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00:09:21My father said to me that he said to me that he was very close with me.
00:09:30But I had a tremendous freedom.
00:09:35My desire was to lose.
00:09:38I was afraid.
00:09:39We were in the hospital.
00:09:41We were young, young.
00:09:43We were able to lose 5,000 meters.
00:09:45Very far.
00:10:05The man was working.
00:10:07My life was my personal life.
00:10:09My loved 10 years old.
00:10:14I remember my 10th century that I was in a space.
00:10:17To come back to the river, I had to go to a sea.
00:10:22I was to go to the sea and I had to climb up my 5 meters.
00:10:25And I heard the sound of the water.
00:10:28I remember that, the good ones were saying,
00:10:31this is a very good place.
00:10:32And everyone looked at the table where the girls were playing.
00:10:38And to hear the music, the band of the lones and the ls.
00:10:43From a kid I had a big heart.
00:10:47The stationery was great to inspire the chasis and the rembettic song.
00:10:52That's why my father had a big collection of chasis-clinked songs,
00:10:55and the music, the music, the music, the music, the music,
00:10:58I heard the music, as the previous door closed and door.
00:11:05I was six years old when my father wrote a great photograph,
00:11:11the text me allowed to listen to the grammar and to change the drums and the drums.
00:11:19I'm sorry, I'm sorry.
00:11:47And we're here.
00:12:02I was surprised to see him on the road, and we played him.
00:12:07I was in the hospital, and I was in the prison.
00:12:12I was 17 years old.
00:12:16I had a million years old and he said to me he did a good job and said to me
00:12:21that he was the first shot.
00:12:24I got a job from the hospital and I got a job over the next two years.
00:12:36It was a very good job of Mahays.
00:12:41I started to play the kids of FARA's and collect the material for my book with the Rebetica.
00:12:48With all the words, photographs, drawings, music, discs, old car postal and all the cards and cards
00:12:56that were connected to all these people.
00:13:04In 1957, when Petropoulos came to the market, he asked me to find him.
00:13:12He said, I'm Petropoulos, so, so, so, so, so.
00:13:17He came to my home, and I began to tell him about the first book.
00:13:23He came every day.
00:13:24He came to my home, he came every day, he came every day, he came every day, and he wrote
00:13:31his first book.
00:13:32He said, I'm Petropoulos, so, so, so.
00:13:59He said, I'm Petropoulos, so, so, so, so, so, so, so.
00:14:15He said, I wanted to, with others.
00:14:18One time he came to my home, he stopped, he sang a song and he fell.
00:14:23This was a long time.
00:14:27I remember the information of the river that he fell.
00:14:30He was born.
00:14:30He was born.
00:14:42He was born.
00:14:45He was born.
00:14:47He came to my home.
00:14:52Over here he was born.
00:14:53I wrote three songs as a teacher, all in the room, and then I said to myself, you will be
00:15:01able to die.
00:15:24I love you, I love you
00:15:38I love you, I love you
00:15:49To be continued...
00:16:16and, in fact, with my exodus and without a smudging of the poetry in the era of the dictatorship.
00:16:26The book for Trapetica costed me a five-month prison and a beautiful burial.
00:16:32The burial and the burial were my freedom.
00:17:01The war was difficult for me, because I was left, I had a job at Spanian.
00:17:08I worked as a family in the Seysu park.
00:17:12There was a place where I met all the people who were in trouble and heard the first time.
00:17:19The dumbest language of the people.
00:17:23In 1968, after the investigation of the book with the Rebetica,
00:17:28I decided to work on the Rebetica,
00:17:31the first language in the world for the long time of the Rebetica.
00:17:39The
00:17:40former
00:17:40Kostantinian
00:17:41was the
00:17:42house of
00:17:43house
00:17:43for
00:17:45the
00:17:45house.
00:17:46They
00:17:46all
00:17:48the
00:17:50house.
00:17:59They
00:18:00in
00:18:00the
00:18:01in the restaurant in Kolonov.
00:18:16To eat your face, it doesn't like them.
00:18:20But I was always angry, I didn't fear anything.
00:18:24I was there, I was sitting there,
00:18:26my brothers and sisters,
00:18:28the grave that they had for the parade was in Kaliarda.
00:18:34We had a table with a table,
00:18:37that means a table with a macaroni.
00:18:39With Petropoulos, I knew it was a night,
00:18:42it must have been after one hour.
00:18:44I was 15, 15 and a half.
00:18:47When I first came, you know,
00:18:50it wasn't a trap as it is today.
00:18:52We had a little bit of our clothes,
00:18:54we had a bag and we went to the streets.
00:18:57We had a stop,
00:18:58I didn't remember,
00:19:00and I said,
00:19:00maybe we will stop the parade,
00:19:02and we will go back to the Omonia.
00:19:04And suddenly,
00:19:05a Volkswagen stop,
00:19:06and I see a car,
00:19:06I'm in my house.
00:19:07And as I said,
00:19:08we were in Kaliarda with the other,
00:19:10while we were back,
00:19:11Petropoulos was standing next to us,
00:19:13we were talking about Kaliarda,
00:19:14and we were talking about it.
00:19:15But I didn't remember what Kaliarda was talking about
00:19:17and we were talking about it.
00:19:18It's not like that,
00:19:20it's not like that,
00:19:21we were talking about it.
00:19:22So,
00:19:23these were coming back to my house.
00:19:24My house was a boy,
00:19:26a woman came and a man came.
00:19:28The Thirurina was like,
00:19:29and I looked at the faces.
00:19:31And the people that looked at me,
00:19:32i was like,
00:19:34very happy,
00:19:35and I was like,
00:19:37that's such an old woman.
00:19:38And so,
00:19:38I was like,
00:19:38and I came back to my house,
00:19:40like,
00:19:41this is how you say,
00:19:42this is an old woman,
00:19:43and I was like...
00:19:43that's some way,
00:19:48I was like,
00:19:49I went home,
00:19:54and then I started saying,
00:19:55to learn a lot...
00:19:57and I said,
00:19:58I said, Tony, come on, let's do something else.
00:20:05I would ask him to tell him that he had no sleep.
00:20:07He said, I didn't want to be better.
00:20:12I was a man who was a man who was a man who was a man who was a man
00:20:17who was 25 years old.
00:20:19I didn't want to be a man who was a man who was a man who was a man who
00:20:24was a man.
00:20:25What happened to him?
00:20:29Don't you want to change him?
00:20:32I'm with myself but I'm mostly with you.
00:20:35And you?
00:20:37Yeah.
00:20:38He was working and he's working.
00:20:39How long has he had to be?
00:20:41How long have you been?
00:20:42That's it.
00:20:43Yes, that's it.
00:20:46I'm with this.
00:20:48Only on the kids.
00:20:50Only on the kids.
00:20:53The
00:20:53army is
00:20:54a
00:20:55The
00:20:56army
00:20:56is
00:20:56a
00:20:58army
00:20:58and
00:20:59army
00:20:59army
00:20:59army
00:20:59army
00:20:59army
00:21:10army
00:21:10army
00:21:10this time.
00:21:29For me, it's a very important citizen.
00:21:32What I've read is amazing.
00:21:35And the Kalliarnda's amazing
00:21:37was great,
00:21:41and the most important things
00:21:44that have been found in Greece
00:21:46If you want to have a lot of people
00:21:49about how Greece was in this period
00:21:51I think it was just a little more
00:21:54but the other thing I think
00:21:55will not have the people
00:21:55but they will see all the time.
00:21:57I'll see you next time.
00:22:33I think it was in the beginning of the first month of 1972
00:22:40and I was recognized in the prison of the Korydalou
00:22:45where I was in prison and immediately brought the Petropoulos.
00:22:50It made me an impression that I did not have a lot of friends with the political citizens.
00:22:55At the same time, they had a lot of friends.
00:22:59They had a lot of friends and they were sitting together,
00:23:02they were talking together, they pointed out things.
00:23:06I asked him what he was doing.
00:23:08He said, I am not in prison, I am doing research.
00:23:25I found my soul.
00:23:28I was in prison.
00:23:33If you don't look the person who is in prison
00:23:37When he took him out of the prison, after 20 days of death,
00:23:42he doesn't have the right to talk about the lives of the prisoners.
00:23:57The prison for a long time is not at all.
00:24:01They are at the end of the day.
00:24:02One time after a long time, they are crazy.
00:24:05and I met all new people.
00:24:09I had a great friend with Nico and the OMG.
00:24:13He was in prison and he was in prison and he was in prison.
00:24:17He was in prison and he was in prison and he was in prison and he was in prison.
00:24:23This is the typical situation of the victims.
00:24:26He was in prison and he wrote what he was reading around the world
00:24:34I said, hello, hello, hello.
00:24:38I said, what are you doing?
00:24:42He's a very inspiring person.
00:24:44What are you doing?
00:24:45What are you doing?
00:24:46I said, what are you doing?
00:24:48I said, what are you doing?
00:24:53I'm going to say something like that.
00:24:57I said, what are you doing?
00:24:59I said, I'm a happy man.
00:25:02I didn't feel like I was a madman.
00:25:05I didn't remember.
00:25:06I said, I'm going to say something.
00:25:08We talked about it.
00:25:11Then I met him.
00:25:13I saw him as a good man.
00:25:17He was a good man.
00:25:19I gave him some food.
00:25:22Until I came back to Thessaloniki,
00:25:24I got a good friend.
00:25:25I was not a painter.
00:25:28I was a man.
00:25:32A painter.
00:25:34A painter.
00:25:35A painter.
00:25:37A painter.
00:25:38And his soul.
00:25:38A painter.
00:25:49A painter.
00:25:49A painter.
00:25:51A painter.
00:25:52and how much do you think about all these men who call them a
00:25:56space?
00:25:58It is not a space.
00:25:59I never read it a space.
00:26:01I write it a sense that the space is an space.
00:26:07It is a space that is the space.
00:26:09And in this space, the peace of the people, the people, and the people of the people,
00:26:16the people of the people of the people, and the communists,
00:26:20It is very easy to put in a bag.
00:26:25But for me, the bag is much better than the bag.
00:26:31I love the tzolani and the bag.
00:26:34The tzolani, the tzolani, the tzolani, the tzolani.
00:26:37The tzolani, the tzolani and the tzolani.
00:26:38Because I love them more.
00:26:42I love them because they are able to live in an ambulance.
00:26:46In an ambulance.
00:26:46In an ambulance.
00:26:47The tzolani and tzolani.
00:26:53In theleen.
00:27:05In the mucroastones.
00:27:07These are the traitors.
00:27:09Pulled out on the right.
00:27:10In the interior of the tower,
00:27:10To be continued.
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00:37:30I have the impression that he did his actions.
00:37:33He wanted the other to continue to be with him.
00:37:38And I say, if he was here, I can't believe it,
00:37:42but I say that this was the movement for his actions.
00:37:46It was a movement, not from scratch, not from scratch,
00:37:49but to see how someone could meet with such a logic.
00:38:20There are many moments of the movement
00:38:22that has to maintain the Manifest society.
00:38:26in the radical society that we live,
00:38:28It had to be an aggathia and inside, as you know, there is a fruit like the litchi,
00:38:44the Chinese, which has the aggathia.
00:38:48And when you open it, inside there is a very trichet and small
00:38:54and small, the litchi, which is the same.
00:39:00This was not the litchi, but it was not the litchi, the litchi, the litchi,
00:39:06because the litchi is the litchi, the litchi, the litchi, which is a very good thing,
00:39:11while the fresh litchi is difficult to open it.
00:39:18As a character, as a man, he had something that could be interesting.
00:39:25That is, there is an exaltation that he has now,
00:39:28and you can see it now.
00:39:30How important it is to all be all of us.
00:39:32We have made all of us as machines,
00:39:34we have done things with only criteria
00:39:37of whether we are interested in it or not.
00:39:41I think that at this point,
00:39:42the litchi will be able to be not only the litchi,
00:39:45but even the litchi will be able to be a teacher,
00:39:48I would say.
00:39:50I will do this for all the teams.
00:40:09The Litchi started working with all the and even work.
00:40:13The...
00:40:14We do this for help.
00:40:14Do you this?
00:40:16What did it have?
00:40:17Here! What is this?
00:40:20What is this?
00:40:21What is this?
00:40:23Here!
00:40:24I work here.
00:40:25Here, here, here.
00:40:30Until 6.30,
00:40:32I worked with a huge speed.
00:40:36Everything alone, all closed.
00:40:40No one could never play here,
00:40:44no one could play there.
00:40:45Besides, someone came from Greece
00:40:48or someone had called me
00:40:50and they couldn't see him the night
00:40:53and they came to play
00:40:55all for work, only for work.
00:40:57For nothing else.
00:41:09No computer,
00:41:12no electronic,
00:41:13no computer,
00:41:14no computer,
00:41:14no computer.
00:41:14I have never seen this.
00:41:19And I have no idea,
00:41:27I don't know, I don't know, I don't know, October or October.
00:41:31Because while I'm here, I can see the issues, issues, issues, issues, issues.
00:41:40I don't have written anything in my life for the findings that I call the findings.
00:41:46Not only for the findings, but for the findings of the findings of the findings,
00:41:52I told him that they moved on, the another paragraph of the city, all those.
00:41:58And I've told him the findings of the findings that I was in 1925 or 1938.
00:42:04It had a lot of events in his heart opened.
00:42:09Only the topics I can write to this read,
00:42:12and to see what other activists are going to be.
00:42:18We will go out and we will not get to you.
00:42:20I don't know what to say about it.
00:42:21But anyway, everyone can do something like that.
00:42:26Other people can do something like that.
00:42:27Other people can do something like that.
00:42:28But with the true view of the Ilia,
00:42:30and with the methodicality that he had,
00:42:33and with the poems he had from the old age,
00:42:35nobody can do it.
00:42:37Nobody can do it.
00:42:38No one can do it.
00:42:40No book doesn't listen to me
00:42:43any way of writing to my own people.
00:42:44The people of the country,
00:42:46the people of the country,
00:42:48the people of the country,
00:42:49and they are afraid to use
00:42:54the stories that are from the lains of the people,
00:42:57from the gay people of the country,
00:42:59from sexual violence,
00:43:02from the food of the local cuisine.
00:43:05But they have not understood,
00:43:07that the people of the country
00:43:09are written as in the small messages
00:43:11of the events of the civil society,
00:43:13as well as in the areas of the war and in the days of the war.
00:43:26Many times, the researchers and the rabbinologists
00:43:29send me to Paris the article and ask me my opinion.
00:43:33I am from the last few people who have seen the faces
00:43:37and things that do not exist anymore.
00:43:41I have already come very early. I didn't want to appear in 1930. I will have a lot of things.
00:43:49I have already appeared early. This idea is beyond time.
00:43:55I can take this video and say, but they will always get gaffes.
00:44:03Because the skull is an experience. I don't know. I have not seen how many men were.
00:44:10A man in the night was the light of this.
00:44:13You did it and said to him, he was a man.
00:44:16From his body.
00:44:19From the way that the skull came.
00:44:22They didn't come. They came. They came.
00:44:25They came.
00:44:25They came.
00:44:29I am a writer who I am.
00:44:31From my books.
00:44:33And because I have been reading many pictures from the past.
00:44:37That had been closed all my work.
00:44:40I have learned to understand the power of the picture.
00:44:44That's why I loved the photography.
00:44:46The photography me was released from the tyrannity of logic.
00:44:50I made me write poems.
00:44:52I used to read the book of mystery, the sleeping things.
00:44:55I understood poetry and jealous people.
00:44:59I was crying when I read the book of The Waeli's Moralers.
00:45:03Because I have never realized someone else.
00:45:14I never saw a single one.
00:45:16From my life who has so much respect and an understanding for those with the art of art.
00:45:22and love for the artists.
00:45:25They didn't have any new artists.
00:45:28So, I didn't have any new artists,
00:45:30and I didn't have any new artists,
00:45:34with whom I didn't have a relationship.
00:45:36It was a relationship.
00:45:37The artists are, before all,
00:45:40my friends and my friends are watching the poets.
00:45:43I just wanted to become a writer,
00:45:46and I didn't manage to be a writer.
00:45:47I always hate them,
00:45:48and they are the people who have opened my eyes.
00:45:52He is inspired by the artist.
00:45:55He is outstanding in the collage.
00:45:59I will know him.
00:46:01His collage is a mate.
00:46:05In the collage.
00:46:17He is inspired by the artist.
00:46:25He is inspired by the artist,
00:46:35and he has a full life,
00:46:37and he has a strongness to love.
00:46:38He is inspired by the artist.
00:46:46He has a photographer.
00:46:477,8,9
00:46:51here and maybe another one
00:46:57Now we will see
00:46:59I think, without a doubt,
00:47:03that this is a work that I wanted to do
00:47:06and to call it the Trilogia of the Collus
00:47:10So, here we go
00:47:12Here we go
00:47:15Amour et Dantel
00:47:17Paul-Emile Beka
00:47:20Amour et Dantel, 1932
00:47:23from the Archive
00:47:24Brian Terzis
00:47:29Pierre Loïs
00:47:37Tanino Liberatore
00:47:38So
00:47:42Yes
00:47:43Yes
00:47:43Malheureux vaincu
00:47:44C'est la loi des batailles
00:47:46Jouer battu tristes des capots
00:47:48Sois donc puni
00:47:50et courbe-toi soumis devant la large entaille
00:47:55Jouer
00:47:56Jouer
00:48:22Jouer
00:48:30Jouer
00:48:31Jouer
00:48:33Jouer
00:48:34Jouer
00:48:34Jouer
00:48:41Jouer
00:48:45Jouer
00:48:46Jouer
00:49:11Jouer
00:49:12Jouer
00:49:13Jouer
00:49:22Jouer
00:49:23Jouer
00:49:38Jouer
00:49:40Jouer
00:49:40Jouer
00:49:41Jouer
00:49:41Jouer
00:49:42Jouer
00:49:52Jouer
00:50:09Jouer
00:50:10The
00:50:10World War II
00:50:11The World War II
00:50:13The World War II
00:50:20The World War II
00:50:32I knew 18 January, 1994, after the international movement.
00:50:39I was frustrated.
00:50:42From the politics, from the family life, from the research, from the public studies.
00:50:48I was frustrated from everywhere.
00:50:52I had no doubt about anything.
00:50:54And my wife gave me life.
00:50:57My wife gave me life.
00:51:02He spoke to me immediately about the ships.
00:51:04I said I wanted to do something about the ships.
00:51:07And I heard him very carefully.
00:51:09And he said that the first time they hear me.
00:51:12Because the other people are crying or they are screaming.
00:51:16They seem strange.
00:51:18However, I had a special experience with the family.
00:51:21From the time when I had my little child's father.
00:51:24I used to walk to the sea.
00:51:28I was frustrated with this story of the death.
00:51:33And it was very interesting to me.
00:51:35And I said to him, I'll come with you.
00:51:38You're going to die.
00:51:39I'm not going to die.
00:51:40I spoke a lot about death.
00:51:42I was worried about death.
00:51:44I was worried about death.
00:51:49I was worried about death.
00:51:50But he was a man of thought.
00:51:55He was extremely richly.
00:51:59He could have been influenced by the death.
00:52:01And he was sad as two very basic parts of life.
00:52:05I knew that I knew nothing about that.
00:52:09the Bibles, and all of this.
00:52:12And that's what I remember,
00:52:13it was the first thing that was
00:52:15the cemetery.
00:52:17And there was something very interesting,
00:52:20which is very interesting,
00:52:21which was very Spanish,
00:52:22as the Greek Orthodox Church,
00:52:24those who were not Catholic,
00:52:26were not a Stavro
00:52:29and they had a point
00:52:31that was a circle
00:52:34with an axioma towards the Uranus.
00:52:36And that was,
00:52:37I would say,
00:52:38of the Athenians.
00:52:40And we took photographs,
00:52:42and we all went,
00:52:44all of them,
00:52:46to photograph other
00:52:49points of the Athenians.
00:52:51And that was the first impression.
00:53:02As he was ready,
00:53:04as he got everything,
00:53:05he was just,
00:53:07with his hands.
00:53:14For a half a while,
00:53:16we went all over the Greece,
00:53:18with information,
00:53:19with boats,
00:53:21and we visited all.
00:53:25It was the Greece of the Greece.
00:53:26The Venice.
00:53:29Very았습니다.
00:53:35He would visit all agesals,
00:53:55yazisos,
00:53:55and we came together.
00:53:56Yes, we were friends, yes, yes, we said to be able to move forward.
00:54:01But we were so happy, we were so happy, we were so happy, we didn't like it.
00:54:06And we had a lot of problems.
00:54:10You don't have the idea that we were always in the New York Times.
00:54:16But to go to a New York Times with Petropoulos,
00:54:19it was not to go to New York.
00:54:24It was not to go to New York Times.
00:54:30It was not to go to New York Times.
00:54:32Nothing else.
00:54:38In 1982, I came to Verolino for a series of words
00:54:42related to the Greek tradition.
00:54:45When Verolino was still left with the door.
00:54:51It was not to go to New York Times.
00:55:17I'm looking forward to the Marianne Plats.
00:55:22It's the 30th of October and it's like today,
00:55:24just before 39 years ago, that I killed my father.
00:55:29I saw the killed father in the midst of thousands of young people
00:55:33who were scared, scared, scared, and scared.
00:55:37I didn't have the pen ever before.
00:55:40And so I was all in the life of an orphan.
00:56:15I was all in the life of an orphan.
00:56:17I was all in the life of an orphan.
00:56:30When my friends are dying, my mother is falling.
00:56:33I write the simple answer,
00:56:36while the sacrifices are free from us.
00:56:38in the school.
00:56:50I remember a lot of an Afrikaner,
00:56:55an Afrikaner, a girl,
00:56:58called Ampatemba.
00:57:01He told me this sentence
00:57:02in our village.
00:57:04In a few years,
00:57:06every house in Bethlehem
00:57:09is a library for a break.
00:57:13And it's a sketchbook,
00:57:14you know,
00:57:15the cemetery.
00:57:17And it's an idea.
00:57:20When I went back,
00:57:22and when it fell,
00:57:25it was a library for a break.
00:57:34I was wondering
00:57:36why I didn't go to Greece.
00:57:39Of course,
00:57:40I have to lose my country
00:57:41but my country
00:57:43is very strong.
00:57:45And I said to my wife,
00:57:46here in Paris,
00:57:48to get rid of my clothes
00:57:50and to put my clothes
00:57:52on my own.
00:57:53This is my life.
00:58:11thank you.
00:58:25Maybe?
00:58:39No.
00:58:40Yes, no.
00:58:45Nice.
00:58:46Nice, very nice.
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