The Chase (1946) – A Suspenseful Noir of Secrets and Surviva - video Dailymotion

nenk yanti

The Chase (1946) is a classic film noir thriller filled with suspense, mystery, and unexpected twists. After accepting a job from a wealthy and dangerous man, an ordinary veteran becomes entangled in a web of deception, crime, and psychological intrigue. As reality and illusion begin to blur, he must uncover the truth to survive. Featuring a dark atmosphere and unforgettable performances, this timeless noir remains a favorite among classic cinema fans.

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00:04:27Uh, can I see Mr. Roman?

00:04:30What do you want to see him about?

00:04:32Well, I'd like to give him something that belongs to him.

00:04:42What do you want?

00:04:44Uh, can I see Mr. Roman?

00:04:47What do you want to see him about?

00:04:48I'd like to give him something that belongs to him.

00:05:02Come inside.

00:05:13What was it you just said at the door?

00:05:17I said I wanted to see Mr. Roman.

00:05:19What for?

00:05:21Well, I've got something for him.

00:05:24Could mean a lot of things.

00:05:26What have you got?

00:05:29You're not Mr. Roman.

00:05:32How do you know?

00:05:34Well, you just don't fit.

00:05:39Is it all right, Mr. Gino?

00:05:41I guess it's all right.

00:05:43Better take him in myself.

00:05:44Come on.

00:06:00Wait here.

00:06:02Wait here.

00:06:28I see Abby there.

00:06:36I like it.

00:06:40That's all right.

00:06:43You're a good barber, Miss Carnish.

00:06:46Oh, thank you, Mr. Rahun.

00:06:49How do you feel?

00:06:51I mean, how does it feel being a barber?

00:06:55Cutting men's hair.

00:06:59It feels good, huh?

00:07:02Look at her.

00:07:03She's blushing.

00:07:05Oh, I'm sorry, Mr. Roman, you moved.

00:07:08But you didn't.

00:07:09Quick enough.

00:07:14Get her out of here.

00:07:16Stupid dame.

00:07:19The beast, the filthy beast.

00:07:38Hey, you.

00:07:59That's him.

00:08:09What can I do for you, Jack?

00:08:12Are you Mr. Roman?

00:08:13That's right.

00:08:22What you'd like to have this back?

00:08:27Is it mine?

00:08:29It's got your name in it.

00:08:32Where'd you find it?

00:08:35I don't remember the name of the street.

00:08:37It was in front of a restaurant, though.

00:08:41How much was in it?

00:08:43$81.

00:08:45I spent a dollar and a half for breakfast.

00:08:47There's $79.50 there now.

00:08:52How do you like there for an honest guy?

00:08:54I don't.

00:08:58Silly law-batting jerk.

00:09:02How do you like that?

00:09:04He comes all the way out here just because he found it.

00:09:08You know, you ought to get a medal.

00:09:10So you don't go buy him a medal.

00:09:12Thanks.

00:09:13I got a medal.

00:09:15I got a medal.

00:09:18Next G.I., huh?

00:09:20Yes, I was in the Navy.

00:09:26I like him.

00:09:28I want to do something for him.

00:09:29Give him a sawbuck.

00:09:32That's the trouble with you, Gino.

00:09:33You have no appreciation for honesty.

00:09:42Tell me something.

00:09:45What made you bring the wallet back?

00:09:48Well, I don't know.

00:09:50Now that I'm here, I wonder myself.

00:09:53I guess I'm just a sucker.

00:09:59I like that, too.

00:10:02Can you drive a car?

00:10:03Yes, sir.

00:10:05You got a job.

00:10:06What do you need two chauffeurs for?

00:10:07Fire or Claiborne?

00:10:09All right.

00:10:10No, wait a minute.

00:10:11I don't want to take another fellow's job.

00:10:13Take it easy, Chad.

00:10:15The name's Scott.

00:10:16Chuck Scott.

00:10:21Okay, Scotty.

00:10:24Hello, Fats.

00:10:26Fats, what do you do besides talking the telephone all the time?

00:10:29Been trying to reach you for 45 minutes.

00:10:31Fats.

00:10:32Oh, never mind that.

00:10:34How about Johnson?

00:10:35Did you contact him yet?

00:10:36Or what's he still this time?

00:10:40Oh.

00:10:42I'll have him at my house for dinner Wednesday night.

00:10:46No, Fats.

00:10:47Not Thursday.

00:10:48Wednesday.

00:11:06Yes?

00:11:08Right.

00:11:08Be right there.

00:11:10Thanks, Job.

00:11:12Oh, Job.

00:11:13Like in the Bible?

00:11:15Kings, Chronicles, Ezra, Nehemiah, Ezra, Job.

00:11:18Fine, I won't forget it.

00:11:19Bye.

00:11:40Come on, Tommy.

00:11:48I'll be honest with you.

00:11:52I'll be honest with you.

00:11:52You're doing one more.

00:11:55I'm hurt.

00:11:59I'm hurt.

00:12:54Mr. Roman, there's something wrong. I can't slow the car down.

00:12:58Relax, Scotty. I take care of all that back here.

00:13:00You just handle the wheel off.

00:13:01You mean you...

00:13:03That's right.

00:13:04Yes.

00:13:24He's right on time.

00:13:26Eddie, you don't know how he drives.

00:13:28We'll find out.

00:13:31Maybe not.

00:13:50We'll find out.

00:13:55We'll find out.

00:14:07We'll find out.

00:14:08We'll find out.

00:14:20We'll find out.

00:15:03We'll find out.

00:15:07However, I never thought I'd enjoy the pleasure of having dinner here.

00:15:12You know, Mr. Johnson had the idea I didn't like him just because he took away some of my business.

00:15:18I guess he doesn't know you too well.

00:15:20I must say there aren't many men would have taken it the way your husband has, Mrs. Roman.

00:15:27Live and let live.

00:15:30That's my motto.

00:15:34Isn't that so, Gino?

00:15:36Oh, the world is big enough for all of us.

00:15:38You too, Mr. Johnson.

00:15:43Well, thank you, Gino.

00:15:46I have a very interesting house, too, in Havana.

00:15:49I'd be very pleased if you'd all come and visit me sometime.

00:15:52You've been in Havana, haven't you, Mrs. Roman?

00:15:54No, I've never been there.

00:15:55No, Mrs. Roman doesn't travel very much.

00:15:58Oh, I'm sorry.

00:15:59Doctor's orders?

00:16:00No, mine.

00:16:08Well, if you'll excuse me, I'll let you go on with your business.

00:16:17Oh, good night, Mr. Johnson.

00:16:20Good night, Mrs. Roman.

00:16:21It was nice meeting you.

00:16:32She's lovely, isn't she?

00:16:34Oh, she's beautiful.

00:16:37How about a little brandy?

00:16:38Well, I don't mind if I do.

00:16:42Where's Tommy?

00:16:43Oh, he behaved badly.

00:16:44I put him in a cellar.

00:16:46Oh, Tommy's a dog.

00:16:48It's a big dog.

00:16:49Oh, yes.

00:16:51I'm not drinking alone, am I?

00:16:52No.

00:16:54Mr. Roman, could I ask you a very personal question?

00:16:58Yes, of course.

00:17:00What is your business, really?

00:17:04Gino, what business would you say we were in, really?

00:17:08No, I'd say the amusement business.

00:17:12The amusement business?

00:17:15Yes.

00:17:16Strictly for laughs.

00:17:23All kidding, Mr. Johnson.

00:17:25I still want to buy those two ships of yours.

00:17:26But I don't want to sell.

00:17:28Well, maybe we can talk you into it.

00:17:30What do you say, Mr. Johnson?

00:17:33Well, I'll think it over.

00:17:34Oh, no, that'll be too long.

00:17:39I can let you know tomorrow.

00:17:42No, tonight.

00:17:43Now.

00:17:50Well, how much would you give me for them?

00:17:52Nothing!

00:18:05Oh, you're joking, huh?

00:18:07Oh, well.

00:18:10I've had a lovely evening, but I've got to run along.

00:18:12We can go into it further tomorrow.

00:18:13Oh, no, you can't go now, Mr. Johnson, without seeing the rest of the house.

00:18:16Well, you haven't even seen the upstairs.

00:18:17Or the wine cellar.

00:18:18Oh, we have a nice wine cellar.

00:18:20Well, I would like to see the wine cellar.

00:18:27Napoleon brandy?

00:18:301815?

00:18:31Oh, Gino, I don't believe it.

00:18:33Why, I didn't think there was a bottle of real Napoleon brandy left in existence.

00:18:37Why, Gino, do you realize that...

00:18:42Gino!

00:18:47Gino!

00:18:48G...

00:18:51Hey, Gino!

00:18:57Gino!

00:19:02Gino!

00:19:07Gino!

00:19:11Hey, Gino!

00:19:16Gino!

00:19:21G... Gino!

00:19:29Oh, no.

00:19:32Gino!

00:19:34G...

00:19:35Oh, no.

00:19:36No.

00:19:38No.

00:19:40No.

00:19:41No.

00:19:42No, no.

00:19:42No.

00:19:44No!

00:19:46No!

00:19:47No, Gino!

00:19:47No!

00:19:48No!

00:19:49No!

00:19:50No!

00:19:51Help!

00:19:52Help!

00:19:53No, no!

00:20:11No!

00:20:12No!

00:20:15No!

00:20:17No!

00:20:18No!

00:20:20No!

00:20:21No!

00:20:23No!

00:20:24No!

00:20:26No!

00:20:27No!

00:20:28No!

00:20:29No!

00:20:31No!

00:20:32No!

00:20:33No!

00:20:34No!

00:20:35No!

00:20:50Turn off here, please.

00:21:06Turn off here.

00:21:48Stand off the clothes, nurse.

00:21:51Think you'd better step back.

00:21:54What happened to Claiborne?

00:21:58He's gone, boss.

00:22:02It's Mrs. Roman.

00:22:06I beg your pardon.

00:22:08I didn't know.

00:22:10Oh, that's all right.

00:22:12I think I like it better the other way.

00:22:24Is there anything I can do?

00:22:26Yes, Mick.

00:22:27It's three years ago.

00:22:29If you can't do that, call me, miss.

00:22:32And if you can't do that, just look the other way.

00:22:40You can go back to the car.

00:22:42I've got to go back to the car.

00:22:51Come on.

00:22:58There's nothing.

00:22:59There's nothing.

00:23:01Come on.

00:23:03I'll do that.

00:23:03Come on.

00:23:06Come on.

00:23:08Come on.

00:23:23What's out there, straight ahead?

00:23:27Well, Havana, I think.

00:23:33Have you ever been there?

00:23:36Yes, I was a long time ago.

00:23:40What was it like?

00:23:43Oh, for me, it was cheap hotels, cheap restaurants, cheap friends.

00:23:53All places are like me, a broker.

00:23:58It would be worth $1,000 to me to get to Havana.

00:24:04$1,000?

00:24:05Yes.

00:24:07Steamship tickets are only about $30,000.

00:24:12I could never make it alone.

00:24:14Why not?

00:24:17Have you ever been afraid?

00:24:19Really afraid?

00:24:23What do you want me to do?

00:24:25I want you to take me to Havana.

00:24:28But why me?

00:24:32I think I can trust you.

00:24:37You mean you think I look like I need $1,000, huh?

00:24:42Have it your way.

00:24:44But I still think I can trust you.

00:24:49When can we go?

00:24:51How soon can you leave?

00:24:53Now, right this minute.

00:24:57That's a pretty long swim.

00:25:01I'll check the sailings tomorrow.

00:25:05Think I'd better take you home now?

00:25:08All right.

00:25:17That'll be 4220.

00:25:18Sign that, please.

00:25:21Two tickets for Havana tonight, please.

00:25:23I'm sorry, there's no space available.

00:25:25We're completely sold out.

00:25:27Are you sure?

00:25:29Just a moment.

00:25:30There may be a cancellation.

00:25:35Yes, here's one.

00:25:36But it's a single cabin.

00:25:38Will that do you?

00:25:39Yes, it'll have to.

00:25:41How many tickets?

00:25:42Two.

00:25:43How much is that?

00:25:46That'll be 5760.

00:25:51Sign there, please.

00:25:55The SS Cuba.

00:25:56Leaves pair 26 at 11 o'clock tonight.

00:25:59Thank you, sir.

00:26:00Keep the changes.

00:26:25I'll take it, Joe.

00:26:26Yes, ma'am.

00:26:45I got the tickets for Havana.

00:26:48It's on a ship called the Cuba.

00:26:50Leaves 11 o'clock tonight.

00:26:57I'll be waiting in my room now don't you call have job call as usual I'll bring the car around

00:27:01no

00:27:02don't worry they don't know where I am yes I'm picking him up at the Union Bank now good see

00:27:08you later bye

00:27:43flowers did you take care of yeah red and white roses big anchor 150 bucks

00:27:52you know where they 15 years ago in Cicero same roses the same anchor could have picked it up for

00:27:58a

00:27:58double saw but maybe two bits hundred and fifty bucks brother I don't care what they say that's

00:28:09inflation Scotty yes sir mrs. Roman goes for a drive almost every day doesn't she

00:28:23yes where did she go nowhere in particular what do you mean nowhere well just along the beach

00:28:34always the same place yes yes same place oh you know that I didn't

00:28:42I want to go there Scotty now now

00:28:52yes

00:29:03what did you see out there

00:29:08I wouldn't know

00:29:11what do you see out there Scotty

00:29:17sky water

00:29:22must have a special meaning for her

00:29:25what does it mean to you

00:29:28I don't know I don't know I don't know I'm not a psychiatrist

00:29:33you don't have to be to figure this out

00:29:35all right Gino

00:29:40I'd say she was contemplating a voyage

00:29:50she ever seen anything to you about it

00:29:55why would she tell me

00:29:59you've got the kind of face women like to talk to

00:30:08you

00:30:08yeah

00:30:09yeah

00:30:11yeah

00:30:11Let's go.

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The Chase (1946) – A Suspenseful Noir of Secrets and Surviva

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