Come on, Mags, let him finish.
01:24If I can just get up to Liverpool...
01:25Liverpool?
01:25Oh, getting a boat to America.
01:27I'll never see you again.
01:29How are you going to pay your passage?
01:32No use looking at me.
01:34I used up what little I had on your auntie Kate.
01:37I had a spot of embarrassment with the law.
01:39Your mum stood bail.
01:41Before I brought Rira's cook, so...
01:43Tower for law, come sniffing round.
01:44You won't be the only one, up to your neck, innit?
01:46Sorry.
01:47Why should they, though?
01:49He's been brought up as Ned Jones, hasn't he?
01:51You haven't told anyone your mum works here, have you?
01:53No.
01:55So who's to make the connection?
01:58And if it's a bit of cash he's after?
02:01Well, I got you a job, didn't I?
02:03What?
02:03Shut up, we're thinking.
02:06What are we going to do with him for now, though?
02:07The house will be crawling like an auntie in a minute.
02:10I've got just the place.
02:26Don't speak.
02:28Don't move, don't even.
02:29Hiccup.
02:41Don't move, don't move, don't move.
02:59Charles is three months old.
03:01Hello.
03:02He can't talk yet.
03:04I thought there were four children.
03:06Master Henry and Master Nathaniel are away at school.
03:09This way.
03:16Good morning.
03:18Good morning, Nurse Simmons.
03:19This is Randall, the new nursemaid.
03:22Say good morning to her.
03:23Good morning, Randall.
03:24Good morning, and what's your name?
03:26Master Albert George Hutchinson.
03:29Five, Barclay.
03:30Randall knows the address, Albert.
03:32Just a name or do.
03:33That's very nice to know.
03:33Now, then.
03:38Hands.
03:44Good.
03:46You may choose one toy.
04:04Take it to the table.
04:12Shall I pick him up now?
04:14What for?
04:16He's crying.
04:17You obviously know nothing about babies.
04:20If you pick them up every time they cry,
04:23they'll think they can take advantage whenever they like.
04:29I'll be back in an hour.
04:38Come here to me, little one.
04:41Oh, there's a good boy.
04:44Yes.
04:44Oh, shoo, shoo, shoo.
05:10Good morning, Nanny.
05:12Settling in all right?
05:14Yes, thank you.
05:14I've just left a note for you on the nursery table.
05:18Who's it from?
05:19Your sweetheart?
05:21I doubt it.
05:22Why?
05:23Ain't she got a sweetheart?
05:25I'm far too busy with my work.
05:27Now, if you'd excuse me...
05:28Bad luck.
05:29Crossing on the stairs, Nanny.
05:33What's your name?
05:34Pat Keegan.
05:35What's yours?
05:36Mr Keegan.
05:38I dislike bad behaviour in children and footmen.
05:41Oh.
06:02What's been going on?
06:04Nothing.
06:06Harriet?
06:07He said the Wicked Ogre's gonna come and eat me up for supper.
06:10Huh.
06:12Well, that was very unkind.
06:15Tom knows perfectly well there's no such thing as ogres, wicked or otherwise.
06:20And if you're gonna tease like that, we'll have to stop having stories at bedtime altogether.
06:25Did they put my leave a note for me?
06:28No.
06:29Really?
06:30How curious.
06:31He said he did.
06:33Oh, well, I dare say I'll find it when you've gone.
06:36Well, hurry up now.
06:36Get ready.
06:37We'll be late for Miss Turner.
06:38Miss Turner's got croup.
06:39There's no lessons today.
06:41Really?
06:42And how do you know that, I wonder?
06:44It was in the note.
06:49That would be the note that didn't come, would it?
06:59Tom, what on earth was the point of all that?
07:02Oh, come on, let's not sit round here.
07:04I tell you what, shall we play a game?
07:08With all the extra entertaining for the coronation,
07:11Mr Potter and I would like permission to hire some extra staff, if you please, ma'am.
07:14What sort of staff?
07:16Cook could use another couple of girls with rough vegetables.
07:19And another footman in the front hall would be advantageous.
07:22Get the girls by all means, Mrs McCluskey.
07:24But I think we have enough footmen as it is.
07:30Yes, ma'am.
07:3245 tigers.
07:3546 lions.
07:3747 camels.
07:4048 giants.
07:4449 monkeys.
07:48We're coming, Tom, we're coming to find you.
07:51Ready or not.
07:53OK.
07:55I'm going to look under your image in your bed.
07:57Tom?
08:06And I'm going to look under your head.
08:28These are the best friends that you are such a magical child.
08:29I'm going to take the snow to find you, too.
08:33I know we are not going to be able to find you.
08:34We are not going to see that.
08:35We are not going to look under your eyes.
08:41Tom, whatever's the matter?
08:42There's a man in the storeroom.
08:44What?
08:44It's an ogre. He was eating something.
08:47Oh, I see.
08:48No, I mean, there really is. I saw him. He's huge.
08:51That's quite enough, Tom.
08:52It's horrid to keep frightening Harriet like this.
08:55I'm not. There's a man in the storeroom. Come and see for yourself.
08:58Very well.
09:06In here.
09:08Open the door, please, Tom.
09:11Very well.
09:22There. You see?
09:24Nothing and nobody to be scared of.
09:27But I saw him!
09:28I thought it would be a treat this morning to play a game since your governess is ill.
09:32Well, if all you can do is tell lies and upset Harriet, I think you should do some silent reading
09:38instead.
09:51Mrs Collins, is it absolutely necessary for Ivo to wear all those under things?
09:56There's always the danger of children.
09:59That's...
09:59Bless you.
10:00You seem to have caught one yourself.
10:02It's just a little tickle, your ladyship.
10:05Oh, dear.
10:06In that case, do you feel confident enough to take Ivo to the park by yourself?
10:09Oh, yes, your ladyship.
10:12Nanny showed me how to do it all nicely.
10:14There's no need.
10:15No, no, no. I would prefer it.
10:16Besides, you must look after yourself.
10:20Very well, your ladyship.
10:29You'll pass me his things.
10:32And I will dress Master Ivo properly.
10:36We don't want to catch measles, do we?
10:39Eh?
10:40No, we don't.
10:42The cook has prepared the cake as directed, sir.
10:45Good.
10:45Splendid.
10:46Tell her I'm jolly grateful.
10:47Sir.
10:50You've ordered a special cake for your sister?
10:53Oh, good Lord, no.
10:53Old stick eats absolutely anything.
10:56No, it's Nanny's birthday.
10:58What, today?
10:59Tomorrow.
11:01It was quite a big occasion when we were small.
11:04Iced cakes with little what-nots on top.
11:06Crystallised violets.
11:08Thought as it was Nanny's 70th, we'd make a bit of a thing of it.
11:11Oh, how nice.
11:13Just the children, you know.
11:15Annabelle and me.
11:16Oh.
11:18Rather foolish, I dare say, but it's a bit of a family ritual, you see.
11:22You don't mind, do you?
11:24No.
11:25Of course not.
11:51It's a bit of a family ritual, you see.
12:06Afternoon, Nanny.
12:08Afternoon, Nanny.
12:14Grand music, innit?
12:16Yeah.
12:19We've got a band in our village.
12:22But it ain't like this.
12:24No?
12:25No.
12:26Don't all sound the same like they do.
12:29My dad says he thinks they're not even playing the same tune after time.
12:36My name's Matty Wickham, by the way.
12:39I'm Nanny to the St. John's in Barclay Square.
12:41Oh, I'm there too.
12:43With the Scammons?
12:44Well, that is, the Earl and Countess, Lamson Scribbler.
12:48Really?
12:49Only nurse's maid, though.
12:53I'm Lydia Weston.
12:55How do you do?
12:56Very nicely, thank you.
13:01And this is little nurse Terrivo.
13:05Oh.
13:06Has he been poorly?
13:07No.
13:07Why?
13:08Nothing.
13:09I just wondered.
13:11He seems well wrapped up, that's all.
13:13That's the way Nanny Collins says to do it, but...
13:17I don't know.
13:19She goes on about fresh air being good.
13:21So I open the windows, then she shuts them again and says that drafts give you measles.
13:29How old is your Nanny Collins?
13:31About 150?
13:35There's a straight edge bit there, look.
13:40What's he doing here?
13:41Finishing his puzzle, Mr Simmons.
13:44And why isn't he resting after his luncheon?
13:46Oh, well, Charles is asleep, but Bertie wasn't tired.
13:49That is not the point.
13:53I work very hard.
13:55And I'd like to have some peace in the afternoon.
13:58Well, maybe I could take him out for an hour.
14:00Out? Out where?
14:02For a walk to the park.
14:03What park?
14:05The one around the corner.
14:07I came through it the other day.
14:07It seems very respectable.
14:09We'll get some fresh air into him.
14:11He would sleep better at night.
14:14Very well.
14:15But he's not to run around and make an exhibition of himself.
14:18Of course not, Mrs Simmons.
14:25He's not to talk to common children.
14:27No, Mrs Simmons.
14:32You ought to keep him on the path.
14:34One ounce of mud in my nursery and there'll be trouble.
14:37Yes, Mrs Simmons.
14:44Come on, Master Albert.
14:46Get your hat.
14:48There's a pond in the park over the road.
14:51With ducks?
14:52With loads of ducks.
14:54Ooh, should we take that with us?
14:58Do you not like sailing boats?
15:00Yes, but...
15:01Then that's what we'll do.
15:02Come on.
15:07They'll be for the coronation.
15:11Hello, darling.
15:11How you doing?
15:12It's back.
15:13I'll be off then.
15:14Sorry, I didn't realise you were expecting you a young man.
15:16My brother.
15:18Jack, I'd like you to meet Miss Lydia Weston.
15:20He works near me.
15:23It's my pleasure.
15:24Heard you do.
15:25And this is my little girl, Harriet St. John.
15:28He's the one that made up the poem for Tom.
15:30Will you make one for me?
15:32Harriet, eh?
15:33Oh, well, let's see.
15:36I'm a little bit in love with Harry.
15:38Harry is the man for me.
15:40Stop it.
15:41What's wrong with that, eh?
15:43Tom?
15:46Would you sing that song again, please?
15:49Again?
15:50Well, since it's you...
15:53I'm a little bit in love with Harry.
15:55Harry is the man for me.
15:57In his bright red coat.
15:59In his ten bob note.
16:02Tom?
16:02My brother Jack's turned up.
16:04Would you like to come and meet him?
16:05I've just been promised to go with that.
16:07And even I'm not supposed to have a go with it.
16:10What?
16:11It's a precious ornament for looking at.
16:13Oh, why didn't you say it when I said to bring it?
16:15I'm not allowed to answer back.
16:23I'm not allowed to say it when I said to bring it to you.
16:23Albert, put your pyjamas on and go straight to bed.
16:26But he hasn't had any tea.
16:27Nor will he.
16:29Wicked, disobedient little boys don't deserve tea.
16:31But, Mrs Simmons, it's my fault we took the boat out.
16:34I didn't know he wasn't allowed and he didn't like to say.
16:36And ignorant maids who get beyond themselves do not deserve supper.
16:39But, Mrs Simmons...
16:40When those who answer back can find another position as soon as they like.
16:46Yes, Mrs Simmons.
16:47This afternoon, you've never seen so many foreigners.
16:51Africans all sorts.
16:52And I hope you didn't stare or speak to any of them.
16:55No, nanny, of course not.
16:56The only people I spoke to are my friends.
16:59Friends?
17:00And the other nannies.
17:02One's head nurse to the St John's down the road.
17:05And the other one's new nurse made at number five.
17:07Both Barclays Square, same as us.
17:10I wonder how they found her so quickly.
17:11No, I told her about the job when...
17:16When I met her the other day.
17:17Met her?
17:19Yes, ma'am.
17:21Did you know her?
17:23No, ma'am.
17:27You sent a total stranger for a post in a respectable house?
17:32Yes, ma'am.
17:33What did you think you were doing?
17:36She could be anybody.
17:37She could have a disease.
17:38She could have been in prison.
17:39She could be a thief, for all we know.
17:42Oh, you stupid girl.
17:44Whatever am I going to do?
17:45I'm not stupid.
17:47And you don't have to do nothing.
17:49She's perfectly all right.
17:51Oh, they wouldn't have given her the job, would they?
17:52I know I'm only learning.
17:54I know I'm only learning.
17:54Yes, Lydia.
17:56You are only learning.
17:58And the first thing you learn is that a fretful nurse makes a fretful baby.
18:05I shall feed him while you go away and calm yourself.
18:09Yes, nanny.
18:24Yes, nanny.
18:26Harry, you're becoming a pet.
18:29They say Sarah Bernhardt's absolutely terrific in the part.
18:33I never believed she was 58.
18:36Do you know how I feel about older women?
18:38I'm suggesting I look 58.
18:41No.
18:43I am suggesting I shall die of a broken heart if I don't see you tonight.
18:47What nonsense.
18:49Well, have supper with me, then, if you don't want to go to the theatre.
18:54Please?
18:55Harry, I can't.
18:56I must spend one evening with my husband.
18:59What on earth for?
19:01Wouldn't you rather be with me?
19:03Of course I would, but...
19:05Well, then.
19:06They serve excellent caviar at the Hewitt.
19:09And they have very discreet private dining rooms.
19:16The wicked ogre opened his mouth to show his big, sharp teeth.
19:21Nanny.
19:22All right.
19:23I think we've all had quite enough scary things.
19:28Did nanny Bailey never show you how to get rid of scary things?
19:33You have to do this.
19:36Angels above me and angels below.
19:39Keep me quite safely wherever I go.
19:45Pringle?
19:47What's the matter?
19:50Pringle?
19:53Whatever's going on?
19:54Nothing.
19:55Yes, there is.
19:57Now, come on, tell me what's happened.
19:59Is that Keegan?
20:01What, the footman?
20:04Please, tell me what's happened.
20:08He shut me in the linen cupboard.
20:10Oh.
20:12And he knows I don't like being in the dark.
20:15And he was laughing.
20:19I thought he liked me.
20:21All right.
20:22Come on, it's over now.
20:25I'll deal with it.
20:38Could I have a word, please, Mrs. McCluskey?
20:41As long as I don't have to stop what I'm doing.
20:44Or perhaps it's Mr. Potter I should be speaking to.
20:46What about?
20:49One of the underfootmen, Patrick Keegan?
20:52Not only was he extremely impertinent to me this morning,
20:56but now has actually managed to reduce Pringle to tears.
21:00Do you have authority on this matter, or does Mr. Potter?
21:03I do the hiring and firing in this house, Nanny Wickham,
21:05with Mr. Potter's approval.
21:07Well, I would like him reprimanded, please.
21:10I'll not have the nursery upset like that.
21:12I'm very sorry you've been troubled, Nanny Wickham.
21:15Very sorry indeed.
21:18I shall see to it.
21:20Personally.
21:32This very evening.
21:47Come in.
21:53I thought you were dining out tonight.
21:54No, I changed my mind.
21:56I'm staying at home.
21:57Why don't you join me?
22:01Well, then.
22:03What sparkling entertainment are you indulging in this evening?
22:06I'm going to see Sarah Bernhardt in La Damme or Camellia.
22:09I'm told it's excellent.
22:10Are you?
22:14I'm told it's about a courtesan.
23:02I'm told it's about a courtesan.
23:10I love you.
23:38and angels below.
23:39Keep me quite safe for you wherever I go.
23:55Shh!
23:56Don't worry.
23:57I'm not going to hurt you.
24:00Who are you?
24:01I'm a friend, Tom, not a foe.
24:05How do you know my name?
24:08Well,
24:11it's my business to know all sorts of things.
24:14Like I know you're a very brave young man coming up here at Deady Night.
24:18I told Nanny about you.
24:20She didn't believe me.
24:22That's women for you, Tom.
24:24But maybe it's for the best,
24:26because women ain't very good at keeping secrets.
24:28But I reckon I can trust you not to tell anyone else about me.
24:32Why shouldn't I?
24:34Because you'll spoil everything if you do.
24:36So, my mission will be ruined.
24:39Mission?
24:40Are you a spy?
24:41Oh, shh, shh.
24:43Can't say any more, all right?
24:46All right.
25:09How long has it been crying?
25:11About ten minutes.
25:14You all right?
25:15Yes.
25:16Should have woken me earlier.
25:23She's locked us in.
25:26Oh, for a pity's sake.
25:34No, I shouldn't, honest.
25:37I've got to be up in.
25:39What's the time?
25:43Half past midnight.
25:45I've got to be up in four and a half hours.
25:49You'll be fine.
25:51No.
25:52You see, what I was trying to say, Patrick, is
25:54I don't mind you making eyes at the girls.
25:59And I expect deep down.
26:01I don't mind either.
26:02What's all the fuss about, then?
26:05The way you do it.
26:10Here's to the Queen.
26:12The Queen.
26:18Nobody minds a few discreet arrangements.
26:22But you've got to be clever.
26:24You've got to use your charm.
26:27Can't have people complaining all over the place, can we?
26:35Cheers.
26:36Cheers.
26:40Keegan!
26:43Potter, where the devil's Keegan?
26:45I don't know, sir.
26:47Where the devil's my hot water?
26:50Hasn't Keegan brought it up, sir?
26:51Well, I wouldn't be standing here like this if he had, would I?
26:54Oh, I do beg your pardon, sir.
26:56I'll see to it straight away.
26:57Do that.
27:02Have you any idea what time it is?
27:06Oh, my God, you've gone too far this time, Keegan.
27:09You've upset Nanny, you've upset Pringle,
27:11and now you've neglected your duties.
27:14You are dismissed.
27:27Oh, my God!
27:47Master Albus of Master Charles, madam.
27:49Thank you, Nanny Simmons.
27:57Good morning, Mama.
27:58Hello, darling.
27:59You must ask Nanny Simmons to give you a haircut, I think.
28:03Morning, young man.
28:04What have you got to say for yourself?
28:05Good morning, Papa.
28:07Now then, young shaver, I have a present for you.
28:11Battles of the 19th century.
28:14Got to earn it, mind.
28:15Great generals don't grow on trees.
28:17Got to learn things.
28:18Take responsibility.
28:20Now then.
28:23Commander, 1st Battalion, Rifle Brigade, Battle of Inkemen.
28:28Sir George Cathcart, sir.
28:32Hmm.
28:33Facing colours of the old Connaught Rangers.
28:44Come on, man.
28:45On parade now, don't you know?
28:48Lincoln Green, sir.
28:50Well done.
28:52Turning into a fine young man, commanding the troops any day now.
28:56He had been drinking, Mrs McCluskey.
28:59Niff.
29:00I can see what you're saying to him.
29:02But it will be very difficult losing a footman before the coronation.
29:07What were they entertaining?
29:08Then find another.
29:10It takes some time to advertise the post.
29:14Interviews.
29:14Do we not know anyone seeking to change?
29:18Well, I do.
29:20But he's never been a footman before.
29:22Mrs McCluskey, I have trained more young footmen than I can count.
29:27And there is some urgency.
29:29Do you think he would accept?
29:32I don't know, Mr Potter.
29:35Shall I ask?
29:37Keep it as close to the truth as possible.
29:40You done boot blacking.
29:42You done carrying bags.
29:44You done door opening.
29:45You ain't done table service.
29:47And you ain't done private drawing rooms.
29:50What hotel was it?
29:51Blakeston.
29:52Smith Street.
29:54Close six months ago.
29:56So no one can check.
29:58Since then, you've been doing casual.
30:01In kitchens.
30:03What about that boy, though?
30:05Tom, what if he says something?
30:06What choices you got?
30:08Let's finish with this.
30:09That'll help.
30:10Yeah, but not a tash.
30:11Yes, the tash.
30:13What a shame.
30:14The delphiniums are no longer there.
30:16Edith did so love the colour.
30:18She had them brought specially from Devon, you know.
30:22They didn't seem to like the London air, I'm afraid, Annabelle.
30:26We do find that American bee hyssop flourishes well, though.
30:32Will you be accompanying us for luncheon?
30:34As a matter of fact, I've got the final fitting for my coronation gown.
30:39Besides, I'm sure Nanny Collins would prefer to be alone with her children.
30:45Nanny Collins, sir.
30:46Ah!
30:48Many happy returns of the day, Nanny.
30:59What do I say about pride?
31:02Comes before a fall, usually.
31:03Yes, it does.
31:05Even so, I don't think there's a frouder Nanny in the world than me at this moment.
31:10Not over yet, old thing.
31:11We thought we'd take you out for a special luncheon.
31:15I tell you, Annabelle, as soon as Bertie's got the crown firmly on his head, Salisbury will resign as PM.
31:21You think so?
31:22Oh, yes.
31:23About blasted time, too, if you ask me.
31:25I don't think we use language in the open air, thank you, Master George.
31:29Sorry, Nanny.
31:31So who'll take over?
31:33Balfour?
31:33Balfour.
31:34Oh, frightful man.
31:36Do we know, Mr Balfour, dear?
31:39Not well, no.
31:41Then perhaps it would be kinder to reserve judgment until we know him a little better, don't you think?
31:46Yes, Nanny.
31:50Do you know, Master George, I think I could manage a small slice of that yeast cake.
31:57Do you have a moment?
31:59Well, I need to collect the children in 30 minutes, but I've got to do it for you, Mr Potter.
32:08If you would pretend to be the lady of the household for me, please.
32:13Oh.
32:19Now, plates are carried one at a time.
32:26With both hands.
32:29Presented from the left and set carefully in front of the diner.
32:36No, no, no.
32:37The footman is never acknowledged.
32:39I'm sorry.
32:43Now, please.
32:51Do try and behave naturally.
32:54Again, please.
33:04Very good indeed.
33:06I'll fetch the vegetable tureens and we'll try with them.
33:14This is sorry.
33:16I didn't mean to put you off.
33:17It's all right.
33:19It's me supposed to be training, not you.
33:21You don't need training to be a lady.
33:27That's the silly thing, though, isn't it?
33:29I spend all my time teaching the children to have good manners.
33:33When they grow up, they're not supposed to use them.
33:35The children?
33:37Hmm.
33:38I'm their nanny, Matty.
33:40Now, let's see how we get on with this.
33:53Hello, darling.
33:55That's your swig.
33:57Mr Kagan.
33:58You're drunk.
33:59Yeah, I'm drunk.
34:01And out of a job.
34:04And out of a bed.
34:08So, I reckon it's best to stay drunk, don't you, nanny?
34:15Still, at least you can't complain about me anymore.
34:19Unless you want to call the police and have me arrested as well as dismissed.
34:24I didn't get you dismissed.
34:25Fancy a drink, kids?
34:27Carry on now.
34:28Yes, you can.
34:32I'm very sorry you've been dismissed.
34:35But I assure you, it was nothing to do with me.
34:39Good day, Mr Kagan.
34:52Hello.
34:54Hello.
34:55You got another one?
34:57You haven't changed jobs already, have you?
34:58No such luck.
35:00Bertie's been kept in to learn a chapter of the Bible by heart.
35:03You know, I've not had supper last night or breakfast this morning.
35:05I'm so sorry.
35:06Yeah, well, next time you hear of a job, go and keep it to yourself, eh?
35:09I didn't know it was going to be like that.
35:11No, you didn't know anything.
35:12I'd never have gone at all if I'd known it was for a nursemaid.
35:15That's not fair.
35:17Good afternoon.
35:21What's the matter?
35:25She says it's my fault she got into trouble over that stupid boat.
35:29Well, it's not.
35:30And if you want to know, I got into heaps of trouble for telling you about that job in the
35:33first place.
35:34Well, you'll know better next time, won't you?
35:36Sorry, Nanny.
35:37Oh, I am not Nanny.
35:39I am Hannah Ramble.
35:40It's not fair to treat people like that.
35:43No, it's not.
35:45You're not in trouble for anything, are you?
35:47Not me, no.
35:49I've just missed one of our footmen.
35:51I don't know why.
35:52I don't always need a reason.
35:53Well, I'm not going to lose my job.
35:56I'm going to work hard and get really good at it.
36:00You like it, do you?
36:02If you had never worked on a farm where you wouldn't ask.
36:05And there aren't many jobs where you get your own bed and three square meals at...
36:14She wasn't allowed any supper or any breakfast.
36:18What, all because of that bunk?
36:20Yeah, I've been court-martialed.
36:22Well, you won't have been paid yet, either.
36:25Look, there's a tea stall over there.
36:27Shall I get us something to eat?
36:28That'd be nice.
36:36Listen, Mum.
36:38I'm sorry, I shouldn't have said all those things.
36:42Look, can we start again?
36:45I'd like that.
36:47Very much indeed.
36:56Captain Henry Mason.
37:03Hello.
37:04Good to see you.
37:16I'm so glad you could come, Captain Mason.
37:18I wouldn't have missed it for the world,
37:22Mrs. St. John.
37:35Right.
37:37Quick, face, hands and change.
37:38I'll be late.
37:39It's a special tea party today.
37:41It's the best behaviour all round.
37:56Best for you and best for me.
38:03It was best to leave you though.
38:07Harry, please, let me explain.
38:12Best for you and best for me.
38:23No need to explain.
38:26The chap can take a hint.
38:29I'm awesome.
38:32The children, madam.
38:34Oh, delightful.
38:35Thank you, Nanny Wickham.
38:40We're having such a lovely musical afternoon.
38:43Would you sing for us?
38:44I just felt awful about it.
38:47Why did you agree in the first place, then?
38:49Because you kept on, sir.
38:54I can't get here.
38:55I'm a little bit in a free fairy.
38:57Harry's around for me.
38:59With a bright red coat and a ten bob.
39:01No, he's as smart and as sharp as a man can be.
39:04How dare you allow my children to humiliate me in public?
39:08I've never heard such impertinence.
39:10I'm very sorry, Mr. St. John.
39:13I agree, it was a most unfortunate incident.
39:15But what happened was...
39:16On this occasion, I've got a repetition.
39:19I understand, madam.
39:20I do hope so.
Comments