00:00First of all, welcome to INS.
00:01Thank you, thank you very much.
00:03And sir, first of all, you know that you have given a small child in Bollywood,
00:07a mother, a heart, a heart, a heart, a heart, a heart, a heart and a heart.
00:12And there are songs like timeless timeless.
00:13So when you look at your career, which phase do you feel more creatively satisfying and why?
00:22For every person, it feels very beautiful for a man.
00:27Like a professional, when he gets lost, he gets lost.
00:37He doesn't know where it goes.
00:41So every moment when I created, I was in, I was in, I was in, I was in 95 films,
00:5011 years old.
00:52So I didn't get a time to sleep.
00:54But after that, I was in a little break.
00:57Even when I was away a bit, a little gap in my life,
01:03so that's the time I created.
01:07I used to write songs in the phone.
01:09I used to write.
01:11So this is the kind of thing.
01:13Sir, welcome or welcome to the jungle, which is the second welcome, which is the second welcome, which is the
01:21music that you gave.
01:21No, I didn't.
01:23So welcome or welcome to the jungle.
01:25So this is the second welcome, which is the first time I was listening to my songs.
01:30And the first time I was listening to my songs, I was listening to my songs.
01:45It was just a song that was a very nostalgic song.
01:52It was just a song that was a very nostalgic song.
01:55It was a great song.
02:01Sir, as a composer, you have worked in three roles.
02:09So, which role you have in your heart is the most close to your heart, and which role you have
02:15in your heart as an artistic freedom?
02:20Freedom is the most common singing, because you don't have to create a creation.
02:25You are God gifted.
02:27So, I would like to say that a singer is made of power.
02:33After that, you have to create a creation, and work with regular practice.
02:39But, you get to get to the basic dance and dance.
02:43And the composer is also a God gifted thing.
02:47I can't compose it.
02:48I don't even know music.
02:50But the most important thing is in the lyric writing.
02:53The lyric writers are like a song.
02:57It's a frame.
02:59A frame is an object.
03:00When it's a photo, it's a subject.
03:05Tune, composition, and music is just an object.
03:10If it's a lyric fit, it's a subject.
03:13So, I enjoy the three parts.
03:15But I want to work with all top lyricists.
03:20I can't do that.
03:24So, I've got to ask you, the story wasn't a song and a song.
03:33So, I can't do that in the song.
03:37I'm in the song and a song.
03:38If you're a song, I'm in the song.
03:40I'm in the song.
03:43So, I'm in the song.
03:45I'm in the song.
03:46I'm in the song.
03:46And I'm in the song.
03:49I'm in the song.
03:50I'm in the song.
03:52So, I'm in the song.
03:52But my struggle story was in Delhi.
03:56From 1984 to 11 years ago, I was singing in the orchestra.
04:02I used to sing my friends.
04:04I used to watch films.
04:06I used to watch films.
04:08I used to learn how many songs were sitting in the classroom.
04:12So, there was a lot of study, a lot of struggle.
04:15Then, when I was singing a lot of other songs,
04:19I used to think that I would not know.
04:22I thought to myself that my identity was going to go to the popular audience,
04:28and then I would try singing.
04:30But I thought to myself,
04:32But I had a song that was made by a song.
04:35I had a song that I had,
04:35I was singing in Delhi,
04:38and then I was singing in Delhi.
04:38Then I realized that I was not a film.
04:43So, it was made in my mind that I made an album.
04:46It was made in my mind.
04:48I had to write and write and write.
04:50In Delhi, there are no writers in Bollywood.
04:53I used to do it myself.
04:57I did 2-3-4 years of academic exercise.
04:59How many papers did it?
05:01If I did it, I would have to write.
05:04So many of these songs were cut.
05:06Then, I had to go to Bombay.
05:10I had to go with my father.
05:11I had to support him.
05:13I said, I have to know that I have to go.
05:15I had to do it myself.
05:17I would have to do it myself.
05:20I would have to do it myself.
05:21I would have to do it for 5-6 months.
05:23I would have to do it for 10-15,000.
05:25Who was a composer or singer in Bombay?
05:28Who was your hand and said,
05:30let's go with me?
05:33I didn't know Bombay.
05:35On the first day, when I was in Bombay,
05:37I was recognized by T.N.O. Anandji.
05:40I am Anandji.
05:42There was some power and power.
05:43I heard something that I had to do it.
05:47I had to be a female.
05:48I knew something very much.
05:49They were making a film for the Majors.
05:51For the Majors.
05:53I had to sing a song.
05:54I had to sing after singing.
05:56Then they had to sing a song.
05:57Then they had to sing a song.
05:58They had a song for my son.
06:02I didn't understand how I was successful.
06:05Everything was published in Platter.
06:07But it was published in Platter.
06:12But when I was in Delhi, I didn't know anyone in Delhi.
06:17Sir, your songs are just the fate of others.
06:21So what is the difference between a song and evergreen?
06:25What is the difference between a song and a song and a song?
06:27The difference between a song and a song and a song and a song and a song.
06:31Don't forget it.
06:35What is the effortless creation?
06:37The effortless creation is the same.
06:38The thing on the above,
06:42the first thing on the above,
06:45it will not be made.
06:47So I have to say that
06:50there are two songs.
06:51One, one, one, one, one.
06:53One, two, one, two, one, one, two, one.
06:55What does the other one feel?
06:56Either they make you dance or they make you relax.
06:59Now, relaxing songs used to be a person to make it to make it.
07:04They need to make it to make it to make it to make it.
07:04They need to make it to make it to make it to make it.
07:17Now, these songs are relaxing.
07:18it's not possible. Sir, in the early 2000s
07:24period of melody driven music was a different time. Today, when music
07:28production deals with short-term content through, you think that music
07:32is a compromise? No, but what was the first struggle was not?
07:41No, it was not. All were successful. The people who were
07:46parallel to 30 years ago were. The people who were 4-5 singers were.
07:53But the social media came out, everyone came to the
07:58world, everyone came to the world. The people who come to the world,
08:02they were 100% of the people. If someone sings it, that doesn't
08:11But if he's singing with his heart, it's 100 percent.
08:14So now all of them add their own content.
08:18Some things are on the heart.
08:20Some things are on the heart.
08:24This is a part of life.
08:27Sir, in your songs, the emotions and simplicity are coming.
08:31So are your composers today taking commercial pressure?
08:47If I have to make someone dance, if I have to make someone dance, then I can't dance myself.
09:00If I have to make someone dance, if I have to make someone dance, then I can't do it.
09:05So I think every composer tries his best.
09:09Sir, your songs have worked in the genre of melodic tracks and emotional songs in Bollywood.
09:18In this period, the experience has reduced and trend following has increased.
09:22The experience has increased and increased.
09:25Where did it go?
09:26Before it happened, we had to make music.
09:33Today, you have to make singles.
09:36So the experience will be more and more.
09:39It will be better for people.
09:41It will be better for people.
09:41It will be better for music and singers.
09:45It will not be better for the writers and composers.
09:46It will not be better for this.
09:48It will not be better for anyone to present their content.
09:52In the music industry, the trend is very strong.
09:56Do you think that the original composition is a tribute or originality?
10:03It will not be better for anyone to present it?
10:05Yes, it is a tribute.
10:06I think it is the way you present it.
10:09The way you present it is in Dhorhunder.
10:10There were all songs in HMV's songs in Saregama and they were recreated.
10:17Gen Z also.
10:18There was a melody in the original songs.
10:22So they are very happy to be composer.
10:25the composer
10:27Sashwat Thaydev
10:28which has been very happy
10:30and has been made.
10:32It's a little bit about the melody.
10:35Those who have been made before.
10:37Nusratfateh Ali Ji,
10:40Rari Women,
10:42who have been made,
10:43they have been made
10:45but they have made it.
10:48It was very good.
10:51It was very good.
10:51These composers have been made.
10:53I got a chance.
10:54I got some legendary songs
10:57and changed them
11:00and put their own creative input
11:02and make them a chance.
11:04I will feel very very happy
11:05that God
11:06has been a tribute to the legends.
11:10Sir, one more question.
11:11When we play Antarkashri
11:13in our family,
11:14we remember the old songs.
11:17We sing the old songs
11:18because it's in our memory,
11:20it's in our heart.
11:21But the new songs
11:22are not so much recollecting.
11:25What do you think?
11:27I have a question for you.
11:29I have a question for you.
11:29I have a question for you.
11:34That, where the characters
11:34were connected with the heart,
11:38and when they are not watching up,
11:40the heart doesn't listen to me...
11:43I have a song that is not
11:45when you play the audio
11:47,
11:50people do scrolling
11:52not to listen to you.
11:54They do not listen.
11:55They can listen.
11:57They don't be listening to you.
11:58this time was gone.
12:00It was not a time.
12:01People would go to the transistor and cycle.
12:04People would go to the old songs and sing.
12:11I'm going to go.
12:12I'm going to go.
12:12I'm going to go.
12:14It was a time for the composers.
12:19It was a time for the composers.
12:19It was a time for human touch.
12:23Straight from heart.
12:24It was a time for the heart.
12:27But now, the industry has been cooperating.
12:30It's like this.
12:31It's like a song in WhatsApp.
12:34It's a lot of work.
12:36It's a lot of work.
12:37It's a lot of work.
12:37It's a lot of work.
12:39It's a lot of work.
12:41Sir, one more thing in Bollywood is
12:46plagiarism.
12:47In the music industry, there are a lot of debates.
12:50So, do you need to be inspired by plagiarism?
12:56No, no.
12:57It's not like that.
12:57Friends, what happens?
12:59Creativity has been so much.
13:02You can do it.
13:03You can do it.
13:04You can do it.
13:04You can do it.
13:04You can do it.
13:05You can do it.
13:06You can do it.
13:16You want to do it.
13:17You can do it.
13:19You can take it.
13:21You can do it.
13:22In that light, you have to restructure a bulb in that light.
13:26Light cannot be created again.
13:28You have to restructure that.
13:31Sir, have you worked with Bollywood's big stars and filmmakers?
13:35Any song or project that you believe
13:38did not get any recognition from it?
13:42No. I got to recognize with all my songs.
13:48How do you watch the independent music scene?
13:53Are you enjoying the independent stars from Bollywood?
13:56Yes, definitely.
13:57In Bollywood, there is no connection between independent music.
14:03There is no connection between independent music.
14:08Now, I am a singer, a composer.
14:10When I sing, I have a song.
14:13It is a film that is a must-and-dash.
14:15I have a special opinion.
14:17I am not going to make a private opinion.
14:18Like I, I am a listener.
14:21But when a composer makes a song,
14:24he makes a song or the song,
14:25it is not a single opinion.
14:27It has a thousand opinions.
14:30So, for us to make a identity,
14:32I have all the composers understood this thing.
14:36If we are singer and composer too,
14:40we will be able to release our singles and we will be able to release our singles.
14:45We will be able to release our songs from our soul to our soul.
14:49We will be able to prepare our different EP.
14:54That is a very beautiful thing.
14:58Artificial intelligence and technology is being able to influence the music creation.
15:03So what do you think that E.I. music can be able to replace the E.I. music,
15:10but we cannot replace the human emotions?
15:11Look, no one can replace the human emotions.
15:16We all know about this.
15:18But the use of artificial intelligence is to leave.
15:24To leave.
15:25To leave.
15:26To leave.
15:26To leave.
15:27To leave.
15:27To leave.
15:29It is not intended to be the same.
15:30In artificial intelligence,
15:32they will put anything in the middle of it.
15:34They will get out of it.
15:35They will get into a phrase.
15:38They will release it, they will be heard.
15:39It will be mixed.
15:40It has become mixed.
15:41I have become mixed with the composer.
15:43It was a hard time,
15:45when friends were sitting at six-six hours,
15:48five-five hours,
15:49singing and singing and singing.
15:53Our songs are more compliant.
15:54Which Dieu is based on simple lyrics and strong melodies.
15:57So today's songwriters and composers, what advice would you like to give the good songs and melodies?
16:04I would like to give this advice, that what you have said, simple melodies, simple lyrics and straight from heart.
16:16But today's songwriters and singers are not famous.
16:27They have a songwriters, but they don't have a songwriters.
16:30It's a songwriters for the songwriters, for the covers.
16:33But I would like to give this advice.
16:36I would like to give this advice. Search friends online.
16:40You have a question from another.
16:46If you write, I'm a song.
16:49Someone comes and I compose.
16:51So sometimes, two or three hustlers and hustlers work.
16:57Sir, one more question. If you don't have a songwriters.
17:01We should give a tribute to you.
17:04You're welcome.
17:04Yeah.
17:06Mm-hmm.
17:07Ik uccha lambakad duja souni vittuhad.
17:11Ik uccha lambakad duja souni vittuhad tija roop tera cham cham kardani.
17:20Me me tini tiri uti mardani.
17:23Oh, oh, oh, oh, oh.
17:25Me me tini tiri uti mardani.
17:28Me me tini tiri uti mardani.
17:33That's all. Thank you very much.
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