- 12 hours ago
Annie finds herself dreaming about Romeo. Charlie uncovers the truth about Angelo. Rachel struggles with motherhood.
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00:00She's a brand new mom, but she's falling apart.
00:03Is she about to lose her baby boy?
00:05Oh my god!
00:06He's not breathing.
00:07Oh god.
00:07Seven's Home and Away, next.
00:31Welcome back, Senior Constable.
00:33Thank you. Good to be here.
00:34Good? It's great!
00:36Right, Angelo?
00:43Balance, huh?
00:45Class.
00:51Hey!
00:53Hey!
00:56Hello?
00:58Danny Campbell?
01:00What are you doing chasing me?
01:01I wasn't chasing, I was just trying to figure out who you were.
01:04Figure out who I am?
01:05You know who I am.
01:06I was just...
01:10I mean...
01:11You were just about to go for a swim?
01:13No, I wasn't.
01:14Well, I am.
01:15Do you want to come?
01:16Or are you going to get all awkward and embarrassed again like you usually do?
01:20I don't get embarrassed.
01:23Hey, what are you doing? You have no clothes on.
01:25You tell me what I'm doing.
01:27This is your dream, Annie, not mine.
01:35By the way, stop staring.
02:13Thanks for doing this shift, Senior Constable.
02:15I know night duty isn't exactly a walk in the park.
02:18No problem at all.
02:19There's nothing I like more than the smell of fish in the middle of the night.
02:21Hmm.
02:22I'm almost certain Grudko was at the fish market the night he died.
02:26Scoping out the place might get us one step closer to his killer.
02:29Forensic report's right there if you need to get up to speed.
02:32How many of us are going out there?
02:34We've just got one more officer coming with us.
02:37Well, I hope they know it's BYO Coffee.
02:40Let's find out, shall we?
02:42Constable Rosetta!
02:45Are you a coffee drinker?
02:47Uh, yeah.
02:53It's okay. It's okay.
02:55It's all right.
02:58Hey.
02:59I thought we meant to be taking turns in the crying baby duties.
03:02I've been with him all night.
03:03Well, I feel bad about waking you up, especially when I can do it myself.
03:06Well, I'm sure you can, but whether you want to be up one night's a different story.
03:11How long has he been awake anyway?
03:12I think it's probably easier to count how long he's been asleep for.
03:14You can count the minutes on two hands.
03:17It's all right, I can handle him.
03:18You've got to work tomorrow.
03:20It's all right.
03:21Uh, so do you.
03:22Actually, it's called full-time mothering.
03:24You know, if you really want to help, you can start by not leaving his toys around.
03:27I nearly slipped on that before.
03:28What if I'd been holding him?
03:30It's okay.
03:31I get it, all right.
03:32You're tired and you're worried about him, but, uh,
03:35you staying awake all night is actually not going to be good for his health.
03:37Oh, it's okay. It's okay.
03:38It's 3.15 in the morning.
03:40I want you in bed by 2.30.
03:42At least you can still get some sleep.
03:44It's all right.
03:45Oh, and, by the way, those toys?
03:48You left them out, not me.
03:53It's okay.
04:02So what makes you think Bledko was here?
04:04If you read the report, Constable, you'll see the type of soil that was found under Grant's
04:11body.
04:23All right.
04:24All right.
04:25Now, Grant's body was found nearby and was dead only for a few hours, which means this
04:29could have been, and probably was, his last stop.
04:31Which is why you think he was killed here?
04:34Bingo.
04:35Look, I hate to break it to you, but we do work in a beachside town.
04:39You know, almost everybody has that sort of soil on the bottom of their shoes.
04:41Excellent point.
04:42And if it wasn't for the fact that this is the only populated area for kilometers where
04:45that particular type of orange clay is found, believe it or not, I'd tend to agree with
04:49you.
04:50Plus, I found Mr. Bledko's phone here.
04:54Why don't you decide to begin with?
04:56Take the wheel, Constable.
04:57I need to get something out the boot.
04:59And be careful with that bear.
05:01He's sensitive.
05:02What's so special about that thing?
05:04Was it your favorite software as a kid or something?
05:06It's a surveillance device with a camera inside.
05:09Cost me a fortune.
05:11Golden rule number one of surveillance.
05:13Never take your eye off your person of interest.
05:22Bad guys are that way.
05:35That bear has been at the station the whole time.
05:37He's probably recorded everything we've said.
05:41You know, working together does involve talking to each other, Charlie.
05:43You can't avoid that.
05:44I tried talking to you about the women in those photographs, but you didn't seem too keen
05:49to talk then, did you?
05:50Don't you think if I was doing something wrong, I would at least come up with a decent
05:53story to cover it?
05:53I don't know what to expect from you.
05:55I don't understand why you, you can't just believe me that I can't tell you.
05:58I don't get it.
05:59I don't get how you expect me to buy that story.
06:08Good, we're talking again.
06:10Who's for coffee?
06:13Java all around then.
06:30I know how you feel about me and how we feel about each other.
06:36And I know it's complicated right now, but we're going to have to sort that out sometime,
06:40right?
06:42I can't now.
06:45I have to get to work.
06:48We'll see you later again.
07:07Jeff's a nice guy.
07:08And he seems to really like you.
07:10You'd better watch what you're doing, Ruse.
07:12What do you mean?
07:13You could get hurt.
07:41You could get hurt.
07:42So where can't you sleep?
07:44Bad dreams?
07:45I wouldn't say they were bad.
07:48More like weird dreams, but kind of nice at the same time.
07:52I care about Annie, but it seems like she's forgotten about me and everything we had together.
07:57I heard that Romeo guy's been writing her love poems.
08:04Want to play?
08:07What are you doing here?
08:08I'm here because you wanted me here.
08:11It's your head I'm in.
08:12Your fantasy.
08:14I'm dreaming again, right?
08:16I'm really flattered you can't get me out of your head.
08:19I can so get you out of my head.
08:22I would leave you if you weren't so obvious.
08:25You're the obvious one.
08:26Me?
08:27You might want to take a look at yourself.
08:29Do you plan on getting dressed any time soon?
08:52Hey, what are you doing up?
08:53Did you have a late night snack?
08:56I didn't wake you, did I?
08:57No, I did that all on my own.
08:59I just had a really weird dream, it's all.
09:05What's wrong with your hand?
09:07I just woke up and it was sore.
09:10Is it from your new job?
09:11Maybe.
09:13Maybe.
09:13There's a lot more lifting than I'm used to.
09:15Maybe.
09:16I'm just going to go out of that freezer all day.
09:17Yeah, you're really, really hot.
09:19Then you go in and you get really, really cold and then you come out and you get really, really
09:22hot again.
09:23You don't know all about that, don't you, Annie?
09:26Kind of like you with Jai and the new boy, Romeo.
09:30No.
09:31I've seen him hanging around you.
09:34He's handsome, cheeky.
09:36You like him, but you hate him.
09:38And you hate that you like him and you love to hate him.
09:41Ring any bells?
09:41Very funny.
09:43Annie, I've seen the way you look at him.
09:47I can't imagine what you'd be like at those surfing lessons.
09:52Okay, Ruby, I'm going to tell you, but you have to promise not to tell anyone.
09:57Okay?
09:57Okay, I'm kind of dreaming about just one thing.
10:03Annie, are you having sex dreams?
10:05No.
10:05No, no, no.
10:08Well, we're not actually having sex in the dreams.
10:10We?
10:12Okay, who are you not actually having sex with?
10:16Oh my gosh, it's Romeo.
10:19Okay, you are so not going back to bed.
10:21Eat this.
10:22I'm getting you tea.
10:23You were telling me everything.
10:24Hey.
10:29Hey.
10:30Come on, right?
10:31Just the last straw.
10:32I'm not going to take no for answering, Mum.
10:35Hey, hey, hey.
10:36What's going on?
10:36You okay?
10:38Most mothers can get their child to sleep.
10:40I just don't know why I can.
10:43Come on, this is normal, alright.
10:45Some babies, they cry.
10:46They're all night sometimes.
10:47I just don't think it's supposed to be this hard.
10:49Nothing I'm trying is working.
10:52Look at me.
10:53I'm a mess.
10:54I've been wearing the same outfit for like a week.
10:56I need to wash my hair.
10:59He's supposed to rely on me to be his mother and I can't even take care of myself.
11:04You can do this, Rachel, eh?
11:06You really can.
11:07You just need to learn to let go a little bit.
11:08I mean, even at the hospital, you know, at the end of your shift you let somebody else take over,
11:11don't you?
11:12Yeah.
11:12And you know what?
11:13I don't think little Harry here cares what you look like.
11:15To him, you're his beautiful mother.
11:17But you do need to get some rest.
11:19You know, you need to let me take over occasionally.
11:25Alright, I'll lie down.
11:28But I'm gonna bring his bassinet out here and sleep on the couch.
11:31That way, I'll be here if he needs me.
11:38What time is it?
11:403am.
11:42What are we waiting for, exactly?
11:44We're waiting for one of you to slip up and admit to killing Grant.
11:48And if it wasn't one of you two, which I highly doubt, then we're waiting for someone else to slip
11:53up.
11:54There is a possibility that the victim knew his killer.
11:57Perhaps it was someone else close to Grant.
11:59I mean, if it wasn't one of you two, that is.
12:04Charlie, for now, think of Gus here as Angelo.
12:08Charlie, sweetie, did you have reason to doubt me before you saw Robertson's photographs?
12:13What the hell are you doing? And don't call me sweetie.
12:15It's a common tool used by relationship counsellors. It's role play.
12:19Except you're not a relationship counsellor.
12:20After you found out Grant was dead, did you consider that I, and I'm Angelo, remember,
12:25that I might have sought revenge on the person that caused you so much pain?
12:28And if it was me that killed Grant, maybe I dumped the body on the beach.
12:33Far from where I committed the crime.
12:35Or maybe Grant got up there and walked to the beach himself.
12:38I mean, it's possible if Hayesh and Bacore or Sorcerer Tales are to be believed.
12:41Charlie, what do you think?
12:44Sorry, what question am I answering?
12:46Did you have reason to doubt me before you saw Robertson's photographs?
12:50And I'm Angelo, remember?
12:53I did consider it.
12:54Just like it's logical that Angelo might consider I...
12:58Committed the crime.
13:02Is that what you think, Angelo?
13:04Did you doubt Charlie's character like she doubted yours?
13:09No.
13:10I never said I doubted your character.
13:13So you don't?
13:15I didn't think so, but what do you want me to think?
13:19I want you to trust me.
13:21And trust that I would never do anything to hurt you, or us.
13:27Trust.
13:28That's what it all comes down to.
13:30Without trust, what do you have?
13:41Uh, Leah.
13:42Hi, it's Tony.
13:44I'm sorry to bring you so late.
13:46Um, no, no, no, no.
13:47Harry's fine.
13:47It's just, it's actually Rachel I'm more concerned about.
13:49She's been up all night with him and won't let me help her.
13:51She's asleep now on the couch, but...
13:54Um...
13:55Harry's running a bit of a temperature and I've got nothing to give him.
13:57I don't really want to wake her up.
14:01Really?
14:01Oh really, if you could, that would be so good.
14:05I really appreciate that.
14:07Okay.
14:08Okay, thanks.
14:09I'll see you soon.
14:10Bye.
14:19Well, I don't know, maybe it's just me, eh?
14:21Maybe I'm losing the plot.
14:24What time is it?
14:26Is it morning already?
14:28No, no, it's not.
14:29It's about 3.30.
14:30I took you to bed.
14:31I thought you'd be more comfy.
14:33We needed some baby paracetamol.
14:35Tony called while you were sleeping and I offered to pick some up from the on-air chemist.
14:39Will you have a car?
14:41Why didn't you just pick them up yourself?
14:44You didn't have to wake Leah up.
14:46I could have looked after Harry.
14:50And maybe you don't think I can, is that it?
14:52No, that's not it, Rach.
14:54Why are you giving him medicine anyway?
14:56He's not sick.
14:57Well, he had a temperature.
14:58All the more reason to wake me up.
15:00I am a doctor.
15:02Did you stop to consider that maybe he's just overtired or hungry?
15:05This is why I shouldn't have gone to sleep.
15:06I need to be awake in case this sort of thing happens.
15:09I'm his parent too, Rach.
15:11You know, I can make decisions.
15:12And your brilliant decision was to call Leah.
15:14No, no, that was my fault.
15:15When he called, I insisted on coming over to him.
15:17I know why he called you, Leah.
15:19Because you're an excellent mother and you know exactly what you're doing.
15:22As opposed to me, who doesn't know what she's doing at all.
15:25Rachel, Tony was just...
15:27I know what he was just doing, Leah.
15:32I know that I was a bit tired and upset before, but it doesn't mean that we can't do this.
15:37When he's crying, you know, just fix it with paracetamol and a call to Leah.
15:41Listen, we can do this on our own, thank you.
15:58You know, most of the time, I've got no idea what Robbins is on about.
16:01But he's right about trust being important.
16:05Forget the photos and whatever you think they mean.
16:08Do you actually trust me?
16:09It's hard to forget the photos.
16:13Look, okay, you're a cop, so I understand that evidence is everything to you.
16:16But this time, it's not all about evidence.
16:19We either have a trusting relationship or we don't.
16:23I do trust you.
16:25You're right.
16:26The cop side of me is telling me not to, but the truth is, I do.
16:31That's part of the reason why I fell for you in the first place.
16:42I thought these might be of some interest.
16:55You were on duty that night.
16:58Under cover duty.
17:00Which is why I can't talk about it.
17:02Cheer up, Charlie.
17:04This is the good bit.
17:05This is where it all starts making sense.
17:23Well, that seems to have settled him.
17:28Is there a reason why you thought it would help to air our problems in public?
17:32And for taking the decision to treat Harry out of my hands?
17:36It wasn't public, Rachel.
17:37That was Leah.
17:39She's your best friend.
17:40And Harry had a temperature, that is all.
17:43We need help and you need to see that.
17:46This is not something you control every element of.
17:48He is not a patient.
17:49There is not an end point to this.
17:51Sometimes we're just going to have to go with the flow,
17:53otherwise we're going to expect to get sleep and not get it
17:55and we're going to be at each other's throat the whole time.
17:57And I do not want you hating me because the baby will not do what he's supposed to do.
18:01You need to give this a break, Rachel.
18:03At least, give it a break for me because I cannot take this anymore.
18:10Okay.
18:13Okay.
18:16Listen, starting first thing tomorrow, I will try to be less controlling.
18:23But for right now, he's almost asleep and I just need to be in there with him until he is.
18:37I couldn't tell you before, but now you might as well know the whole truth.
18:42You've seen the photo, so you know I'm involved in an undercover operation for command.
18:46I can't.
18:47I can't go into details.
18:48But it's big.
18:51It's the real reason I'm back in Summer Bay.
18:53Can I at least know if this is part of your investigation into illegal fishing?
19:00I wish I could tell you, but I can't.
19:03The rational part of me gets it.
19:05But...
19:08Emotionally, someone I love is lying to me.
19:11It really hurts.
19:14I know.
19:15I'm sorry.
19:21I'm looking forward to all this being over.
19:24Well, I'm sorry if our arguing is getting in the way of your investigation.
19:27I'm not talking about you two.
19:28I'm talking about Grant's murder.
19:31When your job's to investigate why people kill each other, it can be a bit draining on the soul.
19:37There's a real art to leaving feelings out of police work.
19:42So what about you two?
19:44Are we back together yet?
19:46We're fine. Thank you.
19:47Great.
19:48Now, all we have to do is figure out which one of you killed Grant Bledko.
19:53Then everything else will be perfect.
19:56But for now, I think we should call that a night, Constable.
20:36Where is your bundle of joy?
20:38Oh, we left him at home.
20:39I think after keeping us up all night, he could do it to sleep.
20:42Yeah, yeah.
20:42I heard you get to mind for you.
20:45Oh, no, and we left him there. We're not going to be long here.
20:47Well, you left Harry alone.
20:54Tony, the baby's going to be okay, isn't he?
20:56I don't know.
20:57But I think you need to wake up.
21:00What do you mean, wake him up?
21:01No, I mean you.
21:02Rachel, you need to wake up.
21:04You need to wake up.
21:05Wake up.
21:06Where's Harry?
21:06I can't see him.
21:07Where is he?
21:09He's just here.
21:11He's right here.
21:13Oh, my God.
21:14Oh, my God.
21:16He's not breathing.
21:17Oh, God.
21:19Next time on Home and Away.
21:21I can't sit here and do nothing, Tony.
21:23And you can't go in like this.
21:25Tony, I did this and I'm his mother.
21:27Why are you being such a skirt?
21:29Just ask her out already.
21:30I'm trying to do the right thing.
21:31Your black eye's fading nicely, does it hurt?
21:33I'll be fine.
21:33This is a big tough rock star.
21:35We've already got a murder on the loose.
21:37The last thing we need is more trouble from you.
21:39Have you spoken any more to Kirsty about marriage?
21:41She's obviously not into it.
21:43She's saying zero interest.
21:44I love him.
21:45I want to spend the rest of my life with him,
21:46so why not give him what he wants?
21:48I don't even matter.
21:49What?
21:50And if you miss an episode of Home and Away,
21:52you can catch up.
21:53Go to yahoo7.com.au.tv
21:57Yahoo!