- 2 days ago
Watch Online Phillipines, Korean, Japanese, English, France, Indonesian, Darma Series....
Category
😹
FunTranscript
00:00:00The End
00:00:11John, you are me.
00:00:14Let's go. He's clean enough.
00:00:23You said you wanted me to be scared.
00:00:25You're lying.
00:00:25No!
00:00:27I was wrong, I admit it.
00:00:31Come on, I love playing with an old building.
00:00:34Let's go.
00:00:35No, not yet.
00:00:38Look, I admit it, I'm scared.
00:00:40That's what I have to say.
00:00:42Why don't we go?
00:00:45Well,
00:00:46because I think
00:00:48you're going to be perfect.
00:00:49No, don't do that! Come on, please!
00:01:15Okay.
00:01:17Okay, come on out.
00:01:20Please don't scare me.
00:01:28Where are you?
00:01:44Look, I know you're going to shut down.
00:01:47It won't be a surprise. It won't scare me.
00:02:02Come on out. Please don't hide.
00:02:17Come on out. Please don't hide.
00:02:19Let's go.
00:02:29I'm sorry.
00:02:35Let's go.
00:02:46Let's go.
00:02:48Let's go.
00:02:48Let's go.
00:03:13Unfortunately, when we talk about deviancy in society,
00:03:16we face the problem of determining what is, in fact, normal.
00:03:20Of all the deviant behavior patterns we find in society,
00:03:24perhaps the most common is incest, followed closely by homosexuality.
00:03:29Both of these are culturally defined patterns,
00:03:31and societal attitudes towards them vary from one society to another.
00:03:36In fact, generally we classify them as relative deviant patterns.
00:03:42Does anybody have the time?
00:03:43No.
00:03:45Okay, that's enough for today.
00:03:47On Monday we'll talk about another pattern that might be of interest to all of you, cannibalism.
00:03:53Have a good weekend.
00:04:00The End
00:04:25Please, madame, keep walking.
00:04:27Act as if nothing is happening.
00:04:30If you value my life, please, madame, make pretend as though we are together.
00:04:35Do not look behind you, whatever you do.
00:04:37Don't look behind, please.
00:04:39Please do not look behind you.
00:04:41No.
00:04:42Well, now that you have looked behind you, let me ask you a few questions.
00:04:46No.
00:04:47Did you possibly see two men in dark suits getting out of a Citroën with a French poodle?
00:04:53No.
00:04:54No.
00:05:01No.
00:05:03No, I'm sorry.
00:05:05No.
00:05:05All right.
00:05:06Then, did you possibly see two gentlemen in dark suits getting out of a Rolls-Rise with a bulldog?
00:05:14No.
00:05:14No.
00:05:15I'm sorry.
00:05:15I can't help you.
00:05:16Are you absolutely certain?
00:05:18I'm absolutely certain.
00:05:21Good.
00:05:22Then we are safe.
00:05:24Will you go on a picnic with me?
00:05:26Oh, you're too much.
00:05:27Please.
00:05:28No, I really can't.
00:05:29Please.
00:05:29Look, I've got a jug of wine.
00:05:31No.
00:05:31I've got a jug of wine and I've got a loaf of bananas.
00:05:34And I've got a piece of bread.
00:05:35And I need a thou.
00:05:36And you're a thou.
00:05:38Oh, thank you very much.
00:05:40Well, I really can't.
00:05:42I just can't.
00:05:43I have too much to do this afternoon.
00:05:44What could you possibly have to do that's more important than going on a picnic?
00:05:46Oh, I have a lot of homework and I have to finish a painting and it's almost the end.
00:05:50Are you a painter?
00:05:52Yeah, a little, you know.
00:05:53Do you know a painting called Dejeuner Celerbe?
00:05:57Oh, Dejeuner Celerbe.
00:05:59Dejeuner Celerbe.
00:06:00Dejeuner Celerbe.
00:06:01Yeah, I know it.
00:06:02And who wrote, who painted that painting?
00:06:05Manet.
00:06:05Manet.
00:06:06And was Manet a great painter?
00:06:07Oh, yeah, he was a great painter.
00:06:08He was a great painter.
00:06:10And what is that painting of?
00:06:12Could it be of a picnic?
00:06:15And what experience gave Manet the great power to portray it on canvas?
00:06:20Well, I would say it's because he suffered.
00:06:23And?
00:06:23And because he worked on his paintings.
00:06:25And?
00:06:25And?
00:06:26And?
00:06:27And?
00:06:29And he went on a picnic.
00:06:32You're right.
00:06:32He went on a picnic.
00:06:34But there were two men in that picnic.
00:06:36And there was a nude woman.
00:06:38And we just don't have the requirement.
00:06:40Oh, wait.
00:06:40That's okay.
00:06:40I'll be nude.
00:06:41Hey, wait.
00:06:43Why do these things always happen to me?
00:06:45Well, look, Jenny.
00:06:46You have to admit that picnic was a gourmet's delight.
00:06:49Yeah.
00:06:50I'll have to admit, bananas and bread is pretty exotic.
00:06:54Hey, I have a question.
00:06:56How did you know my name?
00:06:59Psychic.
00:07:00No way.
00:07:01Good guess.
00:07:02Huh.
00:07:03Well, actually, I asked your professor.
00:07:05Are you in my class?
00:07:07No, I don't go to school.
00:07:08I work at the newspaper.
00:07:09Ace reporter, huh?
00:07:11Well, actually, for the time being, I've ran errands.
00:07:14But I'm supposed to start writing in the feature section soon.
00:07:17What were you right about?
00:07:19Travel?
00:07:19You don't even know the way back.
00:07:21Well, you'll see.
00:07:23We should have turned left back there.
00:07:25No, I'm absolutely positive it was right.
00:07:27We're going the right way.
00:07:28Believe me.
00:07:33Oh, hell.
00:07:35Well, maybe you can write about crime.
00:07:55Let's see your license, boy.
00:08:01Take it out of the wallet.
00:08:06Hey, uh, what seems to be the problem, Sheriff?
00:08:09I didn't think I was speeding.
00:08:10No, you weren't speeding.
00:08:12What are you doing in this valley?
00:08:14Just passing through.
00:08:15You planning on staying long?
00:08:18Not particularly.
00:08:19Hey, what's going on here?
00:08:20Are you going to give me a ticket or what?
00:08:21Calm down, boy.
00:08:23I want to give you a piece of good advice.
00:08:24The people in this valley don't care too much for strangers.
00:08:29Is that all?
00:08:31Yeah, that's all.
00:08:32Uh, you two be on your best behavior.
00:08:35Oh, okay.
00:08:37Luther, give him back his license.
00:08:39Certainly, Sheriff.
00:08:51City kids.
00:08:52Yeah.
00:08:55What was that all about?
00:08:57I don't know.
00:08:58They sounded like they got their dialogue out of some third-rate Western.
00:09:02We don't cotton much to strangers in easier parts.
00:09:23Uh, absolutely positive it was right.
00:09:28Well, it does look at this point like I made a sliding.
00:09:32Oh, no.
00:09:33Fine.
00:09:34What do you suppose that's for?
00:09:38No.
00:09:39Oh, no, wait, John.
00:09:40Let's see where it goes.
00:09:42Oh, come on.
00:09:42Let's go.
00:09:43Where's your spirit of adventure?
00:09:45I lost it in the Greyhound bus people.
00:09:48Typical.
00:09:49Aren't you curious?
00:09:52You really wanna?
00:09:54Yeah.
00:10:01Okay.
00:10:02Let's walk.
00:10:02Let's drive.
00:10:04Oh, no.
00:10:05Oh, no.
00:10:10Oh, no.
00:10:14Oh, no.
00:10:16Oh, no.
00:10:24Oh, my God.
00:10:36Wow, this is incredible.
00:10:41What do you think it was?
00:10:44I don't know.
00:10:45Probably an old resort.
00:10:47There used to be a lot of them in this valley in the 1890s.
00:10:50Yeah?
00:11:13Hey, Jenny!
00:11:15Look, I was right!
00:11:20Shoulder Spring Spa.
00:11:22Hey, you're not so dumb after all.
00:11:33Let's go.
00:11:59Let's go.
00:12:38Let's go.
00:12:55Let's go.
00:12:57Where are you going?
00:12:57I'm going up here to see what's there.
00:12:59Come on.
00:13:00Come on.
00:13:00Come on.
00:13:02Come on.
00:13:03Come on.
00:13:06Come on.
00:13:18Come on.
00:13:21Oh, my God.
00:14:17Oh, my God.
00:14:17Oh, what are you doing here?
00:14:20You startled me.
00:14:22I startled you.
00:14:24God, I thought I was having a heart attack.
00:14:25Well, it's your own fault.
00:14:27You know the trespassing, you dear amigo?
00:14:30Tell them.
00:14:31It's terrible.
00:14:32What's that?
00:14:33You okay?
00:14:34Yeah.
00:14:35Who are you?
00:14:36For me, I live here.
00:14:39Question is, who are you?
00:14:41We saw the buildings and we were curious.
00:14:43Oh, curiosity.
00:14:45He killed the cats.
00:14:47There's no harm.
00:14:49We were just coming back from a picnic and we got kind of lost.
00:14:52Well, I guess there's no harm done.
00:14:55Here, let's go out to the sunshine.
00:14:57I just worry about young gorgans and vandals breaking over the windows.
00:15:03Do you really look here?
00:15:04Yes, I do, child.
00:15:07Would you like to see my nose?
00:15:10I'm just about to make some tea.
00:15:12Would you like some?
00:15:13Oh, that's no trouble.
00:15:14No, no, I was just about to put it on.
00:15:17Come along.
00:15:19What kind of spa was it?
00:15:21Oh, this spa was famous for its mineral waters.
00:15:27And its hot spring baths.
00:15:31Disgustive.
00:15:32The weather was perfect, too.
00:15:38This is one of the cottages used by guests who stayed for a longer time.
00:15:46You're going to have to excuse the mess in here.
00:15:50I'm not used to having visitors.
00:15:56Oh, good heavens.
00:15:58I've completely forgotten my manners.
00:16:01My name is Abercrombie.
00:16:03Agnes Abercrombie.
00:16:05I'm Jenny McAllister.
00:16:07And this is Storm.
00:16:08Yes.
00:16:09Well, I'm pleased to make your acquaintance.
00:16:12Make yourselves at home, and I'll go see if the tea kettle is hot.
00:16:16I'll go see if the tea kettle is hot.
00:16:33I'll go see if the tea kettle is hot.
00:16:38I'll go see if the tea kettle is hot.
00:16:46Actually, it's very comfortable here.
00:16:50Why did the spa close? I mean, most of the others around here closed during the 1930s, didn't they?
00:16:55Oh, yes. Financial problems, I suppose.
00:17:00And then there were some rumors about the owner and his wife.
00:17:05Who couldn't be?
00:17:07Oh, the usual sore child.
00:17:11People would always find something to talk about and it's usually cruel and untrue.
00:17:18But why did you stay here?
00:17:19Well, I had no place else to go.
00:17:23My father was head caretaker here.
00:17:27And we lived on here together for two or three years after the place closed.
00:17:34And then my father died.
00:17:37And then I stayed on.
00:17:40Well, how old were you when he died?
00:17:41Oh, I guess I was about your age, child.
00:17:45A young girl.
00:17:48I've always loved it here.
00:17:51This spa was the biggest, the most expensive and the most beautiful in the valley.
00:18:00Oh, but that was a long time ago.
00:18:05Another day.
00:18:09These rooms look very comfortable.
00:18:11Do you use the rest of the house?
00:18:13Oh, no.
00:18:14I boarded most of them up.
00:18:16They're all falling down inside.
00:18:19How many other buildings are there?
00:18:21Oh, they're thirteen and a half.
00:18:26And a half?
00:18:30You young people probably think we're silly that we think thirteen's an unlucky number.
00:18:36And when the architect planned all the thirteen buildings, they made him add an extra one.
00:18:47What did the insides look like?
00:18:50Oh, they're pretty messy now.
00:18:54They're all falling down.
00:18:56Do you mind if we look around?
00:18:58No.
00:18:59No.
00:19:00Would you like me to show you around?
00:19:03This place really has quite a history.
00:19:06I'd like that very much.
00:19:08John, do you mind if I just stay here for a while?
00:19:10Is that all right, Mrs. Evercom?
00:19:13I feel dizzy for some reason.
00:19:14Are you sure you're okay?
00:19:16Oh, yes.
00:19:16Nothing.
00:19:17Oh, it's nothing.
00:19:20I just...
00:19:21I just like to sit here and I'll catch up with you in a minute, okay?
00:19:25Okay.
00:19:27You catch up when you're feeling okay, all right?
00:19:30All right.
00:19:31All right.
00:19:51All right.
00:19:52All right.
00:23:09John?
00:23:10John?
00:23:13John?
00:23:14John?
00:23:15John?
00:23:15John?
00:23:20John?
00:23:22John?
00:23:36John?
00:23:38John?
00:23:42John?
00:23:42John?
00:24:11John?
00:24:21John?
00:24:26John?
00:24:42John?
00:24:44John?
00:24:44John?
00:24:51John?
00:24:55John?
00:24:58John?
00:24:59John?
00:25:11John?
00:25:11John?
00:25:11John?
00:26:12Hi, what are you doing up there?
00:26:14I'm looking for you.
00:26:16Well, come on down.
00:26:17Meet you on the phone, okay?
00:26:19Careful, child.
00:26:20That's an old building.
00:26:22Okay.
00:26:29Hi.
00:26:30Hi, welcome down.
00:26:32You doing better, child?
00:26:34You're still looking a little pale.
00:26:36Oh, much better.
00:26:37You missed a great tour.
00:26:38Oh, but there's still the main banquet hall.
00:26:41Come along.
00:26:42Come on.
00:26:49Now, this is a great kitchen
00:26:51where they supplied food
00:26:54to all the dining halls
00:26:55and the swath.
00:26:57Three dining halls
00:26:58and the restaurant.
00:27:01It's terrible, man.
00:27:04What used to be shine
00:27:06and beautiful.
00:27:10Huh, I'm excited to be here.
00:27:14Oh, jeez.
00:27:16You can get that in just a minute.
00:27:18Oh, thank you very much.
00:27:22Oh, dear.
00:27:23Oh, dear.
00:27:25Oh, dear.
00:27:25Oh, dear.
00:27:26Oh, dear.
00:27:27Oh, dear.
00:27:27Oh, dear.
00:27:30This refrigerator was first put in here.
00:27:33It was the largest thing anybody
00:27:35who had ever seen.
00:27:37Oh.
00:27:38It is.
00:27:39It is.
00:27:40Yes.
00:27:40Oh, dear.
00:27:41Oh, dear.
00:27:43It's a shame.
00:27:44Oh.
00:27:48Come on, you two.
00:27:50Let's get out of here.
00:28:05Come on.
00:28:05Sit down for me.
00:28:07What's in these rooms?
00:28:09Oh, well, sure.
00:28:11They've been locked
00:28:11everything back in the center, child.
00:28:14The keys have been
00:28:15rustin' and rocks for years.
00:28:19Come on.
00:28:20Let's get out of the center.
00:28:21Come on.
00:28:23Come on.
00:28:24Come on.
00:28:25Come on.
00:28:25Come on.
00:28:26Come on.
00:28:27Come on.
00:28:30Come on.
00:28:42Well, thank you very much for the tour. It was really fascinating, but, uh, I guess we'd better get going
00:28:47if we want to get back before it gets dark, huh?
00:28:48Well, thank you both. I enjoyed your company. I'm sorry I startled you, child.
00:28:55That's okay. It was my fault, Miller.
00:28:56Nonsense. Now, you take care of yourself. I think you may be coming down with a fever. I will.
00:29:03Thanks again for everything.
00:29:03You're welcome. Come again sometime.
00:29:06Maybe we will. Bye-bye.
00:29:35Bye-bye.
00:29:36Bye-bye.
00:30:04Oh.
00:30:05Hello.
00:30:07Oh. Do you make a habit of, uh, dropping in on people?
00:30:11Well, it does get their attention.
00:30:13Oh, no kidding.
00:30:16Hey, I was wondering when I was going to see you again.
00:30:18Hey, look, I'm sorry. I've been really busy down at the paper.
00:30:20That's another thing. I called that paper where you work, and the person I talked to didn't know who you
00:30:25were.
00:30:26Oh, well, you probably spoke to the front desk.
00:30:28Hmm.
00:30:29Well, they don't know me up there.
00:30:31Oh.
00:30:32I'm always in the back in the feature section.
00:30:34Well, anyway, I was looking for you today.
00:30:37I've got a surprise for you.
00:30:38Oh, not another, um, Groucho the Spy all-expense-paid picnic, is it?
00:30:44Nope.
00:30:44Better than that.
00:30:46A whole day with me ending with dinner on the town.
00:30:49Hmm.
00:30:49Sounds promising.
00:30:50When?
00:30:51Saturday.
00:30:52Well, I think I'm free.
00:30:54I know you are.
00:30:57Well, you're right.
00:30:59Where are we going to go?
00:31:01Uh, well, that's the catch.
00:31:03Okay.
00:31:04What are you holding back?
00:31:05Where are you going to take me?
00:31:06Soda Spring Spa.
00:31:10John, no.
00:31:12Oh, John, you know I don't like that place.
00:31:14I know.
00:31:15I know, but listen, this is a great opportunity for me.
00:31:18I told my editor about the place,
00:31:20and he thinks it's a perfect subject for a story in the feature section.
00:31:23Oh, that place gives me the creeps.
00:31:25Oh, come on, please.
00:31:26I mean, this is my first chance to do some actual writing.
00:31:29Next time, you can pick the place.
00:31:32Really?
00:31:33I promise.
00:31:35And it won't be so bad.
00:31:36I mean, after I get a few pictures and get the facts from the old lady,
00:31:39we can drive our cars back to the city for dinner.
00:31:42Our cars?
00:31:45Yeah.
00:31:46That's the other thing.
00:31:47See, I'll be doing some work north of there,
00:31:51and I thought maybe you could drive your own car up and meet me out in front.
00:31:55John, couldn't I go with you?
00:31:56You can't.
00:31:57It's somebody else's story.
00:31:58I'm just taking photos.
00:32:00I wish you could, but it's impossible.
00:32:04Look, I really want to spend the day with you.
00:32:07It would mean a lot to me.
00:32:10Please.
00:32:10Please.
00:32:13Okay.
00:32:17What time?
00:32:1912 o'clock.
00:32:21You better be there.
00:32:22I'll be there before you, for sure.
00:32:24You better be.
00:32:38That rat.
00:32:40That rat.
00:32:41You better be there.
00:32:45Whatever.
00:32:54You better be there.
00:32:58You better be there.
00:33:00You better be there.
00:33:03Oh, really.
00:33:05Thanks.
00:33:05All right.
00:33:17THE END
00:33:48THE END
00:34:18THE END
00:34:41THE END
00:34:48THE END
00:35:19THE END
00:35:22THE END
00:35:33THE END
00:35:33THE END
00:35:33THE END
00:35:35THE END
00:35:35THE END
00:35:36THE END
00:35:37THE END
00:35:37THE END
00:35:37THE END
00:35:37THE END
00:35:37THE END
00:35:38THE END
00:35:39THE END
00:35:42THE END
00:35:42THE END
00:35:42THE END
00:35:42THE END
00:35:45THE END
00:35:45THE END
00:35:45THE END
00:35:45THE END
00:35:49THE END
00:35:50THE END
00:35:50THE END
00:35:50THE END
00:35:50THE END
00:35:53THE END
00:35:53THE END
00:35:54THE END
00:35:55THE END
00:36:08THE END
00:36:10THE END
00:36:12THE END
00:36:12THE END
00:36:25THE END
00:36:30THE END
00:36:31THE END
00:36:39THE END
00:36:41THE END
00:36:44THE END
00:36:47THE END
00:36:48THE END
00:36:58THE END
00:37:10THE END
00:37:17THE END
00:37:18THE END
00:37:19THE END
00:37:19THE END
00:37:19THE END
00:37:19THE END
00:37:19THE END
00:37:20THE END
00:37:21THE END
00:37:22THE END
00:37:23THE END
00:37:23THE END
00:37:23THE END
00:37:24THE END
00:37:26THE END
00:37:26THE END
00:37:26THE END
00:37:27THE END
00:37:35THE END
00:37:37THE END
00:37:38THE END
00:37:40they had a huge ball in the banquet to celebrate the owner's daughter had been
00:37:47married that afternoon so they made her the guest of honor well when everything was ready
00:37:56for the banquet and everyone was ready to start the girl was nowhere to be found
00:38:03so they waited and waited and finally they started the banquet without her
00:38:12and then after everybody had finished eating a couple of the guests went out into the kitchen
00:38:18to congratulate the cook on the wonderful dinner and they they found that uh well yes
00:38:29well they found that the cook had killed the girl and cooked her and it fed her to the guests
00:38:39oh my god that's my sentiments exactly
00:38:44but as the story goes that was the end of the spa it closed that night and never opened again
00:38:51why did the cook kill the girl they never figured that out
00:38:55and they never caught her her is this story true oh of course not i think it's all legend and
00:39:04not fact
00:39:05but the old people in the valley really believe it there's people who swear that they've seen the
00:39:11ghost of that bride out here walking around in a white wedding dress and people have come out here
00:39:17and were never seen again and a lot of other such nonsense but i figured that the
00:39:23spa closed because they well they just ran out of money yeah i like that reason best
00:39:30oh that must be john oh he's a friend of mine i'm supposed to meet him here
00:39:38well thank you for everything and for not shooting me my pleasure
00:39:43why hey wait uh this is uh this is the quickest way out to the front
00:39:50it's faster going through here now this is the back of the back of the main building and you can
00:39:56cut
00:39:56right right through here
00:40:01kind of spooky huh i thought you didn't believe that well i don't believe it but still kind of spooky
00:40:14right down there to the right okay thank you very much
00:40:19very don't mention it i hope i see you again well i hope i see you too bye-bye bye
00:40:24-bye
00:40:26so
00:40:39so
00:41:40I'm sorry I was late.
00:41:43Have you been here long?
00:41:44Yes, but, John, listen, everything's gone.
00:41:48Gone?
00:41:48When I got here and you weren't here and nothing else was either,
00:41:52I thought I was going out of my mind.
00:41:59Oh, hello!
00:42:02What a delightful surprise!
00:42:04Hello, Mrs. Abercrombie.
00:42:05Are you feeling better today, child?
00:42:07I was worried about you.
00:42:10Yes, I'm fine.
00:42:13Well, it's so nice to see the two of you again.
00:42:16Come on in.
00:42:18I'm just putting on a pot of tea.
00:42:20I'd love some.
00:42:24But you believe me, just a few minutes ago there was nothing here.
00:42:29She wasn't here and the room was completely empty.
00:42:31Hey, hold on.
00:42:35You must have come in the wrong way.
00:42:37You just took an empty guest house for hers.
00:42:39No, I didn't.
00:42:40Well, then how do you explain it?
00:42:42I don't know.
00:42:44I don't know.
00:42:46I just don't like it here, John.
00:42:48Please, let's go.
00:42:49Now you're being silly.
00:42:50Look, relax.
00:42:53Are you feeling okay?
00:42:55Oh, damn it, I'm fine.
00:42:57Okay.
00:42:59Just must have made a mistake.
00:43:01He's ready!
00:43:04Good morning.
00:43:05We'll be in in a second.
00:43:08You okay?
00:43:11Oh, I guess.
00:43:14It's just that I...
00:43:16I'm so sure.
00:43:24I guess it's possible.
00:43:37I guess it's possible.
00:43:49You two must think I'm an awful housekeeper.
00:43:52Every time you come here, the place is a mess.
00:43:55Don't be silly.
00:43:56It looks fine.
00:43:57Now, tell me.
00:43:59What brings you two back here so soon?
00:44:02Such an unexpected pleasure.
00:44:04Well, when I got back, I was telling my editor about the...
00:44:07Your editor?
00:44:08Do you work for a magazine?
00:44:10Newspaper.
00:44:10Oh.
00:44:12I hear you be careful.
00:44:13It's very hot.
00:44:15See, I don't exactly work for them yet.
00:44:16I mean, I don't write, but...
00:44:17There you go.
00:44:19But I think I've got my chance now.
00:44:21I think I can do it.
00:44:23And I think I'll get it.
00:44:24The editor thinks that the resort would be a perfect subject for a picture story in the second section.
00:44:57So, uh...
00:44:59I brought my camera and my tape recorder, and if I can impose on you for a little longer, I'd
00:45:04like to ask you a few questions.
00:45:06Oh, of course.
00:45:07And I find the whole thing so exciting.
00:45:10Good.
00:45:11Say, listen, I have something that might interest you, young man.
00:45:15I have a scrapbook with all pictures of this resort.
00:45:19I'd love to see it.
00:45:20Yep.
00:45:21There's a picture in here of my father.
00:45:23Here, let's shove this stuff over here.
00:45:26I've got some of those carriages I was telling you about.
00:45:31What's that?
00:45:32Let's see.
00:45:33Let me see.
00:45:33It's father-in-law.
00:45:34Oh, there's his arcade?
00:45:35Yeah.
00:45:36There.
00:45:36Oh, that's beautiful.
00:45:37Isn't that a little...
00:45:38Oh, we should have seen it as long as it looks like that.
00:45:40Yeah, it's just...
00:45:42Oh, excuse me.
00:45:44Oh, I think I need some hair.
00:45:47Are you all right, John?
00:45:48You look awful terrible.
00:45:49I just feel dizzy again.
00:45:52I'll go outside for a while.
00:45:53Hey, Jenny.
00:45:56Want me to come with you?
00:45:57Oh, no.
00:45:58Look, get your story.
00:45:59I'm sorry.
00:46:01I'll stay outside.
00:46:02I'll be fine in a minute.
00:46:03Okay.
00:46:05Okay.
00:46:38I'll be fine in a minute.
00:46:44I'll be fine in a minute.
00:46:47I'll be fine in a minute.
00:51:36I feel a child.
00:51:38I think you could be coming down with a flow.
00:51:45The sun's about to set.
00:51:47Be dark in an hour.
00:51:49We'll have to be going soon.
00:51:50going well we plan to go back to the city for dinner oh my i won't stand for that you
00:51:56stay
00:51:57here and have dinner with me and spend the night too jenny needs the rest and besides
00:52:07you don't need any dinner in that foggy city you'll get pneumonia for sure that's a very generous
00:52:13offer but i'm afraid you can't accept it would be in a position oh no it would give me the
00:52:19greatest
00:52:19pleasure but you weren't planning on three for dinner and besides there isn't room for us here
00:52:23oh yes there is there are two cottages where my relatives used to stay when they visited me
00:52:31oh they need a pillows and some blankets of course i'm afraid it's a little dusty now that's very
00:52:38kind to me because i would call me but no hush child i insist you need the rest it's all
00:52:46decided i won't
00:52:47hear anything moa i'm going out now make the bed
00:53:11john i'm in here
00:53:19hi hi hi how is it in there a little dusty it's not bad it's no hotel hold on a
00:53:27second
00:53:33thank you no second time i'll wear it
00:53:57okay so there's no proof but it doesn't prove that it didn't happen and it doesn't change one thing
00:54:06what's that that i saw mrs abercrombie coming out of that padlocked room that she told us she didn't
00:54:14have the key for jenny you got to believe me mrs abercrombie was with me the whole time talking
00:54:20about the resort she didn't leave until we heard you scream well it doesn't change what i saw
00:54:29after what the hunter said oh wait wait a minute i thought you just told me that the hunter didn't
00:54:36believe that story himself yeah but nothing come on
00:54:46now look jenny you've just got to relax
00:54:51you've probably got a touch of some bug that's going around and it's playing tricks on you
00:54:56maybe so anyway i i'm glad i'm not here alone
00:55:06you know abandoned school always intrigued me when i found one when i was little i used to jump in
00:55:13and pretend i was a christian being thrown to the lodge no no no no no what the scene at
00:55:19the end of the
00:55:20monster movie when the heroine is finally trapped by the grotesque beast step by step closer the beast
00:55:35came to our heroine poor miss betty zoo until at last there was nowhere left to go and she was
00:55:44trapped
00:55:49the final step the beast licked his lips in anticipation and snorted
00:56:02then he looked down at her with an emotion he had never felt before was it love anger
00:56:15pity greed okay a certain tenderness shall we say and with this tenderness he picked our heroine up
00:56:25hurry her off he knows what gross that's changed but at that very moment our hero appears on the scene
00:56:37brave young intelligent trustworthy loyal helpful friendly courteous
00:56:45kind obedient cheerful thrifty brave please okay okay and reverend our hero dr bradley who just
00:56:52happens to be the creator of this hideous thing cognizant of the evil he has wreaked upon an unsuspecting
00:56:57world and now that his creature threatens the one thing in the world he loves besides science
00:57:03has come to new battle with the hideous monster slowly he approaches him the thing rears up
00:57:10he approaches again the thing rears up come here you beast lay hands off of her you mean me
00:57:17yes you you hideous creature don't be rude take that and that take that take that and the hero gets
00:57:28the
00:57:28upper hand and with a heroic plunge dives his knife into the creature's heart
00:57:51and slowly the hero takes the heroin into his arms
00:57:56in his arms for the ultimate kiss and final payout
00:58:03the ultimate kiss and final payout
00:58:26our hero is no hero at all but Dracula's nephew out for a bite oh you never stop
00:58:42oh John
00:59:03please stop please stop please stop
00:59:39one more way to do it
01:00:00I don't know I I've always hoped someone would come along and be interested enough in it to
01:00:07to fix it up like it used to be you know painted and wallpaper and fix up the lovely old
01:00:17gardens
01:00:18and the and the walks oh but that's nobody feels like that toward a place like this anymore
01:00:27those days are gone
01:00:31this meal is superb
01:00:32oh I'm glad you enjoyed it
01:00:38what's not a trouble you know cooking is really my happy
01:00:41well this is fantastic
01:00:43mm-hmm I'm glad you like it
01:00:45what kind of meat is this Mrs. Abercrombie is it beef
01:00:48no
01:00:51lamb or pork
01:00:52no
01:00:53what is it then
01:00:54an old secret family recipe
01:00:58I call it
01:01:00a hunter stew
01:01:02mm-hmm
01:01:03it's far all the fun if I told you how I made it
01:01:07mm-hmm
01:01:07well it's delicious so before I go do you promise you'll tell me how to make it
01:01:12yeah
01:01:14I promise to tell you how I make it before you go
01:01:21mm-hmm
01:01:22mm-hmm
01:01:22now anybody put some wine
01:01:26all right you'll have some
01:01:27oh
01:01:28you can
01:01:28oh thank you very much
01:01:29of course
01:01:31of course
01:01:31of course
01:01:35mm-hmm
01:01:36mm-hmm
01:01:37mm-hmm
01:01:41mm-hmm
01:01:41mm-hmm
01:01:42mm-hmm
01:01:44mm-hmm
01:01:45mm-hmm
01:01:49mm-hmm
01:01:49mm-hmm
01:01:50mm-hmm
01:01:52mm-hmm
01:01:55mm-hmm
01:01:59there we are
01:02:01mm-hmm
01:02:04mm-hmm
01:02:05mm-hmm
01:02:06mm-hmm
01:02:16mm-hmm
01:02:19I propose a toast.
01:02:21To the hospitality of our generous hostess.
01:02:24Yes, indeed.
01:02:28Oh, what a clumsy fool.
01:02:31Have a kiss.
01:02:33Yes.
01:02:35How unfortunate.
01:02:38Please don't make me stay.
01:02:39Let's go tonight.
01:02:41Get yourself all excited again.
01:02:42Please.
01:02:45There's got to be a perfectly logical explanation
01:02:48for everything that you think's been happening to you.
01:02:54You've probably got a fever and you're overtired.
01:02:58I don't believe John.
01:02:59There's nothing wrong.
01:03:03Believe me.
01:03:07I'll take care of you.
01:03:18I'm sorry nothing ever works out the way I planned it.
01:03:22It's the story of my life.
01:03:24It's time to dinner in the city.
01:03:26Yeah.
01:03:31What you need now is rest.
01:03:34I'll be right next door.
01:03:38Tonight you get some sleep.
01:03:40And tomorrow we'll try to figure things out.
01:03:44We'll find your hunter friend.
01:03:47We'll go see what we can find out in town about our Mrs. Abercrombie.
01:03:52I promise you'll help me check it out.
01:03:55Across my heart.
01:03:57I don't see that.
01:04:02What's it?
01:04:04I don't know.
01:04:05What's here?
01:04:07I guess she left it for me to wear.
01:04:10Really?
01:04:11Hey, come on, let me see it.
01:04:17Well, that's not exactly Playboy.
01:04:19It is.
01:04:23Good night.
01:04:25Good night.
01:04:33Good night.
01:04:34I'll be right next door.
01:04:35Yeah.
01:04:39Good night.
01:04:54I'll be right next door.
01:08:31Watch your house, Jenny.
01:08:38You fools.
01:08:39You fools.
01:08:40You fools.
01:08:41Get out of here.
01:08:50There's only one more thing to do.
01:08:53Get out of there and get her.
01:08:54Come on, dear.
01:09:14Get the key to the padlocked room.
01:09:19That will prove it to John.
01:10:12That will prove it to John.
01:10:34Where are you?
01:10:38Oh, good God.
01:10:40Now listen.
01:10:42Everything must be exactly the same as I told you.
01:10:48Most important, the circle.
01:10:50Don't worry, it will be.
01:10:52But why do we need all this?
01:10:54We didn't have to with the others.
01:10:56The others were not the same.
01:10:58She must be just like that first bride.
01:11:03Okay.
01:11:03Now, remember, we waited for tonight for a reason.
01:11:09So that it can be just the same.
01:11:12She must die between midnight and six in the morning.
01:11:17The second before you were after.
01:11:22I'm having trouble with our helpers.
01:11:25They're too anxious.
01:11:27They could spoil everything.
01:11:30Now remember, most important, the circle.
01:11:36Now, she must enter it without us forcing her.
01:11:41Understood?
01:11:45What about Luther and the others?
01:11:47If they're here by midnight, fine.
01:11:51If not, we won't wait a second for them.
01:11:54Let's go.
01:12:26Let's go.
01:12:26Let's go.
01:12:33Let's go.
01:12:44Let's go.
01:12:44Let's go.
01:12:48Let's go.
01:12:59THE END
01:13:27THE END
01:13:50THE END
01:14:00THE END
01:14:09THE END
01:14:17THE END
01:14:19THE END
01:14:19THE END
01:14:30THE END
01:14:44THE END
01:14:46THE END
01:14:47THE END
01:14:53THE END
01:14:54THE END
01:14:54THE END
01:14:55THE END
01:14:56THE END
01:14:57THE END
01:14:59THE END
01:14:59THE END
01:15:14THE END
01:15:22THE END
01:15:22THE END
01:15:32THE END
01:15:35THE END
01:15:39THE END
01:15:40THE END
01:15:40THE END
01:15:50THE END
01:15:51THE END
01:15:56THE END
01:15:58THE END
01:16:01THE END
01:16:09THE END
01:16:09THE END
01:16:09THE END
01:16:10THE END
01:16:12THE END
01:16:20THE END
01:16:21THE END
01:16:21THE END
01:16:22THE END
01:16:25THE END
01:16:32THE END
01:16:32THE END
01:16:32THE END
01:16:32THE END
01:16:40THE END
01:16:41THE END
01:16:46THE END
01:16:47THE END
01:16:47THE END
01:16:49THE END
01:16:50THE END
01:17:02Oh, my God.
01:17:38Oh, my God.
01:17:40Oh, my God.
01:17:42Oh, my God.
01:17:42I'll kill you.
01:17:44Please, please, please.
01:17:48Please, please.
01:17:49Please, please.
01:18:08Please, please.
01:18:10Oh, my God.
01:18:15Oh, my God.
01:18:29Oh, my God.
01:18:36Oh, my God.
01:18:49I didn't...
01:18:50I didn't...
01:18:59Jane!
01:19:00No!
01:19:02I want to get away!
01:19:03Everybody, come on, we gotta get out of here.
01:19:15Jane, look out!
01:19:23Oh, God, not you.
01:19:26I'm sorry, Jane, but you are so perfect.
01:19:35No!
01:19:36No!
01:19:39No!
01:19:41No!
01:19:45No!
01:19:48No!
01:19:48No!
01:19:49Si....
01:19:49Mama!
01:20:24she's waking
01:20:26ah good
01:20:29it's almost midnight
01:20:31i wanted her to be awake
01:20:33what about luther and the others
01:20:35i told you we weren't going to wait for them
01:20:39then let's start
01:20:41oh we have to wait till midnight
01:20:44that drug may wear off at any time
01:20:46we don't know how much we got in there
01:20:47ah enough did
01:20:50i don't want to hurry and spoil this
01:20:53we've worked too long looking for one as perfect as her
01:20:58ah fine child
01:21:02i'm so glad you could join us
01:21:05although it's a shame
01:21:08after john and i worked so long and hard
01:21:11looking for someone like you
01:21:15you're not going to be with us very long
01:21:22it's no use jenny
01:21:25that shot we gave you was a local anesthetic
01:21:28you can see and hear fine
01:21:30but you can't move your body at all
01:21:33frustrating isn't it john
01:21:35but you have no idea how frustrating it's been for john and me
01:21:41waiting all this time
01:21:44for this night
01:21:46this special night
01:21:50ah but it is well worth it
01:21:54oh
01:21:55oh i must thank you for being so generous
01:21:59with that blood for the circle
01:22:06it's almost time
01:22:12fine child
01:22:14in a moment you're going to learn the recipe for my hundred stone
01:22:19and i'm going to learn the recipe for my hundred stone
01:22:49oh
01:22:56oh
01:23:18and
01:24:33Now, child, you are one of us.
01:25:12Go, child!
01:25:22No!
01:25:23No!
01:25:23No!
01:25:24No!
01:25:24No!
01:25:25No!
01:25:27No!
01:25:30No!
01:25:32No!
01:25:39No!
01:25:44No!
01:25:51No!
01:25:57No!
01:25:59No!
01:25:59No!
01:26:01No!
01:26:22No!
01:26:24No!
01:26:44No!
01:26:45No!
01:26:52No!
01:26:54No!
01:26:55No!
01:26:59No!
01:27:24No!
01:27:25No!
01:27:25No!
01:27:28No!
01:27:51No!
01:27:52No!
01:27:52No!
01:27:52No!
01:27:53No!
01:27:58No!
01:28:01No!
01:28:03No!
01:28:13No!
01:28:15No!
01:28:15No!
01:28:16No!
01:28:25No!
01:28:27No!
01:28:33No!
01:28:34No!
01:28:34No!
01:28:35No!
01:28:35No!
01:28:36No!
01:28:36No!
01:28:40No!
01:28:49No!
01:28:50No!
01:28:57No!
01:28:58No!
01:29:01No!
01:29:01No!
01:29:02No!
01:29:02Amen.
Comments