- 6 hours ago
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Short filmTranscript
00:01:26Love you. Bye-bye, darling.
00:01:28What about dinner?
00:01:30What about dinner?
00:01:31My name is Jack.
00:01:33Well, my mother calls me Jack.
00:01:35Everybody that cares about me calls me Jack.
00:01:37That's my name.
00:01:38But I work under the name of Sabrina.
00:01:41And all the queens all call me Sabrina whenever I see them.
00:01:45I go up to this queen and I say, what's your name?
00:01:48The queen says, Monique.
00:01:50And you say, that's marvelous, darling, but what was your name before?
00:01:54And the queen will look at you straight in the eye and say, there was no before.
00:02:01I don't try to compete with them.
00:02:03Look, I'm 24 years old, but in drag I come on like 110.
00:02:07And I do this whole bar mitzvah mother thing, you know, gaudy gowns and pushy.
00:02:12But it's a good relationship with them because they don't fear me as competition.
00:02:16They respect me and it's commercial.
00:02:20All drag queens, one is love.
00:02:23And they try to get that love by being sexy and beautiful.
00:02:26For some of them, baby, they sleep during the day and they do all their work at night.
00:02:32Because they're night people.
00:02:34Some of them are not experienced or have ever seen day people or work with day people or seen the
00:02:37outside world.
00:02:38A lot of them know their street corners and their bars.
00:02:43And their favorite YMCA and their favorite fathouse.
00:02:47But they're beautiful.
00:03:03They're like in this fantasy bag, you know.
00:03:06But who's not in a fantasy bag?
00:03:38I can't help but feel a certain responsibility for Richard.
00:03:41Although I certainly know I have no responsibility to him.
00:03:45I first met Richard at one of my promotional parties.
00:03:47I just came in in one of my Alcoa presents gowns and went dancing around with it.
00:03:52All of a sudden there's this little kid sitting there and started asking me questions.
00:03:56And he wanted advice on drag and everything.
00:03:59Well, first of all, I'm not interested in getting any new recruits to the drag bag.
00:04:03All I want to do is sell tickets for people to come see them.
00:04:05So I said, look, go get yourself some barbells.
00:04:09But he wasn't about to take advice from anybody.
00:04:11I really don't think Richard ever needed any advice.
00:04:14He just sort of had it all mapped out in front of him.
00:04:27Oh, hello.
00:04:29Hello.
00:04:29I'm here from Washington.
00:04:30Elliot.
00:04:30I'm here.
00:04:32Washington is here.
00:04:33Yes.
00:04:35Hello.
00:04:36How are you?
00:04:37Okay, baby.
00:04:37How are you?
00:04:38Take your coat off.
00:04:40Pardon?
00:04:41I got a phone message for me this morning.
00:04:43You were calling from Washington?
00:04:45No, I was here.
00:04:46You were here in New York?
00:04:47Oh, my God.
00:04:48We called Washington.
00:04:49We thought you were back there.
00:04:50I called Washington and thought you were back there.
00:04:52No, I don't think the woman ever understood what I was.
00:04:54Okay, now we've got to check you into the hotel.
00:04:57In Washington, you were Miss Universe, right?
00:05:00Well, in our concert, you won't be Miss Universe.
00:05:01You'll be a part of the Washington.
00:05:02You'll be Miss Greater Washington.
00:05:04Okay?
00:05:05Did you fly all the way in or did you take a train?
00:05:08Mary Alice Louise, may I please speak to a contestant?
00:05:12Hi.
00:05:13You want to take your coat out of it?
00:05:15We'll check in with Joey and it's been in the same time as I was doing yesterday.
00:05:22Joey.
00:05:23Joey.
00:05:24Yes, this is mine.
00:05:25This is...
00:05:27Check in.
00:05:29Hi, girl.
00:05:30Hello.
00:05:31How are you?
00:05:32How are you?
00:05:33How are you?
00:05:35How are you?
00:05:35How are you?
00:05:35Hi, how are you?
00:05:36Hi, baby.
00:05:36Hi.
00:05:37Hi.
00:05:40That's her.
00:05:41Hello.
00:05:42Who is this?
00:05:43Let her see it first.
00:05:45No, that's Nicole.
00:05:46I run these contests all over America.
00:05:49From Boston to the Ozarks.
00:05:51And drag queens are all the same.
00:05:53You get them together, it's like a convention.
00:05:55As soon as you get out in the Midwest.
00:05:57And so when I got out of the cab, he said...
00:05:59We were talking about the show.
00:06:00And he said to me...
00:06:01He said to me, you are a woman, aren't you?
00:06:04And I...
00:06:05That's why I told him it was a female impersonation contest.
00:06:06He said, you are a woman, aren't you?
00:06:08I said, no.
00:06:09I said, I want a contestant in the contest.
00:06:10He goes, oh.
00:06:13He said, oh.
00:06:14We certainly aren't hurting.
00:06:15And he said, on the other hand, which is more,
00:06:17he said, I thought the other one
00:06:18who just got out of the car was a dyke.
00:06:19He said, oh.
00:06:22After recess.
00:06:25Hi.
00:06:26Hi, Jeremy.
00:06:28Joey.
00:06:29Get back here.
00:06:30Yeah.
00:06:30This is Jay under New York.
00:06:32Oh, hi.
00:06:32This is Joe Benuti.
00:06:36This is Joe Benuti.
00:06:37Hi, David.
00:06:37I'm going to close with you.
00:06:40Okay, great.
00:06:41I'd like to stay here now.
00:06:42We're going to check into it.
00:06:43It looks great.
00:06:44You didn't watch it.
00:06:45Oh, yes.
00:06:46I checked into it.
00:06:47It looks great.
00:06:49You didn't watch it.
00:06:49I checked into it.
00:06:54Richard, would you please get in here and everyone else?
00:06:58Joe is in charge of the entire East Coast contest.
00:07:01What Joey says is it.
00:07:04What color hair do you want?
00:07:06Shut up.
00:07:07Will everybody please be quiet for a minute?
00:07:10Yes, will everyone please be quiet.
00:07:12Kids, and have all of your attention, please.
00:07:14Hi.
00:07:20If you remove a garment, we must know about it, and we'll have a page there to take it
00:07:26away from you.
00:07:27At the front of the stage, right, you want to take off the duster.
00:07:30So instead of doing the age-old drag trick of taking off the duster and letting it fall,
00:07:34flop on the floor, as in would you believe Cupcake Cassidy has been doing that act at the Globe for
00:07:3840 years.
00:07:39Instead of that, you take the duster off, hold the duster behind you if you want, or hold it out
00:07:44or something if you want,
00:07:45or just take it off, and you put your arm out.
00:07:47And it's our responsibility to make sure your page is there, and he will be.
00:07:50That instant, there's a page there to take your duster.
00:07:54It looks very much gayer for you, and it looks one million times better for the audience,
00:08:00and if you don't do it, the judges take points off.
00:08:02Number two, if you are difficult or uncooperative, in the opinion of all those people in charge of you,
00:08:09which I'm sure none of you will be, but I'm telling you this so you'll know about it.
00:08:13You may be dropped from the contest.
00:08:16Or if you stay out on stage longer than the time allotted.
00:08:23And this you'll learn in rehearsal.
00:08:25And no cruising in front of town hall.
00:08:27Yes, and you may not bring numbers to the room, unless you share them with Nationals Academy.
00:08:32The National Academy is me. I promote and run the whole shtick.
00:08:36The point system again, five points for walk, five points for talk, five for bathing suit, five for gown, five
00:08:48for makeup and hairdo, and ten for beauty.
00:09:00Okay, we've got these three problems.
00:09:02Number one, finding a hotel with 28 empty rooms.
00:09:07Number two, finding a hotel hip enough to let our guys in there.
00:09:12And number three, keeping the guys in.
00:09:16Uh-huh, oh, we're working with the wind.
00:09:29Oh...
00:09:29We're going to go and go.
00:09:30I'm sorry.
00:09:31Would you enjoy the bed?
00:09:32No, we're going to put my wig.
00:09:34I'm going to put the closet in.
00:09:35Oh, is that over there.
00:09:39Where is the bathroom?
00:09:42Somebody left their cologne.
00:09:43Here, your hands.
00:09:44Or his hand.
00:09:46This thing's a mess. Don't even ask.
00:09:48Look at this. It's pulling upon it. I'm going to have to reset it.
00:09:52Do you like the color?
00:09:53It's very nice, Jimmy. Yeah, great.
00:09:55I love the way you put your keys up in the back.
00:09:57Thank you, Dad.
00:10:18Let's see a coat. Let's see a cake.
00:10:21Two bottles of scotch, please.
00:10:23You're lucky if you got the case.
00:10:25Thank you. We'll be down for it.
00:10:27Do you like it? I don't know.
00:10:31Let's see if it's wrinkled.
00:10:34I made it in one night.
00:10:36Do you like it? It's very nice.
00:10:38It's different.
00:10:39The color with the black hair for change instead of the frost.
00:10:42I don't know how I'm going to do this.
00:10:45You should leave me now.
00:10:56Can we try it on?
00:10:57Let's see if it fits all right.
00:10:59These are the earrings that we're debating to look.
00:11:02Aren't they pretty?
00:11:03I fixed them already.
00:11:04What's wrong with it?
00:11:05They were just loose.
00:11:06You know?
00:11:07Do you have the brush?
00:11:08Yeah, I have a brush in here.
00:11:10Jimmy, remember that stuff for the beards.
00:11:12We need that stuff to cover our beards.
00:11:14Hey, I have to go get it.
00:11:16The stuff she told us to get to cover our beards
00:11:17so everybody can throw on makeup.
00:11:19How much time is rehearsal tomorrow?
00:11:21Uh, rehearsals are at two.
00:11:22Jerry and Roy Studios.
00:11:24Are you going to be able to get this spuzz out?
00:11:25Yeah, well, should you put Landon on it?
00:11:27No, I have to get that.
00:11:29That'd be cool.
00:11:30The thing is, you know, when you're made up,
00:11:31I want to get an idea of this beard.
00:11:34You're not bothered.
00:11:36All right, but that's good.
00:11:38Hmm.
00:11:39Now wait, there's Eartha and Josephine Baker
00:11:41come in like this.
00:11:42You know the old 1920s teacup crossing
00:11:43that we've always carried on?
00:11:45Am I well?
00:11:47Wait, then the pages come back over
00:11:49two buckets of rose petals, right?
00:11:51And while Minette's sitting up there,
00:11:53totally unbothered,
00:11:54doesn't even see the Queen's crossing in front of her.
00:11:56She's still singing,
00:11:57the two pages are throwing rose petals on.
00:11:59Very much overdone.
00:12:00Dom, dom, dom.
00:12:01All right, next feel.
00:12:02You're not making dinner.
00:12:04Oh, it's good.
00:12:05Sorry.
00:12:05My doll is as dainty as a sparrow.
00:12:11Her figure is something to applaud.
00:12:15Where she's narrow, she's as narrow as an arrow.
00:12:21And she's broad, where a broad should be broad.
00:12:25A hundred and one pounds of bun.
00:12:28Ooh, that's my little honey bun.
00:12:31Get a load of honey bun tonight.
00:12:35I'm speaking of my sweetie pie.
00:12:37Only sixty inches high.
00:12:40Every inch is packed with dynamite.
00:12:44My hair is sliding curly.
00:12:47I curl the hurly-burly.
00:12:49My lips are pips.
00:12:50I curl the hips.
00:12:51Twirly and whirly.
00:12:53Oh, she's my baby.
00:12:54I'm her pap.
00:12:55I'm her boobie.
00:12:57She's my trap.
00:13:00I am caught.
00:13:01Cause I don't wanna run.
00:13:03Cause I'm having so much fun with honey bun.
00:13:05Believe me, Sonny.
00:13:07She's a cookie who can cook you till you're done.
00:13:11Ain't being funny.
00:13:12Honey, put your money on my honey bun.
00:13:19If a lot of rehearsal, I could do it for another day.
00:13:23You've rehearsed, aren't we?
00:13:25There.
00:13:34It's too loud.
00:13:57You know, they say that most Negro boys get bumps on their face with shaving.
00:14:02Cause when I was working, they had a magazine Ebony, you know, for Negro people.
00:14:07And they have a special depilatory, especially for Negro boys.
00:14:10They take all their hair off.
00:14:13Boy, I was so tired of those rehearsals.
00:14:16Those heels aren't together.
00:14:17Oh, listen, I got a corn on my toe.
00:14:19You know, the kids did very well.
00:14:19Look at the powder coming out of my shoe now.
00:14:21The kids did well with that, I think.
00:14:23What?
00:14:24It went pretty smoothly.
00:14:26But tonight when we go to the town hall, there'll be something.
00:14:29In the town hall, yeah.
00:14:30Well, I'm anxious to see what it's like.
00:14:32You know, when we get to the town hall, that's going to be our big blow up.
00:15:24Everybody,
00:15:253, 2, 3, 4, 2, 3, 3, 4, 1, and then turn it into two.
00:15:33They don't bring much more sad.
00:15:37Take a face and stay on, no.
00:15:39Get on, people get mad.
00:15:41Set up your baggy.
00:15:43Set up your swaggy.
00:15:45Get in your baggy.
00:15:47Set up your baggy.
00:15:49Set in your baggy.
00:15:51Set up your swaggy.
00:15:53Here we'll play Miss Mulligal, Montana.
00:15:58Floating under Miss Burrell's power.
00:16:03Semi-finalist, number three.
00:16:06Floating by Blackbird.
00:16:13Semi-finalist, number five.
00:16:24Semi-finalist, number six.
00:16:27Wait until your numbers are caught. Wait until I see number.
00:16:33Semi-finalist, number seven.
00:16:40The queen of the 1967 nationals.
00:16:46That is the queen who will reign over America as our winner tonight.
00:16:56Here is New York.
00:17:00From New York, Miss Jackie Morrell, the queen of the 1967 nationals.
00:17:04This is our reigning queen of the 1967 nationals.
00:17:11That's what it's like for you. It's five times the fair.
00:17:15Five times the fair.
00:17:21You don't need these.
00:17:24Come on, come on.
00:17:26I'm a woman!
00:17:28You can't look anything bad.
00:17:31But why are the titties all the way down here?
00:17:33They're located.
00:17:35Huh?
00:17:35Because you're longer than a woman is.
00:17:38A woman is not as long, you know?
00:17:41Always a long back waist.
00:17:44Wider.
00:17:45Different.
00:17:46Is that the other one?
00:17:52Why can't you make a bikini?
00:17:54You can come in here, mister.
00:17:56What is the black?
00:17:59What's the black on the floor?
00:18:02Put your shoulder on.
00:18:04That's better, Christian.
00:18:05Okay.
00:18:09You won't have to wear any brags with them.
00:18:11Don't go to the brags.
00:18:12You have brags with them.
00:18:15I think he looks fantastic.
00:18:17It is.
00:18:19How many of these do you have?
00:18:21I have ten.
00:18:22Ten?
00:18:22Where's the queen in the black?
00:18:24The national.
00:18:27This is the fabulous national.
00:18:32America's greatest beauty.
00:18:35And here they are.
00:18:52What is the human will smile?
00:18:54Maria, the queen who says one.
00:18:58Why?
00:19:03For everything only plays the國 sports can cry.
00:19:09For everything only plays the game and cry.
00:19:11Sabrina, Sabrina.
00:19:13Oh, my God, thank you!
00:19:54Here we go.
00:19:59Here we go.
00:20:12Wouldn't it be a hell of a mess if the draft board would call us right now to come down
00:20:15for a physical?
00:20:15This is what I'm wearing to the draft board.
00:20:21You've already been drafted, haven't you?
00:20:23Of course not. I'm not old enough.
00:20:25Well, you know, this friend of mine went to the draft board.
00:20:27Well, I was just talking to him and I said, why haven't you been drafted?
00:20:31And he said, well, I have been.
00:20:33And I said, well, did you tell them that you were homosexual?
00:20:37He said, no, they told me.
00:20:39Oh, my Lord.
00:20:40They did.
00:20:40They do.
00:20:41They take him to it.
00:20:43We interviewed him.
00:20:44And he asked me, he says, well, why are you homosexual?
00:20:46And then I told him that, you know, my mother and father, I think, made me that way.
00:20:52And then he asked me about boys and so forth.
00:20:55And I said, you know, I like boys.
00:20:57So he said, next.
00:20:58I got a letter from the draft board.
00:21:00They say, now I come down at 7 o'clock.
00:21:02I got to the draft board.
00:21:04They said, I had long red hair.
00:21:05They said, you really should have been a girl.
00:21:09It's too much.
00:21:10You can go.
00:21:11We can't use you.
00:21:12I said, thank you.
00:21:13And I left.
00:21:13That was it.
00:21:14I went to Atlantic City, went back home.
00:21:16And I wrote a long letter to the president.
00:21:18They say, now I want to go into the army.
00:21:20I want to go not because I was a homosexual, because there were men there.
00:21:23They say, I want you to help protect our country.
00:21:26Simple as that.
00:21:27So I got a letter back and stated that they understood.
00:21:31And they couldn't have me in the army as of yet.
00:21:34Maybe one day they'll see things right and I could get in.
00:21:38Well, my brother was drafted.
00:21:39And he's gay, too.
00:21:42He's gay.
00:21:43Do you run the family?
00:21:45Well, he went down, but he didn't pass his physical because of his nose.
00:21:50Nose?
00:21:50He can't breathe too properly.
00:21:52Yeah.
00:21:52But I have a friend.
00:21:53He's gay.
00:21:54His brother's gay.
00:21:55And his sister's gay.
00:21:57I'm proud of what I've got.
00:21:59And I certainly don't want it whacked off.
00:22:01I don't know.
00:22:02Well, having it short, I don't want it short.
00:22:05Well, I would have been one.
00:22:05You'd have been a queen.
00:22:07Yeah, I would have been a girl.
00:22:08Two inches more, it should be a king.
00:22:22One more, I'd be a king.
00:22:33Now, how are you?
00:22:35Holding in, by the way?
00:22:38You're the king, I'm the king.
00:22:45You're the king.
00:22:47That was a king.
00:22:50The king's son is a king to come.
00:22:51You're the king.
00:22:51I'm never king.
00:22:52You're the king.
00:22:52The king's son is a king.
00:22:52feminine. I know I probably don't look like a girl, but I may sometimes talk a little
00:22:57high, you know, a little feminine sometimes. I think you're all women.
00:23:03Well, my, really and truly, would you like to be a real girl if you could have that sex
00:23:06change, if you had the money, or you would get it done free? Well, I have enough money
00:23:11to go through the sex change, and I live only 30 miles from John Hopkins, but it's the last
00:23:17thing I would want. I know that I'm a drag queen, I've been a drag queen for a long time,
00:23:22been gay for a long time, but I certainly do not want to become a girl, even if I could
00:23:29have a baby. Do you do both? Are you feminine in bed, or do you do both? Well, my husband
00:23:34is in the service, and he's in Japan, and even if I could have a child, I would want to
00:23:40have
00:23:40the operation. But there's just one thing about being a sex change. If you're homosexual
00:23:45in the first place, you want a man, you don't want, you're not interested in girls. So
00:23:49if you're a drag queen, they don't want to, another gay person's not going to go, just
00:23:55like my lover, he doesn't like me going in drag for the simple reason that he doesn't
00:23:58want a girl, he wants a boy. He wants me to be more of a boy, and he wants me
00:24:01to be a
00:24:01girl. But yet I want to be a girl. That's my opinion of it. Not sexually, but. Although
00:24:05I like to go in drag and all that, and I don't go with girls, I don't have anything against
00:24:08girls. But, no, I don't, I really do. I think it's ridiculous for some gay boys
00:24:13that want to hurt girls, you know, and get jealous of them. But that's just ridiculous.
00:24:17I have respect for everybody. But, um, even if I could have a sex change, I wouldn't have
00:24:21it anyhow. Not if it was given to you. No, my goodness gracious, no. They don't know
00:24:26anything about him, do they? What about your mother? Yeah, but my stepfather
00:24:31doesn't. My mother and daddy both know. Jerry, when did yours find out? Well, I got my second
00:24:37husband, I think, when I took him home. And he stayed home for the duration for about
00:24:43three years. They finally got, figured it out. No, my parents are very, very wonderful.
00:24:46They accepted it. My mother more so than my father. But, uh, mother said, well, I love
00:24:52you just what you are. I think it's funny because I come from a little small town of about 500
00:24:56people. And everybody in that town knew I was gay from the time I was five years old
00:25:00on that. Oh, Lord, you're so damn awesome. Well, that was the truth. And everybody knew
00:25:04it. And everybody, everybody, every woman in that town says, I want my son to grow up
00:25:09like Jerry Cooley. Everybody does. And even the preachers and everybody thinks I'm just
00:25:12okay. I mean, I can go from house to house, knock on door to door. And, uh. Your personality
00:25:17makes the difference. Can I think of it? Knock on door to door. That's kind of silly
00:25:19because I've never knocked in my life. I just open up and go on in. How many?
00:25:25About 500 people and, uh, 1,440 dogs, coon dogs. Well, you know, my mother, uh, she doesn't
00:25:32really accept it. She just sort of said that she wouldn't talk about it anymore. She really
00:25:37doesn't understand.
00:25:52She doesn't know what you're saying. Demonstrant playing so hard, she doesn't know what I mean.
00:26:11She doesn't even know how to say about it anymore. She really makes it sad. And the
00:26:12one that has left us the way. The one that has left us the way in the past. And the
00:26:19one that
00:26:19has left us the way. And the one that has left us the way. And the one that has left
00:26:21us the way.
00:26:22Come on, come on, come on.
00:26:25Come on, come on, come on.
00:26:26Come on, come on, come on, come on, come on.
00:26:31Come on, come on, come on, come on, come on, come on.
00:26:33Come on, come on, come on.
00:26:38Come on, come on.
00:26:38Don't forget you have to put the bald nails on me.
00:26:40My head's coming on the block.
00:26:41Why?
00:26:43The metal gate towards the end.
00:26:44I'll show you tonight when I take you a little paper or something.
00:26:46This girl's gonna be standing in my head or something.
00:26:48Oh, uh, a clan.
00:26:49What?
00:26:52You know what you do, put a few more here,
00:26:54and then criss-cross there.
00:26:56Here?
00:26:57Yeah.
00:26:57Try to center your chorus line.
00:26:59Try to center your chorus line.
00:27:01Because your chorus line keeps getting over too far.
00:27:06You get a call?
00:27:06You get a call.
00:27:08Half hour, fifteen minutes, five minutes on stage.
00:27:13Okay?
00:27:14It's got as many squeaks as my tits have wrinkles.
00:27:18And her tits have wrinkles.
00:27:20They do.
00:27:21Look at it.
00:27:21Look at the line I got in there.
00:27:23Remind me to shadow.
00:27:24You gotta shadow it, honey.
00:27:27Are you uncomfortable?
00:27:28No, I'm fine.
00:27:31Get the shoulder.
00:27:33Does that show?
00:27:34Yes, it does.
00:27:36This makeup is fantastic.
00:27:38The only thing is I'm afraid it's gonna be too red for me.
00:27:41I miss the color I always use, but it's very red.
00:27:46Do you think I should use that pan crow on Billy?
00:27:49I need to go work.
00:27:51Where is it, anyway?
00:27:52Don't do any experiments on me now, Jerry.
00:27:54You see all shit.
00:27:56All right.
00:27:58What's Harlow's problem?
00:27:59Come on.
00:27:59No wig?
00:28:01All right.
00:28:02See if Kathy can get this full for me.
00:28:03See if I can get it full for me.
00:28:05Shh.
00:28:06I looked at her.
00:28:07Everybody will give you a full, honey, until it's time to give you one.
00:28:10They give you a shit.
00:28:11I know, but all them quits out of my room.
00:28:12They're all getting out right now.
00:28:13You just wait a minute.
00:28:15I tell her I'll get a rinse and put a rinse on her.
00:28:17I did it before to her.
00:28:18We was going to drag.
00:28:19It splits notice.
00:28:20In her own hair, like this.
00:28:22I used to comb it.
00:28:26Three, five, five, three, four, eight, one.
00:28:30I'm in a spot and it's a matter of absolute life or death, Carol,
00:28:33that I get hold of a platinum blonde fall.
00:28:36And I mean life or death.
00:28:38For Richard to go out there tonight on that stage without a wig
00:28:41is like sending him out there without his head.
00:28:44And I'm desperate.
00:28:46I am absolutely desperate after what to do.
00:28:49I don't know what to do.
00:28:50I'm interested in myself right at this point.
00:28:51And I don't give a fuck about anybody to tell the truth.
00:28:54I'm very much interested in myself.
00:28:56And in BW, a natural beauty wonder,
00:28:59the first contest Richard ever entered,
00:29:01the first contest Richard ever entered, he won.
00:29:04He won.
00:29:05A lot of these kids have worked their way up
00:29:07from what you believe last place to second, maybe third.
00:29:12So they worked for it.
00:29:14Richie never worked for it.
00:29:16Went into a contest, got on stage, was beautiful.
00:29:21The crowd cheered, the kid won.
00:29:24He never really experienced loss or anything happening to him.
00:29:29Good night.
00:29:32Richard.
00:29:33What?
00:29:35Just relax.
00:29:37All right.
00:29:37Do you know what I've been through today?
00:29:39Richard, just relax.
00:29:41Please.
00:29:41My stomach is about to bust.
00:29:43Richard.
00:29:43Please relax.
00:29:45You're acting like a little kid.
00:29:47Well, that's exactly what I am.
00:29:48You're not that little, darling.
00:29:50You've been through worse than this.
00:29:52All right, it's a big night.
00:29:53He always wants it, but that doesn't mean anything.
00:29:57Come dry.
00:29:58Give me enough.
00:30:00What?
00:30:00This is giving up.
00:30:02We're all washed up, too.
00:30:05Remember.
00:30:06Remember.
00:30:07Remember.
00:30:08Remember.
00:30:09Remember.
00:30:10Remember.
00:30:13Remember.
00:30:17Remember.
00:30:21Remember.
00:31:26Well, that's how you're going to be on the stage.
00:31:28I can't see any beard or anything.
00:31:30And it doesn't look cakey.
00:31:31Do you think it looks cakey?
00:31:32I'm talking about my eyes, child.
00:31:33Those wings.
00:31:39I don't know about the eyes.
00:31:40I thought you were talking about your makeup.
00:31:41No, my eyes.
00:31:42They're terrible.
00:31:44I like them.
00:31:45You got it.
00:31:46Okay.
00:31:48Oh, God.
00:31:51Here goes now.
00:31:54Oh, boy.
00:31:55Isn't that good?
00:31:56Yeah.
00:31:58Then you take these.
00:32:03Oh, you got a shadow on my line.
00:32:05Don't forget.
00:32:15You got a double-tie again.
00:32:18It's the first time I've ever talked.
00:32:25I think I got three of them.
00:32:28It's extra points.
00:32:30Okay, three of these.
00:32:40Get over and over, Jim.
00:32:42I need you to go out right now.
00:32:44Get me Q-Tips and spirit gum.
00:32:45I need a fresh bottle of spirit gum.
00:32:47I need it immediately.
00:32:49I have no idea, Jim.
00:32:50I know I didn't want to raise it from somebody else.
00:32:52I've got to go.
00:32:54I put it in here for now.
00:32:59Remember, girl.
00:33:00It's the girl with the boys
00:33:02who will get all the boys.
00:33:05You gorgeous darling.
00:33:07What time is it?
00:33:08Time.
00:33:09Thank you very much.
00:33:10You want to talk to Joe and Hootie
00:33:12or just have him give me the list?
00:33:13No, I want Joey.
00:33:14I want Joey.
00:33:15I can't operate without him.
00:33:21Can she interweave it?
00:33:24Oh, I know how to interweave it.
00:33:25It's very easy.
00:33:26Just tease it up and mat it through.
00:33:30Is that orange necessary?
00:33:32Well, she wants it.
00:33:33She takes it.
00:33:34It makes the thing look fuller.
00:33:36Fuller.
00:33:37That is all right.
00:33:37You won't really see it that much
00:33:38because when I brush it through,
00:33:40you don't notice it.
00:33:42It looks good,
00:33:43but I don't like it with bangs.
00:33:44It's not sophisticated enough.
00:33:46I don't think so.
00:33:49Really.
00:33:49I'm sorry.
00:33:50I think it looks better off her face.
00:33:57Everything's a date.
00:33:57You should see what that looks like from the side.
00:34:00The worst?
00:34:00The worst.
00:34:01You look like every other dog-gone drag queen.
00:34:04She thinks I'm kidding her.
00:34:06It looks like everybody else.
00:34:06Joey, shut up.
00:34:08Well, then take it off.
00:34:09Wear your hair straight back
00:34:10where you look like you've got a little class.
00:34:11Where's the wig brace?
00:34:12Joey, what do you mean?
00:34:14Wig brace.
00:34:15Joey's on 1140.
00:34:16Wig brace.
00:34:17Where's the wig brace?
00:34:18In here.
00:34:18Great.
00:34:19Get Joe Venuti.
00:34:19Get him over to town hall.
00:34:20If he's not there now,
00:34:21I won't remember one of those names
00:34:22of contestants.
00:34:23since I can't read up there.
00:34:36Let's go spread it out
00:34:37and step up home.
00:34:42I was waiting for this.
00:34:43Now, I know.
00:34:56Oh, I feel like Maria Bach.
00:35:05Mother, thank you, baby.
00:35:07I need a pound.
00:35:09Oh, I'm 32 and I'm proud of it.
00:35:13Oh, no.
00:35:14Get to your front-up, girls.
00:35:15What happened?
00:35:16Oh, just pop it up.
00:35:18It's in the case.
00:35:20Where is it?
00:35:20What case?
00:35:21What case?
00:35:22Why are you talking about?
00:35:22I'm ready to use your hands.
00:35:23Do you intend?
00:35:24No.
00:35:25Look at that.
00:35:27Look at that.
00:35:28Look at that.
00:35:30Look at that.
00:35:31Just chocolate.
00:35:43Is this the right?
00:35:45Yes.
00:35:46I have to work hard tomorrow.
00:35:47Yes.
00:35:48I have to work hard tomorrow.
00:35:49This is for me.
00:35:50What is it for?
00:35:50Oh, you don't ask. If you listen, you hear.
00:35:53Excuse me.
00:35:54Joey.
00:35:58Joey.
00:36:20Water.
00:36:21Water.
00:36:24Chicago, please get back so they can line up.
00:36:26Please.
00:36:29Brooklyn.
00:36:33Brooklyn.
00:36:34Brooklyn.
00:36:35Not yet.
00:36:37Brooklyn.
00:36:37Brooklyn.
00:36:38Get here.
00:36:40Fill it up now.
00:36:41Get over there.
00:36:44Brooklyn.
00:36:52Get back on line again and this is the girl, right?
00:37:01Okay, ladies and gentlemen.
00:37:02Are you ready to see our contestants?
00:37:05Let's open up the curtain and take a look at our beauties.
00:37:07Let's hear it for them.
00:37:11Remember, every one of these contestants before they came here is a winner.
00:37:21I feel awfully sorry for the judges tonight.
00:37:24It's a hard responsibility having to pick out just one queen out of all of these brilliant contestants.
00:37:40Let's hear it for Mr. Mario Montez.
00:37:43Mario.
00:37:45There he is.
00:37:48Let's hear it for him.
00:37:49Come on.
00:37:54Thank you very much.
00:37:56You're a hell of a nice guy.
00:37:56You're a great guy.
00:38:00You had a great day.
00:38:06There may come a time when a hard-boiled employer
00:38:11Sarah Curl's best friend
00:38:15There may come a time
00:38:18When a hardball employer
00:38:21Thinks you're awful nice
00:38:23But get that ice or else no dice
00:38:26He's your guy when stocks are high
00:38:30But beware when they start to defend
00:38:35It's then that those louses
00:38:38Go back to their spouses
00:38:40Diamonds are a girl's best friend
00:38:45I've heard of affairs
00:38:47That are strictly plutonic
00:38:50But diamonds are a girl's best friend
00:38:55And I think affairs
00:38:58That you must keep masonic
00:39:02A bet of bets
00:39:04If little pets get big baguettes
00:39:09Time rolls on
00:39:11And you is gone
00:39:14And you can't break up
00:39:16Bathing suit competition is the toughest
00:39:17It's right down to the nitty gritty
00:39:19No feathers, nothing, just them
00:39:24You're crazy
00:39:25I know
00:39:27My seam
00:39:30Oh, it's only around the other star
00:39:32I appreciate you so much
00:39:34Thank you
00:39:37Well, my brother
00:39:38He would love to have been in the contest too
00:39:40And my mother
00:39:43All of us would have loved him
00:39:45All right, fair sale your first name
00:40:01Ken, your name
00:40:02Ken, your name
00:40:02Ken, your name
00:40:03Ken, your name
00:40:04Stanford
00:40:06Chicago
00:40:08Florida
00:40:09What?
00:40:09Your name
00:40:10Oh, I don't find it
00:40:11Washington State, your name
00:40:14Yes, sir
00:40:16Baltimore
00:40:16You want the only?
00:40:17But just the first name
00:40:18Whatever name you use in drag, baby
00:40:20Erica
00:40:20Huh?
00:40:21Erica
00:40:21I need a mirror
00:40:22Oh
00:40:22Okay
00:40:24Hold it here, girls
00:40:26And remember
00:40:26These are your lines to walk in
00:40:28Okay?
00:40:28And back here
00:40:29And stay here
00:40:37I'm just a woman
00:40:39A lonely woman
00:40:42Waiting on the weary shore
00:40:48I'm just a woman
00:40:50That's only human
00:40:53One you should be sorry for
00:40:59Woke up this morning
00:41:01Along a bed
00:41:03Without a warning
00:41:07I found he was gone
00:41:09Why did he do it?
00:41:13How could he do it?
00:41:16He never done it before
00:41:19How long am I blue?
00:41:28Am I blue?
00:41:33Am I blue?
00:41:35Make this easy, me
00:41:38I want to tell you
00:41:44Am I blue?
00:41:51It's you
00:41:52It's you
00:41:55In each plane
00:41:59With your mind
00:42:01Time path through
00:42:06Was it time
00:42:09Love is only one
00:42:16But not one
00:42:22Sad and lonely one
00:42:26Lord, what's our day
00:42:32Till today?
00:42:35Till today
00:42:38Now he's gone
00:42:41And with you
00:42:43Am I blue?
00:42:48Am I blue?
00:42:50Don't ask me
00:42:52Am I blue?
00:42:56How come you
00:42:57Was me
00:42:58Am I blue?
00:43:00Ain't these tears
00:43:01In these eyes
00:43:06Telling a truth to you
00:43:11How come you
00:43:13Was me
00:43:14Am I blue?
00:43:17Well, wouldn't you
00:43:18Be too
00:43:20Now here's one of the contestants
00:43:22That did not choose
00:43:23To go in the bathing suit
00:43:25Rather
00:43:27This is very serious business
00:43:32Rather
00:43:33She chose only
00:43:34To go in the dress
00:43:36Gown
00:43:37Please forgive me
00:43:37This is Miss
00:43:39Boston
00:43:41Massachusetts
00:43:43Miss Billie
00:43:45Miss Boston, Massachusetts
00:43:46Miss Billie
00:43:48Let's have some music for her
00:43:49Jimmy
00:44:04Hi dog
00:44:22Miss Billie
00:44:24Miss Billie
00:44:25Miss Billie
00:44:26Miss Billie
00:44:27Miss Billie
00:44:30Miss Billie
00:44:30Miss Billie
00:44:31Miss Billie
00:44:31Miss Billie
00:44:31Miss Billie
00:44:31Miss Billie
00:44:32Miss Billie
00:44:33Miss Billie
00:44:34Miss Billie
00:44:36Miss Billie
00:46:05And now, it's up to the judges.
00:46:10Believe me, I'd hate to be a judge in this contest.
00:46:42From Chicago, Miss Alfonso.
00:46:47From Manhattan, Miss Crystal.
00:46:50From Philadelphia, Miss Harlow.
00:46:53And from Boston, Miss Sonia.
00:46:57You ready to see them?
00:46:59Let's open up the curtain and take a look at our five finalists of the 1967 nationals.
00:47:04Let's hear it for them, ladies and gentlemen.
00:47:06These are our finalists.
00:47:23Okay, let's look at them one at a time.
00:47:25Our first finalists we're going to look at, from Boston, Miss Sonia.
00:47:29Let her have a good look at you, Miss Sonia.
00:47:37Our second finalist from Philadelphia, Miss Harlow.
00:47:51Our third finalist from New Jersey, Miss Emery.
00:48:07Our fourth finalist from Chicago, Miss Alfonso.
00:48:15And our fifth finalist from Manhattan, Miss Crystal.
00:48:22We're going to give you all, and the judges, a closer look at them.
00:48:27Okay, Crystal, you start it.
00:48:29Walk right down into the center aisle and pose halfway up the runway.
00:48:32I'm just a woman, a lonely woman, waiting on the wavy shore.
00:48:44I'm just a woman, that's only human, one you should be sorry for.
00:48:54Oh, woke up this morning, along a bad town.
00:49:00Without a warning, I thought he was gone.
00:49:06What did he do it?
00:49:08How couldn't he do it?
00:49:10That's wonderful, darling.
00:49:10Come on back.
00:49:11He never done it before, am I blue, am I blue, am I blue?
00:49:41I'm blue, am I blue, am I blue?
00:50:02Was an old man,
00:50:08He's only one,
00:50:13But now I'm,
00:50:17Was an old man,
00:50:20One long time was I came
00:50:28Till today
00:50:54This is the moment we've all been waiting for.
00:50:57It looks like Joey has the final judge's decision.
00:51:12Here's our fourth runner-up, Miss Alfonso from Chicago.
00:51:17Let's hear it for her, ladies and gentlemen.
00:51:21Our third runner-up in the 1967 Nationals from Manhattan.
00:51:27Miss Crystal, ladies and gentlemen, let's hear it for her,
00:51:29the third runner-up in the 1967 Nationals.
00:51:34Okay, now we're down to the real nitty-gritty.
00:51:37And here are our three finalists.
00:51:41Come on, kids. Come on up here to the front of the stage
00:51:44and let the audience have a good look at you.
00:52:13Crystal, where are you going? This is not the time to show temperament.
00:52:16Get back here and stay with the other finalists.
00:52:19Oh, well, you've got to expect losses.
00:52:22Okay, we've got to continue with the business at hand.
00:52:25Here it is, ladies and gentlemen, the name of the second runner-up for the 1967 Nationals.
00:52:30Miss Sonia from Boston, ladies and gentlemen, let's hear it for her.
00:52:33Miss Sonia, second runner-up for the 1967 Nationals.
00:52:42We're now at the point for which everyone has been waiting.
00:52:46Ladies and gentlemen, there can only be one queen, one reigning queen.
00:52:51That's unfortunate.
00:52:53Each one of these marvelous contestants was certainly a winner in his own right.
00:53:02But here is the only winner in the 1967 Nationals, that queen which will reign over America.
00:53:11Hello, ladies and gentlemen, queen of the 1957 Islanders.
00:53:14Thank you very much.
00:53:39Thank you very much.
00:53:42Thank you very much.
00:53:46Thank you very much.
00:53:47Congratulations.
00:53:48I love you.
00:54:18Thank you very much.
00:55:45She is not beautiful, has no qualification, and she's bodied back.
00:55:51Darling, she didn't deserve nothing.
00:55:53Answer me! You're not speaking from the damn camera. You have a mind.
00:55:56Do you think she deserved it?
00:55:57You know she didn't deserve it. All of them. The judges knew it, too.
00:56:00But she was terrible, and her explanation for why she wanted the money,
00:56:05to put it in the bank.
00:56:07She's not getting any money, because Sabrina's not going to pay her.
00:56:10They're good friends. It's only publicity, and it's bad publicity for Holland and all the rest,
00:56:14because I'm declared as one of the uglier people of the world.
00:56:17And next time, she should drop her outfit off at the cleanest before she wears it on stage.
00:56:23She better get the hell back to Philadelphia, because she's one of the worst.
00:56:27And where's Miss Sabrina?
00:56:29I'll sue the bitch.
00:56:31No, I didn't sign any release. And if she releases any bitch on me, I will sue the fool.
00:56:35She won't make money off of my name, darling.
00:56:38She can make it off of Harlow and all the rest of the fools that will flock to her.
00:56:41But not Crystal, darling. Anybody but her.
00:56:46You can take all the pictures you want of me, but I better not see them on the street, because
00:56:50it's over.
00:56:50Get a picture with me and Harlow, and see which is more beautiful, darling.
00:56:54The judges didn't have any taste. It was with you that the judges was with, darling.
00:56:59You were in it. It was all week, two weeks. Monique told me not to come.
00:57:03And that's why Monique is not here in dress, because she is one of the...
00:57:05Monique, darling, Monique was not here as a friend of yours. She's a friend of mine, darling.
00:57:12Monique, would you tell her why you didn't come? Because she knew it's Victor Holler.
00:57:16She said, Crystal, darling, don't go, because you're not going to get it.
00:57:19And that's why all the true beauties didn't come.
00:57:21It's in bad taste, and you're showing your color, and you're showing your color, and you're...
00:57:33May I say this to you?
00:57:34She's taking the wrong thing. Taking the wrong way. Shit, she looks bad.
00:57:38And no way or what you say can do about it.
00:57:41Look at Harlow's outfit. That is crazy. Don't bother her. Don't bother her.
00:57:45It's not Harlow's fault. It's not her fault.
00:57:47No, it's not her fault.
00:57:49She can't help it, because you're beautiful and you're young.
00:57:52You deserve to have the best in life, but you didn't deserve...
00:57:54Missy, I don't say she's not beautiful, but she wasn't looking beautiful tonight.
00:57:58Why? She doesn't equal me. Look at her makeup. It's terrible.
00:58:02And, and...
00:58:03Wait a minute. Did you complain to the judges?
00:58:06No, I didn't. I wasn't thinking, really.
00:58:08Why don't you show justice?
00:58:10Look at her. Look at her.
00:58:11But they told me, Sabrina, that you had it fixed for Harlow.
00:58:15Everyone knew about you having it fixed for Harlow for weeks and weeks to have.
00:58:19Now, we listened to you. I listened to every word you had to say.
00:58:22Now, wait a second. Hold it.
00:58:24There's a party after here.
00:58:26Every one of the judges is going to be there.
00:58:29You may feel perfectly free. I'll clutch over myself.
00:58:32And you can talk to each one of them.
00:58:33Most of those people I never saw before in my life. I don't know them.
00:58:36I went down to the Dom one...
00:58:38Wait a second, dear. You listen to me.
00:58:39I went down to the Dom one night,
00:58:41trying to influence Mr. Warhol to come up here as a judge.
00:58:43We sat down there for two hours and couldn't even get an audience with Andy Warhol.
00:58:46He was running around his factory making a movie or something.
00:58:48Oh, do you have to go for him?
00:58:50Everybody goes out.
00:58:51Good job, baby.
00:58:53What did you say?
00:58:54Everybody go out.
00:58:55Everybody go outside.
00:58:57Everybody go outside.
00:58:58Show us...
00:58:59We're going out right now.
00:59:03Everybody out. Let's go.
00:59:05Nothing. Nothing.
00:59:12Oh, I want to get out of here.
00:59:14And, uh, that's almost every time!
00:59:31Please stand out.
00:59:31All right.
00:59:32All right.
00:59:37Good guy!
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