- 2 days ago
Indias Best Dancer 5 20th June 2026 Full Episode 05
Category
😹
FunTranscript
00:01:00Please welcome iconic, legendary, multiple-a-watcher, Sammanet, the one and only, Lord Bravo!
00:01:08Oh, my God!
00:01:23Oh, my God!
00:01:26Lord, I don't know how much I'm a fan of them.
00:01:30I love them so much.
00:01:39Oh, my God!
00:01:55Oh, my God!
00:02:12Oh, my God!
00:02:27Oh, my God!
00:02:30Oh, my God!
00:02:32Oh, my God!
00:02:32Oh, my God!
00:02:37Oh, my God!
00:02:40Oh, my Lord Bravo!
00:02:42Thank you very much for 10 scores, Tania.
00:02:50Welcome to India's Best Dancer season five, co-presented by
00:02:55Vimal Eloji.
00:02:58The first次, Dipali has won the trophy of India's best dancer.
00:03:01And this one can get away from you this week.
00:03:07Along with this week, some ofária can go home in the day this week.
00:03:14Because this week is the first elimination of India's Best Dancer Season 5.
00:03:21We call our first contestant's choreographers.
00:03:25Presenting the guru who has come to mind himself,
00:03:29with the choreographer Tushar Shetty.
00:03:38Which songs are you going to perform today?
00:03:40Khali Bali song.
00:03:42Khali Bali?
00:03:43Ganesh Aacharya Sir's choreographed songs.
00:03:45But it's a great talent.
00:03:47Legendary Ganesh Aacharya.
00:03:49What a matter of it.
00:03:50I mean, hook step.
00:03:53I don't think anyone's hook step.
00:03:55And when we meet, we say,
00:03:57Sir, how will this come?
00:03:58How will this come?
00:03:59How will this come?
00:04:01Lord, you know, the original back dancers of this film,
00:04:05who danced behind Ranveer Singh,
00:04:07they are going to perform with them.
00:04:09And I think it's going to be a very special thing.
00:04:13Come on, let's call the dancers who performed in the original Khali Bali.
00:04:17Zohar Dar Tania!
00:04:32And it's so special.
00:04:35Praise God!
00:04:36Thank you, people.
00:04:37And it's so special.
00:04:37And I think it's amazing.
00:04:40And you know,
00:04:42how are you going to perform now?
00:04:43Around 200.
00:04:45How long did the shoot shoot shoot?
00:04:46Six days.
00:04:47Six days?
00:04:48I lived a story...
00:04:49...I always live in Ranvir.
00:04:53No one's singing songs...
00:04:54...but they did.
00:04:55So, the story was a short story...
00:04:59...and we watched it on top...
00:05:01...and we were barefooted on top of their shoes.
00:05:04So, they were very sharp shoes.
00:05:07So, when I was there...
00:05:08...he said I didn't shoot the shot.
00:05:11He said, yes sir.
00:05:12Don't you leave me.
00:05:12Because they knew that my pair went to work.
00:05:16Because when they banked it, it was full of me.
00:05:19Oh, my God.
00:05:20Yes, yes, sir.
00:05:22So I went to work.
00:05:23After that, it was shot-cut.
00:05:24He took me straight and took me and sent me.
00:05:27He went to the transistor.
00:05:29He took the ice and sent me.
00:05:31That's the story.
00:05:33Bravo.
00:05:36I want to thank all the dancers of you.
00:05:39Thank you, ma'am.
00:05:40Because we are choreographers without dancers.
00:05:44Thank you, everyone.
00:05:45I've given the opportunity to speak today.
00:05:47Because background dancers never get the opportunity to speak.
00:05:50This is the first munch reg, I think.
00:05:52Where background dancers can share their feelings.
00:05:55In all of you.
00:05:56Thank you so much.
00:05:57Great job.
00:06:00Let's get more.
00:06:27Let's begin.
00:06:33Let's get started.
00:06:35Let's get started.
00:06:38Let's get started.
00:06:40Gatsbala, gatsbala, gatsbala, gatsbala, bala, bala
00:06:46Habibi, Habibi, Habibi
00:06:55I have known since the first time
00:06:59The world has become the world
00:07:03My heart has become the world
00:13:55I couldn't see my Toy Trophy for this week.
00:13:57However, last weekend, I called my participarность of Indias Best Dancer.
00:14:06Last weekend we gave me Mamaем's legendary Saroj Khan.
00:14:12And today, we are goals for you by, Payal Raj Ji.
00:14:15I want to remind you of P.L. Raj is the choreographer
00:14:19who made a cabaret famous in Bollywood.
00:14:25And he has been choreographed in thousands of films.
00:14:29Thousands?
00:14:29Yes.
00:14:33Are you all saying yourself?
00:14:34Let me just say something.
00:14:37So friends, P.L. Raj sir,
00:14:39an iconic cabaret,
00:14:41presenting India's best dancer,
00:14:44Dipali board with choreographer Pratik Shah Sutta.
00:14:49Wow, wow.
00:14:51Thank you, ma'am.
00:14:52Thank you, ma'am.
00:14:53I will try to match.
00:14:54Absolutely.
00:14:57Which song are you going to perform today?
00:15:01We are going to perform today.
00:15:03This is my heart's love.
00:15:09P.L. Raj sir,
00:15:10okay, I have a lot of fun.
00:15:11Because there was a hotel in Bhandra,
00:15:14Sea Rock.
00:15:15They used to come here.
00:15:16This is a part of the song.
00:15:18Because at that time,
00:15:19I was around,
00:15:20but there was a story in Sea Rock.
00:15:22So,
00:15:24one thing was a little unbun.
00:15:26Because Helen ji,
00:15:27I think she was around 40-40.
00:15:30And P.L. Raj sir,
00:15:32I think,
00:15:32he was saying,
00:15:32he had a bottle in his hands.
00:15:34And the director of the director,
00:15:36Chandra Bairot,
00:15:37he said,
00:15:38he had a gun.
00:15:39Because he had a gun,
00:15:41with the gun,
00:15:41with the children.
00:15:42So,
00:15:43that was a lot of fun.
00:15:44Then,
00:15:44both took it.
00:15:45He had a gun,
00:15:46and a bottle.
00:15:48He had a bottle.
00:15:50But P.L. Raj sir,
00:15:58actually,
00:15:59Peter Lewis Raj.
00:16:00Oh.
00:16:01And he was from a Christian
00:16:02family,
00:16:03background.
00:16:03So,
00:16:04there was a classical dancing in the mandir.
00:16:07So,
00:16:08he went to the mandir,
00:16:11and went to P.L. Raj.
00:16:12And then,
00:16:13he went to the mandir for several years.
00:16:15These were actual gurus.
00:16:17They were masters.
00:16:18he went to the film industry.
00:16:24So,
00:16:25love for the craft.
00:16:26Yeah.
00:16:29Well,
00:16:30yes.
00:16:32So,
00:16:32more in the Сейчас.
00:16:39Yes.
00:16:40And the time,
00:17:16Oh, very nice.
00:18:25Oh, very nice.
00:18:28Oh, very nice.
00:18:33Oh, very nice.
00:19:00Oh, very nice.
00:19:04Oh, very nice.
00:19:07Oh, very nice.
00:19:10Oh, very nice.
00:19:41Oh, very nice.
00:19:47Oh, very nice.
00:20:17Oh, very nice.
00:20:44Oh, very nice.
00:20:54Oh, very nice.
00:21:20Oh, very nice.
00:21:50Oh, very nice.
00:22:20Oh, very nice.
00:22:51Oh, very nice.
00:23:20Oh, very nice.
00:23:47Oh, very nice.
00:24:17Oh, very nice.
00:24:23Oh, very nice.
00:24:24Oh, very nice.
00:24:48Oh, very nice.
00:24:50Oh, very nice.
00:24:56Oh, very nice.
00:24:59Oh, very nice.
00:25:11Oh, very nice.
00:25:11Oh, very nice.
00:25:13Oh, very nice.
00:25:39Oh, very nice.
00:25:54Oh, very nice.
00:25:58Oh, very nice.
00:26:03Oh, very nice.
00:26:21Oh, very nice.
00:26:34Oh, very nice.
00:26:36Oh, very nice.
00:26:36Oh, very nice.
00:26:37Oh, very nice.
00:26:38Oh, very nice.
00:26:39Oh, very nice.
00:26:42Oh, very nice.
00:26:45Oh, very nice.
00:26:47Well, but with my dad we're very nice,
00:26:53we've made a film that was called Zurma Bubbali.
00:26:56There was my father's film called Surma Bubbali.
00:26:57And to the lord of your father gave us some great song
00:26:59And they were introduced in the first time in the film industry, Sukhvinder, who wrote a song.
00:27:07And Madhav Ji choreographed the whole set in the film city.
00:27:14And Gopi Kishanji was dancing in front of the camera.
00:27:17Madhav Ji choreographed the same.
00:27:19I did a bit too.
00:27:20I did a dance too.
00:27:22I did a dance too.
00:27:22Yes, yes, yes.
00:27:23You're very good.
00:27:26Yes, yes, yes, yes.
00:27:28But we've already understood.
00:27:29You've already understood how old the song is, how old the film is.
00:27:33Now, you understand that this is your age.
00:27:37If I tell you, tell me.
00:27:39I've been in September.
00:27:40I've been in September.
00:27:41I've been in September.
00:27:46I don't know if we're still standing in the 90s.
00:27:49I mean, you've been in 57 years.
00:27:53I've been in the industry.
00:27:54Yes, yes.
00:27:55I've been in 69.
00:27:56Yes.
00:27:56I've been in the industry.
00:27:57Yes.
00:27:58Now, tell me, tell me,
00:28:01that since and since and since,
00:28:02there's been so changes.
00:28:04What difference is there?
00:28:05There's been a change.
00:28:06There's been a change.
00:28:07What's the change?
00:28:08What's the change?
00:28:08First, it was long and long.
00:28:11Today, what happens?
00:28:12What happens?
00:28:13The westernization has changed.
00:28:15And the cuttings also has changed.
00:28:18So, the cuttings is very fast.
00:28:22My life also looks
00:28:23In certain ways.
00:28:28It's very lot
00:28:32Everything is mostly
00:28:33Até a change.
00:28:34The earth is so joyful.
00:28:35That's how it is truly is.
00:28:35The kerriographers
00:28:36got good money and fees.
00:28:38How are you feeling?
00:28:40When we do dance director
00:28:42It was 10 rupiah.
00:28:47I also went to church gate from local train.
00:28:52There was a puzzle from the gateway of India.
00:28:55There was a hero of Mohammed Rafi Ji.
00:29:00And Kanan Kaushal, who was being Santoshima, was a heroine.
00:29:04He was a song for a song.
00:29:06He was a song for one day.
00:29:07He was a song for 200 rupiah.
00:29:09But I don't remember the name of the producer.
00:29:13He told me that I would come to the house tomorrow.
00:29:16He didn't come to the house tomorrow.
00:29:17He didn't come to the house tomorrow.
00:29:22This is a dance.
00:29:25I am very small.
00:29:26I am doing a big thing.
00:29:29I understand that you are 90.
00:29:31But I know what you can do.
00:29:34You can do something for me.
00:29:36I will try.
00:29:38I will try.
00:29:41I will try.
00:29:43Even if you look at this building.
00:29:45Where are you?
00:29:4722 years ago.
00:29:49Londa.
00:29:50And there are 90 years ago.
00:29:52That is the land of the island.
00:29:59That is the land of the island.
00:30:00The land of the island of the island of the island.
00:30:02I was born to Somalia.
00:30:02A place called Somalia?
00:30:03You have choreographed it.
00:30:04Yes.
00:30:08Wow, wow, wow.
00:30:12That is great, man.
00:30:39Thank you very much.
00:31:03Thank you very much.
00:31:22Thank you very much.
00:31:33Thank you very much.
00:31:36Thank you very much.
00:32:06Thank you very much.
00:32:14Thank you very much.
00:32:44Thank you very much.
00:33:25Thank you very much.
00:33:46Thank you very much.
00:34:06Thank you very much.
00:34:32Thank you very much.
00:35:12Thank you very much.
00:35:32Thank you very much.
00:36:25Thank you very much.
00:37:02Thank you very much.
00:37:03Thank you very much.
00:37:05This is precious.
00:37:12This is classic.
00:37:37Thank you very much.
00:37:40Thank you very much.
00:37:41Thank you very much.
00:38:20Thank you very much.
00:38:38Thank you very much.
00:38:42Thank you very much.
00:38:44Thank you very much.
00:38:53Thank you very much.
00:39:01Thank you very much.
00:39:43Thank you very much.
00:39:45Thank you very much.
00:40:00Thank you very much.
00:40:06Thank you too.
00:40:09Thank you very much.
00:40:11Thank you very much.
00:40:37Let's go, let's play the show.
00:40:39Presenting Garima Chaudhary with choreographer Vipul Khantua.
00:40:48Anji, tell us which song you are going to perform today?
00:40:52Today, we are going to perform Ramo Sir's song on Balam Pichkari.
00:40:54We are going to perform the song on Balam Pichkari.
00:41:00Balam Pichkari, I did a very big song on Holi.
00:41:03Do me a favour, let's play Holi.
00:41:06I was already doing the song.
00:41:07It was the remix from Rambo Sir's song.
00:41:10I did a video, but I did it.
00:41:12I was also doing Holi, but Ayaan said,
00:41:17I want to make this song as that this song should be played in Holi.
00:41:21This song should be played in Holi.
00:41:23Then we said, if you are planning it,
00:41:26we will not be able to do anything.
00:41:29We should shoot the song as if it's a Holi.
00:41:32Then we have shot it like that.
00:41:34If you see the song also,
00:41:36you will feel like it's actually Holi.
00:41:38Correct.
00:41:40I wanted people to be in with the song.
00:41:44So you have played Holi for three days.
00:41:46Yes, we played Holi for three days.
00:41:47We played Holi for three days.
00:41:48We played Holi for three days.
00:41:49We played it for three days.
00:41:50The cameraman was sitting there.
00:41:52You were wearing a face.
00:41:54I think it was shooting for three days,
00:41:56but it was going to go for six days.
00:41:58What a joke.
00:41:58What a joke.
00:42:01This is a great joke.
00:42:03Are you ready?
00:42:04Yes, yes.
00:42:04Absolutely.
00:42:05Once again,
00:42:05it's a great joke.
00:42:07And before.
00:42:14Remo, how much will you sleep?
00:42:16It's 12 hours.
00:42:17Get up now.
00:42:19What, man?
00:42:20You too, in the morning?
00:42:21It's 12 hours.
00:42:21Hmm.
00:42:22But where are the children?
00:42:24They are gone, right?
00:42:25Holi to play.
00:42:26What?
00:42:27Both are the children out there.
00:42:29And we both are inside.
00:42:30They are the only one.
00:42:32The dog's back,
00:42:34what you killed me.
00:42:37The dog's back,
00:42:38the dog's back.
00:42:39The dog's back.
00:42:55Oh
00:43:46Oh
00:43:47Satyanash, ish time kone a gya?
00:43:52Oh
00:43:53Happy holy sir, my god got me
00:43:55Oh no no no, Dharmesh
00:43:58Now I'm not here
00:43:58Take your honor and please go here
00:44:03Lizzle, Lizzle baby, where are you?
00:44:05Go, I don't want to talk to you
00:44:11Oh
00:44:11Oh
00:44:11Oh
00:44:11Oh
00:44:11Oh
00:44:12Oh
00:44:12Oh
00:44:12Oh
00:44:12Oh
00:44:12Oh
00:44:12Oh
00:44:14Oh
00:44:14Oh
00:44:14Oh
00:44:15Oh
00:44:17Oh
00:44:18Oh
00:44:18Oh
00:44:19Oh
00:44:19Oh
00:44:19Oh
00:44:27Oh
00:44:34Oh
00:44:35Oh
00:44:35Oh
00:44:35Oh
00:44:43Oh
00:44:44Oh
00:44:45Oh
00:44:54Oh
00:44:56Oh
00:44:57Oh
00:44:57Oh
00:44:58Oh
00:44:59Oh
00:45:01Oh
00:45:02Oh
00:45:02Oh
00:45:03Oh
00:45:04Oh
00:45:12Oh
00:45:14Oh
00:45:14Oh
00:45:17Oh
00:45:19Oh
00:45:34Oh
00:45:35Oh
00:45:36Oh
00:45:36Oh
00:45:37Oh
00:45:40Wow
00:45:42Oh
00:45:44Oh
00:45:44Happy Holi, Remo.
00:45:47How many days later?
00:45:49Many years later.
00:45:50But I've listened to the show.
00:45:51We're going to get gas.
00:45:53And tell us what's going on today.
00:45:55All good? All good.
00:45:57Remo, I'm ready.
00:46:00Sorry, you're out with us.
00:46:02Remo, superb.
00:46:04Nice, good job.
00:46:07The person you're trying to reach
00:46:09is busy shooting for Ivy League.
00:46:11My brothers and sisters.
00:46:13I can't do that.
00:46:15Now do one thing. Don't come home.
00:46:19Don't come home.
00:46:19Stay with them.
00:46:27Standing away, sir.
00:46:32If you say something like that,
00:46:33you can stay with me.
00:46:35No problem.
00:46:36No problem.
00:46:37This is the casting.
00:46:40No Dharmesh, Dharmesh.
00:46:43No Raghav, Raghav.
00:46:44No Gita, Gita.
00:46:45No Terence, Terence.
00:46:47Terence, sir.
00:46:51Terence, sir.
00:46:51Yeah, Tomal.
00:46:53Wait, it's been short.
00:46:55Thank you, sir.
00:46:55No, this was like, actually, film level of goods.
00:46:59Really.
00:47:00I'm saying that in the same movement,
00:47:02you've got enough energy.
00:47:03I mean,
00:47:05I haven't done a song, man.
00:47:06There were so many sets,
00:47:09and so many actors,
00:47:10and rehearsals.
00:47:11And rehearsals,
00:47:12and camera moves,
00:47:14and cut from here,
00:47:15and cut from there,
00:47:15and colors.
00:47:16But without color,
00:47:17without camera,
00:47:18without so many actors,
00:47:20without background dancers,
00:47:22you guys have achieved this.
00:47:25Hats off to you guys.
00:47:26Thank you, sir.
00:47:27I think.
00:47:30And now let's get to your performance.
00:47:32Vipul and Garima.
00:47:33Garima, outstanding.
00:47:36Thank you so much, sir.
00:47:37Amazing dance.
00:47:38You do a good dance.
00:47:39You do a good dance,
00:47:40but you do a good expression.
00:47:42And Vipul did a good choreograph.
00:47:44And from the camera,
00:47:46I am a fan of this act.
00:47:48That's what I call a performance.
00:47:51What a joke.
00:47:56It was a very nice performance.
00:48:00It was a very nice,
00:48:02very nice performance.
00:48:03And I thought,
00:48:04I won't even go back now.
00:48:07I have to go up again.
00:48:08But Garima and Vipul,
00:48:10outstanding.
00:48:11You all were easy,
00:48:12smooth,
00:48:13and amazing.
00:48:14Too good.
00:48:15Sorry, Terence.
00:48:17When are you prepared?
00:48:39After the casting,
00:48:41what I love
00:48:42is that neither did you try to become Ramos-sar,
00:48:48neither did the other characters.
00:48:49But the way you played it,
00:48:53everybody got established.
00:48:55And that was good for me.
00:48:57That whole section of the cupboard was so good
00:49:01when you went, when the camera moved around,
00:49:04saw her, the whole antra,
00:49:07and then the whole slide,
00:49:09she directly came into your arms
00:49:11by the time the camera came on this side,
00:49:13technically also well shot.
00:49:16The story was good,
00:49:17and our performance was the best.
00:49:25Concept, 10 on 10.
00:49:28Coreography, 10 on 10.
00:49:30Creativity, 10 on 10.
00:49:31Camera work, 10 on 10.
00:49:33When you get all these,
00:49:35it is obviously one of the
00:49:38Chumeshwari performances of this.
00:49:40Thank you, Mum.
00:49:41What a matter.
00:49:43Thank you, Mum.
00:49:45Your total is 49.
00:49:49What a matter.
00:49:50One more time,
00:49:51thank you so much.
00:49:52Thank you so much.
00:49:56Do you ever party in Holi?
00:49:57I had a crazy party.
00:49:59I had a crazy party.
00:50:01I had a crazy party.
00:50:01I had a crazy party.
00:50:02When I came to Naina to Mumbai,
00:50:04someone threw me a gun.
00:50:06I had to wear shorts.
00:50:08I was wearing shorts.
00:50:09I mean, they wear tights.
00:50:11Yeah.
00:50:12I was wearing tights,
00:50:14bare body,
00:50:15and I was running in church gate.
00:50:16I was running.
00:50:20I don't know,
00:50:21my brothers,
00:50:22my cousins,
00:50:22who were here,
00:50:23I lived here.
00:50:24They saw me
00:50:25and took me to the house.
00:50:27And that day,
00:50:28I had to eat
00:50:29some food for the night
00:50:30six times.
00:50:32So,
00:50:33when you do something,
00:50:34you go to the house.
00:50:35Yes, yes, yes.
00:50:36So,
00:50:37that holy party
00:50:38I will never forget.
00:50:39It was a very embarrassing situation
00:50:41when I was running
00:50:43in church gate.
00:50:44After that,
00:50:46my family has been
00:50:47very angry.
00:50:48I will not eat,
00:50:49son.
00:50:53So,
00:50:54with a iconic song
00:50:54of Chinni Prakash
00:50:55with an iconic song,
00:50:58presenting India's
00:50:59best dancer's hero,
00:51:00Prince Pandey
00:51:01with choreographer
00:51:02Ram Shah Singh.
00:51:09Prince,
00:51:09today,
00:51:11we are celebrating
00:51:11the legendary choreographers
00:51:12today.
00:51:16The legendary
00:51:17iconic song
00:51:17of Chinni Prakash
00:51:18who is performing
00:51:19in Chimma Chumma
00:51:20Dede.
00:51:21How are you feeling?
00:51:23It is very exciting
00:51:24and very nervous
00:51:26because the song
00:51:27is so big.
00:51:28And I hope
00:51:30I do justice
00:51:30to the song.
00:51:32The hook step
00:51:33was a lot of rehearsals
00:51:35until the end
00:51:36was not sure.
00:51:38He said,
00:51:38I don't feel good.
00:51:40There's a movement.
00:51:41You know?
00:51:41So,
00:51:42Chinni sir said,
00:51:43try it.
00:51:44If you like it,
00:51:46otherwise,
00:51:46we will change it.
00:51:47So, Bachchan sahab
00:51:48was gracious.
00:51:49Let's do it.
00:51:50But,
00:51:50when the song
00:51:52was the first person
00:51:55Jaya Ji
00:51:55said,
00:51:55this is looking
00:51:56very good.
00:51:57So,
00:51:57that's when
00:51:58confidence came.
00:52:00It was so big
00:52:02for Chinni sir.
00:52:03It was a whole world tour
00:52:04called Jumma Chumma Tour
00:52:05with Bachchan sahab.
00:52:07Yes.
00:52:07And,
00:52:07I also made an ad
00:52:10which was
00:52:11Annu Agarwal
00:52:12which was called Kimi
00:52:13and I was called
00:52:14Bachchan sahab.
00:52:15And the ad was
00:52:16Annu,
00:52:17Tazgi,
00:52:18Dede.
00:52:19He did it.
00:52:20It was about
00:52:2125-30 years ago.
00:52:23So,
00:52:24I have a lot of memories
00:52:25from this song.
00:52:26that is the song
00:52:27the song
00:52:28that you heard
00:52:29about listening
00:52:29and listening
00:52:30to them.
00:52:32And now
00:52:32you are in your hands.
00:52:34Are you ready?
00:52:35Yes, yes.
00:52:35Go for it.
00:52:37For Vince Ponday!
00:53:05Oh
00:53:26Jumma, jumma, dê-dê
00:53:30Jumma, jumma, dê-dê, jumma
00:53:36Jummae ke din kiya, jummae ka waada
00:53:40Jummae ko tor diya, jummae ka waada
00:53:44Le aga ar phir jumma, jumma, jumma
00:53:52Jumma, jumma, dê-dê, jumma
00:53:55Jumma, jumma, dê-dê, jumma, jumma, jumma, jumma
00:54:03Jummae ke din kiya, jumma, jumma, jumma
00:54:10What?
00:54:11Jummae ke patle ni kiya, jummae ka la ka
00:54:19What do you want to do?
00:54:29I don't want to see anything from this
00:54:32I don't want to see anything
00:54:35I don't want to see anything
00:54:49Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe
00:55:07Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe
00:55:17Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe
00:55:18Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma Debe
00:55:18Chumma Debe Chumma Debe Chumma Debe Chumma Debe Chumma
00:55:35Wow!
00:55:37What would you say Lord Remo?
00:55:39This is the dance of India.
00:55:41We are watching purely dance.
00:55:44And it has shown you.
00:55:45I felt very good.
00:55:46Yes, I felt very good.
00:55:50I felt very good in coordination.
00:55:52From here to there, I think at the end,
00:55:55I felt very good in coordination.
00:55:58But I felt very good.
00:56:00I won't say that it was a great performance.
00:56:02It was a great performance.
00:56:03So, good luck.
00:56:05Thank you, sir. Thank you.
00:56:06Your entry was great.
00:56:09I showed you the pair and the hand.
00:56:12In such songs, what's very important is
00:56:15a superstar vibe.
00:56:17And that was in you.
00:56:18You performed with a lot of energy.
00:56:21And last time, my advice was that
00:56:22Romsha, you are not showing contestant.
00:56:25This time, I just showed Prince.
00:56:28That's a good change.
00:56:29Thank you so much, sir.
00:56:30But Terrence, what do you say?
00:56:32What's the word?
00:56:33What's the word?
00:56:34What's the word?
00:56:35What's the word?
00:56:36What's the word?
00:56:37What's the word?
00:56:39What's the word?
00:56:41What's the word?
00:56:42You said that
00:56:43You were the last time 0,
00:56:44but today, you performed the hero.
00:56:46Thank you so much, sir. Thank you so much.
00:56:48Good job. Let's go, Jajiz.
00:56:50Now the time is the score.
00:56:55Your total is 40.
00:57:00Karishma, ma'am, we would like to know
00:57:01that you have worked with Chinni Prakash, sir.
00:57:04How was your experience?
00:57:05It was very big.
00:57:06I played with Chinni ji and Ekha ji.
00:57:11And I think their speciality was
00:57:14doing great, great singing.
00:57:16You know, 200 dancers.
00:57:19And I mean, dancers on a mountain
00:57:21and hero, heroine on the other.
00:57:24And in that time,
00:57:25there was no monitor in many songs.
00:57:27But every single dancer
00:57:30and the artist
00:57:31would sing.
00:57:33So actually, how did they do it?
00:57:35I don't know how it happened.
00:57:37But yeah.
00:57:38And I think,
00:57:38I would say,
00:57:39that my memorable song
00:57:42has been
00:57:43Jhaanjariya.
00:57:44Male and female version
00:57:46was done by Chinni ji and Rekha ji.
00:57:50Sir, I'm 10 years,
00:57:5210 years back.
00:57:53I've casted your movie,
00:57:54Flying Jet,
00:57:55on the title track.
00:58:00Oh yeah, yeah, yeah, yeah!
00:58:02That's what a girl was named.
00:58:05Yes, sir.
00:58:06Yes, sir.
00:58:07Yes, sir.
00:58:08Yes, sir.
00:58:09Yes, sir.
00:58:09Yes, sir.
00:58:09Yes, sir.
00:58:09Yes, sir.
00:58:09Today, I got the opportunity
00:58:12to see you again.
00:58:13Today, Jhaj has given me the opportunity
00:58:15to come back to my screen.
00:58:16And,
00:58:17in the meantime,
00:58:18to perform so many times
00:58:19after you.
00:58:20Absolutely.
00:58:21Thank you sir, when the song was made of movies, you were still in front of us.
00:58:26But I didn't know how to reach you, sir.
00:58:33Today I have reached you.
00:58:35Sir, I want to talk to you, sir.
00:58:37One dance with you, sir.
00:58:39Just for my memories, sir.
00:58:41What a joke!
00:58:43Wow!
00:58:57Thank you, sir.
00:58:57Look at you, sir.
00:58:58Look at you.
00:59:20Let's go!
00:59:47Let's go!
00:59:49Come!
01:00:06Do you remember it?
01:00:19BATAMIZA DEV, BATAMIZA DEV, BATAMIZA DEV
01:00:23MANINA
01:00:23YA BAADAY, YA BAADAY
01:00:30Guys, today we are celebrating these great choreographers
01:00:40who are still on our whole Hinduist's hand
01:00:43and one of them is Lord Remo
01:00:45Lord Remo, we've never seen you
01:00:48You have not seen Karishma Ma'am choreographed, but you have choreographed them in any song.
01:00:55No.
01:00:56No.
01:00:56I think that today, you have the opportunity to see each other.
01:01:02Yes.
01:01:02That is Karishma Ma'am.
01:01:04Our favorite is What is Mobile Number.
01:01:06Oh God.
01:01:08Let's go.
01:01:10What is Mobile Number was Ganesh Ji's song.
01:01:13In celebration of Ganesh Ji,
01:01:16we will dance.
01:01:19What is Mobile Number?
01:01:20What is Mobile Number?
01:01:20Zordar Thalia for George Remo and Karishma Ma'am.
01:01:46What is Mobile Number?
01:01:49What is your Smile Number?
01:01:51What is your Smile Number?
01:02:20What is your Smile Number?
01:02:23What is your Smile Number?
01:02:25What is your Smile Number?
01:02:27What is your Smile Number?
01:02:32What is your Smile Number?
01:02:43I would like to say thank you to India's Best Dancer.
01:02:49This was my dream.
01:02:50This was my bucket list.
01:02:52That I will be with my mobile number.
01:02:55And today it's complete. So thank you so much.
01:02:59Thank you, Remo.
01:03:01Lovely moment.
01:03:02Thank you, everyone.
01:03:05What is mobile number?
01:03:07What is your smile number?
01:03:18What is your smile number?
01:03:20What is your smile number?
01:03:22What is your smile number?
01:03:23Then let's come and go.
01:03:24Don't give me a smile number.
01:03:32Presenting Shimla Sai Vadi Ki Shahzadi,
01:03:35Vaidehi Chauhan with choreographer Akash Chapa.
01:03:41Who are you going to perform on the songs today?
01:03:43Today, Rangi Lare.
01:03:45Rangi Lare, Ahmet Khan's choreographed song.
01:03:48Lord Remo, you have worked with Ahmet sir.
01:03:50What do you want to say about him?
01:03:52Ahmet sir, he's not working with Ahmet sir.
01:03:55Oh.
01:03:56When I came to him, I worked with him.
01:03:59The technical things I've learned from him today.
01:04:03He's my guru.
01:04:04These songs that I'm doing, actually, started my life here.
01:04:08There are a lot of things, but I think his performance will be done.
01:04:12Okay, let's get ready for a while.
01:04:15Yes.
01:04:43All the time.
01:04:48What do you want to say about him?
01:04:49Okay, let's get ready for a while.
01:04:53Okay, let's get ready for a while.
01:04:57Let's go now.
01:04:57Say, what do you want to say?
01:04:57Hey, what do you want to tell me?
01:04:59Let's go.
01:05:00Okay, let's go now.
01:05:02Let's go now.
01:05:30Oh
01:06:03Oh
01:07:02Oh
01:07:07Oh
01:07:09Oh
01:07:15Whether he and Akash
01:07:17Yeah, it's gonna make my background dancer
01:07:19Maybe should what the answer would be to many bought closely or Mila could a guy's gonna do
01:07:25Jitini manate on on a key or Joe energy will leak at it. Well, energy definitely up like a
01:07:30Thank you, sir.
01:07:31It's gonna go ish tariqe ze present kiya, woh bhi muje bahu cha ha laga. Yes, we garbada.
01:07:38Isme bhi.
01:07:41Or
01:07:42Aap loko bhi pata hai.
01:07:43Toh dancing wise muje ye aap se bolna tha. All the very best.
01:07:46Thank you, sir.
01:07:48Well, pishle toho hafte, super impressive.
01:07:51Aaj, nice performance, beautiful. Aaj, elimination ka episode hai.
01:07:57Toh, har cheez par dhyan de na padega. Because, you know,
01:08:28Har performance aap ke liye behout maine rakhe ga. And,
01:08:30Atat karne ki kooshish kar rahi hithi, usko dekh rahi hithi ki mein sai hoon ke nahi.
01:08:33Mujhe dikha ke you are trying to recall. And, neche dekh rahi hithi kabi kabi kabi.
01:08:37Toh, muje asa laga ke thoda preparation ismein kam tha.
01:08:40Okay? Yes, sir.
01:08:41And, uh, wish you all the best. I look forward.
01:08:43Thank you, sir.
01:08:44It's gonna be tough times now.
01:08:45Yeah.
01:08:46If I may say so, one thing, to Raidehi's credit, muje behout achha laga.
01:08:51After falling, ar beach me towards the end, she goes at the back.
01:08:54And chairs are going like this.
01:08:56I mean, anybody would be so scared.
01:09:01But, aap ne ithe confidently ki, yaar, wou ek tam perfect hua.
01:09:05So, hats off to you for Karinda.
01:09:09Lord Remo, ab, hum jaan na chayenge aapka experience this gaane ke saath.
01:09:13This gaana hai jaha se background dancing change hui.
01:09:18Iske peale tak, saare gaane dekhta hai, joo sere members karte aare te.
01:09:22Yeh peala gaana ta, jaha ahamad zar ne bula ki, mujhe bahaar ke dancers chahi.
01:09:27Jo, background dancers nahi lagne chahi.
01:09:29Mai isme select nahi woata peale baat.
01:09:30Inke, main peechhe khada da.
01:09:32Ahamad ghiya, kisi ki nazat gahi nahi thim.
01:09:34Jo, chaare agay tha, unko select kari liya, mujhe ghar bez diya.
01:09:37Uske baad, request kiya, minne jaake,
01:09:39M.H. sir ki asistinti suni ta.
01:09:41Usko request kiya.
01:09:42Toh, unnohne mujhe wapas daans dekhha.
01:09:44Mujhe leh liya.
01:09:45And phir aya shooting gaade.
01:09:46Sab khaade ho gaye, sab line se.
01:09:48Main peechhe khada ho gaye wapas.
01:09:49And Ramu ji chal ke aaya.
01:09:51Unnohne ne formation dekhha.
01:09:53And unnohne M.H. sir ke kaan mein kuch bola.
01:09:55And phir chale ka.
01:09:56Phrir M.H. sir te bula, achcha change kado.
01:09:58Pichhe jaja, tu pichhe jaja.
01:09:59Pichhe tu, tre naam kiya?
01:10:00Ramu. Tu aaga hai.
01:10:02Mujhe aaga liya.
01:10:03Agar aaga film dekh here.
01:10:04Pehla tugene olpen hota hai.
01:10:06Usme maki bethah hon neche.
01:10:07Uske baada ik araok shot.
01:10:08Usme bilding ban rara burg DD ka kaam karre.
01:10:10Right.
01:10:11Oo'mila haata ye.
01:10:12Wahan pe hew sat join.
01:10:13crazy hama hi sam.
01:10:14Hum sab nne mpahduri ho ke kapde paine denh.
01:10:15Met teammates..
01:10:17A tiden mozdu ur laga 3.
01:10:19Baad may chamb Premiere film
01:10:20Had chamb 못 ate ju that
01:10:21Muhy pata challa Timpun ni.
01:10:22Itachtaj make aathraang shakleCare.
01:10:25Fin ki
01:10:26maj the front line mai グal tha tu I
01:10:28was Aylaelin
01:10:29fа the as aamad
01:10:30S off
01:10:30So, Ahmed Daan has said that I will see one song and the other song.
01:10:34I will be the assistant for the third time.
01:10:36What?
01:10:37Yes.
01:10:37By the third song?
01:10:39By the third song.
01:10:41The legendary dance master, Ahmed Khan.
01:10:45Now, the scores.
01:10:46I'm ready.
01:10:50Okay.
01:10:52Chyanish.
01:10:54Now, I'm coming to Vaidavi.
01:10:57Usually, for so many years,
01:10:58we all come to Vaidavi.
01:10:59We saw that a poor kid comes here,
01:11:01and he becomes Amir.
01:11:04When did this happen?
01:11:05Why do you come here from Amir?
01:11:07Why do you struggle?
01:11:08Why do you struggle?
01:11:12I had a lot of things, sir.
01:11:14I realized when I came to Mumbai.
01:11:17When I came here, I realized
01:11:18what I am without my mom and dad.
01:11:21So, I took a step to explore and grow.
01:11:25So, I came to Mumbai.
01:11:26How did you go to Mumbai?
01:11:29How did you go to Mumbai?
01:11:30In Mumbai, sir,
01:11:32I was going on a roller coaster.
01:11:34When I was in Shimla,
01:11:36I would leave my father's car.
01:11:38So, when I came to Mumbai,
01:11:39the biggest challenge was transportation.
01:11:42I was asking for autos.
01:11:44please leave me.
01:11:46So, there were lots of excuses.
01:11:48They hadn't asked me.
01:11:49I couldn't find a CNG,
01:11:49I won't get a horse for a mile and get there.
01:11:53I couldn't find any Derby.
01:11:54I had so much to get a horse on and get there.
01:11:55So, I kept 40 autos in the day.
01:11:56I said,
01:11:57let me leave.
01:11:58I couldn't quit autos now.
01:12:12That is a new way.
01:12:16The auto has come.
01:12:18The only thing is for the auto-racee.
01:12:20The auto-racee.
01:12:21Who will he become?
01:12:22You!
01:12:28Sir, I'll be too smart for auto-walla.
01:12:31You are too smart for anchoring.
01:12:33But sir, how do I...
01:12:36Lord Remo is holding the law.
01:12:38Okay, I'll become auto-walla,
01:12:40and tell.
01:12:40Yes!
01:12:44This will be done!
01:12:47Let's go! Auto!
01:12:51Auto! Auto!
01:12:54Yes, sir!
01:12:55One minute.
01:12:57Oh, sir!
01:12:58Don't go, sir!
01:13:00You're leaving at home at 3 o'clock.
01:13:02I'm coming to my auto.
01:13:03Let's go!
01:13:06Sir, I don't want to talk about that.
01:13:10I'm talking about that.
01:13:11I'm telling you,
01:13:12you're paying attention to your child.
01:13:14This is a silly child, sir.
01:13:15This is a silly child.
01:13:16This is a silly child.
01:13:17This is a scammer.
01:13:19Why?
01:13:19This is saying,
01:13:20he gets down to the station.
01:13:23If you ask for money,
01:13:24he gives money.
01:13:25This is my father's farm.
01:13:26What are we doing?
01:13:28This is my father's loan.
01:13:29We didn't buy this.
01:13:33Sir, sometimes.
01:13:34Where do I always do?
01:13:35Sometimes it will happen.
01:13:36Sometimes it will happen.
01:13:37But please leave it.
01:13:38Listen.
01:13:39I don't understand.
01:13:40You're going to be coming tomorrow's demo decision.
01:13:42You're going to be coming tomorrow's demo decision?
01:13:43You're going to be coming tomorrow's demo decision?
01:13:45What are you doing?
01:13:47No, I don't say that.
01:13:49I'm going to be coming tomorrow's start.
01:13:51You'll get an award.
01:13:51You'll go to the stage.
01:13:53And who's the name?
01:13:54Who's the name?
01:13:56Who's the name?
01:13:56The one of the short video.
01:13:59Who's the name?
01:14:02Who's the name?
01:14:03Who's the name?
01:14:05Let's go.
01:14:06Are you talking to me, right?
01:14:07Sure.
01:14:10I'm talking to you.
01:14:11I'll leave you with Shimla.
01:14:12You don't go to Shimla.
01:14:13She'll go to Bandra.
01:14:14Let's go to Bandra.
01:14:15Thank you, sir.
01:14:16Bye-bye.
01:14:17Bye-bye.
01:14:17Bye-bye.
01:14:18Bye-bye.
01:14:20See you.
01:14:20Bye-bye.
01:14:24Bye-bye.
01:14:25Bye-bye.
01:14:25Bye-bye.
01:14:27Bye-bye.
01:14:27Come on a bit.
01:14:29I'll get a big shot on the
01:14:30Dubai smartphone.
01:14:33That is Lord Remo and Terence here.
01:14:47Bye-bye.
01:14:48All right.
01:14:49What a matter of.
01:14:50All right.
01:14:51Wow, wow, wow.
01:14:53Sir, actually,
01:14:54we're going to do three dances.
01:14:56Yes.
01:14:57Terrence Sir,
01:14:58will also dance.
01:15:18Oh, wow.
01:15:21Oh, wow.
01:15:23Oh.
01:15:27Oh.
01:15:30Oh.
01:15:33Oh.
01:15:35Oh.
01:15:36Oh.
01:15:37Oh
01:16:07Oh
01:16:11May cheese kia na chahongi
01:16:23Jal Dhi Jari Rehda Maha Uksa
01:16:31Pehla Mera appearance
01:16:37What I did with Hrithik Shah is outstanding,
01:16:41but what you did, I don't think it's an actor like that.
01:16:44I also did a daily PR sing,
01:16:45which is made of tattoos,
01:16:47which I don't want.
01:16:49Who will complain about who has a tattoo on his whole body?
01:16:53How much do you have Rehmo sir on your whole body?
01:16:55I left Ginnah, but I think it's up to 30.
01:16:5830?
01:17:01Will you sing with me?
01:17:04I am a disco dancer
01:17:07I am a disco dancer
01:17:10I got two minutes left
01:17:22My mother did it today
01:17:24What a joke, what a joke!
01:17:38I am a disco dancer
01:17:39I am disco dancer
01:17:39I am disco dancer
01:17:39I am disco dancer
01:17:39I am disco dancer
01:17:39I am disco dancer
01:17:39I am disco dancer
01:17:39I am disco dancer
01:17:40I am disco dancer