Σταχτοπούτα (1960)

daily-byk485

2 days ago

Transcript

00:00:00To be continued...

00:00:41There was a song that's on the track

00:00:44He asked him to play the song

00:00:47He told me she loved him

00:00:49A A A A A A A A A A A A A A A A A A A A

00:00:54A A A A A A A A A A A A A A A A

00:00:56Hey, hey, hey, hey!

00:00:57Oh

00:01:27Ay-lay-lay-lay-lay, ay-lay-lay-lay, ay-lay-lay-lay, ay-lay-lay-lay, ay-lay-lay

00:01:32-lay, ay-lay-lay-lay-lay

00:01:34Χα-χα-χα-χα-χα-χα-χα-χα-χα-χα-χα-χα-χα-χα-χα-χ-α-χα-χ-α

00:01:36-χ-α-χ-α-χ-α-χ-χ-h-

00:01:41마�ρια

00:01:45μερια

00:01:46έχω δει πολλόλιδο θα λαβομάρες, αλλά η δικιά σου έχει παραγίνει

00:01:49αντί να με βοηθήσεις να τιμάς τα πράγματά μου, σε χάθηκες πάλι με τοροσκόπιος

00:01:53You are the king of your friend. I am sorry. I read the book of the doctor and I forgot.

00:01:59What is the book of the doctor?

00:02:01I am going to make a travel-to-experience.

00:02:04Travel-to-experience?

00:02:06Good job.

00:02:08If the doctor has to write to the right hand, you will write to me.

00:02:13Mary?

00:02:14Yes, ma'am.

00:02:17Mary, Mary, do you want to write this?

00:02:19Is it so fast and so it's time for you?

00:02:25I'm so happy to see you so happy for a trip.

00:02:28I'm so happy to see you.

00:02:30I'm so happy to see you.

00:02:31I'm so happy to meet you.

00:02:34I'm so happy to meet you.

00:02:36I'm so happy to meet you.

00:02:37Me?

00:02:40Mary, Maria, what do you want to tell me?

00:02:43I didn't understand it.

00:02:44I'm so happy to meet you.

00:02:46I'm waiting for you to call me.

00:02:48Let's go.

00:02:53I don't know what's going on between the two.

00:02:56Maria is one. Mary is the other.

00:02:58Mary is the other.

00:02:59Let's see you.

00:03:13Hello!

00:03:15Come on!

00:03:17Are you ready?

00:03:18Are you ready?

00:03:33Are you ready?

00:03:35Are you ready?

00:03:47Are you ready?

00:03:48Are you ready?

00:03:49Are you ready?

00:03:51Are you ready?

00:03:58Are you ready?

00:03:59Are you ready?

00:04:01I'm ready.

00:04:04I'm ready.

00:04:06I'm ready.

00:04:08...and I'll go to the next week.

00:04:10And on the third...

00:04:11...and on the third...

00:04:13...and on the third and more...

00:04:15...I'm going to go with my Milto.

00:04:17Yes, then...

00:04:19...and then...

00:04:20...you can say anything...

00:04:23...because they don't know anything...

00:04:25...and if you have any questions...

00:04:28...they'll cut out the language.

00:04:29Why did you choose Kerkira and not Europe?

00:04:32My husband, Kerkira is the country of Milto...

00:04:35...and with the opportunity...

00:04:36...that he will go with his friends...

00:04:37...and I'll go with him.

00:04:39I hope you'll find him...

00:04:43...15 days in freedom!

00:04:46I'm sorry!

00:04:48Good luck!

00:04:49Good luck!

00:04:50Good luck!

00:04:51Good luck!

00:05:00Good luck!

00:05:02Good luck!

00:05:03Good luck!

00:05:04What's your turn,it Maria?operate

00:05:05on. Who did

00:05:09you call? Who you

00:05:09called? It was

00:05:10done... ...the...

00:05:11...we did

00:05:12you call it...

00:05:13Ah, she's waiting for 7 to 7 to get into the room.

00:05:18Are you ready?

00:05:20Yes, I'm ready.

00:05:21Yes, I'm ready.

00:05:24What is Maria?

00:05:27Let's write the lady.

00:05:29Let me give you a kiss.

00:05:30Don't worry, my dear.

00:05:32Let me know you.

00:05:33Yes.

00:05:37We're 4th.

00:05:38Pit.

00:05:41Pit.

00:05:42Pit.

00:05:44Mary!

00:05:45Mary!

00:05:49Mary!

00:05:51Mary!

00:05:52Mary!

00:05:53Mary!

00:05:54Mary!

00:05:55Mary!

00:06:02Mary!

00:06:11Are you?

00:06:12Yes, Mama.

00:06:14Your brother will come here.

00:06:17As you understand, you will be able to go to the church.

00:06:20Are you?

00:06:21Please, dear.

00:06:24Three years, dear.

00:06:25You understand?

00:06:27Your father is not here.

00:06:28If you are not here, you will be able to go to the house.

00:06:31Yes, dear.

00:06:33I told you, you will be able to go to the beach.

00:06:36With the beach?

00:06:37Yes, yes, yes.

00:06:39Why?

00:06:39I can't say it.

00:06:41I have a room, I have a room, I have a room.

00:06:47I have...

00:06:47I will not have a room.

00:06:49How can I have a room if I have a room?

00:06:51I don't know what will happen, but it will be a room for me to go to the house.

00:07:00If I have a house, I will be able to go to the beach.

00:07:05I will have a few days later.

00:07:10And for the next week, you will be able to walk, girl.

00:07:13While you are watching, you will be able to wait.

00:07:15Your son, you need to go to the beach.

00:07:17I will be able to go to the beach.

00:07:38I'm the king of the Kerkudas.

00:07:40I'm the king of the Kerkudas.

00:07:41Thank you so much!

00:07:43And I'm going to go back to the Kerkudas.

00:07:46We'll take you with the things of the Despolynidos.

00:07:50You're in the house where we have closed.

00:07:53And then you'll have another one.

00:07:56You're ready to go.

00:07:58You're ready to go, because...

00:07:59...aureus will be gone.

00:08:02And I'll go back to the Kerkudas.

00:08:06And look at him, what's he saying about me?

00:08:11Don't worry about it.

00:08:13It's time for you.

00:08:15It's time for you.

00:08:37You can't leave there.

00:08:39You can't leave.

00:08:40But we're not leaving.

00:08:41Let's leave.

00:08:42He's not looking for love.

00:08:43Yes!

00:08:44You saw people that they saw her...

00:08:45...the grandvalescent of the police officer in the city...

00:08:46...and...

00:08:47...you...

00:08:49...I'm going to leave.

00:08:50I've been here for a while...

00:08:51...and I'll be there for two weeks...

00:08:54...and so I'll be able to get it.

00:08:57You know...

00:08:59...you know...

00:09:01...that I can't come to go to the meadow.

00:09:04Do you know what I mean?

00:09:05Do you know what I mean?

00:09:07Do you know what I mean?

00:09:09Do you know what I mean?

00:09:11But...

00:09:11Do you know what I mean?

00:09:14He's a brother from America and I have to leave.

00:09:18That's a very good question.

00:09:19Do you want me to tell you?

00:09:20I want to tell you what I mean.

00:09:23These are the most important questions.

00:09:25I don't know why I have my mother.

00:09:28You know, I'll be here tomorrow,

00:09:29because I'm crying with my father.

00:09:32I'm here now, I'll tell you.

00:09:34I'll tell you how to do it.

00:09:35How many days are you here?

00:09:38I can say that.

00:09:39All the time we are together,

00:09:40we will be able to see you.

00:09:42And you want to go ahead and make it.

00:09:44Where you want to go?

00:09:45You want to go ahead?

00:09:47I want to say this.

00:09:49You're looking at me.

00:09:51You're looking at me.

00:09:52Tell me, you're going to go home and you're going to go home, isn't it?

00:09:56Milton!

00:10:13Well, it's time to get out of here.

00:10:18Milton, I don't understand.

00:10:19I don't understand.

00:10:20You understand and very well.

00:10:22But it's like the other world.

00:10:29I believe that I could have a love with you.

00:10:31And a full of love with you.

00:10:34Don't continue.

00:10:36You're right.

00:10:37You're right.

00:10:39I don't want you.

00:10:41I'm sorry.

00:10:42I'm sorry for you.

00:10:44You're right.

00:10:45You're right.

00:10:47You're right.

00:10:51You're right.

00:10:53You're right.

00:11:07You're right.

00:11:10You're right.

00:11:11You're right.

00:11:21You're right.

00:11:23You're right.

00:11:24You're right.

00:11:25It doesn't have any sense.

00:11:26I didn't know him.

00:11:28I didn't know him, Mr. Milton.

00:11:30He would have taken him out of the way.

00:11:33But he didn't know him.

00:11:34He didn't know him.

00:11:37Did you forget what he said?

00:11:40Good luck.

00:11:42Good luck.

00:12:01Fembór Plans

00:12:12Nửη

00:12:20Fembór Plansей之

00:12:22Czy ony the small branch of the land?

00:12:26By the way you start working!

00:12:29The GW and the Mi也可以 river,

00:12:33I will fall into the terminators

00:12:36And ony the small branch of the land?

00:12:41By the way you start working!

00:17:33Bye bye bye bye.

00:20:02Come here, come here, and I'll tell you if you will.

00:20:08Me?

00:20:11You?

00:20:12You?

00:20:13Are you ready?

00:20:14Yes.

00:20:14Do you have a good trap?

00:20:16Yes.

00:20:17Do you have a good trap?

00:20:17Yes.

00:20:18Do you have a good trap?

00:20:19Good job.

00:20:20Good job.

00:20:36Good job.

00:20:40Good job.

00:20:43Good job.

00:20:46Good job.

00:20:49Good job.

00:21:04Thank you very much, my friend, and don't forget that you're here at Spiretto's

00:21:08for you to bring you to the sea and the sea and the sea and the sea.

00:21:11Thank you, Spiretto, I'll tell you.

00:21:26Let's see what's going on.

00:21:51Can you tell me?

00:21:57Who is this?

00:21:58Mrs. Kadymy.

00:22:01She is the wife of Kadymy.

00:22:08She wants to tell me she is in the office.

00:22:32She's the wife of Kadymy.

00:22:35She is the wife of Kadymy.

00:22:38She is the wife of Kadymy.

00:22:46If you want anything, you don't want me to call out, D. Kadymy.

00:22:49Do you want me to go?

00:22:53Yes, thank you.

00:23:13Don't forget anything.

00:23:15You don't have any chance.

00:23:17You don't have any chance.

00:23:19You don't have any chance.

00:23:21You don't have any chance.

00:23:23It's an opportunity.

00:23:29Do you want me to go?

00:23:31Do you want me to go?

00:23:33I want you to go.

00:23:34Do you want me to go?

00:23:35I'll go to the camera.

00:23:54I'll go to the camera.

00:24:04To the camera's in front of the camera's this mirror.

00:24:06Good.

00:24:09Do you want me to go?

00:24:14English and French,

00:24:14Do you?

00:24:14Yes, yes!

00:24:15It's funny,ios,

00:24:15Do you

00:29:35Look at who's sitting in the car.

00:29:49Come on, where are you?

00:29:52You're my son.

00:29:54I'm a kid.

00:29:55Do you want me?

00:29:55Come on.

00:29:58Come on, come on.

00:30:10Come on, come on.

00:30:18Do you want this one?

00:30:21Do you understand my son?

00:30:23Do you want me?

00:30:24Do you want me?

00:30:26Stop.

00:30:26My son.

00:30:27Do you want me to leave?

00:30:29Don't do anything you want me to do.

00:30:31Do you want me to do anything?

00:30:32Do you want me to do anything?

00:30:35What do you want me to do now?

00:30:37Come on.

00:30:37You're in the sea.

00:30:44Please, please, please, please, please.

00:31:08.

00:31:17.

00:31:18.

00:31:18I've never been to the king.

00:31:19But I've never been to the king.

00:31:23I'm sorry, can you tell me that you can go to the Achilles?

00:31:27Yes, for the Achilles, yes.

00:31:30You can go to the left, right, right,

00:31:34right, right, right, right, right, right, right, right, right.

00:31:36You can go to the right.

00:31:39Stop, stop, you're lost.

00:31:43You're not here.

00:31:46You're not here.

00:31:47You're not here.

00:31:48You're not here.

00:32:06You brought me to the right, right, right.

00:32:08You brought me to the right.

00:32:18You brought me to the right, right.

00:32:23I'm sorry.

00:32:24I'm sorry.

00:32:26I'm sorry.

00:32:27I'm sorry.

00:32:28I'm sorry.

00:32:31I'm sorry.

00:32:32I'm sorry.

00:32:33Uh-oh.

00:32:45Let's go.

00:33:04Are you ready for the Gércules?

00:33:06Yes, I've been waiting for the Vapol.

00:33:10It's the first time.

00:33:11You're right.

00:33:12I'm sorry. I have a few words.

00:33:17Scopey.

00:33:19You're right.

00:33:19Where are you from?

00:33:20I was in Paris.

00:33:22I got to train to get to Venecia and I got to get the Vapol.

00:33:26What happened?

00:33:27Yes.

00:33:35Hello.

00:34:09La donna immobile, qua più malveto, muto d'accento e di pensiero.

00:34:44La donna immobile.

00:35:18Oh, no, no, no, no, no, no.

00:35:48とてもコレットの方法を言われると何が言われると言われると言われると言われる。

00:35:53I'll be right back.

00:36:24Hector's chapro, to be, to be a buñá.

00:36:38So grigora se para, calo, so grigora.

00:36:53Oh!

00:36:56The Christiane will be killed!

00:36:59What did you say about this?

00:37:01It's been a week, eh?

00:37:04Now I say that five days.

00:37:07I'm not sure.

00:37:19The Zavolière will go faster than the Zavolière.

00:37:20What do you say?

00:37:22It's faster than you do.

00:37:23It's faster than you do.

00:37:25I'm busy, my husband.

00:37:27I'm happy to get better than you do.

00:38:02I can't tell you how much you did it!

00:38:05I can't tell you!

00:38:06I can't tell you what I was thinking!

00:38:08I can't tell you what it was!

00:38:10I can't tell you what I was thinking!

00:38:11Come on, now, I'm thinking something!

00:38:15Come on!

00:38:16Where are you?

00:38:16To the museum.

00:38:18I'll take you to the next day.

00:38:20I'll take you to the next day.

00:38:21You?

00:38:23I'll take another one.

00:38:27I hope I won't be able to.

00:38:29I hope I won't be able to.

00:38:30So, that's why I'll give you my word.

00:38:32I'll give you my word.

00:38:34You saw me.

00:38:37You saw me?

00:38:38I'm a spy.

00:38:39I'm a spy.

00:38:41I'm a spy.

00:38:43I'm a spy.

00:38:45My class...?

00:38:46Have a job always.

00:38:47I have not left albenefferlyn- completeiddling.

00:38:49It's not enough for many people.

00:38:54I was a police officer,

00:38:56and I'll do it all for my job.

00:38:57Don't be ashamed of me.

00:39:01I'll take you out.

00:39:03Don't you ever hold me back?

00:39:03Something want on me.

00:39:04I have gone for today.

00:39:07You are your info for some madavians.

00:39:09I'll deserve you.

00:39:10I'll take a Amazing rou dark rag it's not gonna be.

00:39:12I'll take you back.

00:39:14It's my father.

00:39:15It's my father.

00:39:16Thank you very much.

00:39:18Thank you very much.

00:39:21For the Brindersy, please.

00:39:22For when you want?

00:39:23So?

00:39:26Let's go.

00:39:28Let's go.

00:39:29Okay, let's go.

00:39:30Okay, let's go.

00:39:32Okay, let's go.

00:39:35What happened?

00:39:43He didn't have a room.

00:39:47Okay, let's go.

00:39:49Okay, let's go.

00:39:50Let's go.

00:39:51Let's go.

00:39:52Let's go.

00:39:53Let's go.

00:39:54Yeah.

00:40:33Let's go.

00:40:33What's that, brother?

00:40:35What's the problem?

00:40:37What's the problem?

00:40:38What's the problem?

00:40:39I love you.

00:40:41Thank you, Mr. Academy.

00:40:42Do you know what I'm going to do with a bit?

00:40:44And of course, it's going to come.

00:40:47I don't know what I'm going to do with the beat.

00:40:58It's been a few days after the 4th and it's still not yet.

00:41:00Don't worry about it.

00:41:01He had made a trip from the Americas.

00:41:04It was from Paris.

00:41:06It was from Paris.

00:41:07He came to Paris.

00:41:10He came to Paris.

00:41:11And he came to Paris.

00:41:12I don't understand.

00:41:14I don't understand.

00:41:15Let's go!

00:41:18Let's go!

00:41:36Let's go!

00:41:38Let's go!

00:41:39Let's go!

00:41:41Let's go!

00:41:52Let's go!

00:54:04Let's see what's going on in the middle of the middle of the middle of the middle of the middle

00:54:09of the middle.

00:54:34. . . . . . . . . . . .

00:55:04. . . .

00:55:10. . . . .

00:55:10. . . . . . . . . . . . . . . . . . . .

00:55:11. . . . . . . . . . . . . . . . . . . .

00:55:16. . . . . . . . . . . . . . . . . . . .

00:55:20. . . . . . . . . . . . . . . . . . . .

00:55:34. . . . . . . . . . . . . . . . . . . .

00:55:35. . . . . . . . . . . . . . . . . . . .

00:55:37. . . . . . . . . . . . . . . . . . . .

00:55:37. . .

00:55:39She's lying, she's lying. Now, you're hiding.

00:55:42Who does it?

00:55:44Thornton!

00:55:45Are you going to tell me?

00:55:47I have to tell you!

00:55:49I'm sorry...

00:55:49I will tell you!

00:55:53Are you going to kill me?

00:55:54Yo, I don't want you to kill me!

00:55:57Are you, miss you!

00:56:01Are you going to tell me?

00:56:02Are you, us...

00:56:02I want to tell you!

00:56:04I want to tell you!

00:56:06Well, I want to tell you!

00:56:06I want to tell you...

00:56:09Come on, Yashi.

00:56:10Well, he's done.

00:56:38Let's go.

00:57:09Πέτρο δεν είμαι αυτή που νομίζεις.

00:57:11Άσε με να μιλήσεις σου παρακαλώ.

00:57:14Δεν είμαι ούτε πλούσια, ούτε από μεγάλο σπίτι, ούτε τίποτα.

00:57:17Δεν είμαι, δεν είμαι παρά μια φτωχή καμαριέρα.

00:57:21Ένα φτωχό κορίτσι που βρήκε την ευκαιρία να ζήσει ένα ωραίο όνειρο.

00:57:29Σου είπα ψέματα Πέτρο.

00:57:31Ήταν έρθει η κόρη της κυρίας μου, αλλά ένα τηλεγράφημα από το γιο της άλλαξε το πρόγραμμα.

00:57:36Καταλαβαίνω, έμεινε η κόρη εδώ να περιμένει τον αδελφό και έστειλανε εσένα εδώ.

00:57:40Και πού το βρίσουν το ψάμα.

00:57:42Όταν ήρθε εδώ, όλοι με πήραν για τη δεσπονίδα καδήμου.

00:57:45Α.

00:57:46Και εγώ όχι μόνο δεν αρνήθηκα, αλλά άρχισα να φοράω και τα δικά της φορέμα.

00:57:51Πέτρο, πόσο ντρέπουμε.

00:57:53Κι όλα αυτά γιατί σκέφτει να γίνει πίσω κοινούς ο Μασκαράς ο ιδός.

00:57:58Α, για να σου πω, όχι ο Μασκαράς.

00:58:01Είναι πάρα πολύ καλό παιδί ο Καδίμης.

00:58:03Το ξέρεις.

00:58:04Ναι.

00:58:05Όχι.

00:58:08Δηλαδή, εξόψεως.

00:58:11Εσύ το ξέρεις.

00:58:15Πώς να το ξέρω που εγώ είμαι ένα χρόνο στο Καδίμη και αυτός λυπεί τρία χρόνια.

00:58:20Τρία. Τρία γεμάτα.

00:58:24Μου το έπε η αδελφή.

00:58:25Α, τι ξέρεις δεσπονίδα Μέρι.

00:58:27Ου, αυτή δι φαντασμένη.

00:58:29Φαντασμένη Μέρι.

00:58:30Και φαντασμένη και ιδιώτροπη.

00:58:33Τρώγετα με τα ρούχα της.

00:58:34Α, για να σου πω κύρι Πέτρο, όσο εδώ και μη παρέχει.

00:58:36Δεν ξέρω ότι η Χιλόπητα σου δώσε η Μέρι.

00:58:38Αλλά έχω να σου πω πως είναι το πιο καλό κορίτσι που γνώρισα ποτέ μου.

00:58:42Δεν συμφωνώ.

00:58:43Μα, το Θεό θα συμφωνήσεις.

00:58:44Κι ας την κακομύρα, γιατί αρκετά βάσανα έχει.

00:58:48Βάσανα.

00:58:49Τι βάσανα.

00:58:50Τι έχει η Μέρι.

00:58:51Μαρία, σε ρωτώ.

00:58:52Τι τι συμβαίνει.

00:58:54Μην τα ρωτάς.

00:58:54Μα, πες μου λοιπόν.

00:58:56Μου έστειλε πίσω τα γράμματά μου.

00:58:59Είμαστε, λέει, δυο ξέχωροι κόσμοι.

00:59:01Αυτές είναι προφάσεις.

00:59:03Ήθελα να διακόψει και βρήκε δικαιολογία.

00:59:05Λίζα.

00:59:05Άκου με που σε λέω.

00:59:06Κάτι ξέρω από κάτι τέτοιους.

00:59:12Δεν υπάρχει λόγος.

00:59:13Χρυσή μου να στενοχωριέσαι.

00:59:13Το μοναστήρι να είναι καλά.

00:59:15Τον αγαπώ, Λίζα.

00:59:16Τον αγαπώ.

00:59:17Καταλαβαίνεις.

00:59:17Ελάστε τώρα τους συναισθηματισμούς και σε αλλάξουμε κουβέντα.

00:59:20Για πες μου, είχες νέα από τον Πιτ.

00:59:21Τίποτα.

00:59:22Τόσες μέρες έχουν περάσει και ακόμα δεν φάνηκε.

00:59:24Δεν ξέρουμε τι να υποθέσουμε.

00:59:27Αρχίζουμε να ανησυχούμε.

00:59:29Ανησυχούν, Πέτρο, δεν καταλαβαίνεις.

00:59:31Τόσες μέρες να σε περιμένουν και να μην πάρουν ούτε ένα τηλεγράφημα.

00:59:34Έχεις δίκιο, αγαπή μου.

00:59:35Πάμε όσο να στείλω ένα τηλεγράφημα.

00:59:38Και εσύ να βάλεις κάτι πιο ελαφρό.

00:59:40Γιατί.

00:59:41Πες, αρέσει έτσι.

00:59:42Εμένα μου αρέσει όπως και να σε.

00:59:44Μην ξεχνάς όμως ότι θα πάμε να χορέψουμε στο κλάβι.

00:59:46Α, ναι, μα το Θεό το ξέχασε.

00:59:48Εντάξει, μην αργήσεις.

00:59:50Απ' το γιώκα σας.

00:59:54Επιστρέφοντας κατέβηκα Κέρκυρα.

00:59:55Είμαι καλά, έρχομαι μεθά αύριο πίτ.

01:00:00Καλό κι αυτό.

01:00:02Εμείς να τον περιμένουμε εδώ και αυτός να κάνει διακοπές στην Κέρκυρα.

01:00:30Υπότιτλοι AUTHORWAVE

01:01:03Υπότιτλοι AUTHORWAVE

01:01:32Υπότιτλοι AUTHORWAVE

01:02:03Υπότιτλοι AUTHORWAVE

01:02:18Υπότιτλοι AUTHORWAVE

01:02:41Υπότιτλοι AUTHORWAVE

01:03:33Υπότιτλοι AUTHORWAVE

01:03:42Υπότιτλοι AUTHORWAVE

01:03:44Υπότιτλοι AUTHORWAVE

01:03:49Υπότιτλοι AUTHORWAVE

01:04:06Υπότιτλοι AUTHORWAVE

01:04:21Υπότιτλοι AUTHORWAVE

01:04:51Κυρίες και κύριοι

01:05:00Υπότιτλοι AUTHORWAVE

01:05:39Υπότιτλοι AUTHORWAVE

01:05:42Υπότιτλοι AUTHORWAVE

01:06:21Υπότιτλοι AUTHORWAVE

01:06:52Υπότιτλοι AUTHORWAVE

01:07:11Υπότιτλοι AUTHORWAVE

01:07:12Υπότιτλοι AUTHORWAVE

01:07:23Υπότιτλοι AUTHORWAVE

01:07:31Υπότιτλοι AUTHORWAVE

01:07:34Μπορείτε να μας πείτε μερικά λόγια

01:07:35Πάλι να σας πω

01:07:36Να απαντήσετε σε μερικές ερωτήσεις

01:07:39Ας πούμε παρεμματοσχάρη

01:07:41Εάν πιστεύετε στον έρωτα

01:07:42Και τι σε ενδιαφέρει σε αντιπιστεύω εγώ

01:07:44Είμαι δημοσιογράφος δεσποινής

01:07:45Και θα ήθελα να αναγράψω μερικές σκέψεις και κρίσεις

01:07:49Ποιο νομίζετε ότι είναι το ορότερο πράγμα στη ζωή

01:07:55Το ορότερο πράγμα στη ζωή

01:07:57Μάτω Θεό

01:07:58испыт Fluox

01:08:00Είναι η αγνή

01:08:01Για λυθινή αγάπη

01:08:06Θεό

01:08:30Hello?

01:08:32Please, I see.

01:08:37Do you have any news about Mary?

01:08:40What do you mean, my brother?

01:08:42These are very famous!

01:08:44I hear you and I hear you!

01:08:54In a beautiful atmosphere of the Club Village Palace,

01:08:58the lady Mary Kadimi,

01:09:00the girl of the former Antony Kadimi,

01:09:02the ex-saleship and the ex-saleship.

01:09:04I'm going to go to the letter.

01:09:17Hello? Is it her? She's in her bed. Give me a letter.

01:09:24Hello? Are you sure? I have a new letter for the Mary.

01:09:27The Mary?

01:09:29She's in the Kerkira.

01:09:31Are you sure?

01:09:32Are you sure?

01:09:34Yes, we are.

01:09:36We write all the letters.

01:09:37I have a great letter.

01:09:39What do you mean?

01:09:42What do you mean?

01:09:43And we thought it was a lot.

01:09:45And we thought it would have been in the Kerkira.

01:09:48Oh my goodness!

01:09:50We have to tell you that the world is the most important thing in the world.

01:09:54Are you sure?

01:09:55Are you sure?

01:09:58I thought I was thinking of the Kerkira when I read the news.

01:10:02I have to tell you.

01:10:04Who knows what I mean?

01:10:05Hello Mary.

01:10:06What are the things that are these things?

01:10:08I have a photo of her.

01:10:10I have a photo of her but with her name.

01:10:12Do you think you should have to leave her?

01:10:14What should I do, Mary?

01:10:16And I'll do it.

01:10:17And I'll do it.

01:10:18I'll do it.

01:10:19I'll do it.

01:10:20Call me.

01:10:37Call me.

01:10:38Call me.

01:10:39Call me.

01:10:41Call me.

01:10:43Call me.

01:10:44Call me.

01:10:45Call me.

01:10:46Call me.

01:10:47Call me.

01:10:48Call me.

01:10:49Call me.

01:10:50Call me.

01:10:51We'll see who's going to be better.

01:11:36Oh, that's right, that's what it's worth.

01:11:41What is it?

01:11:42I don't know, I'm going to see you.

01:11:46Let's go.

01:11:48Can you do it?

01:11:49I don't know.

01:11:50That's what you're doing.

01:11:51I've been right here.

01:11:53I'm coming to play.

01:11:55Hey, I'm coming back.

01:11:57Come back.

01:11:58Hey, that's enough.

01:11:59Hey, you're watching!

01:12:01Of course it's the best.

01:12:03I'm coming back.

01:12:09You're waiting.

01:12:11But you're not alone.

01:12:14But you're just alone.

01:12:16The king of Antony Cademy?

01:12:17That's right.

01:12:20She has closed room for me in this room.

01:12:25If you know the letter, write it down.

01:12:35Who is it?

01:12:36She will learn. She will try to get you in front of me.

01:12:40That's right.

01:12:41I don't have to wait for her.

01:12:43I don't have to wait for her.

01:12:44What?

01:12:47She is...

01:12:49Mary!

01:12:51That's what the world did.

01:12:52But I have to know her.

01:12:54I have to ask her.

01:12:56I have to ask her.

01:12:57And what is she?

01:13:00That's what I have to say.

01:13:03That's right.

01:13:08Why are you?

01:13:10That's right.

01:13:12That's right.

01:13:14That's right.

01:13:15That's right.

01:13:16That's right.

01:13:27That's right.

01:13:30That's right.

01:13:41That's right.

01:13:43That's right.

01:13:45I would like to talk to you about it.

01:13:46If you think it's good, it's called Milton.

01:13:50What did you say?

01:13:51Yes, it's called.

01:13:54Mary, what did you say?

01:13:56Nothing, nothing.

01:13:59Can you give me a cigar?

01:14:09You don't have to explain it.

01:14:11Do you think Mary is like something like that?

01:14:15Yes, Mary.

01:14:16Maybe you're in a shop there.

01:14:18Do you want to go over and over and over?

01:14:18Yes, you don't know.

01:14:24You don't mind what you do.

01:14:28You are like a cigar.

01:14:29I'm sorry.

01:14:30I'm having to tell you,

01:14:33that's the secret Mereica,

01:14:34or the other family,

01:14:36she's interested in a way.

01:14:38You don't know anything.

01:14:40If you're not,

01:14:41But if you want to learn more, you don't have to worry about it at the end of the show.

01:15:13But if you want to learn more, you don't have to worry about it at the end of the show.

01:15:25But if you want to learn more, you don't have to worry about it at the end of the show.

01:15:46But if you want to learn more, you don't have to worry about it at the end of the show.

01:16:03But if you want to learn more, you don't have to worry about it.

01:16:20You don't have to worry about it.

01:16:42You don't have to worry about it.

01:17:11You don't have to worry about it.

01:17:39You don't have to worry about it.

01:17:43You don't have to worry about it.

01:17:45You don't have to worry about it.

01:17:47You have to worry about it.

01:17:48You don't have to worry about it.

01:17:52You don't have to worry about it.

01:17:55You don't have to worry about it.

01:18:01You don't have to worry about it.

01:18:19You don't have to worry about it.

01:18:31You don't have to worry about it.

01:18:33You don't have to worry about it.

01:18:48You don't have to worry about it.

01:18:58You don't have to worry about it.

01:19:00You don't have to worry about it.

01:19:10You don't have to worry about it.

01:19:12You don't have to worry about it.

01:19:13You don't have to worry about it.

01:19:14You don't have to worry about it.

01:19:16I mean, I can't wait for it.

01:19:19I think you are with your lady.

01:19:21You are leaving the house.

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