Bas Tera Saath Ho Episode 15 | Farhan Saeed | Sana Javed | Pakistani Top Dramas - video Dailymotion

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Bas Tera Saath Ho Episode 15 | Farhan Saeed | Sana Javed | Pakistani Top Dramas  Bas Tera Saath Ho is a story of resilience born from loss, where a young boy’s world shatters far too soon. After losing his parents in a tragic accident, Anas finds himself in a home that offers shelter, but not warmth.  Farhan Saeed as Anas :  Anas is humble and deeply responsible, carrying burdens far beyond his years. Quietly enduring hardship, he does everything expected of him without complaint – yet beneath his strength lies a constant worry about his future. His resilience keeps him going, but his heart longs for security, belonging, and a life of his own  Sana Javed as Ansa :  Ansa is a strong-willed, compassionate girl from a middle-class background who isn’t afraid to stand up for what’s right. She becomes a voice for Anas when no one else does—challenging injustice with quiet courage. Her sincerity and strength leave a lasting impact, slowly turning Anas’s gratitude into something deeper.  Zoya Nasir as Shareen :  Shareen is sharp-tongued and entitled, raised in comfort but lacking compassion. Alongside her brother Shayan, she takes advantage of Anas, treating him as less than family and never missing a chance to belittle him. Her words cut deep, often wounding his dignity—turning his silence into a quiet battle of self-worth.  Cast:  Farhan Saeed,  Sana Javed,  Zoya Nasir,  Saba Hamid,  Salman Shahid,  Haris Waheed,  Rizwan Ali Jaffri,  Faran Tahir,  Shagufta Ejaz, Tipu Sharif, Aliya Ali,  Syed Mohammed Ahmed,  Sabrina Naqvi,  Hammad Sheikh Kashmiri & others   Writer: Saira Raza  Director: Qasim Ali Mureed  #basterasaathhoo #farhansaeed #Sanajaved #Zoyanasir #pakistanidrama

Transcript

00:00In the name of Allah, we are going to come and come and let us see you, only you see

00:08me, you are my name.

00:30Do you accept this marriage?

00:36Anissa?

00:37Say it, Anissa.

00:39Do you accept this marriage?

00:56I know.

01:00It was a matter of my mind.

01:03My hand was not without women.

01:06It was my responsibility.

01:12My husband was not without women without women.

01:20It was my only one.

01:24One.

01:25One.

01:27One.

01:34One.

01:43One.

01:47One.

01:58One.

01:59One.

02:01One.

02:03One.

02:12One.

02:15One.

02:19One.

02:32One.

02:46One.

02:49One.

02:59One.

03:04One.

03:05One.

03:17Don't you.

03:18Don't you tell me?

03:19Don't you?

03:20I am so at the Sun.

03:20You can't stop being here.

03:24I'm not sure you've already asked that or not.

03:43I am the love of love

03:49I don't know how it happened

03:52This is the love of God

03:56In my own journey, my heart is filled

04:00You are filled with your soul

04:04You are filled with your soul

04:06Why is this my life?

04:12Slowly, we will go away

04:15Come and sit

04:18Just let me see you

04:22You are my name

04:25Slowly, we will go away

04:30Anissa, you go to my house

04:35You are my name

04:37You are my name

04:38You are my name

04:39You are my name

04:40Take my bike

04:40Thank you

04:47Thank you

04:49Thank you guys

04:50Thank you

04:51Thank you

04:53Thank you

06:19Mr. Faham Qureshi?

06:22Absolutely.

06:23Faham Qureshi.

06:25I'm surprised you're calling me.

06:27I'm sorry.

06:30I'm sorry.

06:44I don't understand.

06:47Are you stalking me?

06:49No.

06:50You are like a young girl.

06:53I would like to say yes.

06:56You don't suit yourself with your personality.

07:02Yes, I didn't even know.

07:04Okay.

07:06Then we believe that you were stalking me.

07:11Fine.

07:13I believe that I was stalking you.

07:14Did you feel bad?

07:17How can you feel bad about your little girl?

07:21Your account is private, right?

07:23I've always liked all your posts.

07:29You can send requests too.

07:31I'll send it.

07:33Bye.

07:45You can send me.

07:46Now, what are you?

07:49Did you tell me?

07:51I've never left here.

07:55I've never left here.

07:56I've never left my blood.

08:00I have left my blood.

08:02I have left my blood.

08:09My brother.

08:11I'm just going to take blood.

08:15Oh, my brother! Where is he?

08:20I've done his name in the house.

08:23What is the need for him to go home?

08:26He's been told to you.

08:28What do you mean?

08:29It means that he gave you his name to you.

08:33He's gone to his house.

08:35How is he gone to his house?

08:36He's gone to his house.

08:38He's gone to his house.

08:39No, he's gone to his house.

08:41He's gone to his house.

08:43He's gone to his house.

08:45He's gone to his house.

08:47He's gone to his house.

08:52He's seen his eyes.

08:54He's seen his house.

08:56He's like himself.

08:58He's also the other way.

09:01My brother,

09:03I'm afraid of you.

09:06I'm so afraid of you.

09:09Thank God.

09:11God is the most important.

09:13I'm so afraid of him.

09:20I'm afraid of him.

09:22I'm trying to tell you.

09:23I'm asking you.

09:24Please tell me.

09:24I'm giving up to my child.

09:25Where is he?

09:26Where are you?

09:35I'm telling you.

09:37He's gone to his house.

09:38But where is he?

09:39What are you doing?

09:40I don't know, I'm telling you,

09:42I'm telling you that it's not going to happen.

09:45Just tell me, your six cents, Abou.

09:48I'm not doing your six cents,

09:49when my dad was calling his name.

09:51What's the matter of your six cents?

09:54Anas, where are you, baby?

09:58We're all confused.

09:59Your phone is closed.

10:01Tell her, my heart is broken.

10:03Tell yourself.

10:04Don't tell me.

10:06Anas, my chair.

10:09You say, come on, brother.

10:11I think I don't use filters.

10:15Do you think I need filters to use filters?

10:18I don't think so.

10:21Is it so difficult?

10:23No, it's self-realization.

10:25I think that Allah has given me a very good eye.

10:28I don't need filters to give me for that.

10:32It becomes very fake.

10:34I don't expect you to do so much.

10:38How many of you know me?

10:40Then tell me about it.

10:42Anas has given me a lot.

10:46Abou didn't hear anything.

10:47He's coming to a single tick.

10:50Look.

10:51He doesn't answer my message.

10:54They must have done something with him.

10:56You've said something.

10:57You've said something.

10:59You've said something.

10:59It means that it's offline.

11:02Can you explain it?

11:04We haven't done anything, Abou.

11:06We haven't done anything yet.

11:08What does it mean?

11:09We haven't done anything yet.

11:11It means we haven't done anything yet.

11:15What's happened tomorrow?

11:16What's happened tomorrow?

11:17What's the news?

11:17Look at me.

11:18Your son is being angry with me.

11:20And you're listening to me.

11:23If something happened to me, then I'll trust you.

11:26I'll trust you.

11:26Nothing will happen.

11:27He's doing it for you.

11:28I will refer to you, Abou Hagiano.

11:52Go ahead.

11:54Let us know?

11:57Oh, my dad will be very happy to see you in the house.

12:03I mean, I'm very happy.

12:06And he's also...

12:12But...

12:13But?

12:13Why?

12:17She's a woman. She's a woman.

12:22She's your cousin, right?

12:27Shereem.

12:30Shereem?

12:32Who is Shereem?

12:35Is she your sister among you?

12:38I don't do that.

12:40Then?

12:45Sir, you said...

12:47...that is such a bad thing in my life.

12:49And when I...

12:52I do something good...

12:57Oh, my dad.

12:58Come here, brother.

13:00I have to go to Mustafa.

13:01I have to go.

13:03I won't go.

13:04I will go away.

13:06I will not get married.

13:08Dad, one second, Dad.

13:10Oh?

13:21I will...

13:22Anas?

13:22Abu Anas is here.

13:23Yeah...

13:24I said not to go there.

13:27Anas, everything is good, right?

13:29You got a phone, and you are running away.

13:32Everything is fine.

13:33Anas?

13:34Where is everyone going?

13:38Everything is fine, what is everything?

13:40What?

13:41What happened?

13:42What happened?

13:59Assalamualaikum.

14:07Assalamualaikum.

14:09Assalamualaikum.

14:09How are you?

14:11Is it okay?

14:18This is not that girl?

14:21She was wearing a mask for the college.

14:24You had to get her in the house.

14:26Why did she do this in our house?

14:27What did she do?

14:28She also showed her in the house.

14:30I'll tell you.

14:35Where are you going from?

14:39Assalamualaikum.

14:40I've met you.

14:42Dadah Ansa.

14:43I know.

14:46She's here.

14:50Water.

14:51Water.

14:52Who?

14:54What scene is this?

14:55I don't know.

14:57What's the price?

14:58She's taking her in the house.

15:00She's taking her in the house.

15:01Shayan.

15:03You tell me first.

15:05What's she doing in our house?

15:13This will stay here.

15:16What do you mean?

15:18In this house.

15:19My heart.

15:19The mouth is okay?

15:21What?

15:23What's going on?

15:24What's going on, brother?

15:24You're just crazy.

15:27Taya.

15:29It was a fake video that..

15:31It's just a problem.

15:34It was a problem for him, but it's still here.

15:39So?

15:44Yes, what's our relationship?

15:46What's our relationship?

15:48Anas, you tell us. Do your own thing.

15:54Dad, you were asked this question yesterday, right?

15:56And you answered it in the wrong way.

15:59Why are you hanging out like this?

16:02Why didn't you tell me that I had to kiss you?

16:05I saw him?

16:05I saw him.

16:16Shareen, go down.

16:18What's up, he's over there.

16:20Oh, he's over there.

16:21He's in the house.

16:22Let's go first.

16:24Let's get him.

16:24Shayan, you look at me.

16:27Come on, Shayan.

16:29What's happening here?

16:29She's holding hands.

16:30Are you seeing?

16:34What are you doing here?

16:37If you were to tell you, you didn't want to do this job.

16:41I'm telling you.

16:42Why are you telling me?

16:44You're standing like someone's fault.

16:47You're being alarmed to death.

16:50What death, death?

16:53Anas, you...

16:55You've been to death from Anas?

16:57You've been to death from Anas?

16:59Yes, Papa.

17:07Abbu...

17:08Anas, you've been to death from Anas.

17:11Yes, Shereen, Shayan.

17:12Look, Zara, look.

17:14The history is coming to you.

17:1625 years ago, his father took his hand and took his hand to the house.

17:20This is my fault. Where did he go from?

17:23At that point, the story is that Abbu was sitting here

17:25and he was sitting here and he was sitting here.

17:27And he was...

17:28Taijan!

17:28You won't say anything about my mother.

17:31Nothing.

17:32Okay, let's go.

17:34You don't do anything about your mother.

17:36They do anything about your mother.

17:37They do anything about her.

17:38They say to her to go to her.

17:41Why?

17:41Why, Marceline?

17:42That's right.

17:43So, the history will come to you.

17:45Dadajan, do it.

17:46You don't have to leave it from her house.

17:49You don't have to leave it from her house.

17:49Shayan.

17:50You don't have to leave it from her house.

17:53I have been sent to this child for Anas.

17:57I have sent to this child for Anas.

17:59And...

18:00Dadajay, what happened to you?

18:03The girl who gave me a son to my brother,

18:05the mother of my father,

18:06the love of your father,

18:07you have sent to Anas for Anas.

18:11I'm sorry, but she can't stay here.

18:12Go, Sonia.

18:13Go, Sonia.

18:14This is...

18:16She is a house of all of the people,

18:18yes.

18:20That's the house of everyone.

18:23Yes.

18:24This house is the house of the house.

18:25It's the house of the house.

18:26The house?

18:26The house of the girl who told her

18:27she's the house.

18:32I'm the house of the house.

18:33Shayan.

18:34Will.

18:34Dadajay, we as a house tell them

18:35they are talked about the two people

18:36But...

18:37I said the story of my father.

18:39You told me again a phrase.

18:40Yes!

18:43Where? Where? Where?

18:45Anissa?

18:46Anissa.

18:46Where are you going?

18:48Where are you going?

18:48Where did I come from?

18:50Why, son?

18:51This is your house. Where will I go from?

18:54No.

18:55It's gone.

18:56I don't have to live here.

18:58I'll leave here.

18:59I'll leave here.

18:59You're not a man who will go.

19:02You're not here to go.

19:05Go.

19:06Go.

19:10Oh, God.

19:12Marceline,

19:13she's holding her hands with my children

19:16and you're giving her something at home?

19:18I knew this.

19:20I knew this.

19:21But again,

19:23the person who always says something to me

19:25how does he say something to me?

19:27He's always like that.

19:29No, he's not like that.

19:31He's like that.

19:32He's like that.

19:37It was so difficult to tell your husband

19:38to tell your husband

19:39so why did he say something to me?

19:48I've taken you to my home once.

19:52What do you keep telling me?

19:57And who was telling to,

19:59Papa, Papa, who has told them?

20:03There's no other thing for me.

20:04I don't know,

20:05but when someone asks me,

20:06they tell me.

20:08They tell me.

20:09They should and they tell me.

20:11They tell me they tell me.

20:12How did they say something to me?

20:15And this,

20:18how did you tell me to tell my husband?

20:22There's nothing to do with me.

20:32¶¶

20:53¶¶

20:54¶¶

20:55¶¶

20:58¶¶

21:32I feel good, I feel good.

21:36I feel good.

21:37My brother is a good man.

21:38My brother is a good man.

21:42He left the land and ran away.

21:45He is the courage to meet me.

21:47He can win.

21:48I don't know what to do.

21:51Pahadur is going to leave my husband like this.

21:58He's not supposed to be.

22:04He's watching the world.

22:12He is the only person who has made a decision to you, and he has taken you to the house.

22:24He has taken you to the house.

22:27There is no person who is a man.

22:30I'm sorry, I'm saying this.

22:33I'm not saying anything.

22:34I don't think this is a whole thing.

22:38I'm not saying anything.

22:39Only time and conditions have made me like this.

22:42Ambrim, you don't say anything.

22:47Don't understand yourself, see,

22:50and learn from time.

22:53Go.

22:57Go to your camera.

23:02Go.

23:30Go.

23:31Go.

23:34Oh my God.

23:37What happened here?

23:44Anas.

23:45Let me go to my house.

23:47I'll do it and then tell you.

23:49Go.

23:51I'll do it.

23:52Oh my God.

23:53Anas didn't do it.

23:57I'll come with you.

24:00When did I come?

24:04But how did it happen?

24:10That's it.

24:13Shai Khan took my things and paid for me to leave my house.

24:16I'll leave my house.

24:18I'll take everything out of my house.

24:20I'll take everything out of my house.

24:21I'll take everything out of my house.

24:23If everything will happen, don't worry.

24:27I'll help you.

24:47I'll take everything out of my house.

24:49I'll take everything out of my house.

24:51I'll take everything out of my house.

24:52I'll take everything out of my house.

24:53I'll take everything out of my house.

24:58Never.

25:01Why won't you?

25:07I don't want to sleep in this morning, but I don't want to sleep in this morning.

25:17This is the camera. It means that you are both of them. But if you're not here, then where will

25:21you sleep in this morning?

25:22I'll give you another camera.

25:23I'll give you another camera.

25:26Answer.

25:28This is both of them. You'll be both here. You've been married. You've always been with us.

25:37No.

25:40Don't say that. It's a bad thing.

25:42Look, remember to remember that you've always been with us. This is not one or two days.

25:49Yes, I believe that all of this is very clear, but...

25:52No.

25:55I'll go to my dad's room.

25:58I'll think about it.

25:59How do you think about it in my dad's room, Yanis?

26:02What will you think about it?

26:05I won't think anything.

26:10But if you think about it, then there's no difference.

26:14The most important thing is to relax it.

26:21I'll go to my dad's room.

26:23I'll go to my dad's room.

26:24Think about it.

26:25It's your room.

26:31No.

26:32No.

26:33No.

26:34No.

26:35I don't have a boss.

26:37It's your time, but...

26:38No.

26:50No.

26:51No.

26:54No.

26:55No.

26:56No.

27:05Announce, what you want me to tell you.

27:09My camera is right there.

27:31She doesn't hear the sound from her.

27:34She can't talk to her and she can't talk to her.

27:36If you call her a name in her voice, she feels right.

27:40And she took the girl to the house.

27:44She is the girl who...

27:46And you?

27:48You were saying that she didn't get the girl to leave her,

27:50so that she would call her?

27:54She is being a man.

27:55Poor girl, everything she got in the house.

27:57남자, sister, house, everything.

28:01Okay, let me see.

28:04My father was very late with me.

28:06With you, Abbo.

28:09And why don't you stay alive?

28:12This is too late.

28:14Leave my house.

28:16I'll also be late.

28:17I'm going to go.

28:19I'm going to go.

28:21I'll go.

28:49So, what are you doing here?

29:03Are you going to go where you are?

29:06Ranji, I'm going to go.

29:10Where are you?

29:14How are you doing?

29:15I'm going to go.

29:17I'm going to go.

29:19What's going on?

29:24Dad, there's a set of camera.

29:27I'm going to go.

29:28I'm going to go.

29:34I'm going to go.

29:36I'm going to go.

29:39I'm going to go.

29:45Okay, my brother.

29:47I mean, I'll leave that child in the window.

29:51I'm going to go to the window and it's a case.

29:57You're watching her.

30:02Why are you talking about them?

30:03It's a feeling of tension.

30:04You?

30:05No, no, no.

30:05When I was married, my wife is the only one with the other one.

30:14So, I'm going to protect her.

30:17What are you talking about?

30:19Do this, Amri.

30:22Think about it.

30:24Think about it.

30:27No, Dad.

30:28You are hiding something from me.

30:30What happened?

30:31Did I say something?

30:33No.

30:34It's not comfortable.

30:37I'm telling you, Amri.

30:39If you take a camera, it will be like this.

30:43Dad, it's not comfortable with me.

30:50What do you mean?

30:52When you are understanding, she is.

30:54She has taken a camera from me.

30:59Yes.

31:02Dad.

31:03And now we are leaving.

31:06Yes, Dad.

31:12Dad, everything is so fast.

31:15It will take a little time for her to be comfortable.

31:18It will take a little time for her to be comfortable.

31:18I am not able to be comfortable with her.

31:20She is still a girl.

31:23Dad, it's fine, Anas.

31:25I am a woman.

31:26I am a woman.

31:28I am a woman.

31:29I am a woman.

31:29She is very valid.

31:31It will take a little time to normalize her.

31:34She has done so much for her.

31:36She has done so much for her.

31:36And she has taken her from the camera.

31:41Dad.

31:43Dad.

31:46Dad.

31:47Dad.

31:48Dad.

32:04Dad.

32:05Dad.

32:06Dad.

32:07Dad.

32:08Dad.

32:10Dad.

32:11Dad.

32:30Dad.

32:35Aham.

32:55Hello, Sherry.

32:57Hello.

32:58Hey, where did you cut the phone?

33:01I'm taking the phone from that moment.

33:03Everything is okay?

33:06Yes, everything is okay.

33:08No.

33:09You are hiding something from me.

33:12You are hiding something from me.

33:14No, I don't understand.

33:16There was a family issue.

33:19Don't worry about it.

33:22So, I'll come?

33:23You will come.

33:24What will you do?

33:27I told you that there is a family issue.

33:29Don't worry about it.

33:31Yes, you are being frustrated.

33:34I'll give you some advice.

33:38Seriously?

33:39Why?

33:40Do you trust me?

33:43No, I'm not sure.

33:44But, I'm not sure.

33:46I'm not sure.

33:47I'm not sure.

33:48You will come all the way.

33:51Wait.

33:53Aham.

34:13Aham.

34:14What?

34:15Don't worry about me.

34:18Don't worry about me.

34:19I don't like those people.

34:21Don't believe me.

34:24Don't believe me.

34:25Aham.

34:26Don't believe me.

34:28Don't believe me.

34:29Don't worry about time.

34:31How much time do you want?

34:34Okay.

34:36Take it.

34:37How much time do you want?

34:39Don't worry about time.

34:40Aham.

34:43Patani.

35:14Hello.

35:16Hello.

35:17Anissa.

35:18You were all good.

35:19You were calling at night.

35:20Why are you waiting for me?

35:23Why are you waiting for me?

35:23Did Anas tell you something?

35:25Or her family?

35:26Aisha, what did I do?

35:29I...

35:30I...

35:31I...

35:31I left my house at Anas.

35:34Yes, then.

35:36Aisha, I...

35:37Aisha, please.

35:39Aisha, relax.

35:41Breathe in.

35:42Breathe out.

35:44And now tell me what's going on in your mind.

35:48No.

35:50I...

35:50I have...

35:51I have married myself.

35:52No, no, no, no, no, no.

35:54What did I do?

35:56What did I do?

35:59Are you married to your marriage?

36:01Or are you married to Anas?

36:03Don't know.

36:04What did I do?

36:04I have married to Anas.

36:06Anas is such a good person.

36:08Anas is such a good person.

36:09How many people have been with us at the uni?

36:10In fact, how many people have been different.

36:12He's so nice and so caring.

36:15And the biggest thing is he has worked so much heroic.

36:19I can't believe it.

36:21I can't believe it.

36:22So I know that Dad was so much appreciated.

36:25Anas is so good-looking.

36:27He's so happy.

36:29And the biggest thing is only you.

36:31How many people have been true?

36:34They say it.

36:35They give the people.

36:36They give the people.

36:37They give the people.

36:38They give the people.

36:39I can't believe that he was like Anas.

36:41I told Anas to call us.

36:44You will call us, right?

36:46Anas to call us.

36:47He's like Anas to call us.

36:48Tell us.

36:49Tell us.

36:49Where is he?

36:49Do I talk to him?

36:53Isha, I have left him from the door.

36:57I told him to go and think about it.

36:59You are crazy.

37:01You have left him from the door.

37:02I mean, you have left him from the door.

37:05You have left him from the door.

37:06That's the case, man.

37:07That's the same thing.

37:08That's the same thing.

37:09That he hid his head for to hide his head?

37:11And he took the whole crime.

37:13And you are sitting inside.

37:16You know?

37:17This is not the Bahaduri.

37:21How can I live with him?

37:24He's been driving you off.

37:27And you have left him in his head.

37:30Do you know what happens?

37:33He's a pretty girl.

37:35I don't understand.

37:37You don't get me frustrated without a doubt.

37:39You feel so sad on such things.

37:42I'm talking to you.

Bas Tera Saath Ho Episode 15 | Farhan Saeed | Sana Javed | Pakistani Top Dramas

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