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15:38Trans Told
15:53Transç´€B
15:54So, Nazar Garu used to, you know, and Rajmali Garu sit there and they used to make us do things,
15:59say things in gibberish.
16:00It was very, very scary. And then we used to have a lot of training.
16:04So, it was me and Prabhas who were reasonably fit people.
16:08In a general standard, we've always been fit people, we've been training, we were into fitness.
16:14But to Bahubali, you realized you needed a whole different level of fitness.
16:17In India, there was a lot of training in India.
16:23So, they brought us some Vietnamese trainers.
16:27They couldn't speak English or they only spoke Vietnamese.
16:39I don't know, I don't know.
16:41No!
16:43Raidiii!
16:44Raidyii!
16:46Ruma roo faiaaa!
16:48Ruma roo faiaa!
16:49Ruma roo faiaa!
16:51He's wrong!
16:53Niamauan man tar zyaad let go to you!
16:55Ruma roo fa!
17:22I have always been a film lover first, always been a fan of swords and films like this.
17:35So I just keep training right from the morning till whenever they let me go.
17:38Anyway, you can't cheat on me, but in 9th Agra, he's like worse, 10 times worse.
17:45My principal is going to go to jail.
17:48I mean, okay, rock climbing, whatever, sword fight, horse riding.
17:54If you don't have a horse riding, you'll find a phone.
18:02How are you going to do it?
18:03I'm going to go to jail.
18:06You know what I'm going to do?
18:08Yes, I'm going to go to jail.
18:10Just wait for me, I'm going to go to jail.
18:16I'm going to go to jail.
18:21And if I don't have a horse riding, I'm going to go to jail.
18:25Yes, brother.
18:26I was asked for ducks.
18:29I asked for ducks.
18:31I asked for ducks.
18:32I asked for ducks.
18:33I asked for ducks.
18:35I asked for ducks.
18:46It started with those sessions of extreme martial arts,
18:51weapon training.
18:51What it was started, then bodybuilding became a large part in the process.
18:56What did you do?
18:58I asked for ducks.
19:00I asked for ducks.
19:25I was like,
19:25I asked for ducks.
19:28I asked for ducks.
19:33They were like,
19:34I asked for ducks.
19:37I asked for ducks.
19:53was unheard of, set designs, world of Baobali, concept arts,
19:58so many things which nobody had even thought of.
20:01We had planned and did and spent money and time and resources
20:06building all these things.
20:08That work was amazing and detailed work.
20:11I didn't do that, but I didn't do that.
20:16Concept art was a great help to start off the film
20:18because everyone knew what we are going to do
20:21and what we are going to make.
20:22Mostly what we did is a lot of storyboard animatics.
20:26We have one concept artist called Pratik.
20:29He does very interesting black and white moving animatics storyboards.
20:38We had something called a Bible written for Baobali
20:41where we talked about even the political situation of how it was,
20:45which were not shown in the film,
20:47but as a team we all knew what was going on in Maishmati
20:51at every point of time.
20:52In the film, when we had a lot of references,
20:56we had a lot of costumes ready,
20:57we had a lot of bonnets.
20:59But the actors' body made a lot of comic music.
21:04So we used to put a lot of interior equipment for this film.
21:11And we had a lot of equipment.
21:12All of them are the same problem.
21:13The designs...
21:14The designs were very good.
21:16Once we incorporated them,
21:17they feel really light.
21:18The jewelry part, sir, we couldn't imagine, and we weren't prepared for the first day of shoot.
21:27The first time I made it, it was a new feeling because I didn't have the armor.
21:37Sir, they're killing me, sir.
21:39Starcher helmet, sir.
21:40So, the armor's design was the first firefly company.
21:45They were really very beautiful.
21:52It was heavy. I didn't know the excitement.
21:56I didn't know the excitement.
21:59I think this is the first time in Indian industry making this kind of material.
22:05It's flexible and at the same time it looks like a material.
22:07It was a great feeling.
22:11The feeling was that the material was practical.
22:16It was either too heavy.
22:18And later on, shooting, it was too heavy.
22:21As you go, it will be a very big problem.
22:25So, the armor was heavy.
22:27So, you need to fight with that.
22:29And the keretum.
22:31So, keretum means cut.
22:33So, when you're doing action, the keretum means cut.
22:36So, the horse came.
22:38Okay, one, two days.
22:39If I do action, I have to fight with that.
22:41The horse was a problem.
22:43So, the armor, the armor was a pipe.
22:46So, it was above the shoulder like this.
22:48And Rajmoly was a perfectionist.
22:50So, before the shot, I didn't pull.
22:52I didn't pull.
22:55I didn't pull.
22:55I didn't pull.
22:56I didn't pull.
22:57I didn't pull.
23:05So, every day I was first.
23:06They always want to be first.
23:09So, I was ready.
23:13I had to play.
23:14So, a butterfly horse should be first.
23:16But you don't know what horse you do.
23:18So, I asked myself, as I left the horse.
23:21I was in the third row.
23:23I told myself, I got ready.
23:24I'm not going that way.
23:25I was going to be here.
23:28I was not going to be ready.
23:30The game is ready.
23:30The game is also ready.
23:31Our game is ready for it.
23:33Exactly.
23:34What are you doing?
23:36What are you doing?
23:36Yes!
23:38What are you doing?
23:40Yes!
23:42You can do two moves for certain shots.
23:45You can use one armor,
23:48and you can use one armor.
23:50So, there's flexibility in certain parts.
23:53So, even armor was very complicated.
23:57It's not easy to shoot in AC.
24:04Go!
24:06Go!
24:07Go!
24:10Go!
24:11First, it was not Gurtu.
24:13It was only an iron ball and a chain that I had as a weapon.
24:20So, I trained with that for a couple of weeks,
24:22and I thought, okay, now, this is good for far combat,
24:25but what do you have to do for close combat?
24:26We have to, through this, design something else.
24:28So, then, that has to stick at the end of it.
24:30So, he hit like this.
24:33Now, he presses this one, comes closer.
24:35Now, it is like a maze.
24:37Yeah.
24:38Bam!
24:38He hits and these guys will get crushed onto the guys at the back.
24:46So, I think that child-like excitement of why you are in the movies
24:49was answered to me because of Bahubali.
25:03the biggest technical hurdle is money.
25:09It's been a long time for a long time.
25:10At first, we played a long time for a long time for a long time.
25:15We played a long time for a long time for a long time.
25:18But in my opinion, in the beginning of the film,
25:23we have a vision and ambition.
25:27We have a double.
25:29We have done it in the first part.
25:32We have done it.
25:34We have done it.
25:36And where we were trying to hit was somewhere here.
25:38And only when we got into it,
25:40we realized where his vision was
25:41and where we were visualizing.
25:48So I remember because I used to take care of the finance
25:55and the business side of things.
25:57So I used to have an Excel sheet where we used to have the expenditure
26:00and then I used to have the total market.
26:03So after a certain point, you know, once this expenditure started increasing
26:07and then it crossed the market,
26:09I wouldn't say it was a shock or we, at some point,
26:12we decided this is getting serious.
26:13But we decided to support the dream.
26:16Two things made me want to be part of this project.
26:19One was I saw the kind of load that Shobu was taking.
26:22I mean, it was crazy the year to take care of.
26:25Production and marketing started.
26:27Then business dealings and business negotiations.
26:30I was also traveling to film festivals, film markets,
26:35trying to see if you can get foreign territories, foreign sales.
26:39Second thing is I felt I also needed to take an active part in this dream called Bahubali.
26:46So I wrote a mail to Shobu.
26:48I would like to be part of Bahubali.
26:50That I immediately agreed and we both split it.
26:54That was our first project where we split the project
26:56in terms of the division of responsibility
26:58where I was handling the production and marketing
27:00and dealing with Rajmuli and all the unit and everybody else.
27:05And he was handling the finance and sales.
27:07I mean, the business side of things.
27:08So I was in charge of raising the funds and closing the deals.
27:43The vision and the challenge which Rajmuli posed to us was really something unique
27:49and we were setting a benchmark of what to follow.
27:53I don't think nobody knew what we were getting into.
27:56We never have done this before.
27:58There's nobody who's done this before us in terms of for reference.
28:01Can we do it was the first thing
28:03because the scale we imagined was out of pure imagination
28:06and something which has not been done before in Indian cinema.
28:10Whatever others say, nobody knew what Bahubali was before it came out.
28:14It's a mad belief that we had in the filmmaker himself, in the makers
28:18that whatever he's saying he will achieve and do.
28:37It's a mad belief that I have to.
28:37Than a dad.
28:39To the end.
28:41To the end.
29:03Now for the end.
29:05And that's why we need to have to.
29:05Is it hard for our clients?
29:05And that's why we need to make all of our clients.
29:05We need to have a better plan for our clients.
29:05Now we need to have a good time.
29:06And that's why we're here.
29:06.
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