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26:08party. You are most kind. How are your children? Oh, very well, thank you. Anthony is off in
26:14India with his bride, with Colin and Penelope. Do you think you will succeed this season?
26:19Excuse me? In persuading your second son to take a wife.
26:24I cannot say. Well, you know how young men are. So unpredictable. Well, please, enjoy yourselves.
26:35Did you study your miniatures this morning? There he is. He is so handsome. Do not be
26:43shallow. What matters most is his surname. There are rumours of rakish behaviour, but
26:49everyone knows reformed rapes make the best husbands.
27:03Cheers. Do you think the fairy was Lord Arliss? It's his mistress. It would have to be
27:08rather bold to bring her right under the nose of our majesty and his wife.
27:31I had thought that the news of Lord Arliss bringing his mistress would be the most scandalous
27:35gossip I would have heard from the war. But Miss Eloise Bridgerton eagerly chatting with
27:39Debbie Tonson is the most scandalous news of all. Why is Penelope Bridgerton keeping to
27:43the war to begin with? Penelope Bridgerton is not, but Whistledown is. The Queen insists on
27:47great gossip this year. And I'm surprised you've not had Lady Whistledown write about Benedict.
27:52She is looking for a gentleman to champion this year. The last thing this family needs
27:55is for her to choose Benedict. She will never win, which will outrage her. And your mother...
27:59My mother will explode and burst into flames at the feet of an outraged monarch. For your
28:03sake, I do hope you've overheard something better on the war.
28:07I had thought that after last season you had had your fill of pretending to be engaging with
28:10Debbie Tonson. I do not pretend. Pen, there may not have been enough people in Scotland, but
28:17time spent amidst so much astounding natural beauty did give me considerable time.
28:21time to reflect. And what I realize is that there is no need for me to antagonize suitors
28:25or debutantes. I can be entirely pleasant to all. It matters not because I have made a
28:30decision. I am on the shelf. You on the shelf. Oh, here we are. Why, thank you.
28:57What if we were to stay for the season? What about Scotland? What about your cousin? Yeah, I noticed the
29:05two of you kept your distance from one another.
29:07This summer? Which is understandable. We are newlyweds, and yet we began our married
29:16life together in a home that Michaela considers hers as much as ours. Perhaps I should have thought
29:22of that before suggesting it. We will eventually return to Scotland, but I should like to make
29:28a contribution to Parliament this year. We could set up Kilmartin House, make it just ours, and you could be
29:35closer to your family. Yes, I would love it. Thank you.
29:43Benedict Bridgerton's here. He is. Oh my, I think it's the most anything to all the ones. Wait, which one
29:47is here, then?
29:52Mr. Bridgerton? Oh, Mr. Bridgerton? Mr. Bridgerton? Over here.
29:55Mr. Bridgerton.
30:21Pardon me, young lady. Could I trouble you for the next dance?
30:24Uh, sir, you see, I would love to, but I have misplaced my dance card.
30:31Oh, that is lucky.
30:33Lord Napier, forgive me for interrupting.
30:35I have just found this young lady's dance card.
30:37But, unfortunately, my name is next.
30:49That is true.
31:00What is your name?
31:02Why did you rescue me?
31:03It is rare to see someone beaming with joy at one of these things.
31:07It is positively spilling out of you.
31:25But I will have you know I was doing rather well fending off the gentleman on my own.
31:29Does he not possess the qualities you seek?
31:32Qualities?
31:34I'm a suitor.
31:35Oh, I am not looking for a husband.
31:38You are not?
31:40No.
31:45Excuse me.
31:46I meant to be somewhere.
31:47Have I offended you?
31:48Oh, no.
31:49I did not mean to pry.
31:49No, do not concern yourself.
31:50Have you lost your chaperone?
31:51No.
31:51Is it that we've met?
31:52No, I cannot dance.
31:55That is the truth.
31:56I cannot dance.
31:59A lady who cannot dance?
32:03Huh.
32:05Is this a part of the character you're playing tonight?
32:08The silver Angélie.
32:10You have seen through me.
32:13Clearly this is my first masquerade.
32:15And what role are you playing?
32:17Evidently that of your dancing master.
32:20As much as we were all pretending here tonight,
32:22I think that Ton might be bewalded by the sight of us conducting dance lessons in the centre of the
32:26ballroom.
32:27Well, there's always the private terrace.
32:29I mean nothing untoward.
32:30I'm simply avoiding my mother.
32:31Of course, I could ask for a chaperone if it would make you more comfortable.
32:35Surely there is a maid nearby.
32:36I shall have to trust you for tonight.
32:47What of him?
32:48Um, must he be kind?
32:51Of course.
32:52Then, no.
33:09He is a fine choice.
33:12Oh, no.
33:13That is Benedict Bridgerton, Your Majesty.
33:16Excellent.
33:17He is rich, handsome, and a Bridgerton.
33:20But...
33:21Perhaps there are other gentlemen...
33:22We have talked enough.
33:24Oh.
33:40Pardon me, Aunt Amelia.
33:48Ow, what are you saying?
33:50That is my arm.
33:54You are mistaken.
33:55Right.
33:57Excuse me.
33:58A clever attempt, but I would recognise my busybody little sister anywhere.
34:02No-one else will ever know who I am in the mask.
34:04Please, can I have just one dance with a suitor?
34:07One dance will be your last if Mama gets so much as an inkling that you're in attendance.
34:11Upstairs.
34:13I wish you had stayed in Scotland.
34:43Looking for me, I hope.
34:47It is certainly a pleasant surprise to find you.
35:12Lord Anderson, thank you for attending.
35:15Pleasure to be had, Lady Bridget.
35:16Mm.
35:23Shall we approach?
35:25She did make quite the compliment for our ball last season.
35:27Do you remember what she said?
35:29Not bad.
35:32She likes us.
35:33And Lady Danbury is there.
35:35Let us present ourselves.
35:42Mr. and Mrs. Mondrich, Your Majesty.
35:46Your Majesty.
35:46Where is that Bridgeton boy?
35:56Are you enjoying the party, Your Majesty?
35:59Like the Greeks, your torch has been passed.
36:02Lady Bridgeton has hosted the first ball, and I have graced it.
36:07You are welcome.
36:08Indeed.
36:09And I am most grateful you chose to attend.
36:12I hope next time, Mr. Bridgeton will show more of his face.
36:16All the other gentlemen need to be more interesting.
36:19Where is the fun?
36:21I would like for you and me to enjoy ourselves this season.
36:25In fact, on that, Your Majesty, I have been meaning to speak with you.
36:32There is a reason I handed over the first ball of the season.
36:38I am...
36:40I'm considering playing less of a part in society this year.
36:46As you know, I have contributed much to society and to our young couples,
36:50and I have enjoyed it deeply.
36:54And your friendship.
36:57It has been the honour of my life that you chose me.
37:03I treasure every moment.
37:09But...
37:10it is time.
37:13I...
37:14long to travel.
37:18To visit my ancestral home.
37:22I have not been there since I was four years old.
37:27So...
37:29I would like to leave at the end of this season.
37:33Of course, you and I shall write, and I will be back for visits, but I am leaving.
37:37Leaving.
37:39I...
37:41should like...
37:43to leave...
37:45for a time.
37:52No.
38:17Are you laughing at me?
38:19No.
38:21No.
38:21It is all just so...
38:25It is a spectacular night.
38:31You are not like the other young ladies, you know.
38:33It is a relief.
38:34And what is wrong with the other young ladies?
38:37Well...
38:40I'm only...
38:41They are...
38:43Constantly pursuing you.
38:45While I can imagine that is taxing for you,
38:47you must remember that those young ladies have spent their entire lives preparing for the pursuit.
38:52Hundreds of hours acquiring their accomplishments, endless fittings,
38:54not to mention that three hours alone it takes to do up their hair.
38:57For the five or six hours they will be at this ball.
38:59All in the hope that you might simply notice them.
39:02Them?
39:03Are you not also hoping to be noticed?
39:07Truly?
39:08Truly.
39:11I am merely hoping to enjoy myself.
39:13When you seem to be very much.
39:21Or...
39:22Not...
39:22It is a lovely evening, but in truth I...
39:26Cannot help but feel a little out of place at a society function.
39:29How can that be true?
39:34Perhaps I...
39:35Feel more comfortable appreciating the details of an event than I do participating.
39:41Well...
39:41Do not worry.
39:42I will not tell my mother.
39:45Your mother?
39:48So this is your home then, which...
39:51makes you a Bridgerton.
39:54But...
39:54You really did not know who I am.
39:56Not until now.
39:58Well...
39:59If I cannot have your name then you cannot have...
40:01Benedict, I presume.
40:02You are just as Whistledown describes, both in appearance and nature.
40:06You know me from Whistledown but not from society.
40:08You are at a ball but cannot dance, and you are singularly self-possessed, and yet you do not feel
40:12as if you fit in.
40:14Who are you?
40:15Where did you grow up?
40:16Here. In England.
40:18In the city or countryside?
40:19Between the two.
40:19Who are your parents?
40:20Mother and father.
40:22You know, you have managed not to tell me a single thing about yourself.
40:25Is that something you do?
40:27Put all of the attention on others so that no one might see beneath your surface?
40:33Sometimes it is easier to stay in shallow water. Warmer or pleasant. I like warm and pleasant.
40:41Well, it is dull to swim in the same waters day after day, even if they are warm and pleasant.
40:48Will you not wade out deeper with me?
40:53While your point is well taken about the efforts made by tonight's young ladies, I cannot help but feel that
41:00their pursuit has very little to do with me.
41:03So, perhaps the reason I stay in shallow water is that I too feel like an imposter.
41:13But this is your family home.
41:20Even more so here.
41:26I believe I still owe you a dance lesson.
41:30Why me? Why is it that you wish to dance with me?
41:32Because I am a mere mortal.
41:35And I do not question what the dance card tells me to do.
41:40Very well.
41:42First, we bow.
41:51Then, you put your hand in mine.
42:05Now you move a little closer.
42:30Then, a simple box of step.
42:35Really?
42:48One.
42:50Two.
42:53Five.
42:55One.
42:57Two.
42:58Three.
42:59One.
42:59Two.
43:00Two.
43:02Good.
43:03You're quite the teacher.
43:05And you are quite the pretend student.
43:09Oh, oh, excuse me.
43:10Do not worry. Please, do not worry.
43:14My sisters have done far worse.
43:20One, two, three.
43:25Two, three.
43:27One, two, three.
43:30One, two, three.
43:32Impressive.
43:34Dancing already with your eyes closed.
43:37I'm trying to remember this moment exactly so that if I wish, I can escape here.
43:48You are perhaps the most intriguing person I've ever met.
43:51If I cannot know your name or where you live,
43:55how have I meant to call on you tomorrow?
43:59That will not be possible.
44:01Hmm.
44:03A silver ingenue who can never be seen again.
44:20No, we should not.
44:23We should not what?
44:32Hallelujah.
44:33Thank you, mony.
44:33In the same time.
44:38Thank you, Lord.
44:40Thank you, Lord.
44:40Amen.
44:41Amen.
44:41Amen.
44:41Amen.
44:44Amen.
44:45Amen.
45:04Please tell me your name.
45:09What does it mean?
45:11Well, it is midnight.
45:13Time for everyone to reveal themselves,
45:14including you, at last.
45:17I must go.
45:18My shepherd will be looking for me.
45:20Please, do not leave.
45:37Wait!
46:02I can whisk you out of here, if you would like.
46:04I shall have to face everyone eventually.
46:11Oh, excuse me.
46:13Watch where you are going.
46:23That is Lady Whistledown.
46:25Go and make it knowing that there is a diamond here tonight.
46:31Miss Bridgety, Miss Rosamund Lee, I am pleased to make you acquainted.
46:34Wonderful to meet you, ma'am.
46:36Hello.
46:36Oh, hello.
46:39Benedict!
46:39How are you?
46:41It's been an age since I've seen you.
46:42I must go.
46:46I must go.
46:51I must go.
46:54Amy, my wife and two weeks amputated in the sand.
47:01They are weird.
47:14You must know that its own view in the nude it,
47:23they are well
47:26Well, how was it?
47:28Well, tell me everything.
47:30Something.
47:31Did you enjoy yourself?
47:34It was the most extraordinary night of my life.
47:38It was...
47:39They are here.
47:42I've said everything exactly as you would have done it.
47:45You've nothing to worry about.
47:48Sophie, pay.
47:52Both of you, I cannot thank you enough.
48:02How horrible it is to be on one's feet all night.
48:05There is nothing so taxing as being a debutante.
48:08It is better than sitting at home.
48:14Sophie, you must have had a pleasurable evening.
48:18My evening was like any other, ma'am.
48:20Then why is it that you were not waiting here with our tea?
48:22My apologies, ma'am.
48:24Your beds have been turned down, your hairbrushes cleaned, your nightwear readied, and the tea is here for you now.
48:29Please forgive the delay.
48:35And how are your evenings?
48:38Have you heard of such a thing as a toga?
48:40I wish you could have seen...
48:41Mr. Bridgerton showed considerable interest in me.
48:45Mr. Bridgerton showed some of the things that I've had to do with the tea, my husband, and the tea
48:46is here for you now.
48:46Did he?
48:48Oh, he will.
48:51Once his time is not monopolised by that woman he was with.
48:54I would not worry, Rosamond.
48:56You are my daughter.
48:57Whomever he was talking with tonight, she cannot possibly compete.
49:09You are excused, Sophie.
49:30Your Majesty, I really must tell you, I do not think Benedict Bridgerton is your pick for the season.
49:37But he is.
49:37Of course, it is just half of the young ladies I observed tonight had their eyes on him, and Lamars
49:42are wondering about his intention for the season, but I know Benedict.
49:46Are you saying I do not?
49:47Oh, I'm saying that...
49:49Of all the men of the ton, I would wager that Benedict Bridgerton is the least likely to marry.
49:54The very least?
49:57And you would wager on that?
50:00Oh, well, I did not...
50:02Um, when I said wager...
50:04We have a wager.
50:05Yes.
50:06How thrilling for us all.
50:10Now, how much are you willing to settle on this bet?
50:19Looking for Benedict, I assume?
50:20Well, unfortunately, yes.
50:22I fear he may have left early.
50:24But you seem to enjoy yourself tonight.
50:27In fact, I did, and I should continue to do so, now that I can enjoy it from...
50:30Well, the shelf.
50:32Shelf, exactly.
50:34The shelf.
50:35I've decided to be a spinster.
50:36Oh, Ella, will you say that?
50:37That is not something you simply get to decide.
50:39Mama, it has been three seasons since I've been out with absolutely no prospects.
50:43Yes, it is true.
50:44There are certain young ladies who would be considered on the shelf if they have no prospects of your age.
50:47But you would surely have no trouble securing a husband if you simply tried.
50:51I do not want to try.
50:52Well, you will once you meet the right gentleman.
50:55I gave you and Benedict free reign last season because I had my hands full to Colin and Francesca.
51:00But this season, you are both at the very top of my matchmaking list.
51:07I think I shall go to bed now.
51:24There you are.
51:25Mother, I only...
51:28Thank you for speaking to the debutantes.
51:32I could do with the rest myself.
51:35There was so much enthusiasm at the start of the season.
51:39It was a tremendous evening.
51:42Was it?
51:43Have you taken an interest in a young lady?
51:51No.
51:52Oh.
51:53But I can now respect what they were all up against.
51:57I mean, hundreds of hours of preparation, all in the hope of simply being noticed.
52:07You sound as if you have been made a new man.
52:12I'll not say that.
52:14In fact, I'm going out for a few drinks tonight.
52:16But I promise to be in bed before the sun comes up.
52:20Hyacinth, Bridgerton.
52:21Go to bed this instant.
52:23What harm can it do for me to simply observe?
52:26Did Eloise speak with you?
52:28About what, exactly?
52:29If anyone were holding out hope...
52:33You come here, young lady.
52:34...that Benedict Bridgerton would take a wife this season,
52:38this author should make it known that she does not wager it will happen.
52:49But believe what you might wish, dear reader.
52:53This author knows best that a small amount of make-believe
52:58often has the power to remake reality.
53:04To lift us up from the drudgery of a humdrum existence.
53:12With a little imagination,
53:16the impossible seems possible.
53:22Dreams seem tangible.
53:24And yet, gentle readers,
53:30one must eventually
53:33wake up.
53:36Flak.
53:47Flak.
53:49Flak.
54:03Flak.
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