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Hidden figures: Stephan Gladieu on photographing the people of North Korea

Ahead of his exhibition at the Musée des Confluences in Lyon, French photographer Stephan Gladieu talked to European Lens about his series titled ‘North Korea’, a collection of photographs taken over three years and several trips to the reclusive country.

READ MORE : http://www.euronews.com/2026/05/27/behind-enemy-lines-stephan-gladieu-on-photographing-the-people-of-north-korea

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00:05Going to North Korea is complicated. When I had the chance to meet them, I made it clear from the
00:11beginning that I will not do architecture photography or to photograph empty places,
00:18and that I wanted to show, to give a representation of the North Koreans, knowing that the North
00:25Korean were totally invisible, because the regime over there don't talk much about them.
00:34And because honestly, also in Europe, but in the United States, in Asia, nobody really
00:42care about North Korean. How is it to be a North Korean? So that was really a question.
00:59For me, it was very interesting as a street photographer to take the technique from the
01:05studio in the street. And I tried at the beginning to come closer probably to the first influence I had,
01:16which is like the icon, religious icon. It's not for the religious part of it, but for the
01:24iconographic style. So the visual is really straightforward. There is no much artifice.
01:33I had this first reflection about three colors, the same frame, bringing the flash in the streets
01:42with the same type of light, to photograph people, whoever they are, at the same distance. And for me,
01:49it was interesting to play with this code, to try to build a humanist message.
02:04I had a long discussion to try to imagine or get the information of where I could go,
02:12what does exist in North Korea, because you don't go on Google and look like you have no information.
02:17So, and I knew the stretching point would be that we don't have any common reference
02:24in terms of history, sociology, you know, in any field. When you don't have any common reference,
02:31when you see the same thing, you don't analyze it or you don't perceive it in the same way.
02:37Even if we were next to each other, sometimes we don't feel it in the same way.
02:42They never saw exactly what I was doing. And the inverse, I never really understood what they saw
02:49in my pictures and why they, with the time, accept me to come back and continue to work.
02:56I just knew that it was a sign that they recognize themselves in a way. I recognize myself through them
03:08and I recognize me in them. So it's really, it's like a mirror. I'm just there to pass and to
03:17put people
03:17that will look the pictures in front of them, where you are face to face. And I guess you learn
03:25as much on yourself than on the one in front of you.
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