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LA REYNA DEL FLOW 3 | CAPÍTULO 25
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00:22I wander in a world lost in a dream
00:26I always listen to my heart
00:31And even though I don't have a penny in my pockets
00:37You chose this dreamer
00:40I can be a star, a singer
00:45The most important thing is that I am the only one for you
00:51Although today there are no treasures to give
00:55The most important thing is that you are the light for me
01:02You changed my life, it's become interesting
01:06That was the missing piece, that was the important one
01:08The inspiration for a work of art
01:11I can't stop looking at you
01:14I'm a crazy person who never stops dreaming
01:16And what does the world want, to make you travel?
01:19Lady, I want to love you
01:23Where are you?
01:24That it's already become a squirrel
01:26Are you going to send me a little kiss?
01:27What else do you think?
01:28Can't you see you're giving me goosebumps?
01:30Calm down, we're on our way
01:32Perfect, perfect because I have everything ready.
01:35So we can celebrate in style
01:37Max is already on his way
01:39Ready
01:42Okay, Maria
01:43And here, wait, you wait
01:53What's happening?
01:56No, I have no idea
02:08The load flipped over for the man in front.
02:11So I'm going to move around to one side there however I can
02:13What's happening?
02:17Did he lose something or what?
02:18No, no, no, nothing, nothing
02:20I saw you another time
02:25Breathe
02:31We're counting on it, remember I have the other little jug that fell there.
02:54Amazing views!
02:55What about me?
02:58Hey!
03:00Can you hear me?
03:01Yes, yes, forgive me, because...
03:03I had been told that there are some really cool houses here.
03:06But I never imagined this window, this beautiful view...
03:10And those people over there doing... What's it called?
03:12Kaisur, it's awesome
03:15What the heck?
03:16This is paradise then
03:21Did you know?
03:22Yeah
03:22Sometimes I get used to it
03:25To this
03:25To all the luxuries I have
03:28And I forget how lucky I am
03:33Well, in that case, forgive me.
03:34But I don't think he's just lucky.
03:36And may this be good luck then.
03:38For me, this is tough.
03:39And I see this house and I see all this and
03:43It is nothing more than the result of hard work, nothing more
03:45Or what?
03:58Charly
04:00Charly
04:02Charly
04:02That?
04:04What? What happened? Is everything alright? What?
04:07Did I make you rewind, yes or what?
04:10Forgive me, forgive me, it wasn't my intention
04:13No, everything's fine.
04:15This house
04:18It brings back so many memories
04:22I guess so
04:24But you know what?
04:26It brings back good memories for me too.
04:28Not your house
04:30The place
04:31The place
04:32In that way?
04:32Yes, because the last time I came to Guatapec
04:36I came with my whole family
04:37With my sister, with my mom
04:39And with my dad
04:40Before... everything
04:43And it was very nice.
04:44I mean, we kind of had a picnic
04:46Me catico, polita
04:49Good memories
04:51Well, take advantage of it.
04:53So you can rest
04:54You disconnect
04:56Enjoy
04:56And remember those beautiful things
04:59What do you think?
05:00Yes, absolutely.
05:02Food or what?
05:04Oh, yes
05:05I was already wondering
05:06Well, they don't feed you here.
05:07Of course
05:09What do you want?
05:10What do you have?
05:11Of everything
05:12Let's see
05:13You'll see
05:16Hello!
05:18See
05:18There you have some fruit.
05:20Vegetables
05:21Arepitas
05:22Drinks
05:22Alcohol
05:23Protein
05:24Whatever you want
05:24I can't see it
05:25Thank you so much
05:26But Ani, do you think I'm going to throw a party?
05:28Or should I bring a battalion?
05:29Oh no, that's Doña Ligia's fault.
05:31He never taught me how to calculate
05:32Because she loves to cook
05:34Buy her food
05:35For the neighbors
05:36For friends
05:36For whoever arrives
05:37She owns a restaurant, doesn't she?
05:39It's right
05:39But he closed it.
05:41I'll invite you to these.
05:42So you can taste the seasoning
05:43From Mrs. Ligia
05:44No, she's happy
05:45From cooking me
05:46Well, you know what?
05:47Thank you
05:48Not only because of the small amount of food
05:50Well, if not
05:51For convincing me to come
05:52I think so
05:53I am in need
05:56All good
05:57With pleasure
05:58Okay, let's cook.
05:59Let's do it, then.
06:00Let's make him a really good lunch
06:02Move over there
06:02So, how are your reflexes?
06:04How are you?
06:04How are you?
06:04How are you?
06:05No, no, no
06:05So king, everything's fine.
06:06Oh, yes, you saw
06:14And then?
06:16Oh, why are you stopping?
06:18That?
06:18What happened?
06:20That?
06:21What are you doing?
06:21Let me see
06:22TRUE?
06:23Ridiculous, no, sir
06:24Oh really?
06:25No, it's a secret
06:27In that way?
06:28Do you have secrets from me?
06:29I have a lot
06:30In that way?
06:30That's not fair, princess
06:32No no
06:33I'm writing
06:34Our full story
06:36And it's not finished
06:37And I'm not going to show it.
06:38Until I finish it
06:39Because?
06:40Because?
06:41Our story
06:43Okay, I hope that part
06:44From history
06:45Where you and I
06:45That?
06:46We didn't understand each other
06:48Very good
06:48No, it doesn't have to be.
06:50Even the most painful things, Charlie
06:52We can't skip that.
06:53Without that we wouldn't be here
06:55Now yes
06:56Yes, yes
06:57But you know that part
06:59It still hurts like
07:00So, what's the deal, sir?
07:04No, not right now
07:05Little kiss
07:05What is the agreement?
07:06A little kiss and I'll tell you
07:07No
07:07That's not being discussed
07:09No more.
07:10Okay, that's enough.
07:11We don't talk about that, that's fine.
07:12But you know what I mean
07:14Yeah
07:16But someone has to write.
07:17Our story
07:17If not, then who?
07:19No, it's not going to be my turn.
07:20Write to another
07:21As?
07:22Don't say that
07:22Not even as a joke, then.
07:23Oh really
07:29So
07:31Three hours cutting a tomato or what?
07:33No, everything's fine.
07:34I'll do it, I'll do it
07:36Before I forget
07:38This information is important
07:39I'm going to share with you
07:40Gardel's telephone
07:42Gardel is the foreman of the house
07:44Whatever you need from him
07:46Let the boat start
07:47Motorcycles
07:48Let it take you to the village
07:49Let him get you food.
07:50Whatever with him
07:51Ready
07:52A shoulder to cry on
07:53Yes, exactly.
07:54Gardel does everything
07:55Gardel does everything
07:56I love
07:56Very good
07:57And there Gardel
07:58Foreman
07:59Guatape House
08:01Charly Flow
08:02Already
08:03There it is
08:04Ready
08:04Ready
08:04To snack
08:05To snack
08:19Well
08:20It was already your family
08:21They're already waiting for you inside.
08:32What remains here
08:33Wash it
08:34To the guest room
08:36Where does it reach me?
08:38Guest room
08:38They're waiting for you there.
08:41Can't I take a bath first?
08:43Sure, sure
08:44There are all the toys
08:44You must be a little hungry too
08:46No?
08:46Yeah
08:47That
08:58This house
08:59Who is it?
09:04I am accompanied by
09:05And through him
09:06What is it?
09:06Should I keep him?
09:08Yeah
09:08Yes, yes
09:09Come with me
09:09Please
09:10Come this way
09:15That
09:15We're going to arrive
09:17And she'll be more comfortable
09:20Where is?
09:22Why is it the time?
09:24Now to rest
09:25Wait for me
09:32Come on
09:33Come with me
09:34Come on
09:35Come on
09:36That
09:36Come on
09:37Come on
09:38Enter
09:39Enter
09:40Enter once
09:40Enter
09:43You are going to kill me
09:44I don't know, ma'am.
09:47I was hired
09:48To bring her
09:49Who wants me dead?
09:51Does he want to see me dead?
09:52Please
09:53There are clothes in that little bag
09:55And some wipes
09:55So that it cleans
09:58He's not leaving
10:01He's not leaving
10:03He's not leaving
10:07He's not leaving
10:28Well, I've already left this kitchen looking like a little cup, then.
10:31So you won't complain.
10:58So, so, Sleeping Beauty.
11:03No, it's just that the huge meal we had left me speechless.
11:07I guess so.
11:08What time is it?
11:09Oh no, I'm ruining my afternoon, well, I'm leaving, now I'm really leaving.
11:14Oh, well.
11:18I just don't want to get caught out on the road after dark.
11:21and then I fell asleep at the wheel.
11:23Already.
11:25Look, forgive me for saying this, but I'm very tired.
11:30A bit.
11:30And you scold me so much and tell me
11:32And I'm not giving you a break or taking you off work or anything.
11:37Why don't you stay?
11:38This house is yours, isn't it?
11:40You're leaving tomorrow.
11:49And where has my sister gone?
11:51Well, I was at her big base all day and she didn't show up there.
11:55I kept writing to him, writing to him, and he didn't answer.
11:57Was she spoken to?
12:00Don't worry, Soraya, your sister is fine.
12:02No, yes, I know she's okay, but the question is, where is she?
12:08He's in the countryside.
12:10She went to rest because she's had a lot of work.
12:14And he also needs to process what happened with your dad.
12:18May he rest in peace.
12:20I don't know, ma.
12:22I, in any case, find it very strange.
12:24Well, I was there all day and Charly didn't show up at the production company.
12:27Quite a coincidence, isn't it?
12:30What would I know about Charly, Soraya?
12:33I had no idea.
12:34Imagine.
12:36Okay, Mom, then do me a favor and give me the number of the place where my sister is staying.
12:41I have to call the nanny, I have to tell her some things.
12:46No, Soraya.
12:48Aren't you going to bother your sister?
12:49Let her rest.
12:51Ugh, what a pain, really.
12:54What's wrong with you, huh?
12:55I've lost my appetite, you eat this and drink that.
12:58I don't want anything.
13:06Beni, you hadn't told me that we had to rest, to sleep.
13:10Yes, but resting isn't just about what you do in bed, staring at the ceiling.
13:14Already.
13:15So, what is rest, according to you?
13:17Go out, have fun, meet people.
13:20Already.
13:20But you were falling asleep just now.
13:23We won't end up over there at the lake.
13:24Oh, really?
13:25Yeah.
13:26Okay, then let's talk when I fall asleep.
13:28Tell me, for example, have you always been like this?
13:31Little totes, peeled ones.
13:33What do you think?
13:36We'll put it in a small one, just wait.
13:42Hey, baby.
13:43I have to confess something to you here.
13:50I heard you sing and I started to dance.
13:54With that flourish of that pain.
13:56Just a little more, just a little more.
13:58Oh, oh, oh, stop, stop, stop, stop.
14:00There.
14:00Okay, come on in.
14:02Wait, okay.
14:03Come, I'll help you, princess.
14:04Oh, thank you.
14:05That's it, thank you.
14:05Wait, I'll pay, wait, I'll pay, wait, I'll pay.
14:08Parse, I've been to Europe, to the United States.
14:10But Colombia is Colombia, man.
14:12Hey, lliva, too.
14:14Huh?
14:14Does it have to be healthy?
14:15Hey, is everything alright?
14:15Are you OK?
14:16Yeah.
14:16Are you a photograph or what?
14:17Oh yes, everything's fine.
14:18Do it, come, come, come.
14:19One two three.
14:21Ready.
14:23Charlie Blanc?
14:24Go for it, buddy, everything's fine.
14:26Very well thank you.
14:27All good.
14:28That's a pain, isn't it?
14:29Oh.
14:30Oh, how damned.
14:32Hey, you're the good one.
14:35Do it, princess, do it, do it.
14:36There, done.
14:37Everything's good, buddy, that's it.
14:40Come, look.
14:41Yeah.
14:42Oh, look, these beautiful little things.
14:44Already?
14:45No, you give these to me, I give them to my mom.
14:47No, all of them.
14:48I'll take them, yes.
14:49How much?
14:50No, not all of them, I think this pair.
14:52This pair is fine.
14:54Look, there you have it.
14:54That?
14:55There you go, look.
14:56How, who?
14:57Are you Charlie Flo?
14:58Charlie Flo?
14:58No, what am I going to do, I can see the deck.
15:00I hate that guy, which Charlie Flo?
15:01No, no, he's a friend of the thing.
15:04No, lies, no lies.
15:05Hey, do you want a photo or what?
15:07Clear.
15:07Do it, everything.
15:08She's taken them, please.
15:09You're not helping, you're not helping, Esca.
15:11I got tangled up, then.
15:14That's it, how beautiful, good.
15:16That's it, the three of them.
15:17It's awesome, I think.
15:18Take it, take it.
15:20Go ahead, do it.
15:23Let's see, what would it be like?
15:24What would it be like?
15:24Aha, my love.
15:25I don't know what's wrong, what's the matter with you?
15:26I'm not Charlie, what's wrong with you?
15:30When you get back, what's wrong?
15:31Look, look!
15:32No way!
15:33Thank you very much, then.
15:35Thank you very much, then.
15:36Thank you, thank you, thank you.
15:37Hey, what went wrong?
15:38The scarf, the glasses, like that.
15:41Ah, thank you very much then.
15:42It's because the good princess, the good princess, the good princess.
15:50Ah, now let's add some adrenaline to this, then.
15:53He steals from me without telling anyone.
15:54Yours, slowly.
15:56With the princess in red, accelerated right, braked left.
16:00Ready.
16:01I'll help you.
16:01Come, wait.
16:03There, there.
16:04There, now, the hand.
16:07Yes, be careful, princess.
16:09Come here, let me explain.
16:11With this acceleration and with this braking.
16:14Yeah?
16:15Ready?
16:16Are you sure?
16:17Open it, then.
16:19Oh, oh, oh!
16:21Yes, get out of there, handkerchief.
16:24Lameta.
16:25Today you will find out that it will dominate you.
16:29I'm going to see you for the first time in this new life, as always with family.
16:38Oh, oh, oh, now I am so happy.
16:41Because you and I didn't see his jokey voice, without ambition, wicked.
16:47Let's go to an island.
16:49I don't want any more false promises, I don't want to show you calm anymore.
16:54I want the same thing to happen to you as happened to me.
16:57Because you and I didn't see his jokey voice, without ambition, wicked.
17:03Let's go to an island.
17:05I don't want any more false promises, I don't want to show you calm anymore.
17:10I want the same thing to happen to you as happened to me.
17:14I want to make a toast to us and to the boss.
17:21By my tentacles.
17:23By the Kraken.
17:30Okay, yes, now. Go ahead.
17:38Enjoy?
17:40Of my absolute good taste.
17:49You know, I still remember that time I saw you.
17:53I don't understand how long I lived without you.
17:59You are that reflection I want to see.
18:03You have the life I need to go on.
18:16What is this?
18:18The game, guys?
18:22Look.
18:24The truth is, we have a surprise for you.
18:29Come with us.
18:35Come with us?
18:41Come with us?
18:53Surprise?
19:01Surprise?
19:02I've been thinking about this for over four years.
19:10That?
19:14Genoveva.
19:16Geronimo.
19:20Explain it to me.
19:23Sir, when we told you that...
19:26The fact that she was dead was not true.
19:31We lied to him.
19:34But why did we promise ourselves not to rest until we found her?
19:37And bring her back alive as you wanted?
19:41He wanted her alive, and here she is.
19:45We didn't want to cause him any more stress.
19:47We wanted him to focus on his audience and his freedom.
19:54We hope that with this gift any mistakes will be forgotten.
20:01I can't think...
20:05in nothing different.
20:15Know?
20:18I'm going to enjoy this.
20:20torturing you.
20:24Making you pay for every shitty night
20:28in that cell.
20:31To such an extent
20:33that you have so much anger and so much pain
20:37that you beg me for a weapon
20:40so you can blow your brains out.
20:48What are you?
20:53What are you taking about?
20:58You...
21:00You don't know that I...
21:03I went...
21:04that I am...
21:06and until you die...
21:09I'm going to be...
21:11your worst nightmare?
21:14Me?
21:15Don't come...
21:16Don't come...
21:17with those shitty jokes.
21:19Don't be a fool.
21:20Mister,
21:21There is something else you need to know.
21:25Thanks for coming, Axel.
21:27Sit down.
21:29Angel,
21:30Sing them to me like later.
21:32Do I need a lawyer or what?
21:34Did we find more messages?
21:35Further?
21:36You talking to an anonymous person
21:38from some video cameras
21:40that withstand high temperatures
21:42and strong blows.
21:44Temperatures?
21:45What are you talking about?
21:46As if he were interested in buying them.
21:48The worst part is that they have to see
21:49with the small plane he was on yesterday.
21:53Aren't you noticing?
21:54me?
21:54It's just a hook, a blind one.
21:56And the worst part is that there's more.
21:59Further?
22:00We also found
22:01a detailed agenda
22:02from the last tour
22:03Jane's concerts.
22:05Travel expenses,
22:06the hotels where he was going to stay,
22:07in the end.
22:08And the last concert
22:09which was going to be there in Guajinía.
22:11Angel,
22:12They all put me in
22:13on the computer,
22:14Romeo.
22:14Don't you realize?
22:17I'm so sorry,
22:18Me, Axel,
22:18But we have to open for you
22:19an investigation.
22:20That?
22:21Why, bitches?
22:22How is that?
22:22For the death of Jamie Montoya.
22:24Jamie Montoya's death?
22:26This is the world turned upside down.
22:28How could he go and kill Jamie?
22:32This is a very serious matter,
22:33man, Axel.
22:34I'm going to ask you
22:35Don't leave the country,
22:36that you are very ready
22:37to cooperate with the justice system.
22:39And yes, you did
22:40a lawyer, my brother.
22:43And where am I going to go?
22:46That was all
22:47what I had to tell you,
22:48man, Axel.
22:51That?
22:52Thank you.
22:54I'm so sorry,
22:55brother.
23:08Voicemail system.
23:10I delivered his message
23:11after the signal.
23:13Nostro,
23:16As soon as you hear this,
23:17Call me, okay?
23:18And you tell me about a turn.
23:23Look, sir,
23:26Jamie has memory loss.
23:28Supposedly
23:29His brain was affected
23:30in the accident.
23:31But...
23:32But it's no use to me.
23:33If an agreement cannot be reached
23:35of the family
23:36nor
23:36of the damned friends
23:37that it has,
23:38without memory
23:39I can't make her suffer.
23:41Yes, we know that.
23:42And that's why
23:43ever since I found her
23:44I'm reactivating it
23:45memory,
23:45But we need time.
23:47Things in the head
23:48They are unpredictable.
23:49It's time,
23:50What the hell.
23:51Time for what?
23:52We need to get
23:53a scanner
23:54and a medical team
23:55who diagnoses her
23:56and that she treats her.
23:58But...
23:58That?
23:59Speaks.
24:00Well, I think
24:01that he is faking.
24:03Well, it's just that I
24:03Yes, I find it very strange.
24:04that she remembers
24:05some things
24:05and others do not.
24:06Could be.
24:08Knowing that mare
24:09as I know her
24:10It wouldn't surprise me.
24:11It's like a...
24:12like a snake
24:13resigned to dying.
24:14Look,
24:15If you'll allow me,
24:16we have
24:17something else to show him.
24:18Go for it!
24:19Let's see,
24:19What is it now?
24:20Come with us.
24:23We present to you
24:24the chamber hall,
24:26head.
24:27We put
24:28the quarter of peanuts
24:29in honor
24:31to the old
24:31enemy of the queen.
24:33Uh-huh.
24:33He loved it
24:34use this technique
24:35to maintain
24:36monitored
24:37to their victims.
24:39And one detail
24:40of subtle coquetry.
24:42Whenever I want it
24:43see in person,
24:47It's just one
24:49I'm passing by her.
24:50Wow!
24:51When he told us
24:52that he wanted her alive,
24:54we decided to put him together
24:55this little one
24:57and modest,
24:58not so modest
24:59monitoring room.
25:00Sit down,
25:01please.
25:04Let's see.
25:09Here you can
25:10have surveillance
25:1124 hours a day,
25:13even at night,
25:14because we have cameras
25:15high sensitivity.
25:21Very good!
25:23Beautiful!
25:25I like it,
25:26I like it,
25:27even
25:28I'm starting to get there
25:29a lot of ideas.
25:31Are you the one who
25:32send head?
25:34Yeah.
25:36Look,
25:36for a start,
25:38Let's check
25:39if that's true
25:40that she doesn't remember
25:41you are welcome
25:42when we put it
25:44opposite
25:45the head
25:46from someone I know.
25:48Wow!
25:50Very good,
25:52pendex.
25:54Beautiful.
25:57It felt
25:58a blast,
25:59at least
25:59for one afternoon,
26:00simply be
26:01Carlos Cruz.
26:03Oh,
26:04channels!
26:05If he recognized you
26:06half the town,
26:07well.
26:09Equal,
26:10I do feel
26:11as more alive.
26:13Thank you so much,
26:13I feel like a new person.
26:14Oh, really?
26:15And that's despite the rest.
26:16It hasn't started yet.
26:17Tomorrow,
26:18when I'm not here
26:19bothering you,
26:19You'll be able to rest,
26:21relax,
26:21enjoy,
26:22etc,
26:22etc.
26:23Well, the truth is,
26:25I don't feel like it that much
26:26that you leave.
26:27I prefer that you are
26:28bothering me,
26:29Yeah?
26:30I don't feel like it.
26:31like being left alone.
26:39Are you thinking about your dad?
26:41or why did you get dressed
26:43so sentimental
26:45Or what?
26:46Yeah,
26:46the truth,
26:46Yeah.
26:48I'm thinking
26:49in the old one.
26:52I know
26:53that you are
26:54very strong,
26:55that you've put on
26:56to your family
26:56on the shoulder,
26:57that you took it out
26:58go ahead and all,
26:59But he's not your dad.
27:02Alright
27:03Let it all out,
27:04that you cry.
27:06Well no,
27:07dad,
27:07that you turn into shit,
27:08But yes, because...
27:09Because he was my dad.
27:12And I won't be able to.
27:13to see again,
27:14to hear,
27:15to feel,
27:16to nothing.
27:17TRUE?
27:22Exactly.
27:26I need
27:26I want to ask you for something, love.
27:28That?
27:31It's something that resonates with me.
27:32It's been on my mind for a while.
27:35If something happens to me.
27:36Oh no, princess.
27:38No.
27:38Don't start with that.
27:38If something happens to me,
27:41Charlie,
27:43you
27:44You have the commitment
27:48to do
27:48everything that needs to be done
27:50to take care of our children.
27:52That...
27:52I promise you that too.
27:53Yeah,
27:54But it's a promise.
27:54unnecessary,
27:56because Vanessa,
27:57Alma and Eric
27:58They are everything to me.
27:59Yeah.
27:59And you too.
28:00And we'll always be happy
28:02all together.
28:03But life
28:04We haven't bought it yet.
28:06We haven't bought it yet.
28:07But you don't have to repeat it to me.
28:08all the time.
28:09No, but...
28:10No, it's the commitment
28:11It includes something else.
28:13Come here, look.
28:13In that way?
28:14Another thing?
28:14What thing?
28:15What else, then?
28:17The one who stays
28:19has the obligation,
28:22Carlos Cruz,
28:23to be happy,
28:25to move forward.
28:30Okay, okay,
28:32Okay, that's it.
28:32fiance,
28:33But don't worry,
28:35because if someone
28:36he goes to this world
28:36first,
28:37it's me.
28:38Spot.
28:38Already,
28:38But we don't know that.
28:40No, I am sure.
28:41And there's no need to dwell on the sadness,
28:42nor burst into tears,
28:44nor end life.
28:46That.
28:46Forward.
28:47Okay, yes.
28:47Yeah.
28:48Exactly.
28:49With love,
28:50with joy.
28:53Oh, forgive me,
28:55if I am like
28:57in mine,
28:58in my sadness
28:59and I don't realize it
29:00that you are going through
29:00for something similar.
29:01Sorry.
29:02No, everything's fine.
29:03all good.
29:05In fact,
29:08Do you know that being here
29:11It reminded me
29:12of a promise
29:13What did I do to Jamie?
29:16And so?
29:18Which?
29:20She,
29:21I don't know if
29:22because of everything we've been through,
29:24I always thought
29:25that something was going to happen to him
29:29and he said
29:30that if someday
29:32She was missing,
29:35I had to be happy,
29:38continue,
29:39live.
29:44I guess so
29:46which referred to
29:46to live
29:48life
29:48with all that it has,
29:51TRUE?
29:55Yeah.
29:57Yeah.
29:58Yeah.
29:59Yeah.
30:03Yeah.
30:04Yeah.
30:09Yeah.
30:13Yeah.
30:15Yeah.
30:45Thanks for watching the video.
31:13Thanks for watching the video.
31:18Of course, rational memory is in consciousness.
31:25But everything related to locomotion is deeper within the psyche.
31:31Bright!
31:34Put the instruments on him.
31:38Yes, I know, Your Honor.
31:40I'm going to squeeze it dry, until one day I wake up and say...
31:48Already.
31:50That's why I'm eliminating her from this world.
31:53I'm going to become the owner of all the songs.
31:57And that's how Jamie Montoya is going to compensate me...
32:06...making me a millionaire again.
32:10Bright!
32:14Hey!
32:15Arepa or what?
32:16Oh, yes!
32:18What a delicious arepa!
32:20Arepa with cheese!
32:22Hey!
32:23And a little head for this energy.
32:25Barely.
32:26That's lovely!
32:27Thank you.
32:32And then?
32:34So what?
32:37Are you OK?
32:41Yeah.
32:42Well, if that's what you can call everything I'm feeling, then yes, I'm fine.
32:48Okay, if you want, tell me what you're feeling and I'll tell you if you can call it that or
32:55No.
32:57Let's see.
33:01What happened was really nice, wasn't it?
33:06Among other things.
33:09And I don't think I've felt this good in a very long time, you know?
33:16And I'm not some little girl, you know.
33:20But everything that happens to me with you, I don't think I've ever felt before.
33:24For no one.
33:26Not even for Rudol, imagine that.
33:27Oh no, but wait.
33:29Don't ruin the moment.
33:30I'm done, I just finished my speech, right?
33:31Yes, yes, speaking of that Kare, without Baume.
33:34No, no, no.
33:37Sorry.
33:39All good.
33:41Well, look, for me...
33:43No, wait for me, wait for me.
33:44I've finished it, I've finished it.
33:47Ah, okay, okay.
33:49Okay, everything I told you is really nice, right?
33:52Very pretty.
33:53But the more I think about it, the more convinced I become that...
33:57Well, it has to stop here.
34:01That is the issue.
34:03Because?
34:05Let's not lie to ourselves, then.
34:08This is easier for me than for you.
34:10I love you, I adore you, I like you very much.
34:14But what about you?
34:16Ah, you're going through a very difficult time.
34:19I don't know if you have to go through it alone.
34:21Don't know.
34:22But that makes me think this is a mistake.
34:26And what is this?
34:30So, what is this?
34:31I have no idea what this is.
34:32I don't know what this is, okay?
34:35Don't know.
34:35But let's think about it.
34:37Okay, let's say we let this go on, okay?
34:41What will your family think?
34:43What will the bald guys think?
34:44What will Jamie's fans think, for example?
34:47Are they going to reject it or not?
34:49I don't care what people say and what people think.
34:53I don't give a damn.
34:54And you shouldn't care either.
34:57I'm just being realistic, then.
34:59Or what will Eric say?
35:01Or Mrs. Ligia?
35:03They're not going to accept that you're there.
35:05with someone other than Jamie.
35:07And I can understand that.
35:09Yes, but...
35:13Jamie...
35:15He's gone now.
35:18He's gone now.
35:20I know.
35:22But what they're going to say is that I want to replace her.
35:25And that's not true.
35:27But that's what they're going to say.
35:29Or not?
35:35Look, I'm not going to deny that...
35:38Jamie...
35:40He will always be in my life.
35:42I will never forget Jamie.
35:46But...
35:47I have feelings for you too.
35:50Every time I'm with you I feel awesome.
35:53I feel relaxed, calm.
35:56Now, if you don't want this to happen again,
35:58all good.
36:00I turned it off, let's go.
36:02but...
36:03I propose...
36:05Let's wait and see what happens.
36:07Let's relax.
36:09Let's enjoy it.
36:10I have nothing left to lose, then.
36:14That's right.
36:17Okay, fine.
36:18Let's do that.
36:21Arepa or what?
36:23Arepita.
36:24Enjoy your meal, then.
36:26It turned out well.
36:27Uh, try it.
36:43No, not her.
36:49Thank you so much.
36:52Oh, yes, not me.
36:53Thank you so much.
36:58Hello, what?
36:59All the best.
37:01I'll tell you the whole story someday, okay?
37:04Well, doll, Masai time.
37:09So, what do you feel like having?
37:12Everything looks great.
37:14Shall we share, or what?
37:15One.
37:20But the more I think about it,
37:23The more convinced I become that
37:24This is as far as it should go.
37:26All of this makes me think
37:27that's a mistake.
37:28Because I feel you far away,
37:31I don't need you anymore,
37:33Come, don't go.
37:36We're wasting our time, baby.
37:39You know very well how I feel about you.
37:41Give me a little kiss, I want to play.
37:44Come, my mouth wants to touch you.
37:46We're wasting our time, baby.
37:49You know very well how I feel about you.
37:52Come, I want what's real between us,
37:55We deserve the opportunity.
37:57We're wasting our time, baby.
38:00You know very well how I feel about you.
38:03Come, I want what's real between us,
38:05We deserve the opportunity.
38:07Hey, beautiful,
38:09Give me a smile,
38:10You don't know that I'm dying for that face.
38:13I don't want to lose you,
38:13You are my treasure,
38:15I can't leave you,
38:16I feel like I'm drowning.
38:36Everyone will know
38:39that behind each of your musical successes
38:46It's me,
38:48phony.
38:49Jamie,
38:51Listen to me,
38:52I swear to you on my daughter's life,
38:54I had nothing to do with that,
38:55All I want is for you to forgive me.
38:58Understand that,
39:00That's all I want
39:02And you're going to do it.
39:03When it comes out here you'll realize.
39:06Compidese.
39:07I want you to stay in this world
39:09And you know what?
39:11I hope it's with me.
39:14I love you.
39:16I adore you.
39:18And even if you don't want it.
39:21I'll be there.
39:25Always.
39:36Always.
39:54So.
39:56So, did you think or did you snore all night, then?
40:01So, who told you I snore?
40:03Nothing.
40:04But I did sleep all night, I can't deny it.
40:09You know what I love about you?
40:11Yeah?
40:11Yeah.
40:12Why would she be thinking that like a crazy person?
40:14No, it's about saying things directly, without mincing words, honestly.
40:21And what else do you love?
40:22No, nothing more.
40:23Nothing?
40:23Yes, no, that's all.
40:24No, that's all.
40:25Ah, very good, isn't it?
40:27Come on, I have things to do.
40:29I have to go to the company, problems, etc., etc.
40:32You stay here, rest, and when you want to leave, tell Gardel.
40:36He'll take you.
40:37Ready.
40:38Yeah?
40:38Yeah.
40:39Well, that's how you can do it.
40:40All good.
40:40In good times.
40:41Everything's fine, friend.
40:42Oh, really?
40:44And with yucca and everything.
40:46No, no, no.
41:02No, no, no.
41:15Everything's fine, let me know. Anything, then.
41:18It's in your house!
41:29Cousin.
41:32Cousin, are you there?
41:33That?
41:36Come on, I need your help with something.
41:41You...
41:42Will you allow me to go to the bathroom?
41:45Oh no, the bathroom hours are clear, and you know it.
41:49Come on, I'm feeling really sick, okay? I feel like I'm going to throw up, I...
41:53In that way?
41:55It's my turn to report, then.
41:57No, but it's only five minutes.
41:59I vomit and I feel relieved.
42:02I'm okay with that, please?
42:03Okay, but five minutes and I'll return it.
42:06Because otherwise, it's up to me to inform people so they can come and see her, okay?
42:08Well, yes, as you say.
42:11Oh, and one more thing.
42:12Don't you dare try anything stupid, because I have orders to shoot you.
42:16and you go crazy.
42:17No, I'm not crazy.
42:18I'm feeling unwell.
42:20Wait, wait, wait, wait.
42:21Help me, okay?
42:26Come on, come on, come on.
42:27Lean on here.
42:29What's that?
42:32What's that?
42:35But I'm coming.
42:46Do you need anything? Should we call a doctor or what?
42:48No, no, no, it's just dizziness, nothing more.
42:51Don't worry.
42:56But come on, I'll help you.
42:58What do I do?
42:59Tell me.
42:59No, don't worry.
43:04Okay, I'm fine.
43:05I'm fine, I'm fine.
43:09I'm fine.
43:27Little milk for the back, more little milk, fresh, fresh little milk.
43:37That's not the ambulance they're calling for the singer they're looking for.
43:45I'm coming, I'm coming, I'm coming.
43:46Jamie, open up, open up now, it's really starting to stop being funny.
43:50No, no, no, no.
43:51Well, now it's not funny anymore.
44:00No, no, no, no.
44:03Help!
44:04Help!
44:05Come on, come on, come on, come on, come on.
44:07No, help, no!
44:09Come on, come on, come on.
44:11Come here, come on.
44:13What's wrong with you?
44:15Is it getting better?
44:17Liar!
44:18Do you think I'm taking a risk here?
44:21Tell me!
44:22Do you want me to use this?
44:23Do you want me to use it?
44:24No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
44:28no, no, no, no, no.
44:35Uh, that's definitely it.
45:09Thanks for watching the video
45:27Thanks for watching the video
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