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#berkeleysquare #bbc https://www.youtube.com/channel/UC5domZkB-eRa6BuFOO8OXaQ
Who Killed Cock Robin?: After Hannah explains the circumstances of Billy's birth and why she brought him into the Hutchinson home following Charlie's death, Matty apologises for judging her and promises to stand by her. Hugh threatens Lydia's family with eviction from their land, and she asks Nanny Collins for help. Charlie's body is found by workers laying new pipes in the neighbourhood and Mrs. Bronowski is arrested for his murder. Matty continues to fight her growing feelings for Ned but eventually admits them.
Starring:
Clare Wilkie
Victoria Smurfit
Tabitha Wady
Who Killed Cock Robin?: After Hannah explains the circumstances of Billy's birth and why she brought him into the Hutchinson home following Charlie's death, Matty apologises for judging her and promises to stand by her. Hugh threatens Lydia's family with eviction from their land, and she asks Nanny Collins for help. Charlie's body is found by workers laying new pipes in the neighbourhood and Mrs. Bronowski is arrested for his murder. Matty continues to fight her growing feelings for Ned but eventually admits them.
Starring:
Clare Wilkie
Victoria Smurfit
Tabitha Wady
Category
🎥
Short filmTranscript
00:40Still here, Lydia.
00:42I thought I made myself clear.
00:44It's you or your father's farm.
00:50Seems like a big sacrifice just to stay in Barclay Square.
01:04Nanny, where's Lanny?
01:07Lydia?
01:08Morning.
01:09Is it?
01:11I don't need to part my head off.
01:13Lydia?
01:14Have you been crying?
01:15It's all going so well.
01:17Job in London, nice clean uniform, good wage.
01:20We haven't dismissed you.
01:21Maybe I'm not cut out to be a nanny.
01:24Nanny, this is about a certain young gentleman, isn't it?
01:26I'm going to hand him my notice.
01:29I've decided.
01:31I've got to go.
01:32You're a very good nanny.
01:34Ask Nanny Collins.
01:35She thinks the world of you.
01:38She'll be on your side.
01:39You'll see.
01:40You want to keep your position, don't you?
01:42Of course I do.
01:43Well, then.
01:44What have you got to lose?
01:46Nanny!
01:46It's nine o'clock!
01:51All right.
01:53I'll give it a try.
02:04Good morning, nanny.
02:06Good morning.
02:27There's no point hanging out the wash-in.
02:29They'll be here before you know it.
02:33The new sewage pipes.
02:36You never read your notice, did you?
02:42Good morning, Ivy.
02:48Good morning.
02:52How's the boy?
02:54He keeps being sick.
02:57Still on the state of our death, is he?
02:59Thinks he's going straight to hell.
03:02And nanny?
03:05What does she think?
03:08She thinks that sometimes people do wrong things.
03:13But they don't mean to.
03:17I've got to go.
03:19The Lord and Master calls.
03:30About time!
03:32Sorry, sir.
03:33Get held up in the kitchen.
03:35The housemaid found this.
03:38In the hall.
03:40In the hall?
03:41On the floor.
03:43Good God.
03:45Lucky she's far away with a mop, sir.
03:47Yes.
03:47Thank you, Edward.
03:49Looks valuable, sir.
03:50Yes.
03:51It is.
03:53Not my house.
03:55I didn't get no notice.
03:56No notice.
03:57No work.
03:57You go and dig somewhere else.
03:58You'll have to take it up with a town hall, love.
04:00This is private.
04:01This is private property.
04:03She's got all her washing out.
04:04She'll have to take it in, then, won't she?
04:06All right, boys.
04:07Well, clean it off.
04:08Clean it off now.
04:09Why don't you go out, Mrs B?
04:12Come back when it's all over.
04:14It's not so upsetting if you don't actually see them doing it.
04:17What about that friend of yours?
04:20What friend of mine?
04:22The one with the baby.
04:25You go up Barclay Square for a couple of hours.
04:28It'll be done by then.
04:30Tom, it was an accident.
04:33Tom hates me.
04:35Nonsense.
04:36I shot him.
04:38And you're sorry, aren't you?
04:40Look, he's your father.
04:43He'll forgive you.
04:44He loves you.
04:52Five minutes and it will all be over.
04:54You're not worrying.
04:55You're nothing.
05:02Please give this to Beatrice, would you, Edward?
05:07Nanny and Master Tom are waiting outside to speak to you, sir.
05:10No, it's not convenient.
05:12Tell Nanny I will decide when to speak to Tom.
05:23Really, Arnold, you're being a little overdramatic.
05:25I dropped it.
05:26It's been found.
05:27Is there really any cause for an inquisition?
05:28You lose a precious bracelet given to mark our anniversary
05:31and you don't even notice it's missing.
05:33I refuse to listen to this.
05:35As if the last of you would have been difficult enough!
05:38Mama!
05:39Not now, Tom!
05:42Hey.
05:43I know.
05:44Shall we go and fetch Harriet together?
05:46No.
05:47You could come with me and help me polish me best boots.
05:51Tom!
05:52Yeah, probably best leave Mama's arm for a while.
05:56I'll have to.
05:57I've got to go and fetch Harriet.
05:59What, do you want me to go after him?
06:01No.
06:02You're right.
06:04Let him be.
06:06You're going to let me be as well?
06:08Need.
06:10I can't talk now.
06:11Harriet's waiting.
06:12I can meet you.
06:15Please.
06:19I'll be in the square with Harriet.
06:22By the flower garden.
06:41I'll be in the square with Harriet.
06:42I'll be in the square with Harriet.
06:44I'll be in the square with Harriet.
06:45Hello.
06:46Hello?
06:48Have you got a moment?
06:52but really i've got to take harriet back for her lunch i'm not ashamed maddie i love my baby
07:03i haven't set eyes on this book for years nanny collins can i ask you something
07:09if he was young and if a young man if a certain young man spit it out media if i
07:16was to tell you
07:17that someone that he was like um making advances it's lord hugh master hugh oh i don't think so
07:35you're misunderstanding his lordship's position lydia master hugh is a friendly young man he
07:42always was i'm not talking about friendly oh you young girls you tell each other too many silly
07:48stories i loved william matty and he loved me yeah but i still don't see how you could
08:03you know when you feel like that when you can't breathe for thinking of someone
08:17when they touch you and you go weak you can't resist you don't want to resist
08:24no the rest of the world just fades away all sorts of decency and proper behavior
08:32the right and christian thing to do it all just goes
08:39i wanted to save myself for my wedding night just like you just like every girl
08:46but there wasn't going to be a wedding night was there no not you and a viscount not a viscount
08:55to me
08:58just a man i wanted to be with the father of my baby i'm so sorry anna
09:06it must have been so awful for you when he
09:10you know when he died
09:17i just want you to understand
09:23when um when you love someone and you have their child
09:30and that child is in danger nothing else matters all that matters is protecting your baby
09:41how can i make you understand
09:47you don't have to
09:51you're my friend and you did what you thought was best
09:55and i should stand by you
10:00thank you
10:15let's hear to fetch us i'll go and get my coat
10:27handsome chap
10:29not surprising he's so popular with the ladies
10:31i don't think he's like that oh i saw him out canoodling on the other day
10:37he doesn't canoodle
10:39ask him about the girl hanging off his arm a few days ago now oh they were canoodling all right
10:45in mount street broad daylight
10:49i'm glad i knew it was you
10:51me favorite lady it's my lucky day i'm too young to be your favorite lady and anyway my mother says
11:00i've
11:01got to marry a prince or a lord at the very least
11:05you're in a rush
11:06come on aria it's lunch time
11:08mattie
11:10run on to the next gate
11:16so it's me today is it
11:19it's you every day that's not what i hear
11:22a girl hanging off your arm in mount street that's what i hear
11:27you're gonna deny it i can't deny it but i want to explain it no
11:34it'll be like when you explained the other thing what you did
11:39i don't want to hear anything else because you made me believe you and then i won't know where i
11:45am
11:57i don't want to hear anything else
11:58come in
12:05ah lydia is this about the letter
12:08so the letter home i said i'd help you didn't i
12:11the thing is
12:12oh well now's as good a time as any
12:13the thing is
12:15i want to hand in my notice
12:21so there's um no point in a letter is there
12:25i see
12:28is it because you're homesick no mr fowler
12:32it's something else entirely
12:35i'll be going in the morning if that's agreeable
12:37lydia i'd best be getting back
12:41good morning sir
12:46well you've been going too quickly it looks like space
12:48once the pipe's open you won't see no difference
12:50a little batch of concrete manhole covering the corner it'll be like it never happened
12:55yeah well there wasn't nothing wrong with them old pipes
12:58hey bill
12:59i'm gonna run it along the net
13:01i'm gonna run it along the net
13:01go up on the floor
13:01run it along the net
13:02and i'm gonna get
13:03all right
13:04yeah
13:05oh yeah
13:05oh yeah
13:06oh yeah
13:07oh yeah
13:08oh yeah
13:08oh yeah
13:12what is it
13:16look nanny cousin isabel
13:18Isabel! You've not been to visit us for a long time, has she, Nanny?
13:23I'm sorry, Bertie. I've neglected you.
13:26I'm sure Miss Isabel's been very busy, Bertie.
13:28Indeed. All these end-of-season parties and entertaining.
13:33Captain Mason is coming for tea.
13:36Isabel, will you play with me?
13:39Since Nanny seems to prefer to gaze at baby Charles
13:43instead of offering me helpful advice,
13:46I think I might.
13:51What kind of advice are you after, Miss Isabel?
13:54Well, for once, in this desperately dull season,
13:58tea could be exciting.
13:59Or it would be, were it not for an elderly person
14:02with a determination to do things by the book.
14:04Ah.
14:05Oh, you can't help me, Hannah, I suppose.
14:09A drop of arsenic in someone's teacup.
14:12Rat poison in the scones.
14:14If this were a novel, there'd be a brilliant solution.
14:18Well, I was thinking of something a little less drastic.
14:22Oh?
14:23I was thinking of a certain person's taste for an aperitif before dining.
14:26I'm not sure I catch your drink.
14:29Madeira?
14:30It's an island near Spain.
14:32And Miss Turner said it was a drink.
14:35Precisely.
14:36A rather powerful drink if partaken enthusiastically, or so I'm told.
14:44Well?
14:45I want to offer my sincerest apologies, Father.
14:48About the incident in Devon.
14:51Come.
14:52The shooting party business.
14:54You were quite right.
14:55I had no business changing the St. Jimbois cartridges.
14:58A most stupid and thoughtless act.
15:01Thank you, Fowler, if you move those papers on the table there.
15:04I behaved like a complete ass.
15:06We've put the matter behind us now, Hugh.
15:08We'll say no more about it.
15:13Um, anything I can help you with?
15:15Oh, just the usual problems with the estate.
15:18Trying to close the gap between income and expenditure.
15:21Ah, well, I've been having some thoughts about that.
15:23May I?
15:24By all means.
15:26Fowler, you'd better bring another cup.
15:28Yes, my lord.
15:29What you told me, you had no need to learn the dull details of estate management.
15:33It seems I've been wrong on more than one count recently.
15:38I've been looking at the figures for the Western Farm.
15:40Have you?
15:41Remember all that grain we lost last year?
15:44Well, it struck me that if you closed that particular farm down
15:47and converted the buildings into barns,
15:49you could use them to store the grain from the Westfields.
15:53And what do you propose we do with the Western family?
15:56With respect, Father.
15:57That's their affair, not ours.
16:00And in that precious moment,
16:03Florence knew her life would be changed forever.
16:08You and Nanny getting on all right?
16:10So so.
16:11What about Ned?
16:13And you, Ned?
16:14Ned and Nanny.
16:15They're getting on all right.
16:18Where are you going?
16:19Out.
16:20His nibs is lying down, resting his wound,
16:22so he don't want to be disturbed.
16:24So what's keeping me here?
16:26He held her in his arms
16:29and murmured to her
16:31that he had been desperate for this moment.
16:34Excuse me, Cook.
16:36Pringle, where's Tom?
16:37I don't know.
16:38Not in the nursery.
16:39I know that.
16:40What, you haven't seen him at all?
16:42He's in a sulk, sorry.
16:43Hmm.
16:44He's a boy, isn't he?
16:46Always in a sulk about something.
16:48I should know.
16:50Well, uh, if he comes down to the kitchen,
16:52please let me know, Mrs McCluskey.
16:55And from that moment,
16:59he would never leave her side.
17:03Nanny.
17:05I wanted to talk to you.
17:07Get things straight about Ned.
17:09You needn't worry.
17:11Tom's gone missing.
17:13And pretty soon I'm going to have to tell his mother and father.
17:15You think I'm bothered about Ned?
17:17He's not a murderer.
17:19He's who he really is, what he did, why.
17:22I just don't care, all right?
17:34Nanny, can you help?
17:36My aunt has rather a severe headache.
17:39I confess, I do feel somewhat giddy.
17:43Perhaps the Madeira was off.
17:45Oh, could you just take her other arm?
17:49I must have sat too close to the fire.
17:51You really must lie down, aunt.
17:53It's the best thing for a headache.
17:55I'll call for some powders.
17:58But Captain Mason is coming to tea.
18:01A quiet doze in a darkened room
18:03and you'll feel a hundred times better.
18:04Isn't that right, Nanny?
18:07The boy is absolutely set on humiliating me yet again.
18:12He was anxious about facing you, sir.
18:14Running away never solved anything.
18:15This really is too tiresome.
18:17I'll take a turn around the square, see if he's outside.
18:20The boy is out of control, there's no question.
18:23Bring him to me the moment you find him.
18:29The boy is out of control, he's out of control, he's out of control, he's out of control.
19:01There you are. You see that boy on your travels?
19:04Boy?
19:04By God's name, she thinks he'll be hiding in the cold store is beyond me.
19:08What's going on?
19:09Tom.
19:10I can't find him.
19:13Good riddance.
19:13Listen, I've searched the whole of the nursery floor again.
19:16His blanket's missing.
19:18That's it, then.
19:19He's run away.
19:21Time to call in the police.
19:22We don't want to do that.
19:24Why not?
19:24Perhaps he's been kidnapped.
19:25It's all my fault.
19:27I told him his father would forgive him.
19:29I told him it would all be all right.
19:30Er, I think I know where he might be.
19:33Where?
19:35I'll show you.
19:37Just tell me.
19:39Look, do you want to find him or not?
19:53Captain Mason.
19:56Mrs St. John.
19:57What a pleasant surprise.
19:59You haven't seen my son, have you?
20:01He seems to have gone wandering off.
20:03What are you doing here?
20:05I'm visiting someone.
20:07I see.
20:10Victoria.
20:10Might I ask who you're visiting?
20:16Mrs Saunders.
20:18You know her?
20:19Yes, Captain Mason.
20:20Of course I do.
20:22And I know her niece, Miss Hutchinson.
20:28Look, Victoria, you're married to St John.
20:32And me?
20:33Well, I shall have to find a wife someday, shan't I?
20:38A wife?
20:41In name only, my sweetheart.
20:45What we had.
20:47Nothing can replace that.
20:49Nothing.
20:51I must go.
20:52Charmed to have met you, Mrs St John.
20:56They're looking so beautiful.
20:59I shall keep an eye out for young Tom.
21:01Have a pleasant afternoon.
21:14Are you sure about this?
21:17Well, there's nowhere left to look, is there?
21:20Besides, he's been up here before.
21:30What's your head?
21:43Well, I don't see him.
21:47This way.
21:58Tom!
22:01Tom!
22:04Here he is.
22:20Captain Mason, how very punctual you are.
22:23The anticipation of a pleasant afternoon, Miss Hutchinson.
22:27Not quite as pleasant as you might have hoped.
22:29I'm afraid my great-aunt will be unable to join us for tea.
22:33I'm very sorry to hear it.
22:34She suffers from headaches.
22:37In which case, it's doubly good of you to entertain me alone.
22:41Most trying for you.
22:44Do sit down, Captain Mason.
22:49I wonder, uh, given the unusual nature of our meeting,
22:53if we might not be a little courageous this afternoon
22:55and dispense with certain formalities, Miss Hutchinson?
23:00How very daring, Captain Mason.
23:03Um, what exactly did you have in mind?
23:07Well, I thought we might start by you calling me Harry.
23:15This is silly.
23:16You can't stay up here all day.
23:18Why don't we all go back downstairs?
23:20Cook's made gingerbread men.
23:22Come on, Tom.
23:23The longer you stay up here, the more...
23:28I was scared of me old man, too.
23:31He was, uh...
23:33a bit quick with a belt.
23:34He beat you?
23:36One time he hit me so hard I'd pass out clean.
23:39Cracked me head in the kitchen table.
23:43The thing is,
23:45I always knew when the beating was coming.
23:48Of course, I knew the exact moment
23:49he was going to undo that buckle
23:52and take a swing.
23:55What about you?
23:58Me?
24:00How do you know when
24:01your dad's going to take the stretcher?
24:04He doesn't.
24:06Doesn't?
24:08What?
24:08Never.
24:11So,
24:13what's going to happen to you down there
24:15when you face your father?
24:16What's he going to do?
24:18Tell me off.
24:20Ah.
24:21Shout out to me.
24:23That's it?
24:25Is that right, nanny?
24:27Yeah.
24:28Of course it is.
24:31When he's telling you off.
24:33Just remember me and that belt, eh?
24:36You know what they say?
24:38Sticks and stones.
24:41Come on.
24:48It was very nice of you
24:49to invite me, Mr. Powler.
24:51The cake's delicious.
24:52Please pass on my compliments to cook.
24:55And how is young
24:56Master Ivo?
25:00The milk teeth are coming through.
25:04But I'm not too troubled.
25:06Lydia's dealing with the knights.
25:07It's a pity then
25:08that she's decided to leave.
25:10I beg your pardon?
25:12She came to me this morning.
25:14Said she's unhappy.
25:16I thought you might be able to shed some light.
25:20If you're meaning that I'm the culprit, Mr. Fowler,
25:23I can safely say that Lydia and I
25:25have ironed out our differences.
25:27A young man, then.
25:29Bearing in mind the conversation
25:30we had some weeks ago, Mrs. Collins.
25:36Master Hugh probably smiled at her once too often.
25:39You know what these young girls are like.
25:45She did say something to me this morning.
25:48I told her not to be so silly.
25:50You think she's making it up?
25:54I suppose I could have a word with Master Hugh.
25:58Tell him she's an impressionable young girl
26:00and he shouldn't encourage her.
26:02What if I told you
26:03that Master Hugh is taking a less than healthy interest
26:06in the entire Weston family?
26:08Above and beyond
26:10the duties of Lord of the Manor.
26:12Less than healthy?
26:15An interest that involves
26:17evicting Lydia's family
26:18from their farm in Devon.
26:21Would you still think
26:22this was all in her imagination?
26:35I would think the way one pours tea
26:36says so much about a person.
26:38In what way?
26:40Well, if I were to tell you
26:40before you'd finished the procedure,
26:42you might adjust your actions accordingly.
26:45How utterly terrifying.
26:47So here I am,
26:48innocently pouring tea,
26:49and you're assessing my character
26:51on the basis of the way I hold the teapot.
26:53Here, take this before I reveal
26:55something alarming.
27:00There is nothing you could reveal to me
27:03that would not confirm my opinion of you
27:05as the most charming girl I've ever met.
27:08Captain Mason.
27:10Harry.
27:11The most charming,
27:13the most beautiful,
27:15the most delightful...
27:16Harry!
27:17Yes?
27:19Let's not waste this opportunity
27:20with misunderstanding.
27:22This ring was my mother's.
27:24I've carried it with me since her death.
27:27Now I'd like you to do me
27:29the very great honour of wearing it.
27:32Harry.
27:34And to do me the even greater honour
27:37of consenting to be my wife.
27:47Isabel?
27:51It fits.
27:59Right.
28:00Stand up straight.
28:01Look him right in the eye
28:02and say sorry
28:03like a gentleman.
28:06And he'll be angry
28:07and that's all.
28:08That's all.
28:10I promise.
28:15Carl?
28:16Where is he now?
28:18Seeing his father.
28:20Thank God he wasn't kidnapped.
28:22Would have had police all over the house.
28:24Last thing we know he did.
28:28Yes, Pringle?
28:30I've come to fetch the gingerbread men
28:32for young madam.
28:39So...
28:41Do you have any explanation
28:43for your behaviour today?
28:46Or for my injury?
28:51Am I to hear any kind of apology?
28:54I'm very sorry, Father.
28:57I accept your apology.
29:01It only remains for me
29:02to tell you to pack your bags at once.
29:05You're going to school, Tom.
29:06To the prep school at Tadmere Hall.
29:10Your father's already spoken
29:11to his old housemaster
29:12and he's agreed to take you
29:13a year early.
29:15Since Nanny seems unable
29:17to control you
29:18we feel you need
29:18the discipline of school.
29:19the company of other boys
29:21to teach you to be honourable.
29:24You'll catch the train
29:25first thing tomorrow
29:26and use the journey
29:27to reflect on the proper way
29:29to behave.
29:32Very well, Tom.
29:38You may go.
29:46You said it would be all right.
29:51So, uh...
29:52Lydia is homesick.
29:54Well, unhappy.
29:55Call it what you will.
29:57She's very low, sir.
29:59She handed in her notice
30:00this morning.
30:02I see.
30:03And you think I may be able to help.
30:05Well, forgive me,
30:05but I rather feel
30:06this is the province of my wife.
30:08I'm afraid
30:09it's connected with
30:11another person.
30:13Another person?
30:15Yes.
30:16A relative?
30:18No, sir.
30:19Good Lord, is this a guessing game?
30:21We'll be here all afternoon
30:22at this rate.
30:23The person involved
30:25is connected with you,
30:27Master George.
30:28Connect...
30:31Connected?
30:32Yes, sir.
30:34Now, let us be completely clear
30:35about this.
30:41It's Master Hugh, sir.
30:44Yes, I see.
30:47Well, you haven't drunk
30:48your tea, Nanny.
30:51The girl has promise.
30:54And baby Ivov
30:56has taken to her
30:57very keenly.
30:58Leave it with me, Nanny.
31:00Consider the matter dealt with.
31:03I'm so disappointed
31:04I think I did him, sir.
31:06Of course you are, Nanny.
31:14Of course you are.
31:26Thank you, Edward.
31:31Anything interesting?
31:32It's a dinner invitation
31:33from the Mansfields.
31:36We won't go, of course.
31:37I'll write a note.
31:38Well, I'm sure I'll be able to map.
31:39I'm sorry, Arnold,
31:40but I have no intention
31:41of going to the Mansfields.
31:43I can't help thinking
31:45it might be time
31:45to get out and about.
31:47See people.
31:48Get back into the swing of things.
31:50Some things.
31:55Victoria,
31:56I know we've dealt with Tom,
31:58but I've been thinking.
32:00You think I was too harsh?
32:03Perhaps we should have
32:04another word with him.
32:05Go up after tea.
32:08Victoria!
32:13Harry, you should be ashamed.
32:16Ashamed?
32:17Kissing my own fiancée?
32:19Shh!
32:20Why?
32:20I want to shout it
32:21from the rooftops.
32:23All in good time.
32:46Mrs. B.
32:47All these stairs.
32:49And with my knees.
32:51What are you doing here?
32:52You've got to peg your pegs now.
32:55Get out this place.
32:56Why?
32:57They know about the baby.
33:01Billy's still got this dimple
33:03every time he smiles.
33:05What do you want, Flory?
33:06Shall I do that bit of washing, Nanny?
33:08Later.
33:09As you can see,
33:09I have a visitor,
33:10so please,
33:11go downstairs for half an hour.
33:13Yes, miss.
33:14His name's Charlie.
33:21Very smart.
33:24You've got your own servant now.
33:26She's not my servant,
33:27Mrs. B.
33:29Can I hold you?
33:32Just for a moment.
33:39How do they know?
33:40You said you'd take care of it.
33:43A bit close to home,
33:43is all.
33:45You said it'd be all right.
33:47Stupid.
33:52I buried the baby
33:53in my backyard.
33:55They're digging there now.
34:04Father.
34:07I said you wanted to see me.
34:09What in God's name
34:10have you been up to
34:10at the Western Girl, Hugh?
34:12The Western Girl?
34:13Lydia.
34:15Absolutely nothing.
34:15Why on earth do you ask?
34:16Hugh,
34:17this is a time for honesty.
34:20Father,
34:20I swear to you.
34:21No,
34:21above all,
34:21Hugh,
34:21do not swear.
34:23I have had a report
34:24from a completely reliable source
34:27that something is amiss.
34:29That the problem resides
34:30in the nursery
34:31and that the cause
34:32of the problem is you.
34:33I've never heard such...
34:34As far as I'm concerned,
34:35these facts are not up for debate.
34:38What I want from you,
34:39for once in your life,
34:41is an honest admission of guilt.
34:45Well,
34:46I'm waiting, Hugh.
34:48Most certainly not.
34:49How dare you take the word
34:50of some skivvy
34:51against that of your own son?
34:53No,
34:53this time you will not hide
34:54behind your injured pride.
34:56Let go of my arm
34:57to feign an interest
34:58in Causton affairs.
34:59To attempt to evict
35:01one of my tenants
35:01because his daughter
35:03refuses to succumb
35:04to your attentions.
35:05I said let go.
35:06I am ashamed.
35:07Deeply ashamed.
35:08You are not brought up
35:09to be a coward
35:10and a seducer.
35:12Now listen to me,
35:13no,
35:13you listen to me.
35:14I want you to promise me
35:15that you will never set
35:16one foot in the nursery again.
35:18I want your word
35:19as a gentleman,
35:21if you are a gentleman,
35:24that I shall never have
35:25to speak of this matter again.
35:26Father.
35:26Your word, Hugh.
35:28You take the word
35:29of some disturbed
35:30and pathetic creature.
35:32This is your last chance.
35:35Very well.
35:36Say it.
35:37Father.
35:38Say it.
35:40Very well.
35:41I give you my word.
35:47You may go.
35:57I can't leave.
35:58You do have a choice.
36:00That woman next door,
36:01she knows all about you.
36:03Well, I can't leave
36:03without Billy,
36:04so you take him.
36:06All right,
36:07no fancy clothes like here,
36:10but he'll be happy.
36:11He'll be with his mother.
36:12Oh, the back yard,
36:14Mrs. Branowski.
36:17I thought we were safe.
36:22But if I run away with Billy,
36:26I think I'll kidnap you there, baby.
36:31So I'll have to go back then.
36:35Make it all right.
36:37It won't be so difficult
36:39to have done worse.
36:43I'll go with you.
36:44No, no.
36:45He wants his mother.
36:49It will be all right.
36:54I can't believe you have a baby to think of.
36:58You don't think I'll leave you
36:59to face this alone?
37:00No, I can say shh.
37:02Billy, that sounds like quality.
37:04Do you have any medicine?
37:05Oh, yeah, in the bedroom.
37:06No, no, no.
37:34Surprised you, did I?
37:36It's evidently a day for surprises.
37:38Sir.
37:39I was rather surprised just now
37:40when I was reprimanded
37:41for bothering you.
37:43I didn't think of you
37:44as a tattletale.
37:45Sir, I'll be on my way tomorrow.
37:47If you could see your way
37:48to leaving my family alone.
37:50After the trouble
37:50you've got me into.
37:52Why should I perform
37:54any favours for you?
37:55Perhaps you'd rather
37:56perform a favour for me.
37:59I'd be obliged
38:00if you left Lydia alone
38:02to do her work.
38:03She has neither the time
38:05nor the inclination
38:06to chat to every Tom, Dick
38:07or Harry
38:08who wants to bother her.
38:10You'll make myself clear.
38:13Perfectly.
38:15You always did understand me,
38:17Master Hugh.
38:19We'll say goodnight then.
38:22Must get on.
38:28Surprised it to say
38:29there are people here
38:30who think more of you
38:31than you'd credit
38:32so we'll have no more
38:33talk of leaving.
38:34Nellie Collins.
38:35All those curtains closed.
38:37Go round and do them all again
38:38properly this time.
38:43Then you have to go
38:44to school anyway, Tom.
38:46Might as well be now
38:47hours in a year
38:49and you need some discipline.
38:52Today's performance
38:52only underlined that fact.
38:58Regard school
39:00as an adventure
39:01and you'll survive it
39:03well enough
39:03a couple of terms
39:04under Mr. Hedge
39:05and you'll have forgotten
39:06all about home.
39:07Certainly worked for me.
39:10Old Hedge,
39:11I'll go see you through.
39:15School's not so bad.
39:18A bit lonely at first.
39:22Now,
39:24will you shake hands
39:25with your father?
39:33It's not so bad, old child.
39:36It's not so bad.
39:42October the 12th, 1902.
39:45Dear Mother and Father,
39:47I'm writing to you
39:48with the help
39:49of Mr. Fowler,
39:50the butler,
39:50to let you know
39:51that I'm keeping very well.
39:53The weather has been fine
39:55for the time of year
39:56and autumn is not yet upon us.
40:01Autumn is not yet upon us.
40:06Tomorrow,
40:07I shall walk in the park
40:09with baby Ivo.
40:15Victoria,
40:18is something wrong?
40:19No, nothing's wrong.
40:21I simply wanted
40:22some help with this.
40:24I don't see you, home.
40:25I just wanted you
40:26to make sure
40:27that the clasp was secure.
40:37Seems safe enough to me.
40:42Good.
40:44I should hate
40:45to lose it again.
40:52Shall we go into dinner?
41:09I thought I might find you
41:10up here.
41:11Careful.
41:12Just go away, will you?
41:17Looks nice like that.
41:19Look's a mess.
41:23Everything's a mess.
41:26Tom's been sent away
41:27and it's my fault.
41:28Matty.
41:29I came up here
41:30for a bit of peace and quiet.
41:33You go over the edge
41:34and it's eternal peace
41:35you'll get.
41:36And if that happened,
41:38I don't know what I'd do.
41:40But what do I say
41:41if Miss Isabel comes in?
41:43Oh, I don't know anything.
41:44Look, I've got to go.
41:45I'll be too late.
41:50Hannah?
41:55I was in no danger
41:56of falling.
41:59That's what I always said,
42:00see?
42:01No danger of falling,
42:02me.
42:03Because I thought
42:04it would hurt.
42:05Will you stop it?
42:06Go away.
42:08No.
42:11Don't do this to me, Ned.
42:12Please.
42:13What?
42:15Catch you unawares?
42:17Look at you
42:17when you're not being nanny?
42:20Well, you only show me
42:21what you want me to see.
42:22So kindly allow me the same.
42:25What's that supposed to mean?
42:27It's not difficult.
42:29You show me the Ned
42:30you want me to see.
42:32You're not what you seem,
42:33are you?
42:35Ned McCluskey.
42:37I don't know who he is.
42:38Do you think he's a killer?
42:44No.
42:44What, then?
42:45How should I know
42:46who you are?
42:47Since you never
42:47explain anything.
42:50You may tell other women
42:51your secrets.
42:51I haven't had that honour.
42:53Ah, so that's what
42:54this is about.
42:55Yes, that's what it's about.
42:58Now, do what you please.
43:00But don't expect me
43:01to trust you ever again.
43:03Tell you what.
43:06I'll go on believing in you.
43:07What?
43:10You don't have to
43:10return the favour.
43:13All right.
43:14I took another woman out
43:15like I've done
43:15since I was 15.
43:18You don't talk.
43:20Not proper talking.
43:22You have a drink.
43:23A laugh.
43:25Easy.
43:26But suddenly,
43:27everything you always had
43:28ain't good enough.
43:29Because you've seen
43:30something else.
43:31And nothing can ever
43:33be the same again.
43:37I love you.
43:41And that's scary, Matty.
43:44It's a lot scarier
43:45than being seen
43:45when you're aired, Dan.
43:50Please come down
43:51from there.
43:53You can do what you like now.
43:54Go to the police.
43:56I won't go to the police.
43:57No?
43:59Why not?
44:00Please, just come down
44:01from there.
44:02Not until you tell me.
44:02Why not?
44:08Because I love you.
44:14Say it louder.
44:17And smile when you say it.
44:20Because I love you.
44:22All right?
44:26Come on.
44:28Come and have a look.
44:30You can see
44:31halfway across London.
44:36Don't worry.
44:37I'll hold you.
44:45I love you too.
44:53dob in.
45:04mot pod
45:09Cassidy!
45:12I love you too.
45:17I love you too.
45:22I love you too.
45:30Oh, there you are.
45:32Didn't you hear the bell? You're wanted upstairs.
45:35Miss Harriet was looking for you.
45:37I was just on my way.
46:02Here.
46:07Your trunk's packed.
46:11Did you want to take that book with you to read on the train?
46:17Oh, monsieur.
46:25Tom, I'm sorry if you think I let you down today.
46:34Do I get a kiss?
46:39I'll see you in the morning, then.
46:48Put this in the bed, shall I?
46:50Well, she'll make the most of it.
46:52There's no warm sheets for your gown.
46:54She didn't think of that.
46:56If you mean nanny, I don't want a mention in this room.
47:00Quite right, too.
47:02You up here with your troubles and her down there.
47:04Her down there what?
47:05Never you mind.
47:12Neither do I.
47:13I know a few or two that might put a spanner in the works of her ladyship.
47:17What kind of thing?
47:19Never you mind.
47:22I like you, though.
47:23And cook.
47:26And Ned.
47:27I know a few or two about him and all.
47:30You mean, about some hiding in the storeroom before he was our footman?
47:34He told me that was a secret.
47:36Hide it.
47:37You won't tell anyone, will you?
47:39I promised on my honour.
47:41I won't tell you anything else.
47:43And if anyone asks, I'll say you made it up.
47:49Right, then.
47:51Not a word.
47:55Mrs. Wolofsky!
47:56Mrs. Wolofsky!
47:58Mrs. Wolofsky!
48:29Mrs. Wolofsky!
48:29Mrs. Wolofsky!
48:35Mrs. Wolofsky!
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