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04:07So it was such a crazy experience to look at the screen and then look at the audience
04:11and see people's reactions and people were in awe.
04:21So I just had tears, I just had tears, I just had tears rolling down my eyes.
04:42So I just had a lot of people's reactions to my reaction, I just had a lot of reaction to
04:49my career.
04:50I didn't hear any reaction.
05:20I will definitely rank higher than money.
05:54The suspense point of it, they are not able to digest, because Indian scream is the first time they have
05:59seen.
06:00In fact, they have a sensation.
06:06There was a mixed attack.
06:09They have seen something new, they didn't know how to react it.
06:13It was only the first show.
06:15The second show, it became a phenomenal success.
06:19Why cut up a kill Baobali?
06:21So that was also a very unplanned and unanticipated surprise that came out of this thing.
06:27For two years of cinema, I've been waiting for a film.
06:31I've been waiting for a movie.
06:33I've been waiting for a movie.
06:34Why cut up a kill?
06:37Why cut up a kill?
06:38I've been waiting for a kill.
06:38Even for two years of cinema, I've been waiting for aulsión.
06:41But I've been waiting for a situation.
06:43Why do you decide that you got the kill?
06:45You were from a puppy.
06:46Then you can get the kill out.
06:47Why do I know that matter?
06:49The goal is not to get the kill.
06:50Anyone can get the kill out.
06:52You can talk to me that little.
06:58Then you get the kill out and you'll not get expelled.
06:59What does that kill like?
07:01I don't know how much you can hold.
07:02I have a part of this producer.
07:12But that will become the most asked question and none of us actually, to be honest, anticipated that and of
07:22course that WKKB went on to define the marketing for Bahubali 2.
07:46The two-part thing, the genesis was Bahubali, when we did Bahubali 1 and 2, there were multiple doubts, multiple
07:58questions.
08:04There were so many questions, doubts that people used to express and now nobody even thinks it's part 1, part
08:122 has become two parts, same story being broken into two parts has become a very common phenomenon.
08:20So Bombay, part 1 release, we need to meet some big people in Bombay and all.
08:30So pale-eyed Japan, but some big, very big. So the last biggest dubbing was 20-something and maybe we
08:45can achieve 30.
08:55It's very innocent. The calculation of Bahubali is not easy to judge and Bombay is not easy to judge.
09:03This is the highest Atalu film has ever collected. These guys spent a little more or twice more than that.
09:11And they used to do impossible maths on saying, this film is definitely going to fail.
09:15But I think dreamers will always be dreamers and they'll just go forward and achieve things.
09:19It changed the perspective. Now you know a lot more people dream. It gave a license. We're waiting for the
09:24next big moment to happen.
09:25But just you want the film to be good because of the budget. So 100 years, 150 years, I don't
09:31know.
09:32So it did 165 and all and finally 10 years, I don't know. It was innocent talk, but it's a
09:39kid talking.
09:40The film is not going to happen. So Bahubali won, released, blockbuster. So what happened, shoot starts.
09:48And after 6 months, I shot the RFC. It's a whole year. He's a whole year.
09:54He said, I'm not going to have a whole lot of people in Bangkok.
09:58I said he's not going to have a whole lot of people in Bangkok.
10:01He said, you know, it's a whole lot of people in Bangkok.
10:03So we just got to wait to be the infection at the hospital.
10:07Then I went to the doctor and the doctor was waiting for a year.
10:09So he said, you know, India is a whole year.
10:13He's a whole year. He's a whole year.
10:14You know, this is a whole year.
10:16You saw the film? Yeah, I saw the film. Everybody saw the film.
10:20And the doctor loves the film.
10:24Really? I'm his friend.
10:27I'm his friend.
10:29He's a doctor.
10:33He's a friend in Bangkok.
10:36So one hour waiting, one and a half hour waiting.
10:38He treated him.
10:40He's a friend.
10:47Japan has already impacted me.
10:51But other than Japan,
10:53Bangkok and many areas,
10:56that's the first time.
10:57He's a friend.
10:59He's got a special treatment.
11:02That was one.
11:04One masterstroke.
11:13The second part also was like a breeze, you know.
11:16I mean, as far as raising money for the second part,
11:19even though we had to spend again,
11:21it was again 220 to 230 crores.
11:23How Mr. Ramoja Rao Garu supported us in the first part,
11:26Matrix Prasad Garu,
11:27he had a lot of goodwill for,
11:29you know, both Shogu and me and for RK Media Works,
11:32and of course, Raj Mohli.
11:34And he said,
11:34I would like to be a part of this journey,
11:37this Bahubali.
11:38What I can do is,
11:39if you all need any funding,
11:41please let me know.
11:42It was like God's end for us.
11:44You know, we were thinking,
11:45how do we raise the money?
11:46And thanks to Mr. Matrix Prasad.
11:49I can't wait.
11:51You know,
11:52I've not just yet know.
11:59I've really got to tell a girl.
12:05Do you have to be a second?
12:13Did you raise a man?
12:14Do you know if there were any other people at the end?
12:14why he's a good guy?
12:15Well,
12:15I will leave.
12:16I'll be in the next episode.
12:17I'll do it.
12:18If I was a singer, I had a single player
12:21So my player has 24 layers and I didn't have any other players
12:25Why? Why?
12:26That's how I say
12:26Okay
12:27So my player has a weak count
12:29So 24 tracks, my intensity creates this
12:33Mr. M. N. Karim Sahib
12:35I am very lucky to understand this
12:39Because this is a music actor that has made every color
12:42I think it's a new song.
12:44I love you, Raja Jaykaara.
12:48I love you, Raja Jaykaara.
12:53I love you, Raja Jayhari.
12:55I love you, Raja Jayhari.
12:56I love you, Raja Jayhari.
12:58In Bahubal, there was a song called Dandala.
13:01In that song, the song was kept in the studio,
13:03and the caravan was kept in the studio.
13:05It was the first time to compose the composition.
13:07But it was a pattern that it was made from outside.
13:15We just recorded the song in the Karavan.
13:18We just recorded the song in the studio.
13:21What is the difference in the quality?
13:24I don't know.
13:27There are many myths in movie making.
13:33If you break the rules,
13:38if you break the rules,
13:40you don't have to hit it.
13:41So I broke the rules
13:43that a song should be recorded in a studio only.
14:08If you break the rules,
14:09you don't have to hit it.
14:13Luckily, one time,
14:16part one,
14:19I went inside,
14:21the scene.
14:21I did part two.
14:22The scene in the studio is a very special.
14:26But when I was at the stage,
14:27I didn't see the sound.
14:28It wasn't the sound.
14:29It was not the visual.
14:31It wasn't the sound.
14:34But after that,
14:36from the point of view,
14:38the sound meter.
14:47That's what I did silence it is that's magic
14:54drama scene the violent scene low is not music from the character point of view from the mother's
15:02point of view looking at his son like I was clapping and that's why I didn't
15:09put Arar there this is the Arar part so that is why he's the great Kirwanigarum
15:57I mean we started Arar in 2001 and we are primarily into television we sort of took a decision as
16:03a producer that I know I will try and grow the TV business and showbook and
16:09handle movies so I briefly in 2011 I shifted to Mumbai actually to grow our TV business
16:17I remember for six months I was trying to set up meetings in six months I couldn't get a single
16:24appointment with any of the people who matter the nation making where I could go pitch that you know
16:29hey I'm a I'm a producer from Hyderabad and we do some great stuff in television
16:34now we were like looking at the Hindi market for television but no six months I couldn't get a single
16:40appointment and after one year I said you know there's no point and I shifted back I mean before
16:46Bahubali to after Bahubali I mean I don't want to boast about it I'm not saying in a bad way
16:50the same
16:51people who I couldn't get an appointment with they were all there in our office you know during or
16:57after Bahubali asking us can we work can they work with us and it felt nice you know that's when
17:02you
17:02know the success of Bahubali and we built on that from there the film has a mix of unbelievable yet
17:08entertaining action scenes Bahubali 2 the conclusion has become the biggest Indian blockbuster ever cutting
17:15across languages.
17:46The first Pan-Indian film was Bahubali.
17:47I was about to say that a lot of the film was released in 2015.
17:55The first Pan-Indian film was Bahubali.
18:01I was able to see what Pan-Indian film was.
18:06You know.
18:06I was going to see the first time I was watching Bahubali.
18:10But I was able to see the first time I was able to see Bahubali.
18:15Taluk's success. Bahubali will stand like a solid foundation for many, many pan-Indian films.
18:23I think Bahubali was the only thing.
18:32My entire industry, the entire surroundings of how we perceive cinema.
18:37This is what Indian cinema is. We had a word called Indian cinema,
18:41but we really didn't know what it meant till Bahubali came along.
18:45When I used to go to some places for interviews, the directors used to say that Bahubali changed everything in
18:50our life.
18:51We can make a great film from anywhere in the country.
18:56So the people used to come and say, Bahubali has changed everything in our lives, and that's beautiful.
19:03If you have an Assamese film that can dub across languages, all that became very possible, I think,
19:09only because of Bahubali and the impact it had. Definitely for a generation now,
19:14this is probably the largest impact that any cinema could have.
19:19An actor who's been rooted in Telugu would be completely different, probably a director who's from here.
19:24So the cross-pollination, if I can say, of talent is, I feel, a very, very exciting thing that has
19:32also happened.
19:33Indian cinema shows the evolution of Bahubali.
19:39Our pictures are more popular in the north than their pictures.
19:45That's only because of Bahubali.
20:05Bahubali has really set a benchmark in terms of period cinema.
20:10I'm very happy to see that so many people are making their own Bahubalis, and we are set a trend
20:16or set a benchmark in period films.
20:20Our country's stories, our country's culture, started to find different ways to find different ways.
20:29And I saw that consistently happen after Bahubali.
20:32Like, people consciously wanted to tell stories of our land.
20:35And I feel like I have so much pride that, you know, I got to be a part of a
20:39film, which has actually promoted that.
20:42A lot of times, when I went to some of the abroad VFX team, they are mentioning that, oh, India
20:49is like this.
20:50They don't know, always India they see as a poor country, but is it really true?
20:55How do you guys imagine? You know, that's how we used to live.
20:59So that kind of impact, I was very happy that at that time, they didn't ask about the visual effects.
21:05They asked about the culture, and so it blended very well.
21:08I'm so happy that Bahubali actually redefined Indian cinema, and I am part of this amazing film.
21:16Might, Majesty, and Mahishmati.
21:19And what room is to history, textbooks, Mahishmati and Bahubali will be to Indian cinema in some manner.
21:27This is what Indians can do. This is what Telugu films can do. This is what Indian cinema can do.
21:36It is a pride.
21:37According to the time, everyone should upgrade themselves in every aspect of life.
21:43So cinema, I feel that Bahubali has become a touch-bearer, you know, to take the cinema to another level.
21:55It has impacted it.
22:01It has impacted the whole world.
22:03Not that it was like 90,000 people, but it is helpful.
22:06I can't believe it.
22:08Listen to me, I don't care.
22:11But I have to see a bit.
22:12There are nowhere, there are nowhere near the end.
22:14There is nowhere near the end.
22:19There is nowhere near the end.
22:23There is nowhere near the end.
22:25There is nowhere near the end.
22:38We'll see you next time.
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