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00:00THE END
00:08Silvermane.
00:09Charged of organized crime for 30 years.
00:11Someone burned down his mansion a couple of nights ago.
00:14Addison!
00:14You keep following me.
00:15You're owning the way you wanted to.
00:17Does this guy have superpowers?
00:18Like you?
00:20Do me a favor.
00:21Hold off, I'm printing that.
00:22I want to warn Donagall before he gets himself killed.
00:24So look for that.
00:25There's gonna be a free-for-all.
00:27The people could use a hero.
00:28I hope they find someone.
00:30I can't help but wonder what Ruby would they...
00:33I'm not that guy anymore.
00:35Any chance you know who this is?
00:36Oh, that's Cat Hardy.
00:37Star attraction over at the alcove.
00:39Is there somewhere we can talk?
00:40It's business.
00:41Flint?
00:41Despite what I do, we don't enjoy hurting people.
00:48Don't hurt him.
00:49What the hell is this?
00:50Just leave us alone, please.
00:51When someone tells you what they are, you have to listen.
00:54Then what is he?
00:55Retired.
00:56I came here to offer him a job.
00:58My friend you met last night?
00:59He's disappeared.
01:25You were saying Flint's your bodyguard.
01:27Yes.
01:27He protects me and he's loyal.
01:29Hard to find these days.
01:31No kidding.
01:31I didn't marry my husband for his looks.
01:34What else can you tell us?
01:35Does he have family, friends?
01:36I don't know anything about his personal life.
01:38I know his address.
01:40Are we gonna talk about the fact that he turned into some kind of sand monster?
01:45What I know, she knows.
01:47It started about six months ago.
01:49Slow at first.
01:51But it's been getting worse.
01:53And he never remembers when it happens?
01:55Oh, he always remembers.
01:56Unless he gets clubbed in the head with an iron girder.
01:59That's it.
02:00He turned into sand.
02:02That's it.
02:02What's sand, right?
02:03It just seems kind of like a big deal.
02:04So do you have any clues as to what's causing this to happen?
02:07You haven't given us much to go on.
02:09Isn't that what the money's for?
02:10You're an investigator.
02:12Investigate.
02:14You know, an artist doesn't just paint with air.
02:16He needs a canvas, brushes, paint.
02:18Do you think I'm withholding from you, Mr. Riley?
02:21What if I said I did?
02:22I'd ask why you thought that.
02:23I'd say a lifetime of experience.
02:24With clients?
02:25With women.
02:28As fun as this little game is, I'm afraid I have other business to attend to.
02:32Get to painting, Mr. Riley.
02:42What do you think?
02:43I think you might need a cold shower.
02:45I think I might need one.
02:49But you're right.
02:50She is hiding something.
02:52All the fun ones do.
02:54I'm gonna check out Flint's apartment.
02:56Why don't you go down to the...
02:57Bureau of Criminal Records?
02:58Yeah.
02:59Been a while since we've had a real case.
03:01But it ain't been that long.
03:04You gotta accentuate the positive.
03:09You live.
03:10Fight the negative and latch on to the affirmative.
03:15Don't mess with Mr. In-between.
03:17You gotta spread joy up to the maximum.
03:22Bring blue down to the minimum and have faith.
03:26Amen.
03:27My pandemonium's liable to walk up on the scene.
03:32Amen.
03:39Gonna be the new supplier at the docks tomorrow.
03:43Canadian.
03:44You didn't tell me that.
03:45I'm telling you now.
03:48It's not smart for you to go out in public till we know who tried to take you out.
03:51I'll go where I want.
03:53With all due respect, you don't pay me what you pay me for my charm or disposition.
03:57You pay me to keep you alive.
03:58And I'm telling you it's a bad idea.
04:00If you dying benefited me, I would have done it myself ten years ago.
04:04But I know what I'm good at.
04:05I know what I'm not.
04:06And I need you to stay alive and in power.
04:09So pretty please, with cherries on top,
04:11let me go down to the docks ahead of you.
04:13And once I make sure everything's kosher,
04:14you can waltz on in and show everyone the brightness of your feathers.
04:18You finished?
04:22The problem is not that the guy is out there.
04:24The problem is that they thought they could take me out at all.
04:27Ever since the spider disappeared, things have been comfortable.
04:31Maybe someone's thinking that I got complacent.
04:33Or soft.
04:35Maybe you're one of them.
04:38Thinking you could take me out?
04:41If you could set yourself on fire like Addison, then you'd only have a shot.
04:44Imagine controlling that kind of power.
04:47Now Flint goes missing.
04:50Right after.
04:51He's been acting strange lately.
04:54Now those two things are related.
04:56I will look for Flint.
05:01And when the boys find our P.I., Riley, bring him straight to me.
05:20The colors fading from the photograph.
05:23I could tell the story.
05:25But still you wouldn't know the hell.
05:27This love was brought to life from shards of glass.
05:30When you kiss me, there's a shifting in the sepia tone.
05:34Can't escape the madness, baby.
05:35Magnetism.
05:37Run away, but something pulls me back into it.
05:40Lately, I've been staring at a broken mirror.
05:43Needing so much more.
05:44I want to come out.
05:46Hey, lover.
05:49I need someone to save me now.
05:52From all the pain I suffer.
05:56Ain't there anyone that weighs me down?
05:58Cause the world ain't sweet.
06:01It's been time to taste.
06:04But you gave me my saving grace.
06:06Dear God, holy, and heavenly!
06:08Oh, no, no, no, no, no, no.ILLY
06:36nakal Love and
06:36Prop Il
06:52Great.
07:05Hi, this is Robbie Robertson calling.
07:06Mr. Robertson, how many times do I have to tell you you're never getting your old job back?
07:11Listen, I don't know if Walters has seen my article in the Gazette, but I just...
07:14Mr. Robertson, there's no point in this conversation.
07:15What I'm saying is I just need to sit with him, that's all.
07:18Mr. Robertson, please. Mr. Robertson, I'm going to hang up now.
07:21I'm on to something truly sensational.
07:24It's the biggest story of years. There hasn't been anything this big since the spider.
07:29I promise, it'll be worth his while.
07:35I'll see what I can do.
07:39Thank you. Thank you.
07:44Clint, Marco, got a delivery. Anybody home?
07:56Yo, it's fine.
07:57president.
08:04Let's go.
08:31You're a witch.
08:36Allison!
08:40Clint, it's Winston.
08:43Silvermane wants to talk to you.
08:45Give me the key.
08:58Check the bedroom.
09:48Nice place.
09:51Yeah, a bit fancy for my taste.
09:53And I got a pretty good idea why.
09:57Why?
09:58Let's go.
09:59You think he got a new lady?
10:01That why he ain't coming to poker lately?
10:09If you're blue and you don't know where to go to,
10:13why don't you go where fashion sits?
10:16Puttin' on the red.
10:18Janet, all the time.
10:20I thought you might have wised up with Quintabish.
10:22Oh, no, not me, Hank.
10:23Sensor report.
10:24I'm dumb as ever.
10:27I found this anything outside.
10:28I didn't know if it belonged to anyone.
10:30Hmm.
10:35No, my wife made me quit eating these.
10:37Okay, well, in that case...
10:38I...
10:38Last night, Chuck, you ain't my wife.
10:42Name?
10:43Quint Marco.
10:44All right.
10:45Right back.
10:46Don't you dare touch that bag.
10:47It ain't a bribe if I don't get to eat it.
10:51Janet, you're just sitting.
10:52Hey, Charlie, how you doing?
10:57Quite the record, our Mr. Marco.
10:59Grew up in Brooklyn.
11:01Working class.
11:01Came back with no prospects.
11:03Small crimes, then bigger ones.
11:05Arrest, arrest, arrest.
11:07Now, an enforcer for...
11:09Silverman.
11:10That Winston guy showed up while I was at Flint's.
11:13You hid in the closet?
11:14Yeah, I hid in the closet.
11:17No, Sargon.
11:18Didn't you fight there, too?
11:20Yeah.
11:20It was one of the biggest battles of the war.
11:22There were a million of us are.
11:23Hold on.
11:24Is that...
11:25Addison.
11:26Looks like they were in the war together.
11:28Is that what Kat is hiding from you?
11:30I bet she knew that Flint had fun with superpowers.
11:32Oh, I know.
11:33What I don't know is why she didn't tell me.
11:35Probably thought you wouldn't have taken the case.
11:37She would have been right.
12:11I don't think I've ever heard that one.
12:12I wouldn't think so.
12:14It's an original.
12:18Visited Flint's apartment today.
12:22Does this mean anything to you?
12:23I knew he was in the war.
12:25Hard to believe he was ever so young.
12:28What about this guy?
12:29You see him?
12:30This little guy right over here?
12:31You ever come around the alcove, visit Marco?
12:35Can't say I've ever seen him.
12:38His name's Addison.
12:41He's the guy that burned down Silvermane's mansion.
12:43He's dead now.
12:44So is the P.I. that shot him.
12:47What can I say?
12:48The world's a dangerous place.
12:54You're pretty cool under pressure.
12:56I wasn't aware I was under any.
12:57Why don't you tell me Flint worked for Silvermane?
12:59Would you have taken the case if I had?
13:00I don't like surprises.
13:01I'll remember that when your birthday rolls around.
13:06The deed is under my name.
13:07But it's no secret Silvermane owns this place.
13:10And Flint's a good way to protect his investment.
13:13And you.
13:14And me.
13:15You see, this club lives and dies on people walking through that door because they want
13:19what I give them.
13:23You trying to get me, Mr. Riley?
13:26Get you?
13:27Understand me.
13:28Seems you got my number.
13:30I've learned a lot of them over the years.
13:31Oh, one for every Tom, Dick, and Harry?
13:34Hmm.
13:35You're interesting.
13:36Oh, yeah?
13:37How's that?
13:38Oh, the other night when we met, you called yourself a coward.
13:41But I think you're braver than you let on.
13:44Oh, you're good.
13:46In an obvious sort of way.
13:47I'm as subtle as the situation requires.
13:50You see, I have business with Silvermane and I have business with you, Mr. Riley.
13:53One has nothing to do with the other.
13:55Now, have I said enough for you to keep the money you came here to return?
13:59Or have I misjudged you?
14:01No, I'll keep working the case.
14:03Not because I'm brave.
14:05Why, then?
14:06Uh, a singer's got to know all the numbers.
14:09Maybe a detective just got to know all the answers.
14:54Maybe a detective just got to know all the answers.
14:55Shhh.
15:05Uh...
15:07It's, uh...
15:08Tai Chi.
15:09Yeah, that's right.
15:10It's Tai Chi.
15:11It's, uh, it's good.
15:12It's good for breathing and relaxation.
15:16I recommend it.
15:18I don't have the slightest clue what you're talking about.
15:20We don't care either.
15:24Oh!
15:29Toaster.
15:30Really?
15:30Gosh, I shouldn't have thrown it so hard.
15:42Come on, let's go for a ride.
15:51You mind telling me why I'm here?
15:54Silverman wants to see you.
15:55I figured that.
15:56I'm asking you why.
15:58We're not really the why guys.
15:59Maybe you wouldn't be here if you didn't try ripping the boss off.
16:02Ah, Donegal.
16:03I don't have anything to do with this little scheme.
16:05I actually try to talk him out of it.
16:07Like I said, the boss just wants to talk.
16:09I've got no idea who hired Addison to burn down your boss's house.
16:13You don't know nothing, huh?
16:14Double negative, but we'll set that aside for now.
16:16My point is I'm not much of a detective.
16:18Yeah, then you got nothing to worry about.
16:19Just like Donegal, right?
16:20Oh, yeah.
16:21Just like Donegal.
16:23By the way, I am sorry about the nose.
16:25Me?
16:26That was him.
16:28Oh!
16:33Get out!
16:34Get out!
16:40Where'd he go?
16:42Check the side.
16:49The boss ain't gonna like this.
16:51Yeah, he wanted us to bring him in.
16:54Typical.
16:55Come on, ass.
17:04Time's a tough all over.
17:06But the true measure of a city
17:08is in how it responds to the hard times.
17:11And this isn't Topeka or Kalamazoo.
17:14This is New York.
17:16We're gonna link arms
17:17and stand strong against the rising tide.
17:20It was easy to stand behind...
17:22What's the headline here?
17:25Desperate Morris delivers dud.
17:28I'd go with quadruple M.
17:30Mayor's missive, Mrs. Mark.
17:32Man, I wouldn't trust Hudson to do my laundry.
17:34That man's gonna beat Morrison by ten points.
17:36Sometimes you just want a different brand of snake oil.
17:39So, uh, you gonna explain your face?
17:42Let's just say you should lay off the Addison reporting.
17:47Silverman?
17:48He's on a warpath about Addison.
17:49He wants to know what's coming after him.
17:51So tread...
17:52...lightly.
17:53I'm not gonna want the face that looks like hamburger meat.
17:56I've traveled with his guys before.
17:58As the man with the mask and the goggles,
18:00New York's beloved hero of the hour,
18:03not as Ben Reilly.
18:04You know what?
18:05Give me that.
18:06I'm making a declaration right now.
18:08That's right.
18:10If I'm re-elected,
18:11you can say goodbye to prohibition.
18:13The man knows his audience.
18:15As God is my witness,
18:16you'll never go thirsty again.
18:19You know, all I'm saying is,
18:21get in it with Silverman now.
18:23The choice is to suit up or die.
18:25It might be time to tango again.
18:26Maybe you'd be doing the city a favor in the process.
18:29Oh, come on, Robbie. Enough of that.
18:31You know what I'm doing after this?
18:32What?
18:33Being beautiful.
18:34And working the Addison story.
18:36I don't publish.
18:38I don't eat, my friend.
18:41I've been thinking about the Canadians.
18:44You gonna let me handle it?
18:46Nah, I'll do it.
18:48The plan stands, but...
18:50Go ahead and we scout it out.
18:57Ah.
18:58But I think it's stylish.
19:00What do you take, Winston?
19:02I'm not one for fashion.
19:04But the whole thing is a little...
19:07tired.
19:08Now, Winston,
19:09have you got a gripe at her?
19:12No, I just think there's better thing to spend time on
19:14than dressing up dolls.
19:15Ha!
19:16Well, there's fashion and there's taste.
19:19Box it up.
19:20You like it too, right?
19:22Honestly, I think it's...
19:23Yeah, yeah. It's perfect.
19:42Excuse me, ma'am.
19:43I'm looking for the Addison's.
19:52Excuse me, ma'am.
19:54I'm looking for the Addison's.
19:55Mrs. Addison?
19:57Mrs. Addison?
20:25Who are you?
20:31Hey, brother.
20:32Don't hate brother me.
20:33I asked you a question.
20:35You sure did.
20:36And seeing as you are a very large and angry man,
20:40I'm gonna answer.
20:41I'm looking for Vera Addison.
20:43You know who she is?
20:44Why do you want to know?
20:46Well, I am a reporter
20:48working a story on James Addison's death.
20:50I wanted to talk to his widow.
20:55Jimmy's dead.
20:58Oh, I'm sorry.
20:59You...
20:59You guys were friends.
21:01How did he die?
21:03It was an explosion.
21:07The standard oil depot.
21:09Why are you writing about him?
21:11Well, before he died,
21:12he burned down the wrong house.
21:14Whose?
21:15Silverman.
21:24I think it's time for you to leave.
21:25Wait, wait, wait, wait, wait, wait, wait, wait, wait.
21:26Hmm.
21:27Addison didn't just take it upon himself
21:29to burn down the house
21:29of the most dangerous man in the city.
21:31Someone paid him to do it.
21:33Now, look, he was your friend,
21:34so I'm guessing he wasn't a bad guy.
21:36He was sick.
21:37And these days,
21:38call for men that use their sicknesses to get by
21:40until their sicknesses eat them alive.
21:42Hang on.
21:43What do you mean he was sick?
21:43I don't know who hired him.
21:46A year.
21:47His wife, mate.
21:49And do you know where I can find her?
21:51Try the Jeffrey Hotel.
21:52She always went there when they came in some money.
21:54And when she came back,
21:55the money was gone.
21:57Go figure.
21:59Oh, thanks.
22:01I'll pay her a visit.
22:05I told you.
22:07He hardly comes to the office anymore.
22:09I can't remember the last time I saw him.
22:11Well, maybe this will shock your memory.
22:13Please, don't tell you the truth, Ben.
22:17For your sake, I hope so.
22:20We'll live back.
22:35Janet.
22:36Did they hurt you?
22:38No, not this night.
22:40Oh, they said they'd be back.
22:42Ben, they put a gun to my hand.
22:44They kept saying that I'd end up like Donegal,
22:46that if I didn't tell them where you were,
22:49he and I would be crossing the river six together.
22:52What does that mean?
22:54It means Donegal's dead.
22:56Silverman killed him.
22:58But I'll take care of it.
22:59Ever since Ruby died,
23:01I've been waiting for you to get it back together.
23:03Back to the man I know is buried somewhere inside you.
23:06Five years.
23:09And this is how it ends.
23:11Janet.
23:12Go home.
23:13Get some rest.
23:14You'll feel better.
23:15And I'll call you when it's safe.
23:18Yeah, I'm gonna go home.
23:20But I am not coming back.
23:22I care about you, Ben.
23:24So deeply.
23:27But not enough to die for you.
23:29Janet.
23:31Janet!
23:34Janet!
23:59The Man.
24:03The Man.
24:05The Man!
24:17The Man.
24:17The Man.
24:17The Man.
24:17The Man.
24:18For the Man.
24:18Hiya.
24:19I'm Pete with maintenance.
24:20Sorry about the leak.
24:21It'll be no problem.
24:22I'll just...
24:22The unit downstairs,
24:23There's big mess. Water. Water. Everywhere.
24:25What's going on?
24:26Something about a leak?
24:27You know, I like what you've done with the place.
24:29Although, if you move the table over by the window, you really get that sunset glow at dinner.
24:33I told you that.
24:34I'm sorry. Have you been here before?
24:35I am familiar with the unit, yes. Bathroom's that way.
24:56Well, don't just stand there and say something.
24:58Um, sir, what exactly are you fixing?
25:02Oh, yeah? No, I found the issue. You've got to bust the jerry basket.
25:06It's a misalignment from the mission joint.
25:30Excuse me, what's happening in there?
25:33Bit of an existential crisis, if I'm honest.
25:37About my toilet?
25:54I don't think that guy was a plumber.
26:07I don't think that guy was a plumber.
26:16Says it to the left.
26:19Thanks for your trouble.
26:22Thanks for the dollar.
26:26Mrs. Addison.
26:30I didn't order anything.
26:31My name is Robbie Robertson. I'm a reporter.
26:34Hold on, hold on, hold on. Now, I just...
26:37I just want to talk.
26:38You have three seconds to get out of here or I'm going to scream.
26:41Then I don't think you want a white woman screaming about a black man
26:43trying to force his way into a hotel room?
26:46Actually, I got a hunch
26:48that you wouldn't want the city's most ruthless gangster
26:50knowing that the money someone paid your husband to kill him
26:53was being spent on lobster and designer clothes.
26:58So go ahead and scream, honey.
27:00Unless you want me to do it.
27:01I got a pretty deep voice.
27:02It really carries.
27:04Hmm.
27:24So that's it?
27:26What do you mean?
27:27No tears.
27:27I just told you your husband died.
27:30People grieve in a different way.
27:33You already knew.
27:37James was a lot of things, but not the type to cut and run.
27:40When he didn't come home that night, I figured he was never coming home.
27:43When did he start setting fires?
27:45Six months ago.
27:46Suddenly discovered he had an innate talent for it.
27:48Who hired him for the silver main job?
27:50Just because I didn't scream doesn't mean I'm an open book.
27:54As far as I'm concerned, James dug his own grave
27:56even though he's lying in it.
28:13This place feels haunted.
28:15Ask as it is.
28:19Speaking of ghosts.
28:22Jimmy Addison's dead.
28:24What?
28:26What?
28:26A couple days ago, some reporter came around asking about him.
28:30Wanted to know who hired him to kill Silverman.
28:35He didn't know.
28:36If I'd known, I would've stopped him.
28:47Flynn, you don't look so good.
28:50It happened again.
28:52Changed completely this time.
28:54Never changed back.
28:56Yeah, not all the way.
28:58It's like the doc said.
29:01Our clocks are ticking.
29:04Faster and faster now.
29:06Everything we went through.
29:10We deserve better.
29:11You and I.
29:13Let's get out of here.
29:14You can crash at my place.
29:16Better for us to stick together right now.
29:20Yeah.
29:21You have to check every crate?
29:24Is it because we're Canadians?
29:25Yeah, it's because you're Canadian.
29:26No.
29:27Boss doesn't trust anyone.
29:28Myself included.
29:30The place still runs this town.
29:32Shipping's good, boss.
29:34Ready for you to come.
29:35All right.
29:36I'm on my way.
29:38I'm on my way.
29:41Oh, God.
29:42I don't want to go.
29:43Go.
30:07What is that?
30:14Hey, check it out!
30:16Go, go, go, go!
30:18He found the roof!
30:25Shoot him!
30:36Hello.
30:52Let's go!
30:55Where'd he go?
31:03That worked!
31:05Come here!
31:08Thank you!
31:11Oh, God!
31:13I can't run out of doors!
31:15Guess you do!
31:25Well, what the hell are you waiting for?
31:29After you.
31:30No, no, by all means.
31:32Out of the car!
31:33There!
31:41Whoa, whoa, whoa!
31:42Not another step!
31:47See?
31:48Tai Chi?
32:00It's been a while.
32:01You've done well without me around, haven't you?
32:04I didn't know you did hit jobs now.
32:06Do you mind if I ask you who hired you?
32:08Nobody hires me.
32:09I'm here because of Ben Riley.
32:12Riley the Flatfoot?
32:13Yeah, that's right.
32:14I owe him a favor.
32:15Sorry, where are my manners?
32:17Trying to drink?
32:17No.
32:18I want you and your gums to lay off Riley.
32:20He doesn't know who tried to kill you,
32:22and roughing up his secretary isn't going to change that.
32:25So, I leave the gums you alone, and that's it?
32:28Because you know, back in the day,
32:29you really couldn't leave me alone, could you?
32:31I don't think you're listening to me, Silverman.
32:34This is your only warning.
32:36If you mess with Riley or any of his people,
32:40I will kill you.
33:28Riley, this you?
33:30This what you're doing?
33:31Either you ask me at anything or any later,
33:31what are you talking about did you stop silverman's car well you heard about that huh
33:36yeah well i got some bad news for you cops had an ambush set up for silverman at the docks
33:39someone gave him a tip about a booze exchange someone tipped off the cops about a silverman
33:44booze exchange yeah they're rounding up about a dozen of his guys right now cops were all set
33:47to catch the man himself in the act the silverman never showed do they know why he didn't show no
33:53don't worry police got word that someone stopped superman from coming they don't know it was you
33:57shit gotta go i ain't trying to die in no phone booth
34:24what the hell did i just do
34:30now you say you're lonely
34:37said he cried the whole night through well you can cry me a river
34:46cry me a river
34:50cause i cried a river over you
34:57now you say you're sorry
35:01now you say you're sorry
35:02now you say you're sorry
35:02for being so untrue
35:09so what
35:10just cry me a river
35:13cry me a river
35:17cry me a river
35:19cry me a river
35:20cry me a river
35:22cry me a river
35:28cry me a river
35:32cry me a river
35:35cry me a river
35:36cry me a river
35:39cry me a river
35:43cry me a river
35:45cry me a river
35:45cry me a river
35:45And told me you were through with me
35:50And now you say you love me
35:56Well, just prove you do
36:01Go on and cry on your river
36:05I'd like to see you cry on your river
36:11Cause I'm tired of crying
36:15And over you
37:12Go on and cry on your river
37:43Go on and cry on your river
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