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LA REYNA DEL FLOW 3 | CAPÍTULO 27
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00:22I wander in a world lost in a dream
00:26I always listen to my heart
00:31And even though I don't have a penny in my pockets
00:37You chose this dreamer
00:40I can be a star, a singer
00:45The most important thing is that I am the only one for you
00:51Although today there are no treasures to give
00:55The most important thing is that you are the light for me
01:02You changed my life, it's become interesting
01:06That was the missing piece, that was the important one
01:08The inspiration for a work of art
01:11I can't stop looking at you
01:14I'm a crazy person who never stops dreaming
01:16And what does the world want? To get you to travel
01:19Lady, I want to love you
01:27I try to get along with everyone
01:29I can only stay with myself
01:31Seeking happiness
01:33It already seems like a utopian vision.
01:35And then someone told me
01:36Why do I punish myself?
01:37That's why we came, because that's what we were taught.
01:40That's what we thought, but now how do I fix it?
01:43Understanding that losing is liberation
01:45Unlearn in order to find yourself
01:48I wish I could always be myself
01:49So what's the problem?
01:51That social rules make me have
01:53Recklessness stops me
01:55And I operate in an environment that respects emblems.
01:59I love what I do, not what surrounds it.
02:02I pay for the others so we can laugh later.
02:04Oh, welcome, fresh meat
02:09Nice and fresh, daddy
02:10What if it's fresh?
02:12I didn't know he was going to marry us without warning us.
02:15Welcome baby!
02:17You are a milestone of love
02:18So we can enjoy it together
02:20Let's give it a shot
02:22Wait for the little mattress to arrive and do it
02:24No, he's not bringing a brand new mattress to use in the apartment, is he?
02:27That's lovely
02:28He's a bit of a smart aleck.
02:30It's not that she thinks she's underwear
02:31It's not that she thinks she's underwear
02:34It's not that they're going
03:00the prison security measure to
03:02Wendell Monsalve, better known as Axel.
03:04It is presumed that the singer acted
03:06as the mastermind behind the murder of
03:08singer Jamie Montoya.
03:10Following the formal charges, Mr.
03:12Monsalve will have to wait for trial...
03:14Incredible, so many haters.
03:17That dwarf
03:18It's a nea.
03:20It always has been.
03:22He who is, does not leave
03:24If I were. Jerk, sellout.
03:27Those responsible for the
03:28Murders are always family-related.
03:32I hope you rot in the
03:34jail, you filthy rat.
03:37People are such jerks.
03:41Hello?
03:43Yes, I'm liking everything, sir.
03:45Oh,
03:47beautiful, beautiful.
03:48How did they find
03:50that black pearl
03:52and they brought him to light
03:54those two stuck in the
03:56jail time for minor charges?
03:58A luxury.
04:00I think that's the way it is.
04:01We're already covered.
04:02Yeah,
04:03that's it,
04:04absolutely,
04:05that's it.
04:06We took him out for a while.
04:07the little friend
04:09to the enemy.
04:10And that's how we'll move forward,
04:12one by one,
04:14until we stop
04:14only.
04:16What will you be wearing?
04:17Shall we continue?
04:35So what?
04:37You know,
04:38It's part of the job.
04:40What happened?
04:42Doll.
04:44It's because they're going to charge me for the apartment.
04:45as if I were a lazy bum.
04:47I had to stand my ground,
04:48You know that if you don't fine me
04:49He left.
04:51as it should be.
04:53Are you okay?
04:54Sure?
04:56At least I'm still unharmed.
04:58No?
05:00That,
05:01child,
05:02the phone number I sent you,
05:04Did they give it to you?
05:06If it's my monster,
05:07I paid him.
05:09All good.
05:11Talk to me,
05:12loves,
05:12well.
05:14We're managing everything there.
05:15to see if we can get you out of here
05:16to the trial, Axi.
05:17Judgment?
05:18How was it?
05:19Calm down,
05:20Calm down.
05:20Babón,
05:21so whatever you have to do
05:22to reverse this mess.
05:24Good monster.
05:25Unless we have
05:26a test with which we put
05:27to doubt the judge.
05:28Or better yet,
05:28If you are sure,
05:30absolutely safe,
05:31that Axi had nothing to do with it
05:32with what they planted in him,
05:32Well, it's easier.
05:34What do you mean, "sure"?
05:34Do you think
05:35Was it me or what?
05:36Ah,
05:37That's the one I have.
05:38That the tomb
05:39keep blaming me
05:40to calm the fans
05:41Jamie and the media,
05:42no way.
05:43Don't worry
05:45It's not that simple.
05:46Here we can demonstrate
05:47that was done
05:48with artificial intelligence,
05:50Or not?
05:50Yeah,
05:50That can be proven.
05:51Or that some imitator
05:52your voice made,
05:54whatever.
05:55I didn't think about it afterwards either
05:56that showed that
05:56And that's it.
05:57You are the murderer.
05:58No,
05:58Don't mess around.
05:58No,
05:59No,
05:59No,
05:59No,
05:59Things are not like that.
06:00I repeat,
06:01us as defense
06:02the only thing we have to do
06:04It's sowing doubt in the judge's mind.
06:06that what Charlie is saying
06:07it's true
06:07and not what the police are saying.
06:09And we're going to achieve that.
06:11Well,
06:11and how?
06:12Well, I'm already moving.
06:13to have everything ready
06:15before the guilty verdict,
06:15But we have to be patient
06:17And don't get involved.
06:17No problem,
06:18You know?
06:18Ah,
06:19Yeah,
06:19as if that were so easy,
06:20man,
06:20Isn't this where I am?
06:21Child,
06:21child,
06:22You have to do it.
06:26Let's go for it,
06:27well,
06:27Yeah?
06:29Relax.
06:30All good.
06:36Do you know what has me
06:37I thought about it now,
06:38No?
06:39The turn that happened to him
06:40to my buddy.
06:40Do that for me,
06:41well,
06:41Huh?
06:42Do that for me.
06:43Angel,
06:43Is he crazy or what?
06:44You tell me,
06:45lazy bum,
06:45Who would think of that?
06:46that to Axel
06:47Is he going to do something to Jamie?
06:48Whom?
06:49And do you know what the return is?
06:51What will the tests be?
06:52that the police have
06:53against him
06:54so that he took it
06:55That way?
06:56No,
06:56I don't know what evidence,
06:57daddy,
06:57nor what evidence.
06:58Here's the case,
06:59child,
06:59They're very backward,
07:00old.
07:01Apparently,
07:02Yeah,
07:02my son.
07:02No.
07:03Crew.
07:05Talk about it.
07:05Is that the one we have?
07:06What, daddy?
07:07Has he calmed down yet or what?
07:09Has the fun stopped yet?
07:09With the fish today?
07:11That's not relevant.
07:12Do you know anything about the fat girl?
07:15This husband
07:16It seems like everything leads
07:17the fat one.
07:18Who is the fat one?
07:19Who is the fat one?
07:20How is?
07:21Irma.
07:22Daddy.
07:23Daddy,
07:24Leave her alone,
07:24old.
07:25They already peeled her.
07:26I take it out and that's it, we're so...
07:27for more drama.
07:28I call her,
07:29I write it and
07:30He doesn't answer.
07:31It does not appear,
07:31I don't know anything about her.
07:33Let's see.
07:35Come on,
07:35Come on, daddy.
07:37I have a little something.
07:38Do you think that
07:38after everything that happened
07:39with the fish today,
07:40Irma will be here
07:41as if nobody is going to pretend
07:42like things
07:43Are they still the same, sir?
07:45At least he has someone
07:46who cares,
07:46Don't you think so?
07:50Such an intense brand,
07:51dude.
07:52Come on,
07:53my old man.
07:54Irma at the hairdresser's,
07:56in a bakery,
07:57in the gym
07:57wherever he wants.
07:59My child,
07:59You know what?
07:59Let her breathe,
08:00Let her breathe,
08:01Leave her alone.
08:04Or by chance
08:05You are the father,
08:05the cool one on his back
08:06or something like that.
08:08Are you talking
08:09with rheumatoid?
08:10Hey, hey, hey, hey!
08:12Calm down!
08:13What's happening,
08:14drama?
08:15Hey, no,
08:16my old man.
08:17Did you know,
08:17Riquelme?
08:18Get me out of here
08:19from that time
08:19because I'm not interested in them
08:20worms in the company
08:20And you know what?
08:21Ask that this oricua
08:23It smells bad.
08:24Hey,
08:24Calm down,
08:24drama,
08:25Hey, buddy.
08:26You don't know,
08:26Today is not the day
08:27to be like this,
08:27He doesn't look for trouble,
08:28dude.
08:29Not today,
08:30Relax.
08:30Don't you know what happened?
08:32And tell that to this fool?
08:34Aha,
08:35old man.
08:35Uh-huh.
09:06Love,
09:07look.
09:08What happened?
09:09Look,
09:09coffee.
09:11What is this wonder?
09:15We fell
09:16like a glove.
09:19Another way
09:19to put
09:20to suffer
09:20to Charlicito.
09:22But it will be
09:24that old woman
09:24It has those images.
09:26Let's see.
09:28Let's see.
09:38Ten?
09:40Ten?
09:59In a public place.
10:01Where should we meet?
10:04In the park
10:05of the desired ones.
10:16And don't look for me
10:17I don't want any fights,
10:18brother.
10:20That's not why he's coming.
10:21fool's song,
10:23but I'm worried.
10:25Irma does not appear.
10:27How to say
10:27Why isn't Irma showing up?
10:29Well,
10:30yesterday she
10:30She left alone,
10:31I guess so.
10:32Unless you
10:33you would have gone out with her
10:34or I don't know something.
10:35No no,
10:36I don't know anything about her.
10:36after it happened
10:37yesterday's.
10:39How is that?
10:39Me neither.
10:40This morning
10:40I called her,
10:41I wrote it,
10:42He saw nothing.
10:44Did I already call him?
10:45Good,
10:46this time,
10:46I don't want to exaggerate.
10:48Could it be that
10:48Did he take a few days off?
10:50Is she like that?
10:51No, Irma,
10:51That's not the case.
10:53She always warns me
10:54to me or my dad.
10:55She is responsible
10:56with their work.
10:57Well,
10:57daddy,
10:57so.
11:05Angel.
11:05I,
11:05Erick.
11:06Brother,
11:06I need your help.
11:07Irma does not appear
11:08since yesterday.
11:09In that way?
11:09No,
11:10We know nothing about her.
11:11Could it be that you
11:12You can track him
11:12the cell phone?
11:13Ready,
11:13I'll get on it.
11:15One.
11:16Thank you,
11:16well.
11:18Erick,
11:19Erick,
11:19Erick.
11:19I'm going to his house.
11:23Brenda.
11:24Brenda.
11:25Uh-huh.
11:30Let's see.
11:33But that's quick.
11:35Look.
11:36One two three,
11:37That's all.
11:38No, no, no, no.
11:39If you wish,
11:40Well, we'd have to print them.
11:44That quality
11:45Yes, she's quite short.
11:46Oh,
11:46such a liar.
11:47Such a liar.
11:48Yes, it's crystal clear.
11:49You can see who they are.
11:53That?
11:55Unlar,
11:56to send me the photos.
11:56Oh, no,
11:57my son.
11:57No,
11:58that is.
11:58Cash in hand,
11:59butt on the ground.
12:03Everything is about money,
12:04yes or no?
12:05Oh, no,
12:05If you don't want to,
12:06before me.
12:06Wait,
12:06Wait,
12:07Wait.
12:07Ah,
12:07Ah.
12:33And then,
12:34all good?
12:35Oh, no,
12:35Yeah.
12:36Yeah,
12:36equal,
12:36Well, it's up to me to explain that properly at home.
12:38And I'll warn you,
12:39lend,
12:39let's see.
12:39Hey,
12:40Wait,
12:40Wait.
12:41What happened?
12:42No,
12:42No,
12:42my son,
12:43That's not how things work.
12:44Do you want to ask a question?
12:46He has a modest sum of 10 million pesos.
12:50Lie,
12:51do it,
12:51well,
12:51The question quickly.
12:54So what?
12:55Just for money?
12:58What's happening?
13:00No,
13:01That's because there's a broken heart.
13:02And because I am infuriated and outraged by prudishness and hypocrisy.
13:07Besides,
13:07well,
13:08that they want to make a fool of one,
13:10I don't like that.
13:10Besides,
13:10Wait,
13:11come,
13:11Tell me how you feel.
13:13Do you want to gossip?
13:15Buy me a small cup of coffee at least.
13:17Hey,
13:17Brenda.
13:18What was it?
13:20Do you know Charlie Flow or Sky?
13:24This guy really turned out to be a real questioner.
13:25I already told him.
13:27Ask,
13:27equals 10 million pesos,
13:28We didn't see it then.
13:44How did it go?
13:45love?
13:46Erick,
13:46Garret,
13:48I'm sending you everything.
13:51We need to take him to the net,
13:53Let Charlie Flow's life burn.
14:10It seems unbelievable,
14:11But Charlie Flow had a replacement for the queen for a long time.
14:14This confirms it.
14:16He planned to get rid of her and start a new life with a new queen.
14:19And it's not like Charlie had to forget Jamie because he never loved her.
14:23The question is who took it.
14:25because that photo was taken here,
14:27in the company.
14:28Oh,
14:29son,
14:29This is awful.
14:31Did you imagine what they're going to say?
14:33And you're already in shape with that girl.
14:37No,
14:37Well, we were just starting out,
14:40But I already messed up.
14:42Why is this?
14:43No,
14:44That's why not,
14:44because I had something to do with the death of Sky's father.
14:48Oh,
14:48No,
14:48No,
14:49No,
14:49No,
14:49directly by hand,
14:50directly.
14:52I spoke with him,
14:53I asked him to work for me,
14:55that he give me information about Mike,
14:56And Mike killed him.
14:58Because I know it was him.
15:00And obviously afterwards,
15:02I told Sky.
15:05Very bad decision,
15:06son.
15:08There are some things that really need to be swept under the rug.
15:11Already.
15:11One more problem.
15:13How beautiful.
15:15Come.
15:21Rosy,
15:22Do me a favor.
15:23Gather the entire team in the boardroom.
15:26But bread,
15:26You want it late.
15:27Do it,
15:27well.
15:37My love.
15:38Marin.
15:40Peaceful.
15:45Jaime.
15:47Are you sure they're watching us?
15:50I have no doubt whatsoever.
15:52And they are listening to us too.
15:56I need you to follow my lead,
15:58Okay?
15:59With the guide and with what?
16:01No.
16:02No,
16:02Remy,
16:03Tell me everything,
16:04because I can screw up very easily.
16:05Peaceful.
16:08Peaceful.
16:08Look,
16:09Sir,
16:09Those two women talking are pure national history.
16:12It seems Jamie doesn't remember much.
16:14No.
16:16No,
16:16That can't be.
16:18I can reach that level.
16:20I don't believe a word he says.
16:22He was always a very,
16:24but very cunning.
16:25That is true.
16:27They do speak quietly, so I can't hear.
16:29And I recently realized that a little piece of paper is being passed around,
16:31They read them and then vote on them.
16:33Oh, really?
16:34Well,
16:35Then I'm going to tell Jerónimo to increase the power output of those microphones.
16:39You'll see,
16:40I'm going to find a way to even find out what he's thinking.
16:43Jamie.
16:45Another thing,
16:46Sir.
16:49Mother,
16:49Why does it go around so much?
16:51The thing is, Jamie doesn't remember Charlie.
16:55Oh really?
16:57So, his selective memory is putting Charlie and me in the same boat.
17:04I mean,
17:05Sir,
17:05She does remember him,
17:06but only about the bad things he did to her.
17:09And the truth is,
17:09I believe that woman because she was very upset when she was talking to the other girl.
17:17How interesting.
17:18That kind of beard is so unusual,
17:20that?
17:20You really don't remember him, do you?
17:22Jamie.
17:23I have no idea.
17:24Who is that man?
17:25What did I do to him?
17:27Why was he looking at me so much?
17:28I don't know,
17:29because of that resentful guy,
17:32so basic.
17:34Oh,
17:34I didn't even think about that,
17:35that it's not worth it.
17:37Do these people think we don't get hungry or what?
17:46Tell me, head.
17:47Look,
17:48This girl doesn't remember anything.
17:51And if this is the case,
17:52It makes no sense to me.
17:54Patience,
17:54He'll do it, he will.
17:55Sir.
17:56His memories are already returning.
17:58No,
17:59I need that to happen now.
18:02So,
18:02Jero,
18:02You're doing me a favor
18:03And you make me smile
18:04for yesterday
18:05with the information
18:06that I gave you in a message.
18:07Did you understand me?
18:09Immediately,
18:09Sir.
18:11Listen,
18:11wait,
18:12that I have a
18:13Very good news.
18:15I have information for you.
18:16by Charlie Flow
18:17with a woman
18:18and you,
18:18I bet you can't guess who it is.
18:20With who?
18:22Sky.
18:23And we've already begun
18:24the smear campaign.
18:26Beautiful.
18:28So,
18:29when it is proven
18:30that gossip
18:30that we set in motion
18:31it's true,
18:33the fans
18:34of the little warbler
18:36They're going to destroy it.
18:41It seems unbelievable,
18:42But Charlie Flow
18:43I had a replacement for him
18:44to the queen
18:44for some time now.
18:45This confirms it.
18:47He calculated to get rid of it.
18:48No no,
18:48There's no way to win this one.
18:50Plus three to Chimbano
18:51Nobody believes it.
18:52It's another attack
18:52from May's fire.
18:54Good.
18:56That thing you see there
18:57That's completely true.
19:01Ah, well,
19:03just like Master
19:04she had been deprived
19:05to you,
19:05No?
19:06Nobody has to
19:07to interfere or give an opinion,
19:08Or what?
19:09Absolutely true,
19:10buddy.
19:10Exactly,
19:11And that's why
19:12I brought them together.
19:13Because I want you to
19:14each one of you
19:16know that I do
19:17with my private life
19:18whatever I want.
19:20And this
19:21It is part of
19:22of my private life.
19:24From our private lives.
19:27And because of it
19:28of someone
19:30of this company,
19:31these photos
19:32leaked
19:33to social media,
19:34to programs
19:34of gossip,
19:35to news programs,
19:36radio stations,
19:37etc,
19:38etc.
19:39I will not allow it
19:40that in this company,
19:42which has always been
19:43as a family,
19:44there is a toad,
19:45a traitor.
19:47I'm going to look for it.
19:49I'm going to find it.
19:50And I'm going to take it out
19:50out of here like a dog,
19:52as he deserves.
19:53Totally agree,
19:54Charles,
19:55That's right,
19:55That's the last straw.
19:56You know what?
19:57I'm going to warn you
19:58at once,
19:58whoever catches the shoring.
20:00Pa, pa, pa.
20:02What about my son?
20:03My brother appears.
20:04Hey, is everything alright?
20:06What, what happened?
20:09That bastard,
20:09actually,
20:10no response
20:11no call or message.
20:13I already spoke with Angel.
20:14He told me the signal
20:15from your cell phone,
20:16the last one appeared
20:17in this sector.
20:18I was looking for her
20:18with the police,
20:19But nothing.
20:20All good,
20:21all good,
20:21Calm down.
20:22And what about the apartment?
20:23It was first place
20:24that we are looking for
20:24And it's not there either.
20:25And the bad thing
20:26It's because the police
20:27It takes 72 hours
20:28in making it official.
20:29Come,
20:30Let's calm down.
20:31Riquelme,
20:31It brings bad luck,
20:32talk to the owl,
20:33water the ball
20:33and that it helps us.
20:34That's the one.
20:35Branch,
20:35you,
20:35Help me with social media.
20:37Hashtag,
20:37Where is Irma?
20:38the hurricane,
20:38etc,
20:38etc.
20:39All good,
20:40It will appear,
20:40all good,
20:41Relax,
20:41Yeah?
20:42Take heart, then.
20:43come,
20:44I'll take care of it too.
20:45Hey, Rama,
20:46Shit on that,
20:46well,
20:47And you too,
20:47talk to owl.
20:48Do it now,
20:48Ernesto,
20:49to work,
20:49well,
20:50to work,
20:50Go ahead.
20:58Right away?
20:59Isn't this husband answering?
21:05No.
21:08No.
21:11No.
21:11No.
21:19So.
21:21Hey,
21:22I put that in the meeting
21:23because everyone already saw it,
21:24Everyone already knows,
21:25so,
21:25well,
21:26It doesn't matter.
21:26Well,
21:26I would have loved it
21:27that you told me before,
21:28But that's just how you are.
21:29So be it.
21:30Equal,
21:31I came to talk to you about something else.
21:33It's about the hurricane.
21:35Do you know anything?
21:37Well,
21:37I saw her yesterday.
21:39We practically went out together,
21:40well,
21:40and on the corner
21:41He grabbed her like a fanatic,
21:43I don't know,
21:43to ask him for a photo,
21:44But I saw it as normal.
21:45Then I started driving.
21:46But now that I think about it,
21:48I don't know if it's because suddenly
21:48They were following her,
21:50They were waiting for her,
21:51well,
21:52I don't know if I'm being too paranoid,
21:53But I think it's information
21:54that you can check.
21:56Okay.
21:57Okay,
21:58all good.
21:58That was it.
22:17What eye,
22:17child?
22:18I need a favor.
22:19Ah,
22:20No,
22:20You know how we see it.
22:21or the ones you want.
22:22Move the network
22:23in there
22:24and find out for me
22:25May Rivera's direction.
22:26And so?
22:27What man?
22:28Irma is missing,
22:29I'm going to look for her
22:30in that rat's nest.
22:31The police don't do a damn thing
22:32and I'm already exhausted
22:33that dog
22:33mess with me
22:34and with my family.
22:35Ah,
22:35No,
22:36ma,
22:36child,
22:36Tomorrow is too late
22:37And you know how it is.
22:47Well,
22:48Let's get started,
22:48we're going to do
22:49the second part.
22:50So,
22:51a yes,
22:52let's see,
22:53minor,
22:54love.
22:55Minor?
22:55Minor,
22:55minor.
22:58That.
22:58And we do
22:59an inverse progression
23:00to the,
23:01let's see,
23:05and in the sun.
23:08More piano,
23:10Yeah,
23:10but very quietly.
23:11And you go up again like that,
23:14an octave lower.
23:16Okay,
23:17here.
23:17Let's see.
23:18Oh,
23:19You look like a chimba.
23:21Go ahead,
23:22Adelie,
23:23It deals with,
23:23without much effort,
23:24Sing me what you're writing there.
23:27Okay.
23:28But because of you I am stronger.
23:33In the gloom and the mist,
23:37A light appears.
23:41No,
23:41Don't strain yourself,
23:42come,
23:42I'll help you.
23:44I already have the melody there.
23:46Go ahead,
23:46well,
23:46I follow her.
23:47Because of you I am stronger.
23:50This lyric is spectacular.
23:52Let's see,
23:53We do it all,
23:54let's see,
23:54What do we have?
23:54From above,
23:55go ahead,
23:56well,
23:56don't get rich.
23:57Parso.
23:59Parso is very beautiful,
24:01Parso.
24:03But then we add a little flow.
24:05Don't worry.
24:07Dale.
24:07But stay still,
24:08Tensioner,
24:09that does not waste energy.
24:11Pajole.
24:14Have?
24:18No,
24:19minor.
24:31All seems lost,
24:35all the time I've lived,
24:38Nothing makes sense.
24:45But because of you I am stronger.
24:51In the gloom and the mist,
24:55A light appears.
24:59I mean,
24:59which is also in Sabaneta,
25:01no, the path
25:01one kilometer fifteen.
25:03Ready,
25:03I have it.
25:05Batteries,
25:05well,
25:05You should call yourself Angel,
25:06Yeah?
25:07The police,
25:08Forget it,
25:09The police don't do a damn thing.
25:10I will personally take care of it.
25:12Bye,
25:12well.
25:13What are you going to do?
25:14Not now.
25:15Charlie.
25:15Not now.
25:16Where are you going?
25:17Ramiro,
25:18come,
25:18lends.
25:18What exactly are you going to do, Charlie?
25:20Talk to Mike,
25:21simply,
25:21nothing else.
25:22Ready,
25:22I'll go with you.
25:23No,
25:23Forget it,
25:23You stay,
25:24Stay here.
25:25It's dangerous.
25:25Stay here.
25:26Ready,
25:26I'll follow behind on the motorbike.
25:27This is not your problem,
25:28It's my problem.
25:29Stay here.
25:29I can't just say, "See that stain."
25:31Oh, no,
25:31why not?
25:32Why not?
25:32How is it dangerous?
25:34Very good,
25:34Stay here,
25:34no problem.
25:35I'm not going behind.
25:37Forget it.
25:37I'm going after.
25:38Forget it,
25:38Stay here,
25:39Seriously,
25:39hey,
25:39move,
25:40Seriously,
25:40Sky.
25:42I call him,
25:43That's what you want,
25:44Should I call them?
25:48Do it then,
25:49sudden.
25:50Let's get started.
25:59Now it's starting,
26:00well.
26:25Shit.
26:26Shit.
26:27Chamamai,
26:28chamamai,
26:28They attacked the farm.
26:30Last.
26:32To the head,
26:33The chalet is over there at the farm.
26:35But how the hell?
26:36He got this far.
26:37No,
26:38Well, we don't know.
26:38But there they are.
26:43Mike.
26:49Mike.
26:52Mike.
26:55Mike.
26:56Sorry,
26:57the chat voice.
26:58To me, Carlo!
26:58The chatty voice,
26:59I'm sure.
27:00Help!
27:01Help!
27:02Help!
27:03Help, Charlie!
27:05We're locked in.
27:07Help!
27:08Help!
27:09Did you see something or what?
27:10No, nothing.
27:11Did you see anything?
27:12No, no, no, nothing, nothing.
27:13All good.
27:14This jerk is here,
27:15I'm sure.
27:17Mike!
27:21Aid!
27:23Quietly and still,
27:24quiet and still,
27:25back,
27:26back,
27:26back.
27:27Yes, yes, yes, yes.
27:29Calm down, man.
27:30Back,
27:31back,
27:32back.
27:32Yes, yes, yes.
27:33Turn around what the stock market is doing.
27:35Yes, yes, yes.
27:37Please.
27:38Quietly,
27:38Look at whatever you want
27:39that is in the sonorism.
27:41Put the handcuffs on her.
27:44Already,
27:45don't worry,
27:45my son,
27:46also.
27:47Already.
27:47That,
27:48I collaborate.
27:49But put that weapon down,
27:50where from?
27:51I'm not going to lower anything.
27:52Put that weapon down.
27:53who doesn't see that she is cooperating.
27:54If you shout,
27:55what has been heard
27:56It's a blast.
27:57Yes, yes, yes.
27:58Already.
27:58Put it on your other hand.
28:00Put the handcuffs on yourself too.
28:02That.
28:03There,
28:03on their knees.
28:04You,
28:04you,
28:05on their knees.
28:05Already,
28:05But don't put that weapon in front of me.
28:06son,
28:06that I'm getting down on my knees.
28:08You're not going to do anything,
28:09You're not going to do anything.
28:10Are these old women
28:11They're going to get themselves killed
28:12Or what?
28:13That,
28:13Come here, you love her very much.
28:14I mean,
28:14What a nuisance.
28:17Look, they're making me feel like shit.
28:18That?
28:25Oh,
28:25Oh,
28:25Oh,
28:26Oh,
28:26Oh,
28:26Oh,
28:26Oh,
28:26Oh,
28:27Oh,
28:29that.
28:29Do you know what's easier?
28:30Now that's collaboration.
28:32No,
28:33No,
28:33No,
28:34No,
28:34No,
28:35No,
28:35No,
28:36No,
28:36No,
28:36No,
28:36No,
28:37No,
28:37No,
28:38No,
28:38quietly,
28:40quietly,
28:47Where is Irma?
28:51Irma,
28:52Who are you talking about?
28:53From the hurricane?
28:54Don't pretend you don't know perfectly well.
28:56that you know where it is.
28:57Speaks,
28:57dog.
29:00I have no idea what you're talking about.
29:03Oh really,
29:03idiot,
29:03Ease up on the paranoia,
29:05frankly.
29:06I am not a kidnapper.
29:08Listen,
29:09to this,
29:10Did you forget?
29:11Did you kidnap Jamie?
29:12dog?
29:12No,
29:13You forgot
29:13because you kidnapped her,
29:15Or not?
29:16What I did was a desperate act.
29:19which I already paid for.
29:21And I remind you that you and all your people
29:24They treated me very badly,
29:27But I have already forgiven them.
29:28Look at that.
29:38Follow the protocol,
29:39Loneliness.
29:40Yeah.
29:41I had forgotten.
29:43Luis,
29:44I think you made my pine tree, didn't you?
29:49Ready.
29:51What are you doing?
29:53What are you doing!
29:54What are you doing!
29:56What are you doing!
29:57What are you doing!
29:59What are you doing!
30:00What are you doing!
30:02Do you hear that?
30:06What is that?
30:08What is that?
30:10What is that?
30:11It's no big deal.
30:13Oh well,
30:13I imagine you've already noticed.
30:15Because you're not that stupid.
30:18Parce Music.
30:20This is my new production company, and I'm letting you know now.
30:24The musical competition has already begun, head-on.
30:29Do you have monkeys playing here or what?
30:32No, they're new people.
30:33New people.
30:35The people who chose me as their producer.
30:40And not to that shitty foundation of Jimmy Montoya.
30:44How could they even think of sending someone as limited as your son?
30:50Do you know how he got to the commune?
30:54He arrived handing out crumbs, the idiot.
30:57But promising everything, right?
30:59These are things he cannot accomplish because he lacks them.
31:02Do you know that he wants to be like you?
31:04But he still has a way to go.
31:06And you know what I don't understand?
31:07Who told him?
31:08Who told him?
31:09Who told him the dragon?
31:10Because that guy going to Grecoi looks really ridiculous.
31:14Son, it's wrong.
31:16You respect my son.
31:17I don't like it.
31:17He is wiser than you and me.
31:20And I didn't beat you by the ankles.
31:22Oh, no?
31:23So you're convinced that I'm stupid enough to try to hold back or kidnap Hurricane Irma?
31:32My production company and my house?
31:35Look, Mom, do one thing.
31:37Here you have this whole house to look for her.
31:41To drive you crazy looking for it.
31:44Go ahead.
31:44How can you tell her that?
31:45See?
31:47See?
31:58See?
32:06See?
32:15It's getting twisted.
32:27See?
32:28Because I put my heart and soul into it.
32:30Instead, you changed, but for the worse.
32:33Shut up, you idiot.
32:34Do me one thing.
32:34Leave my house immediately or I will call the police right now.
32:38Do whatever you want.
32:40Call the national army.
32:40If they want to, it doesn't matter a damn.
32:42Call him.
32:43You came in here attacking and hurling a bunch of insults at a guy like me.
32:48I've already changed, man.
32:50I'm not into that.
32:51Don't make the belt.
32:52No more, no more, no more.
32:53No more.
32:54Wait, wait, wait.
32:55We're leaving.
32:56Speak, speak.
32:56Listen, you idiot.
32:57Tell me.
32:58Listen to the little girl, okay?
33:00She's giving you good advice.
33:02And now I advise you, listen to me.
33:04If I were you, I wouldn't be so attached.
33:06Run away from here because this guy killed all his women.
33:11And finally, he blew her to bits through the air.
33:13No, no, no, no, no, no, no, no, no, no, no, no, no.
33:17Tami.
33:17Tami.
33:17Tami, no, no.
33:20Are you leaving this way?
33:21This is for Axel.
33:22Because of Freddy?
33:23Come out now!
33:23Me!
33:24Yes, yes, yes!
33:25Already!
33:26No more.
33:26Let me go.
33:27No more, look at me, look at me, look at me.
33:29Look at me!
33:30No more, okay?
33:31Let's go, let's go, let's go.
33:34Already!
33:46Everything's fine, everything's fine, everything's fine, everything's fine
33:48You let yourself be provoked, Charlie.
33:49And that was exactly what he wanted.
33:50Someone had to put that dog in his place.
33:52And what did you think was going to happen?
33:54What was he going to regret?
33:54What was he going to confess?
33:55Or what?
33:55So what's it getting wet for here?
33:56To get rid of the pain and anger I have
33:58That dog was involved in Jamie's death
34:00With Irma's disappearance
34:02And with Axel's confinement
34:03Don't you realize or what?
34:06What's happening?
34:07Don't you believe me?
34:08Of course I believe you
34:10But if you keep going like this, you're going to let him win.
34:12Do you understand what I'm saying?
34:16Everything's fine, Cucho, we're leaving now.
34:17Did you feel like you were missing something?
34:19Do you think your greatest suffering
34:24That that mare died
34:28It happened that no
34:28Okay, see you later.
34:30We're leaving, we're leaving, we're leaving
34:52Honey, what happened to you?
34:54No, Mom, nothing happened.
34:55Nothing happened
34:55This blood is not mine
34:56It's made from corn.
34:57That?
34:58That?
34:59What happened?
34:59What did they do to him?
35:00No, no, no
35:00He deserved it, nothing more
35:02Oh my God, what happened?
35:03No, no, Mrs. Ligia
35:04Nothing serious happened, okay?
35:05No one is dead
35:06Everyone's okay, right?
35:07One confrontation and that's it.
35:08Peaceful
35:08Don't get like that
35:09That you better than anyone
35:10You should understand me
35:11Why me?
35:13Because you know
35:14What it's like to have the killer
35:15The love of your life, face to face
35:16Did that happen to you with Mani, right?
35:17Oh, love, you won't let me do that anymore
35:19Look, Beni, let me
35:20I'll clean your hands
35:22Go, have an aromatic tea
35:23You feel better
35:24Seem to you?
35:24Aromatic, listen to my aunt
35:25All I need is a drink, that's all.
35:27Yes, I'll bring it to you.
35:28No, no, no
35:28Nobody's going to take anything here anymore
35:30In that way?
35:31What do you mean?
35:32A little drink to relax
35:33Not just a little sip, you know what?
35:34Thousand
35:34Bring me a drink, Mom
35:35No, no, Doña Ligia, no
35:36Not a bottle, nothing.
35:38Okay, so what do you mean?
35:40My God
35:41Charlie, look at me
35:41Yeah
35:43I understand your pain, yes
35:44I understand what you're feeling
35:46But you really
35:48Are you going to let him win like that?
35:49Are you going to let him get out of control like that?
35:51Is that what you want?
35:58Obviously not
35:59He doesn't deserve that.
36:00No, you're not clear on that.
36:02But it's not easy.
36:04I know
36:05I know it's not easy.
36:07But let's do one thing
36:10Let me clean you up
36:11You drink the herbal tea
36:13You calm down
36:14You feel better
36:15We prevented Almita from waking up
36:17Yeah?
36:18Seem to you?
36:19Let's start there
36:21Let me help you
36:24Hmm?
36:26Walk
36:28Yes all ok
36:42My superior sent the report
36:44With all the information about coding
36:45Axel's computer
36:46What intelligence establishes
36:48It's because it's related to what happened
36:49With Jamie Montoya
36:50Obviously, we are continuing our investigation.
36:51What do you think?
36:54I can no longer determine
36:55If there is guilt
36:56As long as there is doubt
36:58And obviously I understand too
37:00That we have to give him the evidence
37:00To the prosecutor's office
37:01So that it continues
37:02The legal process
37:03But what I mean
37:05My eldest
37:06Mr. Monsalve
37:07He may be confined
37:08And lose a trial
37:09And we don't look with a magnifying glass
37:10The information
37:11That is true
37:12That I may have been sown
37:13Besides
37:14I don't know about you guys
37:15What were they doing over there?
37:16Inside where that man is?
37:18I know, Mrs. Ligia
37:19I know
37:19But the thing is
37:19What else was I doing?
37:20Ah
37:21If I did not accompany your son
37:22He was going to go alone anyway.
37:24And besides, I understand.
37:26I know it's been very hard
37:28Having to see Mike
37:29And to know that man
37:30It was the one who snatched it away from him
37:31Jamie in his arms
37:31And may he continue playing.
37:32With all the people he loves
37:35Even
37:35I understand it so well.
37:38Because I am sure
37:39That he had something to do with it
37:40With the death of my dad
37:41If there is anyone
37:42Who can I blame for that?
37:43It's Mike Rivera
37:46Well
37:46The point is that
37:48After everything I've been through
37:49And Mrs. Ligia
37:49I am sure
37:50That man Mike
37:52It will do everything possible.
37:53To destroy Charlie
37:54He wants to see it alone
37:55He wants to make him look bad.
37:56In front of the fans
37:57He wants us
37:58Let's leave him alone.
37:59But on my end
38:01Honestly
38:01That's not going to happen
38:04I want to ask you
38:05One thing
38:08Lady
38:10Well, how in love
38:12You're Charlie
38:15Ah, don't even answer me
38:16I already saw the photo.
38:18That's lurking around there
38:20When I saw her
38:21I heard you didn't get involved
38:22There, because of the jumpy girl
38:24Oh, no
38:25In my opinion, no
38:27And I feel that Charlie
38:29He's at a moment
38:30Well, he lost his wife
38:31One at that moment
38:33He feels that
38:33Life is over
38:36But you know what?
38:37No
38:38Life goes on
38:40And I'm telling you this.
38:41That live
38:41A lot of times
38:44Charlie is adorable
38:45Of man
38:46I'm telling you
38:46I know
38:48But his life
38:49It's difficult.
38:49It has always been difficult
38:51Suddenly
38:52These last few years
38:53With Jamie
38:54They were something else
38:56I don't know if he
38:57He must have told you something
38:58Yes of course
38:59Well, he told me
39:00Many things
39:01Doña Ligia
39:01And I know that all that time
39:03That they were together
39:04It was wonderful
39:05So be it.
39:07Something brief
39:07But
39:08Eye
39:08But it was brief.
39:10Hey
39:12The beautiful
39:13Because their time
39:14It was very long
39:15But many years were spent
39:17mistreating oneself
39:18Damaging
39:19Well, I know it
39:20But in the end
39:22What matters
39:22They managed to overcome everything.
39:23No
39:24That's what matters
39:28Look
39:28I want to tell you something
39:32I don't even know how you decided
39:34You are a wonderful woman
39:36Spectacular
39:36Incredible
39:39But this is not the time
39:44Granny
39:44Oh, my love
39:45What are you doing here?
39:47What is this?
39:48Oh, you're just...
39:49What's wrong with me about her?
39:50That?
39:50Oh, how are you?
39:53How are you?
39:54Oh, it's because you're so beautiful.
39:56Come on, I'll take her to sleep.
39:57Come on, love
39:58No, I want to go with Sky.
40:02No problem
40:03No
40:03All good
40:04Yeah?
40:04Yes, yes, yes
40:05Come on, then I'll sing you really well.
40:07And I'll tell you some really lovely stories
40:15I believe that all people in this world
40:18We have a favorite person
40:21Mine from my mom?
40:22Yeah
40:23Well, what do you think?
40:25Has your mom also been my favorite person?
40:27No
40:28No
40:28My dad and I are three favorite people
40:33Yes, also
40:35Also
40:35Because one can have many favorite people
40:39No
40:40That's really lucky.
40:42I am very lucky
40:44Yes my love
40:45You are very lucky.
40:47Okay, let's count how many favorite people you have.
40:50Seem to you?
40:51Yeah
40:51Let's see
40:52She's my mom
40:53My dad
40:56Yeah
40:56My brother
41:01My little sister
41:02Yeah
41:03And my grandmother and I
41:05And you?
41:07Well yes
41:07You're absolutely right
41:09Because you also have to be your own favorite person.
41:12And you are mine too.
41:14Let me tell you
41:16Are you my favorite person too?
41:19Yes my love
41:23Wanna
41:24Look, you have those eyes wide open.
41:28I'm starting to get worried.
41:29Come here, all this little pillow
41:33And now, yes
41:34To myself
41:40Good morning
41:41Good morning
41:43And so?
41:44Did Christmas come early or what?
41:46That?
41:47No, honey
41:48Then you're the only one who bills.
41:49I'm not saying that.
41:52I don't want to fight
41:54Pretty!
41:56Good morning, ma
41:58And that beauty
42:00Showing off leg, thigh, and all
42:02Obvious
42:03That beauty was bought by the youngest daughter
42:06It looks spectacular there, ma
42:08I knew it!
42:09It isn't true
42:09You look very pretty, ma
42:11Very pretty
42:12Thanks love
42:12Well, my loves
42:13Let's have breakfast
42:14That
42:15Oh, how delicious!
42:16Divine, they're going to get golden brown
42:18Another bomb hit me early this morning.
42:19Yeah
42:20So
42:21Look, then
42:23Let's see
42:25Oh no, nana
42:26But shut your mouth
42:27She's going to drool, honey.
42:28Ana, I don't know what surprises me more, because
42:31Gifts, breakfast, or the early morning
42:35The early morning
42:36Oh, so good
42:37Yes, yes, yes
42:38That said,
42:39No, well, that's it.
42:41Oh, how delicious!
42:42Look at the ones you like
42:44I might still be warm
42:46Oh, how delicious!
42:47But come on, nana
42:49Pay attention to me
42:50Aren't you going to pay attention to me?
42:51That?
42:52Well, take it
42:53That's for you
42:54So that she's completely surprised
42:58God
42:58That I didn't have faith in him
43:00Oh, then you say
43:02That one doesn't want her
43:03I don't know what
43:03What a bad sister
43:05Let's see
43:12What is this?
43:13Who is that?
43:14And in my favorite color?
43:16Well, he's going to see you looking divine
43:17Then she says that one doesn't know her, nana
43:19How nice!
43:20Did you like it?
43:21Come on, but how much did this cost you?
43:23This thing about being expensive
43:24Did you run out of things to talk about?
43:25Oh no, but what
43:26And what about the gossip?
43:27No, ma'am, that's not a question you ask.
43:28Here I go, a gift
43:29You can't see his tooth
43:30How are you?
43:30No, no, no, no
43:31Well, I haven't lacked anything.
43:32Except that
43:33Well, I'm worried.
43:34It is no more
43:34But she's very pretty.
43:37Thank you so much
43:38Come here
43:39And the full divine
43:42Much more than ordinary, nana
43:45Tell me you know something, cousin
43:46Yes, we know, man.
43:47But this is not good news.
43:49Did we find Irma's cell phone?
43:50Has anything returned?
43:52No
43:52We're looking for her all over the city
43:55We have checkpoints everywhere.
43:57We are doing
43:57And that's it?
43:59Is that all?
43:59Well, that's the only thing you can do in these cases, huh?
44:02What I believe is that Irma was kidnapped
44:06Well, yes, that's how it was.
44:07That must have been recorded on some camera.
44:10And that's where the...
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