00:17Hey, get away from that.
00:22Hello. Who do we have here?
00:25Immaculate fingernails,
00:28jawline shaped to perfection.
00:29You must be our new butler.
00:31Ah, so you've met.
00:36We haven't formally been introduced.
00:38Then allow me.
00:40Your Royal Highness, this is Sebastian Camille,
00:42leader of the Royal Orchestra,
00:44and the world's youngest ever recipient
00:46of the illustrious Chopin Piano Prize.
00:49It's said his hands are blessed by God,
00:52which I see you've noticed.
00:57And why is the leader of the Royal Orchestra standing in my music room, Percy?
01:01Because the King has arranged a recital
01:03to mark the ten-year anniversary of your mother's passing.
01:06I see. So you're our headline act?
01:10No. You are.
01:12I'm going to teach you.
01:18Whenever you're ready.
01:20You know, thank you for the offer.
01:23But I really don't need piano lessons, actually.
01:26Believe me, it wasn't an offer.
01:27It was an order.
01:29Okay, then.
01:30I order you to leave.
01:33Funny.
01:34I see a king here, but I don't see any princes.
01:37If you really don't need me, prove it.
01:41Fine.
01:47Off tempo.
01:52Poor fingering.
01:54Terrible posture.
01:56Here.
02:07Your heart is racing.
02:13Your heart is racing.
02:16Because music comes from the heart.
02:16That's a problem.
02:18What?
02:19You're letting your emotions lead your performance.
02:21You need to calm your nerves.
02:23You clearly don't understand what you're talking about.
02:26Your father disagrees?
02:27Of course he does.
02:29He's a robot.
02:30Just like you.
02:32My heart is racing because music comes from the heart.
02:36It's not just a series of notes on a piano.
02:39It's a conduit for the emotions.
02:40A vessel for the soul.
02:43You clearly don't understand that.
03:17Don't tell me what I don't understand.
03:50Your eyes are racing.
03:55I know quite a few times when we hear the sound of humans.
03:55But you need to reduce your identified desire to fear.
03:56You can see a giant waste target.
03:56You've asked them unless you select a village or a cross-CAG Silver.
03:56So, kind of some type of roof or something like it,
03:57And I'll try and figure out theogie that doesn't exist some nice things.
03:58I찰itate you like it,
03:59but sometimes may be over to Abendlamot art bridge.
03:59But if you learn what the culture has changed...
04:01But if you'll do this,
04:02Or gives him the most fun thing.
04:02And I'll tap on theachtet word,
04:07It's a bien-eventure work
04:08Let's go.
04:57Now, what are you doing?
05:00Hey.
05:01What's going on?
05:04Nothing.
05:06You tell me.
05:08What?
05:09Why are you here?
05:11Have you been here all night?
05:15Yes.
05:16I could have you arrested for stalking your prince?
05:21I stayed for a reason.
05:24Your left hand is too heavy in the fifth section.
05:26Your notes are all wrong in the eighth section.
05:28And your rhythm in the last section is as chaotic as your hair.
05:32Listen, Mr. Holyfingers, we do still have dungeons in this palace.
05:37Really?
05:38Do you use your piano to torture the prisoners?
05:41How dare you?
05:45Morning, Xavi.
05:47Morning.
05:49Who's your friend?
05:53You never told me the family had an actual orchestra's abbey.
05:56What?
05:57Yours doesn't?
05:58Yeah.
05:59Well, I had a recorder in kindergarten, but that's as close as I came.
06:03I'd be happy to give you the tour of the Royal Concert Hall, Your Highness.
06:06Oh, please just Queen Rx that.
06:08And thank you.
06:14Actually, can you tell me how you became the lead of the orchestra?
06:17Didn't you hear?
06:19He was sent down from heaven.
06:23It's true, actually.
06:26Well, to a certain extent.
06:30My mother left me on the steps of St. Christopher's when I was a baby.
06:34I have no idea who she was, but she left a note in my pocket.
06:39Please look after him.
06:41And they did.
06:43The vicar took me in, and I learned how to play on the church organ.
06:46And I never looked back from that.
06:49Wow, that's incredible.
06:51But maybe sad.
06:55Yes, but...
06:56Maybe she's still out there.
06:58I like to imagine she's there within the anonymous sea of faces when I'm on stage.
07:03I hope she's proud of me.
07:14I'm sorry to abandon you, Harry.
07:17Sebastian and I have a lot of work to do.
07:30Damn it.
07:31I heard this part yesterday.
07:34You're thinking too hard.
07:35Let's take a break.
07:42What are you doing?
07:43We've been working for weeks.
07:44You've never offered me a tour.
07:45I want to see the garden.
07:47Now?
07:48Now.
08:05Magnificent.
08:08Do you know it's that kind of thing?
08:11You don't know, do you?
08:14This is where Ivan Valensky first performed the Rose Wars in front of your great-grandfather.
08:20Really?
08:22Never even knew he came here.
08:24He lived here for three years.
08:27Let's just say your family didn't want that becoming public knowledge.
08:32They were lovers, Xavier.
08:35That's where all the passion come from is in Valensky's composition.
08:39Listen.
08:46This is why I took your job.
08:49To be here.
08:51Where such magic was brought into this world.
08:57Will you do me the honor, your highness?
09:01Will you do me the honor, your majesty?
09:07How much love will you do?
09:08Will you do me the honor.
09:55You're ready.
10:04Come on, Zabby. Where are you?
10:07The king is growing impatient, Mr. Khmir.
10:10I know.
10:11We need to search the palace.
10:14This palace has over 700 rooms. Where do you suggest we start?
10:19I know where he'll be.
10:31There you are.
10:35What's going on?
10:39I can't do it, Zab.
10:42I'm not good enough.
10:45What are you talking about? You had me to teach you.
10:48I can't live up to a memory.
10:52Percy told me this was her old room.
10:55Yeah.
10:58And your song?
11:01It was hers of her.
11:05She wrote it for me before she died.
11:08I was supposed to play at her funeral.
11:12But I...
11:14I couldn't bring myself to touch a piano again after she was gone.
11:22I hadn't touched her on in ten years until I met you.
11:25That's why I was so bad when we first started.
11:29You were never bad.
11:31You just needed to open your heart up to it again.
11:34And you taught me that on our very first day.
11:51I'm sorry.
11:54I...
11:54I thought...
11:57I thought...
12:09I hope you don't think kissing me will get you out of the recital.
12:13Why not?
12:15We could run away together.
12:17I know where they keep the keys to the world's yet.
12:21I'm going to save that for a quick getaway after.
12:23Now come on.
12:25What would he like?
12:27I don't know.
12:33Remember what I told you about how I imagined my mother in the audience when I'm on stage?
12:39Try it for yourself.
12:42She'll give you all the strength you need.
12:44I promise.
12:53I'll see you later.
12:55I'll see you later.
12:56Bye.
12:58Bye.
13:00Bye.
13:03Bye.
13:03Bye.
13:03Bye.
13:03Bye.
13:06Bye.
13:10Bye.
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