Indias Best Dancer 5 21st June 2026 Episode 6

456 TV

Transcript

00:00:00Thank you for joining us.

00:00:30Will you sing with me?

00:00:37This was totally Wakao, man.

00:00:42What did my mother do today?

00:00:44What a joke, man.

00:00:50Friends, today is Mahautsav's best dancer in India's Best Dancer.

00:00:54And today is my favourite Lord Dremo.

00:00:57And with the audience and our dancers,

00:01:00that today is the first elimination of India's Best Dancer Season 5.

00:01:06So all the best.

00:01:07Welcome to India's Best Dancer Season 5,

00:01:10co-presented by Vimal Elaychi.

00:01:15Let's call our first contestant.

00:01:17Presenting Riteshpaal with choreographer Pratikutekar.

00:01:24Who are you going to perform in the songs?

00:01:27We are going to do Rindh Poshmal.

00:01:29Rindh Poshmal.

00:01:30What do you mean?

00:01:31Can you say Bumro Bumro?

00:01:32Bumro Bumro.

00:01:34It's different.

00:01:48It's different.

00:01:50Dream come through.

00:01:51First break.

00:01:52With Ritik, Prithi.

00:01:54When Bosco and Scissor do it dance,

00:01:57we had a step in a Russian form.

00:02:00That step was Cossack.

00:02:02The leg...

00:02:04Like scissors, it goes.

00:02:05The first time, it was shot.

00:02:07One shot.

00:02:08The second time, two, three shots.

00:02:09The third time, that step came.

00:02:12And that step...

00:02:15I didn't want to do it with Ritik.

00:02:17Then...

00:02:17I took a side of the boss.

00:02:19I said, good cop, bad cop.

00:02:21I said, I don't think so.

00:02:24It will happen.

00:02:25We all have to change steps.

00:02:28I think that...

00:02:29He put it in a position.

00:02:31And Ritik said, give me one hour.

00:02:34This one, that one.

00:02:36Rehustle.

00:02:36On the set.

00:02:37He did it.

00:02:38He did it.

00:02:39He did it.

00:02:40He did it.

00:02:41He did it.

00:02:42He was inspired by the boss.

00:02:43I was doing it.

00:02:44He was doing it.

00:02:45He was doing it.

00:02:46He was doing it.

00:02:47And...

00:02:48He triggered it.

00:02:49And I think so.

00:02:50Then he said,

00:02:51Now take it.

00:02:52And that was the only shot.

00:02:55It happened.

00:02:56And it came out to be...

00:02:57One of the biggest...

00:02:58Steps of that full song.

00:03:00So...

00:03:01And the first song...

00:03:03We were quite touched about it.

00:03:05It's a great deal.

00:03:06It's a great deal.

00:03:10It's a great deal.

00:03:14It's a great deal.

00:03:19You can take it.

00:03:24I think...

00:03:25And then...

00:03:30I think...

00:03:31Because...

00:03:32I think...

00:03:34But...

00:03:35And you'll sing...

00:03:39Sometimes you're playing...

00:03:40And then...

00:03:45Wow.

00:03:46Wow.

00:04:15Wow.

00:04:42Oh

00:05:12Oh

00:05:51Wow

00:05:54I love

00:05:57Oh, wow.

00:05:58Thank you, Nalash.

00:05:59Yeah, it's so good.

00:06:00What a mess, man.

00:06:04What a mess.

00:06:08Let's start.

00:06:08Oh, oh.

00:06:09With Lord Ramos.

00:06:12Ritesh, you're great, brother.

00:06:14Thank you, sir.

00:06:15You gave the performance,

00:06:16if someone performed like this,

00:06:19Hi, sir.

00:06:20Thank you, sir.

00:06:21Thank you, sir.

00:06:24Thank you, sir.

00:06:24What Ritesh has done,

00:06:26is outstanding.

00:06:27But what you have done,

00:06:29I don't think no one can be able to play.

00:06:31Thank you, sir.

00:06:35The essence of the song,

00:06:37the beginning of the first place.

00:06:39I know that this will be another thing.

00:06:43Because we made formation,

00:06:44we made a boat,

00:06:45we stood on our backs,

00:06:47and our solo that was outstanding.

00:06:51And he said that when a painter comes to his last stroke,

00:06:55that was the ending.

00:06:57Outstanding.

00:06:58Thank you so much.

00:06:59Thank you so much.

00:06:59Now that's what I call performance.

00:07:05I don't know how it ended.

00:07:08It was so smooth and brilliant and fantastic.

00:07:11Simple but technical.

00:07:14It was...

00:07:15I didn't say anything else.

00:07:16I came there.

00:07:18I came there.

00:07:18Thank you so much.

00:07:20He was very happy.

00:07:26He was very happy.

00:07:27He was very happy.

00:07:29And lo, lo, lo, lo!

00:07:33Thank you, man.

00:07:35So good.

00:07:36God bless you.

00:07:39From the beginning, the mood was good.

00:07:42And the singing was good.

00:07:44And with singing, the formation, the love,

00:07:46the whole backdrop.

00:07:48The whole backdrop.

00:07:49The visuals.

00:07:51The lighting.

00:07:52It was very good.

00:07:54The heart.

00:07:54The formation of the heart.

00:07:55Then, the beat with the beat.

00:07:57The beat with the beat.

00:07:58It was very beautiful.

00:08:00It was very beautiful.

00:08:14Very beautiful.

00:08:15The pose of the dance.

00:08:16Yahi Santalan.

00:08:17The choreography is what a choreographer should look for.

00:08:20So, well done and comeish very well.

00:08:28Hey, push go.

00:08:31And in the fashion, my lady, I am all.

00:08:34And in the fashion, my lady, I am all.

00:08:38And in the fashion, my lady, I am all.

00:08:42Ladies, today we are celebrating the best choreographers of Indian cinema.

00:08:46We are celebrating the best choreographers.

00:08:47We are also celebrating the best choreographers.

00:08:50We are loved, we are love, we are love, we are love.

00:08:57They all choreographed either.

00:09:01They have been choreographed by Aamir Khan, Juhi Chawla, Madhuri Dikshit, Amita Bachchan,

00:09:06Shaaruk Khan, Karishma Kapoor, Kareena Kapoor, Priyanka Chopra and Hrithik Roshan,

00:09:11and Unginal stars have made the best choreographers in India.

00:09:13Please welcome Saroj Khan Ji's son of the National Award, the iconic Raju Khan.

00:09:34First of all, welcome to our show. How do you feel?

00:09:39First of all, my appearance is on TV. And in this place, I can't believe it.

00:09:48Especially now, it's like our dance dance. It's been invited for that. Nothing like it.

00:09:56Thank you so much, guys, for calling me, for having me.

00:10:00Sir, we will hear a lot of stories and a lot of stories.

00:10:04But still, you can join our judges.

00:10:15I have known him for many years.

00:10:17I have known him for many years.

00:10:18I have known them for many years.

00:10:19And many people know that the only song I did as a background dancer was with Mr. Raju Khan.

00:10:26Wow.

00:10:28Film was amazing.

00:10:30And I definitely want to say this from my experience, that you are one of the most technically brilliant choreographers

00:10:37we have.

00:10:41For those romantic songs, nobody does good things. Let me tell you this.

00:10:46Oh, that's right.

00:10:47I have a story that has always been linked to them.

00:10:48Yes, sir.

00:10:49I don't know anybody else, that I have to tell myself about this song.

00:10:52My first song was Rangila Ni Tha.

00:10:54Oh.

00:10:55My first song was Aadyapad.

00:10:58Ahriyabha.

00:10:59Oh, wow.

00:11:00It's amazing.

00:11:01It's a great song for Gaju, sir.

00:11:05So, now we call our next best dancer,

00:11:09presenting Roshan Patro with choreographer,

00:11:12Anuradha Young.

00:11:17Roshan, which song to perform today?

00:11:19Ghanan, ghanan.

00:11:20Ghanan, ghanan.

00:11:21From Lagann film.

00:11:22Sir, this is your song.

00:11:24My memories will be dry.

00:11:27Ghanan, ghanan, ghanan.

00:11:29The first day I was shooting,

00:11:30it was a huge set.

00:11:32I told myself, go and see the set.

00:11:34I got all the actors,

00:11:35so one and one, one, one.

00:11:37It was a good primary cast.

00:11:40And then I listened to the song on that set.

00:11:42And overnight,

00:11:43to do the short division of the song,

00:11:45to do the planning,

00:11:46how it happened, even I don't know.

00:11:48How long did you shoot your song?

00:11:51Approximately eight days.

00:11:54And you get a national award for this song.

00:11:56Yes.

00:11:58You completely deserve it, sir.

00:15:17Raju, Sir.

00:15:17Vlagan came twice 25 years since,

00:15:19Yes.

00:15:20And how are you positivo now?

00:15:22How does it feel like this performance?

00:15:23It's a simple really good with you.

00:15:23Mind blowing.

00:15:24Thank you, sir.

00:15:26It's called the dance of India music.

00:15:28Right?

00:15:31Roshan, Anurada, very, very, very good.

00:15:34Thank you, sir.

00:15:35But you put me in doubt that

00:15:3725 years ago, if I try to do this choreography with those actors, what would I be doing?

00:15:4516 days? 20?

00:15:48I don't know.

00:15:50Very, very good, very good. Excellent.

00:15:52Thank you, sir.

00:15:56One request, Roshan.

00:16:00Of course, we have to be energetic.

00:16:02We have to be quiet. But we need a little grace.

00:16:05A little expressions, I mean, I felt very soft.

00:16:11A little bit too stiff for the kind of song that it was.

00:16:15But on the whole, very nice, good attempt.

00:16:18It was very sincere.

00:16:20Thank you, ma'am.

00:16:23When you were giving this performance, I was talking to Rajuji.

00:16:27And I was asking him to ask him,

00:16:29that when a period film was made,

00:16:34what are the things that a choreographer should be focused

00:16:38when they choreographed them?

00:16:40In period dance, there is no finesse.

00:16:45There is a desire to dance with his heart.

00:16:50There is a desire to dance.

00:16:51There is a desire to dance.

00:16:59There is a desire to dance.

00:17:01There is a desire to dance.

00:17:03There is a desire to dance.

00:17:04If you can see the songs,

00:17:05I have been doing it with Aamir and the rest of the cast.

00:17:10Wow, what detailing.

00:17:14That is, you know,

00:17:16I am going to help you.

00:17:18All the best.

00:17:18For the choreographers,

00:17:20There are little things,

00:17:21when you choreographed them,

00:17:23it's not only just the costume that enhances your dance.

00:17:26It is also,

00:17:27these little things are very minor.

00:17:28So, you are getting it from the best, guys.

00:17:31Big round of applause for Raju Khan.

00:17:35Now, I will request from the Jaji to the score.

00:17:42Your total is 36.

00:17:46We are the best dancer.

00:17:49Raju sir, you are very talented.

00:17:51And we are lucky that we can get you from today.

00:17:54In fact,

00:17:55we all respect you very much.

00:17:58And, sir,

00:17:59you and Karishma have worked with Raja Hindustani.

00:18:02Yes.

00:18:03I have been singing with Raju Rui.

00:18:06Do you remember the first song we did together?

00:18:08Jigar film.

00:18:09Yes.

00:18:10Yes.

00:18:11That's our first song together.

00:18:12That's our first.

00:18:13Again, romantic song.

00:18:14I was just telling Terence,

00:18:16that Raju Ji is so fantastic in love songs.

00:18:20And one thing,

00:18:22that his assistant would show the shot,

00:18:24but in the end,

00:18:26he would show the shot.

00:18:27Yes.

00:18:28With your tea glass,

00:18:30put it on the side,

00:18:31and put it on the side,

00:18:32and put it on the side,

00:18:33and put it on the side,

00:18:34and put it on the side.

00:18:34So, he has that romantic feel about him.

00:18:38Oh, so.

00:18:39Oh, so.

00:18:40But he was so nice.

00:18:41Oh, so.

00:18:44Oh, so.

00:18:44Today, you're both here,

00:18:45and we're celebrating the dance.

00:18:47And we're celebrating you.

00:18:48I know why he's getting it.

00:19:00I know why he's getting it.

00:19:11Yeah!

00:19:22Let's go!

00:19:30Let's go!

00:19:34Let's go!

00:19:35Oh

00:19:48I'm sure mario. Yeah, my family bar dek reo belly, but you baby to a young

00:19:55So cute thank you mazi adaga purani din

00:20:05It's like a car, it's not like a car

00:20:09It's like a car, it's like a car

00:20:11It's like a car, it's like a car

00:20:18Lord Remo, you have given India's first and biggest 3D dance film, ABCD.

00:20:25But now, there is such a director

00:20:28whose film has given India's biggest dancer, Mithun Chakrabarty.

00:20:34This is the director whose film, Disco Dancer, was the first Bollywood film

00:20:38which has collected more than 100 crores of a box office collection worldwide.

00:20:42Please welcome Disco Dancer,

00:20:44the legendary director and producer, B. Shubhaj.

00:21:02Bakoum, Abhijay, Abhijay, Eh Kibad.

00:21:06Oh, you are coming in the future

00:21:13My God is coming in the future

00:21:17And you are coming in the future

00:21:17What a breeze there sir!

00:21:17Welcome, welcome, welcome

00:21:19It's very, very nice

00:21:20How are you sir?

00:21:22I am fine, how are you?

00:21:24A lot of.

00:21:25Where are you, sir?

00:21:26It's at home.

00:21:27Okay.

00:21:29When I come, I give Pete.

00:21:31So, I don't see the shooting.

00:21:34Sir, you've given such an iconic film.

00:21:37And we're all from Mitun.

00:21:39Yes.

00:21:39How was your experience?

00:21:41Mitun was a little difficult.

00:21:43I was doing a film with him,

00:21:45The Takedir.

00:21:46So, one day, I said,

00:21:48Don't worry.

00:21:50I'll make a film with you,

00:21:52and you're going to be a big star.

00:21:54So, he asked me,

00:21:56So, I said,

00:21:57Disco Dancer.

00:21:58So, I felt that in his eyes,

00:22:00there was a difference.

00:22:02I used to make a film with Disco Dancer.

00:22:05Yes.

00:22:05So,

00:22:06I was working with Anjan Saab.

00:22:10So, I said,

00:22:11Subhaj Ji,

00:22:13I have to work.

00:22:15But I didn't understand

00:22:16what to write about Disco Dancer.

00:22:19So, I thought,

00:22:21Disco is Western.

00:22:24Yes.

00:22:24So, let us drive west.

00:22:27So, in Churchgate,

00:22:28There was a big showroom in Tarapur.

00:22:31Books.

00:22:32Books.

00:22:33So, I went there.

00:22:34So, there was a little pamphlet.

00:22:36Bonnie M.

00:22:37Michael Jackson.

00:22:38Those groups.

00:22:39So, I bought 10.

00:22:41And I saw him at night.

00:22:44So, I looked at Michael Jackson's stanza.

00:22:48What did he write?

00:22:50My mother says,

00:22:53I used to sing when I was not able to talk.

00:22:58Wow.

00:22:59I used to dance when I was not able even to walk.

00:23:03Wow.

00:23:04So, I thought that this is a Disco Dancer.

00:23:06Oh, my God.

00:23:07I am a disco dancer.

00:23:09I am a disco dancer.

00:23:12I am a disco dancer.

00:23:13I am a disco dancer.

00:23:13So, as he spoke,

00:23:14I have the lyrics to our fans.

00:23:15Wow.

00:23:15So, I gave him the next day.

00:23:17So, I gave Anjan Saab.

00:23:19I was very good.

00:23:21And I had aetical reaction,

00:23:22to say that they would also sing.

00:23:25Wow.

00:23:26The song was not able to sing.

00:23:27The songs were not able to sing.

00:23:30No one ever did.

00:23:30The songs were not able to sing.

00:23:31at that time,

00:23:32I made my good friend.

00:23:34What a moment, sir.

00:23:36We would like to listen to these songs and talk.

00:23:42But we also want to enjoy our show.

00:23:44Let's enjoy it.

00:23:47Let's see, there's a lot of people.

00:23:55Subhash Ji, how's it going?

00:23:57Good evening, good evening.

00:23:59Actually, I want to tell you that many people don't know...

00:24:04Yes.

00:24:05...who is Subhash Ji.

00:24:08Who are sitting here, they don't know who is sitting here.

00:24:12One was Michael Jackson, who had so much fun dancing in the world...

00:24:17...that everyone followed.

00:24:19But I think, after a disco dancer in India...

00:24:23...the dancers were born...

00:24:27...was a disco dancer in every corner.

00:24:31And that's all because of this film.

00:24:34Thank you, I'm so happy.

00:24:37All over the world, Jimmy is famous.

00:24:38I know, I went to Uzbekistan and in Russia.

00:24:43Correct.

00:24:43After Raj Kapoor, if there is a stardom, if there is a stardom...

00:24:47...you've done that, and especially Jimmy.

00:24:49Jimmy.

00:24:50Everybody knows him only as Jimmy.

00:24:51Yeah, they used to know Jimmy.

00:24:53And on that note, we will call our next best dancer.

00:24:58Presenting India's best dancer, Govinda Rutturaj Mahalim...

00:25:02...with choreographer, Vivek Chachery.

00:25:10Oi!

00:25:12I am a disco dancer.

00:25:15My life is my skin.

00:25:17I am a divan.

00:25:19Oi!

00:25:21Gitu!

00:25:22Kaisak!

00:25:24Kaisak!

00:25:37Will you sing with me?

00:25:39Yeah!

00:25:42I am a disco dancer.

00:25:46I am a disco dancer.

00:26:05Nice!

00:26:06Nice!

00:26:06I am a disco dancer.

00:26:10Hey!

00:26:11I am a disco dancer.

00:26:16Nice!

00:26:18Nice!

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00:34:49I'm sure I arrived was the choice.

00:34:51So I thought that it was a classic,

00:34:55Mokadr Sikandar Rekhaji,

00:34:56Salaam-e-Ishq's song.

00:34:58That type of song is contemporary,

00:35:00and you can get some more updates.

00:35:03I don't understand the words of the song.

00:35:05Because Gul'dar-sahab did not understand the words.

00:35:09Then he went to Gul'dar-sahab to understand the song.

00:35:12The meaning of the depth,

00:35:14which he wrote,

00:35:15which he wrote,

00:35:16which he wrote,

00:35:19became one of the most iconic songs

00:35:21from the film,

00:35:22Bantir Babli.

00:35:23It's a lovely story.

00:35:27We don't know the story behind the song.

00:35:30Now, you're ready to perform on this song.

00:35:33Yes, absolutely.

00:35:34Let's start again.

00:35:47Let's do the song.

00:35:49Good

00:35:49Hey

00:35:52How many college are okay?

00:36:01Chuck okay, no

00:36:20Blue, Blue, Blue

00:36:25Blue, Blue

00:36:34Blue, Blue

00:36:38Take a look at my eyes

00:36:43Take a look at my face

00:36:44Take a look at my eyes

00:36:48There's a lot of confusion

00:36:50There's a lot of confusion

00:36:55Take a look at your city

00:36:58Oh, my fingers

00:37:00Don't break my fingers

00:37:05Don't break my fingers

00:37:14Oh

00:37:37Oh

00:37:39Oh

00:37:40Oh

00:38:10Oh, oh, oh, oh, oh, oh.

00:38:37Oh, oh, oh, oh, oh, oh, oh.

00:38:59Oh, oh, oh, oh, oh, oh, oh.

00:39:26Oh, oh, oh, oh, oh, oh.

00:39:51Oh, oh, oh.

00:40:07Oh, oh, oh, oh.

00:40:36Oh, oh, oh.

00:40:44Oh, oh, oh, oh.

00:41:15Oh, oh, oh, oh.

00:41:28Oh, oh, oh.

00:41:35Oh, oh, oh.

00:41:45Oh, oh, oh, oh.

00:42:01Oh, oh, oh, oh.

00:42:04Oh, oh, oh.

00:42:15Oh, oh, oh.

00:42:20Oh, oh, oh.

00:42:36My mom just dropped it.

00:42:41How do I make myself?

00:42:43That's why it's proof that your勝利 is the only勝利

00:42:47because you really trust them.

00:42:48Okay.

00:42:50Yes.

00:42:51In my opinion, you should trust my mom.

00:42:54Yes.

00:42:56I feel.

00:42:58How much do you have Ramon sir?

00:43:01I left Ginnah but I think it's up to 30.

00:43:0330?

00:43:04Yes.

00:43:07Wow.

00:43:12If you were to punish them, they made 30 themselves.

00:43:15That's why.

00:43:1630 times.

00:43:21Mom told me, what do you say about that?

00:43:24Will it or won't it? Yes or no?

00:43:30I think yes. Maybe, maybe not.

00:43:34I think that's why I'll kill my mom.

00:43:38I'll see too.

00:43:49Judges and Janta.

00:44:15Because when someone was choreographed,

00:44:17he didn't call him as a name.

00:44:19He said, hey girl, hey girl!

00:44:22But then he taught him such a dance,

00:44:25that his name became popular in the whole world.

00:44:31In the last year of his career,

00:44:32Saroji made the most film fair award,

00:44:35the most national award,

00:44:36made a record of the most national award.

00:44:40But the most important award is that

00:44:42the dancers were only looking for 100 rupees.

00:44:46And today, our dancers and choreographers,

00:44:49Saroj Khan Ji, will celebrate

00:44:51once again.

00:44:53For our family.

00:45:12Bid bids singing

00:45:12Lalalalala

00:45:13La-la-la-la-la-la-la-la-la!

00:45:17La-la-la-la-la-la-la!

00:45:28Saut samndar,

00:45:32Saat samndar!

00:45:34Paarmä 네레 pícchez-pícchez-

00:45:38Agil me-

00:45:39Tere pícchez-píchchez-

00:45:40Tere pícchez-píchchez-

00:45:41Aagil me-

00:45:45Ah

00:45:47I

00:45:54I

00:45:55I

00:45:58I

00:46:01I

00:46:03Oh, baby!

00:46:14Oh, baby!

00:46:23Let's go!

00:46:44Let's go!

00:47:14Let's go!

00:47:20Let's go!

00:47:22Oh

00:47:55Oh

00:47:56Oh

00:48:50Oh

00:48:59Oh

00:49:00Oh

00:49:02Oh

00:49:23Oh

00:49:24Oh

00:49:48Wow Wow Wow

00:49:49Oh

00:50:09Fantastic all of you

00:50:12I would personally say a big thank you for this

00:50:15tribute to my mom

00:50:18to bring

00:50:19such beautiful memories back

00:50:21I love you all

00:50:23kids

00:50:30But

00:50:30one thing I want to do

00:50:32I want to do

00:50:34all the choreographers

00:50:35will come to me

00:50:37come to me

00:50:50What the truth is

00:50:50mind blowing all of you

00:50:52What the truth is

00:50:56What the truth is

00:50:57What the truth is

00:51:17Wow

00:51:18I can say one thing

00:51:19I can say one thing

00:51:20that our future is in very bright hands

00:51:29Thank you

00:51:31Thank you

00:51:32Thank you so much

00:51:32Thank you everyone

00:51:33Thank you for having me here

00:51:34Thank you so much

00:51:35Thank you

00:51:44Thank you

00:51:44I love you

00:51:46It's like having hope

00:52:05Thank you

00:52:15Thank you

00:52:17Thank you

00:52:17for saying yes

00:52:17and thank you for coming

00:52:20You all are very lucky

00:52:21You all are so damn lucky

00:52:28Thank you

00:52:29And the glorious

00:52:30legendary

00:52:32Saroj Khan

00:52:33Amazing

00:52:36Parameham's iconic song

00:52:38The love of Papa's

00:52:39the love of Dila

00:52:40to recognize Papa's

00:52:41Presenting Pranay Joshi

00:52:43with choreographer

00:52:43Vaishsavvi Parti

00:52:44The love of Dila

00:52:50Who are you going to perform

00:52:51with off-shoulder?

00:52:53With off-shoulder

00:52:55Today

00:52:56I and ma'am

00:52:57to sing

00:52:58Farah ma'am's songs

00:52:59With your heart

00:53:00With your heart

00:53:02With a little twist

00:53:03and a little character edit

00:53:06I am excited to see

00:53:07Thank you ma'am

00:53:08Thank you so much

00:53:11I was very lucky

00:53:12because I was a part of the song

00:53:13I was a part of the song

00:53:14I was a part of the song

00:53:15I was a part of the song

00:53:16I was a part of the song

00:53:16When the song was actually

00:53:18thinking about it

00:53:19So the song was always

00:53:19on Darjeeling

00:53:21And I was always asking

00:53:22when we shoot this song

00:53:24how do you want to do it?

00:53:26So she said

00:53:26I am yet to figure

00:53:27what am I watching it?

00:53:30And then she said

00:53:31I just want this quiche

00:53:34colourful

00:53:34I mean

00:53:35I want to see a quali

00:53:37after a very long time

00:53:38I said

00:53:39a quali

00:53:40doesn't go with her

00:53:41She said

00:53:42it will look

00:53:43very nice

00:53:44I feel like

00:53:46there will be a new

00:53:47type of quali

00:53:48on the screen

00:53:49The song is

00:53:50in my head

00:53:51and in my head

00:53:53so

00:53:53I am very happy to see

00:53:55this twist

00:53:55I am very happy

00:53:56I hope it works

00:53:57Let's see

00:53:58once again

00:53:59a lot

00:54:05Wow

00:54:05how beautiful

00:54:09Hello

00:54:11I am

00:54:13here

00:54:13I am

00:54:13If you

00:54:14I will kill you

00:54:18Beying

00:54:19the

00:54:20the

00:54:22the

00:54:31Make a face, Tarzoo.

00:54:39So cute.

00:54:42So cute.

00:54:44So cute.

00:55:11Hi.

00:55:38Look up.

00:55:44tutu.

00:55:45You don't need to?

00:55:47You are a fool.

00:55:49You're a fool.

00:55:50A girl is one way to know you, you are a place where you are.

00:55:54A girl is one hand, one hand, one place where you are.

00:55:58A girl is one hand, one place where you are.

00:56:00A girl is one place where you are for.

00:56:21Shere, I think I'm afraid of shere

00:56:29Wow, you're the real shere

00:56:31You are I am

00:56:37Oh

00:57:09That is very, very, very good story.

00:57:19Good luck, guys.

00:57:22Let's start, Gita, ma'am.

00:57:25Super twist. I like it.

00:57:28The best thing in this act is Vaishnavi and this is for you.

00:57:33You kept the original steps, but you did it.

00:57:37And I like the variation that Pranay brought.

00:57:45And I like you took it lyrical completely.

00:57:49You depict everything and enact it,

00:57:52but Pranay did not sing.

00:57:54And that I am very proud of you.

00:57:55Because the character you are playing,

00:57:57you didn't sing the song.

00:57:59But you emoted everything.

00:58:01That was very good.

00:58:03I think Farah ma'am is very nice in this act.

00:58:06And she would have been very pleased that you did this take on it.

00:58:09Thank you, ma'am.

00:58:10Well done.

00:58:12Spot on.

00:58:14It was very smooth.

00:58:15It was smooth too.

00:58:16Which I liked.

00:58:16Because it was very smooth.

00:58:19It was very smooth.

00:58:19It could have been cut, cut, cut, cut.

00:58:21But it was very rounded.

00:58:24The character you played.

00:58:26The character you played.

00:58:28The body language you maintained right from the beginning till the end.

00:58:32Which is not very easy.

00:58:34The concept.

00:58:35The take on the song.

00:58:37What can I do from the original?

00:58:40What can I do from the original?

00:58:41What can I do from the original?

00:58:42It was very good.

00:58:43Your bit was fantastic.

00:58:44As an act, it was a fantastic act.

00:58:47Thank you, sir.

00:58:48So, now we are watching it.

00:58:49The entertainment value was full.

00:58:51And Pranay, I am really impressed.

00:58:53Really.

00:58:53Thank you, sir.

00:59:09Thank you so much.

00:59:12I will tell you that today is Father's Day.

00:59:15And Pranay has come here for his father.

00:59:19He has made a special special for Father's Day.

00:59:22I want to show you all.

00:59:23I want to show you all.

00:59:24Please, let me see.

00:59:27Come on.

00:59:30Go.

00:59:32Where are you?

00:59:32Go.

00:59:33Where are you going?

00:59:34You're going to surprise.

00:59:36Let's go.

00:59:37What are you crazy?

00:59:39He's got a surprise.

00:59:41How are you crazy?

00:59:43How are you looking at this?

00:59:46How are you looking at this?

00:59:47How are you looking at this, Father?

00:59:47Are you crazy?

00:59:49Are you crazy?

00:59:50I'm happy.

00:59:50You'll be right back, Papa.

00:59:51You'll be right back.

00:59:52Do you feel like you're doing a prank with me?

00:59:54No.

00:59:54You'll be happy.

00:59:55You'll be good.

00:59:57It's a surprise for you.

00:59:58I've been planning a lot.

00:59:59I've been planning a lot.

01:00:00You're a surprise.

01:00:01Don't give me a surprise.

01:00:03Don't give me a surprise.

01:00:09Come on, Papa.

01:00:11Come on.

01:00:26Why?

01:00:27What?

01:00:29Why?

01:00:29What?

01:00:30What?

01:00:33What?

01:00:34What?

01:00:35Well, basically,

01:00:36I had a little surprise

01:00:40for my father's day.

01:00:42I didn't have any respect

01:00:43and respect

01:00:44and respect

01:00:45and respect

01:00:45Because I have never been able to do something like that.

01:00:49So I have never been able to do anything.

01:00:51I have never been able to do anything.

01:00:53I have never been able to do anything.

01:00:54You will be asleep every time.

01:01:01I will not be asleep if I am alive.

01:01:05I will not be asleep.

01:01:06What do you say about it?

01:01:08Will you tell me what it is?

01:01:09What a good day.

01:01:10A good day.

01:01:15But I don't need to be able to raise your hand.

01:01:24But I will go to Shmohan and I will go to Shmohan.

01:01:33This is very good.

01:01:45I want to tell you a little bit about a story.

01:01:48I was 10 years old. My father used to work in a shop in a cabaret shop.

01:01:54So, when he came to the house, he would smell good.

01:02:02And when he came to the house, we would go to study.

01:02:04He would be closed. The books would be closed.

01:02:08What happened in a month?

01:02:10He had to come to the house late from the house.

01:02:14And no one knew where he was going.

01:02:17After a month, my father came to me and took a dance class.

01:02:21And then he told me that after a month,

01:02:24after working in a shop,

01:02:27there were so many dance classes in our city.

01:02:28He would sit there and sit there.

01:02:31And he would see the best in which he was training.

01:02:34They heard a class that said,

01:02:36yes, my son would get a good training here.

01:02:38But I was admitted there.

01:02:40When I was admitted there,

01:02:42all of them were in the house.

01:02:43I was admitted there.

01:02:47But they were told that they never came to me.

01:02:51From the childhood,

01:02:53they had done so much for the whole family.

01:02:56They had done so much for me.

01:03:04I mean...

01:03:05They had to become artists.

01:03:07They had to come to Mumbai.

01:03:09But their father never supported them.

01:03:12So when they saw me,

01:03:14they had a talent.

01:03:15Then they had to give them all of them.

01:03:18I would give them all of them.

01:03:20I would give them all of them.

01:03:21I would give them all of them.

01:03:23I would give them all of them.

01:03:23And I would never be able to do this.

01:03:31Thank you, Papa.

01:03:33I love you.

01:03:34Thank you so much.

01:03:34See, I love you too.

01:03:36I'm gonna trick you too.

01:03:38If I miss you,

01:03:39you will be full of them.

01:03:41I love you too.

01:03:47How about you?

01:03:53I love you too.

01:03:54I love you too.

01:03:56I love you.

01:03:58I love you too.

01:04:00I love you too.

01:04:02I love you too.

01:04:11Thank you, thank you.

01:04:13Wow.

01:04:16Today is the Father's Day, and every father will relate to that

01:04:21when a child is required, if the father has it or not,

01:04:25if the father has it or not, it will be required, but it will be required.

01:04:29Today, but there will be a lot of demand for children.

01:04:31People ask, how are they?

01:04:32How are they? I said, how are they?

01:04:35Sir, please tell us about your father and your family.

01:04:39When we were born, my father was at a reasonable star level.

01:04:46We were living in a one-bedroom hall, in a very humble building.

01:04:52In that hall, I and Naavid were sleeping in one bedroom hall,

01:04:57and at the same time, they were working on our own.

01:04:58They were living in one bedroom hall.

01:05:00After that, when I was 16 years old, I was in a three-bedroom hall.

01:05:05There is a very good house.

01:05:08So, the father has never said,

01:05:10there is a modest living in my life.

01:05:12Because they had to come into the streets,

01:05:15and they saw what poverty and poverty did.

01:05:17And their life was second hand.

01:05:20They were living in the second hand.

01:05:21They were living there in the second hand,

01:05:22and they were living here in the right hand,

01:05:24and this was the bridge down there.

01:05:26They were living there.

01:05:28And then we went to a very normal school, Saint-Therira School.

01:05:31We went to a 5th, 5th, 6th, 6th.

01:05:35And those kids, one side was a child.

01:05:37The other side was a child. The other side was a child.

01:05:38The other side was a child.

01:05:39So our father gave us a balance.

01:05:42Today, what is the meaning of it?

01:05:45And the father does not see it.

01:05:48The mother always lives in front of us.

01:05:50But sometimes the father is in the background.

01:05:53But in the background, the father does a lot.

01:05:53And the father does a lot.

01:05:55The father is your name.

01:06:01The father is your name.

01:06:03The father is your name.

01:06:04The father is your name.

01:06:04We are a father.

01:06:05Exactly.

01:06:06This is a great deal.

01:06:11Today, the father has become a father.

01:06:12Every single one of the world of Hinduism and the world.

01:06:17It has been a great fun.

01:06:18And this week, all the performances have been done.

01:06:20And now it's time to call those two top scorers.

01:06:25The first name is Ritesh Pal.

01:06:28And the second name is Pratmesh Mane.

01:06:31Come on.

01:06:36Judges, tell us who is the performer of the week.

01:06:38I think the performer of the week is a winner.

01:06:49Pratmesh Mane.

01:06:58I think you are going to the battle round.

01:07:02Where you will challenge someone.

01:07:04And you can double your score.

01:07:06And if you have a score,

01:07:07Your score will be zero.

01:07:10And if you have a score double.

01:07:12Then tell us who will challenge someone.

01:07:21I will challenge you.

01:07:24I will challenge you.

01:07:31Vaidee Ji.

01:07:35Vaidee Ji.

01:07:42Let the battle of the best begin.

01:07:50Are you ready for the battle?

01:07:59Presenting the challenger, Pratmesh Mane.

01:08:05Oh, my God.

01:08:56Yes, yes, yes, yes, yes, yes.

01:09:03I love English.

01:09:05I love it.

01:09:13I love it.

01:09:16I love it.

01:09:20I'm a good boy.

01:09:28I'm a good boy.

01:09:30I'm a good boy.

01:09:31Presenting the opponent, Whitey Ritchie Han.

01:09:35MUSIC PLAYS

01:09:37MUSIC FADES

01:09:39MUSIC FADES

01:09:45MUSIC FADES

01:09:57MUSIC FADES

01:10:05Thank you very much.

01:15:24Let the maha battle begin

01:15:39Presenting Prince Bondi

01:15:55Let the maha battle begin

01:16:22Matak, matak, chale aise chukaria

01:16:25Yabab, yabab

01:16:29Sarak, sarak, jaye dang se chunaria

01:16:35Lale, lale hodwaas, bursa ay muskale

01:16:40Ay de, ay de, ay de

01:16:43Ay de, ay de, ay de

01:16:46Yabab

01:16:50Presenting

01:16:51Karima Chaudhary

01:17:22Chukare, nere

01:17:23Ay sa, ne koi de ne valare

01:17:27Ay sa, ne koi de ne valare

01:17:54Presenting by Dehi Chohan.

01:18:12Oh

01:18:33Oh, nice.

01:20:04Vipul and Garima, you both are finished in this show.

01:20:08All the best for your future.

01:20:11And for all your performances, it will be a great deal.

01:20:22This week, whatever you've seen and not seen,

01:20:25we want to thank Indian Film and Television Choreographer Association.

01:20:29Thank you so much.

01:20:32Come and see this week's Sony Bravia Performance of the Week.

01:20:51In the next week, we will celebrate India's Best Dancer

01:20:55with Irmila Matonkar's four filmmakers' film tour.

01:21:00We will celebrate India's Best Dancer.

01:21:06Outstanding.

01:21:07Wow.

01:21:11Wow.

01:21:13Wow.

01:21:16Wow.

01:21:17Wow.

01:21:18Wow.

01:21:19Wow.

01:21:31Wow.

01:21:34Wow.

01:21:35Wow.

01:21:37Wow.

01:21:38Wow.

01:21:40Wow.

01:21:42Wow.

01:21:43Wow.

01:21:43Yeah.

01:21:57Well, I would

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