Bas Tera Saath Ho Episode 23 | Farhan Saeed | Sana Javed | Pakistani Top Dramas
Bas Tera Saath Ho is a story of resilience born from loss, where a young boy’s world shatters far too soon. After losing his parents in a tragic accident, Anas finds himself in a home that offers shelter, but not warmth.
Farhan Saeed as Anas :
Anas is humble and deeply responsible, carrying burdens far beyond his years. Quietly enduring hardship, he does everything expected of him without complaint – yet beneath his strength lies a constant worry about his future.
His resilience keeps him going, but his heart longs for security, belonging, and a life of his own
Sana Javed as Ansa :
Ansa is a strong-willed, compassionate girl from a middle-class background who isn’t afraid to stand up for what’s right. She becomes a voice for Anas when no one else does—challenging injustice with quiet courage. Her sincerity and strength leave a lasting impact, slowly turning Anas’s gratitude into something deeper.
Zoya Nasir as Shareen :
Shareen is sharp-tongued and entitled, raised in comfort but lacking compassion. Alongside her brother Shayan, she takes advantage of Anas, treating him as less than family and never missing a chance to belittle him.
Her words cut deep, often wounding his dignity—turning his silence into a quiet battle of self-worth.
Cast:
Farhan Saeed,
Sana Javed,
Zoya Nasir,
Saba Hamid,
Salman Shahid,
Haris Waheed,
Rizwan Ali Jaffri,
Faran Tahir,
Shagufta Ejaz,
Tipu Sharif,
Aliya Ali,
Syed Mohammed Ahmed,
Sabrina Naqvi,
Hammad Sheikh Kashmiri & others
Writer: Saira Raza
Director: Qasim Ali Mureed
#basterasaathhoo #farhansaeed #Sanajaved #Zoyanasir #pakistanidrama
Bas Tera Saath Ho is a story of resilience born from loss, where a young boy’s world shatters far too soon. After losing his parents in a tragic accident, Anas finds himself in a home that offers shelter, but not warmth.
Farhan Saeed as Anas :
Anas is humble and deeply responsible, carrying burdens far beyond his years. Quietly enduring hardship, he does everything expected of him without complaint – yet beneath his strength lies a constant worry about his future.
His resilience keeps him going, but his heart longs for security, belonging, and a life of his own
Sana Javed as Ansa :
Ansa is a strong-willed, compassionate girl from a middle-class background who isn’t afraid to stand up for what’s right. She becomes a voice for Anas when no one else does—challenging injustice with quiet courage. Her sincerity and strength leave a lasting impact, slowly turning Anas’s gratitude into something deeper.
Zoya Nasir as Shareen :
Shareen is sharp-tongued and entitled, raised in comfort but lacking compassion. Alongside her brother Shayan, she takes advantage of Anas, treating him as less than family and never missing a chance to belittle him.
Her words cut deep, often wounding his dignity—turning his silence into a quiet battle of self-worth.
Cast:
Farhan Saeed,
Sana Javed,
Zoya Nasir,
Saba Hamid,
Salman Shahid,
Haris Waheed,
Rizwan Ali Jaffri,
Faran Tahir,
Shagufta Ejaz,
Tipu Sharif,
Aliya Ali,
Syed Mohammed Ahmed,
Sabrina Naqvi,
Hammad Sheikh Kashmiri & others
Writer: Saira Raza
Director: Qasim Ali Mureed
#basterasaathhoo #farhansaeed #Sanajaved #Zoyanasir #pakistanidrama
Category
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TVTranscript
00:00We'll be right back, we'll be right back, we'll be right back.
00:06Just let me see you, you'll be right back, you'll be right back.
00:20I didn't want to give you my name.
00:25What happened? I didn't want to give you my wrong name.
00:27I didn't want to give you my name.
00:29Mom, no, I didn't know.
00:33What was the answer?
00:38No, Shereen was a bad man, and Tai-chan also.
00:46Dad was talking about me, so I got to meet him.
00:50Dad didn't want to ask me.
00:52When I asked him, I asked him, so I didn't want to tell him.
00:56I didn't want to tell him.
00:57I didn't want to tell him anything.
01:00He's your cousin.
01:01And when you think that something is wrong,
01:03so you've seen your face, you've seen your face, you've seen your face.
01:13Yes, but...
01:14What?
01:16What's the matter? Please.
01:17If it seems to me, open it and tell me.
01:18I don't have any good vibes.
01:23One second, stop.
01:24I'll tell you something too.
01:25I don't have any good vibes.
01:27Although, the girl is good, the auntie is sweet.
01:30But, I don't understand anything.
01:33Does anyone like a girl
01:36make a relationship with such a girl
01:38that the auntie has caused her son's son's son?
01:41Okay, that's the accident it can happen.
01:44But, as soon as he left her,
01:46you know what I want to call?
01:49It's my feelings.
01:50If someone does this with my brother,
01:51I will not look at all his life with him.
01:55Yes, this is also true.
01:56Sharing is beautiful, stylish.
01:59Everything is on its own place.
02:02But...
02:03What are you seeing?
02:05Something like that?
02:06This is an exact thing.
02:08You were listening to me.
02:09You were listening to me.
02:10I think that the answer is listening to me.
02:13Yes, no.
02:14No.
02:20But...
02:21How are you doing the same things that I talked exactly?
02:25Leave your hands.
02:28No.
02:30We think like that.
02:32No.
02:34We don't think like that.
02:36We think like that?
02:37No.
02:38You are calling your dad.
02:40No one is calling.
02:43I'm calling.
02:45I'm calling.
02:46I'm telling you the truth.
02:48I'm not listening to you.
02:49I'm talking with you.
02:49I'm not talking with you.
02:55I'm talking with you.
02:56This is not my decision.
02:59I've listened to everyone's path.
03:02Which path?
03:04Who's path?
03:05Who's path?
03:09Who's path?
03:12whose path?
03:19Who's path?
03:21And Anas?
03:23Anas.
03:26Anas.
03:26Anas.
03:28Anas.
03:29That person who can't tell what will happen in the night,
03:35you will have to take a big effort to take my mind.
03:38Shereen, Shereen, you are trying to explain this.
03:41You are so insecure,
03:43you are not coming to understand this relationship.
03:46But I am so insecure, Shaiyan.
03:48I am not insecure.
03:49If so many people are saying something, Shereen,
03:52then I should accept that.
03:56Rene, Dada Ji,
03:58I know your choice.
04:00You liked Anas, right?
04:07If your place is another place,
04:08I would have to take a case in this incident.
04:10Shereen.
04:17Okay.
04:18Don't forget to talk to the older people.
04:19I'm not talking to the father.
04:22I'm talking to you.
04:26Okay.
04:28Hey.
04:31I will do it.
04:33Mursaleen.
04:35Rene, Dusha Ji.
04:36I'm a father.
04:38And my father doesn't know this story.
04:44I cannot play with my daughter.
04:48I cannot play with my daughter.
04:50I cannot play with my daughter.
04:50And this is something I am not going to do.
04:52I cannot play with my daughter.
04:53You are like the father who is the children who are the same.
04:55The same?
05:02What is the same?
05:05You know what I am talking about.
05:08I cannot play with my daughter.
05:10Tell me.
05:12Tell me.
05:14Tell me.
05:17Tell me.
05:19Tell me.
05:20I don't understand what I am saying.
05:23Shereen.
05:25The answer is okay, right?
05:28I have a good daughter.
05:30I like to tell you.
05:32Right?
05:32Right?
05:34Now, if you have all this solution,
05:37you will remain good with the girls
05:39who do everything for themselves.
05:41I am good.
05:43I am good.
05:53What do you want to say?
05:59Abou, you...
06:01Abou, you will trust.
06:03If I am not, I will trust myself.
06:05No.
06:06Shereen is paying for it.
06:08Okay.
06:08Just go.
06:08Just go.
06:09Just go.
06:10I don't have to.
06:14Marceline,
06:16she was also the child of the person.
06:23But she was so angry.
06:31Marceline,
06:33The answer of the question is that before the child, the mother will be ready for the child.
07:02an angry
07:11a
07:12a
07:12time
07:15a
07:16a
07:16a
07:17a
07:18a
07:18a
07:18a
07:21a
07:21a
07:22a
07:29a
07:30a
07:31She has told us that our daughter is on her son.
07:36My daughter is talking to her father.
07:39She is telling her, she is telling her.
07:42Her son is Mujtava.
07:44She has given her love and her father's life.
07:46She also has come to the house.
07:48She has done something her son's son.
07:54She is also doing herself.
07:55Shazia.
07:59You know, that's how...
08:02You never did anything for her.
08:05She was angry.
08:07She has told her that she was angry.
08:14My daughter is dying.
08:17My father is like a father.
08:20She is such a person who is overcome for four days.
08:32How are you thinking about it?
08:35I was convinced that he didn't come.
08:38He came and he was a big mistake.
08:43What about the accident?
08:45What kind of accident is there?
08:48Is there?
08:49No.
08:50No.
08:52Then,
08:54there is a girl in my eyes
08:56in my eyes.
08:58There is no one in my eyes.
09:02Our queen is a queen.
09:05She is like that.
09:07Maybe you are okay.
09:10Maybe not.
09:12I'm sure I'm okay.
09:14She is not a man,
09:16and you know this thing
09:18is that you know it doesn't have
09:18that she does.
09:22I love you.
09:23words
09:24I love you.
09:36it is so
09:38that
09:38I
09:38you
09:38you
09:47Do you have such a big deal, Sharif?
09:50He is also in front of his father, brother and grandfather.
09:54He will die, but his words are still alive.
09:57They become an example.
09:59And listen to his grandfather.
10:01He has been given away from me.
10:03He is still alive in this day.
10:04He is still alive.
10:06I don't have to worry about it.
10:09Dad will not listen to his father.
10:11He is not listening to me.
10:14I am with you.
10:16What was the need to talk so much about?
10:20Why are you listening to me?
10:22You checked his tone.
10:24And Shayan and Dad too.
10:27Anything else, Anas.
10:29He has no question to him.
10:31But for me, everyone has made an alliance.
10:32He has made an alliance.
10:33My father and Anas are listening to me.
10:36There is no problem.
10:37There is no need to be in front of me.
10:40But you had to talk about your father and brother.
10:42You had to talk about your father and brother.
10:45I am wrong.
10:47I am telling you.
10:48I am telling you.
10:51I am going to talk to your father.
10:51And you will go and talk to your brother.
10:54And you will hear what's happening.
10:55I am telling you I am telling you.
10:59I am telling you.
11:00You are telling me.
11:01You are telling me.
11:03I am telling you.
11:05I am telling you.
11:10Hear me, Sherin.
11:20You are telling me.
11:21You have a very hard time.
11:29I have no idea.
11:32It's been a long time.
11:34I have no idea.
11:38And I have no idea.
11:40I don't want to do anything, Aal Saab.
11:41I feel bad.
11:43I feel very bad.
11:45I feel very bad.
11:47Shaan.
11:50I've come to talk to you with Shaan,
11:51and you don't know how many Fuzul's work you are.
11:53Listen to my story.
11:54I don't know what you have to talk about.
11:57I don't have to listen to your story.
11:58But you'll have to listen to me because I don't have to listen to you.
12:03But brothers and sisters, they do this way.
12:06They do this way.
12:07But you know that it's a wonderful relationship.
12:10And it's always a good relationship.
12:13This wonderful relationship has been in jail.
12:17I'll give you your daughter.
12:18There.
12:19Very good.
12:21You're wrong.
12:24I'm wrong.
12:27I'm wrong.
12:28You're wrong.
12:29You're wrong.
12:30Shereen is wrong.
12:32Where are you going?
12:33I'll go anywhere.
12:35I won't let you go there at this time.
12:36But I'll tell you the truth.
12:39Shereen's behavior just didn't surprise me,
12:42but she was very disappointed.
12:44How can she get married alone?
12:47What can she do?
12:48Is she really easy to marry?
12:50Is it easy to marry like this?
12:51It's a whole life.
12:53It's a whole life.
12:55Do you want to do it with a happy life?
12:57Or do you want to do it with a happy life?
13:05How did he do such a big deal?
13:12Let's leave your father to your father, but in front of your brother?
13:17Let's go.
13:17There are problems in big boys.
13:19They give their children to this issue.
13:22But it becomes a big problem for brothers.
13:28You forgot my brother.
13:28You forgot my brother?
13:32Don't start talking to them.
13:34No, no.
13:36I left my brother's brother's brother.
13:41Tell us what will happen next.
13:43Will you marry Shereen or...
13:47As far as I know Shereen,
13:50I will trust Shereen.
13:53I will trust.
13:57What will happen next?
13:58Now, people are just talking.
14:03They are just talking.
14:06They are just talking.
14:08They are just talking.
14:09What are you talking about?
14:10What are you talking about?
14:12You are probably forgetting something, Shereen.
14:14I am not forgetting.
14:17I just wanted to check that you remember.
14:43you are talking.
14:47I am not forgetting.
14:49But you know all of us.
14:53What do I know?
14:55What do I know?
14:57I don't understand.
14:58What do I know?
14:59Take a look.
15:04Let's go.
15:06Let's go.
15:09Really honest?
15:11You won't say anything about what they talked to me about?
15:15Okay.
15:16If you won't say it, I can say it.
15:18I know you can say it.
15:22At this point, please, I request you.
15:28Please.
15:41Taijan.
15:41Please.
15:46I'll just leave it to my father's feelings.
15:48But no?
15:50Are you mad at me?
15:53No.
15:55If you have a burden on him, you'll be a burden on him.
16:00No reason for me.
16:02No reason for him.
16:03No reason for him.
16:05he'll be a burden on him.
16:09He'll be a burden on him.
16:26He'll be a burden on him.
16:29Just like in the house, they will make me anggoti.
16:32But they have to ask for time to think about it.
16:36Do they not open the door?
16:38There are so many new things here.
16:42Thank you for your compliment.
16:45But this is not my answer.
16:49Yes.
16:50Why will someone make anggoti in the house?
16:54I feel something else.
16:59Your dad's mood is not okay.
17:01He is like that.
17:03He is sick and he has an old age factor.
17:07He didn't even call him.
17:09He was himself.
17:10He was a little upset with his mood.
17:13Come on.
17:14If you say that, I will accept it.
17:16But on a serious note,
17:19when will your dad be here?
17:21You will be very fast.
17:24Is it just me?
17:26I am very fast.
17:28What do you think?
17:29I am very fast.
17:45I am very fast.
17:50I am very fast.
17:52That's right. I'm going to take a look at it.
18:00What are you talking about, Salina?
18:02Why are you talking about this? What are you talking about?
18:10Shayan's government's government has not been here.
18:15But Shereen...
18:23I had no hope for myself.
18:28She is a child, Mursaleen.
18:32She has never thought of anything.
18:34She just came to her and came out of such things.
18:44Your heart...
19:10Where are you?
19:11You're supposed to take care of yourself.
19:17I'm sorry, Abbo.
19:24I don't know what happened to me.
19:30It's gone.
19:32It's gone.
19:38I'm going to die.
19:46I don't want to do that.
19:47I don't want to do that.
19:52How can I talk to my father?
19:57Actually, my father...
20:01Anas, Anas, he had a lot of regret.
20:19I don't want to do that.
20:22I don't want to do that.
20:26I don't want to do that.
20:31I'm saying that, but...
20:44I don't want to do that.
20:46I don't want to do that.
20:48I don't want to do that.
20:49I don't want to do that.
20:51I don't want to do that.
20:53I don't want to do that.
20:54I don't want to do that.
20:55I don't want to do that.
20:55I don't want to do that.
20:55I don't want to do that.
20:55I don't want to do that.
20:56I don't want to do that.
20:56I don't want to do that.
20:57I don't want to do that.
20:58I don't want to do that.
21:00I don't want to do that.
21:04I don't want to do that.
21:07Jayap.
21:23I see that Jeff is going to act.
21:27I'm sorry. But I'm going to tell you what happened to me.
21:32What?
21:33You like my acting, right?
21:38But Sammi, I don't need any Oscar,
21:40because my brother's guitar is filled with all the awards.
21:43I'll go and tell Abbu.
21:45Go and tell him.
21:46He didn't trust you, Justin.
21:50If you can say it and say it,
21:51I can't tell you the truth.
21:52What's your surprise?
21:54I don't like that.
21:56I'll give this relationship to you.
21:58I'll see what I'll do.
21:59How are you talking about, Shayyan?
22:01It's a good relationship.
22:02No need to explain who it is.
22:05I'm not.
22:06No.
22:08Wow.
22:10Every person who has a problem with me,
22:12no one has a problem.
22:13You understand?
22:18Hey.
22:21Why are you listening to our conversation?
22:25I'm listening.
22:27You're sitting around in the shop.
22:29You're talking so hard,
22:31that you're listening to your voice.
22:33That's why I'll talk to you.
22:34Yes.
22:35So, you'll tell me that I'll talk to you soon.
22:38No.
22:39I don't have time to save my money.
22:42Mother, who's talking to her?
22:45I'm talking to you.
22:49You're talking to me.
22:50You're talking to me, right?
22:52I'm telling you.
22:54I'm telling you.
22:54I'm telling you.
22:55After such a bad thing,
22:56if someone's a bad person,
22:58he'll die and die.
23:00I'm not doing anything.
23:01Then I'll die.
23:03Don't die from him.
23:04Don't die from him.
23:04Don't die from him.
23:07Don't die from him.
23:08I'll tell you.
23:09I'm telling you.
23:10You've got to find him.
23:11I've found him.
23:13You've got to find him.
23:15You'll find him.
23:15Do you think I'll sit on him without finding him?
23:17I'll never hide.
23:21Ansa, you...
23:22What?
23:24I'm telling you to die.
23:27When did I say to you?
23:28I said there's no mental health.
23:30He's dead.
23:31I didn't say anything.
23:36Ansa, go to me.
23:37Go again.
23:38You've told me to go to the home.
23:40Later on.
23:42I'm not going to go.
23:44I'll just be right around.
23:47This girl in the evening starts to make his wife.
23:50Scfeedingly is your mother.
23:53They're my daughter.
23:54They're not in their lives.
23:55They do do something from their own.
23:57And they keep holding this message.
23:58They're watching him.
24:00Ansa?
24:03Let me go.
24:04Anas?
24:05What?
24:05Why are they trying to forgive me?
24:07Why are you not stopping with me?
24:09I don't know that I'm listening to anyone.
24:12Why are you putting a child in trouble?
24:15Who will he stop?
24:17You're leaving in the city, thousands of people will see you.
24:20You'll recognize that this is the one who...
24:28What are you saying?
24:31You'll recognize it.
24:34You'll recognize it.
24:34But it's not a bad thing.
24:38They know that some of them have bought a house for them.
24:48They're making a video.
24:51I'm sorry.
24:54I'm going to go.
24:55I'm going to go, Anas.
24:55You're going to stay and listen to them all.
24:57And you can do it.
25:05Listen to me, Anas.
25:07Listen to me, Anas.
25:07You're going to stay here.
25:08You've obeyed your father's soul.
25:11This is not necessary to remember me a few times.
25:16You can't say this to him.
25:18You understand?
26:01You're deciding to действuiten.
26:02They're逃 벌 in that scene.
26:12I love you.
26:32Class, silence.
26:40What is this?
26:41Go back to your place.
26:43If you leave a house, you will sit alone.
26:48Who comes with you?
26:50Who comes with me?
26:51Who comes with me?
26:51Who comes with me?
26:54A benefit.
26:56A benefit?
26:57What do you do?
26:58What benefit is your benefit?
26:59Adhanas,
27:00you can't stand up with me.
27:03You don't say love in my hand.
27:06You want to close my mouth.
27:21Wow.
27:23You are fighting.
27:24So cute.
27:25I've heard that it's a great pleasure to fight in love.
27:31And it's a great pleasure.
27:34It's a great pleasure.
27:35It's a great pleasure.
27:37It's a great pleasure.
27:38Isha?
27:55It's a great pleasure.
28:02You are fighting with me.
28:02Look, my mother says that...
28:04...that my mother will not get out of the bedroom.
28:08Our bedroom is a common room.
28:10I don't know anything about this.
28:13If you don't mind, you'll know what happened.
28:21I wanted to come to college with me.
28:23I just didn't know that.
28:27Yes.
28:27But I liked it that I had to listen to his sons and cousins.
28:32I've never said that.
28:34Do you remember what I told you to leave?
28:37That it will save me from the world.
28:38It will save you from the world.
28:42It's very easy to save you from the world.
28:45I can give my mouth to his hands.
28:48I can cut my clothes.
28:49But what do I do with his family?
28:55He wants to see me in my office.
28:59He's not my office.
29:01How do you listen to his office?
29:04Why don't you shut your mouth?
29:08I don't understand.
29:10What is happening to him?
29:12Why don't you say anything?
29:23Anas, your house is all happening.
29:25I didn't know anything.
29:26Why don't you shut up?
29:26I can call it.
29:28Someone's kept on my own.
29:31I'm living in my own home.
29:34They're all.
29:37I know the only ones of them.
29:39I've known them.
29:40And I am living there.
29:41But when this...
29:48It's very difficult, Ayesha.
29:51Whatever I've seen in my life,
29:53whatever I've seen in my life,
29:55is it an easy thing to deal with it?
29:59There are a lot of questions in me.
30:04There are a lot of questions.
30:08Where am I?
30:10Where am I living?
30:11Why am I eating?
30:12Why am I eating?
30:13I'm eating?
30:15I'm laughing at myself.
30:22But then,
30:25I remember that prayer of God
30:28that Allah has made my decision.
30:33Let me ask you.
30:36Just thinking about it,
30:37I'm going to die.
30:43But I can't make them all.
30:44I can't make them all.
30:47I can't make them all, Anas.
31:04I never thought about that
31:06that I'll see Ansa like this.
31:09I'm just going to snitch in.
31:10I'm going to talk to you.
32:05I'm going to talk to you.
32:28I'm going to talk to you.
32:51I'm sorry.
32:52I'm sorry.
32:54I'm sorry.
33:11I'm sorry.
33:41I'm sorry.
33:49I'm sorry.
33:57I'm sorry.
34:06I'm sorry.
34:11I'm sorry.
34:12Are you sure?
34:15I'm sorry.
34:18I'm sorry.
34:20I'm sorry.
34:23I'm sorry.
34:50I'm sorry.
34:53I'm sorry.
34:54I'm sorry.
35:11I'm sorry.
35:11I'm sorry.
35:19I'm sorry.
35:20Hello, Amjad. Chabash.
35:23Tai-chan.
35:24Yes.
35:25Tai-chan, mom, I have seen all the cars.
35:27Everything is done.
35:28Just for half an hour, Mr. Matloob is saying,
35:29everything will happen.
35:30I call catering.
35:31Who has said this to all the work?
35:35I mean, I don't understand.
35:37I have called people for their work.
35:38I have no need your work.
35:41Why do people call it, Tai-chan?
35:43I'm...
35:44I have a friend of Sharine's birthday.
35:45I do everything.
35:47I do everything.
35:47I don't know all the functions.
35:48This is your money.
35:50I will do it.
35:52Then, do a job.
35:53Yes, tell me.
35:54You and the girl,
35:56who you have put in your house,
35:57will not have a pair of money.
36:02I don't have to put in your house, Tai-chan.
36:04My wife is my wife.
36:06You are the same.
36:08She doesn't say that.
36:09Then, frame her name and put it on the wall.
36:13So that the world knows that she is your wife.
36:15She is the same.
36:16She doesn't have a pair of weddings.
36:18She doesn't have a pair of weddings.
36:19She doesn't have a pair of weddings.
36:19The same is that we are being asked to our daughter.
36:22Do you understand?
36:23Now, listen and listen and listen and listen.
36:25You and the girl,
36:26who you are saying that you are the daughter,
36:27don't have to watch me in my functions.
36:30Don't hold up.
36:31I have broken my mood.
36:31It's my fault.
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