Bas Tera Saath Ho Episode 11 | Farhan Saeed | Sana Javed | Pakistani Top Dramas
Bas Tera Saath Ho is a story of resilience born from loss, where a young boy’s world shatters far too soon. After losing his parents in a tragic accident, Anas finds himself in a home that offers shelter, but not warmth.
Farhan Saeed as Anas :
Anas is humble and deeply responsible, carrying burdens far beyond his years. Quietly enduring hardship, he does everything expected of him without complaint – yet beneath his strength lies a constant worry about his future.
His resilience keeps him going, but his heart longs for security, belonging, and a life of his own
Sana Javed as Ansa :
Ansa is a strong-willed, compassionate girl from a middle-class background who isn’t afraid to stand up for what’s right. She becomes a voice for Anas when no one else does—challenging injustice with quiet courage. Her sincerity and strength leave a lasting impact, slowly turning Anas’s gratitude into something deeper.
Zoya Nasir as Shareen :
Shareen is sharp-tongued and entitled, raised in comfort but lacking compassion. Alongside her brother Shayan, she takes advantage of Anas, treating him as less than family and never missing a chance to belittle him.
Her words cut deep, often wounding his dignity—turning his silence into a quiet battle of self-worth.
Cast:
Farhan Saeed,
Sana Javed,
Zoya Nasir,
Saba Hamid,
Salman Shahid,
Haris Waheed,
Rizwan Ali Jaffri,
Faran Tahir,
Shagufta Ejaz,
Tipu Sharif,
Aliya Ali,
Syed Mohammed Ahmed,
Sabrina Naqvi,
Hammad Sheikh Kashmiri & others
Writer: Saira Raza
Director: Qasim Ali Mureed
#basterasaathhoo #farhansaeed #Sanajaved #Zoyanasir #pakistanidrama
Bas Tera Saath Ho is a story of resilience born from loss, where a young boy’s world shatters far too soon. After losing his parents in a tragic accident, Anas finds himself in a home that offers shelter, but not warmth.
Farhan Saeed as Anas :
Anas is humble and deeply responsible, carrying burdens far beyond his years. Quietly enduring hardship, he does everything expected of him without complaint – yet beneath his strength lies a constant worry about his future.
His resilience keeps him going, but his heart longs for security, belonging, and a life of his own
Sana Javed as Ansa :
Ansa is a strong-willed, compassionate girl from a middle-class background who isn’t afraid to stand up for what’s right. She becomes a voice for Anas when no one else does—challenging injustice with quiet courage. Her sincerity and strength leave a lasting impact, slowly turning Anas’s gratitude into something deeper.
Zoya Nasir as Shareen :
Shareen is sharp-tongued and entitled, raised in comfort but lacking compassion. Alongside her brother Shayan, she takes advantage of Anas, treating him as less than family and never missing a chance to belittle him.
Her words cut deep, often wounding his dignity—turning his silence into a quiet battle of self-worth.
Cast:
Farhan Saeed,
Sana Javed,
Zoya Nasir,
Saba Hamid,
Salman Shahid,
Haris Waheed,
Rizwan Ali Jaffri,
Faran Tahir,
Shagufta Ejaz,
Tipu Sharif,
Aliya Ali,
Syed Mohammed Ahmed,
Sabrina Naqvi,
Hammad Sheikh Kashmiri & others
Writer: Saira Raza
Director: Qasim Ali Mureed
#basterasaathhoo #farhansaeed #Sanajaved #Zoyanasir #pakistanidrama
Category
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TVTranscript
00:00Heere dheere hum sulag jayenge aake tham lo
00:06Bas tumhi dekha karo
00:09Tumhi meera naam lo
00:18Tum?
00:22Shiaan meh tera shukar horea
00:24Asa agar tum naa milti tum hai
00:28Tum yaa kiyo hai?
00:30Hame Aishaan ne bata yaa
00:31Tum Tum Aishaan ki teraf se kiyo nikali ho
00:34Tum hai nahi nikal na chaiye tha
00:35Tab tum ye bhe pooch hoge
00:37Que meri bhai ni mucha ghar se kiyo nikala
00:40Par woh tum nahi ho
00:42Inne bhai ko bata na tha na
00:44Tumhi kya lagta minne unko nahi bata ya ho ga
00:46Tum kya bhai paagal hai?
00:48Kaunsa ghayretman bhai ista na rath mein bhai
00:50Behen ko ghar se baar nikalta hai?
00:51Woh paagal nahi hai
00:53Unke dil pe mahoad lag gaya
00:57Jis mokke ki woh thalash me thay na woh
01:00Lekin tum log yaa kiyo aya ho
01:03Isliye taake jho jhoot hai woh sab sach ho jahe
01:07Koi dekh leka toh kya ho ga?
01:12Mishal mi Unsa
01:13I'ma isliye taake jhojt kya hiraya ho?
01:26I'ma isliye taake jhojt kya hiraya ho?
01:28I'ma isliye taake jhojt kya hiraya ho?
01:42Toh?
01:42Walke meh huo, hum log sab sab sath mil ke dhundhe ngay
01:44Tumch luk parishan nahi ho!
01:59Tumch luk parishan nahi ho!
02:01Why can't you go?
02:02You can't go.
02:03You can't go.
02:03Go from here.
02:05Please, go.
02:09I'm not saying the right thing.
02:13Why are you waiting for me?
02:16You work hard for me.
02:17You're still waiting for me.
02:19What?
02:20I've said to you,
02:21if someone sees you,
02:22it will be wrong.
02:23No.
02:32Brother, tell your hands.
02:34What are you doing?
02:36Bye.
02:36Lucky, chacha.
02:37What are you doing?
02:38What are you doing?
02:41What are you doing?
02:42Stop.
02:43Stop.
02:44Stop.
02:44Why will you stop?
02:46What is going on?
02:47Whatever, chacha.
02:49Arif.
02:51Arif?
02:53What happened Arif?
02:55My goodness.
02:57What have they done?
02:58He has.
02:58His father has abandoned me.
03:00Someone made a fake video.
03:02It's true.
03:03It's a joke.
03:03And they understand it.
03:08What are you saying?
03:10His father will also ask me.
03:13No, I'm sure I'm sure I'm sure I'm sure.
03:16But the question is that Arif has done such a thing.
03:21He knows everything.
03:22You go with me.
03:24I'm sure it's true.
03:25Where is your house?
03:27Where is your house?
03:28Where is your house?
03:28He will not open the door.
03:30He will not open it.
03:31He will not open it.
03:31I've seen it in many times.
03:33Come on.
03:34Come on.
03:38Come on.
03:39I should have left.
03:42You mean left?
03:43We're leaving here.
03:44We're leaving here.
03:45I should have left.
03:47We'll tell her brother.
03:50We'll tell her brother.
03:51She is a wizard.
03:51He is a kid.
03:53He is a kid.
03:53He knows his brother.
03:55He has left his brother from home.
03:57He doesn't know his name. How will he believe it?
03:59And if we stay here,
04:01then he will be dead.
04:03And he will be dead in the house.
04:06Let's go.
04:16Anas!
04:23Arif!
04:25Arif!
04:27Arif, come here.
04:28Arif!
04:31Arif!
04:34Arif!
04:35Arif!
04:36Arif!
04:37Arif!
04:37Look who is outside.
04:38Who is this?
04:43Arif!
04:44Why are you hiding this car so far?
04:48Arif!
04:49Arif!
04:50Arif, come here.
04:54Arif, come here.
04:58What do you think?
04:59Arif, come here.
05:25Arif!
05:28Good job.
05:49One minute.
05:51Before you say something,
05:56I want to say something to you.
05:58One minute.
06:00One minute.
06:01Listen to my story.
06:03How do you get out of my house?
06:06I didn't get out of my house.
06:09He's got out of his own.
06:12They're all wrong.
06:13It's about me.
06:15You know what?
06:16Listen, Chacha.
06:20You're my beloved father.
06:22I love you.
06:30You're my beloved father.
06:33You're my beloved father.
06:36You're my beloved father.
06:42Okay.
06:44That's okay.
06:46Go to the house.
06:48Go to the house.
06:49Go to the house.
06:50Go to the house.
06:53You want to have a city.
06:56I agree with you.
06:57Go to the house.
06:59You're my beloved father.
07:07Go to the house.
07:14You're my beloved father.
07:16You're my beloved father.
07:19And you're my beloved father.
07:20Look,
07:21Don't give me a road, brother.
07:22I have no house.
07:23Don't leave my way.
07:25Don't leave, brother.
07:26Ansa.
07:28Ansa, son, stop.
07:30Stop, stop, stop.
07:32It's time for the time.
07:34It's time for the discussion.
07:39I'll see this situation myself.
07:41I'll see who can show such a good character.
07:46No, brother, I'll go.
07:49I'll go with you.
07:49Go with me, brother.
07:51Go with me, brother.
07:52Go with me, brother.
07:54Come with me.
07:55Go with me.
08:33Go with me, brother.
08:37Go with me, brother.
08:39God.
08:39Go with me, brother.
08:52Now, my dear, let's get on this side.
08:55I know, I'm going to get on this side of my house.
08:57I can't stand.
08:58I can't stand.
09:00I can't stand.
09:04Come on, my brother.
09:05Okay, so come here and come here.
09:11There's one camera here.
09:13Come on, why are you standing outside?
09:14Come on, come on.
09:18Come on.
09:19Look, this is the camera on straight.
09:21Go and relax.
09:23You don't drink water easily.
09:24It's cold water in the fridge.
09:25I'm just going to pray for you.
09:28Don't worry.
09:29Let's close this door.
09:44See you later.
09:44Ok, so good to see you.
09:48God bless you.
19:21Thanks.
19:35How do you know?
19:36I'm telling you.
19:39I'm telling you.
19:41I'm telling you.
19:43I'm telling you.
19:48I'm telling you.
19:56I'm telling you.
19:59You're telling me.
20:01Oh, my God.
20:07I will not go to the house.
20:10What are you saying, Manas?
20:12Please tell me.
20:31Oh, my God.
20:56You talked to me?
20:57I thought I'd have to take my hand and take my hand.
20:59What do you know in my hand what are you eating in my hand?
21:04Happy, chacha.
21:05You said that I'll go with you now.
21:08We'll talk about it later.
21:10You didn't talk about it.
21:11Aarif didn't come to prayer.
21:13Why?
21:14Brother, the prayer of the morning is always in the church.
21:17That's what people are saying.
21:19That's never happened.
21:20They were saying,
21:21who will pray for prayer?
21:24What do you mean, who will pray?
21:25They're all wrong, happy, chacha.
21:27You didn't tell them all.
21:29Hey, brother.
21:30It's the time of the morning.
21:31I'll give people to help.
21:34I'll bring people to sleep in the morning.
21:37I'll talk to them in the room.
21:38I'll call them to the union.
21:40I don't trust you, chacha.
21:41I trust you, happy, chacha.
21:45I do the time for the evening.
21:47But I know my brother well.
21:50They will never believe.
21:51They were in the struggle of this time.
21:53They were in the church.
21:54You do the same.
21:56You do the same.
21:57You do the same.
21:57Then I'll do the same.
21:59Then I'll do the same.
22:04But...
22:04Where are you going?
22:06Where are you going?
22:07I'm going to the university.
22:09University?
22:11What do you want to go?
22:13Why don't you want to go?
22:14What do you want to go to university?
22:15What do you mean?
22:19What do you mean?
22:19I'm happy, chacha.
22:21First of all,
22:21I'm sure I'm going to go to university.
22:24It's a very important class.
22:26And I'm not going to go to university.
22:33Because I'm not
22:35I don't want to go to university.
22:36Look at that.
22:38You'll go to university.
22:42What do I do?
22:44Go to the door?
22:45Give me my clothes.
22:47You're talking about the girl.
22:49She's not looking at her.
22:51She put my brother in my head.
22:54She should have stayed with me.
22:58She should have left with me.
22:59She should have left with her eyes.
23:00She should have left her eyes.
23:03She should have left her eyes.
23:04Don't do my heart.
23:07Don't do my heart.
23:07Don't do my heart.
23:08Don't do my heart, Chacha.
23:10It's like a period of time.
23:13I'm leaving four houses.
23:14I'm leaving my own own house.
23:17After removing my own house,
23:20my brother is sitting in my own hands.
23:22How much joyous are you?
23:23How much joyous are you?
23:29No.
23:32I'm leaving.
23:35I'm leaving.
23:36Let's go to the house.
23:37Stop.
23:38I'm fine.
23:39I don't want to eat anything.
23:41One minute.
23:42I won't do anything.
23:44I'll take my father.
23:46I'll take him to the house.
23:48Okay?
23:48Stop.
23:49You're coming.
23:49I'll take my father.
24:00Pala.
24:02I'll take my father.
24:07Never.
24:12Let me get my birth.
24:14You know what?
24:15I love how many of you know.
24:16I'll take my father.
24:18You're coming.
24:19I'm leaving.
24:19I'll take my father right now.
24:19I love how much more.
24:19No, no.
24:22So the situation is still there.
24:24So I'll ask my wife and daughter to her.
24:31What does she mean to her daughter and daughter to her?
24:35I'm saying that I'm saying that I'm saying that I'm saying that I'm saying that.
24:40My father is a Muslim.
24:46My father is a Muslim.
24:47They go to school and go to school.
24:53Abujan, this has not been reformed.
24:55It's been explained.
24:58My grandmother explained to me that my daughter's daughter
25:00and I'll get to the conclusion that you will not stay in our house.
25:04Especially in my house.
25:09Your house?
25:09I was able to do this at the same time.
25:12But I don't want to know that the way he came to your house last night...
25:15...he would be able to shake your fingers in the house again.
25:23I'm going to ask about the doctor.
25:26Maybe the doctor will get the doctor.
25:28You'll get the doctor better.
25:44I'm sorry.
25:46I'm sorry.
25:48You're not going to be too late.
25:49How can you get out of the house from Anas?
25:53Anas?
25:56What is this?
25:57Anas, what is this?
26:00You're going to tell an university.
26:04What is it?
26:05You're going to tell an university.
26:06What is it?
26:06I'm going to tell an university.
26:08What is it?
26:12What is it?
26:18I'm going to tell an university.
26:19You're going to tell an university.
26:20It's not.
26:20Maybe you're going to tell an university.
26:25What is it?
26:26It's not.
26:26You won't understand.
26:27What is it about mobile?
26:35Abu, leave it.
26:36You won't understand.
26:38No, you won't understand.
26:38Abhu.
26:40If you fall asleep.
27:01Abu.
27:03Abu.
27:03Abu.
27:04Abu.
27:05You won't know.
27:07Abu.
27:08Abu.
27:08You won't know.
27:08Before the two of us, this is a shame.
27:11Open the door, open the door.
27:14I'm a good girl.
27:18I told you,
27:21that's my sister's degree.
27:23She's the first priority of the aunt's aunt's aunt.
27:27No one is.
27:28Everyone is behind.
27:30Who can you see?
27:31She's coming to the kook of rice.
27:35She's not looking at the kook of rice.
27:40I have only one thought about it.
27:43These people will sit down and sit down.
27:47And then they will sit down.
27:50And then they will come to this house.
27:56And Aarif will probably not understand.
27:59But I just want to say that Aarif will never leave.
28:04Yes.
28:05I don't know.
28:06I was talking about this situation.
28:09Aarif said that it's the last decision.
28:12She can't come to this house.
28:14Aarif?
28:17If you have any problem, tell me.
28:23That's why I didn't tell you.
28:26No water.
28:28No water.
28:35What was the last decision?
28:37What was the last decision?
28:39It's not happening.
28:40We don't know.
28:41That's why she said it is saying it.
28:45It's a disaster.
28:48I have to say that.
28:49I have to say that he has to say that.
28:50Anushma, El-Sahabh.
28:53Rahola, El-Sahabh.
28:55Abhu, Abhu.
28:59Abhu, I'm calling the doctor,
29:01then it's not okay.
29:03That's fine, Salim.
29:05What's that?
29:07I won't be at home.
29:09Yes, yes.
29:11I won't be at home.
29:12That's fine.
29:14That's fine.
29:15It's just a decision.
29:17It's not over a minute, I'll stop.
29:19What's the decision, Abhu?
29:21Just, I'll give you my daughter.
29:23I'll give you my daughter.
29:24Where is she, Abhu?
29:27I'll go to the court.
29:29The court.
29:30The court.
29:32What do you do?
29:37I'll call Anushma.
29:40I'll call Anushma.
29:41I'll do this very first.
29:43Yes.
29:44Yes.
29:48Abhu.
29:49Abhu.
29:50Abhu, Abhu.
29:51Abhu, Abhu.
29:52Abhu, if you're leaving the church tonight,
29:53it will come to be tomorrow.
29:54Abba.
29:56Geari here may not be the best.
29:57What it will take you today.
29:58It will come to you tonight.
30:01He will take a 5.
30:01Abhu, you're not a bad one.
30:03Abhu, you're not a bad one.
30:04Abhu.
30:05Our bad one last night,
30:06my bad one has lost.
30:08And what's going to happen?
30:09This is not a bad one.
30:11The bad one has lost.
30:13I am just saying, I don't know how much I am.
30:17I don't know how much I am.
30:17What is it going to be like?
30:20I'm just saying, I'm just saying.
30:22And Selin will know that they will take the crucifix.
30:25The crucifix is gone, brother.
30:27The crucifix is gone last night.
30:29What is the crucifix?
30:32Look at that.
30:34I'm glad that my father is a man of love.
30:38I'm glad that my father is alive.
30:43I'm not going to go away.
30:47Let's go.
30:49What do you mean?
30:51Okay, tell me.
30:52When you know the person who knows the person,
30:54I don't know.
30:56I'll tell you myself.
30:58You're taking me and going?
31:00What?
31:01I'll go myself?
31:06Let's go, Abbo.
31:08I'll give you my e-book.
31:11I'll give you my e-book.
31:16You're very careful, Isha.
31:18You're saying, right?
31:20I don't think Anas will come.
31:23Why?
31:24I mean, what happened tomorrow,
31:27then Anas will not come again.
31:34Anas is coming.
31:35Hello.
31:36He's coming.
31:37He's not coming.
31:38Who's the class of Project 1?
31:39Who's the class skip?
31:40He's making a presentation so much.
31:42He's going to approve the thesis idea.
31:59I mean...
32:00Anas...
32:01Anas...
32:06Anas...
32:07what?
32:13Is it Mystic?
32:19You said he's coming.
32:34I need the ability to get away.
32:37It's free.
32:40Thanks.
33:20VIOLIN PLAYS
33:22VIOLIN PLAYS
33:55VIOLIN PLAYS
33:58I didn't know what happened to you.
33:59I was going to come back to you, but my mother...
34:01He told you.
34:05I'm really sorry for my behavior.
34:07I don't know that he's like that.
34:09I don't know what happened to him.
34:11I fought a lot with him.
34:12I told him that he couldn't do that with my friend.
34:16Why are you not saying anything?
34:20What did I say?
34:22I know that when you were here yesterday
34:24I didn't know what happened.
34:25I thought that I was alone.
34:30I didn't think that I was alone.
34:31I didn't think about it once again.
34:33I didn't want you to understand it.
34:35I didn't want you to understand it.
34:36I didn't want you to understand it.
34:37What did I say to you?
34:39If I'm here, then...
34:42Your mother did well, Aisha.
34:45In fact, if you're in your mother,
34:47if someone else has a mother,
34:49then they do it too.
34:51What are you saying?
34:51What are you saying to me?
34:52Oh my God...
34:54I'm so much more concerned today.
34:56Everyone is asking me,
34:58you're my friend, you're my friend.
35:01What did you answer?
35:02Of course.
35:04I didn't mean it.
35:05Now, I won't ruin my image.
35:08I told you...
35:10I'm only a class fellow.
35:13My mother is so much disturbed today.
35:21I know.
35:25But...
35:26I know.
35:38But...
35:40What?
35:41What are you saying?
35:41I'm thinking about the things you're saying?
35:43You've died for the same reason.
35:46You're still scared.
35:47It's a big thing, brother.
35:49What do you mean from now?
35:53Oh...
35:54I don't know.
35:55Come on, man.
35:58You can't do such a thing, Jaleel.
36:00Sorry, Khambri.
36:01Who?
36:02Answer?
36:04You're wrong.
36:04Who's wrong?
36:06I've not made a video.
36:08You've done a big joke.
36:10You've done a big joke and a big joke.
36:11You've done a great joke.
36:13You know that this video is fake.
36:14That's what the hell is.
36:16Who has done this?
36:17The girls are on every situation.
36:20They're on every situation.
36:21Then they're on it.
36:23Hmm.
36:24That's the situation.
36:25That's why we say...
36:26We should be proud of the girls.
36:28What do you mean?
36:30We should be proud of the girls.
36:32We should be proud of the girls.
36:33I'll also make a video.
36:34You're wrong.
36:35It doesn't matter.
36:37It doesn't matter.
36:39It doesn't matter.
36:39It doesn't matter.
36:40You see anyone.
36:41Is anyone saying anything?
36:42Is anyone saying anything?
36:43It's the name of Ansa.
36:44And as you both,
36:46our university has been a lot of names.
36:48How many people have asked them
36:51that you know both of them?
36:52I've given them straight.
36:54Because the truth is,
36:56anyone can do it.
36:57And anyone can do it.
36:57Enough!
36:59Enough.
37:00Enough.
37:01Enough.
37:01Not any words.
37:05You're not saying anything more.
37:07You're not saying anything.
37:08You're not saying anything.
37:08of your life in the classroom.
37:11And you're like you're getting to it.
37:13If you don't know,
37:14I'll do this.
37:15One minute, one minute.
37:17The video is fake.
37:19But you're throwing 10 minutes.
37:21What's the truth?
37:22What's that?
37:24Anas!
37:25What are you doing with me?
37:27I'm going to take you to university and take you to university.
37:29Where are you going?
37:31Anas, please leave me.
37:32I'm saying to you.
37:33Anas, please leave me.
37:34I'm going to take care of you.
37:36Let's go.
37:37Yes, majeet.
37:38Who has edited it?
37:40Or Kamal has edited it.
37:42I've seen it three or four times.
37:43It wasn't fake.
37:45That's what I'm saying.
37:47Anas!
37:48Three or four times!
37:49Three or four times!
37:51Three or four times!
37:54Let's go!
37:56Yes!
38:00Yes!
38:04No way!
38:06No way!
38:07No way!
38:13No way...!
38:14Please thank you for making me stop!
38:16I've seen it on earth!
38:17Oh!
38:18No way, no way!
38:23Eh!
38:23Even the end of the day!
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