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FunTranscript
00:00:03The End
00:00:10The End
00:00:29Gentlemen, we are gathered here today as representatives of some of the greatest design teams in the world
00:00:36We are here to listen to a proposal from a Mr. X a man who is 50 years ahead of
00:00:41his time a
00:00:43Man who is undoubtedly the world's greatest aircraft designer the daddy of them all
00:00:49Mr. X are you with us?
00:00:52Yes, I am with you. Mr. President gentlemen, you must forgive the extraordinary security precautions taken today
00:00:59But when I tell you that Mr. X is none other than the man who designed the international rescue aircraft
00:01:05You will understand the importance of security
00:01:08Mr. X has a proposition to put to us for a revolutionary new type of aircraft
00:01:13It is perhaps the most exciting moment in the history of our company
00:01:19And now gentlemen the moment has come
00:01:22What is it to be?
00:01:24An aircraft that flies ten times the speed of sound
00:01:31A space vehicle that travels the speed of light
00:01:38If I were able to guess, Mr. X would not be here today
00:01:42And now Mr. X it is with great excitement that we await breathlessly the details of your new design
00:01:48Well, gentlemen, I thought it would be a good idea in this day and age of speed and things like
00:01:59that
00:02:00To build an airship
00:02:06An airship?
00:02:08An airship?
00:02:09An airship?
00:02:16An airship?
00:02:19An airship?
00:02:19An airship?
00:02:19An airship?
00:02:20An airship?
00:02:21An airship?
00:02:23An airship?
00:02:27An airship?
00:02:31An airship?
00:02:54A beautiful island in the Pacific.
00:02:58Secret base of international rescue.
00:03:00So far, undetected.
00:03:02Outwardly, the luxury home of millionaire ex-astronaut Jeff Tracy.
00:03:08Now, let's have a rundown on the international rescue craft.
00:03:12At the moment, there are five.
00:03:19Thunderbird 1.
00:03:20Fleet, first and fast.
00:03:25Thunderbird 2.
00:03:27Giant transporter.
00:03:28Carries all the rescue gear to the danger zone.
00:03:35Thunderbird 3.
00:03:37Designed for space rescue.
00:03:40Thunderbird 4.
00:03:43Capable of withstanding the pressure of the depth.
00:03:49Thunderbird 5.
00:03:50Space monitor.
00:03:52Capable of receiving or intercepting distress calls from any part of the world.
00:03:57And I'm telling you, brains, in no uncertain terms, that we now need a Thunderbird 6.
00:04:07Thunderbird 6.
00:04:17Sure, Mr. Tracy.
00:04:19But can you give me some sort of a steer?
00:04:21I like to work to a specification.
00:04:24Specification?
00:04:25You didn't need to work to a specification when you designed that airship for the new World Aircraft Corporation.
00:04:31That's right.
00:04:32I didn't.
00:04:32And what happened?
00:04:34They laughed.
00:04:35Yeah, that's right.
00:04:37They laughed.
00:04:38And then they built it.
00:04:56And then they built it.
00:04:56And then they built it.
00:04:58And then they built it.
00:04:58And then they built it.
00:04:59And then they built it.
00:04:59And then they built it.
00:04:59And then they built it.
00:05:00And then they built it.
00:05:01And then they built it.
00:05:02And then they built it.
00:07:02There you are, Brains.
00:07:03Your specially commissioned painting of Skyship One.
00:07:08Thanks, Virgil.
00:07:09It's really great.
00:07:11But I guess that's about the nearest I'm gonna get to it for some time.
00:07:15I'm sorry about this, Brains.
00:07:17But I've got this feeling, and I know I'm not wrong.
00:07:20We desperately need a Thunderbird Six.
00:07:23That's okay, Mr. Tracy.
00:07:26Of course, I would have liked to have been on the maiden voyage.
00:07:29Sure.
00:07:31But at least International Rescue will be represented by Alan, Tintin, and Penelope.
00:07:35They'll give you a full report.
00:07:37So, you like the painting, eh?
00:07:39Say, talking of painting...
00:07:43Alan?
00:07:44Yes, Dad?
00:07:45You better get cleaned up.
00:07:46Don't forget it's your farewell dinner tonight.
00:07:48Just ten more minutes, Dad, and I'll be through.
00:07:50How's she looking?
00:07:51Great.
00:07:52Just great.
00:07:54I finished our packing, Mr. Tracy.
00:07:57Our packing?
00:07:59Tintin, come here a minute.
00:08:01Certainly, Mr. Tracy.
00:08:03Is there anything wrong?
00:08:05Tintin, Alan wanted to travel to England in an unconventional way.
00:08:10Well, I've organized that.
00:08:12But it's gonna be a long journey,
00:08:13and not exactly the way for a young lady to travel in this day and age.
00:08:17You are traveling by scheduled airline.
00:08:20But, Mr. Tracy, I want to travel with Alan.
00:08:24Now, Alan leaves tomorrow,
00:08:26and you leave in two weeks' time.
00:08:28Understand?
00:08:49Come on, now, they're over here.
00:08:50You'll get a good view.
00:08:54Well, I guess we've seen a lot of lunchings,
00:08:55but this'll beat off.
00:08:57Say, where's Tintin?
00:08:58I don't know, Dad.
00:09:00Strange.
00:09:01Unusual for her not to see Alan off.
00:09:19Here she comes.
00:09:40So long, folks.
00:09:49Arrolls are starting with me.
00:09:50So long, folks.
00:10:32I know how much this project means to you,
00:10:35and I feel that you, not I, should be making this trip.
00:10:39But, of course, you are the one person who cannot be spared.
00:10:43I shall be thinking of you.
00:10:45Love, Tintin.
00:10:48P.S. I stood aboard the Tiger with Alan.
00:10:53She's what?
00:10:54That's right, Mr. Tracy.
00:10:56She's aboard the Tiger with Alan.
00:11:06He flies through the air with the greatest of ease.
00:11:12The daring of life is a flying machine.
00:11:17His movements are graceful, all girls he can please.
00:11:22And my heart he's gone away.
00:11:25And my heart he's gone away.
00:12:20And my heart he's gone away.
00:12:25Isn't it a lovely outfit?
00:12:27It belonged to my ancestor, the Duchess of Crichton Ward.
00:12:31Well, what do you think, Parker?
00:12:34Oh, I think it's very elegant, m'lady.
00:12:37Mind you, I prefer miniskirts myself.
00:12:40But I suppose it's appropriate that you should be dressed like that
00:12:44for the revival of the hairship, so to speak.
00:12:47Thank you, Parker.
00:12:49And that outfit suits you beautifully.
00:12:52Well, if Alan's on schedule, he should be arriving at any moment.
00:12:55Yes, m'lady.
00:12:56I understand that he's been on his way now for two weeks.
00:13:04That's him, Parker.
00:13:05We must go onto the roof and see him land.
00:13:08Come on.
00:13:11There it is, Tintin.
00:13:13Yes, Alan.
00:13:14It looks lovely.
00:13:30I expect he's coming in to land.
00:13:39M'lady, it's coming straight for us.
00:13:58I don't believe it.
00:14:03Hi, Penny.
00:14:04Hi, Parker.
00:14:05Alan, I'm so glad you're safe.
00:14:08You gave us quite a scare.
00:14:10Gee, I like your outfit, Penelope.
00:14:12Yes, I was rather pleased with it myself.
00:14:24Excuse me.
00:14:25All the family send their love to you.
00:14:27Excuse me, Mr. Alan.
00:14:28Excuse me.
00:14:29What is it, Parker?
00:14:30Your hair craft, sir.
00:14:32It's got no pilot.
00:14:34I just thought I'd point it out to you, sir.
00:14:37Oh, forget about it, Parker.
00:14:38I finish with it now.
00:14:40Now, you were saying, Penelope.
00:14:55Mr. Alan, please, don't you understand?
00:14:58It's going to crash into the air.
00:15:00Parker, what has got into you?
00:15:04Sorry about that, Alan.
00:15:10Stop!
00:15:13Stop!
00:15:18Stop!
00:15:38It's down the crowd, it's going to land on its own.
00:15:44Parker.
00:15:45Bellady?
00:15:46Tintin's an excellent pilot.
00:15:47Don't you think, Parker?
00:16:08You should have seen Parker's face, Tintin.
00:16:12It was the funniest thing I've ever seen in my life.
00:16:15I can just imagine it.
00:16:17Of course, I saw immediately what Alan was up to, because I knew you were on board.
00:16:22Jeff called me yesterday.
00:16:24I could hardly keep a straight face.
00:16:28Come in.
00:16:31All the baggage is aboard, Bellady.
00:16:34Thank you, Parker.
00:16:35Now, there's only one thing left to do before we leave.
00:16:39Bon voyage.
00:16:40Bon voyage.
00:16:41Bon voyage.
00:16:43Bon voyage.
00:16:44Bon voyage, Bellady.
00:16:50As president of the New World Aircraft Corporation, this flight is of paramount importance to
00:16:56me.
00:16:56The fact that members of International Rescue will be on the maiden flight enables us to achieve
00:17:01worldwide publicity.
00:17:02In order to make this possible in the first place, we have given assurances to them that
00:17:07the strictest security arrangements will be enforced.
00:17:10That is why the airfield is cleared of all personnel.
00:17:13The passengers are due to arrive in, um, 30 minutes.
00:17:22Contact.
00:17:24Contact.
00:17:36Contact.
00:17:53Oh, my God.
00:18:25Verge, I can see them.
00:18:26At 2 o'clock.
00:18:29Okay. I've got them, Scott.
00:18:31Right. Operation Escort. Go.
00:18:57This is what I call drive it in style, my lady.
00:19:03It isn't every Rolls Royce that has a hair crop, Heskel.
00:19:21Okay. All checks complete.
00:19:23Martin?
00:19:24Yes, sir.
00:19:25Lane?
00:19:25Yes, sir.
00:19:26Carter?
00:19:27Yes, sir.
00:19:28Hogarth?
00:19:29Yes, sir.
00:19:30Okay. Return to your posts and await the arrival of the passengers.
00:19:34Hold it right there.
00:19:42Quickly. We haven't much time.
00:20:10We haven't much time.
00:20:41Scott, from Penelope.
00:20:43Come aboard with the others and have a farewell drink.
00:20:46We'll meet you in the ballroom.
00:20:47The ballroom?
00:20:49Well, may I book the first dance?
00:20:50No, Scott. It isn't what it seems.
00:20:53You'll see.
00:20:55And now, by the courtesy of the New World Aircraft Corporation,
00:21:01we bring you the drinking of power.
00:21:06Now, my lady, what will it be?
00:21:08I think this occasion calls for champagne all-round, Parker.
00:21:13All-round, the lady?
00:21:15All-round, Parker.
00:21:25And now, ladies and gentlemen,
00:21:27on behalf of the New World Aircraft Corporation,
00:21:30I welcome you aboard Skyship One.
00:21:33As you know, this is the maiden flight.
00:21:36It is, of course, a great honor for us to have such distinguished guests.
00:21:41Now, you can be assured that the crew and myself
00:21:44will do everything in our power to make this a trip to remember.
00:21:48Well, bon voyage.
00:21:52Bon voyage.
00:21:53Bon voyage.
00:21:54Bon voyage.
00:22:09Okay, one minute to take off. Now we know the ship is fully automated. Everything is
00:22:16pre-programmed. Height, speed, course. We are all supposed to be trained men. The only
00:22:22way that our cover will be broken will be if anything goes wrong with the ship. Take off
00:22:26now 30 seconds.
00:23:53Well, we're off.
00:24:35Come in.
00:24:38Dinner is served in the bottle room, milady.
00:24:59Well, they've gone. May we have the blinds drawn, Captain?
00:25:03The entire operation of this skyship lady Penelope is totally automatic. As the light falls,
00:25:10the curtains will draw automatically.
00:25:12Of course. That's just the sort of thing brains would have thought of. Well, it looks
00:25:18as if we're all set for a lovely, peaceful holiday.
00:25:51It looks as if we're all set for a lovely day.
00:25:51Black Phantom, this is White Ghost.
00:25:54Calling Black Phantom. This is White Ghost.
00:25:58Come in, Black Phantom. Come in, Black Phantom.
00:26:04Have disposed of cargo. Operation Ambush underway.
00:26:23Calling International Rescue. This is Lady Penelope.
00:26:28Jeff, I want you to send Thunderbird 1 and 2 to a disused airfield ten miles south of Casablanca.
00:26:35International fixed system 2404 reference E.
00:26:40Ensure that brains is aboard. This is imperative.
00:26:45Do not acknowledge this transmission. We'll call later with further details.
00:26:49It's going to be difficult.
00:26:51That's what we're paid for. Now, I've had this whole place bugged.
00:26:55I want every word she speaks on this trip to be recorded.
00:26:59Whenever possible, I'll talk to her myself and maneuver the conversation in the right direction.
00:27:02Right. Get to work.
00:27:43Okay, Carter. Breakfast is served. Start recording.
00:27:48Morning, Alan.
00:27:49Morning, Penny.
00:27:49Morning, Alan.
00:27:50Morning, Tintin.
00:27:51Breakfast over New York. What an experience.
00:27:55This is really the way to travel.
00:27:58Yeah, it's great.
00:27:59Only thing is, as the ship's fully automated, if anything should go wrong with the computer,
00:28:04we could hit one of these skyscrapers and then we'd really be in trouble.
00:28:08Then, Alan, it would just be a simple case of calling International Rescue.
00:28:16Okay.
00:28:18Calling International Rescue.
00:28:37And now, gentlemen, it is with pride that I present to you Thunderbird Six.
00:28:45Now, so that I'm able to demonstrate this new machine properly, I have built this radio-controlled model.
00:28:53The situation? Man trapped in top floor of burning skyscraper.
00:28:58Thunderbird Six drives up to the building.
00:29:02The helium balloon now rises, lifting a plastic hose into the air.
00:29:08When the balloon reaches the correct height, the reel is locked off.
00:29:12I don't get it, brains. What's the point?
00:29:17This is the point.
00:29:37And so you see, gentlemen, another international rescue is made possible.
00:29:46Well, Mr. Tracy, what do you think?
00:29:50Well, it's certainly ingenious, brains.
00:29:54But it means building a vehicle that gives us only one means of rescue.
00:29:58The end product just doesn't justify the cost.
00:30:03I'm sorry. I'm afraid you'll have to scrap it and start again.
00:30:07Too bad about the wasted effort.
00:30:09Wasted effort, Mr. Tracy.
00:30:12What's a mere 28 days working day and night?
00:30:17Think nothing of it.
00:30:29We must be descending. I'm getting butterflies.
00:30:33I always do when we lose height.
00:30:35You're absolutely right, Lady Penelope.
00:30:38We'll soon be flying over the Grand Canyon at zero feet.
00:30:41An automated announcement will tell us when it's the right time.
00:30:44Don't worry. You won't miss a thing.
00:30:47There. You can see our exact position. The Grand Canyon.
00:30:52You know I was once hopelessly lost in a jet plane.
00:30:55And then at last I made contact with the ground.
00:30:57Was I glad to hear that voice?
00:31:00You are directly over the Grand Canyon.
00:31:02Your position, International Fixed System 2424, reference E.
00:31:07Correction, Captain Foster.
00:31:09International Fixed System 2404, reference E.
00:31:14Of course, 2404.
00:31:17Ha! I didn't think I'd ever forget that.
00:31:21Ladies and gentlemen, we are now approaching the Grand Canyon.
00:31:25If you care to take up your positions on the balcony,
00:31:28you'll be in good time to get the most advantageous viewpoint.
00:31:44With the road.
00:32:11Keep pointing.
00:32:13It dishings people up your boxes and start looking from
00:32:14I think it's the most beautiful sight I've ever seen.
00:32:18Come across to the other side of the ship.
00:32:21There's an even better view over there.
00:32:23Yes, let's do that.
00:32:41Alan, I don't think you like Captain Foster.
00:32:44Ah, he's just a little bit too sweet.
00:33:00Thunderbirds one and two are probably the most versatile.
00:33:24I trust the Beaujolais was to our liking, Parker.
00:33:27And now, how about us a girl?
00:33:32Okay.
00:33:55And now, how about us a girl?
00:33:56As you know, m'lady, I've been spending quite a lot of time with the stewards.
00:34:03Drinking and all that sort of thing.
00:34:05Well, what worries me, they don't seem to know as much about the ship as they ought to.
00:34:11Thank you, Parker.
00:34:12I've had my own thoughts on the matter.
00:34:14I'm glad you told me.
00:34:16Yes.
00:34:17Well, uh, sorry if I disturbed you, m'lady.
00:34:21You were quite right, Parker.
00:34:23Good night.
00:34:24Good night, m'lady.
00:34:40Yes, Penelope?
00:34:41I've just had some information from Parker, Alan.
00:34:44I'm a little uneasy.
00:34:45Tell me, what do you think of Captain Foster?
00:34:48I don't go for him, Penelope.
00:34:50He's a little too smooth for my liking.
00:34:52Tell me, Alan.
00:34:53Has he been questioning you about international rescue?
00:34:56Well, as a matter of fact, he has.
00:34:58Well, not directly, mind you.
00:34:59But the conversation always seems to lead that way.
00:35:02I think we'll have to go into this situation a little more closely.
00:35:06I don't like the sound of it.
00:35:13The storm seems to be getting worse.
00:35:15I think you'd better come in here.
00:35:17We need to discuss this right away.
00:35:25Oh, well, um, perhaps we are allowing our imaginations to run away with us.
00:35:31After all, everyone's interested in international rescue.
00:35:35It's only natural they should ask questions.
00:35:37Oh.
00:35:38So you don't think there's anything to worry about, Penelope?
00:35:41No.
00:35:42After all, they have all been screened.
00:35:44They're carefully selected men.
00:35:46That was a close one.
00:35:47Well, put on the edited tape.
00:35:49Right.
00:35:51One thing's for sure.
00:35:52We've got to play this really cool from now on.
00:35:56Lady Penelope, I underestimated you.
00:35:59Calling international rescue.
00:36:02Jeff, I want you to send Thunderbirds 1 and 2.
00:36:07International fix system 2404.
00:36:12Reference E.
00:36:13Okay, continue recording.
00:36:19Doesn't sound as if we'll get much more tonight.
00:36:23When I was talking to you just now, Alan, I discovered a bugging device in the lamp by my bed.
00:36:29I wondered why you changed your attitude so abruptly.
00:36:32What's our next move?
00:36:34For the moment, nothing.
00:36:35We know we're being bugged, but we don't know why.
00:36:38We must just be on the alert.
00:36:40Okay, I'll mosey around and see what I can find out.
00:36:44Of course I understand, Mr. Tracy.
00:36:50It isn't quite the thing you had in mind.
00:36:53Of course I don't mind designing yet another one.
00:36:58You know, Scott, one of the remarkable things about Brains is that he never loses his temper.
00:37:03Well, if he did, I wouldn't blame him after all the work he's done.
00:37:07Upset?
00:37:08Me upset?
00:37:09Of course I'm not upset!
00:37:20Go ahead, John.
00:37:22Father, I've just received a message from Lady Penelope.
00:37:25It was sent in scrambled electronic code.
00:37:27Right, John. Let's have it.
00:37:28It's just coming out of the de-scrambler now.
00:37:30It reads, ship bugged, reason unknown.
00:37:35Am investigating.
00:37:38Imperative, no communication from you.
00:37:42We'll contact you when we have a lead.
00:37:46Signed, Penelope.
00:37:48FAB, John. Keep in touch.
00:37:51I don't like the sound of it, Dad.
00:37:53We've got to do something about this.
00:37:55Yeah, but what?
00:37:56Well, why not radio the police at their next port of call?
00:37:59They have the crew interrogated.
00:38:01No.
00:38:02Whoever it is on that ship that is looking for information
00:38:04is probably an agent for a larger organization.
00:38:08If we're to protect ourselves, we've got to wait for them to show their hand.
00:38:11You lead an interesting, but secretive life.
00:38:20Your lifeline shows that you will meet many dangers.
00:38:28You will become involved with a handsome stranger.
00:38:36You would be well to let your heart guide you.
00:38:41You will be well to let your heart guide you.
00:38:49If we're to protect ourselves…
00:39:19Will, stone the crows.
00:39:25Beautiful, Alan.
00:39:27But it's far too expensive.
00:39:29Right.
00:39:30We'll take it.
00:39:31But you won't regret it, sir.
00:39:34It will bring you much happiness.
00:39:36Oh, Alan, it's been such a lovely day.
00:39:39I just wish it could never end.
00:39:51The sari suits you very well, Penelope.
00:39:54It was a very kind thought, Captain.
00:39:57Did you get anything interesting today, Tintin?
00:40:00Yes.
00:40:01Alan bought me this beautiful ring.
00:40:03He paid far too much money for it, but I'm very thrilled with it.
00:40:06Buying a ring for a young lady is pretty significant to me, Alan.
00:40:09Don't tell me you're going to desert the League of Bachelors.
00:40:12I'm afraid not, Captain Foster.
00:40:14The life I lead in international rescue is far too dangerous to ask anyone to share it with me.
00:40:20For me at the moment, marriage is out of the question.
00:40:22That's right, Captain Foster.
00:40:24We all of us lead dedicated lives in international rescue.
00:40:27And now, if you'll excuse me, I think I'll retire.
00:40:32But wouldn't you like another drink?
00:40:34Thank you, Captain.
00:40:35But no.
00:40:36It's been a lovely but very tiring day.
00:40:39I'm going to bed.
00:40:41Oh.
00:40:41So soon?
00:40:42I'm afraid so.
00:40:44Good night, everyone.
00:40:46So your rooms aren't bugged, but the lounge, bar and dining room are.
00:40:51All places where I go.
00:40:54Well, it would seem it's me they want the information from.
00:40:57But what?
00:40:59If we knew that, we'd know the answer to everything.
00:41:01Have you found any trace of the receiver?
00:41:04Parkers have no luck.
00:41:05None.
00:41:06The only place I haven't searched is the gravity conversation room.
00:41:13Well, the trip comes to an end in 14 days' time.
00:41:17Whatever move they're going to make must be made before we get back to England.
00:41:21So we'll soon know.
00:41:43I think I can claim to have been to most places in the world.
00:41:46But oddly enough, I've never seen the pyramids.
00:41:49I've never seen them either.
00:41:51Well, we won't have long to wait.
00:41:53We land in 15 minutes.
00:42:09Oh, how dreadful.
00:42:12What is it, Penelope?
00:42:13There's been a terrible air crash.
00:42:15A DX-102 airliner tried to make a forced landing on a disused airfield ten miles south of Casablanca.
00:42:23Its nose wheel collapsed, and the aircraft blew up, killing all aboard.
00:42:27At last we've got it.
00:42:29I've got to hand it to you, Carter.
00:42:31That newspaper idea of yours was just great.
00:42:34Now, complete the editing.
00:42:36I want to hear that final message as soon as possible.
00:42:39Okay, girls.
00:42:40Let's go.
00:42:41Don't forget your camera, Penelope.
00:42:42Don't worry.
00:42:43I've got it right here.
00:43:06Well, you see, Jeff, we nearly lost Parker.
00:43:08huh now here's the code a bit we are enjoying our trip and looking forward to our last port of
00:43:16call
00:43:16switzerland scott take this along to brain's lab and get it decoded yes sir oh that's all right
00:43:25mr tracy i just love having my designs turned down
00:43:35gee braids your beautiful model oh hi scott uh yeah i just slipped out of my hand dad wants you
00:43:45to
00:43:46decode this right away gee i wish there was something we could do to help them don't worry
00:43:50i've got a feeling it won't be long now mr tracy yes brains decoding of penelope's letter is as
00:43:57follows interest is in me reason unknown continue to stand by thanks brains well we now know that
00:44:10they're bugging only penelope they're interested in what she says now what could penelope say that
00:44:16would mean so much to someone with designs on international rescue jeff i want you to send
00:44:21thunderbirds one and two to a disused airfield ten miles south of casablanca international fix system
00:44:29two four zero four reference e ensure that brains is aboard this is imperative do not acknowledge this
00:44:39transmission we'll call later with further details perfect just perfect okay and what next
00:44:47now watch carefully tomorrow we make our last stop switzerland
00:45:14it certainly is a fantastic car you have penelope
00:45:17the only one of its kind in the world captain foster when those skis appeared out of the bottom i
00:45:23just
00:45:23couldn't believe my eyes oh it has many other devices captain many of them still top secret
00:45:30switch it to full boost belide
00:45:49how are you doing tintin fine just fine switch in thrusters okay
00:46:07you
00:46:13you
00:46:15you
00:46:15you
00:46:15you
00:46:15you
00:46:27you
00:46:32you
00:46:33you
00:46:33you
00:46:33you
00:46:33you
00:46:33you
00:46:59you
00:47:00you
00:47:00you
00:47:00decided what you're going to eat hmm i think i'll start with avocado
00:47:09tintin
00:47:10artichoke
00:47:11likewise
00:47:12fine and for me the speciality of the house this is a cute place it's certainly imaginative let's hope the
00:47:21service is as good
00:47:23i
00:47:24i guess this is for us
00:47:25i guess this is for us
00:47:34gee what a novel idea it must have been fun traveling in chains like this years ago
00:47:39well let's unload the cargo as parker would say it looks a real good nosh
00:47:44talking of parker what's happened to him surely he's not still outside but of course the car is heated you
00:47:53know
00:47:54here
00:48:19say
00:48:21don't know what to do
00:48:23find a life
00:48:4411 o'clock we must go the sky ship is programmed for takeoff at midnight as a matter of interest
00:48:51captain what would happen if we didn't get back on time your dream holiday would just come to an end
00:48:58and now cinderella we must go
00:49:30are we clear parker quite clear lady you debugged the whole place parker no need my lady it was
00:49:38already done for me there's not a hidden microphone anywhere my lady they've all been removed that can
00:49:45only mean one thing they've got the information they wanted what now parker what have you to
00:49:51report well belady they've been recording you on a tape machine in the gravity compensation room
00:49:58i managed to get a look in there they've been editing the tape that was obvious and now they've
00:50:04got the tape machine linked to a radio transmitter the chick saw's nearly completed but not quite
00:50:12parker issue the guns they're in the false compartment at the bottom of my blue suitcase
00:50:17from now on it's emergency standby
00:50:23black phantom from white ghost message will be transmitted 10 100 hours tomorrow morning
00:50:29gentlemen the thunderbird machines will be arriving here at approximately 1100 hours tomorrow morning
00:50:37the final phase of operation ambush has commenced
00:51:03okay rewind and stand by
00:51:11okay ready
00:51:1715 seconds
00:51:22calling international rescue this is lady penelope jeff i want you to send thunderbirds one and two
00:51:30to a disused airfield 10 miles south of gasplanka international fix system 2404 reference e
00:51:39ensure that brain support this is imperative do not acknowledge this transmission we'll call later with
00:51:46further details
00:51:48uh
00:51:48uh
00:51:49uh
00:51:49uh
00:51:49uh
00:52:01THE END
00:52:31THE THUNDERBREAD MACHINES SHOULD BE ARRIVING IN APPROXIMATELY TEN MINUTES
00:52:37STAND BY
00:52:38IF PILOTS OFFER ANY RESISTANCE AS THEY LEAVE THEIR MACHINES
00:52:43SHOOT THEM DOWN
00:53:11I'VE GOT IT PENELOPI I'VE GOT IT IT'S THE ONLY POSSIBLE ANSWER
00:53:15THEY'VE BEEN RECORDING YOUR VOICE RIGHT
00:53:17RIGHT
00:53:18THEY'VE BEEN EDITING THE TAPE RIGHT
00:53:20RIGHT
00:53:20EDITING IS A FORM OF REARRANGING
00:53:22THEY'VE BEEN REARRANGING YOUR WORDS TO MAKE YOU SAY SOMETHING THAT THEY WANTED YOU TO SAY
00:53:27AND THEN THEY'VE TRANSMITTED IT
00:53:28NOW WHO IS THE ONE PERSON WHO WOULD ACT ON YOUR INSTRUCTIONS
00:53:32WHY
00:53:33JEFF
00:53:33TRACY
00:53:34ROGER SCOTT
00:53:36UNDERSTAND THAT YOU ARE AT DISUSED AIRFIELD
00:53:38CALL ME AS SOON AS YOU'VE LANDED
00:53:40FAP
00:53:43GO AHEAD PENNY
00:53:45JEFF
00:53:46THIS IS AN EMERGENCY
00:53:48HAVE YOU RECEIVED A MESSAGE FROM ME
00:53:50YES MENELOBE
00:53:51THE BOYS ARE JUST ABOUT TO LAND AT THE RENDEVOU YOU REQUESTED
00:53:54JEFF
00:53:54I HAVEN'T SENT A MESSAGE
00:53:57THIS IS A TRAP
00:54:27JEFF
00:54:33Now remember, just one sign of resistance from those pilots, and let them have it.
00:55:54Don't have heard the pace.
00:55:56Thanks, Dad.
00:55:57You gave us the warning just in time setting course now to rendezvous with Skyship one
00:56:08That's right Scott the message was a recording of my voice now the quicker you arrive the better for us
00:56:14You've got a fix on our position
00:56:16Okay, I've received a message from Black Phantom to say the Thunderbird machines were landing by now
00:56:21They must have taken over the ships and shortly they'll be on their way to rendezvous with us
00:56:26Right the play-acting's over round up our international rescue guests
00:56:31They're unsuspecting so they won't be armed not so unsuspecting captain Foster
00:56:36Raise your hands all of you
00:56:41It sounds as if Alan needs some help
00:56:43Tintin I'll leave you my compact you couldn't keep in touch with the boys
00:56:47F.A.B. come on Parker
00:56:48Right
00:57:17have a light
00:57:23Quickly, Parker.
00:57:26Lane, get the other one as hostage.
00:57:28Quick.
00:58:00Okay, Foster.
00:58:01The numbers are even now, and we can now shoot you.
00:58:04You know that.
00:58:05Throw your guns down and give yourselves up.
00:58:12I suggest you throw your guns down.
00:58:14If you don't, you can say goodbye to Tintin.
00:58:30Father, I've lost contact with Skyship One.
00:58:33Right, Scott.
00:58:34At what position do you expect to rendezvous with it?
00:58:36According to my calculations, at approximately 10,000 feet,
00:58:39about five miles east of Dover.
00:58:41Well, all you can do, Scott, is beat the hell out of those machines
00:58:43and get there as soon as you can.
00:58:45F.A.B.
00:58:53Very smart, Penelope.
00:58:54So you radioed your base.
00:58:56That's right, Mr. Foster.
00:58:58You should know that you can't outwit international rescue.
00:59:02I'm not so sure.
00:59:03The game isn't over yet.
00:59:04We have you all as our hostages.
00:59:07When the Thunderbird machines arrive,
00:59:09I've got an idea they're going to do just what we tell them to.
00:59:12Meanwhile, the gravity compensating machine has come to a standstill.
00:59:16The jet engines on this bus ought to give it forward movement only.
00:59:19The ship can't maintain height unless the gravity compensators are working.
00:59:23I'm well aware of the situation.
00:59:25We're losing height quite slowly.
00:59:27It'll be half an hour yet before there's any real danger.
00:59:30Martin, go up on the top deck and radio down as soon as those Thunderbirds arrive.
00:59:34Right.
00:59:39Father, I'm at rendezvous point.
00:59:41No sign of Skyship One.
00:59:42I don't understand it, Scott.
00:59:44It's a big ship.
00:59:45It'd be hard to miss.
00:59:46Oh, wait.
00:59:46I can see it.
00:59:48It's about 8,000 feet below me.
00:59:50I don't get it.
00:59:51According to the new world pre-programmed schedule,
00:59:53it should be at 10,000 feet at this point.
00:59:56I'm going down to take a look.
00:59:58Yeah, baby.
01:00:00Okay.
01:00:00Okay.
01:00:01Okay.
01:00:02Okay.
01:00:12Foster, Thunderbird One directly above us.
01:00:14Okay, Martin.
01:00:16Right.
01:00:16Untie them.
01:00:17I want you all up on the top deck and no false moves.
01:00:27Okay, Father.
01:00:28I'm alongside.
01:00:30I can see one of the stewards standing on the top deck.
01:00:34Otherwise, no sign of life.
01:00:35When Thunderbird Two arrives, we'll attempt to board her.
01:00:38Be with you in about five minutes, Scott.
01:00:39Okay, Virgil.
01:00:44Dad?
01:00:45There's trouble ahead.
01:01:00Dad, Skyship One is losing height.
01:01:02Why, I don't know.
01:01:03About one mile ahead is an early warning system with interceptor towers.
01:01:07The estimated height, 1,200 feet.
01:01:11Below it is a missile site.
01:01:13The way it looks from here, Skyship One is on a collision course.
01:01:16The only thing that can save it is its height.
01:01:18But I've got my doubts.
01:01:26There's a tower ahead.
01:01:27We're going to hit it.
01:01:28How far away is it?
01:01:29I don't know.
01:01:30About a quarter of a mile.
01:01:31I'm coming up.
01:01:47Dad, there's going to be a collision.
01:01:49You'd better alert all emergency services down on the ground.
01:01:51It's a missile base about five miles east of Dover.
01:01:54That may be.
01:02:11The missile base on the ground is on the ground.
01:02:14The missile base is on the ground.
01:02:16I know.
01:02:17I know.
01:02:40What's the situation, Scott?
01:02:41Well, the ship swang on top of one of the towers.
01:02:43If that tower gives way or the ship loses its balance,
01:02:46it's going to drop like a stone right onto that missile site below.
01:02:53Come on, quickly. Up on the top deck and move.
01:02:56We've crashed, Foster. Don't you understand?
01:02:58Throw your gun away. We're all in this together now.
01:03:00I said move!
01:03:06Scott, I've been listening to your transmission.
01:03:08I've sighted Sky Shift. I'm coming in straight over the top.
01:03:12We'll lower escape unit. Brains is already in there.
01:03:15FAB.
01:03:16His brain's armed. He ought to be. We've no idea what's going on.
01:03:20It's okay, Dad. I've taken care of that.
01:03:22Good boy.
01:03:23Attention. Attention.
01:03:26All personnel in sector D to vacate site immediately.
01:03:32Proceed with all new equipment to rendezvous G.
01:03:37This is an emergency.
01:03:39Repeat. This is an emergency.
01:03:58Virgil. Pull off. Pull off.
01:04:02Your thrusters are throwing it off balance.
01:04:03FAB.
01:04:16Base in Thunderbird 2.
01:04:18We need to decide a course of action, but fast.
01:04:21As far as I can see, any attempt to get near that ship is going to bring a disaster.
01:04:25The turbulence for my motors alone will be enough to tip it off balance.
01:04:28Have you any ideas, Dad?
01:04:30All personnel and vehicles to proceed to rendezvous G immediately.
01:04:36This is an emergency.
01:04:37Repeat. This is an emergency.
01:04:41We need a solution, Gordon, and quick.
01:04:43As far as I can tell, the only way we're going to get them off that tower in one piece
01:04:47is to get a vehicle on that top deck.
01:04:49Nothing we've got would be any good, Dad.
01:04:51Our machines are too heavy.
01:04:53I know. I know.
01:04:54We need something light, low airspeed, high maneuverability, short landing distance.
01:05:00Say, I've got the answer, Dad.
01:05:02It's crazy, but it could work.
01:05:05Hey, what's going on?
01:05:07Thunderbird 2 is leaving.
01:05:09Don't tell me they've given up.
01:05:18That's right, Mr. Tracy.
01:05:20We've got it aboard Thunderbird 2, and they've just left.
01:05:22We did all the necessary checks and fueled it.
01:05:25I certainly hope it works.
01:05:26It's just got to work.
01:05:28It's just got to.
01:05:39The top of the tower is crumbling.
01:05:41I've got to attach a line to the front of the ship to see if I can hold it steady.
01:05:44F.A.B.
01:05:57What the heck are they doing?
01:05:59Why don't they come in and get us off this thing?
01:06:01You saw what happened when they came in close.
01:06:03Well, what are they going to do?
01:06:05If you let me call them, I can find out.
01:06:07Oh, no, you don't.
01:06:08I'm not falling into that little trap.
01:06:37Okay, Dad.
01:06:39Well, I secure it.
01:06:40I think it's going to help.
01:07:29Thunderbird 1 from Thunderbird 2, one mile from you.
01:07:32I've landed on a grassy stretch down below.
01:07:35Well done, bird.
01:07:37That was a quick trip.
01:07:38Yeah, well, you see, I've got a tiger in my tank.
01:08:09Okay, brains, over to you.
01:08:26You see, I've got a tiger in my tank.
01:08:41Virgil, I'm going to circle the ship and then attempt a landing.
01:08:46Okay, brain, as you make it, the order for evacuation will be first 10-10, second Penelope,
01:08:52then the crew, and finally Parker and Alan.
01:08:55F.A.B.
01:09:16Right, Scott, I'm in position.
01:09:19Brains is on his way up.
01:09:20I'm going to fix a line to this end.
01:09:22Okay, Virgil.
01:09:23There's still no radio contact with Skyship One.
01:09:25I just don't understand it.
01:09:26Nothing must be wrong.
01:09:27We'll soon find out.
01:09:29Attaching line.
01:09:34Sir, sir, sir, sir.
01:09:36You've seen a soldier.
01:09:37I just don't understand it.
01:09:38You've seen a soldier that we have as a leader of the army?
01:09:38I've got an engineer to do it.
01:09:39I just don't understand it.
01:09:44It's sick.
01:09:46I just don't understand it.
01:09:47But you have to do it.
01:09:49I still understand it.
01:09:49It's sick.
01:09:50There's only a two-year-old-old-old-old-old.
01:09:51It's sick.
01:09:53And easy to make it.
01:09:53Not him, sir, sir, sir, sir.
01:09:59Don't tell me they're going to try a rescue with that thing.
01:10:03They must have got it from a museum.
01:10:05You're dead right, Mr. Foster.
01:10:06But I'll tell you something.
01:10:08It's a brilliant idea.
01:10:09I think it's the only chance we've got.
01:10:11Lane, get over on the other side of the deck.
01:10:14Get ready to welcome our guests.
01:10:16Right.
01:10:46Brains!
01:11:01Scott, that was a close one.
01:11:03Are you okay, Brains?
01:11:05Okay.
01:11:07Climbing for second attempt.
01:11:09Brains, you're not going to make it.
01:11:11As soon as you touch down, I'll open up with my jets.
01:11:13The slipstream should slow you down.
01:11:15Right.
01:11:16Let's try it.
01:11:17F.A.B.
01:11:37Penelope and Alan, in a few hours, I'm going to open up my jet engines.
01:11:41Now hold tight to that rail.
01:11:43Alan, raise your hand if you've understood me.
01:11:48Okay, folks.
01:11:49Hold tight!
01:12:16Well done, Brains.
01:12:19Okay.
01:12:20Tintin, you're first.
01:12:22Jump aboard.
01:12:24Oh, no, you don't.
01:12:24Get out of that cockpit and move.
01:12:27Scott, one of the stewards has got Brains at gunpoint.
01:12:31Now we know why there's been no radio communication.
01:12:34Well, what are they going to do, Virg?
01:12:35Looks as if Penelope's boarding the aircraft and the captain's getting into the rear cockpit.
01:12:47Okay, turn this crate around.
01:12:50What's happened to Brains?
01:12:51Everyone's moving towards the Tiger.
01:12:53There's no doubt about it.
01:12:54The crew are in control of the situation.
01:12:56Things look bad, Dad.
01:12:58Hush, hold it a minute.
01:13:06Come on!
01:13:07Hurry it up!
01:13:23Get back fast!
01:13:25This thing's going to collapse any moment.
01:13:27What makes you think I'm coming back?
01:13:31A double-crosser!
01:13:34We've got to stop him!
01:13:36We've got to stop him!
01:13:51Quick, jump aboard!
01:13:53Come on!
01:13:55Come on!
01:14:27We're going to crash!
01:14:29We're just overloaded. That's all.
01:15:01We're just going to crash!
01:15:03Oh!
01:15:04Oh!
01:15:06Oh!
01:15:31Oh, my God.
01:15:53Oh, my God.
01:16:23He walked out to the trees.
01:16:47Penelope, throttle back.
01:17:09Thunderbird to base.
01:17:10Father, we're not going to be able to hold her much longer.
01:17:12How's the evacuation of the rocket site progressing?
01:17:15Nearly complete, but they want about another five minutes.
01:17:17Do everything you can, Scott, to prevent that ship falling.
01:17:44Penelope, throttle back.
01:17:46We're down.
01:17:48But where's the throttle?
01:17:50Down on the left-hand side.
01:17:57Penelope, throttle back.
01:18:14Penelope, throttle back.
01:18:19Penelope, that's the wrong way.
01:18:25Alan, it's jammed.
01:18:27I can't move it.
01:18:34Alan, I can't free it.
01:18:37What shall I do?
01:18:38Get her nose up.
01:18:40Quickly, don't panic.
01:18:58Alan, there's another bridge ahead.
01:19:01Look.
01:19:21Get up off the roadway.
01:19:23Up.
01:19:24Pull the stick back.
01:19:26Pull back the stick, Benny.
01:19:29Look at me.
01:19:30Flash.
01:19:30All of them.
01:19:31All of them.
01:19:58All of them.
01:20:10Hold the rudder steady, Penelope.
01:20:19Alan, obstruction ahead.
01:20:25Alan!
01:20:25Alan, Alan, this is it.
01:21:02All personnel and vehicles should by now be clear of sectors A to Q.
01:21:09Danger imminent. I repeat, danger imminent.
01:21:30Thunderbird 1.
01:21:31Loud and clear.
01:21:32Scott, I just received the okay from the missile base. Evacuation has been completed. You can let her go.
01:21:39Right. Did you hear that, Virgil?
01:21:42I heard.
01:21:43Okay. Release cables on five-second countdown.
01:21:46F.A.B.
01:21:47Five.
01:21:48Four.
01:21:49Three.
01:21:50Two.
01:21:52One.
01:21:53Zero.
01:22:10Two.
01:22:11Two.
01:22:12Two.
01:22:15Two.
01:22:18Two.
01:22:20Two.
01:22:23Two.
01:22:28Two.
01:22:29Two.
01:22:29Two.
01:22:30Two.
01:22:31Two.
01:22:31Two.
01:22:32Two.
01:22:32Two.
01:22:33Two.
01:22:34Two.
01:22:35Two.
01:22:35Two.
01:22:37Two.
01:22:38Two.
01:22:38Two.
01:22:39Two.
01:23:22I want to get into the rear cockpit, Penelope, but first we've got to get rid of Foster.
01:23:27Hold tight, Tintin.
01:23:29Okay, Alan.
01:23:31Hold tight, brains.
01:23:35Okay, Penny, push the stick over to the left.
01:23:50Okay, keep us steady, Penny.
01:23:53I'm getting into the rear cockpit now.
01:24:18There we go.
01:24:19Let's go.
01:24:41Alan, I've only just realized Parker isn't with us.
01:24:45We must have left him aboard the airship.
01:24:48It's too late now, Penny.
01:24:49Anyway, a few moments from now, we may be sharing the same fate.
01:25:00That's our engine gone, Penny.
01:25:02Hold tight.
01:25:04Hold tight, Tintin. I'm putting her down.
01:25:07Okay, Alan.
01:25:10Hold tight, brains. Emergency landing.
01:25:13Good luck, Alan.
01:25:23Come on.
01:25:25I'll catch you.
01:25:33You so much.
01:25:34I'll be right back.
01:25:35No, no, no.
01:25:37I'll be right back.
01:25:38Come on, pal.
01:25:39Come on.
01:25:39I can't wait.
01:25:40Come on, pal.
01:25:41Come on.
01:25:41Come on.
01:25:42Come on.
01:25:43Check this out.
01:25:57Oh, my God.
01:26:15Hey, Tim-Tim!
01:26:42I still say, Alan, that was a fantastic landing.
01:26:47Well, if it hadn't been for Parker, we could have said we'd got away with it.
01:26:50Are you sure there was no chance of him surviving when Skyship One crashed?
01:26:54Not a chance, Alan.
01:26:56I suppose it must be shock, but a few moments ago, I'm sure I heard a distant voice calling
01:27:03M'lady.
01:27:04That's funny.
01:27:06I thought I heard it, too.
01:27:07M'lady!
01:27:14M'lady!
01:27:34And now, it gives me great pleasure to introduce to you all my new vehicle, Thunderbird 6.
01:27:44Thunderbird 6?
01:27:45I don't get it.
01:27:46Oh, I know what you're going to say, Mr. Tracy.
01:27:49That you haven't approved the plans, but how could it have been built anyway?
01:27:53Et cetera, et cetera, et cetera.
01:27:55But, nevertheless, I present to you, Thunderbird 6.
01:28:01Built, tested, and approved.
01:28:06This is Thunderbird Control.
01:28:09Launch, Thunderbird 6.
01:28:28Brayne, you old son of a gun.
01:28:31I'll buy it.
01:28:32I agree it's a good design.
01:28:34It has been built, and it sure has been tested.
01:28:42That's good.
01:28:57Let's go.
01:28:57It's a good design.
01:28:59I'm a virgin.
01:28:59Go, God.
01:28:59Go, God.
01:28:59Go, God.
01:29:00Go, God.
01:29:02Go, God.
01:29:05Go, God.
01:29:08Go, God.
01:29:12You