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00:02I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:29Hi, did anyone order these?
00:31Heartless pervert!
00:32Whoa.
00:35You've got to be kidding me!
00:37Look, you've got it all over me!
00:38Do you have any idea how much this costs?
00:40And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office.
00:52Now.
00:53What?
01:02What's your name?
01:07Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview us a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer.
01:21I'm not here for...
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:34You'll hear things are very fast-paced here.
01:36I don't have time to ask twice.
01:37I don't want to ask you guys.
01:48Hello?
01:49This is Cecilia.
01:50Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
01:54Until then, we cannot proceed.
01:56Okay, one second.
01:59Hello?
02:00Ms. Brooks?
02:01Shit.
02:06Who is this woman?
02:07His girlfriend or something?
02:09I wasn't done with my interview.
02:11We'll touch base soon, okay?
02:16Oh!
02:17Good luck.
02:21I thought you weren't interested.
02:23Take off your clothes.
02:24Right now.
02:43So, Ms. Brooks, what do you see in this room?
02:47Well, it's deliberate.
02:52Controlled.
02:53Powerful.
02:55It's impressive.
02:57But...
02:58But?
03:00It's not...
03:01satisfying.
03:03Bold again.
03:07Tell me.
03:08How do you know it's satisfying?
03:10Satisfaction lies...
03:12somewhere in between.
03:13You think you can give me that?
03:16Think you can take the risk and find out?
03:26All yours.
03:27All yours.
03:31Hey.
03:35The women out there would do anything to be in the position you're in.
03:39Unless you have other ideas.
03:47Don't make me regret this risk.
03:49I don't plan to.
03:52The position's been filled.
03:54Go home.
03:57Get out!
03:58Damn.
03:59He doesn't have to be so rude.
04:14Pappy, your phone's upside down.
04:18Hi.
04:19How are you feeling?
04:20Hey, jubilation?
04:22Not doing too well, honey.
04:25Damn hospital postponed my surgery again.
04:27I'm so sorry, Pappy.
04:29I'm working things out with the hospital.
04:31I have some good news today, though.
04:34I'm sorry.
04:35Uh, I think that's my landlord.
04:36I have to go.
04:37Love you.
04:37Bye-bye.
04:40Oh.
04:42What the hell is he doing here?
04:46What are you doing here?
04:48Oh.
04:48What the hell?
04:50Hey.
04:51Whoa, whoa, whoa.
04:52Guys, whoa.
04:53Hey, don't take that.
04:58I did not agree to this.
05:00Actually, you did.
05:04The signing must reside on Mr. Mercer.
05:06I can't quite hear you.
05:09Must reside with Mr. Mercer for the duration of the project?
05:12Mm-hmm.
05:13How long?
05:14Keep reading.
05:16And definitely without exception?
05:24A gift.
05:26What the fuck?
05:29A gift in exchange for being kidnapped?
05:31No thanks.
05:36I need to know where you're at at all times.
05:40It's a tracker.
05:41What?
05:41Like a dark color?
05:43Do you think you own me now?
05:46I wouldn't do that.
05:47Come on.
05:48Let's go.
05:48This is insane.
05:49Just give me a second to put Crumpet in his carrier and call my grandfather.
05:53No.
05:54There are no animals in the mansion.
05:56You must say goodbye to your little Crumpet.
05:59What?
06:00Absolutely not.
06:02I told you in the contract that I will take care of everything.
06:06I don't care about the contract.
06:08What?
06:08Oh my God.
06:10Goodbyes are always so hard.
06:12Put me down!
06:13What are you doing?
06:17Welcome back, Miss Brooks.
06:20So, I'm not allowed to leave?
06:22If you leave, your contract will be terminated immediately.
06:26And what?
06:26You're just going to leave me all alone in here?
06:28Would you like me to join you?
06:39No, no, no, no.
06:41Why is it making that sound?
06:43Damn, if I leave, Pappy dies.
06:45Shit.
06:46I'm trapped with this monster.
06:48Oh my God.
06:49Is this really happening?
06:50I'm stuck.
07:02This is your uniform.
07:03Work hours have started already.
07:06Tidy yourself up.
07:07Report to Mr. Mercer.
07:11Oh, and, uh, chop chop, Miss Brooks.
07:15Mr. Mercer does not like to be kept waiting.
07:44No, I, um, just didn't want to disturb you.
07:48I don't mind if you stare.
07:50Sorry, sir.
07:51I was just interested in your build.
07:54The building.
07:56The build of the mansion that we're building to work on today.
08:02What time are we leaving for?
08:04Car leave's in ten minutes.
08:06Great.
08:07I'll be ready.
08:16How much further?
08:21Patience, Miss Brooks.
08:33Oh, I'm not thinking tough.
08:40Hey, Foxy.
08:41I got something that'll keep that jaw clenched.
08:43Wow.
08:44Original.
08:45Mr. Mercer.
08:46We didn't know you was coming in today.
08:47Get off my property.
08:49What?
08:50You're fired. Leave.
08:52Oh, what the hell?
08:53I worked on the last nine Mercer mansions,
08:56and now I'm fired because of this bitch?
08:59If I collapse your lung...
09:01Wait, did he just stand up for me?
09:04Sir, how about you?
09:06Continue your work with Miss Brooks,
09:08and I'll handle this.
09:11Come on.
09:14Everything's nearly finished.
09:16I'm going to have a team come in
09:17and make some final measurements over here,
09:19and I'll ensure they know how to keep their mouth shut.
09:22Uh, is this all marble?
09:29Seeing her in my house gives me a strange feeling.
09:32It's so beautiful.
09:34What is it about her?
09:35Why do I want to...
09:37Follow me.
09:43Wow, an elevator?
09:45By the way,
09:46what you did out there,
09:48thank you.
09:48I'd dismiss you just as fast
09:50if I wasn't pleased with your work, Miss Brooks.
09:53Remember that.
09:58Your first task for the client.
10:01I don't know anything about the client.
10:03Who is...
10:05We don't ask about the client.
10:06We only worry about what they desire.
10:09Okay.
10:10Am I allowed to know
10:11what the purpose of this room is?
10:13Yes.
10:14Yes.
10:16The client would like this room transformed
10:19into their BDSM chambers.
10:24I hope she doesn't see right through me.
10:30So, how would you do it?
10:33Uh, um...
10:35Paint me a picture.
10:37Right.
10:39Uh, over here, I would
10:41collect a chaise lounge.
10:45Velvet.
10:46Obviously.
10:47Obviously.
10:47And over here would be a great place
10:49to mount this wing.
10:50One with adjustable heights
10:53and...
10:55And next to it,
10:56we could put a cabinet
10:56for whips and toys and things.
10:59You're very well versed.
11:01I read a lot.
11:04Certain genres of certain books
11:06have certain details.
11:08Right, right.
11:09Of course.
11:10Yeah, it's perfectly normal.
11:12A lot of women read
11:13fantasy and romance
11:16and fantasy romance.
11:18Anyway, uh,
11:20this would be a great place
11:22to announce wall cuffs.
11:26I'm drowning in the heat
11:32Afraid of what I need
11:37Your touch is like a flame
11:41But I can't turn your way
11:44Hello?
11:52Miss Brooks, I'm sorry.
11:54We need the payment.
11:56Uh, I understand.
11:57Is there anything I could do now
11:59to hold him there?
12:00Anything that could be done
12:01right now?
12:02We need your payment, Miss Brooks.
12:03By tomorrow morning.
12:04All $200,000.
12:07Okay, I'll get it to you.
12:09I promise.
12:12Sorry.
12:12Your contract explicitly states
12:14that I receive 100%
12:15of your attention at work.
12:19Who was that?
12:21It's personal.
12:22There are no personal calls
12:24at work.
12:26I'm sorry.
12:33Mr. Mercer,
12:34it won't happen again.
12:35I'll get to work right away.
12:36I'll have designs to you
12:38by tomorrow morning.
12:41Take it off.
12:44What?
12:48Your jacket.
12:50Mr. Mercer.
12:54I won't ask twice.
13:02Uh, what's this for?
13:09It's perfect.
13:11Now go get dressed.
13:33No need to pout in this, Brooks.
13:36You'll be reading
13:36some of the top designers.
13:37I don't understand.
13:39How does this take priority
13:40over work?
13:41Am I your date
13:42or your designer?
13:44You are
13:46what I say you are.
13:59Ladies and gentlemen,
14:02it is my pleasure
14:03to welcome you all
14:04to the annual
14:05architectural ball
14:07proudly hosted
14:08by the Mercer Group.
14:13I'd also like to welcome
14:15and introduce
14:16our newest interior designer,
14:19Mrs. Celia Brooks.
14:24I thought you said
14:25you had the job.
14:26I did everything
14:27that I could.
14:29Mitch must have slept
14:29with him in the interview.
14:31Fine.
14:32I'll fix it myself.
14:37So without further ado,
14:39please enjoy your drinks
14:40and have a wonderful night.
14:49May I have this dance?
14:52Oh.
14:55Sterling!
14:57I was hoping
14:58that maybe we could
14:59walk and talk
15:01or maybe
15:03dance and discuss.
15:05You must be
15:06working so hard.
15:07I was thinking
15:09maybe you would
15:10benefit from a designer
15:12who really knows you,
15:14your past.
15:16I'm not interested
15:17in rehashing
15:18old relationships, no.
15:20It was just a flint.
15:22It doesn't mean
15:23we can't be close.
15:25Sterling could be
15:26a difficult
15:27person to work for.
15:33You know you can
15:34come to me
15:35if you need
15:36anything.
15:41Get your hands
15:42off of her!
15:47What the hell
15:48are you doing here,
15:49Vincent?
15:50Folks,
15:50looks like the jester
15:51came to play!
15:55Get him out of here.
15:58Oh, man.
16:01It's all right, folks.
16:02Enjoy the party.
16:03It's okay.
16:04Yeah, you okay?
16:06Why don't you go grab a drink?
16:08I'm going to take care of this.
16:17Crazy night, huh?
16:19Too crazy.
16:20I'm Nora,
16:21a close friend of Sterling's.
16:23So,
16:24tell me,
16:25how's the new position
16:26treating you?
16:28It's demanding.
16:30I'm the client.
16:31What's your feel on them?
16:33Oh,
16:33I'm not at liberty
16:34to discuss that.
16:35Come on,
16:35it must be crazy, right?
16:38I really can't.
16:41Oh,
16:44how embarrassing.
16:50What are you doing in here?
16:51Cecilia,
16:52I'm sorry.
16:53I'm so done
16:54with their whole world.
16:57Yeah,
16:58the head of the board
16:59was barking my ear off.
17:01I...
17:02Stop it!
17:02What?
17:03I'm just trying to help.
17:04Help?
17:05Really?
17:06That's rich.
17:07I mean,
17:08I am rich.
17:10You.
17:11You are a lot of things.
17:13From the moment I met you,
17:14you've controlled
17:15every aspect of my life,
17:16every movement I make.
17:17You're obsessive,
17:18cryptic,
17:19a perfectionist.
17:21But you're not rich.
17:23Not where it counts.
17:43Phil,
17:44excuse me.
17:45I have work to do.
17:46I have work to do.
17:50I have work to do.
18:00Tie me off.
18:01His hand,
18:02what if?
18:05Maybe cuffs?
18:06What if we hang
18:08something around here?
18:24Is that me?
18:28Did I say you could come in here?
18:30Uh, you'll be happy to know that I worked on these all night.
18:42Maybe if you stayed at the gala, you would have learned something.
18:46Learned what?
18:46You follow through with your obligations so you wouldn't waste your time working on garbage.
18:51Garbage?
18:52I'll need five more by tomorrow morning.
18:54That will take me all night.
18:56Even making those two took me all night and I barely got them done in time.
19:00You've done it once before.
19:02You can do it again.
19:03Don't you think maybe, just maybe, that's an unreasonable amount of time?
19:08Maybe.
19:08I don't care.
19:10Wait.
19:11I should have remembered.
19:13It's not in the contract.
19:23Oh my god.
19:30Excuse me, miss.
19:31Where's my grandfather?
19:33I'm sorry.
19:33Usually if they're not in the room, it's because the insurance ran out or...
19:48Miss Brooks?
19:51Yes?
19:51I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
19:57He's being very well taken care of.
19:58I don't understand.
19:59How is that possible?
20:01I can't afford that.
20:03I told you.
20:05I'll take care of everything.
20:06What?
20:07I can't believe this.
20:17Oh, but...
20:18But why?
20:19Why would you do that?
20:21Well, when I said I needed your undivided attention, I meant it.
20:27Now the only thing you have to worry about is me.
20:31I'm not your slave.
20:37Five designs by tomorrow morning.
20:45You're welcome.
20:53I've been expecting you.
20:54I have a feeling I'll be impressed.
20:57Brushed work is not work to be proud of.
21:04Is this you?
21:05And my parents.
21:06They must be so proud of you.
21:07They never got to see it.
21:09I inherited this company before I was old enough to run it.
21:12I'm so sorry.
21:13It was a long time ago.
21:15What happened?
21:16They vanished.
21:16On a work trip into Europe.
21:18Guess I don't control everything after all.
21:21I'm going to deliver these designs to everyone.
21:24I have a surprise for you.
21:30To your first approval.
21:36It's beautiful.
21:40I do have a request, though.
21:43I was wondering if I could...
21:44I could have a little freedom.
21:46From what?
21:47Me?
21:48No.
21:49No, not you.
21:51From this.
21:52Well, I need to keep track of you.
21:56I mean, what if...
21:58Sterling.
22:00I'm not your parents.
22:02I'll be fine.
22:04I just don't know if I'm ready for that yet.
22:06But you continue to impress me.
22:08I mean, you'll be free as a bird.
22:24I do have more surprises to show you.
22:26But, um...
22:28You're going to have to wait until tomorrow.
22:30Hmm.
22:31Full of surprises.
22:32Aren't you?
22:37And that's why I can't let you go.
22:51Thank you.
22:54What are you two doing here?
22:56There's not supposed to be anyone working today.
22:57We were just swinging by to assess a minor electrical concern.
23:00It seems that the circuit...
23:01It's nothing urgent.
23:02We're going to come back tomorrow with the rest of the crew and get it resolved.
23:06Okay.
23:08Thank you for the update.
23:10Thank you, Mr. Mercer.
23:15I've ordered these beautiful pieces.
23:17White marble.
23:20What the hell?
23:26It's kind of beautiful.
23:28No, no.
23:29It's a mistake.
23:32It's not too perfect.
23:34It's bold.
23:35It's not trying hard.
23:36It just...
23:37is.
23:38Well, I like my work to be...
23:40Intentional.
23:43Well, I would argue that this...
23:46elevates the intention of the space.
23:48The juxtaposition between...
23:50control and chaos.
23:51You have good eyes, Ms. Brooks.
23:54Follow me.
24:01Your second task for the client.
24:04Master bedroom...
24:06and nursery.
24:08Oh.
24:08The client's a family man.
24:10We don't discuss the client.
24:12Only satisfy their needs.
24:16Would you like to see your designs?
24:36Is it not what you thought?
24:38No, it's...
24:39it's not that.
24:44The power went up.
24:46There's no signal.
24:47Yeah, the...
24:48soundproofing they put up...
24:50cuts signal.
24:51What?
24:52No.
25:06It's not funny.
25:07I'm not laughing.
25:09How long until someone notices that we're gone?
25:11I don't know.
25:12An hour?
25:14Maybe two?
25:15Is it Nora?
25:17The client?
25:18What?
25:19No, you're not supposed to ask about the client.
25:22Just tell me.
25:23No, it's not.
25:25Is she...
25:26more?
25:28I built this room because I believed in your vision.
25:32I cleared your schedule.
25:34I cleared your stressors.
25:36All because...
25:38I wanted you.
25:42I...
25:50I...
25:51I...
26:04I...
26:05I...
26:06I...
26:15Sir, your 7 o'clock is waiting upstairs.
26:29Tuck your shirt in, sir.
26:37I know. I know.
26:42Who the hell are you?
26:44Calm down, sweetie. Put Crumpet down.
26:48Listen, sweetie. I work for Mr. Mercer.
26:51He hired me to take care of your grandpa and Crumpet until you return.
26:55Sweetie, what are you doing home?
26:58What am I doing?
27:00This is Agnes, my nurse. She's taking care of me.
27:04Oh, I'm sorry. I'm so embarrassed.
27:11Um, hello?
27:12Why are you in your apartment?
27:14If you're there, there's no need for Agnes to stay employed.
27:18Cece, you're ruining my chances.
27:20Go back, Cece.
27:21Oh, okay, okay.
27:23Everything's all right. Agnes has taken very good care of me.
27:26Okay, okay, Pappy. I'll go.
27:28Um, it was nice meeting you, Agnes.
27:30Nice to meet you, dear.
27:42What the hell? He has a girlfriend?
27:52What was I thinking?
27:55What was I thinking?
27:56What was I thinking?
28:10I thought it was fun.
28:33gotcha now bitch
28:37I found her address
28:58Sterling Sterling can we talk I don't have the time Miss Brooks
29:01Sterling it's important please I'm dealing with something figure it out
29:04yourself
29:14you might want to ask me why I'm here you psycho I don't give a damn what you have
29:19to say I don't trust you well maybe you should start because I know a dirty little
29:25secret about you you're about to be broke I'm here to offer you a buyout get out
29:38hear me out instead of your accounts being compromised facing bankruptcy and
29:45becoming the embarrassment of architecture we could merge as Hale Mercer even has a
29:51nice name oh you're way out of line am I because someone pretty close to you seems
29:57to be worried about you besides if you don't accept this buyout I'll publish the
30:05information and Mercer designs will go bye-bye is that a threat think of it more
30:12of a bribe get the hell out of my property and out of my sight
30:22yeah
30:36Miss Brooks in my office immediately are you sure you want me in there and not your
30:41other woman friend what are you talking about hand me your sketches I have
30:48designs but they're not the originals the originals are missing or lost what do
30:53you mean lost I finished the designs last night and I fell asleep but when I
30:58woke up they weren't in my room anymore you're lying I'm lying why don't you tell
31:03that's the next girl you bring over excuse me so careless careless me I'm pretty
31:11sure you're the one who's talking about losing sketches something you won't have
31:14to deal with anymore Marley's gonna be taking you to the project mansion
31:20hopefully you can figure out your sketches problems there you may go
31:32take her and her belongings to the project mansion anything I should know sir she can't be trusted and check
31:39the cameras we have a mole yes sir
31:49Miss Brooks what are you doing here well um I had to get some artwork for the client
32:01you don't trust me that too you're not trusting me you were the one with another
32:08woman after all that I did this all for you bullshit okay what woman are you
32:12talking about here you can't lie to me I saw you with her I saw you okay okay okay
32:18if it makes you feel any better I promise I'm looking into it you promise
32:28I promise
32:29I promise
32:33your hands like smoke they find my skin every move a little sin
32:42put me closer don't let go
32:46kiss me in the dark don't say I'm
32:50I thought you didn't trust me that you were mad at me
32:52well you're too hard to resist
32:53kiss me in the dark don't say I'm
32:55touch me where the light won't go
32:57love me deep love me slow
33:02kiss me in the dark don't take all I hide
33:06let's go inside
33:07touch your fire on the inside
33:21eyes like knives you cut right through every look says what you do pull me under soft and deep you're
33:32the secret I can't keep breath on glass you trace my name no one else can play this game
33:41you don't ask you just take and I give and I pray
33:50well hello I'm here for mr. Brooks I'm sorry what exactly is this for I'm the treatment nurse I'll be
33:56taking him to his appointment for today oh mr. Brooks doesn't have an appointment today I can assure you he
34:01does
34:05well thank you for coming can I bring crumpet yes mr. Brooks bring the cat
34:32hello Cecilia I'll need your full cooperation I have something of yours you might want back now that I've got
34:39your attention I need a little favor
34:41bring me Mercer's legacy one design you can't do this but see I already have sweetheart
34:47give me the designs tell Sterling and your sweet old pappy dies and your little cat to your choice
34:54I've been reviewing project management assets you're four days late on the Hudson property the client is not happy mr.
35:03Mercer is not happy
35:05pick it up or I'll give your work to her she's three days ahead
35:10is that a personal email
35:13sorry
35:30you don't have to do this
35:31too late old man
35:34who the fuck are you
35:46No, no, no, no, no, no, no, no, no.
36:27Show me the video.
36:28Yes, sir.
36:32She knew how to evade the cameras.
36:34I can't identify her, but we knew her enough to let her in.
36:39Keep this video between us.
36:42Yes, sir.
36:56Cecilia.
36:58Sterling, you're not working from home today?
37:00What are you doing here?
37:01Who have you been talking to?
37:03No, and I, uh, just, I needed to pick up some paint samples and this was on the way.
37:07On the way to what?
37:09We're like 20 miles south of home.
37:12I'm getting my necklace cleaned.
37:16So if you can't find me or track me for any reason, that's why.
37:27Why do you need your necklace cleaned?
37:28I've just been working a lot.
37:30I've just been working a lot.
37:31The drafting table is super dusty and I don't want to get messed up.
37:36It's a woman thing.
37:43I'm trusting you.
37:44I'm trusting you right now.
37:46I know.
37:48I know.
37:48I know.
38:01I know.
38:02What the hell is going on?
38:20¡Gracias!
38:37¡Gracias, ¿qué tal?
38:39¡Gracias!
38:39Sterling Marsha's legacy designs.
38:42Just like I asked.
38:43Oh, Sterling, you won't even know what hit you.
38:47Now let my grandfather go.
38:49He's all yours.
38:51A deal is a deal, pretty lady.
38:58Zizi, don't.
38:59Get out of here.
39:01Look, look.
39:13i've had a change of heart
39:20please no this way
39:34wow you really know how to tie the room together darling sterling has my location you have
39:39no idea what you're in for oh but i think i do you see when that timer goes off you
39:49and
39:50that little tracker and this entire place will go bye-bye and then i will pave way for
39:55the construction site of all hail designs he'll find me and when he does that's very
40:02unlikely cecilia now that sterling has this video no one's coming to save you screw you
40:10screw both of you oh oh oh but i almost have everything i need
40:18his financials his accounts you see the only thing that is missing my dear
40:25is the contact for sterling's project mansion what why does that matter
40:32well once i have the contact i can put in a bid under his therefore mercer will no longer
40:40have any names attached to any property that will never happen
40:50who's the client how much was the bid offer i don't know
40:59will you remember trust me even if i did i wouldn't tell you
41:17so tell me who is the client he took care of my family i'm never going to sell him out
41:30unless you forget sweetheart you already gave me the plans so therefore you are already a betrayer
41:39promise i don't know anything
41:44well i can see that you're a lady of your word which makes it kind of harder to believe you
41:49so tell you what this is how it's gonna go you're gonna tell me and then you
41:57pappy and little kitty can go free while mercer designs burns to the ground
42:07or i could kill you right here right now and mercer designs falls anyway
42:18okay
42:20decisions decisions darling
42:21wait no no i'll tell you i'll tell you anything you want to know please don't touch him
42:25i'll tell you
42:35tell me everything
42:41i don't i don't know a lot i just i know she's very private very secretive she only talks
42:50sisterly she's an older conservative woman liar that night that i dosed sterling with that
43:00sleeping elixir i found your little project mansion and that newly built bdsm room oh and
43:08then all the plans that i stole from cecilia's bedroom they were for a nursery both rooms that
43:14an elderly woman wouldn't need in a new home you drugged him yes i drugged him
43:25and then i ransacked his mail that's where i found you your address
43:33and your little cat too
43:38well then looks like you chose
43:44oh i'm sorry my sweet miss but our short little affair is over
43:50excuse me
43:51well obviously i don't need your services any longer
43:57besides
43:58i don't
43:59do
44:00witnesses
44:08sterling help me please
44:09sterling wait it's a trap
44:11sterling please you have to help me
44:13watch out
44:21tell me how to disarm it
44:23now
44:26black wire
44:34you little
44:35nora stop put down the knife
44:39she kidnapped me i've been waiting here for hours for you
44:42down the knife
44:43come on let me at her one last time she betrayed you she's the one who gave up the legacy
44:48one in the
44:49third floor
44:51wait how do you know about the legacy one project that was confidential that little
44:54bitch she told vincent everything no she's lying it's all because of her
45:04she drugged you she drugged you no i didn't you
45:06bitch when i thought i saw you with that woman
45:10then now you lost the designs
45:12no no that wasn't me okay vincent made me do it he said he threatened my family i had no
45:18other
45:18you know what i'm trying to tell you joints
45:20i don't believe you
45:22arrest her
45:23no
45:24yeah
45:27drop some lights
45:28no
45:31thank you
45:32you have the lights
45:34you're silent
45:35anything you say
45:37you're going to be against you
45:38you're going to fall
45:39wait no no i'm tying first
45:41i'm so sorry
45:43it's okay it's okay
45:44but i gave him your designs i didn't know what else to do
45:47i was trying to save them i didn't mean to
45:49you're safe you're safe okay
45:52vincent will be able to touch the project
46:01i'm so happy you found me i thought
46:04always find you
46:07how
46:12because i know you
46:15that moment in the parking lot i knew from your eyes that you needed me
46:24i will always keep you safe
46:29hey hey would you two take it someplace else
46:35sorry papi i'll take you and crump at home
46:43oh thank goodness you're okay
46:47i i want to tell you something sweetheart
46:50i love agnes i really mean it
46:52okay papi just get some rest
46:54i i mean it cc when a man knows he knows
47:02agnes it's been a long time since i've met someone as caring as you
47:06and i'd like you to be my wife
47:10yes
47:12i love you agnes
47:22marley what are you doing here
47:23miss brooks
47:25mind coming with me
47:27will you give me a second i want to change first
47:29i don't know
47:31i'm sorry
47:33oh
47:36oh
47:38oh
47:39oh
47:40oh
47:40oh
47:42oh
47:43oh
47:44oh
47:45oh
48:11¡Suscríbete al canal!
48:15¡Suscríbete al canal!
48:45I don't follow.
48:49It's me.
48:50What?
48:51This, this is my legacy.
48:56Come here.
48:57I need to show you something.
49:07i made this for you wait one second
49:21i thought if we put them next to each other it would create balance
49:41but then you came in you're kind bold intuitive
49:50sterling beautiful you gave this place a soul
50:00cecilia brooks
50:03would you share the love we built together
50:10yes yes sterling
50:18i said yes to you
50:23to forever to
50:25to every dream we're walking through
50:38you
50:40you
50:40you
50:40you
50:41you
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