- 2 days ago
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00:04:58had buffaloes on their palms from squeezing nickels well i'm fed up on this hotel circuit
00:05:03we're playing i'm tired of waiting for something something to turn up nobody asked you to come
00:05:11back to us when you quit before why didn't you stay quit yeah why didn't i i know why you
00:05:21came back
00:05:24no ed i'm through yeah and then what i don't know of course you don't but i'm getting out
00:05:36completely i'm sick of all this cheapness and bickering i want anything but this constant
00:05:42oh i want rest and peace she's gone respectable on us doc what are you going to do tina didn't
00:05:51hear it she's going to shop around for a bag full of rest and peace oh shut your mouth no
00:05:56i won't
00:05:57listen let her bow out hey hey lower your voice
00:06:06dr marcy would you mind coming out here a minute
00:06:11yes i heard you called dr marcy are you a physician
00:06:15why a passenger in one of the cars up ahead is desperately ill
00:06:19oh that's too bad well would you mind having a look at her i can't get away right now but
00:06:25she's
00:06:26alone and she's desperately ill oh i'm sorry i'd like to help you out but you see i gave up
00:06:32my
00:06:32practice some time ago oh it'll only take a moment please doctor all right
00:06:41okay i bet that bus driver tipped them off now we'll probably be dumped at the next station well
00:06:47we ain't unpacked yet
00:06:52here we are
00:06:56all right all right i'll see what i can do all right
00:07:04good of you tomorrow not at all now you just be quiet and we'll see what's wrong
00:07:10i've got to get to new york yes of course you'll get there i must see him please help me
00:07:18just long
00:07:19enough to see him and now you relax take it easy he'll pay you anything anything who will pay me
00:07:30my son
00:07:33philip philip philip who bellows
00:07:39are you related to stanley bellows yes of the city bank he was my husband
00:07:57how is she doctor there's not a chance in a thousand we've got to get to a hospital get
00:08:03her there fast but we could stop at renton there's a hospital 30 miles from there they'll send an
00:08:07ambulance an ambulance we can't wait for that you wire ahead for an automobile i'll rush to the hospital
00:08:12myself thank you doctor
00:08:22and then
00:08:27i ran away with jim swanson
00:08:31i took his name what became of your husband bellows he died three years ago
00:08:42then i'll take it easy step on that gas
00:08:57come in
00:09:00i have a message from dr marcy where is he well he got off when we slowed down
00:09:05what what happened there was a sick woman on the train and he rushed her to the hospital
00:09:09he said he wanted you folks to go on and meet him at the benson in chicago no thanks
00:09:25well i guess you won't be with us at the benson hey oh yes she will
00:09:31she'll be there to tell doc goodbye
00:09:36yeah i will
00:09:40he certainly picked a fine time to go red cross on us oh you can't beat doc whenever business gets
00:09:47dull
00:09:47he can always cut out a tonsil
00:09:53oh doctor promise me you'll see my son
00:09:58yes of course i'll see how long did you say it wasn't you'd seen him 14 years
00:10:06i hope after all these years but you won't have any trouble in proving you're his mother
00:10:12and throw those letters in that way
00:10:20this necklace
00:10:23this
00:10:26necklace
00:10:30this is swanson
00:10:32this is swanson
00:10:37mother's necklace
00:10:41letters
00:10:43photographs dump right in our lap
00:10:45well being kicked out of that hotel is the luckiest thing that could have happened to us
00:10:48see and the way you bawled me out
00:10:51fellow
00:10:52that sounds society to me
00:10:54it is society ten million dollars worth of society
00:10:58gee it must be awful to die like that
00:11:00oh wait dearie till i get a tambourine
00:11:02helpless
00:11:04alone
00:11:05well didn't i tell you i was with her right up to the end
00:11:06that's a hot one you a pill peddler kicked out by the medical society
00:11:11hey you make another crack like that and i'll wipe that face right off your mouth
00:11:15it was only kidding doc
00:11:19well this is no time for kidding it's a big job
00:11:24tina's gonna double for that woman
00:11:26she's gonna play the long lost madonna to the bellows kid
00:11:30what could she get away with it why not the woman is dark and slender so is tina yeah and
00:11:35the boy of course wouldn't recognize her the boy hasn't seen his mother in 14 years
00:11:40the prodigal mother returns yeah with the kid examining the fatted calves
00:11:44the prodigal mother returns and was received with a royal welcome
00:11:52why it's a perfect setup if the millionaire kid doesn't want you he pays you all yeah and
00:11:58unwanted mothers come high these days if the boy likes you all you've got to do is grab as much
00:12:02dough
00:12:03as we can carry it the long shot it say i once bet on a long shot john once you
00:12:09won a grand yeah we
00:12:10know oh cut it rose here tina take these letters look them over with your memory it's a cinch there's
00:12:18not a chance for a slipper there's only one thing i'm afraid of you're a little too young for the
00:12:23pa
00:12:26thanks no i don't think so peter hmm your bride here is getting sleepy oh no i'm not oh yes
00:12:35you are
00:12:36come on all right good night good night
00:12:48well tina
00:12:52why
00:12:58i meant what i said you mean about rest and peace and all that yeah well then here's your chance
00:13:06just put through this one job and it's a permanent easy chair for you the rest of your life
00:13:11no ed why not i told you i'm through you said you wanted to go somewhere and live without fear
00:13:19and
00:13:19worry didn't you mm-hmm well you can't do that without money team and here's your chance to get it
00:13:27a reasonable chance to get all you want but but it's something i've never done before ed
00:13:34why it's almost fantastic the idea of impersonating some long-lost mother although it's a cinch to work
00:13:41up that mother gag all you've got to do is dress the part and be sweet and poor and shed
00:13:45a few tears
00:13:47it's an open and shut book i tell you it'll be your last job i know you're too loyal to
00:13:54turn me down
00:13:55this time i'd never get away with it why not oh somebody would turn up a servant or some relative
00:14:04there's only one relative an aunt and she's in europe yeah and the maids and the butlers i suppose
00:14:09they're abroad too oh there are no old family retainers i found that out bellows lived for 15
00:14:14years in detroit when his wife left him he went to new york took the kid with him and they
00:14:19settled in
00:14:19long island then he thoughtfully doubled the dough for baby and quietly passed away
00:14:26why couldn't even get in the house oh yes you could oh write a letter to the kid
00:14:31saying you want to see him if he falls for it he'll want to see you if he doesn't well
00:14:36we'll drop it
00:14:38what about her handwriting well i'll take care of that you just write something about mother
00:14:43love and all that sort of stuff and i'll copy it
00:15:10what about her
00:15:14How is my baby?
00:15:24Big pardon, madam.
00:15:25Are you Mrs. Bellows?
00:15:26Yes.
00:15:27Yes, I am.
00:15:28The car is over here.
00:15:45Isn't my son here?
00:15:46Oh, no, madam.
00:15:47Mr. Bellows is at home.
00:15:48Oh.
00:15:50How did you happen to know which train I was taking?
00:15:52We've been meeting every train that's come in from New York today.
00:16:15Oh, no, madam.
00:17:11Good afternoon, madam.
00:17:12Good afternoon.
00:17:15Mrs. Bellows?
00:17:16Yes.
00:17:17Good afternoon, madam.
00:17:17Good afternoon.
00:17:20Where is my son?
00:17:21Why, he's upstairs, madam.
00:17:22Will you take me to him?
00:17:23Certainly.
00:17:24Immediately.
00:17:29Do you mind if I go alone?
00:17:32Why, certainly not, old man.
00:17:46THE END
00:18:11Mother
00:18:15Philip
00:18:20Mother
00:18:22Oh, you poor boy
00:18:29Did you
00:18:30Did you just get off the train?
00:18:33Yes
00:18:35You've come a long way, haven't you?
00:18:38Yes
00:18:40A long way
00:18:41I only meant
00:18:43You must be tired
00:18:45Let's go in the drawing room and talk
00:18:53It's over here
00:19:23Let's go in the drawing room and talk to you
00:19:25Sit over there
00:19:30You know, I've always felt that I'd see you again someday
00:19:35That's funny, isn't it?
00:19:37Of course I can't see you, but you know what I mean
00:19:41I'm sorry
00:19:42I'm sorry
00:19:43Oh, I'm all right
00:19:44Besides, I can still remember
00:19:47You see if I can't
00:19:50Your hair is dark
00:19:52Very dark
00:19:54Isn't it?
00:19:55Yes
00:19:57And your eyes
00:19:59Oh, that's what I can remember best
00:20:01They're gray
00:20:04Aren't they?
00:20:06Oh, yes
00:20:06They're gray
00:20:07Oh, I bet you're laughing at me now
00:20:11No, I'm not laughing
00:20:13No, I'm not laughing
00:20:13It all probably sounds silly
00:20:16But anyhow
00:20:17Maybe pretty soon I'll be able to see you
00:20:21Really?
00:20:24Oh, what's the matter?
00:20:25Oh, I'm just looking around
00:20:28Oh, do you like it?
00:20:31Huh?
00:20:32Oh, yes
00:20:34It's nice upstairs, too
00:20:36From your room you can see for miles
00:20:40From my room?
00:20:41Yes
00:20:43Wouldn't you like to stay?
00:20:45Oh, I know it might be dull
00:20:46But I'd like awfully to have you stay
00:20:49Do you really want me to, Philip?
00:20:51Well, you will for a while, won't you?
00:20:53And then if you don't like it
00:20:53We can find some other place
00:20:55Good afternoon
00:20:59Oh, Mother
00:21:00This is Mr. Arnold
00:21:01Mr. Grant Arnold
00:21:03Grant, I want you to know my mother
00:21:06How do you do?
00:21:07I'm pleased to see you, Mrs. Bellaville
00:21:10Mr. Philip?
00:21:11Oh, not yet, Alice
00:21:14Oh, Mother
00:21:15This is Alice
00:21:17Mrs. Bellaville
00:21:18How do you do?
00:21:19Mr. Philip has been up all day
00:21:20Waiting to see you
00:21:21Now, off we go
00:21:23Oh, I'm all right
00:21:24Better get your rest now, old man
00:21:26You could have a long talk
00:21:27With your mother later
00:21:28Make a stay, Grant, will you?
00:21:29Of course I will
00:21:31See you later, Mother
00:21:41Oh, uh
00:21:44Philip
00:21:44Philip was in an airplane crash
00:21:46Two years ago
00:21:46Oh, but his eyes
00:21:49I'm afraid there's no hope
00:21:50Of his ever regaining his sight
00:21:51Oh
00:21:56You don't remember me, do you, Mrs. Bellaville?
00:21:59Wyatt
00:22:00It's been so long ago that
00:22:01I was your husband's business manager
00:22:03His, uh, his lawyer
00:22:05Oh, yes
00:22:06I only had the privilege of meeting you once
00:22:09Just after our marriage, wasn't it?
00:22:11A month or two after, Mrs. Bellaville
00:22:13Yes, of course
00:22:15Oh, I used to see you often
00:22:17In your photographs, I mean
00:22:19Your husband had them strewed all over his desk
00:22:22The, uh, change must be a great shock to you
00:22:26Well, fourteen years does change one considerably
00:22:29You know, I'm
00:22:30I'm very curious about those photographs
00:22:32Would you show them to me?
00:22:35I, uh
00:22:37Well, I'm sorry, but, uh
00:22:40When you departed so suddenly
00:22:43Stanley destroyed them all
00:22:44Oh
00:22:46You felt it would be a constant reminder
00:22:50Yes, I, I see
00:22:53May I ask, uh
00:22:55What your plans are?
00:22:57Well, they're
00:22:57They're not very definite
00:22:59Well, Philip expects you to stay here, you know
00:23:01Well, you see, I
00:23:02I didn't know whether Philip would
00:23:04Would welcome me
00:23:06There was never any question of that
00:23:09I left my trunk in New York
00:23:10Well, Thomas will look after it
00:23:11No, I, I couldn't possibly stay tonight
00:23:15Tomorrow, then
00:23:19Tomorrow
00:23:36Hello, Gus
00:23:37Good evening
00:23:41Good evening
00:23:43Good evening
00:23:43Dr. Marcy here
00:23:45Seated over there
00:23:46Thank you
00:23:50Hello
00:23:50Hello, Tina
00:23:58What's the answer, Tina?
00:23:59How'd it go?
00:24:01All right, I guess
00:24:02Well, what's the matter?
00:24:03You got by, didn't you?
00:24:04Yeah, I got by, all right
00:24:06I told you there was something Limburger about it
00:24:08Well, what happened?
00:24:10Well, I was met at the station by a footman
00:24:13Well, why didn't a kid meet you?
00:24:15He was blind
00:24:18Airplane crashed two years ago
00:24:20Well, it's thoughtful of it
00:24:21Make it so easy for us
00:24:22It's too easy, Ed
00:24:25Well, you're not squawking about that, are you?
00:24:27Nothing, thanks
00:24:28Oh, mustn't smell liquor on Mammy's breath
00:24:30Can you imagine Tina singing her little 17-year-old to sleep?
00:24:35I can, but I don't want to
00:24:37Hey, stop that
00:24:55Every time you punch that thing, you pay dough
00:24:57I know, but if I punch the lucky number, I win a prize
00:25:01Two ginger eyeballs, Joe
00:25:08There you are
00:25:09Pull off the seal and see what wins
00:25:13Number 12 is the lucky number
00:25:1512, I've got it
00:25:16Wait a minute
00:25:16It's right here
00:25:18Here it is
00:25:27Here's your prize, Mr. Angel
00:25:33Hey, Rose
00:25:35What am I going to do with this?
00:25:37What's the use?
00:25:38You wouldn't do it if I told you
00:25:40Oh, shoot
00:25:45Don't you see, Ed?
00:25:47I started the mother gag just like they planned
00:25:49Then the first thing that comes along is a blind boy
00:25:51On top of that, Arnold, and then a nurse
00:25:53Well, I was swept clean off my feet
00:25:55Well, what about it?
00:25:57I think Arnold's on
00:25:59When did you get that idea?
00:26:00The first moment he spoke to me
00:26:02What did he say?
00:26:03Nothing in particular, but
00:26:05Well, then, what are you worrying about?
00:26:07Ed, I'd like to drop this
00:26:09You scared?
00:26:10No
00:26:11It's the boy
00:26:13Well, now, listen
00:26:14He went for the mother gag, didn't he?
00:26:16And he asked you to stay
00:26:17What more do you want?
00:26:19I don't know
00:26:19Now, you play on his sympathies
00:26:21And you'll get the money in no time
00:26:23But, Ed, don't you understand?
00:26:24The boy's blind
00:26:26I can't do it
00:26:26Oh, now, listen, Tina
00:26:27Don't soften up on us now
00:26:29You got me all steamed up
00:26:31About this house and garden of ours
00:26:33Now, put through this last job
00:26:35And it'll be a long vacation for both of us
00:26:38Ed, maybe we could
00:26:40We could find something else
00:26:41Something even better
00:26:43Well, the set-up's like this
00:26:44Only come once in a lifetime
00:26:46It's a natural
00:26:47How you're tired and nervous
00:26:50Waiter
00:26:51Check, please
00:26:53Or we'll go over to Connie's for a while
00:26:55Then you go home and get some sleep
00:26:58Prepare for the big scene tomorrow
00:27:00And if that lawyer guy gets in your hair
00:27:02Just tell me
00:27:03I'll take care of him
00:27:32I'll take care of him
00:28:03I'll take care of him
00:28:16I'll take care of him
00:28:17I'll take care of him
00:28:36I'll take care of him
00:28:44I'll take care of him
00:28:55I'll take care of him
00:29:04Mother. What are you doing? Here's a letter for you. Can't you read it? I'll read it for you.
00:29:17Will you hold it for me? My dear Mother, I am so happy that you are here, and I hope
00:29:27that you
00:29:27are going to stay. I wonder if you can read this letter. Lovingly, Philip. Mother, will you tell me
00:29:42something? What is it, Philip? How did you happen to write to me? Well, I wanted to a long time
00:29:51ago,
00:29:51but I was afraid. Afraid of me? Afraid of what you might think. Oh, Mother. Oh, I only wanted to
00:29:59see you just for a moment. I wouldn't have come back today if you hadn't wanted me. Well, here's
00:30:06my standing invitation. Philip, do you remember this? Why, you're still wearing it. I've always
00:30:18worn it, Philip. Do you remember? I used to play with that necklace. I couldn't forget.
00:30:25Why, why, Mother, your dress, it's all worn out. Oh, well. And, and you used to wear rings.
00:30:37I had to pawn them. Oh. Mother, you've had a lot of trouble, haven't you?
00:30:46Hasn't everyone. But you're not going to have any more. You're going to have beautiful clothes,
00:30:52and, and all kinds of nice things. Yes, I know, dear, but, but clothes are the least of my troubles.
00:31:00What are your other troubles? Oh, they don't matter. They do? Well, I, I have some debts. Oh,
00:31:07we'll pay them. No, they're, they're too big. How much? Thousands of dollars. Don't you worry about
00:31:13them. I'll look after them. I'm going to take care of you from now on.
00:31:24It's 11 o'clock, Mr. Philip. That means study. Three hours of it. I'll take you in the garden
00:31:31after that. Alice is a wonderful teacher, but very strict.
00:31:59How do you do, Mr. Arnie? You see, I, I'm here. Well, they're glad you are. Your being here
00:32:07should be a great thing for Philip. I was away when your letter came, but it was read to him.
00:32:13The mere prospect of having his mother with him again put new life into him. She, the boy,
00:32:20was ill. Dying, you know. What? But he's recovering now. He hasn't a chance.
00:32:30Oh, I, I've, I've no idea. Oh, really? Does, does Philip know how serious it is? He never complains,
00:32:40but somehow I think he knows. But, but how long? Can he go on? I really don't know.
00:32:49No. Any shock, no matter how slight, might finish him. But, uh, we'll try and make him happy, won't we?
00:32:59Why, yes. Yes, of course. I thought you want to know just how things are.
00:33:04Why, yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes.
00:33:23Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes.
00:33:23Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes.
00:33:23Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes.
00:34:07Do you remember?
00:34:08I used to play with that necklace.
00:34:22Heavy shock.
00:34:24But a house life might finish it.
00:34:32Three hours of it.
00:34:34I'll take you in the garden after that.
00:35:23It's so peaceful here.
00:35:25I thought you'd like it.
00:35:27Do you see Flossom and Jetson?
00:35:30They ought to be over there.
00:35:33Flossom?
00:35:34Yes.
00:35:37Flossom and Jetson.
00:35:41You know, Father took me around the world when I was 11.
00:35:45And when we came back, we used to pick out the spots in the garden that reminded us of foreign
00:35:49places.
00:35:50I'd like to travel that way.
00:35:52All right.
00:35:53Come on.
00:36:00Mother, how soft you're dressing.
00:36:02You'll never wear the other one again, will you?
00:36:05No, Philip.
00:36:06Never again.
00:36:08Father, and I used to call this place Japan.
00:36:11Japan?
00:36:12Yes.
00:36:13The funny little bridge and the weeping willow trees.
00:36:16Of course.
00:36:35William, here's my mother.
00:36:37Oh, mother, let's go and see her.
00:36:39All right, darling.
00:36:46Hello, William.
00:36:47Mother, this is William.
00:36:50How do you do, William?
00:36:51How do you do, Mom?
00:36:53Oh, William, I think mother likes roses.
00:36:56They're in full bloom.
00:37:05Goodbye.
00:37:06Goodbye.
00:37:07Do you play tennis, mother?
00:37:09Well, I'm not very good at it.
00:37:11I used to play.
00:37:13Well, I just worked up the swellest backhand.
00:37:18I wish I could play again.
00:37:21But there are lots of things I can do.
00:37:24Come on in the house, and I'll show you.
00:37:48Don't forget now.
00:37:49I'm only learning.
00:38:01Do you remember this?
00:38:05You used to sing me to sleep with it.
00:38:28Oh, mother, let's start from the beginning again.
00:38:36When the gloomy, oh, my darling
00:38:50And the quiet shadows falling
00:38:56Softly calm and softly light
00:39:02And the wind up in trees loving
00:39:09With a gentle one above the wall
00:39:16Will you think of me, my darling
00:39:23As you used to long ago
00:39:31You forgot the second line, Mother.
00:39:35Don't you remember?
00:39:36When the lights are dim and low?
00:39:40The lights are dim and low
00:39:45And the shadows...
00:39:47What's the matter?
00:39:50Oh, nothing.
00:39:52You mustn't think about me.
00:39:54You mustn't think about me?
00:39:56I don't mind. I'm all right.
00:40:01Are you, dear?
00:40:03Of course you are.
00:40:05At least I will be.
00:40:08And then...
00:40:09And then we can go to Europe
00:40:11And see everything together.
00:40:14Only you must have some pretty things.
00:40:18Wait a minute.
00:40:20Where are you going?
00:40:21You just wait a minute.
00:40:36Grant!
00:40:37Yes, Philip?
00:40:38Will you do something for me, right away?
00:40:40Anything. What is it?
00:40:42Grant.
00:40:43If anything should happen to me.
00:40:44This house.
00:40:46All my money.
00:40:47It would go to Aunt Louise, wouldn't it?
00:40:48Why, nothing's going to happen to you.
00:40:49Aunt Louise would get it, wouldn't she?
00:40:51Yes.
00:40:52Mother wouldn't get anything, would she?
00:40:55Not from your Aunt Louise.
00:40:58Mother's had a lot of trouble, Grant.
00:41:02Yes, I suppose she has.
00:41:06I'd like to do something for her.
00:41:09Oh, we can take care of that in the will.
00:41:11Grant, I want to do something now.
00:41:14A cheque. A big cheque.
00:41:16Fifty thousand.
00:41:19Fifty thousand?
00:41:20My dear young fellow, that's a lot of money.
00:41:23I know, but what good is a lot of money
00:41:24If you can't do things with it?
00:41:26And I want to help my mother.
00:41:28Well, suppose we wait until tomorrow.
00:41:31No, nobody knows anything about tomorrow.
00:41:35As you please, Philip.
00:41:39Of course, I advise strongly against it.
00:41:41But if your heart is set on it.
00:42:06Here you are.
00:42:13This is the biggest cheque I've ever written.
00:42:16Not many boys my age could write a cheque like this.
00:42:19Oh.
00:42:38Philip.
00:42:43Here, Mother.
00:42:44This is for you.
00:42:46But I couldn't take that, Philip.
00:42:48But, Mother, this is my surprise.
00:42:50Philip.
00:42:52You see, I want to do something for you.
00:42:54And money is about the only thing I can do.
00:42:57And it's mine.
00:43:00Well, won't you take it?
00:43:04Of course, my sweet.
00:43:06It's, it's lots of fun to be able to give things.
00:43:09I mean, to someone you like.
00:43:14It's time for your rest, Mr. Philip.
00:43:16Oh, I'm ready.
00:43:19I'm a little bit tired, Mother.
00:43:21I'll, I'll see you at dinner.
00:44:03Please, Mr. Philip.
00:44:06He's asking for you, Mrs. Bellows.
00:44:08Please.
00:44:11Look.
00:44:14What happened?
00:44:16An awful attack.
00:44:17The worst he's ever had.
00:44:19Oh.
00:44:22Philip.
00:44:25Philip.
00:44:37Oh, you poor darling.
00:44:40Mother.
00:44:41You're going to stay.
00:44:45Aren't you?
00:44:49Yes, Philip.
00:44:51As long as you want me.
00:44:53I promise.
00:45:04What's troubling you?
00:45:06Plenty.
00:45:07Yeah?
00:45:08Say, listen, Doc.
00:45:09All I've got left are 300 bucks.
00:45:12What am I supposed to do about it?
00:45:14It isn't you, Doc.
00:45:15It's Tina.
00:45:16What's taking so long?
00:45:18Maybe she's in a jam.
00:45:20Well, I thought you said she'd phone if things got tough.
00:45:24Well, they're not tough.
00:45:26That's the answer.
00:45:27It's over a week.
00:45:30Say, how do we know she's still there?
00:45:32What?
00:45:34I think she's run out on us.
00:45:36Well, Tina wouldn't do that.
00:45:37No.
00:45:38Well, you heard what she said.
00:45:39That you do one more job and quit for good.
00:45:42Well, she's done the job and quit for good.
00:45:46You wouldn't think of that.
00:45:47Now, wait a minute, Doc.
00:45:48Rose is right.
00:45:49If you weren't getting so mushy about Tina, you'd stop thinking she was a little...
00:45:53Come on, Scrant.
00:45:54Beat it.
00:45:55Come on, Philip.
00:46:00They call the object a bag and we're left holding it.
00:46:04Come on.
00:46:14Operator, have you got a Long Island book there?
00:46:18I want to get the telephone number of Mr. Philip Bellows.
00:46:22B-E-L-L-O-W-S.
00:46:25That's right.
00:46:33Ah, vanitas vanitatum.
00:46:36Which of us is happy in this world?
00:46:38Which of us has this desire?
00:46:40Or having it is satisfied?
00:46:42Come, children.
00:46:43Let us shut up the box and the puppets.
00:46:45For our play is played out.
00:46:47The end.
00:46:48There.
00:46:49Did you like it?
00:46:51I liked the part about the Battle of Waterloo best.
00:46:54Did you?
00:46:56I'd never finished it nearly as quickly if I'd had to read it my way.
00:47:04Well, young fellow.
00:47:05Getting better?
00:47:07What's the book?
00:47:09Vanity Fair.
00:47:11Well, rather a long yarn for a young man these days.
00:47:13Yes.
00:47:14You must be tired, mother.
00:47:16No, I'm not.
00:47:17Well, you never take any rest.
00:47:19You're with me all the time.
00:47:22I'd love to be with you, Philip.
00:47:24But you must get out in the sunshine.
00:47:26And take a rest.
00:47:29Grant will stay with me until Alice gets back.
00:47:32Won't you, Grant?
00:47:33You bet I will.
00:47:35You know, Grant has played father to me for a long time now.
00:47:39He's used to watching me.
00:47:42All right, darling.
00:47:44I'll be right back.
00:47:54All of you must be tired out.
00:47:57Don't you worry about us.
00:47:59All you've got to do is to hurry up and get well.
00:48:02Yes, of course.
00:48:05I'm glad we thought of that check for mother.
00:48:08Check?
00:48:10Oh, yes.
00:48:11Good idea.
00:48:13I hope she gets all the things she wants.
00:48:16And, Grant, if she wants anything more, you must...
00:48:19Anything you wish, young fellow.
00:48:26Why did this have to happen just when mother came back?
00:48:34She's wonderful, isn't she?
00:48:37What?
00:48:39Oh, yes, yes.
00:48:41Don't you like her?
00:48:44What made you ask that?
00:48:47Oh, I don't know.
00:48:49Young man, your imagination's running away with you.
00:48:51Yes, I suppose it is.
00:48:55She's very young looking, too, isn't she?
00:48:57Yes, she is.
00:48:59Much too young looking to be the mother of a great big lummox like you.
00:49:07I wish I could see her.
00:49:09How does she look?
00:49:12Well, I'm not very good at descriptions.
00:49:14Her eyes are grey like mine, aren't they?
00:49:18Yes, they are.
00:49:21They're very strange eyes.
00:49:24At first, I thought they were black.
00:49:28There's something mysterious about them.
00:49:31They make you wonder what she's thinking about.
00:49:35And whether you'll ever be allowed to know.
00:49:38Why, Grant, you do like her, don't you?
00:49:42Well, she is very attractive.
00:49:51Yes, operator.
00:49:53Thanks.
00:49:54Make it snappy, will you?
00:50:06Hello?
00:50:07Yes?
00:50:09Who is calling Mrs. Bellows?
00:50:12Very good.
00:50:13Just one moment, please.
00:50:16The telephone is for you, Mrs. Bellows.
00:50:18Dr. Barfey on the line.
00:50:22Uh...
00:50:22Tell him I'm not in.
00:50:24You don't know when I'll return.
00:50:30What's that?
00:50:31She's out?
00:50:34Well, how soon do you expect her back?
00:50:37All right.
00:50:56Mrs. Bellows?
00:50:59Yes, Mr. Arnie?
00:51:00I've opened an account for you at the merchant's bank.
00:51:05You may draw on it as you wish.
00:51:07I don't think I shall need it, Mr. Arnie.
00:51:10Philip would like to have you use it.
00:51:12Philip needn't know.
00:51:14Of course not.
00:51:14I hope you understand, but...
00:51:16I couldn't use it.
00:51:18As you please.
00:51:25Yes, sir.
00:51:26I'm Dr. Marcy.
00:51:27Yes, sir.
00:51:28Is Mrs. Bellows at home?
00:51:29Is she expecting you?
00:51:31I'm quite sure she is.
00:51:42How do you do, Mrs. Bellows?
00:51:44How do you do?
00:51:46Mr. Arnold, Dr. Marcy.
00:51:50How do you do, Mrs. Arnold?
00:51:52Dr. Marcy is...
00:51:54Is...
00:51:55When Mrs. Bellows learned I was in New York, she sent for me.
00:51:58I see.
00:51:59She thought I might be of some help to her son.
00:52:01Well, if Mrs. Bellows desires it, I'm sure that, uh...
00:52:04Dr. Henderson would be very glad to consult with you.
00:52:07I'll get his telephone number from Mrs. Bellows and get in touch with him.
00:52:10No.
00:52:11I'll get your number and have him call you.
00:52:12Well, I'd much prefer to call him.
00:52:16That might save trouble all around.
00:52:20Now, I'm sure you'll excuse me.
00:52:22You must have a great deal to say to each other.
00:52:25Good afternoon.
00:52:34I want to talk to you.
00:52:36Not here.
00:52:45Listen, Tina, what's the idea?
00:52:47I telephoned here about an hour ago and they said you weren't here and you weren't expected back.
00:52:51You shouldn't have come here.
00:52:52I thought you were gonna grab some dough and beat it.
00:52:55Well...
00:52:55The kid's been sick, Ed.
00:52:57Terribly sick.
00:52:58Well, that's all the better.
00:52:59That gives you a clear feel to grab and run.
00:53:02But...
00:53:03But how can I with...
00:53:04With Arnold here?
00:53:06You're stalling, Tina.
00:53:07What's the idea?
00:53:10Well, Ed.
00:53:11I'm not grabbing and I'm not running.
00:53:13No?
00:53:14No.
00:53:15I may have to leave here tomorrow.
00:53:17But as long as I can stay and be what that boy up there thinks I am, I'm not running.
00:53:23Well, you're gonna get a check from that boy and you're gonna get it right now.
00:53:27Yes?
00:53:28And what if I don't?
00:53:29Well, this Arnold fella, I imagine, would make a lot of trouble if he knew who you really were.
00:53:34He knows, Ed.
00:53:36I suppose you told him.
00:53:38I didn't have to.
00:53:39Well, how do you know he's on, then?
00:53:42Philip gave me a check for $50,000.
00:53:44What?
00:53:44When he left the room, Arnold tore it up.
00:53:47And he let you stay?
00:53:49Yes.
00:53:52Well, I'd be able to begin to understand now.
00:53:55Understand what?
00:53:56Why he let you stay.
00:53:58Are you and that fellow Arnold...
00:54:00No.
00:54:01We're not.
00:54:03He's pretty fond of that kid, isn't he?
00:54:06I never knew a man could be so kind.
00:54:10Well, now get this.
00:54:12You're gonna entertain Arnold while I talk to the boy.
00:54:14And tell him what a brave little woman you are.
00:54:16And how desperately you need the money.
00:54:18I won't let you near that boy.
00:54:21Does the kid know who you are?
00:54:23Of course not.
00:54:25What do you think would happen if he did know?
00:54:28Well, I...
00:54:29I think the shark would kill him.
00:54:34He wouldn't tell him, Ed.
00:54:35Not as long as there's a chance of getting any dough.
00:54:38Well, I'm not going through with it.
00:54:39You can think that I tricked and cheated you.
00:54:41I don't care.
00:54:42But I won't go through with it.
00:54:43Oh, yes, you will.
00:54:44I'll be here at 10 o'clock tomorrow morning.
00:54:46And you have that money.
00:54:47Or I'll tell the boy.
00:54:48But I can't, Ed. I can't do it.
00:54:49I'll be here for the money till 10 o'clock tomorrow morning.
00:54:52for now.
00:55:10Fine, you say.
00:55:19Well, help me!
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00:58:04I'm sorry.
00:59:16You're asking a lot of embarrassing questions.
00:59:18Somehow I can't get excited about it, Ed.
00:59:20Well, let's get out of cases.
00:59:22I want a check.
00:59:23I haven't done any check.
00:59:25Does that mean you couldn't get one or you didn't try?
00:59:28I didn't try.
00:59:29Why not?
00:59:31I thought I'd...
00:59:33I'd made you understand my feeling for the boy and what I meant to him.
00:59:38Well, somehow I can't get excited about that.
00:59:41The answer is you double-crossed me.
00:59:44Call it that if you like.
00:59:46You know nobody double-crosses me and gets away with it.
00:59:49Yes, I know.
00:59:50Well, what I said yesterday still goes.
00:59:52I'm going to tell that boy who you are.
00:59:55Ed.
00:59:59You don't...
01:00:00You don't really mean that.
01:00:01No?
01:00:07You can't do it.
01:00:08Why not?
01:00:10Philip died last night.
01:00:14He died?
01:00:18You fool.
01:00:20You've been here for more than a week.
01:00:21You could have gotten that money and you didn't do it.
01:00:29Good morning, Dr. Marcy.
01:00:31How do you do?
01:00:33Isn't your visit a little ill-timed?
01:00:34I don't think so.
01:00:36I came to take Mrs. Bellows back to town.
01:00:39Oh.
01:00:40So you're leaving us.
01:00:42She's going with me right now.
01:00:45I don't think it'll be as easy as that, Marcy.
01:00:47No?
01:00:49I think your visit here requires an explanation.
01:00:52What if I don't feel like giving one?
01:00:55Well, I didn't imagine that you would.
01:00:58So you see, I took the trouble to look you up.
01:01:00Well, that's nice of you.
01:01:02Your name was on the death certificate of Mrs. Swanson, wasn't it?
01:01:06Well, what of it?
01:01:08It's the name of the man who was barred by the Medical Society
01:01:12for questionable practices.
01:01:14When I mention this fact to the police,
01:01:17I found out that they were interested in Dr. Marcy
01:01:20for even more serious reasons.
01:01:23You have been busy, haven't you?
01:01:26Well, I heard of your arrival a few moments ago.
01:01:29I telephoned the police station.
01:01:30They're sending a couple of men around.
01:01:32And what are you going to tell them when they get here?
01:01:35You've got nothing on me.
01:01:36Oh?
01:01:38Well, how about your attempt to foist off this lady
01:01:39as the real Mrs. Bellows?
01:01:41Well, what about it?
01:01:42She didn't get a cent.
01:01:43No, but the conspiracy to be fraud is there just the same.
01:01:46You'd have a sweet time proving that.
01:01:49Oh, I don't know.
01:01:51Well, you see, the real Mrs. Bellows
01:01:53was my secretary before her marriage.
01:01:55That's how she met her husband.
01:01:57Well, it's very interesting.
01:01:58But if you don't mind, Tina and I will be going.
01:02:01I think perhaps you'd better wait
01:02:03to meet our friends from the police station.
01:02:05They'll be here soon.
01:02:08I'm not in the habit of being dictated to.
01:02:12Get away from that door.
01:02:13Ed, stop it.
01:02:14Come on, let's get out of here.
01:02:16Get away from that door.
01:02:17Put that gun away, you fool.
01:02:20Oh, so that's it.
01:02:22You're stuck on this guy.
01:02:24And that's why you ditched me.
01:02:27Well, I have a good mind to...
01:02:28Wait.
01:02:30What would you do, Ed?
01:02:31Shoot me?
01:02:33Go ahead.
01:02:34I've nothing more to live for now.
01:02:36When I came here, I believed your code.
01:02:39I believed that life was a racket.
01:02:41That it was a case of get mine first
01:02:42because the world owed me what I could grab.
01:02:44I let you talk me into this last job.
01:02:47I was to play on the feelings of a boy.
01:02:49A lonely boy.
01:02:50Aching for the love of a mother he'd never known.
01:02:54That boy believed in me.
01:02:56He trusted me.
01:02:58Why, I forgot that such things existed.
01:03:00Here, for the first time in my life,
01:03:01I learned the joy of giving, not taking.
01:03:03And you could never know what that means.
01:03:05But you did know that I loved Philip.
01:03:07You did know what would happen
01:03:08if he learned that I was a cheat.
01:03:09And yet, to get even with me,
01:03:10you would have told him.
01:03:11You would have killed him
01:03:12as soon as if you'd shot him with that gun.
01:03:14And that I could never forgive you for.
01:03:16I'm not going with you now or ever.
01:03:19Why, the choice between your kind of life
01:03:20and dying here is easy.
01:03:22Go ahead.
01:03:24I didn't know you felt that way about it, Tina.
01:03:27So far as I can see,
01:03:29the only thing for me to do is to bow out.
01:03:33Goodbye and good luck.
01:03:37Why don't you go through that window
01:03:38and across the lawn?
01:03:39There's only a hedge between you and the road.
01:03:42It's not a bad idea.
01:03:46Are you quite sure you don't want to go too?
01:03:49Not that way.
01:03:52Come in.
01:03:55Dr. Henderson on the telephone, sir.
01:03:57I'll be there in a minute.
01:03:58Very good, sir.
01:04:02Well, there were no policemen.
01:04:04I thought that was the best way
01:04:05to get rid of your friend, Marcy.
01:04:09Marcy.
01:04:15THE END
01:04:43I've come to say goodbye
01:04:45Are you going?
01:04:46Well, there's no reason for me to stay any longer
01:04:51Have you made any plans?
01:04:54No, I'd forgotten to think what I would do when I left here
01:05:00You're very lovely
01:05:03How did you let yourself in for this kind of a game?
01:05:07When I look back, I wonder how
01:05:12But if I hadn't, I never should have known Philip
01:05:14You loved him, didn't you?
01:05:17I was happier with him than I've ever been in my life
01:05:22Sounds silly, doesn't it?
01:05:24No
01:05:25You know, I...
01:05:27I should be lonely without Philip
01:05:29Strange that I could learn to love someone in...
01:05:32In so short a time
01:05:35I don't think that time has much to do with
01:05:38Any kind of love
01:05:40But how about me?
01:05:42I should be lonely too, you know
01:05:44Will you?
01:05:47You know, I doubt if
01:05:49Philip's own mother could have meant as much to him
01:05:51She'd come back
01:05:53Do you really think so?
01:05:55You made him very happy
01:05:59Sometimes the blind can see so much more clearly than we can
01:06:05Tina
01:06:07You want a home
01:06:09And peace
01:06:10And love, don't you?
01:06:14Every woman wants that
01:06:16In her heart
01:06:18Would you try and see me
01:06:20As Philip saw me?
01:06:22I don't have to try
01:06:26You know, I've got a home too
01:06:29And a garden and
01:06:31Oh, you know what I mean
01:06:35Tina
01:06:37You could make me very happy too
01:06:54I don't have to worry, I know
01:06:56I ...
01:07:17You could make me very happy
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